#this is CORRECT everyone go home

[schweeeppess]

Happy Mother’s Day! - or happy parental appreciation day 🌻💚

I know it’s not the same date all around the world but here we go :)

It’s as good as any day to give your loved ones a call ✨ have a fantastic Sunday 🐝

[padfootastic]

can’t help but think of how, if we choose to go by sirius’ characterisation as a private, arrogant teen who only lets a select few into his circle, sirius’ post-azkaban life just have been such an utterly humiliating experience for him.

especially OoTP. when he has all these near strangers in his childhood house, that he hated and loved and ran away from and couldn’t ever escape. if he spent his entire pre-azkaban existence building a cold and aloof persona, not letting people know what his home life had been like, then to have all of these people get a front row seat to it because of kreacher and portrait walburga’s shenanigans must have been near unbearable. to have the entire order, including snape whom he disliked and mistrusted, hear the kinds of names he’s being called.

not only does he have to deal with the retraumatisation of his childhood, but also the fact that he’s flayed open for everyone to see. it’s not only his freedom, innocence, dignity that has been snatched from him but his privacy also. it’s such a cruel thing to experience, on top of everything else.

to have literal children, his godson who he has been kept away from all this while, whom he presumably wants to be able to look up to him, to have him see into the deepest parts of his soul. to have to be so weak in front of him. not only is he subjected to such vileness but he also cannot do anything about it.

sirius has not had a moment of peace in all the time we knew him. it is indignity upon indignity that is heaped onto him. every other character has gotten a moment of respite but him. it fully breaks my heart.

[horsechestnut]

Being a Cissie King-Jones fan is so funny because she's probably the only superhero in existence where her fans actively root for her to not be in things.

[polysyndetonaddictsupportgroup]

did every hero really follow endeavor's plan during the jail break? I've never watched bnha, but I always figured there were more heros then Japan knew what do with. Was endeavor really just that worried about how the fight again AFO would go? and did AFO have the league with him? or other prison escapees? Given eraserhead was so entrenched?

As a preliminary matter--yes, it was way more than AfO. The League basically did what they did during the USJ arc and subcontracted their violent attacks. They needed a big force to first get AfO and everyone else out of Tartarus, and then they made it very clear (via loudspeaker and also fucking tweet) that they would all be very peacefully retreating while all those criminally insane and violent motherfuckers went that other direction. Ball's in your court as to how you want to tackle it.

AfO was the biggest threat, by fucking far, but it was far from isolated to him. It was the entire League of Villains + Their Very Special Friends. It was the kind of force that would be required to make the entirety of Tartarus fall for the first time in history. So the heroes had plenty to keep them busy.

And as to whether Endeavor was that scared about the next fight with AfO... Yeah.

I think bnha does a good job at establishing that All Might and AfO just exist at entirely different levels than every other person alive. Their fight leveled a decent chunk of Kamino. And I think that's kind of power and devastation is hard to conceptualize as like, people in a world where we don't have to worry about superhero fights. (as a side note--Sukuna's Big Fight in the Shibuya arc from JJK did better than any other fight in media to really capture the sheer cosmic horror of being caught as a bystander in one of those fights).

But endeavor saw it. He was there for AfO’s and All Might’s last fight. The gods were fighting. Everyone else was just an ant.

He is facing the villain that ultimately took down All Might. All Might won Kamino, sure. But he didn't get up again after. He was permanently and irreversibly taken out of play. And Endeavor has spent the last year feeling like he was struggling to be even half of what All Might was with two hours of productivity a day. He was so consistently voted to not be able to compare to All Might that he bought a wife and had four kids about it, all of whom hate him actively.

He does not think he is winning this fight. He is Japan's number one hero. The responsibility is going to fall to Midoriya Izuku to him. He is the best they have left, and the fight that would be coming was one that already nearly killed All Might, the one guy he has never ever been able to compare to. And when he really looked himself in the mirror and asked if he could stop AfO, the answer was no.

And it wouldn't just be AfO if he came back to power. It would be his followers--and he was liable to get more than just the current League of Villains roster. It would mean more Nomus. They could barely handle one Nomu--how could they possibly handle the Nomus, and the LoV, and AfO?

And the answer that he came to was that they couldn't. Not without All Might.

He thought he was sacrificing Yokohama for every single other city AfO was going to level if he had time to grow in strength again. He thought that if they threw absolutely everything they had at him while he was weak, then maybe they could contain him and the League before entire cities fell.

So. That's why he came to that decision. Why did every hero fall into line?

So what’s key to what happened here was it was this complete structural breakdown at exactly the wrong time.

Structural Flaw #1: Transportation

Was it every hero in Japan that responded to Endeavor’s order? No. But not every hero in Japan was available. Any heroes out of the immediate area were too far away to do shit.

But it's a massive crisis. Heroes would commute from all over if they could--but it's not about desire, it's about time and resources. With how imminently emergent the threat was, a lot of far-away heroes would need something like a jet to even conceivably get there in time.

Who is sending the jet?

Let's pin down what heroes could, conceivably, get there in time. Very few heroes are in walking distance. How do heroes typically get from Point A to Point B?

Hero society in bnha is an agency model. There is no communal pool of resources--you have what your agency has. You have a jet to transport you if your agency has the money for one, and I’m pretty sure only all might had that (he has since had it dismantled and the parts repurposed for the sake of the environment. He only had it to begin with so he could quickly respond to imminent threats. All Might thinks there's more than one way to save the world and saving the environment is part of it). Like. We even saw Endeavor flying fucking commercial.

But let's just assume, arguendo, that some agencies have jets. It would have to be the very top agencies to possibly afford it.

All of whom are shown in canon to mostly operate out of the same area. So they're going to have to send the jet somewhere else to get more heroes. Now any travel time is doubled. If they do send it out, how many people are they realistically getting? Are these heroes in multiple different cities? That's more travel time then. Maybe we just land the plane in Kyoto and whoever gets on in the twenty minute period while they're refueling is who is coming back. We'll hand them parachutes and kick them out the plane door over Yokohama. Okay. Good plan. Go team.

Who is sending the jet?

Like, who is physically making the call to send the jet? Who do they call? Do they just start ringing around their buddies and seeing if they have other plans? The city is on fucking fire and we need people fighting now, so the big name heroes don't have time to organize transport with other agencies. They’re not even thinking of that right now. Make it a sidekick's job.

They are all on fucking strike.

Fuck it. Fine. Make it an admin's job. There has to be some kind of office staff who can work a telephone who's available.

Who is thinking to send the jet?

Admins are not making strategic calls about where the company jets go. There would have to be some kind of protocol in place or someone with the authority to send the jet would have to think of it in the moment. And I guarantee you this would not be the case.

Because this is a society where they have canonically semi-privatized public safety and put people in direct competition with each other over it.

ASIDE: The Economic Structure of Heroics and Why It Sucks

I have an economic structure. You must listen to it. I promise it is relevant. This is why it takes me forever to do things it's because i get too deep into the weeds and have to explain the fucking economic structures underpinning the analysis for my nonsense to make sense.

How the fuck do heroes get paid?

I have no idea if canon ever tells us because to be so for real with you guys I have not watched this show in years. I haven’t cared about canon since the Shie Hassaikai arc. The fucking YouTuber arc broke me. I literally never watched it again. If they ever explain to us how heroes get paid I do not know and I do not care. I refuse to go back to canon. Everything I found out about canon after the Shie Hassaikai arc, I learned against my will. The ending to this story was so fucking stupid and I only have a scattered knowledge of the details but I’m still right. If canon ever tries to explain it then please do not tell me, I refuse to learn more things about this show.

But I still like poking around the potential economic structures based on the part of canon that doesn’t cause me psychic damage. So here’s the thought process for the economic underpinnings of hero society in the pez universe.

From canon, we know it can be an enormously lucrative profession, we know that it involves some degree of private interests (re: merch lines), and we know that there are some people who cannot have merch lines (Underground Heroes, e.g. Eraserhead), so there also must be some kind of public funding aspect to it as well. So. Who the fuck signs your paycheck?

Sources of Funding

a. Public Funding

There must be some kind of official governmental budget for heroics. Like. They are very much a public service. There would be no way to have a fully private heroics force without government funding. What else are you supposed to do, fucking Venmo heroes after they save you? Do they put your kitten back in the tree if you don’t have enough.

In my mind, there's public funds allocated to heroes as part of a city's budget. That funding is allotted based on the number of employees in a given entity balanced against the confirmed acts of heroics of that same given entity. There’s a base salary level and that can be increased based on how successful you are, but salary isn’t exclusively what this fund is for. The heroic entity (an individual hero or an Agency) is effectively receiving grant money from the government to run their agency. You put it into salaries, gear, office space, everything. The government is basically investing in heroes, and it’s investing more in heroes who are shown to have a greater positive impact on society.

It involves overly complex calculations regarding the scaled difficulty of a given bust/rescue/act and ranking of the villain (if there is one) and the overall public benefit for the service rendered. You get bonuses for having a lower average property damage, for contributing to community building projects, that kind of thing. It is Complex. There is a lot of paperwork that has to be submitted to strange and vaguely threatening government accountants. When Mirio and Izuku start their agency, they will burst into tears multiple times trying to figure it out once filing season rolls around, bundle all the paperwork in a Massive Tears And Shame Package, mail it off to the shadowy powers at be, and then get a perfunctory notice that they are getting a ludicrous amount of the city budget allotted to their dinky little agency for the upcoming fiscal year because they are Big Fucking Heroes and enormously good at what they do and it reflects in their stats. They will then lay on the ground of their haunted fucking office and stare at the ceiling for a very long period of time.

But this puts the heroes in competition with each other. Your public funding is chained to your stats under this model. There's only so many criminals out there--you've got to get the right numbers or it cuts into how much of a slush fund the agency is working with.

It's sort of an insane model for a public servant position, but I think it matches with what canon shows us. Imagine having firefighters pitted against each other. like, having a competitive model for public safety raises extreme concerns about how it incentivizes public servants to act.

But this isn't canon's model. It's my guess as to how canon works based on the hints i can remember and my own mental illness. So why do I think canon suggests a model like this?

It's because 1) canon does establish that heroes are in competition with one another and 2) this kind of model would likely be necessary due to the level of autonomy that heroes have.

The literal first fight we see involves heroes in competition with each other. Kamui Woods is doing a big Ultimate Move, and Mount Lady rushes in and steals the show. Like. that is crazy behavior if we are looking at this through the lens of a typical public servant. Imagine you're trying to get directions from a park ranger and a different park ranger kick flips in with a map and a desperate need for you to get your directions from them instead. You call poison control and they’re beating each other in the head over who gets to tell you you’re dying.

Still, on its own, the competition isn’t dispositive, because the private income streams (we'll get there) would incentivize competition even if public funding wasn't based on it. But the level of autonomy that hero offices exhibit also suggest some kind of competition model.

Heroics agencies are not run like a typical police force or fire station. With most entities that function as first responders, they respond to some kind of centralized force (like 911 call centers) and they have highly regulated resource distribution. Like, police forces are restricted to a specific jurisdiction. Within that jurisdiction they have multiple districts and officers typically stay in their district. They're not going to a different fucking city because they think the crime is cooler there.

But Endeavor does exactly that. He's like "hello, son who hates me. Let's go to Hosu because I want to fuck with the hero killer for street cred. won't you come along. It is non-optional" and todoroki says "i hate you father and will abandon you on our father son trip to set a serial killer on fire with my mind. it will be for mildly gay reasons."

These agencies aren't a centralized public service. They are all just off doing their own thing. They're not responding to specific areas as allotted to them by the city--they just fuck off and do whatever. Like, there's probably some coordination between agencies as to who is covering what patrol, but it likely would be more out of courtesy than formal requirement. People wouldn't step on each other's toes nearly as much if there was more of a structure to this.

Typical public agencies who receive funding in accordance with staffing and budgetary needs have more structure and formality than is exhibited in canon. Heroics Agencies act like they're all independent contractors. They probably function like grant money recipients, where they're all fighting for the same pool of funds. You have to write in and show why you deserve that money when that's the case. They're in competition with each other.

Like, is this definitively the structure in canon? No, of course not. I have no fucking idea what, if anything, canon has going on. But it definitely fits with canon.

b. Private Income Streams

We know from canon that it can't just be public funding. Izuku alone probably paid for the Mighty Agency private jet with how much fucking all might merch he bought. Canonically, heroes have merchandise lines, branding deals, commercials, everything. All Might had fucking movies made about him. Those are all extremely lucrative income streams--and likely where the richest heroes get the biggest brunt of their income.

In order to get this kind of income, you are necessarily in competition with your fellow hero.

Public attention, spending money, screen time, all of it--it's a limited resource. You have to be the person who gets to the fight first, who does the big move, who saves the day. If it's someone else? Then that's another kid buying their action figure instead of yours. Heroics is heavily commoditized in canon, and that inherently invites competition.

2. Distribution of Funds

So now that we have a theory as to where the money comes from, how does it get paid out? Based on canon, it comes down to a structure of (a) Independent/Underground Heroes and (b) Agencies.

a. Independent/Underground Heroes

I can't actually remember if the word "independent" is said in canon or if I came up with it, but I think canon implies its existence. It's basically the same thing as being an underground hero, but you're still a Spotlight hero. I also cannot remember if the underground/spotlight thing is canon or fanon or what I’m sorry I haven’t watched this show in years.

Independents are spotlight heroes without the backing of an agency. They just go out every day with the clothes on their back and a dream. They have no support staff, no back up, and no one to help them if things go sideways.

It is not a popular employment option.

Part of it is because it's that much harder to fund being an independent. Like. Say you're just out of high school and you decide to strike out on your own as independent. You're still spotlight, so you can have a merchandise line, and that'd be a nice income stream while you're just starting out.

How the fuck do you start your own t-shirt line?

How do you make contracts with the manufacturers? How do you make and copyright the design? how do you sell the stupid things? Do you try and get them in Walmart? Do you start an Etsy? Your own website? do you call your mom and cry when you have 500 ugly t-shirts with your face on them that no one wants to buy and they're taking up all the space in your studio apartment.

Agencies have preexisting structures in place to help launch these kinds of options, which is one of the reasons why they're so attractive for baby heroes just starting out. The only reason why Mirio has merchandise is because he decided that he didn't care and didn't need to make merch and Izuku came after him with feverish crack addict energy because he cared and he needed Lemillion merch like. yesterday. All Might ended up getting his agency to start a lemillion line. Mirio gets the profits with a reasonable fee to the Mighty Agency. To this day he suspects that Izuku is 70% of his sales but Izuku denies this fervently, like a liar (he actually has a small but very devoted fanbase who rabidly support him and buy all of his merch. he would cry if he knew this. Still. Izuku is his biggest fan and buys literally every single piece of new merch in triplicate.).

Underground heroes are in the same boat as independents but they don't even have the option of a merch line. They exclusively get public funding unless they're backed by an agency, which none of them are because agencies have a tendency to fuck them and their busts for the sake of the spotlight. All underground heroes are bitter and culturally opposed to agencies.

On that note:

b. Agencies.

This is where by far the most heroes would end up. But an agency is like thirty dudes with the same joint bank account. How does the money get there and get distributed out?

i. Public Funding in an Agency Context

Take the above model. How do you attribute public funds based on personal statistics if there's no single person? Does everyone get their own check? But that wouldn't make sense--this isn't just for salaries, it's for funding the actual heroics itself.

Everyone under the same agency would be counted together for the purposes of funding allotment. If Sidekick A managed 300 busts last year and Sidekick B man managed 350 busts, then congratulations, The Big Hero Hero Agency made 650 busts last year, here's a check made out to the agency, figure out what you want to do with it.

But what about incidents that involve multiple heroes from the same agency? Let's say that The Big Hero Hero Agency is involved in a big bust. It is Sidekick A's baby. They have spent months doing this. This has been blood, sweat, and tears. When the day comes, they are joined by Sidekick B, Sidekick C, and Big Hero himself. Sidekick B has been helping Sidekick A for the past three weeks on this case. Sidekick C got called in the day-of to help.

Big Hero showed up for the last twenty minutes of the fight when they were mostly done with everything.

So. You're filling out the post-arrest paperwork. For funding and for public statistics, you need to make sure to properly account for who gets credit for the bust. It has to be one person--if you had everyone individually credit themselves for the bust, then it looks like you've resolved four incidents instead of one under this financial model. it's artificially inflating your numbers for public funding. that's fraud. Who should get the credit: Sidekick A, Sidekick B, Sidekick C, or Big Hero?

Well, there's nothing stopping Big Hero from writing their own name. So let's go with Big Hero. He helped.

This was one of the big sources of the sidekick strikes: a lot of agencies had an absolute policy of attributing successes to the name hero if they touched the case at all, because there was no rule against it. It was better for the agency, after all--unrealistically high numbers on the biggest name meant the agency as a whole appeared more successful.

So there were a lot of heroes artificially inflating their stats with things that were more properly credited to their sidekicks. Which made it all the harder for sidekicks to leave because their stats were shit because their boss was taking credit for their work.

ii. Private Funding in an Agency Context

But that’s just public funding. How would agencies distribute private income streams?

Big Hero Agency is proud to announce its newest line of Big Hero Action Figures, featuring the Entire Big Hero Team, now retailing for $39.99. Get it now from a store near you.

So. An agency is selling an action figure line featuring Sidekicks A, B, and C, as well as Big Hero himself. We’ll round up to an even $40. How do we split up the cash?

You can’t give everyone each $10. You have to first pay the suppliers, the advertisers, the trucks that shipped the toys to the store, etc. Then you have to pay back into the agency to fund miscellaneous expenses—the stationary, the insurance, the coffee in the fucking break room. Everything. By the end, there’s only $4 of profit left over. Not great, but hey—they’re selling a lot of toys. So if they each get a $1, then it should add up quick.

Right. But. If you think about it, people are only really buying it for Big Hero. He’s the best hero of all of them—his name is on the agency, and just look at how much higher his stats are. So it’s only fair that he gets $3.70 a toy and the rest of them can get $.10 apiece. Don’t worry, it’ll add up quick.

Not all agencies would have been like this. But a lot of them would be. Money is a hell if an incentive to screw people.

END OF ASIDE.

With all that in mind—why would they feasibly have a structure to fly in help from other heroes far away? That’s their fucking competition. Sure, we have team ups, but they’re all either well in advance or in the heat of a moment. If they are in the heat of a moment, half the time the heroes resent it because they just stole their fight. They’re gonna what—pay the exorbitant jet fees to fly in someone who’s just going to steal their hard work in the eyes of the public?

Okay, but what about situations like this? Massive emergencies where you need more people?

Those haven’t ever happened before. They had All Might.

So. The heroes on the ground calling in help are out. What about the heroes who are close enough to make it there by ground transport? No one calls them, they just show up out of public need. How are they getting there?

Trains are out. All the trains into the area are shut the fuck down. We are not giving the freshly escaped villains a bullet train to the rest of the country. Same thing for buses. No fucking bus driver is making their regular route into a fucking battleground.

Private transportation it is. Anything more than a few hours out of the area is completely out of the question. Like, good ol’ Manuel from Hosu City and all his buddies? Not making it. The wild wild pussycats? Watched this on TV from their mountain home. Gran Torino? On FaceTime with All Might, who is watching the fight with Midoriya Inko’s hand gripped in his left and Bakugou Mitsuki’s hand gripped in his right. Gang Orca? Twelve hours away and on a fucking island so he needs a boat AND a car to get there. Or he just fucking swims.

But there has to be at least some hero that saw this happening and heroically climbed in their Mazda sedan to make the three hour car trip. Why didn’t they go to the fight in Yokohama instead of the one against AfO?

Frankly at that point those literal children were visibly doing way better than the actual heroes were faring and any heroes showing up went where they were most needed and uh. It wasn’t by the kids.

If we have the agency model as given to us by canon, then that means there is a decentralization of resources. If you want to utilize your public defense force in the case of emergencies, then you need a way to fucking get them to the emergency. Canon does not have that. This is a huge structural failing that only wasn’t a disaster sooner because most emergencies required one guy and he had his own private jet. So most heroes in the country never had to even consider if they would listen to Endeavor’s order because they were completely cut off and useless at the time.

So. Now the analysis has been narrowed from all of Japan’s heroes to just the ones in the immediate vicinity of the fight. That’s still a fuck ton of heroes. This is a heavily populated area with a bunch of heroes around. You can’t go outside without tripping over a hero.

Most of those guys were on fucking strike.

Structural Flaw #2: Over-Reliance on and Abuse of Sidekicks.

The vast majority of the workforce had to be sidekicks. Like, just from a business model perspective. Even the smallest agencies we saw had 2-3 sidekicks. Endeavor’s agency had at least double digits, and I think Idaten was at over a hundred or something. We were probably looking at, conservatively, a 1:10 ratio of heroes to sidekicks.

All those guys are on strike.

Okay. But not all of them, right? Idaten already settled and got their sidekicks back. That’s like a hundred guys.

Except the Strike was not isolated to the Tokyo/Mustufasa/Yokohama area. Idaten sent out a lot of their sidekicks to other regions to help alleviate some of the strains of the strike. (As a note, this was not the Idaten sidekicks crossing the picket line. Them picking up the slack for other sidekicks still striking would have helped minimize effects on the public. However, the agencies of the striking sidekicks would have reaped no benefit from this under the compensation structure outlined above. Idaten would have gotten the credit for everything their sidekicks did, so the other agencies would still be bleeding from this while risk to the public was slightly alleviated. Idaten’s entire function in this strike was to set an example for quick settlement and minimize public harm. There’s this entire sub-analysis on Idaten’s internal culture and how it intersects with broader heroics standards that I won’t get into now this is already way too long.)

Idaten is at 1/10 capacity. It has like, ten guys, all of whom have been working say, thirteen hour shifts (voluntarily—again, it was a decision made to try and minimize the public safety risks of the strike while still allowing their colleagues their best chance at improved conditions) daily for the past month.

All of those ten guys responded to Tartarus before Endeavor made the call.

To understand the exact nature of the breakdown, you really have to see the chaos of how exactly this unfolded.

The LoV and their merry band of criminals hit Tartarus. The heroes do not realize at this time that they intend to let everyone out, give them transportation, and point them straight towards the mainland. They think that they’re just there for AfO. That’s still a huge crisis that needs to be shut down immediately, so they call out all of their best. Endeavor responds. Hawks responds. Eraserhead responds. Mt. Lady, Kamui Woods, Miruko—everyone in the vicinity who could conceivably respond show up. For a second, it looks like it’s going to end here.

Once the LoV get AfO out of his cell, the entire tide of the battle turns against the heroes. Now everyone’s out. All of those horrible, terrible villains. Tartarus has fallen. They have to make hard decisions. The high ranking, very powerful heroes who are most likely to break the line on Endeavor’s decision? They’re already at the fight by the time he has to make it. It is chaos and something they cannot easily leave.

The LoV’s picked right now because they knew that the heroes were operating at less than a tenth of their regular capacity. They picked right now because they knew the system had structural faults, and if they hit them just right, it would all come down on the heroes’ heads.

But the sidekicks broke strike lines to respond, right? Why do they all go to endeavor’s side?

For one thing, it wasn’t all of them who showed up—maybe a third of them were not even in the area any more. It wasn’t malicious, or intentional, or anything like that—they were off visiting their families for the first time in a long time or taking vacation. All of them had spent the past few years being completely overworked and abused by their jobs. They just weren’t there.

So now we’re down to 2/3rds of them who can even try to show up.

A lot of it wasn’t actually made as a reasoned choice. For many of them, they ended up where they did because of all the chaos.

So you’re a sidekick. You’re on strike. The entire world has gone to shit. How do you normally find out about the world going to shit?

This is a competition model streamed through individual entities. There’s no central command structure. Your agency calls you.

Well, your agency either fucking fired you or they cut you off completely during strike negotiations. This time, you find out through the news when the story breaks. Now what?

You frantically try to get in touch with your (ex) agency. Who is picking up the phones?

No one. That was your fucking job before you went on strike.

I used to work at a government public-service type deal, and let me tell you, they abuse the fuck out of non-unionized workers. You are doing everyone’s job. No one ask why we don’t get more support staff because they have unions. Like. I had a law degree. I was hired to be a lawyer in that office. They had us all doing the jobs of four people, and by that I mean it would be the literal entire job description of another fucking position in that office and we were all expected to just do it too.

Unions incentivize treating workers right. The absence of them opens the door to the opposite.

Why the fuck would agencies hire more people to lighten the load on the sidekicks and let them focus on actual heroics? Just make the sidekicks do everything. What are they going do, complain? They’re a dime a dozen. Hire more of those fresh faced kids with no standards just out of school.

You know when you had a job where you’re like. This fucking place is going to fall apart without me. But they treat you as disposable and easily replaceable and you’re like “okay bet” and so you leave and you find out from the people left behind that it actually fucking fell apart without you and you’re just like :o

Yeah. So that happened.

There has been a massive break down in the function of heroics offices for the past month and change because the sidekicks were not there. They were the ones who actually did most of the day to day handling of the office. They were the ones coordinating transport and figuring out the actual mechanics of who would be deployed where in a crisis. All those things that would be super helpful now? Yeah, those guys aren’t there, and they’re locked out of the fucking offices and can’t get in to un-strike for the sake of societal crisis.

But they know where the fight is. It’s on the news. Why don’t they just show up?

Where’s their gear?

Who owns it?

Heroics support gear must be an enormously expensive thing. It would have to be provided by the agency itself. Literally the only reason why Mirio has gear is because 1) all might would NEVER let his pseudo step son run around without proper support so the man would have bankrolled it himself if needs must and 2) the UA support class has a stipend each year where they can make support gear for active heroes and those heroes get it for free in exchange for free advertising for the students trying to kick start their careers, so he is decked out in THE most experimental bullshit from Hatsume Mei Industries (I have this entire side plot where the support class this class year low key became a sort of religious cult haha not really it’s just a joke it’s not really a joke and power loader is afraid every single day when he comes to work he is afraid under the iron clad rule of Hatsume Mei’s weird girl energy and they all decided Mirio was the Tabula Rasa, a figure of prophecy, and I just cannot get into that right now it’s too long it’s too long already. But it’s so fun).

All those sidekicks on strike lost valuable time trying to get back into their agencies so they weren’t showing up to an S-class villain fight in their fucking jammies. Then, when some poor admins figured out what was going on and let some of them in, everyone was frantically gearing up and getting in whatever transport van they were pointed at. Some of them didn’t know they werent reporting to Yokohama until they were already at the other fight. There’s was so much chaos and confusion that very few people had a clear idea of what was happening.

With the sidekicks, some of them never made it, some of them just got in a van and went wherever it took them, and some of them chose to obey Endeavor’s orders. Some agreed with the decision. Some disagreed but deferred to his experience. With how the Sidekick Strike had left their infrastructure, very few sidekicks were able to respond fast enough to make any real difference.

Now for the last possible demographic: the heroes that weren’t on strike and weren’t initially deployed to the Tartarus Prison Break. Why didn’t any of them go to Yokohama?

Structural Flaw #3: All Might was that one kid doing the entire group project for like forty years and some of these people are having to be heroes for the very first time and realizing that they don’t actually want to risk their lives to save people they just sort of liked the idea of this job.

It may be a bit too specific to be a structural flaw but I’m counting it anyway.

So, just to give a bit of a recap: We consider every hero alive in Japan as a candidate for Endeavor’s order. The vast majority of them are too far away to do shit, and there’s no centralized transport network to get them there faster. Toss in those who are dealing with personal medical issues or are away on vacation or just can’t come for some reason or another, and you’ve lost most of the heroes in Japan as respondents. Probably ~80% of potential heroes are culled from this alone.

So we have, generously, 20% of Japan’s heroes left as potential people to respond. ~90% of those are sidekicks on strike. They’ve got hours before they make it to any fight, because of the aforementioned structural breakdowns.

Now we’re down to 2% of Japan’s total heroes.

Some of that 2% were first responders to the initial Tartarus prison break. All the big name heroes in the area. But there can’t be that many top heroes—so let’s say 0.2% of them were at the initial fight.

Now we only have the remaining 1.8% of heroes to analyze.

There have to be a percentage of those who agreed with Endeavor’s call as a tactical decision. If they show up to any fight, they’re going to be obeying his order.

So we only have the ones who disagreed with his call left to look at.

These are small-time heroes. All of the big names are already at the fight. So they are less likely to have flashy Quirks, be especially talented, or consider themselves to have an especially large effect in the grand scheme of things. They have likely spent their entire careers living in a world with All Might.

It has never actually been down to them.

Think of Uwabami. Momo did her work study with her.

Her hero outfit is a fucking evening gown. She spent the entire work study doing commercials and meeting with her fans. She explicitly invited the young heroes that she did because she thought they were cute enough to be in commercials with her.

Now, she’s had some good if minor moments helping rescue civilians. It’s not that she’s never saved anyone.

But all of the top heroes are already committed to the fight against AfO. The current Number One Hero just ordered all her colleagues to report there. And Yokohama has a lot of S-Class villains en route.

And what the fuck is she going to do to stop them? It’s just her. Half of those villains took All Might to stop the first time. She is not fucking all might.

Is this a hero likely to go to Yokohama completely on her own to fight *checks notes* literally the entire prison population minus one guy? The worst guy, albeit. But one guy.

These are all heroes who have never had to be the actual thing standing between society and destruction. There has always been someone more powerful or capable or heroic nearby. Until recently, there has always been all might.

This isn’t to malign them. A decent percentage of them are legitimately well meaning about being a hero. They do good. But when it came to the big, blowout fights, they have always, always, always been the heroes evacuating civilians in the background or performing rescue in the aftermath. It has never been them who had to stand up and do the fight itself.

Every single one of those villains represent a big, blowout fight. And this hero trying to decide if he’s going to obey Endeavor’s order? They are one guy. And they’re not sure if they could even beat one of those villains alone, let alone all.

The reason why no one disobeyed Endeavor’s order was because, frankly, at the end of the day, they did not want to die.

Endeavor’s order signaled to everyone that there was no guarantee anyone would show up to Yokohama. It actually put good odds to the opposite. If you decided “fuck that, I’m going to Yokohama” then you’d likely be doing it alone.

What Class 2-A did was considered a death sentence. People who didn’t know them and their bullshit were shocked that they all made it out alive. These were the worst villains their society had ever faced and it was all of them at once (minus that one guy).

The heroes who were in a position to disobey endeavor didn’t actually think it’d make a difference if they did. They’d just… lose.

Most if not all of these heroes made the decision to become heroes during all mights era of peace. Everything just had lower stakes. Crime was less frequent and less serious. The big fights always had someone there who could handle them, because All Might was there. They’d fight the odd mugger or purse snatcher and help put out fires and go home at the end of the night. They’re heroes. That doesn’t mean they’ve ever truly had to grapple with a life or death fight.

If they went to Yokohoma, they thought they’d die. So they might as well respond to a fight that has a chance. Even if they feel ashamed as they do it. Even if they think Endeavor made the wrong call and wanted to go to Yokohama instead. All Might wasn’t there anymore. And they were afraid.

But there is one thing that Class 2-A had going for them that gave them an advantage over these heroes. And that was the fact that they are all medically insane.

It’s that they were together.

It’s a decentralized heroics structure. If you have a large agency, you are necessarily a top hero because no one else would be able to get that many people to agree to work under them. So you’re already at Tartarus and this isn’t a decision you had to make.

Maybe you’re independent. Maybe you have a small agency with 2-3 people. There is no preexisting centralized line that you can use to try and gather more people to go to Yokohama with you. You’re stuck with your immediate colleagues and maybe a few other heroes you’re close enough with to have their number. You really don’t have time to try and ask around to see if anyone else wants to go to Yokohama instead—you need to pick a battle and get there yesterday.

What good is 2-3 people going to do in Yokohama? You’ll just get massacred and it won’t have made a difference. At least if you go to stop AfO, you’ll have a chance at doing something that mattered.

Maybe you disagree with Endeavor but you defer to his training and experience.

Maybe you don’t go at any fight at all. Maybe you’re afraid. Maybe you became a hero in a time where you had a symbol of peace, and you realize you can’t keep doing it in a time without one.

I think there’s a small subsection of heroes that quit in the aftermath of Yokohama. Because they wanted to disobey endeavor’s order, and they thought they’d just die and it wouldn’t matter, and then dawn came and a bunch of school kids had managed what they were too big of a coward to do. I think the fact that they fell into line when their hearts told them they shouldn’t made them seriously doubt whether they were good enough to be a hero.

But they were alone when Endeavor made the call. And it felt like certain death. And—yeah, it sort of felt that way to Class 2-A when they made the decision to respond. But they weren’t alone when they did it.

They were together. And they always felt braver when they were together. Together, they could make miracles happen.

[kdelarenta]

potential tw: slut-shaming, catcalling, misogyny, parental abuse

me when i try to break the cycle but the cycle breaks me 🙂💔🥀

name: claire coleman

li: alaric

story: debt of deception by @debtofdeception-if

[c-kiddo]

at one point i didn't like caduceus' epilogue, that he just stayed home for a long time and eventually travelled again and eventually calliope joined him too. but i think actually i love it. something so gentle about him returning home to a temple that was once empty and lonely but is now healing and full of family who he loves so much. and to not have anything particularly asked of him apart from tending the garden and his small routines. especially thinking about how tired and sad he is by the end of the campaign, compared to the beginning when hes so giddy to just be interacting with people and seeing things he's never seen before and to have guidance from the wildmother. and then later, after aeor and so many more horrible things have happened, he admits to calliope that its too much and the outside world is scary and big and he's so so tired and he keeps saying how tired he is. so basically ideal ending that he gets to go home and get better and heal enough to be excited when he heads out into the world again

[countthelions]

Yarn fest haul!! Got almost everything I was hoping for - some sweater quantity beauties, tweed to replaced a hat I made for my sister being two biggest on the list. Some fun extras were origami stitch markers (to match my own origami crane tat) and some beautiful indgio napkins. And two splurge who have no home but will very shortly

[evil-mcytblrconfessions]

sobbing rn thinking of the friends ive made through mcyts.....i love you all whether we're talking right now or havent talked in years.....you all have a special place in my heart......we may have met through liking cubitos but we grew well beyond that....sorry im having thoughts

.

[lamortwrites]

Sometimes I think working with actual children would be less stressful

[blugrlgroup]

Every year I’m reminded why I don’t like spending time with my family all together

[ecle-c-tic]

rao tries not to throttle her condescending as fuck brother challenge

[another-delta-lover]

Ofc robotlover69, ofc.

"robots can't get pregnant" NOT WITH THAT ATTITUDE‼️‼️‼️‼️ CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK CLANK

(based on a post I saw many of my moots reblog XD just ignore me)

[phantomrose96]

The alt-right's foothold into Gen-Z is frustrating and I can see from over here how they're doing it.

You've got a generation of young-adults who are learning to be adults for the first time and for so many of them it sucks. It sucks to be in your first shitty apartment where things break, and to have your first shitty car that needs maintenance, and to be working a low-paying service or retail job where you get berated all day and barely scrape by. And you go home and you have taxes to figure out and electric bills to figure out and a screen on your phone to rot into to destress.

And this is men and women, equally, in this spot. But the alt-right messaging gets to tailor their approach to gender.

And hey women, yes you working a shitty job for shitty pay, overwhelmed by financial responsibilities and car repairs, what if you actually didn't need to do ANY of that? You don't need to. And you don't need to feel guilty about it. (You're not quitting, you're not being lazy), you actually are just embracing the chance to be exactly who an ideal woman should be. You should actually be beautiful, and demure, and barefoot in a sunny kitchen, glowing, pregnant, hearing the joyful sounds of your children while you bake a roast for your wonderful husband (strong, protective, loves you, handles the finances, handles the jobs, handles all the things you hate). OUR ancestors (don't mind the dogwhistle) did this for GENERATIONS, and modern society has failed you instead!

It's offering to break women out of all the parts of their real life that suck, and do it in a way that promises they're actually being better, being more admirable, more moral, more respectable, more correct, can feel good about, can feel proud about, as a Woman as Feminine as Mother as Goddess.

And the thing being promised does not need to actually reflect reality. It's a fantasy. It is not real. For every "beautiful demure barefoot" day, you'd be having another one covered in shit changing diapers of screaming infants with screaming children while your husband ignores you because it's Women's Work (take pride!) But that doesn't matter. It just needs to sound better than the reality they're living.

Then the men are targeted too. And it's the same in that it's getting to them by appealing to pride in their gender, but the messaging is different. It's "those finances are hard but ACTUALLY you're leveling up, you're grinding, you're finance maxing." It's hard but it's the kind of hard that is a challenge you can WIN at, boast about, post about, prove your manliness. Knowing cars, knowing home repairs, knowing taxes, that's your MAN pride, and you are so elite, you are so sigma, you are the envy of everyone, you are a masculine man. Women love you. Women will defer to you. Strong, respected, moral, loyal, unshakeable. Unlike those pansy men (mind the homophobic dogwhistling) who will whimper and cry like girls. You are better.

The shitty retail job is actually humble beginnings because you're minmaxing your way to financial success (bitcoin, crypto, investments). You can sleep with any woman you want as long as you're confident, and then you'll find one who understands how smart and confident and strong and protective you are and she will defer to you as her man. She will birth your children and teach them good morals and you will make it. Our ancestors lived this way for generations (dogwhistle) and modern society took it from you.

And with that messaging it makes it clear who the enemy in all this is - modern society that has convinced women to torture themselves with high education and terrible jobs, turned them Ugly with Ugly opinions and bad hair and nasty attitudes, yelping about "rights" and "equality" (pitting them against men! TAKING things from men!) All the while, society has been trying to emasculate men--replace them with women, make them soft and emotional, make them gay, make them WEAK. We've been made WEAK.

The naive women hearing this go "I'm not ugly! I don't hate men! I DO hate my job and my finances. I've been tricked. I'm actually rebelling by declaring my goal is to get a Perfect (White) (Christian) moral husband who will make all our decisions and protect me and our children." (And when she's financially trapped in an abusive marriage...? When she's suicidal with PPD but her husband won't touch that because it's Woman Hysteria...? And when her husband leaves her for someone who was as hot as she was 20 years ago and now she's figuring out finances, health care, taxes, bank accounts for the first time in her life...?)

And the men go "They've been TAKING things from us for too long! It's time to be men again! It's time to take pride! I am strong and confident. I am in charge! I never show weakness!" (And when he's got a gun to his head due to the depression he's never been allowed to talk about as Women Feelings...? And when he's financially ruined from a crypto scheme that stroked his ego and robbed him blind...? And when he's dead from alcohol poisoning and none of his adult children notice because no one's spoken to 'Dad' in 15 years...?)

And it's so hard to fight because you're arguing against a fantasy. How do you disprove their fantasy? It's so hard to explain to them, hey you're working a shitty job where you have no future because the rich bastards took it all from you. And now you're doing their work for them. You hate society because of what they've done to it and now you're doing their work. Now you're targeting groups who've never done anything to harm you and the guys responsible are laughing to the bank. How do you explain? How do you disprove fantasy?

[moondancediner]

Love of my Life

summary: the dagger squad meets hangman's best-kept secret

jake seresin x reader

word count: 1490

warnings: no editing, fluff

a/n: this popped into my head the other night... enjoy! also this gif makes me CHOKE ohmylord

song rec: love of my life - harry styles

masterlist

It wasn’t on purpose. Nights when you and Jake ended up at the same bar were never planned, mostly because your friends from work always wanted to go somewhere downtown, and Jake’s friends from work always wanted to go to the Hard Deck so there was never a chance for the two groups to intersect. 

Tonight, however, your friends had enough of hearing about all your nights at the Hard Deck with your fighter pilot husband who drops by work every once and a while with lunch or a gorgeous bouquet of flowers. They decided to venture out to the Hard Deck tonight for your monthly get-together and you weren’t going to miss an opportunity to ogle at your husband from across the bar while he played darts and pool with his Dagger Squad friends who just so happened to be in town visiting. 

And that’s exactly where you found yourself on this lovely Friday night. Your friend walked over to your standing table with another drink for you and you thanked her with a smile. She immediately started diving into some workplace gossip, keeping her voice quiet since so many of your colleagues had managed to make it out tonight. You half-listened to her go on how bad the break room refrigerator smelled the other day but your real focus was on Jake who was playing pool with Phoenix, Fanboy, and Bob. He had Bob on his team and you were surprised to see him actually give the man a chance to play without correcting or coaching him. 

You knew all about the Dagger Squad, when Jake was first sent out here you followed him, even knowing this wouldn’t be a permanent duty station, and he talked about everyone he was competing against non stop. From the moment he came home after training you were getting a full rundown of the days happening (you were sworn to secrecy of the top secret events, of course). You learned quickly who was who, even if you never got the opportunity to meet them. 

After the mission, you were pulling out boxes and getting ready to move what little belongings you brought over to the island when Jake came home and surprised you to your core. He accepted a teaching position here on the North Island and you were staying for the foreseeable future. 

You were shocked but over the moon. Jake would be in one spot for at least a couple years and wouldn’t be off on deployments and missions so often. You could start a family and he could actually be there for all of it. 

“Hello? Anybody home?” A hand waving in front of your face brought you out of memories and a trance you hadn’t realized you were in. You laughed and smiled at your friend, but not before catching the eye of Phoenix, who totally caught you staring at Jake. 

“Sorry, sorry, got a little lost there.” You waved her hand out of your face and took another sip from your drink. 

“I’ll say,” she laughed, “I mean, I get it.” Her eyebrows wagged and you laughed heartily, throwing your head back. She was always complimenting your choice of husband and you had to agree with her, he was fine as hell. 

“Fuck, I think one of his friends just caught me staring,” you said once the laughter died down. 

“Remind me again why he doesn’t tell them about you?” 

“It started off as a joke,” you start, “he wanted to see how long it would take one of them to notice, and now it’s just an ongoing bet we have.” 

“A bet I am about to win, by the way.” Jake suddenly appears behind you and you’re happy to see him until his words sink in.

“You’re not allowed to interfere!” You point at him and he just laughs. 

“No interference, I promise.” He leans on the table you two are standing at and you almost forget about the bet for a second because his green eyes still captivate you even after all this time. 

“Well, what are you doing over here then?”

“See now, that’s where it gets interesting because someone caught you looking at me,” he tips his beer over in the direction of his friends, who scatter like chickens when you turn your head to look at them, “and they bet me $20 that I couldn’t walk over here and get your phone number.” 

“Hmmm, seems like fair play to me.” Your friend interjects, looking contemplatively between you and your cheating husband. 

A noise comes out of your mouth, somewhere between disbelief and betrayal. You only had one month left before the bet was yours and you could claim your prize and now this happens, the perfect opportunity falls right into Jake’s lap. 

“Did none of them notice the giant ring on my finger?” You hold up your wedding rings, which glint even in the dim bar lighting and Jake takes your fingers in his hand, bending them towards himself before placing a kiss on your knuckles. You swoon. It’s impossible not to. “Don’t try to distract me, you’re in trouble.” 

“Come on darlin’,” His hand fell away from yours but moved slyly around your hip, where it curled around the belt loops of your shorts, and just then, while his face was inching towards yours, your wedding song came on. 

“When did this song get added to the jukebox?” 

“I may have put in a special request.” His smile did you in. You met him halfway and when your lips met that familiar kaleidoscope of butterflies took flight. Jake pulled away just to smile at you some more before pressing a few quick kisses to your lips. When he backed away enough, you took the chance to look over his shoulder and see what his friends thought. 

The entire group was standing around, completely gobsmacked at what just occurred and you could only imagine what was running through their minds. 

“After you, Mrs. Seresin,” Jake whispered in your ear. You gave him the best glare you could but he just laughed and grabbed your hand to walk you over to the group of people you already felt like you knew. 

Jake chuckled as you got within ear shot. “Everyone, I’d like you to meet someone,” he pulled you under his arm and you automatically slid your own across his back, “this is my wife.” He said it with genuine pride, a stark contrast to his usual cocky tone everyone was used to. 

“Wife?” Rooster repeated, dumbfounded.

“Pick your jaw up off the floor, Bradshaw.”

You ignored Jake and introduced yourself to everyone with a quick wave. “It’s nice to finally meet you all.” 

There was a beat of silence while you watched everyone process what was happening, but Phoenix broke it with a laugh. “You’ve been holding out on us, Bagman!” 

“Yeah, what the hell, man!” Rooster seemed downright offended that Jake would keep such a secret from them and you couldn’t help but laugh. 

“It’s not all Jake’s fault,” You come to his defense, “we had a bet going, which I just lost.” 

“What bet did you two have?” Bob asked, coming forward to introduce himself to you properly. 

You shook his outstretched hand, smiling. “We wanted to see how long it would take for someone to figure out he was married.”

“You… you don’t wear a wedding ring?” Rooster seemed to be having the hardest time with this revelation and it was cracking you up. 

Jake pulled his dog tags out from under his shirt, proudly turning them around to display his gold wedding band that perfectly matched the one around your finger. They both belonged to his grandparents and he was so proud to give you his grandmother's band on your wedding day. 

Phoenix studied the two of you for a moment, watched the way you started to sway to a song and Jake immediately joined in, watched how his attention always drifted back to you, and how his entire cocky dimenor melted away as soon as you were near. 

“So, what’s the story? How did you manage to bag Hangman?” Natasha asked, leaning her hands on the pool cue in front of her. 

Jake pretended to be offended. “I’m not that wild.” 

You roll your eyes affectionately before diving into the story of how you and Jake met. It was nothing spectacular or anything you would want to make a movie about, but it was a whirlwind romance that ended in the two of you married in the Seresin family’s backyard three summers ago. 

When you finished your story, all smiles for your husband, Rooster raised his beer in a toast. “Welcome to the family, Mrs. Seresin.” 

Jake couldn’t help but smile. It felt good to let the team in on his best-kept secret, even if he was gonna pay for her losing the bet later on tonight. 

---

thanks for reading ily

Requests are open 🫶🏻

[rafey-baby]

rafe has always been close with his sister…  

c/w: incest, dubcon, oral (m receiving), rafe being a perv about his (adopted) sister & her being inexperienced, 18+ mdni!

wc: 1.7k

part two & moodboard

if this is something u don’t like, scroll & read something else xx   

- - - - - - - - - - - - - - - - - -

Her big brother has always been rather overbearing, which is something she’s tried to shrug off as him merely being protective, but as far as her understanding of siblings goes— they aren’t supposed to act the way Rafe does.  

Ever since they were little, Rafe has been weird about everyone in their strange family, but sometimes it makes her feel gross when he barges into her room while she’s changing— not even bothering to cover his eyes as he sits down on her mattress and starts ranting about something completely irrelevant.

It makes her feel disgusting when she notices the subtle smirk tugging at his mouth as his gaze narrows down onto whatever bare sliver of skin she’s hurriedly trying to hide from his borderline hungry eyes.   

And she doesn’t particularly enjoy when he gets wasted or high off of whatever he’s snorted at some stupid party and insists that he just has to sleep next to her because he’s not feeling good. And despite her drowsy complaints, he’s always snuggling too close for comfort with his hands all over her; pulling her flush against him and letting the cushion of his lips graze the skin of her neck.

He keeps telling her that it’s nothing out of the ordinary when he gives her details about the girls he’s slept with and what his favorite positions are, even if she’s told him multiple times that she doesn’t want to know. And whenever they’re home alone, he even goes as far as bringing girls to his room— making sure their loud moans echo right into her bedroom when he knows she’s trying to study.   

And whenever he’s tagging along during her little shopping trips (he doesn’t let her go alone because what if something happens?), he always demands on joining her in the fitting rooms— even squeezing himself into the crammed space when she’s trying on lingerie, claiming that she absolutely needs his opinion.   

“Rafe, that’s weird,” she tries to get him to wait outside but of course he merely rolls his eyes.  

“S’not weird, know how indecisive you can be, jus’ wanna help,” he says, seemingly genuine while he’s already fiddling with the clip of her bra.   

And she feels her cheeks burning when the cashier mentions how sweet it is that her boyfriend is paying for her clothes— to which Rafe merely chuckles while she can’t find the words to correct the poor woman because she’d probably faint if she learned the truth about their relationship.

More often than not, he tends to be borderline territorial. One time, she’s simply talking to a guy at some party, when all of a sudden, she feels an all too familiar presence behind her.

“Who’s this, hm?” he slurs, slinging a heavy arm over her shoulder.   

“Oh, it’s…um, no one,” she peeps out because she knows how he is. However, her attempts at calming him down prove to be fruitless because he’s already approaching the guy with a scoff.   

“You, uh, you do know that this is m’sister, right? Mine. So, why don’t you, uh, go ‘n try to impress some other bitch, yeah?” he offers him a sickly-sweet smile, voice harsh before telling her they’re leaving— strong hands on her waist already dragging her towards his truck.

“I was having fun,” she complains when he’s putting the seatbelt on her— his breath smelling of beer when he drawls out a reply. “You can have all the fun you want with me when we get home, yeah?”   

“But I wanted to spend time with my friends,” she pouts.   

“That’s just too bad then, isn’t it?” he murmurs while starting the engine— resting a warm palm on her thigh soon after, ignoring her efforts of shrugging it off.  

- - - - - - - - - - -

When he learns that she hasn’t had her first kiss yet (because why would anyone even think about touching her when they know Rafe is a complete psycho), he mocks her to the point of her eyes growing glossy as she tries to blink away the soggy droplets.

“S’okay, you wanna get it over with, hm? I’ll help you,” he so kindly offers with faux concern glimmering in the moonstones of his eyes.   

“Rafe, that’s gross,” she frowns, to which he merely furrows his brows before scoffing— as if she’s the one being weird.   

“So, uh, so you tellin’ me you want some…some stranger at a party who only wants to get in your pants to do it instead?” he narrows his eyes as if that’s the only alternative.  

“N— no,” her answer is hesitant.  

“Listen, m’just…m’just, tryna be a good brother ‘n help my little sister out, but if you don’t want m’help then don’t come cryin’ to me when you embarrass yourself cause you don’t even know how to kiss,” he lifts his hands up in surrender before shrugging, suggesting that he’d merely be doing her a favor.   

And before her brain has the time to process what’s happening, he’s already dragging her into his lap. And it feels wrong when their mouths are suddenly slotting together— when he’s letting out a shallow groan and slipping his tongue past her teeth without so much as a warning.

“Rafe! You didn’t tell me you were gonna do that,” she squeaks out, pulling away with her face all crumpled up, feeling disconcerted.   

“Shut up, you’re gonna wake up everyone, thought you wanted to learn?” he mutters out before he’s smearing his mouth on hers once more— this time with a tight grip on her jaw that forces her to stay put as the the kiss turns into something sloppy; wet.

And afterwards, he makes her promise that she won’t tell anyone because ‘you don’t want dad to get mad at you, do you?’ and even if she feels guilt eat away at her, she keeps it to herself because the last thing she wants is to upset anyone. 

- - - - - - - - - - - -

“Rafe guess what? I have a date tomorrow,” she gives him a giddy smile while stepping into his room a few weeks later.  

“With who?” he eyes her while slouching on his bed, seemingly in the midst of texting someone.

“This guy I met on the beach today,” she sits down on the edge of the mattress when he places his phone on his nightstand.

“Yeah? What’s his name?” he asks, shifting closer.  

“Um, Ethan.” 

“Last name?”  

“I— I don’t know, didn’t ask…why does it matter? Was just wondering if you could drive me there?” she says, surprised by his sudden interest. 

“Where?” his tone sounds almost exasperated now, as if she’s done something bad.

“Um, we’re just gonna hang out at his house,” she chews on her bottom lip, suddenly nervous.

“You havin’ a date at his house? You finally gonna lose that virginity, huh?” he asks as patronizing laughter bubbles from his chest.

“What? No! S’not like that,” she mumbles, her skin already boiling. 

“No? You do know when guys say they wanna hang out, it means they wanna fuck, right? You’re not that stupid, are you?” his gaze is borderline condescending when he raises his brows.

“Well, he’s not like that, he seems nice,” she tries to defend herself, feeling small all of a sudden.

“Sweetheart, every guy’s like that, especially the ones that seem nice, you’re so fuckin’ naive,” he scoffs while running a hand through his hair.

“You know what? Forget about it, I’ll just walk there,” she huffs out, standing up to leave, however, she doesn’t get far before he’s grabbing at her arm.

“Listen, m’just tryna look out for you, okay? Don’t feel like dealin’ with your shit ‘bout how he broke your heart. I mean, if you’re not gonna let him hit, he’s gonna be expectin’ somethin’ else, you know that, right?”

She swallows.

“I— are you sure? But…but I don’t even know how to—” 

“Poor baby, what would you do without your big brother, hm? Don’t worry, I’ll teach you, yeah?” he coos before pinky promising he’ll be gentle.

And that’s how she ends up on her knees in front of him. 

“Ray, this doesn’t feel…right,” she mumbles out, eyes focused on the ruddy tip he’s thumbing over while he stares at her.

“Shh, can be our little secret, yeah? Jus’ wanna make sure my little sister doesn’t embarrass herself,” he lets out a grunt when she blinks up at him with uncertain eyes.

“Open your mouth, tongue out,” he instructs while moving closer to her tentative form, biting his lip when she gingerly does what he tells her to. Then, he’s thudding the drippy head on the flat of her tongue— one, two, three times, which makes her let out a noise; something that only seems to spur him on.

He tastes salty and it makes it all the more real, all the more wrong because she doesn’t necessarily mind the taste, which makes her feel entirely too gross about the situation altogether— the words ‘I don’t wanna do this anymore’ turning into a tangled muddle when he’s already pushing past her lips, making her gag around the sudden intrusion.

“Shit, tha’s good, jus’ take it, yeah?” he rumbles out; a big hand holding the back of her head as he stuffs himself deeper down her throat— cock twitching in response to her whines and attempts at drawing away for air.

It overwhelms her to no end when he’s so rough, abrasive, but despite his broken promise, she’s unable to prevent her thighs from pressing together when throaty moans keep escaping him; his respiration turning labored by each lazy rut of his hips while her head begins to spin.

Only when his sticky cum gushes onto her tongue— the white substance dribbling past the seam of her lips and covering her chin in the process, does he grant her a moment to catch her breath.

“Guys like it when you swallow,” his voice is like gravel when he pushes at her jaw, heady gaze glued to the way her throat bobs when she does just that, the aftertaste of what they’ve done making her feel stained; dirty.

“You know, s’cute you thought I’d let some, some shithead fuck my sister,” he sounds almost humored as he pats at the flushed skin of her cheek— making her eyes turn watery when he swipes a thumb under her wobbly bottom lip to clean up the remaining mess.

She feels something in her guts churn when he tucks it back into her mouth with a sick smile.

[tsunodaradio]

only exception ⛐ 𝐋𝐍𝟒

there are things lando doesn’t like to do, but he supposes he can make some exceptions.

ꔮ starring: lando norris x girlfriend!reader. ꔮ word count: 2.7k. ꔮ includes: tooth-rotting fluff, romance. profanity. established relationship. ꔮ commentary box: first 1-2 finish of the year, babyyy! my co-driver @norrisradio wrote an oscar version of this here ‹𝟹 𝐦𝐲 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

♫ the only exception, paramore. more time, alfie jukes. loverboy, young friend. c u girl, steve lacy. white ferrari, frank ocean. everyone adores you (at least i do), matt maltese.

LANDO DOESN’T LIKE WATCHING CARTOONS.

Or, at least, he doesn’t like watching them anymore. He’s in his mid-twenties, he’ll tell everyone. He has no reason to tune into things like The Simpsons or Wallace and Gromit. Lando thinks he has much more refined tastes nowadays, thank you very much. 

It’s why he had grumbled and kicked up a fuss the first time you tried to get him to sit down for something. Your yearly rewatch of Avatar: The Last Airbender, you’d said.

He was initially resistant. It didn’t matter how many kisses you promised him, how many hours you vowed to let him game uninterrupted. He just couldn’t bring himself to care about the first couple of episodes, and you let him go with a roll of your eyes. 

But then the stupid flying bison went missing, and Lando couldn’t help himself. 

You liked to watch in his living room, where you could sprawl out on the couch with a bowl of crisps. That made it so much easier for him to move from one room to the other, his eyes flitting a little too long on the television screen as he refilled his water bottle or came home from a quick jog. 

Lando hadn’t really tuned in for the first season— or Book 1, as you so often like to correct him— so he’s a little bit lost, but he picks up the necessary context clues. You’re so invested in it, too, despite this being your nth rewatch of your self-proclaimed comfort series. 

Every now and then, Lando will linger by the door. He’ll even throw in a comment or two. A mumbled “that Ba Sing Se shit is creepy” or an offhand “fucking Zuko,” and you would respond with small sounds of approval or dissent. 

And then he graduates to standing behind you on the couch, his hand on his hip and his gaze fixed firmly on the episode playing. He’s too stubborn to concede just yet that he’s invested, so you settle with this weird getup where Lando kind of just hovers until you call him out. 

By the time the Fire Nation’s prince joins Team Avatar, Lando has given up on feigning disinterest.

“You’re telling me she ends up with baldie?” Lando grunts disapprovingly, his arms tightening around you.

He’s referring to Katara and Aang. You had tried to keep your teasing to the minimum, not wanting to have him revert back to his whole too-cool-for-cartoons shtick. Still, you can’t help the way your lips twitch upward as you lean into Lando’s side. 

“She does,” you say absentmindedly. The Ember Island Players episode is playing, depicting some bastardized version of the main characters’ love lives. “There’s a sequel to this one where they talk about their married life a bit.” 

“There’s a sequel?” Oh, you love it— Lando’s voice pitching slightly higher with enthusiasm, then his attempt to hide it by clearing his throat and repeating, voice suddenly deeper, “I mean, there’s more?”

“Mhm,” you hum. “We can binge The Legend of Korra after this one.” 

Lando doesn’t say anything more. He locks right back into the Avatar episode, but you can feel that excitement thrumming through him like a current. 

Alright, so— maybe Lando likes to watch some cartoons. 

LANDO DOESN’T SET MORNING ALARMS. 

Being jolted awake is the worst feeling in the world for him. His years of conditioning had made it easier for him to adapt his body clock to whatever he needed it to be, without the help of a phone blaring some grating tune. 

He knows how to wake up at any given time. It’s one of the things you’ve teased him about, being the heavy sleeper that you are. 

Nowadays, though, Lando sets two alarms. 

You don’t know about them. How could you? He’s always up before you, hoping to get a run in before the sun has risen, or needing to jet off for work at absurd hours. You’re used to waking up to his empty side of the bed. 

When he remembers, he leaves something. A crude doodle on a scrap of paper with a dozen x’s and o’s. A misshapen attempt at a towel animal, inspired by whichever country he had been in last. 

For the most part, though, it’s the indent of his body in the mattress and the lingering scent of him in the sheets. 

Here’s what you don’t know— 

The first alarm is set 15 minutes before he actually has to get up. It’s set on a low vibrate, just enough to rouse Lando to consciousness. 

Half-asleep, he’ll reach over to find your sleeping form. The two of you tended to toss and turn in your sleep, making it so that he’d sometimes wake up to you on the far end of the bed or facing away from him. 

Whatever it is, Lando holds you. He spends the aftermath of that first alarm cuddling into you, whether it’s his chest to your back or his head buried in the top of your head. Nowadays, it’s become a habit; enough that he sometimes finds himself doing it to hotel room pillows whenever he’s off at races. 

Sometimes, he spends the fifteen-minute gap waking up. Most times, he drifts back into sleep, but with the knowledge that his touch is a little more intentional now. 

When his second alarm goes off, he’ll press a kiss to your forehead and peel away— facing the morning with the knowledge that he has you for one more day. 

LANDO DOESN’T LOSE. 

He has spent his entire life competing, so it’s practically instinct at this point. When a challenge is laid out before him, he has to win. No ifs, no buts, no second-place podiums. It’s the kind of thing that bleeds into every aspect of his life— from serious things like his career, to absolutely ridiculous things like who can brush teeth faster in the morning.

“No need to pout, baby. What are you so mad about?” Lando taunts as he leans back against the couch. The Mario Kart results screen is still flashing on the television, bright and damning.

His name in first place; yours, a distant fourth.

“I’m mad because you’re a cheat,” you accuse with a dejected sniffle, your grip tightening on the controller. 

Lando gasps and presses a hand to his chest. “I would never.” 

“You so did.” As he expected, you’re already slamming buttons to bring the two of you back to the selection screen. “One more round.” 

He purses his lips, attempting to hide the shit-eating grin threatening to break on his face. “You sure you wanna lose again?” he asks innocently. 

You don’t dignify him with an answer, already selecting your character with newfound determination. Lando, for his part, grins like an absolute menace. He spins his joystick as if he’s warming up for battle, his attention divided between you and the game. 

Lando doesn’t lose. But sometimes, he lets you win.

Not in a way that makes it obvious, because his ego is much too big for that. He plays it smart. He’ll take the lead for most of the race, just enough to keep you engaged, to keep your frustration bubbling. Then, right at the last second, he’ll “accidentally” mistime a drift. Maybe he’ll take a turn just a little too wide, letting you zoom past him in a blur of victory.

He does it because he likes the look on your face when you win— the way your eyes light up, the way you throw your hands in the air like you’ve just conquered the world. It’s the same way you look at him after a good race weekend when he’s standing on the podium, champagne dripping from his curls.

It’s a look he wants to keep earning, over and over again.

So when you finally cross the finish line ahead of him, when the words 1st Place appear over your character, Lando groans in exaggerated frustration, dragging a hand down his face.

“Nooo,” he whines. “I had that in the bag.” 

He’s not about to earn any Oscars for his performance. He knows that much. You’re gracefully oblivious, though, and you’re grinning like this is some grand prix instead of a lazy Saturday afternoon. 

“In your face, loser!” you cry, launching yourself at him in celebration. 

Lando lets out an oof as you land half on his lap, half on the couch. Your arms fling around his neck. He laughs, warm and fond, and presses a quick kiss to your shoulder. “Don’t get too cocky,” he warns. “Best two out of three, twerp.” 

He’ll actually try this time, he swears. But he’ll keep throwing every other match if it means seeing you smile like the game isn’t the only thing you’ve won. 

LANDO DIDN’T REALLY CARE ABOUT THE MUSIC HE LISTENED TO. 

His brief stint picking up DJ-ing as a hobby had proved that he cared mostly for house music, the kind of pulsing beats that made for a good night out. Other genres, though? He never really gave them much thought. He was content shuffling through whatever was trending, never attaching any particular emotion to the songs he played.

That is, until you gifted him a Spotify playlist for when he was away.

It had been a simple thing. Just a shared link and a text message that read: For long flights and hotel rooms. So you don’t forget home.

He hadn’t expected much. But then he found himself listening to it across a dozen different countries. 

Your playlist became his soundtrack while stretching at the gym in Bahrain, watching the rain streak down his hotel window in Japan, lying awake with jet lag in Miami. The songs you chose weren’t just good; they were you. A mix of things he recognized from car rides with you, songs you’d hum absentmindedly while doing the dishes, melodies that reminded him of mornings tangled in bed.

And so Lando gets an idea. 

He’ll make you a playlist, too.

He thinks he’s absolutely rubbish at it, thoughts. He agonizes over every song choice, wondering if it fits, if you’ll like it, if it says enough without saying too much. His Notes app is filled with half-written ideas— Do I put that one song from our first road trip? Too cheesy? What about the song that’d played at the café of our first date? Which one was that, even? 

He changes the order a dozen times before finally forcing himself to stop, heart hammering as he prepares to give it to you. 

It’s stupid. He’s being stupid. This isn’t some wedding proposal or anything; it’s literally just a collection of songs. He half-expects you to laugh when he presents it to you, shoving his phone into your hands with a muttered, "Made you something. It’s probably shit."

But you don’t laugh.

You scroll through the playlist slowly, taking in each title. Then, to Lando’s surprise, your eyes well up, and you blink rapidly to keep the tears at bay.

“Hey— hey, what’s wrong?” he panics, immediately regretting everything. “Is it that bad?” 

Damn it, he’s thinking. Probably should’ve booted that one Post Malone song. 

You shake your head, pressing your lips together to keep them from wobbling. “No, it’s just…” You sniffle, smiling up at him with something so unbearably soft that it makes his chest ache. “You made me a playlist.”

Lando exhales. “Well, yeah. You made me one first.”

“You made me a playlist.” You repeat the words like they mean something more, something bigger. And maybe they do.

He shifts, rubbing the back of his neck. “Dunno. Guess I kinda like music now,” he says, suddenly a bit shy. 

You’re on him in the next minute, the force of your kiss sending him reeling. He laughs against your mouth even as you mumble something like shutupshutupshutup. He holds your face in his hands, his thumbs wiping away your happy tears, and he resolves to make you a dozen more of these little collections. 

Somewhere, his phone screen is still lit, the title of the playlist staring up at the ceiling.

For when I’m home.

LANDO NEVER SAW THE APPEAL IN JOURNALS. 

Pen and paper never really meant much to him. He wasn’t the type to jot things down, wasn’t one for sentimental scribbles. Nobody else probably expected it of him, either.

Which is why the media nearly combusts when, during a post-race broadcast, the camera catches Lando hunched over a spiral wirebound in the garage. He’s seen scribbling something with uncharacteristic focus, and then he’s tucking the notebook away like it’d never happened. 

People on Twitter are quick to speculate. One viral tweet claims it’s Lando’s Death Note, where he’s listing the names of all the drivers he decimated at the day’s qualifying session. 

By the time media obligations roll around, it becomes part of Sky Sports’ list of queries. Once the usual stuff is all ran through, the interviewer pounces on the opportunity for a more lighthearted, humanizing angle. “So, Lando, what’s in the notebook?” the reporter asks, shoving her microphone a little closer to the driver. 

The Brit stiffens.

All around the world, people see the open surprise on Lando’s expression. The oh, shit moment where he seems to realize his ‘private’ moment had been put on full blast. 

He recovers quickly. Tries to evade by dodging the question with a joke. It’s obvious that the media isn’t going to give in, though, so by the time it’s a beIN SPORTS journalist posing the question, Lando can only sigh in defeat. 

“It’s a gratitude journal,” he admits, half-grinning. 

There’s a pause. A beat of disbelief before the interviewer laughs. “Seriously?”

“Yeah, inspired by my girlfriend waiting at home.” Lando winks straight at the camera and waves exaggeratedly. “Hi, baby!”

(You don’t find out until much later, when the clip has gone viral on TikTok. The comments are all to be expected— calling Lando a simp, claiming he’s down bad and absolutely gone. It’s equal parts amusing and mortifying.) 

The interviewer chuckles. “Well, given today’s pole position, I’m guessing that’s your number one?”

Lando’s eyebrows raise. “No,” he says, his voice tinged with disbelief. As if it’s unimaginable. “I mean, pole’s great and all, but I always have the same thing at the top of my list.” 

“Which is?” 

“Her name.” 

LANDO DOESN’T ‘GO SLOW’. 

He’s not built for it. 

It’s just not in his nature. Not when he spent his entire life learning how to push the limit, trim down lap times, find milliseconds where nobody else could. He thrives in speed, in the way his pulse thrums when he’s threading a car through corners, the rush of adrenaline when he crosses a finish line. He isn’t known for patience, either, or waiting, or any of those things that require taking his foot off the gas.

And yet. 

And yet. 

“Lando,” you say amusedly, glancing at the speedometer. “Are you seriously driving below the speed limit?”

Lando doesn’t look at you. He just shrugs, fingers tapping against the steering wheel. “Just being safe, baby.”

Your lips twitch, suspicious. You’re onto him, because of course you are. It’s embarrassing how obvious he’s become. In his defense, he never used to do this. Never used to ease into turns, never used to take the long route home, never used to pray for red lights and stop signs if it meant keeping you in his passenger seat a little longer.

But nowadays, he does.

“Baby,” you sing-song. “You do realize I live with you, right? It’s not like I’m going anywhere.”

“Mm,” he hums, noncommittal.

You shake your head, but the look on your face is fond. “God, you’re ridiculous.”

Lando risks a glance at you then. His heart stumbles at the sight. 

You’re curled up in the passenger seat, eyes shining, hair mussed from where he’d flicked at it earlier. You look so impossibly soft in the glow of the streetlights, and he’s struck with the kind of certainty that rattles him down to the bone— that this, right here, is his favorite kind of drive.

His hand tightens over your thigh. “Guess you’re right,” he says with a laugh. “I am pretty ridiculous.”

Lando still lingers at the next red light. ⛐