#this game is so good. someone help me

[darealsaltysam]

some of my favorite lines of dialogue i've overheard in marvel rivals so far

(keep in mind these are all paraphrased im going off of memory cuz i never have the reflex to screenshot these as they happen oops)

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"I never had kids, but I did have the Avengers. Same thing." - Iron Man spawning in

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"One for me, one for Steven, one for Jake." - Moon Knight after getting a triple kill

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"Can you teach me some of your magic-?"

"No."

"Why not?"

"I think you've had enough chaos already." - Loki & Scarlet Witch interaction

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"You have made your father proud, Wanda, my dear." - Magneto when assisting a Scarlet Witch with a kill

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"No one breaks a bargain with me twice."

"So I can do it once?" - Hela & Loki interaction

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"When I said "No More Mutants" you were who I meant, Logan." - Scarlet Witch after killing a Wolverine

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"How did you learn magic?"

"A place called Kamar-Taj."

"Oh so you weren't bitten by, like, a radioactive sorcerer?"

"[Extremely exasperated] Peter, please..." - Doctor Strange & Spiderman interaction

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"Leave real magic to the grown-ups, Ilyana." - Scarlet Witch killing a Magik

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"Nerd win!" - Bruce Banner if he gets a kill in his non-Hulk form

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"Are you fast enough to stop a bullet, if I shot you?"

"Well, you won't be able to. I already dismantled the inner-mechanisms of all of your guns."

"Wh- What?!"

"Now if you behave yourself I might fix them." - Punisher & Magneto interaction

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"So you can talk to rodents?"

"Tippy-Toe seems to think so!"

"Can you try and convince Rocket to clean his bunk?"

"There are some things even I can't do, I'm afraid." - Star-Lord and Squirrel Girl interaction

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"We sense great darkness and chaos within you, woman."

"You're one to talk, Venom."

"No, we... Find it strangely... Attractive."

"...Somehow, that made me want to save this universe less." - Venom & Scarlet Witch interaction

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"It's good to be fighting side by side again, like in the old days."

"Back when you used children as soldiers for your cause?"

"When you put it like that, you make me sound like a terrible father."

"For once, we agree on something." - Magneto & Scarlet Witch interaction

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"[in the sassiest tone you can imagine] Your GOD is SUFFERING!!!" - Loki taking damage

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[i also dont remember the exact dialogue but there IS one with rocket asking to buy bucky's arm. so yes we won there]

[chloesimaginationthings]

The day FNAF Charlie Emily was shut out..

[poorly-drawn-mdzs]

The Yiling Band Tour!

[beneathsilverstars]

i’ve seen plenty of alt-looper AUs where sapfrin’s wish resulted in someone else looping, assisted by starry loop. and i’ve seen plenty where isatfrin or one of their party members made some kind of wish that resulted in additional people remembering the loops.

but

how about an au where sapfrin’s wish resulted in someone else looping, while sapfrin remained in the role of siffrin? either now there’s two loopers in the party, or, the ability to remember new loops is what transferred, so siffrin wakes up every time with their last memory being the wish for help.

this siffrin is just so ground down and not siffrin anymore. but without becoming loop, they’d keep trying to act the part, which is easy enough when they’ve got a script, but… the more the other looper switches things up, the more siffrin will struggle. the other looper will want to help them, but what can even be done when they're still stuck in the loops??

if siffrin still remembers new loops, then they have to keep going through the fucking house even after they reached their breaking point. but at least there’s hope now? but is there really? and now, for the first time in years, they have to deal with someone else being able to remember their actions, and this person knows about the time loops. siffrin definitely isn’t going to be jumping to confide in them, despite how desperately they need the help — will they even tell them that they’d been looping for ages already?? even if they try not to, it’ll eventually become obvious something is going on.

or if siffrin doesn’t remember new loops anymore… how would the new looper handle it? how many times do they explain that they’re looping now instead before they stop bothering with it? or does not explaining means siffrin freaks out too much at the looper abandoning the script entirely for no apparent reason? but there’s no way they won’t freak out upon learning that they’ve just doomed someone else to live out this hell in their stead, that’s quite the news to have to break every single time. perhaps there’s an in-between that would work?? lying about what’s changed, or following the script until they suddenly deviate, then immediately loop back once done with the deviation? they have all the time they need to workshop it, at least.

either way, this siffrin is probably gonna be even less help than loop was. at least loop got to chill out at the favor tree and think — siffrin doesn't have that luxury. and while the new looper will be bringing in a fresh perspective, they simply don't know the things one needs to know about siffrin in order to figure out these siffrin-based loops. and, at this point, siffrin might not anymore either! it's been years since they made their wish. that doesn't make it unsolvable, especially since it's possible to get out by pure chance. but it'll be hard, especially since siffrin has even more intense reactions than isatfrin, as evidenced by them not even making it to euphrasie before looping back.

what a fun little bad time for everyone ^^

[usagifuyusummer]

Best friends or something...

Feeling so much like a dead corpse lately. It's probably the stress of the semester... and being mistreated/ underappreciated a lot. Still, I'll manage.

Happy Valentine's Day to those who celebrate it, by the way! It's a coincidence that I drew something mildly mushy on the occasion, lol. It wasn't really my intention. Just gotta let these thoughts (Toxic YAOI LMAO) about them out, and then I can get back to business. If you're confused, that's just how I draw younger Jimmy and Curly. What an odd pair of friends(?)...

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[lesiasmadness]

POV you're trying to leave the puzzle master's house

[dronny-milart]

Drawing of the siblings in the good old times

[the-real-list-of-ominous-threats]

I'm going to make you obsessed with evil video game men

[xxplastic-cubexx]

now i aint ever had no one on the enemy team call me out.... lol ...... abysmal they say this right as the mvp screen pops up too.....

[peripatetic-rowan]

Leon Scott Kennedy - Resident Evil 4 Remake

[moeblob]

Demyx (my beloved)

[icewindandboringhorror]

Recent life photos

[noisytenant]

when you are afraid to say "no" to someone it can be helpful to ask what consequences you realistically think might occur, particularly focusing on "escalations" and defense against them.

if you are afraid to reject someone, you should ask, "what might they feel in response? how might they act on those feelings? and how might they escalate things in response to being challenged?"

this can help you identify people who legitimately respect your boundaries, relatively reasonable people with some challenging or unhealthy communication habits, and people who are overtly toxic, controlling, and abusive.

subconsciously many people with trauma backgrounds respond to conflicts with a generalized, abstract mortal terror. on an emotional level, there is a flattening where an annoyed tone or triggering phrase can feel as dangerous as a person swinging at you.

but most people, even abusive ones, have limits to what they are willing to do. disentangling your absolute worst fears from grounded predictions allows for solutions beyond automatic survival strategies.

once you estimate the lengths someone could go to assert their will over yours, you can reinforce your own stance, tactically disengage from the situation, and protect your body and personal property.

if you haven't considered potential escalations, then standing up for yourself can feel impossibly risky. but once you understand the playing field, you can mitigate a number of those risks into something manageable.

while we can never be certain of what could happen, life doesn't need to be a binary between "being a doormat" and "going for a home run with a hornet's nest".

and preventing even one instance of (re)victimization can allow you to take back some of the power from the people who have used it against you.

[rxttenfish]

Thanks for opening my eyes to Miravi as a ship, it’s one I never would’ve even thought of but once I started thinking about it… yeah. Yeah!!!! It makes so much sense! Two tropey girls, a tragic princess and her conflicted knight in shining armour! I can’t help it, I’m a sucker for that…. (this might be why I always play as Vicky in MP…. because when I romance Miri my queen…. the polaroid is them as a knight and a princess….)

I love how you characterise them a bunch. I love that they can be two dorks together. Two nerds who love talking to and listening to each other. Two people who can heal together. Happy times for the both of them <33

thanks!! i still recall that this ship came mostly by accident to me, and honestly it was a damn fortunate accident at that because they work AMAZINGLY together. i really do like picking ships by virtue of personality and how well those personalities would mesh together, and don't like ships where that isn't directly considered, which, to be fair, i did at first think the two would probably dislike or hate each other! but i ended up thinking about it more and how the two might actually interact, and, honestly? the way they come off to me has always been that, if they can just get over that initial hump, they're WONDERFUL for each other.

i just like the way they parallel each other. both clinging to what they were told they are for their entire lives, something given to them by family and whom they had little choice in, but which they threw themselves into with a passion simply because they had nothing else they thought they could be. both with nasty, tangled histories, upholding systems which exist to eat the world and themselves simply serving as the last victims of it, neither able to fully question their role in it due to how much has been invested, how much would be lost if they had to put it aside. both with ringing alarm bells of psychological distress of all of this, that they cannot hear because they were never taught they were alarm bells, seeking out something that's close enough to what they were told they're supposed to be but without the teeth, without the fear, without the alarm bells. both rejected by their own systems by virtue of some flaw that isn't really a flaw, a fault that has marked them as unable to live up to their own myths. both only really able to come to any terms about all of this when they have other people, people who aren't a part of that system, people who they can depend on and trust, to start pointing it out and offering alternatives.

it's good! i like when two characters' journeys are really one journey, one path together, when they're in the same boat and just haven't realized it yet. i like it when they realize it, when they can finally start talking about it, finding solidarity in, yeah, actually, this IS bullshit, and why would someone do that to them. i like it when they're a conversation with each other, a mirror through which the other can be dismantled and picked apart and seen for what it is, when both act to lay the other out plain, when only the both of them can see the other for who they truly are.

and i like when it gives characters that are all high octane and presence and tension, just some downtime together. i like it when they can finally take off all that they drape themselves in, and just sit there together, vulnerable and exposed. i like how much they talk and have to say to each other, but i like how much they don't talk to each other as well, how much they can just exist in the silence together because the words aren't necessary. i like it when two characters being vulnerable with each other first feels like strangulation, and then, release.

[nobodybetterlookatme]

Anyway after thorough research, I can confirm that I am, in fact, not a big fan of the snow ahsjakskla it was really cool for like an hour and I was having a fantastic time, but the novelty wore off quick when it melted into my clothes lmaoooo