#this has seriously taken it out of me

[horrorgirlreads]

One more day. One more day until the work in my house is complete and I can put things back in their place and my floor won't be covered in sawdust and there won't be workmen (and by workmen i mean my dad and 1 of his friends) coming in my house and I will have energy again

[druid-for-hire]

[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

[antirepurp]

been thinking more about portrayals of naivety and how often it gets viewed on a surface level and further translated into "the character is vulnerable, childish, and must be protected, they are incapable of harm." it's an obvious pet peeve of mine, all similar acts of reducing a character to a single, likely prominent trait is, but it strikes me more with naivety because it can add so much complexity to a character when combined with other traits

for sonic characters, shadow is naive. he's naive all the way from sa2 to shadow 05, way too trusting of others for his own good, and it's not until after 05 that he really begins to acknowledge that tendency and consciously work against it when necessary. it is not his most prominent trait but it's an important feature of him and plays a lot into who he is as a person, but in his case it gets brushed aside because he's also dangerously cool, and for whatever reason the council has deemed naivety to not mix with that particularly well. so instead we get a portrayal of him as someone much more mature than he actually is, at least in terms of fan interpretations. there's nothing inherently wrong with that of course, but it ends up grinding my gears

silver has the exact opposite problem to shadow, where his naivety gets highlighted and played up to the point it drowns out everything else about him. that kind of reading fails to take into account how brutal and reckless he has the capability of being, how many of the choices he makes in 06 stem from a feral desperation to make a change, save his world at any price. he's naive, too trusting for his own good, with a remarkably black and white view of the world, what's right and what's wrong, but to reduce him to a child for it is missing what makes him so interesting in the first place. silver doesn't have the mysterious coolness to him that shadow does, and perhaps for the sake of being a foil to him his naivety is played up to a point of ridicule at times. perhaps some of that could be brushed up to his world being in a relative state of peace after the timeline reset, allowing him to grow into a person who doesn't have to live in a state of survival mode every moment of his life. either way is flattens him in a way that i despise in all honesty

other media also has examples of this kind of stuff, which is what's actually gotten me to think about this in the first place. it is, to a degree, interesting to see which traits people deem worthy of highlighting in any given character admittedly, and gives me food to chew on and ask myself why the characterization feels so off. it may not be a feast, but it gives me ideas on what the feast that i crave so badly consists of

[lully-jo]

I wonder how many people really love and relate to Alisaie because they too were the girl who struggled to understand how folks around her could act like suffering and selfishness and hivemind behavior was normal and their softness was called a weakness and so they built up an abrasive exterior to force people to take them seriously and now they don't know how to be vulnerable without feeling embarrassed or cringe even though they still feel things so deeply it's almost suffocating...

[omegalomania]

people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.

this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.

fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.

i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.

[seasideoranges]

y'all i gotta be honest for a sec, the "atla wouldnt change much if aang wasnt there, in fact it might be better" and "the atla finale wouldnt change much if aang wasnt there to fight ozai" debates is the funniest thing ive seen come out of this fandom

[wisecrackingeric-2]

You know you wanna vote for him. You wanna vote for him sooooo badly. That man is on twitter and twitch BEGGING to win. You wouldn’t let Joe Hills down, would you?

Also my partner described him as “looking like what an awesome guitar riff sounds like” if that’s not convincing enough idk what is

[enthyrea]

"well, look what we have here. welcome aboard, princess."

a macheresin pirate x prince au that has completely taken over my life. (@salemfrogtrials i blame you)

jake's the captain of the hidden dagger, one of the kingdom's most prolific pirate crews. he's cocky and arrogant and doesn't let anyone get close to him. javy is the crown prince, sheltered from birth and knowing nothing about the world. he runs away one day and gets kidnapped by jake's crew, who are ecstatic to have the prince as ransom. except, they quickly realize that using the prince as a bargaining chip won't work, and javy actually wants to stay.

jake decides to let the prince stay. and of course, they fall in love.

javy learns what it's like to be loved for who you are, not who you're expected to be; jake learns what it's like to be loved despite who you and others think you are.

(natasha is javy's knight who is leading the charge to rescue him. reuben and mickey are part of her crew. the rest of the daggers are a part of jake's crew.)

if you want to hear about the choices behind my designs ↓

jake: long hair and a beard because pirate lol, he's got fancy belts and necklaces and earrings and keeps a sword on him. he's got green on him bc he deviates slightly from your typical pirate color scheme, reflecting how despite his appearance, he is, in fact, a green flag. lol.

javy: his main color is purple because it reflects royalty. on his prince outfit, the orange represents rebellion as its his favorite color and a part of his individuality. he doesn't have his piercings or eyebrow slit before he runs away, but after he joins jake he does (probably a swordfight for the eyebrow). also. he's wearing jake's little belt tassel (the green one) after he becomes a proper pirate and jake gives it to him. he gets jewelry BUT he keeps the purple on his design because he's still a royal after all.

javy’s got white pants and jake has dark pants, and javy’s got a dark top while jake’s is white. it's a representation of their experiences being essentially opposites. HOWEVER they do share the same gold-orange color throughout their design- both on the bottom of their shoes, both on the jewel they wear (javy’s under his collar and jake’s on his belt). jake’s green sashes are closer to yellow on the color wheel which makes it more complementary to javy’s purple. over time, javy slowly gains bits and pieces of jake’s design and vice versa- specifically javy gets jake’s green and jake gets javy’s orange. javy wears dark pants like jake while jake starts wearing dark tops. essentially over time their color choices begin to match each other but they still keep individuality.

okay sorry ramble over. i will be returning to this. please enjoy!

[stevens-pastrami-sandwich]

HAPPY 17TH ANNIVERSARY TO THE SHOW THAT CHANGED MY LIFE!! 🎉🥳🎂

So maybe I'm a bit late to the party.. but that's not important 🤫🫶

[lunarharp]

when an obsessed orufrey person plays ace attorney for the first time in a while

[monsterfuckermilligan]

i am not anti sam but i sometimes find myself hating sam because some samgirls are super into bio/gender essentialism whether or not they realize it. sam is a woman and dean is a man and sam is the victim and dean is his abuser like what show are you watching?

[transsextual]

had a really incredible moment this evening. went to my campus art market where one of my friends was selling the tank top i'm wearing - another friend bought it for me and i'm so overjoyed to have it. usually a fit that leans more Traditionally Masculine feels like a costume but tonight it just felt deeply correct and honest and warm. took the opportunity to take some indulgent little pictures because i do not think i have Ever looked more like myself. so happy.

[starbuck]

how to live a happy and fulfilling life when everyone around you is obsessed with shame and guilt and suffering

[volfoss]

it is beyond infuriating how anne rice seems to insist on marius being a positive force in anyone's life ever. like she can't fully commit to exploring the fact he groomed armand and has repeatedly taken away his consent for what marius thinks is best (take the end of TVA as an example) and just kind of flatly puts it in the narrative. there's not really much interest in how these horrific events make marius come across as the worst because EVERYONE loves him. for gods sake, lestat learns from armand exactly what marius did to him in TVL and then proceeds to go find marius and be super friendly to him in the same fucking book. even armand and pandora, two of the people who have MORE than enough right to hate him, do not. it doesnt feel like shes trying to explore the toxicity of the abusive dynamic he traps them in, it just is there. and like yeah ofc the toxic vampire romance series but i think that this should be handled with more care. and it is not ever really framed in a way that she is interested in exploring how marius should easily be one of the most horrific characters in this series because it kind of feels like sa/rape/grooming/other things of that sort are just put there to further plot and not to really get the respect that they deserve in a medium.

[cantagirldrawinpeace]

Been reading Law Novel 👍

(super legally and not at all from a Google Docs English fan translation 👀)

WOLF ONE PIECE I KNOW YOURE NOT CANON BUT YOU REMAIN FOREVER FAMOUS TO MEEEE!!!

(Handwriting translations under the cut)

1-

Law: Junk-ya this is Bepo. He’s a polar bear and he’s going to live with us now. Be nice

Bepo: He brought me here without explaining anything..sorry….

2-

I like this sad old man :)

3-

Wolf: I swear, I let ONE kid stay - out of pure convenience - and they just kept multiplying!

Dadan: Tell me about it…

Both of them, thinking: I LOVE MY FUCKIN KIIIIDDDDSSSS!!!!

[averlym]

lost a bet to a guy in a chiffon skirt (but i make these high heels work)