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11queensupreme11 · 2 days ago

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So I have a question? You know that song lyric “Would you still love me if I’m no longer young and beautiful?” By Lana Del Rey. Okay so I’m gonna give you a scenario I’ve been thinking about adding to my story (as a draft for the next interlude after I finish the next reaction chapter)

So it goes a little like this:

Let say Percy who was a goddess (like in the last ask) got cheated on by Cu and, in her despair, killed herself.

(This is just a draft but I do plan on starting the chapter with her suicide note to her children first. Then to each of the yans individually. And maybe a couple to the friends and family she made on the way. So like a note to Shiva and his wives, Adamas, maybe Hercules and Prometheus, and…Ra(surprise! 🤭) honestly, I plan on making his a mixture of kinda funny/sarcastic, but also nostalgic and sad.)

Everyone finds out of course. And Zeus, devestated by the loss of his favorite neice, incensed by the disrespect shown to the Greek Pantheon by the Celtic Pantheon, spurred on by his son, brothers, and pantheon’s devestation and righteous anger at Percy’s death, along with the Egyptian, Norse, Abrahamic,Hindu, etc. Pantheons’ anger with what Cu did, obviously, declare war. The heavens are split and in utter chaos as the two sides form and each side is gathering allies for the upcoming war (it’ll be known as the “The Divine Schism” later on.

So, as u can imagine, this results in a lot of death, a lot of emotions flying around, and it isn’t even just the gods fighting other gods. Or Percy’s children fighting her other children(wish she begged them in her letter not to do, but she’s gone now; and her children are just as unhinged as their dads) . It also causes the humans to fight too because she was friends with a lot of them and a lot of them blame the Celtic people for 1)encouraging the views that made Cu think it was okay to do that (which is hypocritical because they still believe or once believed and would have done the same thing just due to the time period they were raised/born into, but a lot of them liked Percy so she was the exception) and 2) for not trying harder to keep him under control back when he was still a human on Midgard (Papa Adam is REALLY disappointed).

ANYWAY!

At this point, the war has gotten bad enough that the Fates, the Morrigan, the Norns, and all the other gods and goddesses related to fate and destiny realize that sooner or later the gods are going to end up fighting each other into extinction (with the humans in Vallhalla doing the same) and so they do some research (through their powers which were given to them by “the-Powers-that-Be” (which I actually mentioned in a chapter already but basically that’s the power that created them, their universe, and all the other universes that exist or will ever exist) and find out that, while Percy did die when she killed herself, for whatever reason, she didn’t end up going to Niflheim and instead got reincarnated into a different universe and nope🤭🤭it’s NOT the PJO universe. Which universe it is, I’m going to keep that a secret for now but I wouldn’t mind doing a poll to see which universe everyone would WANT her to be in. It might even help me decide. (just know it’s gonna be an anime universe. So either One Piece, Bleach, Naruto, or something else. It’ll have to be one I’ve read or watched before tho.) but it’s a secret, even to me, until I actually sit down and write this chapter.

Anyway, they find her reincarnated soul (in this I think I’m going to make it so that she only remembers SOME of her past life as a goddess and a demigod and it comes to her in her dreams) and, in order to stop the godly war that threatens the very foundations of their universe, they sit the Pantheons down (what’s left of them anyway) and tell them about what happened and where she is now. This, of course revitalizes the yans (ESPECIALLY CU!!!) because they see it as a second chance to get her back and make SURE she NEVER leaves them EVER again. (I’m talking they might actually lock her in a palace where they watch her every move 24/7 for the rest of eternity)

So they come up with a plan to basically kidnap her from this other plane. In this other universe tho, she’s lived a full, happy life. Sure it had some challenges (if she’s in One Piece I’m gonna make it so that she was Ace’s sister so she def fought in Marineford (love interest: Shanks), if in Bleach I’m making her the Captain of one of the divisions (Love interest:Sosuke Aizen 🤭🤭), if in Naruto ( I honestly can’t see her as an assassin/killer which is literally all ninjas are trained to do when u get to the crux of it so maybe like a political figure of peace? A daiymo maybe? Idk I’d have to figure it out (love interest: Kakashi Hatake, Itachi Uchiha, or Madara Uchiha depending on what time period I want her to be reincarnated into)

I plan on having her influence a lot of stuff, fall in love, have children with said Love Interest, and be an old lady by the time they start looking for her ( might have to write this in three parts since I do want to dedicate a chapter to her life in that other universe).

I’m still trying to figure out all the logistics since I want it to be believable and not just super random and unorganized because there are a lot of moving parts.

But my question to u is what do u think the yans will think (at this point in time) or do about an old, grandma version of Percy? Will it matter to them? She won’t be the same Percy at this point. She might remember some things about them but for the most part she won’t remember them and tho she might have the same morals as the last Percy, because of the stuff she went through in this new universe, she isn’t just physically different (old) but mentally too.

EVERYTHING HERE IS PERFECT BUT I JUST HAVE ONE CORRECTION:

"while Percy did die when she killed herself, for whatever reason, she didn’t end up going to Niflheim and instead got reincarnated"

it's niflhel!!! niflhel (or oblivion, nonexistence, whatever) is where all gods and mortal souls (after dying in the afterlife) go to when they die!

anyway.................

AIZEN SOSUKE????????? AND KAKASHI????????????

dude i genuinely don't know who to vote for, kakashi has been my anime crush SINCE I WAS A LITTLE GIRL, and aizen's so fucking daddy too omg why would you make us pick between them that's so cruel 😭😭😭😭😭😭

as for your question, age wouldn't matter much to them cuz they can just forcefully revert her back to her prime or back to whatever age/appearance they last saw her as!

the issue is the mentality 😞 if she's too different (like if she's not the same sweet, cheery, uwu, and infuriatingly annoying and troublesome girl that they know, then they might actually feel defeated. it's percy.... but at the same time it's not THEIR percy

tbh they'd probably try to find a way to revert her back to the percy they know, but if that doesn't work or they can't do it, then it's back to despair and anger 💀

#👸🏻| asks #👸🏻| arsenic blues #👸🏻| midnight morphine

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actuallyjustabiscuit · 8 months ago

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The Fear of Being Forgotten

Ok, it’s time I talk about Pomni.

That’s right I’m doing another character analysis! Really it’s more of an analysis of episode 2 from her perspective, but I have a lot feelings about how they are handling her character so far.

I know we’re only on episode 2 and I don’t want to get ahead of myself so I’m gonna be keeping my speculations about this character to a minimum and focus only on what the show and Gooseworx has given us so far.

So I think everyone and their cat knows by now that Pomni’s name roughly translates to "Remember". Of course the irony being that it’s a name that was randomly given to her in the Pilot to replace the one she doesn’t remember.

So in a very meta sense, Pomni’s name is a joke, one that’s given at her expense.

Now, her entire motivation in the Pilot was centered around escaping this new reality that she suddenly finds herself in. And for the first half she’s kinda in denial, using the “dream” excuse as a flimsy way to rationalize everything, but still remains vigilant in finding a way out of this “dream”. So when Caine asks her what she wants to be called she tells him “I don’t care just pick anything.”, because she’s still convinced that what’s happening to her is reversible in some way. So what does it matter what she’s called in this new fictional place?

But in the end, it dawns on her that she is, in fact, trapped. No waking up, and no getting out. The Circus is her new home. And "Pomni" is now her new name. Whether she likes it or not, this is her life.

It really adds to the identity crisis of these characters that they know who they were but they just don’t know who they are. They don’t have full on amnesia when they enter the Circus, they just lose their identities (their names AND their physical appearance). And since it’s just their names that they completely forgot, that makes this scene

far more eerie.

Because just imagine how weird it is to suddenly find yourself looking at a face that is not yours. You know what you’re supposed to look like but your reflection is not showing that. Brain cannot compute.

(Actually I’m sure there are lots who relate to that specific feeling.)

So we know that these characters cannot “die”. They can get squashed, stretched, stabbed and suffer all other manners of bodily harms via cartoony physics without any lasting consequence because their bodies aren’t real. Their minds are the only part of themselves that is. Which is why Abstraction is the only major threat to be feared in the Circus . It’s the threat, because at that point, they lose what little else is left.

I love the different abstracted designs that fans have come up with, but this makes a lot more sense. You are no longer you when you abstract. And it’s irreparable. A broken mind creating a broken body. Caine, being an A.I., treats the abstracted like they’re just a whoopsie, sweeping them away in his cellar to be ignored. They are no longer considered characters. They’re arguably not human anymore either.

After they abstract, they’re nothing.

So the opening for episode 2 establishes Pomni’s fear of this right out the gate.

She’s not just trapped, she’s in danger of completely losing herself in this place. But this little scene does so much more than that. Because the choice in dialogue here is sooo interesting.

Pomni’s dream/ nightmare interpretation of Ragatha is someone who is mocking her for not being able to handle living in the Circus for more than a single day. Ragatha has managed to at least maintain this facade of cheerfulness, and everyone else has survived for years in spite of it all, yet here Pomni imagines that her mental health is so fragile that she couldn’t even last very long before suffering the same fate as Kaufmo.

And then we have NightmareJax chiming in about how he can’t even be bothered to remember her name, the new fake name that she’s had for only a few hours.

So this tells us two very important things about Pomni already. 1: She has very very little faith in herself and 2: She’s terrified of being completely forgotten. Both pretty reasonable and relatable fears.

Of course, we know this is just a dream cuz Ragatha wouldn’t be this callous. And we see this not a minute later after Pomni wakes up when she personally comes to check up on her immediately the next morning. With none of the quiet awkward tension from the day before, just normal awkwardness because Ragatha is too gay to function still trying too hard to make Pomni feel at home.

Now, I love Ragatha very much. I love her because she’s such a sweet person while being absolutely TERRIBLE about consoling people.

She speaks to Pomni but she doesn’t talk to her about what happened the other day. And this distinction is very important because what happened the other day was awful in many ways for both of them, and one of the first things she says to Pomni is

You can’t do this. You can’t undermine a traumatic event by calling it something like this. Pomni lost her home, her name, and her hopes of escape all in one day. Not to mention she has witnessed someone becoming a monster, getting seriously hurt, and being shoved down a hole with no regards to who they used to be. Nobody has really addressed her directly about all of that until now. And it was all condensed in one silly little word. (I love how this frame shows how Ragatha is fully aware that what she just said was BS)

And when someone tries telling you that what happened wasn’t so bad (when it obviously was) it makes you feel…shitty. More specifically, it makes it look like you were not personally capable of handling the bad thing that happened.

“You’re feeling bad not because the situation was bad, but because you are lesser for letting the situation affect you the way it did”

We already know Pomni thinks very little of herself for believing that abstraction will happen easily for her compared to the others, so hearing this definitely didn’t help.

To Ragatha’s credit, she tries to reassure her that there is no ill will between them by affirming that Pomni’s thought process for abandoning her was “understandable”. But it unfortunately comes off as a little passive aggressive. We know Ragatha is being sincere, because we as the audience have the benefit of hindsight, but Pomni doesn’t. “Understandable” does not mean “acceptable”. Jax’s destructive behavior towards the others and everything else in the Circus is “understandable”.

Abandoning Ragatha a second time after promising to come back to help her was not ok. Did it make sense in the moment, yeah. Was it still kind of a dick move, yup. And Pomni is very well aware of this. So it’s likely she doesn’t 100% believe Ragatha when she says shit like “there’s no hard feelings” nor can she think of her as a friend (yet) because she’s still not ok with her situation. She’s not terrified anymore and she’s past the bargaining phase that there’s still a chance for escape, now she’s just more or less resigned to it (and only after one day which is remarkable).

What also doesn’t help is that for the majority of the episode Ragatha’s attitude comes off as a bit patronizing.

So. Yeah. She wouldn’t appreciate this level of infantilization from someone she had previously dreamed was making fun of her.

What’s sad is that Ragatha’s not acting like this to be deliberately condescending towards Pomni. She really is just this into the adventures.

Bless her heart

Unfortunately, Pomni’s not having any of it because it’s gotta be kinda disheartening to know that your new eternal life just amounts to playing make believe with a bunch of maladjusted adults.

One of my favorite scenes that I haven’t seen a lot of people talk about is this one

Because I caught how she didn’t start looking away all irritated until Ragatha said “some way you could help”. Now I interpreted her reaction in two ways: Either she really doesn’t feel like getting involved in the adventure and is frustrated that Ragatha is still trying to push her to participate or (my personal favorite read on it) she thinks Ragatha is subtly rubbing it in her face how useless she was at trying to help her the day before.

Remember, Pomni actually went to a lot of effort to find Caine before she saw the “Exit” door. We don’t know for sure how long she spent looking for help, but it was a valiant effort on her part to explore the Tent on her own, only to fail at the end. Both at helping and not finding a way to leave.

She is two for two on the girlfailure checklist. And I’d imagine her self esteem would continue to decline with every little reminder that anything she tries to help herself or anyone else is futile.

Which is why her conversation with Gummigoo becomes such a turning point for her. It also shows how much better Pomni is at talking to others by allowing herself to be vulnerable.

She doesn’t try to make what Gummigoo is going through a lesser deal than it is. I also think the purpose of Gummigoo as a character was to be a sort of parallel narrative to Pomni.

The extreme wide shot of them sitting together under the map of his fake world makes them both look so small and inconsequential. And then it pulls back into a full shot of them with Pomni trying to convince Gummigoo that he does have value because he has people that he cares about and that care about him. (It won’t be until the very end where Pomni realizes that she’s in the same position as he is).

Gummigoo makes the argument of why should any of that matter when he, as an NPC, doesn’t have the luxury of having what little he has (his friends and his affection for them) when it will all go away as soon as the adventure ends. He was only designed for a single purpose, and that purpose ends with being forgotten.

Now we already know how Pomni feels about that, so she gives him what she’s been wanting: a way out.

She offers him a chance to be something more than what he was designed to do, where the fear of being forgotten doesn’t have to come into fruition (at least not in the way he would have to worry about)

And then he asks her the very fair question of why does she even bother helping him if he’s not even real, and her answer helps to further establish Pomni’s overall character. It’s not just a short term goal like wanting to find a way out of the Circus, it’s her defining motivation that will encompass her arc for the rest of the series.

Even in the Pilot, she proved to be a compassionate person when she chose to help Ragatha (both in offering her hand the first time and choosing to go back for her later). So I imagine she will start to actively be there for the other cast members once she grows more comfortable with them. Pomni has the benefit of being the newest addition to the Circus so she’s able to look at the others more critically by just passively observing them. Then calling them out on their behavior, not out of malice, but out of altruistic concern. These people have issues, she may not be able to fix them, but she’ll be willing to listen.

(This might be nothing, but a little detail I noticed after Gummigoo agrees to go with her is that she asks him for his name (and it’s also the first time we ever hear it in the episode itself) but he doesn’t ask for hers. In fact, he doesn’t call Pomni by name at all in the episode. Which could have an indication of some serious death flags. Again, I could be wrong about this and I’m giving it way more significance than it deserves. Just a stray thought.)

Anyway, Gummigoo gives Pomni the lead to get them both out and it’s telling how little she believes in herself the way she keeps downplaying her own ideas.

Because up until this point, Pomni has felt rather useless. So in her mind, the chances of something going right for once were slim. That’s why when her plan works as intended and manages to save not just herself but her new friend as well, she visibly starts to feel better. She’s actually smiling, she’s a lot friendlier towards Ragatha, and begins to act like living in the Circus might not be so bad.

…yeah…about that.

I think we are all in agreement that Pomni is a girlfailure. And she is, but not in the way we’ve come to understand it.

What I mean is that Pomni fails. A lot. Not because she’s an anxious mess or due to general incompetence, but because the narrative consistently prevents her from winning.

She tried to get Ragatha help -> Caine was nowhere to be found, abstracted Kaufmo was hot on her trail, and the door shows up to entice her to leave.

She goes through the “Exit” door believing it’s the way out -> She wastes an indeterminate amount of time going through countless doorways that lead to nowhere and is told in the end that the “Exit” was never real.

She tried to get Gummigoo to join the Circus -> Caine obliterates him Thanos style.

That is the face of someone who thought she was doing something right for once, and was abruptly proven wrong. God really said “LOL nope” to this poor woman. (I also love how Pomni’s trauma response is laughter, really leans on the whole jester imagery she has)

That she did, and it amounted to nothing. Pretty on brand for her really.

Yeah, it seemed like Pomni was not gonna catch a break. And once again Ragatha immediately tries to undermine what just happened, with Pomni going back to being paralyzed with shock at the utter insanity she had just witnessed. Homegirl is not ok. And she would have stayed that way if not for Ragatha actually being real for once by inviting her to grieve with them.

The ending of this episode truly caught me off guard.

Not poor Gummigoo’s “death”, that I actually expected, but it was still shocking to see.

No. much like Pomni, I wasn’t expecting the others to actually throw Kaufmo a funeral (and apparently this is a custom that they do regularly, which is bittersweet). And I wouldn’t have blamed Pomni for believing that they don’t really care about each other because all of them saw Kaufmo be thrown into the cellar and then the they all proceed to just eat dinner as if it was the most normal thing in the world.

I’ll be frank here, I didn’t get emotional from that scene because of Kaufmo. He never had a speaking part or even an actual on screen appearance; the man had no character outside of telling bad jokes and that had to be given through exposition, so there was no resonance in his “death”. But that is clearly intentional because they didn’t even bother making the other’s eulogies about him be audible. Pomni has never met Kaufmo, she never knew him, so her attending a funeral for someone she had no real connection with is odd.

And that’s because all Pomni needs and by extension what we need to know is to see that he clearly meant something to the characters we HAVE been spending time with. This funeral was less about mourning Kaufmo and more about putting Pomni’s fears to rest that even if she were to abstract, she would not be forgotten. And even more importantly, these people genuinely do care about each other (Jax is still up in the air, but 4/5 ain’t bad). So if anything could make Pomni more comfortable in her new home, it’s the affirmation that she’s not alone (Hence the title of the theme that closes the episode). So abstraction won’t come as easily as she previously thought.

It’s remarkable that the writers managed to make a FUNERAL feel like we were ending on a high note compared to the dread that the ending of the Episode 1 evokes. And I really like that because everything from the gentle music, to the visuals of everyone being sincerely doleful, to Pomni’s small smile at the end really stresses how this show isn’t trying to be nihilistic with its premise. That Pomni, in spite of everything, is going to be ok.