#this has an audience of about five people at most

[sweetness-and-the-sour]

I said something about this in a post a fair bit back but that was my main issue with S2. Like obviously nobody deserves to be in an unhappy/controlling marriage or relationship and sadly that was the case for many people back then, having to hide away their true selves for that attempt at safety. And yes, the husband wound up being a creep but still.

I hate cheating plots and to make things worse in a way, is that Viktor still went in the same direction like with Leonard. Knowing a person for only a short period of time, putting alot of faith and trust in them and it wound up backfiring. But in this instance, I just feel bad for those involved.

BUT WITH THE HOMEWRECKER DUO. NO! Don't care that it was 7 years, don't care that "they only had each other" No. The audience knew these characters and most of us all agree that this shit wouldn't have happened. Way too much trauma, really between all of them, and I'm sorry but they really looked at these 3 characters and went "Let's make them in some weird ass Twilight level of love triangle." Insanity. End of story.

Even pushing aside the mega creepy age thing between the two, did they really expect us to believe that Five wouldn't take one look at Lila and go "My brother has been there. I'm not catching his germs." And immediately go find someone else?

Anyway, not to imply anything about Steve Blackman... but does Five and Lila make anyone else look at Viktor and Sissy in a different light?

Are these basically not the same story?

I mean: an unhappy housewife and stay-at-home mom cheats on her husband who she is keeping secrets from (sissy's savings tin, lila's book club) with a Hargreeves sibling. Said Hargreeves sibling wants to run away with the unhappy housewife (Viktor wants Sissy to come to the future with him, Five wants to stay at the strawberry place). None of that happens because the unhappy housewife decides to put her child(ren) first (Sissy wants Harlan to be safe more than she wants to be with Viktor, Lila wants to go back to her children more than she wants to be with Five). The entire thing ends in tragedy.

Yeah, it's the sixties so the context is different with Sissy, but that aside... how different are their stories really?

[frozen-fountain]

Fandom: Final Fantasy VI Rating: Mature Characters: Shadow, Baram, Relm Arrowny, Strago Magus, Relm Arrowny's Mother Relationships: Relm Arrowny's Mother/Shadow, Relm Arrowny & Shadow, Shadow & Baram Additional Tags: Pre-Canon, Missing Scene, Character Study, Tragedy, Psychological Drama, Psychological Horror, Horror, Guilt, Grief/Mourning, Death, Father-Daughter Relationship, Or Lack Thereof, Mythology, POV Second Person, Non-Linear Narrative, Experimental, Dark

From the death of an old world to the birth of a new one, there is one adversary Shadow can never best or outrun.

Apparently at least one per year I'm struck by the urge to write something unhinged, so for 2023, I went with Shadow's story from the inception of the Shadow Bandits to the collapse of Kefka's tower in the most abstract and difficult way possible. My partner beta reads for me and claimed she would "rather vote Reagan than change a word of this", so if nothing else I'll be keeping that one with me for a while.

[webism]

pornstar!shiu who started out as your agent. he’d book your gigs, stand and watch with cigarette in hand as you were fucked on film for a fat check that he’d take a cut of.

pornstar!shiu who would take you out for celebratory drinks after landing larger acts—be it a shoot for a dirty magazine or a collaboration with the current biggest name in adult film. shiu is good at getting you in—and he doesn’t much mind watching your artwork either.

pornstar!shiu who helps you set up a secondary source of income: an onlyfans. he helps you garner an audience, set your prices and start looking for guest stars. he lines a few up, lets you pick from them and even pours them a drink when they come over to film. shiu lets you have privacy with these shoots, but insists on staying in the house just in case anything goes sideways: they never do, though. most of the guys you film with are put off by the look shiu gives them when they first walk in. mean.

pornstar!shiu who slowly starts to get sick of accommodating the men you film with. it's just work, sure, but he doesn't get jealous like this of the girls that his other client Toji works with. he doesn't watch their videos back on repeat to make sure their hands don't wander where they aren't welcome. he doesn't fuck his fist at night thinking about him. it's just a you thing.

pornstar!shiu who gets an email one day from a well known pornstars agent practically begging to hitch up a collab between you and him. satoru gojo is a name shiu has heard plenty times before, be it through the business side of being your agent or through his computer speaker when he's edging himself to mindless porn in the dead of night. he knows he fucks good, seen it first hand.

pornstar!shiu who knows you're excited for this shoot, to finally get to try out the guy known for giving real orgasms in hopes of a more raw shoot. shiu almost feels bad when he tells you, twenty minutes before your shoot, that gojo can't make it. that he's sick with something nasty and you'll have to reschedule if his calendar opens up for you.

pornstar!shiu who listens to you whine about how you promised your online audience something good tonight. nods as you beg for him to find someone else on such short notice. he pretends to scroll through his phone and send a few texts as you stress your pretty mind over leaving your followers hanging. shiu can't help but smile at your desperate pout when he tells you that no one can make it on such short notice... but that he does have another idea, albeit an unconventional one.

pornstar!shiu who, within twenty minutes, has your face pressed into your pillows and his hand forcing your arch so he can fuck you just that little bit deeper. the moans you let out, even though they're muffled by your satin pillow, are nothing short of pornographic. it's fitting, and pulls a smile onto shiu's face because he's hearing better moans from you than he thinks gojo could ever pull. and god you feel better than he'd ever imagined: he wonders how he'll ever lay down for another person again know that he's felt you wrapped around his cock.

pornstar!shiu who insists it's just a favour: just work. he's given you five orgasms and a dirty movie to show for it too. you two fuck for an hour and he showers at your place before helping you edit and post it over dinner. it's casual, nothing awkward, but when the comments start rolling in about this new man that makes you cum like none other has, you swear he blushes.

pornstar!shiu who quickly becomes a regular on your page. goes from being your agent to somewhat of a partner in film. over the course of a few weeks, you have more money than you know what to do with: people keep subscribing to watch you cum on his cock in the mindless way it seems only he can pull from you. your library grows daily, with videos of him fucking you on the kitchen counter, whipped cream eaten straight from your chest, to videos from his perspective as he takes drags of a cigarette while you get your fix from your lips wrapped around his thick cock. he's somewhat of a pornstar himself now.

pornstar!shiu who, for someone who insisted this was just work, gets into the habit of kissing you through your orgasms. or conveniently forgetting to press record so that your marathon sex session on his couch stays for his eyes only. or starts leaving things at your house on the off chance to have someone else over to film with, so they'll see his hair gel or large shoes by the front door and realise you're spoken for, even if he doesn't have the right to speak for you.

pornstar!shiu who's asleep in your bed one night, his cock still nestled deep inside of you after making love to you for the first time. you're littered with lovebites and your mind is hazy with feelings you never thought you'd have for your agent of all people. the night is dark, and as you're cockwarming the man who is much more than just a co-star to you, your phone dings. he stirs, and you check it to find a message from Satoru Gojo, who is asking after you. he says he's upset you didn't get to film together the other week but he hopes you're feeling better. your sickness seemed pretty nasty, from what your agent said when he cancelled on your behalf.

what a shame!

[golden-redhead]

You see, the biggest problem with this is that Five HAD a love story all along.

His love for his family has been THE very foundation of the show and what kickstarted the entire chain of events.

He spent 45 years in the apocalyptic wasteland because he loved them too much to give up.

He found them in every possible timeline.

He reversed time for them.

He became an assassin to get a shot, however small, at coming back to them.

He’s been through countless timelines, doing his best to save and protect them in every single one of them.

No matter how dire the situation, he always pushed to find a way to save his family. His devotion was stronger than anything and there was no line he wouldn’t cross for his siblings. No matter how self-destructive the cost, he sacrificed himself again and again just for a chance at reuniting with them and saving the world so they could live.

It was a destructive kind of love, yes, but also inspiring. I think it resonated with many people because love can be intense, we love and want to be loved with this kind of intensity and dedication.

So, to throw it all away for a romantic subplot that no one asked for is not only a huge disservice to Five’s character but also goes against everything he represents. We already knew he’s capable of love and that he loves deeply.

I don’t understand how the showrunner who worked on the series for 5+ years can say that Five had to have an arc like this. It doesn’t make sense. He already had a love story. Arguably, the most beautiful and deepest of them all. He didn’t need more, what he needed was to have it returned and to finally settle down after multiple lifetimes of putting his life on the line to keep his loved ones safe.

To say otherwise means that the writers fundamentally misunderstood what made Five a great character and what fans loved most about the show. It feels like a betrayal, because it is one. It proves that the creators not only misunderstood the core character of the show but also never paid attention to the fandom and its preferences.

There’s a difference between catering to the audience and what they ended up doing, which is a character assassination at its worst. And it’s not just the character who was ruined but also the entire premise of the show, the reason why fans loved it in the first place. There’s no coming back from something like this.

[thesummerrtriangle]

op i wrote everything down in the tags. the thing is with big platonic relationships like this is that this is rpf. there is still this hesitation in writing shipping content, which is why according to the statistics i just searched up, dreamnotfound is the only romantic relationship tag in the top 5. and this is because the creators have explicitly stated that they are okay with it.

or perhaps we are all people with issues and who doesn't love found family? and i'm gonna be honest- 'passerine' is one of the rare fics that make me sob.

and yeah, it is kind of worth celebrating. because yeah, it is kind of a fandom in which you would find people celebrating platonic ships even more than romantic relationships.

(yeah i had a minor breakdown in the tags, sorry for that op, i'm literally so tired i need to got to bed)

Amy reason why you guys decided to include platonic ships? Even with the disclaimer i feel like it's a little confusing for the average tumblr user. Tbh the first few times i encountered one of those polls i voted the other ship out of reflex because my brain registered "THAT'S A 15 YEAR OLD AND A WHOLE ASS ADULT WTF" before it could look for context clues but I wonder if I'm alone in this.

The confusion's understandable but from our perspective it's a little bit like asking if there's a reason we decided to include femslash? Gen ships are on the chart, they're a type of relationship tag same as any other, so they're on the bracket, with a clarification in case someone is unfamiliar with / vs & notation. If a ship was on the chart in both platonic and romantic forms - which did happen - we only took the more popular version, but that's literally the only circumstance in which we decided not to include something.

Or, to take a different perspective: whatever you think of the DSMP fandom, they managed to get five different platonic relationship tags into the top 100, including one with four people. I have never seen a four-person platonic relationship tag be that popular before. I have never seen any four-person relationship tag be that popular before! Isn't that wild? Isn't that fascinating? Isn't that worth celebrating, in this celebration?

[simplyholl]

The Interview

Summary: After a talk show interview where secrets are revealed, things get heated in your dressing room.

Pairing: Rockstar Bucky x F. Reader

Warnings: Smut. 18+ Only. Minors DNI. Rockstar AU.

See My Masterlist Here

A/N: Sebastian Stan as Tommy Lee has me in a chokehold. So this was born from my tatted, horny daydreams.

"Who is your celebrity crush?" The host of the Midnight Show, Chet Smith asked you. Your newest movie was a box office hit, so you had to do every talk show to promote it. To say you were exhausted is an understatement. Luckily, this was your last stop for today. This show was the most fun because Chet brought out all the celebrity guests together. At least you weren't by yourself answering awkward questions.

The other guests were Red Star, the hottest rock band at the moment. They went viral while playing at their local bar. An audience member threw a bottle at their lead singer, Loki and the whole band jumped off stage to fight. They were offered a record deal the same week.

They are known for their wild videos on TikTok. Women everywhere love them. Currently, they are squeezed on the small sofa with you for the interview. Bucky Barnes, their drummer sat on one side of you, his tattoos drew you in like a moth to a flame. You were doing your best to not stare at him the whole time.

The Odinson brothers, Thor and Loki were on the other side. Loki is the lead singer, his long, dark curls and piercing stare made men and women weak in the knees. Thor plays guitar and he is the band's himbo. He's a charmer, flirting with you the whole interview. Steve Rogers is their bassist, an All-American guy to balance the others out. He plays the part well, flashing his megawatt smile at the live audience. But you can tell there is a darker side to him lurking under the surface.

You consider Chet's question; your PR team warned you about questions like this. "Well, I don't really have one." You shrug your shoulders, as the audience begs for a real answer. "Come on, darling. I know you're lying." Loki smirks, reaching his hand over Thor to rub your thigh.

"If I go first, will that help?" Steve asks, being the helpful guy that he is. You nod smiling shyly at him. "Okay, but when it's your turn you have to be honest." He winks at you, and the audience goes wild. He answers one of your costars. You promise to hook them up later. You feel your cheeks heating up, suddenly embarrassed that you have to answer now.

Chet repeats the question, and you bite your lip, pointing beside you to Bucky. "My celebrity crush is actually this guy." Bucky looks ecstatic, high fiving his band members as they congratulate him as if he has won an award. Thor's answer is a pretty pop star who he had been spotted out with twice already.

Loki's celebrity crush is a famous author whose upcoming book features a main male character who looks suspiciously like him. Dating rumors swirled even though there was no proof, except for a few flirty comments between them on Instagram. When it's Bucky's turn he says you, draping his heavily tattooed arm around you. You smile, grateful that he lied to save you from public humiliation. You were sure he was going to say someone who didn't look anything like you.

You're already dreading what the headlines tomorrow had in store. You and Bucky cuddled up on this sofa would no doubt be on every website. You should have lied, you tell yourself. People will start shipping you, his fans would be saying horrible things about you. You should have said anyone else.

Red Star took the stage to close the show. They were playing their latest number one hit. The audience was on their feet, some girls were crying as Loki's sultry voice came over the speakers. You watched Bucky closely. He played the drums like it was his life's purpose. He tossed the drumsticks in the air, pointing to you and winking as he caught them. It was the sexiest thing you had ever seen.

When their set was over, Bucky walked toward the dressing rooms with you, stopping outside yours. "Thanks for saying I was your celebrity crush back there. I would have been so embarrassed if you would have said somebody else." He flips his hair out of his eyes. "You don't have to thank me. It was the truth." You tell him goodbye, feeling awkward about the whole thing. You turn to go inside your dressing room to change into comfy clothes before you go back to the hotel.

Thick fingers catch your wrist, pulling you back toward him. "I wasn't ready to tell you bye." Bucky's lips curl, the light shines on his nose ring, bringing attention to his face. When you look into his shining blue eyes, you realize you don't want him to leave either. You grab the sides of his leather jacket, pulling him toward you. His mouth is on yours instantly. He presses you against your dressing room door, his large body covering yours.

You tangle your fingers in his long locks, needing him closer. Bucky hungrily kisses down your neck, while one hand travels under your dress. He rubs his thumb against your soaked panties. "All this for me?" You whine when he rubs harder, your clit making contact with the silky fabric. You move your hips, lost in the moment.

Voices echo down the hallway, bringing you out of your horny haze. "Bucky" You whisper, trying to warn him so he has time to stop before they see you. "Shh. I got you." He moves his body, so he is blocking you from view. His fingers are relentless, dipping inside your panties. His rough thumb rolls over your clit, you bury your face into his chest.

"Oh my God, It's Bucky! We are huge fans!" A woman's voice comes from behind him. You aren't brave enough to look, so you keep your face hidden. "Thanks guys. I love meeting fans. So, what's your favorite song?" You try to pinch him so he will get rid of them, but he continues talking about the world tour they are about to go on.

He enters you with two fingers, curling them as you moan out loud. The women look around him, finally noticing you. "Is she okay?" The second one asks. "Yeah, she's fine. She just ate too much so she has a stomachache." His fingers caress your inner walls, thumb rubbing in small circles. The band in your belly snaps, arousal flooding his hand as you come apart. Your legs shake, and you hold onto his arm to steady yourself. You clench your teeth to keep from making noise.

"You better get her inside; she can barely stand." One of the women says. They tell you both goodbye, as Bucky leads you inside your dressing room. "You did so good for me, but I need more." You look at him incredulously. He just made you cum the hardest you ever had in your life in front of two strangers and that wasn't enough.

Your legs are still trembling as he lifts you onto the vanity. Your back hits the cool mirror as Bucky slides your panties down your legs. His hot breath tickles your thighs as he lowers his face, pressing kisses to your inner thighs. He takes his time, nipping your sensitive skin. He licks a lazy stripe up your center, avoiding where you need him most. His tongue sinks inside you, firm nose pressing against your clit.

You cry out, head falling back, knocking into the mirror behind you. It bangs against the wall, hard enough to rattle the pictures hung there. Bucky drinks every drop of you, moaning as you writhe against his face. His plump lips fasten around your swollen nub, sucking and tugging like he can't get enough.

Your shaking legs close around his head, trapping him as you ride out your high. You cry his name, not caring who hears you. Bucky lifts you, slamming you against the wall. He holds you with one arm, the other works quickly to bring his pants down. His cock springs free, pink tip leaking. You swallow hard, intimidated by his size. "You're so big." You shiver, anticipation putting you on edge. He holds you, lining your bodies up.

"You can take it." He snaps his hips up, slamming into you. You try to adjust as he stretches you, wiggling around to see if the stinging will go away. When it starts feeling good, your arms wrap around his neck, holding on as he pulls out, leaving the tip in. He thrusts back into you, bottoming out. You have never felt so full, he fills every inch of you. He sets a steady rhythm, every part of him feels like it was made for you. You pulse around him, your back hitting against the wall as he sinks impossibly deeper.

Bucky bunches your dress around your hips, thick fingers digging into your skin as he fucks you. You try to meet his thrusts, but you're too weak from the explosive orgasms he already gave you. You hold onto him as he uses your body, his ragged breath on your neck brings forth the familiar pressure in your lower stomach.

"You're doing so good. Fuck! You take me so well." He praises, moving your thigh higher up his torso. He holds it in place, tilting his hips. The new angle makes your vision blur as he deliciously drags against a place you were sure was a myth until this very moment. Your nails dig into the back of his neck as you shatter around him.

Bucky's thrusts grow brutal, taking what he needs from you. "Oh fuck" He moans as he spills inside you. For a moment, you just look at each other, trying to catch your breaths. Thankfully, he knows you can't stand on your own, so he carries you to the sofa. Your dress is still around your waist, arm over your eyes. You can already feel a dull ache in your stomach where he had been just moments ago.

"Do you mind?" Bucky asks, pointing his phone toward you. You narrow your eyes, not understanding. "You're just so fuckin' hot and I wanna remember this." He says, his meaning finally dawning on you. You nod, almost too tired to speak. He angles his phone camera toward you. "Fucking perfect." He examines the photo he just took before showing you.

Your hair is disheveled, giving you the appearance of being caught in a windstorm. Your cheeks are flushed, eyes blown wide with lust. The top of your dress barely contains your breasts. The bottom is by your hips, your exposed cunt glistening with his cum. Bucky set the picture as his phone's background. You protested because you looked like a mess. Bucky stopped your arguing with a kiss. "You know what you look like?" He asks, smiling wide as he turned his phone screen toward you. "What?" You cross your arms over your chest, suddenly feeling insecure. "Mine."

Tags

@cindylynn @wheredafandomat @multifandom-worlds @loz-3 @megharat-barnes-reid @kats72 @crimson25 @mochie85 @cakesandtom @lokidokieokie @theallknown213 @alexakeyloveloki @tmilover1993 @yeaiamme2 @pigeonmama @yeehawbrothers @lokischambermaid @fictive-sl0th @nomajdetective @goblingirlsarah @foxherder @weirdothatwritess @silver-tongue-taken-to-bed @freegardenbanananeck @lamentis-10 @jainaeatsstars @queenshu @justsebstan @kcd15

[timefall-if]

DEMO (prologue / 11th of January 2025) || An IF based on & inspired by the show "Arcane". Time Fall is a drama interactive fiction story with steampunk & cyberpunk elements, set in the dual state-cities of Delphora and Draeken, also known as The Spire and The Depths. It's meant to follow complicated relationships, complicated choices, and complicated consequences. It is written with an 18+ audience in mind due to heavy themes and topics such as death, use of drugs and alcohol, swearing, violence, (optional & skippable) explicit sexual content etc.

Time does not wait for anyone, even for the one that controls it.

After the bloody aftermath of Draeken's rebellion against Delphora, you're left an orphan. Your mother lies dead beneath a pile of bodies, crushed under the boots of the Time Watchers, and your older brother, Mylo, is nowhere to be found. Bruised and scared, you're taken in by Marek, your mother's friend, together with a few other strays he managed to catch hiding in the shadows of the night.

As Marek tends to your wounds and wipes away your tears, the Council of the Eternals, forever holed up in their lavish upper city, is falling apart. They are in complete mayhem and disarray as, unbeknownst to you, one of the five time shards that keep the heart of the city—the Clocktower—working in tune with time's balance has been stolen.

Oddly enough, that lost shard looks suspiciously similar to the strange shiny stone your mother gave you and your brother right before the doomed uprising. With it gone, the flow of time grows slippery and erratic, as the Clocktower starts to decay without its missing piece.

Life in the undercity of Draeken, also known as The Depths, is brutal enough. But when an ill-fated encounter leaves you forever altered—your blood itself changed—you’ll soon realize that time is strange, and the thin fabric of reality a fickle thing. Even more so when it’s something you can no longer just witness ... but may be forced to control.

༒︎ Fully customizable MC including: pronouns, gender, physical appearance, personality, sexuality etc.

༒︎ Choose 1 out of 5 occupations for your MC: underground pit fighter, street artist, black market medic, inventor, or dingy bar singer.

༒︎ Romance 1 out of 4 love interests, all of which are gender-selectable. Engage in hookups with other side characters.

༒︎ Find your brother, or let him find you.

༒︎ Go through an unimaginable physiology-changing experiment and manage to keep your sanity, or become completely unrecognizable to those closest to you.

༒︎ Betray the people you care about or protect them at all costs.

༒︎ Explore the dual state-cities of Delphora and Draeken on a steampunk/cyberpunk background.

༒︎ Become the hero everyone wants you to be, a new world order dictator, or God :D

Maddox / Maxine (M/F) - Rough around the edges and with a body built for combat, M's very demeanour and appearance reflects years of hard living together with you in Draeken. Taken in by Marek after the failed uprising, M had grown overbearingly protective of you on the very first night of sharing a bed with each other as kids. Now, all grown up, M fights in Marek's underground fighting pit to earn their keep, but with every bloodied knuckle, their anger grows—anger at the scraps their people are handed by Delphora’s elite. M is ready to make a change. Are you?

— Possible (romance) routes: Best Friends to Lovers / Best Friends to FWB to Lovers / Best Friends to Lovers to Enemies / Best Friends to Enemies

Riven / Raven (M/F) - A street-smart wildcard loyal only to the highest bidder, R lives by a simple rule: survive and have a good time while doing it. So they smuggle goods and sell information to whoever pays the most. R is not above double-crossing anyone, and they don’t pretend to be. Always charming, confident, and looking at you like they want to take your pants off any second, you’ll have to find out if R is worthy of your trust, or if they’re truly incapable of not betraying those they care about.

— Possible (romance) routes: FWB to Lovers / FWB to Friends / Lovers to Enemies / FWB to Enemies

Seraphim / Seraphina Vaughn (M/F) - The strangest person you have met down in The Depths, and that’s saying something. S is sweet, about as intimidating as a puppy, with a wide and bright smile and … clothes that sometimes seem to be too well tailored to their frame with golden silky linings that make them stand out in ways they’re trying to hide. They’re a people pleaser at heart, but S’s thinly veiled ambition and naivety about the streets of Draeken makes you wonder about their intentions. They seem to be attached to you from the moment you meet. Can you figure out the catch, or will your trust come back to bite you?

— Possible (romance) routes : Friends to Lovers / Lovers to Enemies / Friends to Enemies

Cassian / Calypso Kazimier (M/F) - C’s deep sense of superiority and disdain for The Depths is reflected clearly on their sharp and cold face, their commanding presence demanding respect and authority with every move. As the most influential member of the Order of the Eternals, C makes it their very purpose to ensure that no one can challenge their rule, and that any threat to their control is dealt with swiftly and without mercy. What happens when that threat might be you? C is untouchable, they will make sure to squash you with their own hands. Unless …

— Possible (romance) routes : Corruption Arc / Enemies to Lovers / Enemies to Lovers to Enemies

DISCLAIMER: this is a project in early progress, meaning that there are things that might be subject to change later on.

LINKS: cog forum || ROs physical descriptions || other project || neon dividers credits

[enkays-den]

Enkay Watches the Imp and Skizz Podcast #127 (featuring @joehills)

First of all, if you are not watching Joe Hills on either youtube or twitch, DO IT!!!! He's streaming pretty much every day and the conversations are always so interesting and he has the best little windows into the workings of Hermitcraft. Folks will pop by and have super interesting conversations with him! He's one of my favorite hermits and I think his unique way of experiencing minecraft, life, and hermitcraft is something that deserves more eyes on it, because I know people are sleeping on him.

First off, THIS is how you show up to the Imp and Skizz Podcast! Classy, on brand, and unique!

I love Impulse's little nest of pillows, he's so cozy nestled in there, holding his mandated amount of water like a security blanket

I love that the reason they wanted Joe on was to talk about the coup SPOILERS: they never even touch on it

joe's dad being a logician makes so much sense tbh

"a creationist universe where god wants you dead and i play minecraft like a greek hero idiot" is such an amazing way to talk about super hostile maps

HOW IS IT THAT JOE AND SKIZZ BOTH HAVE EDGAR ALLEN POE ANECDOTES OFF THE DOME

Joe having his wedding taking place during the recess of a vehicular manslaughter trial feels so strange and yet so Joe

JOE HILLS FULL NAME DROP?????

"YOU'VE GOTTA BE JOE KING" okay he mentioned on stream that there was a joke that maybe two people would get and I will proudly claim to be one of the two.

"fighting to become an artist" is so validating to Skizz's journey so far. It's gonna be his year anniversary of being a hermit soon and im gonna get emotional about his path this last year

Joe WOULD put on the Scottish Parliament sessions as background noise, love that

"I don't trust any platform with my art. I'm the one that makes the art and the audience is the one that appreciates my art" "I need to be as platform/brand agnostic as possible" "next time Amazon does something terrible to the unions" 👏👏👏

CHEERS REFERENCE, SKIZZ'S SITCOM BRAIN IS ACTIVATED

talking about his streams like a bar and like,,,,, he's so smart about the role of creators and fandom and i just appreciate joe so much

it's funny that they're shocked about the relationships can be formed within fandoms when like,,,,, that's how they met tango

((also if we talk regularly and read this i love you guys <3))

skizz, the worst chat reader ever i love you

i need hermitcraft standup. please. custom texture snowballs as tomatoes or flowers to throw

thinking about a younger skizz using a tape recorder to record his 'genius ideas' and quotes he likes and annoying the crap out of his friends

YES JOE AND SKIZZ TALKING ABOUT THE SCIENCE OF COMEDY AND THE STRUCTURE, THEY'RE SUCH AN INTELLECTUAL DUO

I'm glad that we got to hear Joe's JFK impression

COURT CASE TALK!!!!!!!!!!!!

"Bdubs will only let Doc win if it's funnier for doc to win, because that's how guilty doc was"

Joe quoting Sun Tsu and then going on the stand and said "Your Honor, Your Highness, my client is a baby" in an asymetric star trek dress, that's the Joe Hills Difference

"DELICIOUS" skizz i love how schadenfreude you are

"FIVE DIAMONDS PER F TIER BOOK???" impulse my favorite wet cat

"I'll make one sale every two months" and also implying that the shopping district has property taxes

the delivery on "two. some people say four" was SLICK

TUMBLR MCYT SEXYMAN POLL MENTION

"tumblr defines sexyman to mean 'most bizarre, cryptid, creepy thing' " not wrong there.

"well scar is obviously going to win the sexyman competition"

"once i found out that it's for weird, cryptid energy, I knew "oh nevermind I'm gonna win this"

joe hills is my favorite weird guy and he deserved to win

cleo as our nonbinary icon placing third place in the tumblr sexyman poll

All in all, fantastic podcast, and not long enough imo. I hope Joe gets to be there in person one day like he originally envisioned, and there's just an untapped well of information that could go into future podcasts

Reminder that you should subscribe and follow Joe!

BONUS, edited by me, please credit if you use it, I HIGHLY ENCOURAGE you to use it (original screencap under cut):

[sol-iscus]

❗️Mild arcane spoilers ❗️

Miiight ruffle some feathers.

Not EVEN going to lie, unnecessary ship wars aside, the fan base has developed such a deep love and understanding for these characters (because let’s be honest, there are some pretty intelligent people giving eye opening analyses) that after the finale, it appears that we have a better understanding of them than the actual writers.

We deserved better as the audience after all the hype over the years, all the waiting, even after some episodes got leaked a while ago, most of us remained respectful and waited to see what this season would bring us. The core characters ABSOLUTELY deserved better as well.

It felt as if I was watching all of the characters’ development be erased in real time, or become sidelined and nearly mute after being propped up to appear as if they were going to have a significant arc.

With the amount of episodes we had, it felt like they were trying to cram a bunch of different storylines into one 9 episode season and that left us with annoying plot holes and rushed sequences.

And I’m just gonna say it.

If a certain relationship needed to be sacrificed if it meant that other characters had the proper development they needed and DESERVED, then I would have preferred that much, MUCH more than that undercooked finale.

Don’t. Even. Get me started on that caitvi scene. In the cell? Right after that conversation she had with her sister? Don’t give me that nonsense about how it’s vi reclaiming her power or something. (An actual weird ass statement from Amanda Overton in a Q&A video about how that was Vi reclaiming and working through her trauma in that cell).

No apology? No groveling for forgiveness? That little argument they had lasted like five seconds and didn’t even address the earlier conflict that happened in the show after cait left vi. And before any of you say “cait apologized with her actions”

I don’t care. Two things can be true at once, she can and should have apologized directly as well as displayed that with her actions.

Moving on to Mel??? We did not nearly have enough time to explore her new abilities as a mage, her armor, and her connection to the black rose. As I said, the storylines this season should have been more refined so we could focus on a central group of characters. They did nothing but hint at her armor from the end of season 1 all the way up until now.

Also maybe I’m hallucinating, but did we ever find out what happened to the firelight’s tree?? That’s one of the main reasons Ekko and Heimerdinger went to the lab isn’t it? HELLO?

Next on my list, Jinx. This girl has suffered to no end.

- Lost her whole family except for Vi.

- Almost died once and was brought back to life.

- Tried to end her life several more times

And you slap us all in the face by writing her off?

“Oh but she may not be GONE gone, look at the glitching at the end!"

I. Don’t. Care. It’s the principle.

I’m sick and tired of seeing characters that struggle with mental health and keep having one bad event after another happen to them, never receiving a proper ending. What messages are the writers sending with this? That death is basically the answer because there’s no hope for them? Cool. That was not an honorable act of self sacrifice, that was plain insulting.

Instead, if they still really wanted to have a Jinx redemption arc and a chance to rekindle her relationship with Vi, having her tap into engineering for the betterment of Zaun would have been the better route.

We should have gotten an extra extended episode since this is last season for the Piltover/Zaun region, and for Jinx and Vi's story. I really want to blame Riot for being greedy and possibly becoming too cocky with the popularity of Arcane that they think anything would suffice because It's Arcane.

[maddymoreau]

Finding Frankie Ending Discussion

I've seen a lot of people discussing the ending and some confused so I thought I'd share my thoughts!

Why does the Real Frankie say: "Stop ruining my fucking gameshow!"

When you meet the Real Frankie in that room there’s a white board showing his plans. Which are to help keep the player alive until the final round in order to boost views. By not dying during the climatic moment you’re ruining his show.

How does the contestant survive?

Although it's not shown how the contestant survives. It's important to consider this scene is shown from the audience's perspective. Everyone watching assumed the contestant died so the broadcast ends. Which is why the credits begin to play.

We can also see this through the Real Frankie when afterwards he's watching the credits on his monitors. Along with how he's surprised when the contestant appears.

Why does the Real Frankie recruit the contestant?

When the contestant reveals they're alive this is a golden opportunity.

The broadcast is over (shown also by the TVs being turned off). It's just the contestant and the Real Frankie. Since you won, as promised, he gives you the five million dollars.

Although the Real Frankie helped the contestant survive they're the first out of hundreds to make it this far.

Real Frankie: "You're the first contestant we've ever had who won. Hundreds of people last a few seconds, a few last a couple of minutes, but you . . . you're different. I like that."

So he uses this as an opportunity to try and recruit the contestant for another round. Since contestants are disguised if they do another round the audience won’t know it’s them.

What is the contestant's motivation?

While not explained we're given clues throughout the game. Let's start with what the Real Frankie says about the contestant.

Real Frankie: “But let's be honest with ourselves for a second, contestant. We need each other. Especially you, I mean, look where you live . . ."

We're shown the contestant's apartment which is in rough condition. Along with the detail that the constant has watched prior shows:

It's important to note that the broadcast is privately funded. Most likely through people paying to access the stream and gambling thousands of dollars on it.

ANONYMOUS: "I HAVE 10,000 ON THIS GUY LET'S GO!"

For someone living in those conditions we know the contestant took a HUGE gamble for the opportunity to get on the show.

Considering they spent $3.99 X 769 boxes = $3,068.31

My theory is that the contestant's financial situation may not be the best due to gambling (or other life circumstances) so they chose to stay another round.

Real Frankie: ". . . And you've helped us. Having a privately streamed and funded show isn't the easiest thing in the world, and then, on the verge of bankruptcy, you came along. Our star, but stars don't just leave after a season, do they?"

[mostlysignssomeportents]

Bluesky and enshittification

NEXT WEEKEND (November 8-10), I'll be in TUCSON, AZ: I'm the GUEST OF HONOR at the TUSCON SCIENCE FICTION CONVENTION.

I would like to use Bluesky. They've done a bunch of seriously interesting technical work on moderation and ranking that I truly admire, and I've got lots of friends there who really enjoy it.

But I'm not on Bluesky and I don't have any plans to join it anytime soon. I wrote about this in 2023: I will never again devote my energies to building up an audience on a platform whose management can sever my relationship to that audience at will:

https://pluralistic.net/2023/08/06/fool-me-twice-we-dont-get-fooled-again/

When a platform can hold the people you care about or rely upon hostage – when it can credibly threaten you with disconnection and exile – that platform can abuse you in lots of ways without losing your business. In other words, they can enshittify their service:

https://pluralistic.net/2024/08/17/hack-the-planet/#how-about-a-nice-game-of-chess

I appreciate that the CEO of Bluesky, Jay Graber, has evinced her sincere intention never to enshittify Bluesky and I believe she is totally sincere:

https://www.wired.com/story/bluesky-ceo-jay-graber-wont-enshittify-ads/

But here's the thing: all those other platforms, the ones where I unwisely allowed myself to get locked in, where today I find myself trapped by the professional, personal and political costs of leaving them, they were all started by people who swore they'd never sell out. I know those people, the old blogger mafia who started the CMSes, social media services, and publishing platforms where I find myself trapped. I considered they friends (I still consider most of them friends), and I knew them well enough to believe that they really cared about their users.

They did care about their users. They just cared about other stuff, too, and, when push came to shove, they chose the worsening of their services as the lesser of two evils.

Like: when your service is on the brink of being shut down by its investors, who demand that you compromise on privacy, or integrity, or quality, in some relatively small way, are you really going to stand on principle? What about all the users who won't be harmed by the compromise, but will have their communities and online lives shattered if you shut down the company? What about all the workers who trusted you, whose family finances will be critically imperilled if you don't compromise, just a little. What about the "ecosystem" partners who've bet on your service, building plug-ins, add-ons and services that make your product better? What about their employees and their employees' families?

Maybe you tell yourself, "If I do this, I'll live to fight another day. I can only make the service better for its users if the service still exists." Of course you tell yourself that.

I have watched virtually every service I relied on, gave my time and attention to, and trusted, go through this process. It happened with services run by people I knew well and thought highly of.

Enshittification can be thought of as the result of a lack of consequences. Whether you are tempted by greed or pressured by people who have lower ethics than you, the more it costs to compromise, the fewer compromises you'll make.

In other words, to resist enshittification, you have to impose switching costs on yourself.

That's where federation comes in. On Mastodon (and other services based on Activitypub), you can easily leave one server and go to another, and everyone you follow and everyone who follows you will move over to the new server. If the person who runs your server turns out to be imperfect in a way that you can't endure, you can find another server, spend five minutes moving your account over, and you're back up and running on the new server:

https://pluralistic.net/2023/03/04/pick-all-three/#agonism

Any system where users can leave without pain is a system whose owners have high switching costs and whose users have none. An owner who makes a bad call – like removing the block function say, or opting every user into AI training – will lose a lot of users. Not just those users who price these downgrades highly enough that they outweigh the costs of leaving the service. If leaving the service is free, then tormenting your users in this way will visit in swift and devastating pain upon you.

That not only helps you steer clear of rationalizing your way into a bad compromise: it also stops your investors and other people with leverage over you from pressuring you into taking actions that harm your users. These devils only sit on your shoulder, whispering temptations and threats, because they think that you can make things worse without spoiling their investment. They're not cruel, they're greedy. They will only insist on enshittification that they believe they can profit from. If they understand that forcing you to enshittify the service will send all your users packing and leave them with nothing, they will very likely not force you to wreck your service.

And of course, if they are so greedy that they force your hand anyway, then your users will be able to escape. Your service will be wrecked and you'll be broke, which sucks for you, but you're just one person and your pain is vastly outweighed by the relief for the millions of people who escape your service when it goes sour.

There's a name for this dynamic, from the world of behavioral economics. It's called a "Ulysses Pact." It's named for the ancient hacker Ulysses, who ignored the normal protocol for sailing through the sirens' sea. While normie sailors resisted the sirens' song by filling their ears with wax, Ulysses instead had himself lashed to the mast, so that he could hear the sirens' song, but could not be tempted into leaping into the sea, to be drowned by the sirens.

Whenever you take a measure during a moment of strength that guards against your own future self's weakness, you enter into a Ulysses Pact – think throwing away the Oreos when you start your diet.

There is no such thing as a person who is immune to rationalization or pressure. I'm certainly not. Anyone who believes that they will never be tempted is a danger to themselves and the people who rely on them. A belief you can never be tempted or coerced is like a belief that you can never be conned – it makes you more of a mark, not less.

Bluesky has many federated features that I find technically admirable. I only know the CEO there slightly, but I have nothing but good opinions of her. At least one of the board members there, Mike Masnick, is one of my oldest friends and comrades in the fights for user rights. We don't agree on everything, but I trust him implicitly and would happily give him the keys to my house if he needed a place to stay or even the password for my computer before I had major surgery.

But even the best boards can make bad calls. It was just a couple years ago that we had to picket to stop the board of ISOC – where I had several dear old friends and comrades – from selling control of every .ORG domain to a shadowy hedge-fund run by mustache-twirling evil billionaires:

https://www.eff.org/deeplinks/2020/12/how-we-saved-org-2020-review

Bluesky lacks the one federated feature that is absolutely necessary for me to trust it: the ability to leave Bluesky and go to another host and continue to talk to the people I've entered into community with there. While there are many independently maintained servers that provide services to Bluesky and its users, there is only one Bluesky server. A federation of multiple servers, each a peer to the other, has been on Bluesky's roadmap for as long as I've been following it, but they haven't (yet) delivered it.

That was worrying when Bluesky was a scrappy, bootstrapped startup with a few million users. Now it has grown to over 13 million users, and it has taken on a large tranche of outside capital:

https://fediversereport.com/on-bluesky-and-enshittification/

Plenty of people have commented that now that a VC is holding Bluesky's purse-strings, enshittification will surely follow (doubly so because the VC is called "Blockchain Capital," which, at this point, might as well be "Grifty Scam Caveat Emptor Capital"). But I don't agree with this at all. It's not outside capital that leads to enshittification, it's leverage that enshittifies a service.

A VC that understands that they can force you to wreck your users' lives is always in danger of doing so. A VC who understands that doing this will make your service into an empty – and thus worthless – server is far less likely to do so (and if they do, at least your users can escape).

My publishing process is a lot of work and adding another service to it represents a huge amount of future labor:

https://pluralistic.net/2021/01/13/two-decades/#hfbd

But I would leap into Bluesky and gladly taken on all that extra work, every day – if I knew that I couldn't get trapped there.

I don't know why Bluesky hasn't added the federation systems that would enable freedom of exit to its service. Perhaps there are excellent technical reasons to prioritize rolling out the other systems they've created so far. Frankly, it doesn't matter. So long as Bluesky can be a trap, I won't let myself be tempted. My rule – I don't join a service that I can't leave without switching costs – is my Ulysses Pact, and it's keeping me safe from danger I've sailed into too many times before.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/11/02/ulysses-pacts/#tie-yourself-to-a-federated-mast

[hiddenreamers]

I was in your music video - f1 drivers x singer!reader

SUMMARY: They say that if a poet loves you, they will write you into immortality. But if you date a musician, they might write you into the Billboard 100. Which is exactly what happens to your driver boyfriend.

Featuring: Lewis Hamilton, Lando Norris, Oscar Piastri, Carlos Sainz Jr, Max Verstappen, Charles Leclerc, George Russell

Note: Yes, two songs are sung by male artists. Yes, I'm going to ignore that fact and you should, too.

Lewis Hamilton

He's been in the room maybe five times. The space always felt strangely sacred to him - this is where you write, compose and practice songs with your band; this is where the magic, so to speak, happens. Walls are absolutely covered with tour posters, polaroids and printed-out articles. There's a large mirror that seems to be a message board considering all the sticky notes and words written with a marker. The only somewhat de-cluttered space is surrounding the setup. It's an unspoken testament to being a musician in a band.

There's a certain tension inside the driver. You've never asked him to listen to a song before it's finished. Sure, he has listened through your albums before they were officially released but it was always just that - a recording, not a live version. So what's different this time? Why is it vital he hears this song early?

Walking through the room, Lewis has to carefully watch where he's going. He doesn't want to accidentally break something by stepping on a cable or kicking a box with unknown contents. Inside a garage, he knows what not to touch but a recording studio and instruments are pretty much an unknown world to him.

Lewis is standing around a tad awkwardly, hands in pockets, when the bassist pushes a big black box closer to the driver.

"Have a seat." The musician points to the chest.

Lewis frowns. "On the box?" he asks, unsure. "Is that okay?"

"It's the Lucky Chest, Hamilton," the bassist announces. The other band members snicker at the title. "You have to sit on it."

"What's lucky about it?" Lewis inquires. More than the seating choice, he's interested in the reason for laughter.

"The first time we played at a big festival," the guitarist begins, her story slightly interrupted by her tuning the guitar, "we were sitting on it and listening to Green Day's stage, wondering 'how the fuck are we supposed to play after them?'."

"We were doing like a punk-rock tribute thing," adds the drummer. He's adjusting his seat and judging by the constant up-and-down movement, he can't make up his mind. The process is finally over when he reaches to tap the high-hat and nods to himself, content.

"After we finished our set," you take over retelling the story, "Billy Joe Armstrong came up to us and said we did great."

"So now it's the Lucky Chest," concludes the bassist.

Perhaps it's another testament to being a musician in a band when multiple people together tell one story without cutting details or creating chaos. A true harmony, though a joke a little on the nose.

"Well, I'm honoured," Lewis says. An airy giggle escapes him as he's still thinking about how easily teamwork comes to you and your band.

"You should be." The guitarist points her finger at him in a joking but accusatory way. Then she looks over her shoulder. "Whenever you're ready, drummer boy."

Music fills the room and Lewis is instantly captivated by you. He noticed it the first time he saw you on stage, how something inside you changes the moment you hear the instruments playing. Intensity, fire - passion in its most primal form. But this time around, the look in your eyes is different. You're no longer looking at the audience but him specifically; instead of singing a song, you seem to be telling him something.

So he listens.

I'm a desert, you're an ocean It's your motion that I need Without you I am broken, left to thirst out in the heat

And how strange he suddenly feels: all of the sentiments he already knows but now that you've put them into words for the whole world to hear, he can't help but find some revelation in them. For a moment, there's only the two of you and your confession of desire. Every word resonates with him and Lewis feels like he could say all of those things about you, too.

The song is far from over but he has already decided - he will listen to it before every race.

Lando Norris

Nothing seemed different about that day.

Lando is streaming while you're still at the studio. In an hour or so, you will come back, he will end the stream and the two of you will sit down to eat something. You will talk about your day, he will say something silly and both of you will laugh. Just like you always did.

To his credit, Lando couldn't have known about the song because you never told him. Some part of you thought it would be a bit dramatic to announce that you've written a song about him but can't play it yet because it's not finished. It would spoil the fun, wouldn't it? Therefore, you decided to tell Lando only after he listened to the final product. Perhaps you also wanted to seem a lot more nonchalant about the whole thing, planning on giving him just an off-hand comment of "oh, by the way, this one's about you". Life, however, rarely turns out the way we plan and that's exactly what happened that night.

If it was just one or two people calling Lando "honeybee" on the stream, he probably wouldn't even notice. But even he will pay attention when the comments are going on hundreds if not thousands.

He can't help but grow flustered at the pet name born out of his visceral fear of insects.

"Who told you that?!" he yells in a comically angry tone, a poor attempt at hiding embarrassment.

The comments come flooding again, explaining the situation only in variations of your name and the title Espresso. And like a detective following a crime, Lando immediately searches the internet.

"I feel lied to," he speaks up. "She didn't tell me she has a new song coming out. Why am I the last one to know? When I literally live with her? This is so unfair, I'm obviously the biggest fan, I should know first!"

Lando plays the music video. From the first line of "he's thinking about me every night", his bashfulness only gets worse. What starts as an excited smile, grows into a flustered, giggly mess. Although his pride is on the line, he can't deny any of the claims you make in the song. Yes, he couldn't sleep one night thinking about you and texted you about that. Yes, he does call you often even though he hates making phone calls. And yes, Lando Norris is, in fact, wrapped around your finger. What a horse is everyone can see and similarly, everyone can see and define who Lando is when it comes to his girlfriend:

"Simp?" he reads one of the comments. "Look, maybe I am but at the end of the day I'm dating her and you're not so who's the real loser here?"

Lando can only laugh his heart out when the chat gets flooded with identical comments: You.

"Okay, I admit. I'm down bad for my girlfriend and I'm proud of that."

Tomorrow's headlines are bound to be interesting...

Oscar Piastri

Although Oscar has seen you in musicals countless times, this situation feels a lot weirder and more uncomfortable. When he comes to watch your show, he's in the audience and you're on the stage. Now you're sitting side by side on the couch in your shared apartment, about to see your first movie. You're both the audience and the creator, which leaves you unsure how to act.

Unfortunately, your discomfort only grows. Oscar seems to be enjoying the movie but joy is not granted to you on this day. With each minute, you know your big part is coming. Oh God, what is he going to think?

Then, you suddenly pause the film. Oscar looks at you confused.

"There's something you need to know before you watch this scene and listen to the song," you say before he can ask you about your strange actions.

Oscar's frown only deepens. "You're making it sound really serious."

"Because it is. The thing is... " you hang your voice, unsure how to put words together. How do you tell someone this without making things awkward? "This is more embarrassing than I thought it would be but the song you're about to hear, I wrote it thinking about you."

He's trying to smile but the shadow of embarrassment on his face doesn't go unnoticed. You can only hope it's good kind of nervous.

The movie is resumed. As your discomfort is barely tolerable, you're looking away from the TV, fidgeting ever-so-slightly. Once or twice, you glance at Oscar, trying to see his reaction. The problem is, he's sitting unbelievably still. True, Oscar Piastri tends to be on the calmer side but right now it feels off. As if lost deep in thought, he appears to be diligently contemplating the scene in the movie; picking apart the words that came to your mind while thinking about him.

When the song comes to an end, you pause the film once more. A tense silence falls between you and Oscar, both longing to say something and yet neither willing to.

"So?" you begin hesitantly. "What do you think?"

Oscar shifts awkwardly. "Erm... I don't really know what to say."

A nervous giggle escapes your lips. "It's really sappy, I know." You try to downplay the situation, fearing that his reaction is born out of something negative. Does he think you're clingy? Obsessive? Too dramatic to handle?

"It's not that," he quickly denies. "Well, okay, it is kind of sappy but it's good sappy?" Oscar's tone raises slightly, revealing that he's unsure whether it's the right choice of words.

"Good sappy?" you repeat.

It feels as though woe has weaved a nest inside your viscera. "Good sappy" sounds like a lovely, diplomatic euphemism used not to hurt someone's feelings.

"Yeah, it's just..." Oscar doesn't finish his sentence. He runs his hand through his hair, then rubs the back of his neck nervously. Finally, he looks at you but not in a way you're familiar with. There's something ethereal in his gaze, a glint of inexplicable emotion that would escape a less observant eye. "It's really beautiful," he says. "The fact that you feel this way about me?" You could swear there are tears in his eyes as he lets out a flustered giggle. "I can die happy now."

Carlos Sainz

As old tradition entails, the Thursdays before a race weekend are meant for golfing. And who is Carlos Sainz to not give in to the custom?

He's sitting in his car, impatiently ploughing through the traffic of the city centre. Why are people out and about at this time, anyway? Shouldn't they be at work? Wanting to get his mind off of the fact that he's going to be quite late to the game, Carlos turns on the radio. The man is mindlessly skipping through the stations until something catches his attention - the announcer introduces you as today's guest.

"Hello again, pretty girl," Carlos says to himself. A small smile enters his face.

"First of all, I'd like to thank you," the radio host begins. "Unfinished Business is just the album I've been waiting for this year. And not only me! Have you seen Billboard 100 lately?"

Your flustered giggle is just as adorable as always. "Yesterday evening, I think?"

The broadcaster sighs dramatically. "Then you have ancient news. I have the site pulled up now and check it every few minutes. Let me tell you, Unfinished Business has climbed twenty spots since morning."

"Oh, shoot."

"Indeed." The announcer laughs and Carlos does with him. It's such a familiar theme for the driver - you being more humble than you really should be, surprised by the success you entirely deserve.

"Now, to address the elephant in the room or rather on the music charts. Over and Over Again is like a love letter all of us have written but never sent. Tell me all about it!"

"I guess 'love letter' is a pretty good description," you explain. Curious, Carlos turns up the volume. "For some time, I was trying to put my thoughts together and tell someone how I felt but never could quite do it. I can write good songs but in real life, I'm pretty terrible at speaking my mind and talking about feelings. I just don't want people to misunderstand, you know?"

"What are you saying, hermosa?" Carlos asks aloud, although there's no one to answer him.

"At least you can write a song about it! We regular folk are stuck with memes and playlists."

"Thank God, I can!" You laugh and, as embarrassing as it may sound, Carlos feels a sudden warmth spreading through his chest. "I was struggling with saying what I wanted to say to him, so at some point, I just decided I could put those words and feelings into a song. He likes to listen to the radio when he's driving so he might even be listening right now."

Although nothing bad or negative is going on, Carlos feels himself growing tense, nervous. There's no doubt the "he" you keep mentioning is him but what exactly is it you've been trying to tell him? Is there something he's missing?

"Did you tell him you've written a song about him?" the radio host asks.

"It might have slipped my mind," you answer coyly.

The announcer only laughs. "Oh dear, what a way to find out! Without further ado, let's hear your love letter to the mysterious man. I really hope he's listening to us right now. Don't you dare change the station, you lucky guy."

To his own surprise, Carlos recognizes the melody - you've been humming it for weeks now. But as you begin singing, the words leave him in disbelief. Do you really... mean all of that?

Carlos is lost in the song, feeling as though the lyrics aren't just lyrics but your genuine confession; a true love letter, as you have said yourself. He's brought back to reality only when the car behind him honks and Carlos is a hair's breadth away from picking a fight with the other driver. Nothing requires more haste or attention than his girlfriend exclaiming to the whole world that he will always be the one for her and that she will love him over and over again.

Charles Leclerc

You don't hear Charles coming in - you're too lost in your own thing to remember there's an entire world outside of the song and the piano in front of you. On the other hand, Charles doesn't announce his arrival as he doesn't want to disturb you. To be perfectly honest, he's a little too curious to interrupt you. It happens very rarely that you practise outside of the studio and so Charles doesn't really get to hear your more casual singing, not an embellished performance for the audience.

As quietly as he can, he makes his way towards you. Charles casually leans against the doorframe, your back turned to him as you continue playing the piano. He barely bites back the smile that creeps onto his face whenever you effortlessly sing the high notes - they are difficult for professionals and yet you execute them so cleanly, they appear almost too easy.

The lyrics haunt him but in a truly delicious way. A particular note of sincerity in your voice makes the words stick to him like rain does to a reckless passerby. Sure, they will slip away, although not before drenching him; their vital piece will forever lie with him.

When the song comes to an end, Charles (without thinking twice) gives you a hefty applause. The surprise makes you almost fall off the chair.

"Shit, you scared me!" you yell at him. It takes a couple deep breaths and your boyfriend's apologies, to collect yourself. "How much did you hear?"

He shrugs, suddenly realizing that he wasn't supposed to hear even one note of the song. "Pretty much all of it."

Your expression must not be joyful as Charles resumes his apologies and poor attempts at excuses. Suddenly, you cut him off. "How'd you like it?"

For a moment, he only hums and mindlessly knocks at the doorframe, looking for the right words.

"I loved it," he confesses. A strange tension in his voice proves he's telling the truth. "It's a beautiful song."

"Good," you answer absentmindedly. Quietly, you nod to yourself before looking back at Charles, a mischievous glint in your eyes. "It would really suck if you hated a song about yourself, you know?"

His eyes grow wide and Charles seems to forget about blinking for a good minute. Judging by the changes in his expression, you can tell the exact thought process he's experiencing: realizing you've written a song about him, joy caused by that, remembering the lyrics and finally taking them personally.

The more observant fans might notice a new addition to his helmet: "Claire de Lune" written in elegant lettering.

George Russell

Common sense might tell you that a race car driver must have no fear. And that would be correct, although quite imprecise. They must have no fear on track, yes, but daily life is quite different from racing, isn't it? Or maybe George is discovering a range of emotions he has not known before.

Your relationship is fresh but that isn't to say it's not serious. The weight of the connection the two of you share is a major part of the reason why George has been dead set on taking things slow. The other part is him knowing what media circus will play out once the news breaks. It's hard to blame him for wanting to keep at least some aspect of his life private, especially one that means so much to him.

As understanding as you are, George's apprehensiveness is tiring. You perfectly understand his reasoning and to some degree share the sentiment but at the same time, you are just somebody in love - you itch to scream it to the whole world. Or, at the very least, share a picture of the two of you. Both of you haven't been middle-schoolers for quite some time now, so why act like ones?

George, like the supportive boyfriend he is, loves to see you in your element. He watches the music videos, yet, but he much prefers the dance practice videos, where you're visibly enjoying each second of the choreography. Therefore, when you upload a new dance video for your song, he's probably the first person to play it.

It's a catchy tune that makes even the most boring people want to dance a little. With his head moving to the rhythm, George doesn't focus much on the lyrics until something in the second verse catches his attention:

So used to hiding We built our kingdom around The right timing

The lines, understandably, hit a little too close to home to be a pure coincidence. Now suspicious, George replays the video - this time, he's actually listening to the words instead of focusing on your dancing. Any hesitation that he's the true recipient of the song is gone with the first line of "Say you want me". The desperation in your voice is simply too candid to be just an act for the sake of the performance.

With the song loudly playing on a loop, George is scrolling through his phone's gallery in search of the best pictures of the two of you. He can't help but mouth the lyrics along with your singing, only to randomly giggle as the thought once again settles - it's about him.

Your phone can't stop vibrating. The notifications are coming nonstop. What on Earth happened? Upon opening Instagram, the mystery is solved. The internet seemed to be set on fire when George posted a series of pictures of the two of you with a caption that earned a giddy chuckle from you: "Setting us in motion".

Max Verstappen

Max and you both understand how much support can change. Sometimes just knowing that this other person is out there, watching and cheering, can change everything. As such, the two of you try to attend each other's events as much as you can. Unfortunately, the universe isn't always kind and you end up on the opposite ends of the world. The only support you can offer then is watching the live-streamed event - just like Max is doing right now.

He's sitting in his driver's room in Singapore, while you're at an award show in the USA. Quite the distance. There's something unbearably humbling about having to watch your performance like most of the world, when Max is, without a doubt, not most of the world.

In the back of his mind, Max is still thinking about the conversation he had with you earlier. Although he never misses your performances, you made it a point to tell him to watch this one. In your own words, he's supposed to look out for something fun, like a detail that will make this show different from the others. So as though he is a hawk, or more of a vulture, Max is hyperanalizing everything that's happening on the screen. He's not about to miss your little surprise.

The song begins and as much as he wants to enjoy watching you in your element, Max is a missile on a mission. Nothing specific seems to catch his eye but that t-shirt you're wearing...

Max knows it all too well. Theoretically, it's his t-shirt but considering you wear it more often than he does, it's practically yours. Now it's styled to fit the concept and image of your bandmates but the colour, the logo, the number, are all unmistakeable. Considering how much you're touching the article of clothing, compared to other dancers, he's convinced he's found what he was meant to look for.

Before he can wonder why you've chosen to wear his t-shirt for your performance, it's you who gives him the answer through the lyrics:

I feel like for the first time I am not faking Fingers on my buttons and now you're playing Master of anticipation, don't you keep it all to yourself

Max Verstappen doesn't get flustered but if he did, he'd be beyond flustered right now. The realization hits him like a derailed train - the song that everyone has been obsessed with through the summer and that has pretty obvious sexual lyrics is actually about him.

And if he did get flustered, the emotion would be rather short-lived, giving way to pride. After all, the core meaning of the song is that he's a generous lover, right? Clearly, he's been taking good care of his girlfriend.

Now, each sung line of "Just the touch of your love" makes Max all the more frustrated that the two of you are so far apart. He's earned his title of "Master of anticipation" and he intends to keep it.

[perseidlion]

Streaming in Kaos

Well, it happened. I can't say that I'm surprised that KAOS has been cancelled by Netflix. I am a little surprised at the speed at which it was axed. Only a month after it aired, and it's already gone.

That has me wondering if the decision to cancel was made before the show even aired. We have to remember that marketing is the biggest cost after production. If the Netflix brass looked at the show and either decided (through audience testing, AI stuff or just their own biases) that it wasn't going to be a Stranger Things-level hit, they probably chose at that moment to slash its marketing budget.

That meant there was pretty much no way that KAOS was ever going to hit the metrics Netflix required of it to get a season 2.

What makes me so angry about this (other than the survival of a show relying on peoples' biases or AI) is that it becomes a self-fulfilling prophecy. If you decide before a show is ever going to air that it won't be a success, then it probably won't be. If you rely on metrics and algorithms and AI to analyze art, you will never let something surprise you. You'll never let it grow. You'll never nurture the cult hits of the future or the next franchise.

Netflix desperately needs people behind the scenes that believe in stories and potential over metrics. Nothing except the same old predictable dreck is ever going to be allowed to survive if you don't believe in the stories you're telling.

The networks and streamers have a huge problem on their hands. They need big hits and to build the franchises of the future to sustain their current model (which is horribly broken.) But people have franchise fatigue and aren't showing up for known IPs like they used to. The fact that Marvel content is definitely not a sure thing anymore is a huge canary in the coal mine for franchise fatigue. People aren't just tired of Marvel, they're tired of the existing worlds both on the big screen and the small one. Audiences are hungry for something new.

It is telling that the most successful Marvel properties of the last few years have been the ones that do something different. Marvel is smart to finally pull out The X-Men because that is a breath of fresh air and something people are hungry to see more of.

There's pretty much no one behind the scenes (except for maybe AMC building The Immortal Universe) that is committing to really taking the time to build these new worlds. Marvel built the MCU by playing the long game. That paid dividends for a solid decade even if it's dropping off now. That empire was built not with nostalgia for existing IP (don't forget the MCU was built with B and C tier heroes) but with patience. Marvel itself seems to have forgotten this in recent years.

Aside from that, I think people really want stories that aren't connected to a billion other things. That takes commitment on the part of the audience to follow and to get attached to. People WANT three to five excellent seasons of a show that tells its own story and isn't leaving threads out there for a dozen spinoffs. We're craving tight storytelling.

KAOS could have been that. Dead Boy Detectives could have been that. So could Our Flag Means Death, Lockwood and Co, Shadow and Bone, The Dark Crystal: Age of Resistance, Willow, and a dozen other shows with great potential or were excellent out of the gate.

If you look at past metrics, you only learn what people used to like, not what they want now. People are notoriously bad about articulating what they want, but boy do they know it when they see it. Networks have to go back to having a dozen moderate successes instead of constantly churning through one-season shows that get axed and pissing off the people who did like it in a hamfisted attempt to stumble on the next big thing.

The networks desperately need to go back to believing in their shows. Instead, they keep cutting them off at the knees before they ever get a chance because some algorithm told them the numbers weren't there.

[edwin-paynes-bowtie]

I was angry. I'm still angry. But sadness and exhaustion have overtaken that anger, and I have A LOT to say about this.

Dead Boy Detectives is a very special show to me. It occupies a ridiculously large place in my heart, and it's brought me joy in a way that only a few pieces of media ever have. When I watched it for the first time, Edwin Payne had my heart within minutes. By the end of episode one, Charles Rowland did, too.

It meant a lot to me, seeing such wonderful and nuanced queer characters brought to life in the type of paranormal story I have always loved. In these past months, Edwin and Charles have felt like real friends to me, and to never see them again without a satisfying conclusion to their story is something I have not truly processed. Same for Niko and Crystal and The Cat King - they should be back. But I haven't fully processed it yet, that they're not coming back, and yet I am still aggreived.

@netflix is, at this point, so fucking gagged on capitalism's dick that they're not even pretending to care about art anymore. Dead Boy Detectives is genuinely masterfully made on just about every level. The actors did a phenomenal job and I will be following all their careers heavily. Steve, Beth, and the writing team crafted an incredible tale. The sets, the lighting, the props, the effects were all on point. This was a well-constructed program, and you could tell that everyone involved with the project gave it their all because they cared so deeply.

(Also my heart breaks for the whole cast, but it's hardcore hurting for George since this was not only his first screen role but one he clearly thought he would be keeping as of two weeks ago. He seemed so secure. I hate this for him.)

In addition to being a good show, DBDA had good reception. It's got a 92% on Rotten Tomatoes, was on the Top 10 for several weeks, got 4.7 million views within week one, and was getting daily articles posted on various review sites with NOTHING but praise. The fandom is incredibly active. We trend on Tumblr like five times a week and on Twitter regularly as well.

THE. SCRIPT. FOR. SEASON. 2. WAS. WRITTEN.

What the fuck happened?

Idiot executives at @netflix, choking on the dick of capitalism, probably just thought that they wouldn't get new subscribers for a second season of an existing show that didn't rake in Bridgerton-level cash. That's how they work - people who are interested in it are already subscribers, so who the fuck cares about them? Better to make some other shit, hope new people subscribe, and maybe that'll be a Bridgerton-level hit.

But also, Netflix has fun little trends to look into. And, when you look at the lineup of shows Netflix has canceled, they are overwhelmingly queer. The homophobia of @netflix and their operatives is clearly boundless, and it hits here really badly because this show was clearly made with a queer audience in mind. It was one of the most authentic pieces of queer media I have ever experienced, if not THE most authentic pieces of queer media that I have ever experienced.

It's fucking ridiculous that Netflix canceled a show that they commissioned a completed script of months ago. It sucks that they decided that their existing subscribers, their queer subscribers, did not matter.

Edwin and Charles are ours now. Well, of course, they're George's and Jayden's respectively, but the characters are no longer Netflix's to use and throw out. They're ours now, our fandom's, and we all love them so much.

And we deserved to see more of them, and we deserved to see their love story play out onscreen, but I for one am not going anywhere. Let's give Edwin and Charles - and the rest of the gang - millions of versions of the stories and endings that Netflix deprived them of.

[thebroccolination]

THE EXPERTLY LAYERED WRITING IN THAMEPO'S FIRST EPISODE

My dudes.

The last time I was this jazzed about a series from the very first episode, I was watching Be My Favorite, which went on to become my favorite Thai series. Some of that was because of Krist's talent and charisma as Kawi, some of it was the chemistry between Krist and Gawin, some was the music, some was the production value overall, but most of it was the writing.

SO LET'S TALK ABOUT THE WRITING IN THAMEPO.

While I was watching the premiere of ThamePo yesterday, I messaged @hallowpen to rave about the script. "It has stakes!" I wrote. "A time limit! Character arcs!" Then they asked me who the director was, and when I told them it's Mui (Aticha Tanthanawigrai), they essentially said, "That makes sense."

Because Mui isn't only a director—she's primarily a scriptwriter.

And she definitely seems to know what she's doing.

The first episode has to do so much right to hook an audience and create a solid foundation for subsequent episodes.

It has to introduce the protagonist in their normal circumstances, then quickly endear them to the audience, establish what they want, show the obstacle(s) in their way, and give people a reason to keep watching. Do this while avoiding the traps of info-dumping or weighing down the narrative with too many characters at once. You have to build just enough of a structure to pique curiosity, but not so much that people can guess where the story is going.

ThamePo did all of that, and beautifully.

In the first scene, Po is interviewing for a creative job so he can return to his passion after spending three years helping Earn, his ex-boyfriend, achieve his goals. This interview shows us that Po is earnest and honest to a fault, which is helpful for endearing him to the audience, but a well-written scene is usually doing more than one thing. At the end of his short interview, the interviewers tell Po that his reason for taking a break was off-putting, and they advise him not to be quite so truthful in the future.

I'm curious if Po learning how to use his natural earnestness effectively will be part of his character arc. Because later in the episode, Po decides to embrace a mild level of dishonesty to get the job with ONER. He reluctantly agrees to give them a resume that his friend edited to sound more flattering, and in his interview, he…embellishes the truth.

This is the first time we see a flashback to the one time Po went to a MARS event to take photos for his friend, and it's fairly unremarkable on the surface. Just a quick shot of him in the crowd—one of many—and then a shot of him editing the footage at home.

No sign that this is setting up some fantastic layering in the script.

Now, before I go on, I just want to say that, y'know, stakes and character arcs and obstacles and time limits are all extremely basic facets of a story. The reason I'm excited that ThamePo has them is because a lot of the queer Thai series I've seen throughout the past five years…haven't had them. Especially in the onslaught of hundreds of BL and GL series produced in the past two years, the vast majority of them just seem to have been slapped together. A rough first draft kicked onto a smoking conveyer belt bleeding text and plot points.

But Be My Favorite is as good as it is in part because Waa campaigned for more time to work on the script. And ThamePo was apparently in the works for five years before Mui found the cast she wanted.

Good stories take time to create, so I'm glad that there are a small number of series actually getting that time.

Okay, so!

Let's talk layering.

Thame's first words to Po are, "Are you a sasaeng?"

For the uninitiated, sasaeng fans are an ever-growing concern in celebrity spaces, and given how much leeway GMMTV has given to sasaeng behavior in the past, I'm surprised and glad to see them allowing them to be a negative plot point.*

*Truthfully, I don't think you can tell an authentic story about modern-day celebrities without at least mentioning the horrific effects that sasaeng culture have on them.

Later, we find out that Thame saw Po at the fan meeting, and Thame gives Po the options of quitting on his own or being fired after Thame exposes the footage he's found.

So now we've seen this fan meeting twice: once from Po's perspective as a job he did for a friend, and now from Thame's perspective noticing some guy in the crowd.

We're incrementally getting more information as it becomes relevant.

And then, finally, after Po convinces Thame that he isn't a sasaeng or even a fan, Thame reveals the part that matters most to the story going forward:

The reason he remembered Po is because, in a crowd of people screaming to get his attention for their own sake, Po was the only one trying to help someone else. And I think that's another hint at Po's character arc: Earn took advantage of his earnestness and his selflessness and hurt him deeply, but he shouldn't have to give up that gentle side of himself to be happy.

This third layer shows us the most important detail of this moment and why the episode keeps coming back to it: this brief memory meant something to Thame.

I think the reason Thame was so aggressive to Po in the office when they met for the first time wasn't just that Thame suspected Po was a sasaeng.

Look at Thame's face in that last screencap: it touched his heart to see someone he assumed was a fan helping a younger, smaller fan. In a cut-throat industry where fame is mercurial, the public is vicious, the media poisonous, and fans fickle, little moments of genuine humanity and kindness must be priceless to the celebrities at the center of it all.

So, from Thame's perspective, recognizing that same "fan" at his workplace? Thinking that fan was intentionally filming a vulnerable moment between him and the CEO? It probably spoiled that precious memory. Maybe even introduced the possibility that Po just used an innocent child that day to manipulate Thame's emotions.

How little does Thame have in his life? We don't know yet, but maybe little moments like that are all that's propping him up anymore.

And we can garner all of this from the gradual layering of one scene.

That one fleeting moment from their shared past shapes everything for Thame and Po going forward. For Po, he was doing a favor for a friend and added an offhand gesture to a child. But for Thame, it was a ray of sincerity in a dangerously murky world he seems to feel strangled by.

One of my favorite directing and character choices in this episode is that Thame is soft-spoken in both anger and vulnerability. He's so tightly controlled at all times because of his public-facing job, and he's in such a low place emotionally, but he hasn't lost his kindness, either. Once he knows Po isn't a threat to him or his fellow members, Thame compliments the work Po's done, and he asks Po to continue his documentary work.

Thame isn't Earn. Po projects that onto him and quickly learns he's wrong.

(I really hope earnestness ends up being one of the main motifs in this series, because it suits both characters so well, and the world they're both in now makes living earnestly extremely challenging.)

All in all, the first episode exceeded my high expectations. I loved the teaser, I loved the trailer, and I'm delighted with the first episode. I hope the rest of the series lives up to this level of quality, but I'm not worried.

Judging by the writing, I think this series is in good hands. <3

[thefishermansharbor]

What does the arcana do when they’re caught making out with you?

The arcana x GN!Reader   

Synopsis: This won my most recent poll, so how do the main 6 in the arcana react to someone walking in on them kissing their partner?

Asra Alnazar:

He kisses you more passionately as to prove how much he loves you in front of people. He doesn’t even notice the other person for a solid minute.

If you’re conscious or embarrassed about it, he’ll happily stop. He might stop physically - but while he’s waiting for you guys to find a more private spot, he’s fantasizing about you. 

He’s completely guiltless about it as well. Doesn’t feel a tad of embarrassment or shame. Although he does blush a bit, but that’s because of his attraction to you. Not because of the situation.

The thing he might do however is politely excuse you both from the person who walked in on you. 

“O great magicians, the countess has requested an audience with you!” The chamberlain shouted, from outside your room. Displeased at your lack of response, the chamberlain shouts once more. “O great magicians, COME AT ONCE!” They sighed, shaking their head before shoving the door open. 

“ … Magicians?” 

You’re sat on Asra’s lap, facing him. The two of you are kissing passionately and there are several lipstick stains of your shade of lipstick going down his neck and around his face. He seems to be happy as ever, not even noticing the shouting from the chamberlain. 

“ .. MAGICIANS!” 

Asra rolls his eyes and looks over, breaking away from the kiss. Staring at the chamberlain, he says casually, “ .. oh, it’s you. Hello.” You slowly get off of Asra and wave awkwardly. He smiles, “ tell Nadi we’ll be there in five minutes.” Before the chamberlain can respond, Asra pulls you in again. Not caring at all for the poor chamberlain who’s stood in the doorway stunned and weirded out.

Nadia Satrinava:

Depending on who it is, she’s either only a little embarrassed or super embarrassed. There is no in-between.

If it’s a palace servant, she’ll simply blush a bit but quickly recollect herself and help with whatever task is in need of her attention. 

If it’s a friend or family member, she stutters awkwardly and is more or less unable to reply normally. She just stands there in silence but in her head she’s screaming. 

She’s not ashamed of you at all - she just wants to keep her private time private when it comes to servants, and with her family - she doesn’t tell them much and most likely didn’t tell them about your relationship yet if she wasn’t 100% sure you were the one.

Nasmira is watering the garden, one of her favorite parts of the vesuvian castle. She adores the little grass labyrinth behind the palace, and always tends to it when visiting her dear sister. She snipped off stray branches and leaves, and then crossed the corner to move ahead. 

She paused as she you and Nadia together, kissing. You have your hands running through Nadia’s long hair, and she’s rubbing circles onto your back while you both are immersed in each other. 

“DiDi?” Nasmira says, surprised to see you and Nadia.. Like that.

Nadia turns, and shrieks before covering her mouth. “Oh my! Mira, I– I–..” She immediately lets go off you and steps a foot or so away from you. “Why, I wasn’t expecting your company today..” She says, her face covered in a pinkish blush. 

“ .. Now I know why you talked so fondly of your magician friend.” Nasmira teases, smiling warmly at the both of you.

Julian Devorak:

He blushes slightly, but doesn’t really care. He’s happy when he’s around you, and not much could possibly sour his mood whenever you’re around. 

Is very polite about it. He’ll stop kissing you and focus his energy on the other person, but will still want to be showing you appreciation by having an arm wrapped around your waist, or holding your hand.

He doesn’t feel the need to keep going as soon as the person leaves, but he will if that’s what you want. He’ll do whatever you want <3

Julian peppered your face in kisses, sat in the living room of Mazelinka’s house. He moved over to your lips, kissing you passionately and planting his hands on your torso and waist. He felt as if he were on cloud 9, so infatuated with you and all of your quirks and kinks.

A figure came back through from the kitchen, carrying a large bowl of soup and staring impatiently back at the two of you.

“ oh ho ho, Am I interrupting something?” Mazelinka said with a smirk. Shaking her head at the display of love you two were undergoing in her living room. 

Julian moves his head back, stopping the kiss. His hands still lingered on your body, but he turned over to look at the older woman. “No, not at all. We were..” He cleared his throat. “ .. just being in each others’ presence.” 

“ Oh no, continue. I could use more grandchildren, it’s been a while since I’ve had some children to look after. But just not here – I’m trying to eat.” She sipped at her soup, staring at the two of you and then at the door. “ GO! I’ll only be alive for so many more years, you two could stand to speed up the process a bit..” 

He just laughed and smiled, interlocking his fingers with yours. 

Muriel the outsider:

Is the most embarrassed out of everyone else on the list. He’s blushing furiously and goes extremely quiet and timid.

He’s already nervous in front of people - he definitely doesn’t need this extra attention! Poor guy covers his mouth with his hands, as if to conceal the fact that you’ve just been kissing. 

He lets you smooth it over - he couldn’t handle talking to anyone else but you after that embarrassing incident! He’s completely and utterly horrified to say the least.

Just sort of stares at the person. To any normal person, it’d look like he was glaring to high hell but to him he’s just afraid of having to deal with it.

After a long day, Muriel  couldn’t have thought of anything better than to go home with you and have a ‘loving’ session. You two were on top of the rug in front of the fire at his hut, he was kissing your neck and shoulder. He felt so loved and appreciated.

The keylock jingled, and Asra walked through. 

“Muriellll~!” He said in a sing-song voice. “I can’t find [Name], have you seen the–... oh.”

Muriel stares at him blankly. A mix of shock and shame washing over him at once. You smile, and stand up to go hug and greet Asra. He covers his face with his left hand, his eyes never leave the floor as he can feel himself go beetroot red. He can’t help it, he’s just so confused on why he didn’t hear Asra come in and why he didn’t spare himself this situation.

Lucio Morgasson: 

Isn’t embarrassed at all. If anything, he’s angry. He thinks the person has a lot of nerve bothering him while he’s trying to enjoy his private time with his lover, how foolish of them. 

He probably either insults them or shouts at them, to which you have to tell him not to and that it’s totally fine.

If the other person is grossed out, you’re probably the one smoothing the  situation over entirely. 

His logic is ‘ I’m count and I say the shit I want.’ So he feels no remorse for shotuing at the other person either.

Lucio’s eyes traced the outline of your body with a feverish grin. He couldn’t stop himself from grabbing you by the arms and going in for a deep and long kiss. Neither one of you breaks until you’re both almost out of breath, in which you give it a minute before going back to it. 

A servant whips past the two of you, accidentally splitting you apart. The poor servant doesn’t even notice as they hurry past you and start scrubbing a spill from earlier. Lucio looks down at them in silent outrage. 

“ Do you know who I am? It is I, your very count! How dare you interrupt my private time!” He yells, the servant looks up nervously. 

“ oh, my lord! I’m so sorry my lord, please I didn’t mean it!”  they beg. 

Lucio spits at them, “ – leave my sight, please.” He shakes his head as they scamper off in fear. “ Get lost! You’re fortunate I don’t fire you!” All you can do is give them an empathetic look before tangling yourself once more with your lover.

Note:

Hello! So sorry I've been gone, my account got hacked and I had to make a new one entirely. How annoying is that? Very annoying! Don't worry though, I'll be reposting my old content as well as coming back with all of my new work.