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“Does that mean Valaena and I might wed?” Aemond questions.
Valaena chokes on air.
Aemond reaches for her hand, laces their fingers together despite how she keeps on coughing.
“We love each other as Targaryens do,” Aemond continues, to Valaena’s growing confusion. She’s not certain when he thought she said so.
— bury my heart next to yours CHAPTER 4 by @fkevin073
put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.
THIS IS ALL ONE SHOT!!!!!!!!!!! THIS IS ALL. ONE SHOT.
A nearly two-minute walk and talk in the precinct set with NO CUTS. For TWO MINUTES.
This is TWO FULL YEARS before The West Wing, which popularized the long hallway single shot walk and talk.
Genuinely hard to convey how difficult a shot like this is to choreograph with so many different moving pieces. As one continuous take this shot is WILD. It means everything—including the push in to Ray and Elaine, the pull back out to include Fraser stepping precisely back into frame, the ACTUAL LIVE DOG, the walk into the bullpen with all the extras cutting in front of camera, the gag with the ink—all of that is in ONE GO, NO FUCK UPS.
INCLUDING!! One of the best pieces of acting in the ENTIRE SERIES right here:
THE love at first sight moment. In the MIDDLE of all this.
My favourite thing about this is imagining Gordon Pinsent standing patiently in the bullpen waiting for his moment for the 45 times it took to get the first ninety seconds of this shot clean.
Oh I will never be done being obsessed with this show. The level of stagecraft involved here alone is insane. Paul Gross the man you are,
Happy 27th birthday today, Burning Down the House (Sept. 14, 1997)!! You are still iconic🇨🇦🍁