#this is about ai

[camilieroart]

But by the gods, I will go on.

I will

I will.

[mistysblueboxstuff]

heads up i shall be raiding the houses for all your home cooked food because i can't cook and i just don't have the talent or time to learn so it's okay for me to steal yours right?? if you say no you're ableist and anti American also I'll tell people i cooked it sue me

[onemillionfurries]

its so funny how capitalists will fearmonger about socialism/communism/whatever automating everyone out of a job, but when workers get automated out of a job under capitalism to put more money into the pockets of the CEOs it's fine and good actually 🤔

[edgebug]

someone tell me it will be different but it will be OK

[lastdivantruther]

i feel like a lonelier future is waiting for us people and thats kind of scary.

[darling-bibliophile]

I need Curt Mega to destroy every server on earth sometimes

[memendoemori]

Good morning everybody

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[writexpoetryxbreathexmusic]

I feel like society as a whole is approaching the point of crumbling and at that point we’ll have absolutely no recourse and I’m tired of seeing shit pushed that actively will contribute to the inevitable demise of society as we know it and these things are being labeled “technological advances”

dystopia was never the goal, it was always a WARNING

[softwaring]

we’re really out here living in an AI dystopian hellscape and this shit has just begun… the future is grim…

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[slushy-sash]

why is bro in port ormos when he works at the akademiya

[valtsv]

humanising a machinegirl by treating her like a person: based

"humanising" a machinegirl by turning her into a generically pretty waify anime girl: killing you with a hammer until you are dead

[shepscapades]

Surely this will have no negative consequences whatsoever!

[transformers-earthspark]

IMPORTANT: TUMBLR HAS MADE A DEAL WITH MIDJOURNEY/OPENAI.

YOUR ART AND IMAGES ON TUMBLR ARE BEING USED TO TRAIN AI MODELS.

The opt-in is automatic, but you can turn it off in settings.

Go to "Blog Settings" -> "Visibility" -> "Third-Party Sharing" and turn on "Prevent third-party sharing for [blog]". (This post shows how to do it on browser and on mobile.) You need to do this with every sideblog. (Note: The option in settings might not appear if your app hasn't updated yet. You can still opt out via browser.)

Spread the word. Everyone on Tumblr needs to know about this.

[jojo-schmo]

How to turn off AI Training of your content on Web and Mobile:

On a Web Browser:

I had some trouble finding this option. My first instinct was to click the settings button on the left, but that's where it is!

First, you'll click the name of your blog on the left sidebar to bring it up on your browser.

Then click "Blog settings" on the right sidebar once your blog is brought up. That's where they're hiding it.

Click "Prevent Third-Party Sharing" under the Visibility section, and bam! You're done.

On Mobile:

Thankfully it's much easier on mobile. Just click the Gear icon on your blog's page, to go to settings.

Scroll all the way down until you see Visibility, then toggle the Prevent third-party sharing option for your blog!!

If you disable this setting on mobile, it automatically synced it to my web browser settings, too. ...But if you use both Web and Mobile, I would still highly recommend double checking that it actually turned off on both!!

Check that it's turned off on your side blogs too! And check your settings every now and then anyway to ensure that it's staying turned off, because if my memory serves right, some other websites will pull some shenanigans on things like this and opt you back in without telling you!

Leave Feedback on New Features at Tumblr Support Here!! Let Staff know however we can that having our content fed to AI at their whim is unacceptable.

And if you have the option to poison your art with Nightshade or Glaze, keep it up!!