#this has nothing to do with the character

[randomfoggytiger]

"this scene was a beautiful way to end their 8 years of fbi partnership and to start a new chapter for the scully-mulder family, only what we’ve seen since hasn’t been the start of a new chapter, it’s been a desperate attempt to hang on (season 9) or to return to the heyday (season 10)": perfect way to say it, @todaymyheartleapt

Season 7 canon continues their status quo, together.

Season 8 canon opens a new chapter for them to pursue, together.

I prefer the latter ending; but I can see the appeal of both.

The truth we both know. ↳Original airdate: May 20, 2001

[deathbxnny]

hey i was wondering if you could do how arcane characters would react to seeing their partner looking really good dressed up?? also i love ur writing!!

Arcane characters reacting to their s/o dressed up really pretty. | Vi, Ekko, Jinx x Gn!Reader

Thank you for the request, Anon, and I hope you'll enjoy this!!<3

Content: Established romantic relationships, fluff, sfw

Reader has no set pronouns.

((Not proofread))

》VI

"Ooh... where are we going?" A wide grin rested on her lips as she watched you put on your fancy shoes and straighten out the last details of your pretty attire. "I'm going out with a couple friends." In other words, she was not invited. But Vi couldn't hear you over the sound of her mind spinning with many different thoughts.

Humming, she leaned against a wall next to you, intensely dark eyes staring you down with a glint that made you shake your head in defiance. "No." "Oh come on, Cupcake! Do you really have to go out today? I mean... I can go along. It's dangerous around this time of the night and-" "-Viiii. I can take care of myself." She pouted at your clear disagreement, hardly attempting to even hide how much she loved the way you looked.

"Aw... please? At least let me tag alone so I can show you off to everyone." Typical. And yet, you had a hard time denying her anything when her hands suddenly sneaked around your waist so smoothly. She always got what she wanted out of you in the end. Not that you necessarily minded.

"Fineeee... but keep your hands to yourself around them." You huff out whilst your heart warmed a t the sight of pure excitement on her face. But the slyness in her smirk didn't leave as she gratefully kissed your cheek and let go. "Can't promise you that when you're looking so good, unfortunately... but I'll try. For now."

Rolling your eyes with a smile, you let her happily run off to get ready, glad that she enjoyed your outfit a lot.

》EKKO

He was stunned at the sight of you emerging from the bedroom, fully dressed up so beautifully it left him speechless. The Firelights were having a huge festival in celebration of a recent successful mission, and of course, you were both expected to look your best. And you weren't the type to ever disappoint either.

It was rare to see you dressed up so nicely, the cute outfit being one he had only seen a small couple of times before due to your line of work and life circumstances. But in his mind, you looking so good was a sign of success. He wanted you to be able to dress that way every day, perhaps another motivation of his to continue going.

"How do I look?" You ask, the nervous tone in your voice making his eyes soften even further. "You look great. Who are you trying to impress, hm?" His words were playful as he grabbed your waist carefully. Ekko mirrored the shy smile that crept onto your lips at his question. "A certain someone. I don't think you know him, though." You played along, watching as he raised a brow with an unimpressed smirk.

"Hm... maybe we shouldn't go out then-" "-Oi! Why are you guys taking so long? Let's get going." Scar's voice made you both jump, as he appeared in the doorway and waved you over. A sly smirk crept onto your face as you quickly followed after the man. "Ah, there he is! See ya around, Ekko!" "Hey! I'll remember this-!" Running after you two, he couldn't help but laugh a little.

The festival was going to be great, to say the least.

》JINX

You were just trying out some new clothes you had gotten. Nothing special and definitely not for anyone else's eyes, except for hers. Once you were done, you were quick to hunt down your girlfriend to show her your outfit. "Jinx! How do I look?" You asked, a happy smile on your lips as you now stood next to her, whilst she tinkered away on some projects. Removing her googles, she glanced up at you and blinked in surprise, near speechless for a moment.

Nervously shifting under her intense gaze, you wondered if she didn't like it. "Uhm... should I go change or-" "-You look really good..." She muttered thoughtfully before a large grin crept onto her lips mischievously. "A bit too good! Makes me nearly jealous, pretty. How about you dress me up too so we can match?" You should have honestly seen this coming, as she enjoys doing cute things like that with you.

And so, you did as she asked, whilst she painted your nails to match her own. By the end of it, you looked like you were headed to a fancy event, something she found greatly amusing. Kicking a nearby radio to make it play music, she held out her hand to you with a bright smile. "Alright, let's get this party started!"

[neon-sunsets]

it’s actually insane to me in retrospect that viktor got the arc he did. I need to go back and count his screen time minutes, but it’s clear that he’s up there numerically, and his story has so much weight within the narrative outside of just numbers as well.

beyond that, though, is the fact that viktor's narrative is fundamentally one about internalized ableism and the systemic structures that encourage it.

(obligatory disclaimer #1 that I have a significant mobility disability and a progressive chronic illness, but I am only one disabled person.)

imagine this: you are a child. you are disabled. the world you live in is one where you cannot afford healthcare; no one is there to teach you how to even use your cane correctly. your world is inaccessible and, worse, even the people who would normally show class solidarity with you don't, because you are not even able to do what they expect from you. characters like vi, powder, claggor, ekko, and mylo are all shown care and solidarity that viktor isn't — because they are able-bodied and therefore able to "pull their own weight."

this, at least, is an environment that can probably be overcome or mitigated by age and meeting people in your community who do care about you. this is an environment comparable to that of many, many, many disabled people who manage to thrive in a deeply unfair and ableist world.

but then you encounter a man who sees that you have talent and tells you as much. he does not ask much of you and he does not care that you are disabled. all he asks is for some help, which you give, and in return he teaches you the things he knows. what comes of this, after all is said and done and your understanding of the world has been fundamentally changed, is that you do have something you can give to your community, to the world. you have a talent which you can use to make yourself useful. you're not strong or sturdy but you can make machines, and that is always in need.

but you can't skate by on being useful like a normal child. the onus is always on you to prove that you're worth the air you breathe and the space you take up, that it's worthwhile to keep you alive. and the place to go to make yourself the most useful, where the most change can be made, is not a place you have any traditional way of accessing. you, through tenacity and grit, manage to get there anyways. (the show doesn't depict this, but any way viktor would have managed to get to the academy would have involved significant difficulty and possibly deception).

and when you get there, to that towering city of bronze, you find that nothing you do actually matters all that much.

everyone looks at you and sees your disability. everyone looks at you and sees where you're from. no matter how smart or accomplished or helpful you are, your behavior will always be, in their eyes, representative of your people. you could handle the stares, the rejection. but their judgement is dangerous to you and your people.

so, in order to survive, you must be perfect. you must project confidence or at least indifference to their cruelty. you must do as you're told and accept meager promotions and toil away as an assistant. you might be the only disabled zaunite they'll ever meet, so you have to make it count. if you fail, if they decide everyone from the undercity is lazy and useless, it's your fault.

you tell yourself you won't let them get to you. you tell yourself that you believe in your abilities.

it's a convenient narrative, and it's wholly untrue.

you, after all, are only a human being. a lifetime of the chips stacked against you is nearly impossible to overcome.

and so the image you build of yourself is that of a man far more self-confident than you, one who is quiet and reserved but proud of his accomplishments. the man you actually are, though, is one desperate for acceptance. desperate to assimilate. you chase your dreams, yes, but you can't bear to take credit, can't bear to be the face of them. you don't let yourself get close to anyone except the man you've built all of this with, who you love more than anyone else. you don't let anyone touch you (except him) and you don't touch anyone. you convince yourself you don't deserve his love or anyone's, that you're not whole enough for that.

you take it so far that, when you finally have the technology you think can cure your terminal illness, the first thing you try to fix is your leg. not the thing eating at your lungs and cutting short the time you thought you had, but the leg which has marked you as Other your entire life. and even though it doesn't quite work, even though it still causes you pain with every step, you force yourself to run on it — faster and faster until you're outrunning the ships and screaming because you may have visibly "fixed" your leg but it still hurts the same.

and when the system is not only oppressive in the material sense but also set up to make you hate yourself, there is almost no escaping this cycle of self-hatred. throw in the fact that in season 2 viktor keeps getting tossed from resurrection to resurrection against his will and it's no wonder the man did the things he did. it doesn't excuse them by any means, but arcane is not interested in excuses — it's interested in what makes people do the things they do. everything that he did to the people in the commune was a reflection of his own self-hatred, both because he still possessed it after death but also because, since he was programming the hexcore to try and save his life but started with "fixing" his leg, it is designed to make people as physically "normal" as possible. the faceless, identical machine people are a metaphorical representation of the ideology viktor has bought into in his pursuit of self-hatred and internalized ableism. his whole arc across both seasons is a demonstration and condemnation of the ways that systems of oppression reinforce self-hatred in the people they are oppressing.

obligatory disclaimer #2 that I don't think arcane did everything right. I'm frustrated with the direction of season 2 away from the piltover/zaun class conflict and towards the broader league of legends universe. but I do think, as a disabled person with a very similar experience of my disability to viktor, that this arc is well-done and very compelling. in the end, what saves the world is viktor accepting that he is deserving of being loved. I'm going to be thinking about this one for a good long while.

[walkawaytall]

What?! No. First person stories are told from the perspective of the character, like they’re telling you a story or giving you a peak into their brain during the events of the story. Did this person think Suzanne Collins believes all of her readers are named Katie’s Everdeen?! This is the widest take on reading I have ever heard I think.

Now…second person I could sort of understand since it’s the “you” perspective. Like, “You entered the room and sat down.” sort of thing. But even that…isn’t necessarily about you, the reader as a person; it can be about a specific character who has nothing to do with the reader. I’ve seen that done pretty well before. But it’s also the least-used perspective, so people don’t encounter it particularly often.

wait do people read first person stories and think they're the ones in the story???

Saw people talking about not liking first person, which is fair, but their reasoning was like "I would not do that" and I don't understand that mindset.

First person stories are still about a character. A character making their own decisions. First person isn't about you???? At least I thought it wasn't. What am I missing? I've always seen first person as just a more in-depth look into a character's mind and stricter POV. Not as a reader stand-in.

[cherrybomb107]

“I like that Arcane doesn’t spoon feed us everything.” “Show don’t tell”. Whenever I see comments like this in response to critiques about this season, I get confused. How much has to happen offscreen or be completely glossed over via music video montage before we call a spade a spade and say certain things were underwritten?

“Show don’t tell” they did neither!!! We weren’t shown any meaningful scenes of Vi’s pit fighter era. We weren’t shown Ekko and Jinx working together to rebuild Jinx’s weapons and make their new outfits. We weren’t shown any hints as to Maddie having been a Noxian spy(no, the fact that y’all hated her from jump means nothing). We weren’t shown Caitlyn showing genuine remorse for her actions and ever growing distrust of Ambessa(micro expressions can only account for so much). We weren’t shown Ekko meaningfully interacting with the Firelights. We weren’t shown Vi and Jinx having a genuine conversation (and they have a LOT of shit to talk about) and I could keep going.

I love the show, I swear I do, but there’s a big difference between subtlety and things happening out of nowhere. It’s not “spoon feeding” for the show to let us SEE characters develop organically, and not via montage. We are watching a television SHOW after all, so yes, I expect certain things to be shown to us rather than told. “Show don’t tell” but they did a hell of a whole lot more telling than they did showing this time around. This is just my opinion of course

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[cressidagrey]

Holy Ground - Chapter 5

Summary:

Nobody knew that Azriel found his mate. Until she nearly died. This is the aftermath.

Warning:

Rhys Bashing (as usual), Inner Circle Bashing (kinda), Referenced/Implied Sexual Assault, Referenced/Implied Domestic Violence, Discussion of Religion(?), Chronic Injury/Pain/Illness, Minor Character Death (It's probably nobody you love), Magical Work Accidents, Explosions, Injuries

If any of this triggers you or makes you uncomfortable, please take care of your own mental health and don't read it.

“You want to talk about it?” Her mate asked her flatly and Mor couldn’t help but grimace.

"No," Mor said simply, her tone clipped. She had been hoping to avoid this conversation, but it seemed as though Emerie was not willing to let her off that easily. "There's nothing to talk about."

Her mate just snorted. “Yeah, absolutely nothing,” she said sarcastically. “How about the fact that the male that spend 500 years being in love with you, met his mate 2 years ago and hasn’t said a single thing about it to any member of his family?”

"What do you want me to say, Em?" she asked with a sigh.

At the start…before Nesta had forced her to actually confront what she was feeling…Before she actually thought about the fact, that no…it wasn’t actually funny for Azriel to keep their mate from them…and it also wasn’t normal for him. Of course, Azriel liked his privacy, it was something that he fiercely guarded, but he was also…he wouldn’t have actually hidden away his mate from his family. He would have introduced her, would have invited her to birthdays and Winter Solstice and Starfall…

But he hadn’t. 

He had rather hidden away every trace of that relationship than actually talk to any of them about it. 

“Nesta told me that she laid into you,” Emerie said with a shrug. “You did use Azriel, you know that, Mor.”

Mor's expression hardened at Emerie's words. 

Emerie was right. She had used him. 

Of course, at the time…she had been desperate, afraid of the feelings that she had been having…willing to hide them… but the way she had gone about it hadn’t been…It hadn’t been fair. 

She just didn’t like to reflect on that. 

"It doesn't matter now, Em," she said flatly. "It's in the past."

“Is it?” Emerie asked, sharply. “You never tried to actually talk to Azriel about it. You just expected him to be alright with it. Alright with us,” she continued. “He has never once been anything but polite to me, but quite frankly he would have had every right to be pissed off.”

Mor just so managed not to grimace. 

Not a single word. Not a single gesture. Nothing but politeness and kindness had come from Azriel after her and Emerie’s mating bond had snapped. Nothing. 

"You don't think I know that? You don't think I'm racked with guilt every damn day?" she asked her mate, turning away from from Emerie, running a hand through her hair in frustration. "I know that I hurt him, Em. I know that I used him. But what do you want me to do about it now? It's in the past, it's done. I can't change it."

Emerie was silent for a moment, her expression softening slightly. "You can apologize," she said softly. "You can try to mend what you broke. And maybe, just maybe, he'll forgive you."

Mor let out a bitter laugh, shaking her head. "Apologize? For what?" she asked, her voice dripping with self-mockery. "For using him? For making him think he had a chance with me when he never did? For breaking his heart when I knew damn well how he felt about me?"

Emerie's expression hardened again. "Yes," she said firmly. "For all of those things. Because at the end of the day, Mor, you used him. And he deserves better than that."

Mor's shoulders slumped, the fight leaving her all at once. She knew that Emerie was right. She knew that she had been selfish, that she had hurt Azriel in a way that could never be undone. But the thought of facing him, of admitting her mistakes and opening herself up to the pain and rejection that surely awaited her…it was terrifying.

“I imagine he had a few very good reasons to keep Irena a secret from all of us,” Emerie said softly. “Regardless of what feelings he once harboured for you…he was always your friend, Mor. And he kept his mate a secret from you.”

Mor sighed, her shoulders slumped. "I know," she said softly. "I know. I thought it was jsut Az being Az but it’s not, is it?”

Emerie reached out, placing a gentle hand on Mor's arm. "No," she said softly. "It's not. It's him protecting something that he loves. And I don't blame him for that."

***

“Are you hungry?” Azriel asked his mate softly.

Madja had checked on her the evening before…had told her to keep off her leg for a few days and plied her with more potions, bandages the bruises again… given her more sleeping draught. It hasn’t stopped Irena from waking up twice with nightmares.

"No," Irena said softly, her voice barely above a whisper. "I don't have much of an appetite." She looked pale, her eyes dull and lacking their usual sparkle. It was clear that she hadn't slept well, and his heart ached at the sight of her discomfort.

Shock had dissipated and left his mate…grieving and sad and Azriel curled himself tighter around her.

He could feel the weight of her sadness and grief, and it broke his heart to see her this way. He wrapped his arms tighter around her, holding her close and hoping to offer some comfort and support.

“You need to eat something, love,” he insisted softly. “Whatever you want.” 

He really didn’t care if all she had in her stomach were her favourite cookies, at least that would be something. 

Irena shook her head, burying her face in his chest. "I don't want anything," she said, her voice muffled against his shirt. "Just...just stay here with me."

Azriel's heart tugged at her words, and he pulled her even closer, cradling her against him. "Of course," he whispered, his lips brushing the top of her head. "I'm not going anywhere, love,” he promised her fiercely. “But you still need to eat something,” he whispered. “How about the shadows get you one of those blueberry pastries you like?”

Irena sighed, snuggling deeper into his embrace. "Alright," she said softly. "I do love those pastries." She looked up at him, her eyes still dull but a small hint of a smile tugging at the corners of her mouth.

He didn’t even need to order the shadows to do anything, they had one of her favourite blueberry pastries on a plate on the bed side table in a breath. *Please tell me you left the money,* he told them mentally.

The shadows seemed almost indignant. *Of course we left it. Do you think we're thieves?* Azriel smiled at their tone."

"Of course not," he said aloud, reaching for the pastry and offering it to Irena. "You're just very efficient." The shadows swirled around him almost smugly at the praise, and he shook his head with a chuckle.

“Thank you,” Irena thanked them softly. The shadows preened.

Azriel chuckled again, watching as the shadows swirled around Irena, as if basking in her gratitude. It was cute how they seemed almost puppy-like in their desire for her attention. 

He was amazed, as always, by how much the shadows adored her.

He had never expected them to warm up to anyone else, especially not as quickly as they had to his mate. 

Suddenly…as soon as he had properly introduced his shadows to her…as soon as it was clear that she wasn’t going to start flinching away from them or from him if they showed up to badger her…as soon as that was clear, they had started to dote on her. Seemingly so pleased that there was another person that wasn’t scared off them. 

The shadows and Irena had formed a bond that defied explanation, and it made Azriel so happy to see the two things he cherished most in the world getting along so well.

(Even if he sometimes got jealous that the shadows never had doted on him like they did on Irena. He got porridge for breakfast but Irena got the ridiculous expensive pastries from the newest high end bakery. Irena got bubble bath, while he only got salt dumped into his bath water and got told that it was good for his muscles.) 

He watched as the shadows swirled around Irena, nuzzling against her like cats seeking affection. Irena laughed softly as they tickled at her ears and played with her hair.

He knew that his shadows were often feared and misunderstood, but with Irena they were playful and affectionate. It was like she had unlocked a whole new side of them, and he couldn't help but smile at the sight of them interacting so sweetly with her.

He leaned in, pressing a soft kiss to her temple. "I never thought I'd see the day when my shadows would be so smitten," he teased, his lips curving into a small smile. "I should be jealous, but I can't help but find it adorable."

Irena laughed, her eyes sparkling for the first time that day. "They're so sweet," she said, reaching up to brush her fingers through the shadows that surrounded her. "It's like they're a different side of you."

Azriel chuckled, his gaze softening as he looked at her. "I guess they are a part of me, in a way," he said. "And they seem to have a mind of their own, especially when it comes to you." He watched as the shadows nuzzled against her cheek, almost vying for her attention.

"They're quite taken with you," he said with a grin. "I don't blame them. Still, it's strange to see them so affectionate towards someone else." He reached out, gently brushing a strand of hair away from her face.

"But it makes me happy to see them like this," he said softly, his fingers lingering against her cheek. "It's like you're bringing out a side of them that I never knew existed. And it's a beautiful thing to witness." He leaned in, pressing another soft kiss to her forehead. "Just like you."

There was a knock at the door.

*The High Lord and the Ancient One,* the shadows offered. *And the healer.*

*I’ll deal with them,* Azriel said with a snort.

“Finish your breakfast, alright?“ he told Irena softly as he slid out of the bed. Irena nodded, a small smile on her face. 

"Thank you," she said softly, watching as he got up to answer the door.

“Madja,” he greeted the healer drily. “Irena just had breakfast. The bruises are already lightening,” he reported.

Madja nodded, her expression softening slightly. "Good," she said. "Keep an eye on her for the next couple of days, make sure she takes it easy. The leg needs to heal properly." He opened the door further, letting Madja slip in, and could just hear, "How are you feeling, my dear?" From Madja and Irena’s soft answer.

Which meant that Azriel turned towards his brother. “What do you want?” He demanded from Rhys, his voice sharp. 

Rhys held his hands up in surrender. "Calm down, Az," he said, his voice low. "I just wanted to check on Irena. Amren looked at the spellbook that Merrill was using,” Rhys explained.

“And?” Azriel asked flatly.

Did it actually matter? Merrill had been stupid and arrogant and a thousand other things. The spell didn’t seem to have done anything to Irena…her injuries had been thanks to the debris that had resulted in the spell going absolutely haywire, killing Merrill and seemingly exploding her office. 

“It was written in a language I do not know, but the best match is ancient Illyrian,” Amren gave back drily. 

Azriel's expression darkened at Amren's words. "Ancient Illyrian?" he repeated, his mind racing. "That can't be good."

Not at all. He didn’t even want to think about what his ancestors had come up with. 

"It seems to be a very old dialect," Rhys explained. "One that hasn't been spoken or written in centuries. It'll take some time to decipher it, but we're working on…”

“It seems to be a healing spell. Probably used in childbirth,” Amren cut him off. “When it didn’t find a pregnant female to latch onto, it redoubled back onto Merrill.”

"So Merrill's own spell backfired on her," Azriel mused. "And Irena got caught in the crossfire." He rubbed a hand over his face. “Has the spell done anything to Irena?” He demanded.

“Madja didn’t think so,” Rhys said carefully. “I wanted to check on Irena if that’s alright with you.”

He crossed his arms, not willing to entertain that even for a moment. 

“No,” he said flatly. 

“Let him in, Azriel,” his mate said softly, and he turned towards her, staring at Irena. 

The shadows were already dragging a fur around her shoulders, fluffing the pillows behind her, as Madja bandaged her leg.

Irena met his gaze, raising an eyebrow at him. 

He didn’t want Rhys anywhere near her, Azriel was certain of that. And still…an still…

“Fine,” Azriel growled, stepping aside to let Rhys through. "Don't overstay your welcome," he warned Rhys. 

Rhys nodded, a small smile tugging at the corner of his lips at Azriel's protectiveness. He clapped a hand on Azriel's shoulder reassuringly. "I won't stay long," he reassured his brother. "I just want to make sure she's alright."

Amren rolled her eyes, but for once didn’t say another word as Azriel closed the door. 

“High Lord,” Irena greeted Rhys, every inch the perfect lady even while she was laid up in her bed.

Rhys inclined his head, smiling gently at Irena, while Azriel already crossed the room to sit at her bedside, taking her hand in both of his. She reassuringly squeezed it. 

"How are you feeling?" Rhys asked her. 

Irena gave him a small smile, shrugging her shoulders a little. "I've been better," she admitted. "But I'm healing, I suppose." She gestured to the leg, Madja was bandaging once again.  "Madja says I'll be good as new in a few days. And I’ve had worse,” she added flatly.

Rhys chuckled softly, his eyes softening with concern. "I don't doubt it," he said. "But still, it must have been quite a harrowing experience." He paused for a moment, looking at her intently. "I wanted to speak to you about what happened," he said gently. "If you feel up to it, of course."

Irena nodded, steeling herself for whatever questions Rhys might have. "Go ahead," she said quietly.

"I just wanted to ask you about what you saw when the spell hit you," Rhys said carefully. "Do you remember anything after the initial blast? Could you show me?”

“No.” Azriel snapped. “You are not going read her mind, Rhysand.” Not in a million years. 

He nearly bared his teeth at his High Lord in annoyance, already regretting letting him into their room. 

Irena was healing.

Rhys held up his hands in surrender, his eyes flickering to Azriel for a moment. "I wasn't going to do anything without her permission,  brother," he assured him calmly.

“It’s alright,” Irena agreed with him. “It’s fine, Azriel,” she assured him softly.  Azriel tensed for a moment, torn between wanting to protect her and respecting her wishes. "I want to do this." She turned her attention back to Rhys. "Go ahead."

Rhys nodded, his expression serious. "Are you sure?" he asked, his voice low. "It might be difficult to recall the memories, but I need you to try."

Irena just inclined her head. "I'm sure," she said firmly. "Just...just go ahead."

Azriel watched, holding her hand tightly. Rhys was well trained at using his daemati abilities, but that didn’t mean that…

A moment later a soft shudder run through his mate, and Azriel growled. 

“Thank you, Irena,” Rhys said quickly, clearly already withdrawing from her mind.

“What kind of spell was it?” Itena asked her voice hoarse. 

Rhys sighed, "The spellbook was written in some kin of ancient language, we think some dialect of Illyrian. The spell itself was healing spell, probably used for childbirth," he explained. "The magic was searching for a pregnant female to latch onto, but when it couldn’t find one, it became more volatile," he said, his expression grave. "And that's when it found you, Irena. It was a complete accident, but the effects were still devastating."

“Did it do…anything to me?” Irena asked Madja quietly.

Madja looked up from the bandages she was applying to Irena's leg, her expression softening as she took in Irena's worried expression.

Madja studied her for a moment, her eyes flickering over the various scrapes and bruises on Irena's body. "Not as far as I can tell,” Madja said finally. "You're healing nicely, and there are no lasting effects to your body that I can see.”

It was something. It was reassuring to know that her physical injuries were being healed, and that there were no lasting effects.

Azriel squeezed Irena's hand, relief flooding through him at Madja's words. 

It was good. Some form of healing being found…

And the last thing Azriel had expected, where Irena’s next words, as she addressed Rhysand. 

“I’ll hand over my duties to Madja, as soon as I can,” Irena said softly. “I am aware that after what happened I am no longer suitable to make any more research involved decisions. I take full responsibility for what happened.“

Her voice was even, measured. Calm. 

Even when he could see the storm in her eyes…even when he could see…

She loved her job. He knew that she loved her job. She adored it in fact. And she excelled in it too. Irena seeme to be made for her job in the House of Wind. And to hear her contemplating giving it all up, just because of an accident that hadn’t been her fault at all…

Azriel opened his mouth to protest but Rhys spoke before he could say anything. "That won't be necessary," Rhys said firmly. "Irena, what happened was a complete accident. You had no control over what happened, and we all know that." He shook his head, his expression serious. "You can't blame yourself for what happened."

Rhys leaned forward slightly, his gaze intent on Irena. "If anyone is to blame, it's Merrill," he said softly. "She was the one who was messing with magic beyond her understanding, she didn’t follow your orders and she was the one who unleashed that spell. You were just an innocent bystander in all of this."

He paused, looking between Azriel and Irena, his expression softening. "We will need to take precautions going forward, so nothing like that can ever happen again." he said carefully. "But we can figure that out together. And you do not need to give up your duties, Irena. We need you."

Irena looked down at the blankets in her lap, her fingers fiddling with a loose thread. "But what if something like this does happen again?" she asked softly.

Rhys shook his head, his expression firm. "It won't," he said, his voice filled with conviction. “None of what happened was your fault,” Rhys repeated firmly.

Azriel nodded in agreement, his grip on Irena's hand tightening. "He's right," he said gruffly. "You didn't do anything wrong. You were just in the wrong place at the wrong time, love. This is on Merrill, not on you. "

“And you can’t quit because otherwise we’ll all drown under paperwork. Well, more than we already do,” Rhys said with a sigh.

Irena chuckled softly, a small smile pulling at the corners of her lips. "Well, I suppose I can't let that happen," she said wryly. "I can’t let the high Lord deal with even more paperwork, can I?“ she said drily.

Rhys moved to stand but then he suddenly froze. “You have been doing this on purpose,” he suddenly said, staring at her.

“Doing what?” Irena asked, cocking the head to the side. “Make sure that the library generates plenty of paperwork that needs the High Lord’s personal attention?”Rhys stared at her for a moment, his expression a mixture of surprise and awe. 

"You really are quite devious, aren’t you?" he said with a small laugh. "I never would have thought you’d be using your job specifically to ensure that I spend even more time doing paperwork."

“I don’t.” Irena said flatly. “It was petty revenge.”

Rhys chuckled, shaking his head. "Petty revenge?" he repeated, raising an eyebrow. "What on earth did I do to deserve such punishment?"

Irena just stared at him for a moment. “Maybe you should think a bout how you have been treating my mate.”

What? 

Azriel had had no clue that…

Azriel hadn’t known about that. Hadn’t had the faintest inkling. 

Irena had been making sure that Rhys had more paperwork to go through?!

Rhys looked at him for a moment before sighing, rubbing a hand over his face. "I suppose I deserved that one," he admitted. 

Azriel just grunted, his expression flat. "You deserved a lot more than that," he muttered. But there was no real anger in his voice. He was too tired for anger at Rhys. All he cared about right now was Irena. 

“You really are a perfect match,” Rhys said with some amusement. “And I do owe Azriel an apology,” he said simply. "I’ve been harsh on you, Azriel. And I haven’t been fair. I’ve been treating you like a tool, instead of like a brother, and I owe you an apology for that.”

Azriel was taken aback by Rhys's words. He had grown used to the way Rhys treated him - as a weapon first, and a brother second. Hearing Rhys acknowledge his mistakes was…certainly unexpected, and it left him feeling a little off-balance.

He paused for a moment, his mind racing as he tried to figure out how to respond. Finally he looked up at Rhys, his expression serious. "Thank you," he said quietly. "I appreciate the apology."

Rhys nodded, his expression sincere. "I mean it," he said quietly. "I'll do better moving forward."

[nadianova]

welcome to surprise nadia nova how to make a visual novel tutorial

you want to 100% use ren'py i dont make the rules

its straightforward enough that simply downloading, installing and hitting the "create new project" and spamming through the menu and then opening script.rpy to see the code which will tell you like 70% of what you need to make your first vn. there no need to be afraid just because the word 'code' was mentioned. ren'py's own language is just copy pasting stuff back and forth and inserting your own names and pictures. its nothing like C# or java or whatever languages exist cause i know jackshit about any of that and dont know how to do programming

anyway, inside the main script file, script.rpy, are commented instructions on how to name a character, place a sprite, place a background, and put in text and you can basically make a vn with these things. i can not stress it enough KEEP IT SIMPLE, especially if you're starting out. making things complicated or planning massive projects is just shooting yourself in the foot. better to make 2 minute game than get stuck trying to make a epic masterpiece

writing a story is its own thing. however anyone can write and its better to write a shit story than no story. that way you have something to build on and get more comfy with your own art process. its what me and everyone else who makes vns and any other art or skill or hobby have done too.

if you like what some other vn/manga/anime/story does copy it and smash these inspirations together to make your own thing. save pictures and lines you see that get you inspired if you need inspiration and references for your own story. everything in this world is inspired by other things someone else has made. its not stealing unless you get absurd and download someone elses game and take out half the assets and put them in your own game and pretend you didnt

if you have interest do yourself a favour and make a vn. as far as game development goes its one of the most accessible options out there . ren'py is an amazing engine having all the vn necessities already in place since that allows you to just focus on the story and not have to worry about setting things up yourself and scrambling with advanced code unless you really want to

i know the jam is just ending in the following weeks and depending on when you see this post this might be outdated as hell but my yurijam server is still going and will be going until people simmer out and something new shiny takes their attention. still, its a server an people post gay shit there occasionally even outside of jams so me and many others are helpful and like answering questions to help otehrs make stuff. so i think the best way is to join the server rn and just ask questions in the help channel. better to ask stupid questions than no questions

now go make a visual novel im holding a whip and making those scary crack sounds and aiming just close enough to your feet that youre almost convinced it hit you despite your jumping and dancing and DANCE NOW DANCE MAKE A VISUAL NOVEL DANCE GET TO IT MAKE A VISUAL NOVEL DO IT NOW OR ILL GET YOUR FACE NEXT MAKE A VISUAL NOV-

anyway but for real if you really are interested make a vn cause im holding a whip and making thOSE SCARY CR-

[yujiphoric]

Why I Love Caitlyn, and Why You Hate Her

⚠️ READER DISCRETION: I am not condoning Caitlyn’s actions and behavior, I am simply exploring the depth of her character and explaining what motivated her pursuit of revenge.

There’s no denying the gravity of Caitlyn’s actions—she is responsible for the deaths of innocents and the gassing of Zaun. Her choices are unquestionably wrong. However, her character cannot be reduced to these actions alone. This sudden, devastating behavior of hers is shaped by a thread of complex motivations and circumstances, but many choose not to acknowledge this simply because of her elite background. 

Despite her privileged upbringing, Caitlyn shows a genuine effort to understand and connect with Zaunites. She places her trust in Vi, a Zaunite she’s never met before, to guide her in her search for Silco. Her journey through the undercity opens her eyes to the struggles of its people, challenging her perspective.

In S1E4, when investigating the airship attack, she encounters an undercity resident and reassures him, “I can protect you.” Later in the season, when Vi gets stabbed, Caitlyn encounters someone formerly connected to Vi. He’s grown a distaste over himself due to his appearance, and yet Caitlyn embraces him with compassion and tenderness, as a silent sign of gratitude. Then, she surrenders her cherished firearm—her only means of protection—in return for a healing potion to save Vi. In S1E7, Caitlyn’s heartfelt monologue in her conversation with Ekko perfectly captures her hope and determination: “This city needs healing. More than I ever realized. Please, let me help you.”

When Caitlyn and Vi stand in front of the Council, Caitlyn declares: “Councilors, this is Vi. She was born in the undercity. Even though we failed her in countless ways, she risked everything to show me what life is really like down there. People are starving, sick, ravaged by Shimmer. They live in constant fear of the coordinated efforts of violent crime lords.” This monologue alone shows how Caitlyn embodies optimism, believing in the inherent goodness of people, even Zaunites. It also shows that she is very willing to fight for them; she sees helping Zaunites as an act of bringing justice and equality into this world.

Many overlook the depth of Cassandra and Caitlyn’s relationship, reducing it to a simple narrative of a daughter mourning her mother. However, Caitlyn’s mourning is more layered than that. Throughout her life, she has been rebellious, driven by a desire to uncover the reality her mother tried to shield her from. In S1E4, Caitlyn reflects on this by saying, “She’d do anything to keep me from seeing the real world.” Caitlyn’s defiance wasn’t just rebellion for its own sake—it was a stand for her ideals. She sought enlightenment and understanding, even if it meant stepping outside the privileged bubble her mother built for her. By venturing into the undercity and aligning herself with Vi, Caitlyn rejected her mother's own ideals. In a way, her actions mirror Vi’s: just as Vi betrayed her people by working with the enforcers, Caitlyn betrayed her mother by involving herself with Zaunites. Remember: The last time we see Caitlyn and Cassandra interact on-screen is during Caitlyn’s plea before the Council. And in that moment, Caitlyn was fighting to protect the very kind that would soon kill her own mother.

Many often argue that Caitlyn’s drastic shift is unjustified, as she’s only experienced a fraction of the suffering Zaunites have been enduring. But that’s precisely the point! Her transformation shows how personal loss can drive the change of one’s entire character; she’s never experienced loss before which is why it feels so heavy for her. And unlike Zaunites, Caitlyn actually has the power to act on her grief. Zaunites have only known misery their whole lives. When their loved one dies, they know there is nothing more they can do but grieve. They don’t have an inch of the privilege and military support Caitlyn has. If you had given them the same resources as Caitlyn, they wouldn’t hesitate to bring ruin to Piltover. Simply put, they don’t fight Piltovans because they don’t want to, but because they can’t.

When Jinx takes her mother away, her compassionate ideals completely shatter. Having always sought justice and understanding for Zaun, Caitlyn feels deeply betrayed, as her faith in the good within every Zaunite is overturned. Her mother’s death becomes a turning point—driving her to abandon her ideals and adopt Piltover’s disdain for the undercity, finally understanding the resentment many Piltovans harbor.

We also tend to forget that, aside from losing her mother, Caitlyn has directly suffered under the hands of Jinx. Caitlyn was held captive by Jinx in Season 1—and God knows what was done to her during that period. In the dinner scene, we see Caitlyn break down in tears, visibly flinching when Jinx moves toward her. It’s clear that Jinx has traumatized Caitlyn not just once, but twice. These experiences deeply shape Caitlyn’s actions moving forward. The pain and fear she’s endured push her to a place where she’s willing to sacrifice almost anything, even if it means putting a child’s life at risk (Isha's) or severing ties with Vi.

While they share their differences, Caitlyn and Jinx are the perfect example of foil characters. Here’s an instance which proves this: Both allow themselves to be influenced by manipulative, powerful figures all while being in a vulnerable state of mind.

Jinx is haunted by guilt; her attempt to save her family only ended up killing them, leaving her with the crushing weight of self-blame. She clings to Silco, not because he was the father she needed, but because he was the father she wanted. Silco indulged her destructive tendencies, keeping her at an all-time high on the edges of chaos. Fragile and broken, Powder crossed paths with Silco at the right moment; he saw the perfect chance to mold her into someone bewildered, unrestrained, and astray.

Caitlyn has her own Silco: Ambessa, the ruthless Noxian leader with a brutal philosophy of war. Ambessa enters Caitlyn’s life at a pivotal moment, stepping in just as Caitlyn is grappling with the devastating loss of her mother. In a spiral of self-identity, Caitlyn struggles with the weight of Piltover’s expectations and her unresolved guilt over her strained relationship with her mother (as explained in previous paragraphs). Just as young Powder mourns her family, Caitlyn blames herself for the death of her mother. Caitlyn got herself involved with the Zaunites even when she was warned not to, and at the expense of her defiance came the death of her mother. Driven by guilt and a thirst for vengeance, Caitlyn steps fully into her role, declaring in S2E1: “I am a decorated officer. Leader of House Kiramman.”

Jinx and Caitlyn share a tragic parallel: they both lose everyone they hold dear. Jinx loses Vi, Vander, Claggor, and Mylo. Caitlyn is left without Cassandra, Vi, Jayce, Mel, and Tobias. Stripped of their support systems, they are left isolated, with no one to confide in or rely on. They become vulnerable, used as pawns in the larger schemes of Silco and Ambessa’s strategic games.

Caitlyn's inner turmoil is exactly why Ambessa’s manipulation is so effective. Caitlyn is compelled to take revenge, but she doesn’t know how to. And without anyone else to guide her, she places her complete trust in Ambessa's expertise. Ambessa doesn’t just give Caitlyn the authority and power to avenge her mother; she teaches her how to use them to their full potential. She toys with Caitlyn's vulnerability, making her adopt the Noxian values of wrath, bloodshed, and ruthlessness. 

It’s easy to downplay Caitlyn’s grief since she comes from an elite upbringing. While Cassandra Kiramman is laid to rest in a golden casket with a proper burial, countless innocents in Zaun become victims of merciless violence, being left to die on the streets. After the timeskip however, Caitlyn is shown to recognize the moral cost of her actions. Though the series portrays this realization subtly, it becomes evident that Caitlyn is grappling with the inhumanity and immorality of her pursuit of revenge. In S2E4, this internal conflict comes to light during her conversation with Ambessa. When Ambessa attempts to stoke her fury again, Caitlyn disarms her with a piercing question: ���Why is peace always the justification for violence?”

Here's another scene that subtly depicts her realization and remorse:

Caitlyn: You're a monster. Why? Why do all this? Singed: Why does anyone commit acts others deem unspeakable? ... For love.

When Caitlyn steps further and sees Orianna, she realizes that Singed's revenge is a reflection of her own: a person grieving the death of their family member. Here, there's a saddened glint in her eyes. She finally understands now, that love and grief made her do things that once seemed so foreign to her. In this case, going against her own principles just to succeed in her revenge.

Caitlyn is now forever haunted by the outcome of her dictatorship, but she knows her past cannot be erased. During her confrontation with Jinx in the prison, she admits, “No amount of good deeds can undo our crimes.” While this statement is directed at Jinx, it feels like Caitlyn also holds this against herself for her wrongdoings. 

Caitlyn’s acts of atonement are done quietly. She’s not good with words; she’s bad at articulating how she feels. Ironically, Vi is much better than Caitlyn when it comes to confronting and vocalizing internal conflict. So instead, Caitlyn’s actions speak for herself. By removing the guards at the prison, she tacitly allows Vi the opportunity to rescue Jinx. She knows Vi will come to save her sister, and yet she lets her. She finally lets go of Jinx and the grudge she held against her, as a silent act of her love for Vi.

And in S2E9, Sevika is shown to be sitting among the Councilors. But thanks to a fan's keen eyes, we find out that she is sat particularly on Cassandra Kiramman's chair (which not many notice). By allowing a Zaunite to occupy her mother's seat, Caitlyn gives them a chance to be rightfully represented, a chance for their voices and suffering to finally be heard. It’s a quiet display of Caitlyn’s evolution and willingness to bridge the divide between Piltover and Zaun.

That said, Arcane’s ending left much to be desired regarding Caitlyn’s arc. The heavy focus on Hextech overshadowed the sociopolitical dynamics of Piltover and Zaun. This is the main reason a lot of hate is thrown toward Caitlyn—there is an act of accountability, but there a lack of consequence. While Caitlyn acknowledges her mistakes, her privileged status keeps her from real repercussions, unlike the tragedy other characters had to face. This is frustrating, even to me, as someone whose favorite character is Caitlyn. Yet, in a way, it realistically portrays the inequalities in our own world—where the elite are often shielded from justice, and repentance is the closest they ever come to redemption.

[selfloverrrrrr]

Witch!Reader x Demon!Satoru. He promises to fulfill her wish in exchange for something. She wants to be seen as a human being instead of a monster, the only thing she really wants is to be loved, and unfortunately he knows that. He fulfills her wish, but in return he imprisons her in his castle and promises to give her all the love and care she deserves (but in a very dark way).

The Ritual~

Warnings : smut , heavy smut, unprotected sex, Noncon, Kidnapping, physical and emotional abuse, biting, size difference, Yandere Gojo, demon Gojo, witch reader, jealous, obsessive, manipulative....

( All characters are aged up/18+)

Minors Do Not Interact

Read the warnings carefully....if you don't like my stories block me not report

Y/n's POV

I was born in a witch family. My mother was a witch too. So were my ancestors. I'm also a witch. I didn't know what was it when I was a kid. Is being a witch a good thing or a bad thing? I always used to ask myself. But all I knew was my mom always used to hide the fact from everyone that we all are witches.

So many years passed. I grew up. I'm an adult now. And I still don't have the answer that if being a witch is good or bad. But for me it became a curse. A curse for which my whole family got killed. The king hired to kill all the witches in his kingdom. He's such a powerful king. And that's why my family isn't with me now.

We all were unaware that they were attacking us. It was the middle of the night. I saw them kill everyone in front of my eyes. I ran away from there. But they saw me. I ran all I could. And for god's blessings they couldn't find me. Now I made a small hut in the forest.

All time fear attacks me that they will find me and kill me too. I can't live like this. I need to find a way where I can live like normal people. So I started learning witches techniques. Maybe any of them will help me? I started reading the books of my ancestors.

I started learning many magics. But none of them are for what I was trying to find. I never did witch activities before. I started searching in all those books. Maybe, just maybe something that will make me like the other normal people and I can live a normal life just like them?

I searched all I could. But nothing was related this. But then I found something. A book which is sealed. I looked at it. It was the last hope. I opened the seal. It was too old. Am I even gonna find anything from here? I opened the book anyways. After some time of reading what I found can actually help me. The things written in the book are:

"He got sealed. After all those trying, we all witches are successful. We sealed him. He, the strongest demon. He got birthed and from that day it was all the witch's job to end him. Though its not possible to kill him. He's too powerful. We all were also shocked that we got him sealed. He was birthed to destroy the world. He wants to rule it. He has destroyed too many places. He has killed too many people. And after doing rituals we managed to seal him. That demon, that monster's name is:

Gojo Satoru"

I kept turning the pages and the last page got my attention.......

Process to unseal Gojo Satoru

He'll fulfill your wish

My heart started beating wildly. Should I do it? It is mentioned that he is too dangerous. But he'll fulfill my wish. I don't have anything in my life. Does it even matter if I risk it? If I don't do it people are gonna try to kill me all the time. Then I should take a risk. I have to go to the place mentioned in the book.

The place mentioned in the book is the old burnt castle at the end of the forest. I've seen that castle from the young age. Everyone told me to stay away from there. But they never told me the story behind it. Today I got to know about the real story behind it.

The ritual needs to be done at night. So I collected all the things that were needed in the ritual that day. And I went there the next night. I wore a hooded dress so that no one could recognise me. And I was lucky that there weren't any people there. I quickly made my way inside the old castle with a candle in my hand.

I entered the castle. It was huge. There's dust everywhere. And the castle is burnt also. It made me curious about what happened here? I kept walking. The huge stairs from the middle. I have to go to the top room of this castle. As in the book there's a throne room which is the ritual room. I went up there.

I pushed the door open and my mouth was wide open by the beauty of the throne room. I wondered what it looked like when it wasn't burnt. I went towards the throne. I don't have enough time to do the ritual. I quickly set up what was written in the book. Then lit up all the candles. Then started doing the ritual. My heart was thumping against my chest.

As I completed the spell. The wind started flowing heavily. Suddenly all the candles were extinguished together. Then the wind stopped flowing. And all of a sudden all the candles lit up together again. Then I saw a tall human figure sitting on the throne.

He has a huge masculine body. He's tall, has handsome sharp features, white hair, white eyelashes and those gorgeous blue eyes. He looks exactly the same said in the book. He's wearing all black royal clothes. He turned his head on both sides and the cracking sound echoed through the room. Then he looked at me.

Can that beautiful person be that dangerous? I asked myself. "So you're the one who unsealed me?" He spoke. I have to respect him. "Yes, my lord" I replied looking at the ground. "Hmmmmm.....well, this place is still burnt and dusty everywhere.... and I don't like my castle to lose its beauty" he said and threw a hand beside him.

A blue ray came out of his hand. And all of a sudden the castle turned all new. Not burnt anymore neither dust anywhere. I was already gorgeous and now it has become more gorgeous. A huge black gorgeous castle. "Hmm.....so what's the reason you unsealed me?" He asked.

"my lord, I'm a witch.... people of the king are killing all the witches. They killed my family too. I don't wanna live like this. I was to live like normal people. I want everyone to think of me like normal people. I want to be loved." I replied. And then there was silence. I could feel him staring at me.

"So you don't wanna be a witch any more and want to be loved right?"he asked. "... yes. My lord" I replied. He smirked. "Okay....done" he said swiping his finger in the air. My eyes widened in hope that now I can live like normal people. I looked at my hand and the witch sign was gone.

That means..... that means I'm not a witch anymore? I was so happy. "T-thank you... thank you, my lord" I said with a smile on my face. I stood up. I said "I should go now-" he didn't let me finish "No" he said. It almost seemed like an order. I dared to look at him. And there was a sinister smirk on his face.

"I didn't give you permission to leave" he said and went up from the throne. And within a blink I was standing in front of me. I got frightened and took a step back with a gasp. "You scared?" He asked with a smirk. I didn't reply. "Are you?" He asked again tilting his head. ".... N-No" I replied.

"okay.... then come with me... let me show you something" I said with a grin offering a hand to me. I have to accept his hand and so I did. And within a blink we both were standing in front of the window. How fast is he? "Look at the kingdom. I own this. I'm gonna burn this place" he said. Now he was definitely terrifying me.

He placed a hand on my waist and pulled me against him. Now this is getting too uncomfortable. "And you'll be watching them die with me from here. And I'll kill them first who killed your family" he said. What does that mean?! "M-my lord I should go now" I said. "And I already said no" he said looking at me.

"you want to be loved, right?..... you'll be living here in my castle with me.... and I'll give you all the love you need" he whispered in my ear. My eyes widened. Oh no no no. This is not what I want. He wants to kidnap me in his castle?! Shit I don't have my powers anymore either. What should I do now?!

"what happened?" He asked and nuzzled his face on my neck. I took a deep breath and pushed him. Then ran all I could. I was running through the corridor and bumped into someone. Of course it's none other than Gojo Satoru. I don't have any ways now. I automatically started crying.

He smirked. "Didn't thought someone has the bravery to disobey me" he said and started walking towards me and I started walking backwards. "P-Please let me go I don't want that life" I cried. "Oh darling you don't know how much I love to see people crying. And for your life I'm the one have the power to decide how you'll live" he said.

Then he clapped his hand and we both were standing in a.... BEDROOM?! He grabbed my hand and pulled me against him. "Now tell me what you were saying?" He asked. "P-Please....let go... P-Please" I said. "Let you go? But didn't you wish to be loved? I'm giving you the love you deserve" he said while grabbing my ass and squeezing it.

I yelped at that. "P-Please I don't want to stay her-" before I could even complete my sentence he threw me on the bed and claimed on me. I screamed so loudly out of fear when threw me on the bed. "Didn't you say you're not scared? That seems like a lie now" he said and took off a strand of hair out of my face.

"it's been years since I was sealed. Never thought I'll get this gorgeous gift as soon as I get unsealed " he said with a smirk and pressed his lips on mine. I tried to push his chest but he grabbed my hands and held them beside my head while kissing me aggressively. He pushed his tongue inside my mouth.

I was shaking my head in protest but he didn't stop. When he stopped he immediately grabbed the top of my dress and tore it off. How strong is he??? He tore off a dress with Corset with his hands?! I almost screamed when he did. I covered myself and tried to crawl up.

He grabbed my hair and made me look at him. "Did I say to cover yourself???" He asked. His eyes shined. Tears falling down from my eyes. He smirked and licked my neck with his long tongue. I was shaking from fear. "You know seeing you scared makes me more turned on" he whispered.

I couldn't breathe. He grabbed the hem of my dress and pulled it over my head. My boobs bounced out. He looked at those with lust in his eyes. His eyes shined in the dim light. He didn't waste any time, crashed his mouth on my breast licking, sucking and teasing the nipple and squeezing the other one with his hand. I moaned in the sensation. I grabbed his hair and tried to stop him by pulling it but it didn't even affect him. "M-my lord stopppp" I screamed but he didn't stop. "It's Satoru, darling.... I won't kill you if you call me Satoru"

Then he took off my pantie. He looked at my pussy. He rubbed his finger on my clit and whispered " so wet. You naughty little slut, getting wet for me huh?". Then he licked my pussy. I couldn't help but moan loudly. He smirked at my reaction and undo his pants.

His dick sprang out. It was too big and too thick. "Look... this is what you have done to me..." he said while stroking his dick. Fear grabbed me by my neck. " S-Satoru no no no... P-please no... s-stop" I begged and called him Satoru as he said so maybe he listens to me? but didn't even listen to me and slammed his whole dick inside me in one slide. I screamed. He didn't even give me time to adjust his size and started thrusting in and out roughly. I was through my legs with pain and begging him to stop. And he liked it so much. His thrust became harder and harder.

I clenched around him tightly and he moaned loudly " you know.... you're the first witch I love....I always hated all the witches.... never seen such a gorgeous witch like you.... f-fuck what great present I got as soon as I got unsealed" he started rubbing my clit with his thumb and I bite his shoulder scratched his back to control myself. With a few more thrusts I came. He was still thrusting roughly. I felt his cock pulsing inside me. I tried to push him away with all of my strength." Ughh...no no no no...ahhhhhh... I don't want this ..." I moaned. "Do you still think you can make me stop?" He said with a smirk. I dig my nails more deeper into his back as he Marked me. He continued thrusting. Within a minute he came inside me I could feel his seed inside me. He pulled out. He fell beside me on the bed.

"You need to be loved? I'll give you all the love you deserve..... now spread your legs again.... I'm not done yet.... I was sealed for over 500 years.... you don't expect me to stop right now, do you?" He said and chuckled demonicly.

Give me your requests guys....

I love when you give me your requests 💕

[balsamfir-fics]

I generally agree with most of OP's analysis, but less so for the Season 2 write up and the implications that aviktor has some low sense of self-worth emotionally. I'm not a subscriber to the genius cold loner camp either as I am fully on board with the S1 analysis, but I disagree that he has self hatred or loathing in S2.

pretty much until Jayce calls Viktor out in those last 10 minutes, there's no indication that Viktor has internalized self-loathing. Rather, from S1 to the crumbs we got in the earlier S2 episodes-- and even some themes from his confusing LoL lore, his Arcane character reads more to me as resigned rather than self-hating.

In my perspective, he fixed his leg more so because he had nothing to lose and was struck by scientific eureka, and there was no time like the present to runify his leg. It gave us the running scene, which I think is so impactful and freeing because it shows Viktor experiencing what he was missing out in terms of bodily strength and stability, but we see that it's short lived because even with his Arcane leg he's back on crutches afterwards.

Up until Jayce' last pitch to him I never got the impression that Viktor internally saw himself as unworthy of love. perhaps to a small extent subconsciously, but that's what therapy is for. I do agree that he was probably genuinely surprised by the extent of Jayce' and Sky's affection because he was a little blind to it before. But personally I don't see that as internalized self-loathing or feelings of unworthiness for love.

that being said, my disagreement comes at the risk of sounding like i instead am in the "he's a misunderstood cold genius who doesn't need it" camp. rather, I think the truth lies in between.

I've always read his character as optimistic and hopeful, even with his personal relations. he approached jayce fiest. yes, it was motivated by the interesting science, but the way he approaches jayce is fluid, displays high EQ, and is extremely charismatic and witty (and bear in mind he talked Jayce off the cliff kindly and with humor). so I think he understands affection and is more than capable of giving it. what i think actually happens in S2 to reconcile what ahayce said and what OP's interpretation is is that Viktor is the kind of person who will get married to his work/carried away *if not gently reminded to take a goddamn break* but I think he in fact can be coaxed away from it to enjoy receiving affection. so I think the issue is more that he IS confident and so excited about his research that he gets carried away and simply needs reminding from time to time.

plenty of geniuses come off as cold but I don't think it's necessary out of feelings of brokenness. jayce' quotes at the end jarred me at first because I didn't ever get the impression that Viktor felt like he needed fixing per se. I think his desire for perfection came out only after experiencing the Arcane (which we know twisted his thoughts away from his humanity). so, Jayce' speech makes sense to me only with respect to him talking to Viktor the Arcane-corrupted machine mage, as an appeal to the Viktor he knows is underneath. And what he says to Viktor is necessary to break past the Arcane layer in mis hind and to remind the internal Viktor that he is as perfect and worthy as he always believed he was beforehand.

so tldr Jayce' words are a reminder to Viktor, not a epiphany or comfort words.

Something that supremely bothers me is the fact that many people fall back into common stereotypes in their interpretations of characters when a property actively works against it.

Case in point, Arcane. We have Viktor, a brilliant inventor and scientist. But unlike the common stereotypes associated with these Tropes, this man feels things intensely, has an immense amount of empathy, and is kind and considerate. Characters like him are usually written as cold, detached, and emotionally stunted. Not Viktor, though. Despite his scientific mind, he is a complexly feeling individual.

I'm just setting the groundwork here, because my topic of frustration really regards Viktor and his outcast status as a child. I have been noticing a worrying trend of interpreting Viktor as having no interest or time for friends because he's too focused on inventing things and is too smart to relate to them. And sure, that can be true to a point.

^ But this is not the face of a kid that has no interest in socializing with his peers. He locks eyes with Sky several times, obviously making sure she is watching and that maybe if she finds his invention cool she will join him. This is a boy who wants friends. But he is rejected. Time and time again. And spoiler: it's not because he's smart.

Viktor's isolation and lack of friends as a child was not due to him being 'too smart' or 'too focused on inventing', it was due to him being disabled. He didn't really have friends because kids are mean and being kids, they judge a book by its cover more often than not. It is something so many disabled people face every day. You are either treated as invisible or as if you are made of glass.

And his lack of close relationships as an adult most definitely stems from being isolated as a child and being frequently sick. And that's another point, as well. When Jayce mentions that Viktor just disappears sometimes, it's obvious to me that he is pulling away from people he cares about so he doesn't attract further attention to his failing health.

But yeah. I thought Arcane deconstructed that stereotype beautifully; that Viktor truly wants to have friends, but as a child he was given serious barriers to entry. And as an adult, his introverted habits persist due in no small part to the fact that he was looked over so much when he was little, coupled with that he does not want to burden people with his chronic health issues.

Arcane takes such a tragic, yet nuanced approach to this and it works so well. Just wanted to get that off my chest. Thanks for reading!

[catzncoffee]

A little FiddleStan AU I cooked up, more information about the AU below the cut!

I'll probably post a few more characters from this AU later!

Aren't they just the cutest couple? (* ´ ▽ ` *)

BADEND FiddleStan Au

> Welcome to BLIND EYE CO. : Unsee It All!

-To Start us off, Ford sends his postcard over to Stanley a lá Canon, and Stanley immediately drops everything to rush up to Gravity Falls all the way from New Mexico, spending his last dime on gas and driving with as little breaks as possible. At this point in time, Fiddleford has left Stanford and is actively going through a divorce and the process of loosing his mind via mind gun overexposure. Stanford is not doing well, paranoid and extremely sleep deprived, watching for Bill in any eye sockets or triangles that flash in the corner of his eyes. None of them are doing well to sum it up.

- Stanley arrives fresh off a no breaks drive to meet with his estranged brother of 10 years, and while not exactly expecting a warm welcome, a crossbow pointed at his head and a flashlight shone in his eyes certainly didn't help set the tone of the meeting. Or help the spinning in his head. Or the Nausea. Frankly he only caught the tail end of Fords very concerning speech, but at least he knew to follow him down the stairs.

-naturally things devolve from there, Ford demanding Stanley take his research and flee while Stanley grapples with the fact that it's all Ford wanted of him. Spiraling into a physical fight once old grudges are dug up from their graves. A Fight that brands Stanley with a symbol he can't even understand, turning something on he didn't even know the danger of. A singular shove that absolutely wrecked Stanley's world, and the last words "Do Something Stanley!" Haunting the room as the portal that his brother built ate him and imploded.

- Fiddleford notices the gravitational anomalies and panics, going into hiding but terrified for Fords safety against his better judgment.

- Stanley spends the next week desperately trying to peice together both the portal and the journals contents, and his mental health takes an even steeper decline. He sits in the same lab going over whatever books he can find and that stupid journal over and over and over until he works on the portal till the next injury or road block, surviving off of whatever canned food both he and Ford combined had left

- Enter Fiddleford, who couldn't bear not to check on Ford after the gravitational anomalies and continued radio silence. Just a confirmation that he wasn't dead, Fiddleford told himself. Nothing more. Stanford deserved no more from him, after all Fiddleford had given. Just a quick safety check in for the sake of an old friend. A knock on the door, however, brought a slow shuffle towards it and opened to reveal a very tired, very devastated..... not Ford? But also Ford? At least he certainly looked like Ford. But Ford had less muscle mass last time Fiddleford saw him. Less hair too, because Stanford? Have a mullet? What sealed it was the normal, five fingered hands that the Not-Ford rubbed his eyes with when Fiddleford demanded, as politely as possible, to know who he was and where Stanford went.

- Fiddleford is invited in and the two sit on a couch Not-Ford cleared off in this waste zone of a house and explains that his name is Stanley, and he's the estranged brother of Ford. Who also happens to be his identical twin. Ford had called him up to help him by taking his stupid journal and running, the two got in a fight, and Ford got sucked in. Fiddleford felt cold panic settle in his gut, thoughts scattered and memories of what was on the other side coming back in nauseating waves, lapping at his consciousness.

- At first Stanely succeeds in getting Fiddleford to help him with the portal, and he's extatic while Fiddleford is decidedly not. However much to Fiddlefords surprise, he isn't forced into the basement, or working on that devil machine, or even couped up in the study to work nonstop. Instead, Stanley gives him a notebook and pen, and gives a description or photo of the exact thing he needs help with, explains to the best of his, admittedly limited, knowledge what the problem is, and has Fiddleford help. Then, Stanley thanks him profusely and dissapears by himself down to the depths of the lab, laving Fiddleford with the glow of the TV and a warm drink.

And it confuses him.

Greatly.

Because there were very few times Ford mention having a twin; Fiddleford could count them on one hand. But Ford had been angry most of those times, other than the one or two when crying and drunk, saying that Stanley had been 'ruled by emotion' and was 'brash with no tact'. But where Ford had been accusatory and sharp, Stanley had been understanding and toned down. There had been very few times over the last few days Stanley had raised his voice, and it was more out of frustration or picking at a touchy subject than anything. And more than that was the way he would shrink just a bit and apologize with enough self loathing that Fiddleford could taste it, sticky and bitter in the back of his throat. Stanford ignored everything when in a project. Stanley only seemed to ignore himself. Stanley was nothing like Stanford had been, and Fiddleford found himself craving those differences more and more, craving more time spent with Stanley, more conversation, more memories, just more Stanley. A pleasant but confusing change, especially when Stanley's features where so similar to Fords.

- Fiddleford would blame the fact that he didn't notice Stanley's condition until much later into staying back at Fords place on the way his mind was still shifting itself into something usable again, however once he noticed he would never stop cursing himself for how he didn't before. Stanley had collapsed in the kitchen, and it had taken nearly all of Fiddlefords mental power to drag the information on his injuries out of Stanley so he could treat them. The poor man had been walking around with that nasty burn treated the best Stanley could, but improperly the whole time, and infection had begun to set in like a bastard. That wasn't even beginning to speak of the malnutrition, dehydration and multiple other bruises and cuts, some yellowed, faded, crusted over, some fresh, purpled and bloodied all on too pale skin. Scars told of a life that was harder than Fiddleford had ever originally thought to think of, questions popping in his mind as he treated the increasingly more worrying Stanley.

And in this Time, Fiddleford was alone with his thoughts.

Fiddleford was here. Again. In Fords house, trying to save him from himself. Again. And frankly he was tired. He'd pushed past his family in favor of Fords shiny promises and stayed far past when he should have, gave more of his knowledge, more of his friendship, hell, more of his heart than he'd ever thought possible. And Ford still always wanted, Needed, more. Fiddleford had felt all that rage for himself and his life over and over, but feeling it for someone else was new. Yet here he was.

Here Stanley was.

Because really, what kind of man gets a call from a man he hasn't seen in 10 years, basically a stranger, one who never talks about him, and drops absolutely everything to help them? New Mexico was a 20 hour drive from Gravity Falls, and Stanley had driven that with the absolute last of his money, no sleep, just driving. Only for Ford to completely dismiss him for the survival of his research over the world. Fiddleford had no idea what Stanley supposedly 'did' when they were younger, like Stanford had vaguely mentioned and Stanely kept saying in a heartbreakingly familiar tone dripping with guilt and self hatred, but Fiddleford could tell from a mile away it was bullshit. Stanford had no reason to hate Stanley so badly. Stanley had no reason he should have helped Ford after God knows what he went through, but he did anyways. Ford? Fiddleford would bet the last of his sanity just to say that Ford wouldn't return the favour. He never had before.

- Fiddleford spirals deeper and deeper as he treats a heavily feverish Stanley, his hatred for Ford growing into a tangible thing the more he thought. And oh, how much simpler this would have all been if he'd simply met Stanley first. Rougher around the edges but kinder. Sweeter. God the way he was so gentle with Fiddleford even though he had no reason to be. The way he'd taken the existence of the memory gun in stride and stated he'd be here if Fiddleford needed support with it. It would be so much easier if Stanley just agreed to shut the portal down forever. Then they could just live. Together, of course, Fiddleford didn't think he could live without Stanley's gruff support now that he'd had it, but just. Simply live. Without the threat of the world, or demons, or weirdness over top of them.

Without the threat of Ford.

Oh how tempting it was, Fiddleford thought, in the days were Stanley was becoming more lucid while still soft and warm due to his sickness, to just simply erase Ford from Stanley's mind. But that would leave too much of a gap, and as he regains his mind bit by bit, Fiddleford begins to come to the conclusion that the memory gun needed a bit of work, yes, but as long as it wasn't over used then it's intended purpose would be served. Over using included, however, memories that were too big to simply pluck out completely. Its where he'd went wrong with his own treatment, and like hell he would leave Stanley to deal with the consequences of that.

Then, in the last few days where Stanley was beginning to move about in small increments as he shook away the last clawing hands of illness away, Fiddleford realized it. He didn't need to erase Ford completely from Stanley's mind.

Fiddleford just had to erase Stanley's love for Ford.

- So, he was patient. Fiddleford waited until Stanley was well, until he walked with full strength and his laugh was full again, until he was sure that the grown affection Stanley had for him after his illness allowed him close enough.

Fiddleford even made sure his memory gun was freshly updated and tuned to the most perfect he'd ever gotten it, making sure the shot would be clean and accurate for his Stanley's sake. Only the best for that man from now on, Fiddleford swore it.

Then he waited until he'd made sure Stanley was relaxed. Had gone out for the day and convinced him to go out to Greasys with Fiddleford. Had taken Stanley for a walk through the woods and laughed as his eyes sparked in excitement even as he cussed out a gnome. Had curled up together, warm and safe on the couch, watching movies and drinking a couple beers. Fiddleford even managed to persuade Stanley away from another long night in the portal room, asking him to stay to sleep for Fiddlefords sake, which Stanley relented to nearly immediately. It was all just such a perfect day. It all just confirmed to Fiddleford that he was absolutely doing the right thing. He'd be happier. Stanley would be happier. And Ford could stay having his horrific adventures on the other side, just like he had seemed to want so badly.

In the dead quiet of that night, Fiddleford pulled the memory gun silently from underneath his pillow, and smiled at Stanley, sleeping soundly on his chest, and fired it directly at Stanley's temple. The only sound Stanley made was a soft exhale, one that Fiddleford chose to believe was relief.

- In the following years, Fiddleford never regretted that choice. Stanley woke up and immediately broke down to Fiddleford, initially panicking him at first thinking he'd broken Stanley, them realized the man was talking about desperately not wanting to bring Ford back, asking Fiddleford if he thought he was horrible for saying so. After that it had been Fiddlefords pleasure to inform his sweet Stanley that not only did he not hate him, but shared his thoughts and truthfully didn't want to open that portal ever again. Things had moved quicker with Stanley dismantling the cursed thing than building it, and Fiddleford hadn't ever been happier. Clearing out Fords house of anything not safe to research or just plain garbage had been so satisfying too, convincing Stanley with little effort to replace any symbol of Bill with quite literally anything else. The Society of the Blind Eye had been a surprise, after all Fiddleford had never expected a group of people to find his scrapped plans or suggest he ever start them, but it was sweet, professional conman Stanley who had suggested making something more out of it. Afterall, Fidds had wanted his own company once, why not start with this?

- With that, BLIND EYE CO. was born, originally starting as a cover for the Society to do their work, growing into a more legitimate business with Fiddlefords inventions and Stanley's charisma faster than they'd thought possible. Fiddleford even continued the Gravity Falls anomaly research to better understand what could cause what, and which things were better of forgotten. Stanley, however, wanted nothing to do with the research of the journal to help with these findings, stating that nothing Ford had made he would ever want to touch, which suited Fiddleford just fine, in fact it delighted him. With Fiddleford and Stanley as both the owners and CEOs of the company( and the Society not that the town knew) it was no wonder the town quickly came to love them and know them, this large company that gave back to the community and was started right here in sleepy little Gravity Falls! How novel.

- Fiddlefords son, Tate, (now allowed to visit since Fiddleford was 'mentally stable') had taken the change badly at first, seeing his father turn from fine to broken to better than ever before, but warmed up once Stanley showed his soft side to him. Tate seemed to like Stanley better than he ever had Ford, which made Fiddlefords heart absolutely soar with happiness. Stanley and Fiddleford, while it wasn't legal to be married just yet, didn't have a solid relationship with the law anyhow and happily wore matching rings with pride. The memory gun is still in use and is consistently upgraded, with Fiddleford being the main figurehead to use it while Stanley happily sat next to him and did whatever he needed.

- Meanwhile in the nightmare realm, things are absolutely not going how Bill Cipher thought. Seriously how the hell was he to know the hillbilly would come back and steal Mackerel away from fixing the portal?! Stanley should have been getting that portal open to get Fordsy not forgetting he ever even liked sixer! Once again that stupid Specs, always messing up Bills progress. He does, however, get a new idea on how to screw with Ford while he's trapped here.

- Ford is greeted randomly, via Bill, with mirrors into his home dimension, taunting him with what's happening just to screw with him as he survives.

And screw with him it does.

Ford watches helplessly as his closest friend and former partner cuddles up to his frantically overworked brother finally at rest, and puts the memory gun to his head, and sees pure Red.

Ford is now hopping though dimensions with a purpose; subdue Bill, get home, cure Stanley, and Kill Fiddleford. And he won't stop until he does.

- Enter Mabel and Mason(Dipper) Pines, sent to their Grunkle 'Stanford' and his husband for the summer, when Dipper finds a journal that seems to have a page of a diffrent kind of paper hes never seen sticking out. The note holds an incantation written in the same cursive as the journal, and details preforming a spell on a mirror, labelled simply as EMERGENCY CONTACT NEEDED. Upon doing the incantation, the children are met with a shadow in the mirror telling them he's their trapped uncle, he's trying to get back to someone named 'Stanley' Pines, dont make deals with yellow triangles and above all else:

Do NOT Trust FIDDLEFORD

Do NOT Trust 'STANFORD'

TRUST NO ONE

Welcome to Gravity Falls!~☆

[msunitedstatesjames]

I've touched on this in a couple of other semi-related posts before, but I find it hilarious and I appreciate how much Johanna Hezenkoss thinks Emmrich is the protagonist of Veilguard. Like, this woman could not give less of a fuck about Rook. She almost always refers to Rook only by their relationship to Emmrich. She refers to Rook as "one of Volkarin's hangers-on," "that impudent whelp following [Emmrich] around," "Volkarin's companion," and as Emmrich's "paramour." None of these imply that she thinks Rook has much agency. Instead, she acts like Rook is just helplessly following Emmrich around like a puppy, helping him complete tasks (which I guess is partly true).

If Rook romances Emmrich, Hezenkoss assumes that Emmrich seduced Rook and not the other way around, even though Emmrich is noticeably older than Rook and has hardly left the Necropolis in years. She's seemingly amazed by it, and yet it never once crosses her mind that Rook might have initiated the relationship (which is actually the case).

She also refers to Emmrich as the one who destroyed her construct, which is technically true, but she ignores the major assistance he had from Rook, another companion, and most notably Manfred. He couldn't have pulled it off without their help, and had in fact given up, but Hezenkoss acts like Emmrich was her sole opponent in that battle.

I've said before that part of the reason for this is that Hezenkoss seems to think of herself as the main villain of the story, so Emmrich must be the main hero. Hezenkoss says that some of the other big bads of Dragon Age, the Venatori, were nothing more to her than slightly useful and genuinely annoying. She clearly thinks herself above an entire organization of some of the most powerful mages in the world. And she sees Emmrich as pretty close to her in terms of raw power, since she almost invited him to her Vengeance Party but ultimately decided he was too much of a danger to her plans. She also states that she tried to get him to join her in the past, which I don't think she would do for anyone she considered to be less than her equal. Emmrich is genuinely the only person in the game she shows any respect for. Though she mocks his age and finds him to be too sentimental, too moral, and too fearful, she shows signs of agreeing with him on some topics, and she obviously respects his abilities if nothing else. No one else in the game acknowledges his frankly ridiculous knowledge and skill level (except Solas in the end) as much as Hezenkoss does.

And really, Emmrich does have main character energy. Though he does have some age and mortality related fears, dude is overflowing with confidence. When you first meet him, looking for a Fade expert, he has absolutely no problem telling you he's the best possible person for the job. Though he apparently hasn't left the Necropolis in years, he's totally down to join the team and go anywhere you want him to go. If you romance him, he is initially surprised, but he quickly turns into the smoothest dude around, and throughout the game you can hear him comment on some of his many relationships through the years. He's well-dressed, well-spoken, charismatic, highly educated, unfailingly kind, extremely powerful, and he's done so well for himself that Harding mistakes the son of a butcher and a cook for a member of the Nevarran nobility. No wonder Hezenkoss thinks he's the protagonist. The real protagonist is just out here winging it on guts and good luck alone.

[prael]

An Oral Agreement

QWER Magenta x male reader

Masterlist word count: 3,008 Kofi(donations/commissions)

She's equal parts infuriating and fascinating.

Magenta.

No last name. Or maybe that is her last name. Either way, that's all it said on the rental agreement and her bedroom door when you first moved in: Magenta. The letters were all lowercase like she was too cool for proper grammar. You know Magenta, in the Biblical sense (and it didn’t take long).

She's always in her room streaming or recording or...doing whatever it is social media influencers do when they aren't online. But she likes candles, fried rice and catcore aesthetics. She thinks pumpkin spice season starts September 1st and she loves reality TV. Not exactly the makings of a deep and spiritual connection.

Now, living with Magenta, well, it has its ups and downs.

There are some things that never get done around here without you doing them; she rarely cooks, which wouldn't bother you so much if she at least did dishes once in a while. It doesn't help that she takes long hot showers. In a house with only one bathroom, this can really put a cramp in your morning routine.

Magenta doesn't clean the place very often either. At first, you just let it go because everybody has their own ways of doing things, right? But after a few weeks of living together, you realised that she's just...not going to do it. Like ever. So then there's nothing for it but to either live in a constant state of messiness or bite the bullet yourself.

Sometimes you feel like you're not living with a roommate so much as providing lodging for some kind of freeloading spirit that passes through periodically.

When you first moved in, you were worried about what your roommate might think of you: would they be weirded out by your habits? Would they judge your taste in decorations? Would you get along? Would you have enough space for both of you?

Those fears melted away pretty quickly once you met her. You could tell from the moment she opened the door that day (and didn't even look up from her phone) that she didn’t care.

You soon learned that Magenta is messy but friendly. She stays up all night and sleeps during the day. She's everywhere online: Instagrammer, Tiktokker (is that what they call it?), live streamer or these days she’s even on the radio and TV. She doing something for one of those things right now, with her bedroom door closed and music playing faintly behind it.

You're standing in the kitchen, staring down her latest infringement. Now, these empty take-out boxes were here this morning when you left. They were also here last night, and yesterday afternoon, and...you get where this is going.

"Hey, you awake in there?!" you shout towards her bedroom but get no response.

With a sigh, you walk over to her door and knock. Twice. Then again, louder when you still get no response. Finally, you resort to pounding on it repeatedly until it suddenly swings open to reveal your roommate shouting, "What!?" You step back, slightly taken aback by how loudly she said that single word. Her eyes soften instantly, though when they land on you.

She looks good. Not even just in a 'good for someone who hasn't slept yet today' kind of way. Just straight-up hot. Magenta wears a faded pink crop top emblazoned with an anime character and little cut-off cotton shorts covered in cookie prints. The low waistband of the shorts hangs off her hips, exposing the start of a light purple thong that cuts diagonally across her hip bones.

"I think our apartment might get condemned if you don't clean sometime soon."

Your roommate leans against the door frame. She pushes some dark brown hair behind her ear as she says, "Can't you do it for me? Just this once?"

"Just this once?" you repeat, crossing your arms. Your lips curl into a smile as you ask back to her, "Can't you do it just this once?"

"What's that supposed to mean?"

"I'm always reminding you to clean, and you never do it. So guess who does it? It's not the magical cleaning fairy—it's me."

Her eyes roll skyward so forcefully you imagine you can hear them squeaking in their sockets.

"Why are you giving me such a hard time about this?" she says. "This seems really petty."

"It's not petty," you protest. "I have stuff to do and I shouldn't have to keep picking up after my adult roommate." You say the word 'adult' laden with implications. She gets your meaning immediately. Her lips twist.

"oh, I get it," she says with a smirk. "I guess it's been a while since I gave you a little thank you. Well, I need to get this video finished, so could you maybe clean it up and come back here after?"

So there's the perks. Two of them actually, as she pulls up her pink crop top and flashes you what's beneath. A pair of purple lace bra cups strain to contain your roommate's ample endowment. Pale skin pours out from beneath them, flesh squeezing together into a deep cleavage that entices you closer even as you shake your head.

"You can't keep pulling tricks like this, Magenta," you say, trying desperately to hold onto your train of thought while also enjoying the view. It helps that you know those breasts intimately. Hell, you've worshipped those breasts. They've spilt around your hands, smothered your face and laid upon your thighs. You know what the soft warmth inside each cup feels like. And, God, they feel really fucking good.

"I really appreciate your help and everything," she says, her bottom lip suddenly pushing out into a cute pout that goes well beyond suggestive. "And I'd like to show you just how much I appreciate it..."

Your resolve lasts right up until Magenta runs a finger down one of her tits to tease along the edge of the lacy purple material. That's when you give up. There's no point in fighting anymore—she has won this battle (just like all others).

"Just go finish your work already," you finally say, letting out a sigh.

Magenta smiles and giggles, lowering her shirt. "Thanks. Love ya!"

With a wink, she slips back into her room. You stand alone for several seconds before shaking your head. Back to cleaning, then.

-

It's not exactly easy to focus on sorting the recycling into the correct bins when your roommate has just reminded you how nice her tits are. They're on your mind a lot, to be honest. More than they should be probably. Sometimes they're on your cock, though not as often as they should be. Probably.

You're counting your blessings that none of the neighbours are doing late-night recycling because then you'd have to explain why your face is red and your pants are bulging.

That doesn't stop the occasional glance towards your neighbour's house, where Mrs Kim likes to smoke on her front porch some nights. You think she smokes more than she should, but that's really none of your business. Her watching you from across the street, however, is very much your business, so you peek over your shoulder once in a while to check if she's spying. Again. Or still. Whatever.

One last box. The light outside is fading rapidly, but you can just barely make out that it comes from...the Greek place you love?

Oh. Oh no. Did she eat gyros and not bring you any? Damn, that girl knows how to be cruel!

When the recycling is finally squared away you dust off your hands. It's a symbolic gesture since all you've done is shove cardboard and glass into the right bins, but it makes you feel accomplished nonetheless.

Back in the apartment and lock the door behind you.

"There you are. Where have you been?"

"The bins, have you ever seen them before?" You mock while still fiddling with the lock chain.

"That was quick," comes her response. Your eyes follow the sound of her voice. Magenta is lying upside-down on the couch. She swings her feet lazily in the air while looking at something on her phone. Her dark hair cascades nearly to the floor. Those short shorts mean you can see most of her long legs. Then there's the curve of her hip, the crease of her thigh... "Get over here."

It's a rare occasion that Magenta voluntarily puts her phone down, yet she does just that as you walk over. The closer you get, the more enticing her position becomes: laying across the couch, head tipped backwards off the cushions to watch you approach her.

"So," she says. Her fingertips brush over the exposed skin of her belly. The fingers trace lines up and across her abdomen, moving between the edge of her shorts and her top. The motion catches your eye—and she knows it. "I owe you, don't I?" Her eyelids flutter innocently. Or rather, far less than innocently.

"For today? Yeah. Definitely." You clear your throat and try again, "For quite a few days, actually."

"Quite a few," she echoes in agreement. Her hand continues to crawl upward until it reaches the peak of her breasts rising beneath her faded pink crop top. The movement presses the supple skin together in a way that has you standing right in front of her before you even realize you've walked over.

She pushes them hard together before letting them settle back to normal. Gravity spreads them apart, flesh pouring across her chest from the tightly gathered fabric keeping them barely contained. She reaches out over her head, to you, and grabs you by the belt buckle. Pulls you forward until you are stood over her. Even though she's upside down, she makes such effortless work of unbuckling the leather strap that you barely notice. One second it's on; the next it's flapping loose.

It takes only two sharp tugs to force your pants and boxers down past your knees. Magenta doesn't waste any time reaching out to touch your cock, gently running her hands over it until she can wrap her entire hand around the warm shaft and pull you until you fall to your knees. Her head hangs right in front your your length, and you see the teasing sparkle in her eye even upside down.

Her hot breath hits the skin of your bare cock. Lips press a series of soft, wet kisses down from your tip towards your balls. Then back up again, trailing even more tiny pecks that leave your skin tingling. You let your cock nudge against her cheek, feeling it slide along the smooth skin.

With both hands wrapped around your cock, Magenta holds your tip right in front of her mouth. Her tongue sticks out from between her lips, slowly, methodically lapping circles around the crown of your cock.

"Oh, God," you mutter, and you need to hold onto something, anything. First, it's the couch, then it's her tits.

Your hand lands heavily atop the nearest swell of flesh and squeezes tight, pushing it further out of her crop top. She hums approvingly at the groping and wraps her lips around your cockhead. Suckles sweetly. Slurps noisily until spit pools at the corner of her stretched lips.

She lets gravity help guide your cock into her waiting mouth. The further you slip inside, the more she relaxes her jaw to accept you. But then she reaches up and pulls on your hips. You glide up against her grateful tongue. Until her nose meets your stomach. She gags. It's so fucking lewd.

The whole thing makes you squeeze her chest harder. So big in your palm and yet somehow always bigger than you remember. You forget sometimes just how incredible these tits are. When they bounce in a video she's recorded, you remember—but never quite how heavy they are when you hold them; the way they give to your grasp in exactly the right amount; or the way her nipple puckers just slightly as it stiffens beneath your kneading grip.

"You're so sexy like this," you say.

The compliment elicits an appreciative groan from Magenta. Her head moves with your hips now, bobbing to meet each thrust, spit dripping down her cheeks. The messiness of the sloppy blowjob matches her other personality traits frighteningly well.

With her head pinned and her arms on you, you're free to pull up her shirt and expose her. The dirty minx has taken off her bra, so the expanse of her milky skin greets you. You cup them in each palm, feeling the heft of them, squeezing them greedily. They push back, moulding into the shape of your desire, and she moans, a low guttural note vibrating right through your length.

Her body writhes beneath your attention. Her thighs spread outwards, feet rolling at the ankle in time with each gently guided thrust into her throat. Fingers squeeze you, scratching lightly at the skin above your ass to encourage you deeper inside her hungry maw. Deeper into her throat until she chokes—

You let up, panting, admiring the sight of her stretched out for your viewing pleasure. Her eyes flutter open, looking up at you from her upside-down position. The intensity in them draws you in again.

"Oh shit," you groan as you drive into her, plunging your cock balls deep until her purple-painted nails dig into the small of your back. You pump faster, lost in the warm embrace of her greedy sucking.

Magenta squirms beneath you, whining and groaning and bucking, begging you for more. Her cunt must be throbbing with anticipation. Poor thing wants your cum. You can tell.

You want her tits.

She gasps when you fully withdraw from her mouth. Her face is a fucking mess of saliva and smudged makeup. Before she can question you, you reposition yourself in front of her, straddling her beautiful face as you lower your rigid length between her breasts.

She's quick to pick up what you're putting down. With both hands pressing the creamy flesh of her boobs inward, she creates a tunnel for you to slide your dick into.

It feels as good as it looks. Soft pressure envelops your slick length, wrapping around the sensitive skin and creating a delightful sleeve for you to hump into. You can't get enough.

As soon as you hit a good pace, fucking your roommate's chest hard and fast, she starts giggling.

"What?" you ask.

"It tickles." Her laugh is breathy but not as loud as it usually is. "Keep going."

So you do. Thrust after thrust you plunge deeper, drawing more and more of yourself into the valley between her perfect tits. The more you use her, the further she parts her legs that run up the back of the sofa. Soft thighs splayed for nothing but display. Then, just as you start to admire them, she clenches them together. Your eyes trace down the pale skin until they arrive at her crotch where the bottoms of her cookie-patterned shorts have ridden up against her wet slit. She's gyrating her hips in all sorts of directions and rubbing herself against the material in some attempt to satiate her growing needs.

The soft flesh of her midriff jiggles between the thrusting into her tits and the twisting of her hips below. You can't stop staring. Fuck. How does this girl have every single curve?

At first, you try holding back—you want this to last longer. But after a few seconds, you realize you can't fight this feeling. Not when you've got such a good view. And certainly not with her nipples so hard under the press of your thumbs. She arches up when you pinch them, and you know you're done for.

And then, as if she can feel it by the way you're thrusting, she begins to coo and beg under you. She knows she's getting you close, and she wants it. Bad.

"Cum on me," she coaxes sweetly, the words barely audible over the slapping sounds. "I've been so bad, baby. You deserve to paint my body."

That's all it takes. That final little plea. Your eyes roll back, your hips snap forward and your cock explodes. Thick ropes over her body, the first reaching her thighs before you adjust your aim and finish across the plane of her belly. Soft curves take your load while she encourages you through soft, little pleasured mewls. You may have got some on her shorts, but you paint her stomach white before pulling up and jerking the final drops onto her chest.

"Mmmm, messy boy," Magenta laughs breathlessly as your cum drips down her curves. She lays there beneath you, her smile wide and wickedly innocent, one hand slowly running circles over the sticky mess on her tummy, smearing it across her skin.

After a few seconds of panting and trying to gather yourself, you climb off of her and sit back against the couch. She turns so her head rests in your lap, facing your spent and dripping length. Magenta teases you still by using her own fingertip to collect your seed and place it across her lips, then licking them clean while making sure you're watching. And fuck are you ever.

"So, about my room," she purrs, eyes twinkling mischievously up at you.

"What about it?"

"Well... It needs cleaning, and I was thinking—"

"No," you feign protest, knowing you've already agreed. "Just clean it yourself." Her negotiation will come next. You can see it on her lips. "I'm not doing it."

Magenta leans up and whispers, "But you might change your mind if you find out what's waiting for you beneath my shorts."

That damn purple thong, still visible at her waistband, calls you toward her like a beacon. "What's beneath your shorts?"

Her laugh is playful. A little shrug as her fingers toy at the hem of the garment in question. "Agree to clean my room and you’ll find out."

[nqueso-emergency]

I want to address something about the lack of bts with Lou vs. Callum and why I personally don't think it's a big deal.

Stage sets and closed sets don't really have a lot of downtime. The actors show up, do the scene however many times they need to, and then they leave or go to whatever is next. Lou, as a main character's LI, has only been on these types of sets this season.

Whereas the emergency calls take much longer and give ample time for the actors to mingle, examples include: Oliver's photography, bts... things like that.

When filming outside, on a larger scale, for an emergency call, you can't have a car blow up, do the scene, and then do it again immediately. The entire scene has to be reset. This includes resetting extras, cleaning up debris, possibly bringing in another vehicle to be blown up again, redoing makeup, fixing wardrobe... this can take hours.

Callum did a lot of these types of scenes with the entire main cast. He was there for the plane emergency, the jumper, the pipe burst, the emergency call on the set of Hotshots... weeks/possibly months of filming with the cast when Lou's scenes probably only took a handful of days at most, and 90% were only with Oliver.

And when it comes to the cast saying goodbye or nice things about Callum, it's because he posted a goodbye post. His time on the show has been officially finished.

Lou's is still up in the air. The only thing Lou has even shared on his Instagram this season is that Bee pick-up line post. Nothing else. So, what is there for the cast to even comment on?

Back in season 2, Lou was in bts pictures with Aisha, Kenny, Peter... why? Because he filmed emergencies. Because he worked side by side with the cast for weeks.

I just don't believe in this whole conspiracy theory of everyone hating an actor based on lack of engagement and photographic proof.

Plus, the 911onABC Instagram STILL follows Lou, and that's significant.

[livingsurreal]

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”