#this feels more wrong than usual.

[peeledpokemon]

hewwo Pokémon peeler please I request a peeled Mr. Mime man I’m trying to impress my partner

I had to enact an ungodly amount of restraint not to go further with this.

[gammija]

tiefling jon's first day at the Archives

[egophiliac]

another one that I'm not super happy with, but continuing to mess with it isn't going to help! so here he is! 🦇 there was a lot I was trying to get across in this one, so uhhhhh hopefully it reads.

we're almost out of unique magics now...just Ace (and maybe Grim?) left!

[lycandrophile]

i absolutely cannot believe people are trying to start discourse about whether nex benedict was actually nonbinary / whether it was okay for him to describe himself as nonbinary to some people if he didn’t actually identify that way as if he isn’t literally DEAD because he was KILLED. this is a MURDERED CHILD and these monsters are so busy getting mad at the possibility that he might have been a trans boy who described himself as nonbinary to his family because that was easier for them to take that they’re turning a CHILD who was MURDERED into fucking discourse. even when we die at the hands of cis people’s violence, our own community finds a way to make us the villains of the story.

and all of this bullshit on top of the ways that cis people are already trying to say our grief over his death is unjustified. all of this on top of people claiming he wasn’t murdered and speculating on other causes of death (i literally saw someone say he “clearly went home and took the coward’s way out” and i have never been more disgusted) or claiming that he started the fight as if any action on his part could’ve been enough to justify his death. i am haunted by the sound of his father screaming that his child was not filth because that is what people have been saying about this poor kid, that’s how cruelly his memory is being treated, and even the trans community can’t get it’s shit together enough to look past the stupid discourse and see the tragedy in front of us. did you all forget that it was supposed to be up to us to grieve him in the way he deserves when the rest of the world fails to care if people like him live or die? did you all forget that this child was our sibling, the future of our community, a life that we should have had the chance to know and treasure while he was still here but that we now have a responsibility to hold close to our hearts in his absence? nex’s life was precious and it was ended far too soon and if you truly believe that anything is more important than mourning his life and fighting for a world where no more trans people have to meet such an awful fate, you’re a traitor to this community and you do not deserve the place you occupy within it.

i’m so tired. i can’t even imagine how tired his family must be, to see the public treat the child they’re grieving so horribly, to see the world fail their baby again. leave him alone. he was already robbed of peace in life; the least you can do is let him finally have it in death.

[twentyfivemiceinatrenchcoat]

YOU DRINK YOUR COFFEE BLACK AND WE ARE AFRAID OF EACH OTHER ; SHOKO IEIRI

synopsis; shoko makes you a morning cup of coffee; turns out she’s not very good at that, but it’s the thought that counts.

word count; 4.2k

contents; shoko ieiri/reader, gn!reader (but written w a fem!reader in mind), fluff fluff fluff!!, just normal morning shenanigans at the ieiri household, implied stsg (my brand), shoko can be a girlfailure. as a treat, reader is absolutely whipped (and so am i)

a/n; been writing too much gojo n geto lately. neglecting my wife :((((((( let it be known that i am a shoko stan first human second. this one is for my wlws pls eat up!!!!

you wake up to the sound of your girlfriend’s voice.

melodic and soft, low and saccharine; almost like she’s coaxing you out of hiding. a sound so lovely you wish you could drown in it, laced together with a distinctly raspy tilt, one you can only attribute to the copious amounts of cigarettes she smoked back in high school. a leftover residue, bittersweet memories ghosting her lips — one that gets you a little bit weak in the knees.

in the mornings, it’s particularly prominent, a little intoxicating. manifesting itself as a shiver down your spine, a jolt of your heartbeat, a flush on your skin for every word that she speaks. it’s enough to have you slipping from sleep’s embrace, carried back into the cradle of reality.

why you notice her voice first, and not the smell of something burning — or the sound of insistent beeping — is honestly beyond you. 

it doesn’t take long for your sleepy brain to react, however, a pang of anxiety rushing through your slumbering veins. hurriedly stirring you awake. abrupting your dreamlike, drowsy state, tangled up in silken sheets with your neck smudged by lipstick marks; an alluring red, one shoko typically favors when she’s going out for a drink. coming home just a tiny bit tipsy, affectionate and giggly.

and when your eyelids finally flutter open, your mind melting into the motion of the waking world, you shoot up in a sudden bout of panic.

because fuck, you belatedly, groggily realize — that’s the fucking fire alarm.

and shoko is spewing curses, from afar, loud enough that you can hear it even through the fog of fatigue that clouds your brain. a raspy string of words that you don’t quite catch, but they’re enough to have you scrambling out of bed, nearly bumping into the doorframe as you kick the blanket off your legs.

”what happened?” you croak out, chest heaving a little, having stumbled into the smoke-filled kitchen. disgruntled, reeling with the aftermath of your deep slumber, cold air nipping at your bare skin. the balcony door is open, and the smell of rain invades your apartment.

when you look out the window, all you see is a gray sky, blanketed by a thick coating of wool. smothered by clouds, not a single ray of sunlight slipping through the cracks. the world smells dewy and sweet, asphalt and flowers melting into a nostalgic fragrance, one that reminds you a bit of high school smoke breaks — huddling under the slide at the nearest playground, watching a pretty girl wrap her lips around a cigarette, exhaling smoke just for it to melt into the pouring rain.

one that reminds you a bit of the woman right in front of you, balancing on a chair and stretching her goosebump-ridden arms towards the ceiling, wearing nothing but a lacey bra and a pair of unbuttoned jeans. messy hair that cascades down her back, brows furrowed, eyes simmering with irritation — before flitting over to meet your own.

shoko blinks. then sighs. ”you woke up?” she mutters, and you try not to shiver when the tremor of her voice deepens, morning-fatigue seeping into the syllables. “fuck. sorry, i —”

she stumbles a little, shifting her weight from one foot to another, and you take a step forward. on instinct, as if getting ready to cushion her fall. ready to be of service, in any way you can.

”don’t worry,” she fumbles with the fire alarm, clicking her tongue. nails scraping against plastic. “it’s fine, i just need to — there we go.” 

finally, the beeping stops. and your shoulders relax, immediately, the tight little ball inside your chest untangling. with a deep inhale, the fragrance of espresso and smoke fills your nostrils, and a sense of calm washes over you. rooting your feet to the floor. 

shoko settles down, too, seating herself on the wooden chair. a huff slipping from her lips. they’re smudged, a blurry red she still hasn’t found the energy to wipe away. 

bringing a hand up to card through her hair, lithe fingers in between her messy auburn locks, she exhales. a blend between fatigue and relief.

”god. i need a cig.”

a moment passes. she raises her head, and sees the sleepy little pout playing at your lips — her eyes softening. blooming with something fond. giving you a smile, tired, small. but reassuring. 

”i’m just kidding, love,” she chuckles. “relax.”

”don’t joke about that,” you frown, rubbing the sleep from your weary eyes. stifling a tiny yawn. ”.. took me so long to get you to quit.”

(sometimes you can still see the smoke leave her lungs when she exhales.)

shoko keeps smiling, but doesn’t say anything else. the pitter patter of rain against your balcony railing fills the silence of the kitchen, still brimming with a light layer of smoke, slowly dwindling. cold air drawing it out. clad only in one of suguru’s old t-shirts, you shiver, and shoko seems to notice.

“good morning,” she coaxes, opening her arms slightly — and you move forward, a moth to a flame. without thinking. “sorry for waking you.”

she wraps her arms around your waist, attaching her jaw to the curve of your shoulder, and you melt into the embrace. leaning close, to tuck yourself into her neck. she smells like lavender shampoo. “‘s fine,” you mumble, a yawn muffled into her collarbone. “what happened? are you okay?”

when her plump lips press against the sensitive skin of your neck, right next to one of the kiss marks she left there last night, you can’t help but shiver again. she must feel it, because you can hear the smile she’s trying to bite back in her voice when she answers.

“mm,” she hums, a gravelly noise that makes your throat clog up a little. “just burned something, it’s fine. don’t worry.”

tentatively, you take a step back. just to see her. gazing down at her, into her hazel eyes, the fading crescents beneath them. not as dark as they used to be, not as heavy with lost sleep.

shoko is gorgeous. always, every single day, but you think she’s particularly breathtaking like this. when it’s early, and she’s groggy and a little disheveled, eyes weary and lipstick smudged — bra strap close to slipping off her shoulder, black lace against pale skin, moles littering her forearms and chest like star clusters. oversized jeans that expose the curve of her waist, the fat of her hips, and you don’t notice how intently you’re staring until shoko’s raspy voice reaches your burning ears.

“eyes up here, baby.”

you do as you’re told, and she stifles a chuckle. eyes rich with amusement. you try not to blush.

“sorry.” you chew at the inside of your cheek. eyes trailing to the houseplants by the windowsill. “.. you’re just so pretty.”

shoko tilts her head, an exasperated little breath rolling off her tongue. almost a coo. she’s incapable of blushing; but if she wasn’t, you’re sure she'd blush. 

“thanks.” her touch is light, fingertips trailing down the expanse of your arm. “you are, too. red is a good colour on you.”

you blink. shoko’s eyes are crinkled at the edges, soft lines of crows’ feet, and you huff when you realize she’s talking about the marks on your neck. suddenly a little self-conscious, you bring a hand up to rub at the skin — as if hoping to wipe them away. you doubt it works. shoko just breathes out an airy chuckle, getting up from her seat.

she looks tired, still. stretching her limbs out, sleepily, blinking drowsily.

and it’s odd, you think. that she got up this early, that she didn’t cling to you and make you stay with her in bed like she usually does. you don’t know anyone who loves sleeping in more than shoko does. especially after a night out.

so it’s strange. very strange.

“hey, sho.”

“hm?”

you tilt your head. “why are you up this early, anyway?”

she blinks, and then glances at the clock on the wall. ticking idly, counting down. when she looks back at you, she’s got a single eyebrow raised. “it’s not really early.”

“for you it is,” you quip, something resembling a grin tugging at your lips. and she rolls her eyes, smiling, before linking her arm with yours. bringing you to the stove.

“i was, uh —“ a pause. she does a little cough under her breath, clearing her throat. “trying to make coffee.”

silently, you look at the mess in front of you; what used to be your squeaky-clean stovetop, now stained with a muddy, rusty residue. an unassuming coffee pot sits to the side, having seemingly boiled over, smoke still drifting up into the air.

shoko cringes, a little, before a wry smile makes its way to her lips. ”it was…” she clicks her tongue. sighing softly. ”an attempt.”

”… wait.” you turn to look at her, dubiously, and she avoids your gaze. ”that’s what you burned? coffee?” still no answer. a tiny smile tugs at your lips, and you can’t help it if your voice comes out sounding a little teasing. ”how is that even possible?”

”look,” shoko exhales, heavy. ”i don’t know, okay? i think it was the coffee grounds, or something. i look away for one second, and it’s just —”

a little giggle slips from your lips, and shoko shoots you a glare. mostly harmless, but she untangles her arm from your own. ”sorry, it’s just —” you apologize, failing to hide your amusement. ”why didn’t you just use the espresso machine, honey?”

she bites her lip, and you think she might be just a little embarrassed. averting her gaze, briefly flitting towards the machine in question. ”… i didn’t know how to use it,” she mutters. ”i’ve seen you do it, obviously, but i never paid attention to the steps.”

a smile graces your lips. “it’s not that complicated once you know how it works,” you nudge her arm with your elbow. ”it just looks that way.”

she hums. a click of her tongue, as she adjusts her bra strap. ”well, anyway. i tried. so.”

”right.” you try to stifle a grin, to no avail. ”so… you burned your coffee.”

”and woke you up.” she grins, herself, just a tiny bit self-deprecating. but pretty, always, hair falling over her eyes when she tilts her head. ”a mess, aren’t i?”

”not at all.”

shoko looks at you, and your eyes meet hers. unflinchingly. tired irises falling into the gentle hue of your own, trickling down to the curve of your lips. there’s an honesty to your voice that she’s never quite been able to deal with. 

(love, she thinks. a kind of love she finds somewhat hard to stomach. a sea of acceptance that she fears she’ll eventually drown in.)

before she can properly fall into a morning spiral, you stretch your neck a bit, idly, and she gets a good look at the red marks littering your skin. the way your pulse beats at the base of your throat. tender, slight, a mantra she’s grown just a little bit addicted to. 

”why, though?” you hum, and shoko blinks. snapped out of her thoughts, and back into reality. back into you, the faux pout on your lips. playful, but a little confused. ”i thought i was the coffee brewer of this relationship…” 

and it’s true. you’ve been making shoko’s morning cups of coffee for a while, now, even before you moved in together. she likes it black, sometimes with a drop of cream, sometimes with a cube of sugar. never both. you think it’s very like her, to tiptoe that line between bitter and sweet — never entirely giving in to one or the other. there’s a balance to shoko, something stable. something for you to hold on to, a bitter tinge or syrupy taste that always leaves you yearning for more.

truthfully, your coffee brewing skills aren’t anything special. but it makes shoko happy, to wake up and stumble into the kitchen, being able to hug your back. being handed a cup of fresh coffee. sipping from it in silence, muttering out a groggy good morning that makes your heart flutter.

(to you, it’s precious. that lilt of her voice, that bittersweet tinge. the dearest thing in the world.)

plump bottom lip trapped between her teeth, shoko furrows her brows. ever so slightly. nails tapping at the edge of the kitchen counter, a series of satisfying clicks against the marble. “… well.” 

she clears her throat, but doesn’t say anything else. a moment passes. you try to find the answer in the curve of her lips, the crease of her brow, in the depths of her eyes — but you don’t succeed.

something discomforting settles in the bottom of your throat. almost uncertain, maybe a bit anxious. sheepish, as your tired mind spins in circles. parting your lips. hesitant.

“do you… not like the way i make it?” there’s a dejected tilt to your voice when it spills out, one that makes you feel a little silly. so you smile, or try to, eyes trailing towards the windows; you note that the rain has grown heavier. “i can change how —“

“what?” shoko cuts you off. “no. no, of course not — your coffee’s perfect. honestly.”

again, your eyes meet. and again, shoko seems to be struggling with finding the right words. or maybe she’s struggling to voice them.

“i just… haah.” she brings a hand up to her face, pinching the bridge of her nose. you just watch, silent, hungry to hear the thoughts she’s not letting you in on.

a beat. again, the sound of the rain against steel railings, the scent of honeydew and concrete. espresso-flavored smoke, almost entirely faded, leaving only cold air to nip at your thighs. 

and again, as always, inevitably, your eyes are fixed on shoko — a moth to her flame. helpless to the cinders that ghost at your skin whenever she looks at you. a certain contemplation swims inside her eyes, simmering beneath the surface, as she chews gently at the plush of her lips. before turning to face you.

you can only blink. but shoko finally speaks, clearing her throat in a way that strikes you as rather sheepish.

“well — you’re always the one doing all the work. aren’t you?” her voice trickles out into the air, low and saccharine, a blanket pulled over your shoulders. so soft you hold your breath and strain your ears, just to make sure you hear it. “i guess i figured… i don’t know.”

shoko pauses, again, and you can almost delude yourself into thinking there’s a cherry red tint to the tips of her ears. when she parts her lips, that usually carefree voice of hers sounds almost meek. almost, but not quite. more like unsure. embarrassed?

another moment passes, entirely silent. shoko swallows her pride.

“.. satoru always brags about suguru making him those fucked up sugary drinks he likes,“ she mumbles. turning around, to rest her back against the counter, looking out at the downpour. “says it makes him feel so loved. or whatnot. so i just —“ 

she waves her hand, haphazardly. 

“you know.“

a beat. then another. you can physically feel your lips part, a kind of surprise weaving itself into the contours of your face. 

and when you finally speak, your voice comes out a little garbled, scrambling for the right words. not sure if you should feel deeply amused, or just a tiny bit horrified. “wait. you’re saying you…” a moment passes. silent, slow, and all you can do is blink owlishly. in disbelief.

“… got inspired by suguru?”

shoko groans, deep and gravelly, almost comically agonized. covering her face with her pretty hands. “don’t say it,” she pleads, “you’re making it sound as dumb as it is.”

a little giggle slips from your lips. accidental, but she still shoots you a displeased look, huffing under her breath. crossing her arms just to tap at her forearm with her nimble fingers. frowning.

“don’t laugh at me.”

“sorry,” you search for her gaze, but she keeps looking ahead. so stubborn. “i don’t mean to, ‘s just — not very like you, y’know?”

shoko exhales. nearly a huff, but not quite. and you think she must be embarrassed, gnawing at her lip like that, fingers eagerly searching for something to fidget with. it makes you soften, impeccably, the blood inside your veins warming up beneath your skin. stirring you, coaxing you into soothing her. your very own heartbeat seems to be a little enamored with shoko ieiri.

”i appreciate the thought,” you smile. a tender tone, sincere. lingering with amusement. “really. but let’s not base our entire relationship around satoru and suguru of all people, alright?”

and again, she sighs. brittle, a little fatigued. brows scrunching together. ”look, i —”

a pause. she gnaws at her plump bottom lip, eyelashes fluttering like a battered heartbeat. her voice comes out sounding soft, all duvet pillows and fresh lavender, a lilt that anchors you to earth. sweet words. so honest it makes your breath hitch.

”i want to take care of you.”

and this time, you’re the flustered one. burning under her gaze, feeling a heat blossom on your skin. feeling the fervent pitter patter of your heartbeat, as her pretty eyes look into yours. a nice mocha brown. 

but even with the fresh embarrassment trickling through your veins, you find it in you to speak. desperate, maybe, to cross the distance between you — even when it borders on non-existent. desperate to feel your heartbeats synchronize, figuratively or literally. to stitch them together.

“i want to take care of you, too,” you echo, looking down at the floor. and then back at your girlfriend. hesitant, a tad shy. but sincere.

a sincerity so palpable it makes shoko feel a little jealous. 

(sometimes, she finds herself wanting to put a hand inside your chest. dig around your organs, run her fingertips down every single one, until she finds what she's looking for. that miraculous something that makes you stick around, that makes you so frighteningly easy to love. that makes her want to safeguard you so terribly.)

”then let’s take care of each other,” she breathes, a small smile slipping into the curve of her lips. reaching out to brush against your knuckle, weave your fingers together. delicate. 

she clears her throat. “… i guess.” 

and you can’t help but smile. somewhat cheeky, a little teasing. “ah,” your eyes crinkle, and you stifle a coo. “did that embarrass you?”

a sharp little scoff. shoko gives you a lazy grin, paired with a soft roll of her eyes. brushing her thumb across your knuckles, even still. “oh, shut up.”

the world seems to still, ever so slightly, as you look into each other’s eyes. like everything else is just background noise, from the pitter patter of the rain to the fading smell of coffee all around you. shoko looks at you like she’s trying to see inside your brain, see what makes you tick, see you for what you are.

and when she eventually leans in for a kiss, you’re pliant. expectant. her lips against yours, breathing you in, as soft as ever. like she’s afraid of getting too greedy. she tastes like nectar and cosmetics.

“give me some time,” she says, after pulling back. hands on your waist, squeezing softly. “i’ll make you another cup right now.”

”sure you don’t want me to do it?” you ask. “i don’t mind.”

another little scoff. offended. ”look, i’m not incompetent, okay? i’m just not used to it.” she untangles herself from you, warmth slipping away. you will yourself not to chase it. “just stand there and look pretty for me.”

and she smiles, when those words make you giggle, infected by your sleepy joy. something soft and silky blooms inside her ribcage, mirrored by the glimmer in your eyes when you intertwine your hands again. fingertips brushing against each other, delicate, a love that’s handled with care.

”.. i like making you coffee,” you whisper after a beat. smiling. under your breath, like you’re telling her a secret. ”it makes me happy.”

a moment passes. something in shoko’s bones still, for a second, enough for you to notice. and her eyes fill with a kind of hesitance. doubt, maybe. or fear.

when shoko opens up to you, it’s always like this. sleepy, rainy days, or tipsy afternoons. in no more than a whisper, a fragile breath, the ghost of a confession. when you can feel her heartbeat, one finger on her wrist, listening to the rhythm of her pulse. intimate. a little clumsy, but…

”i just don’t want you to spend too much of yourself on me.”

the words are spoken in passing, almost casually, a lighthearted kind of resignation. a hungry ghost. one that follows her, follows you. suguru and satoru, too. there’s a lump in her throat, you can tell, something that makes it a little harder to say what she means. an intimacy that frightens her in a way nothing else can; frightened to hold it in her palms, to keep it close without having it break apart.

(not just her — you all are. all four of you. that’s why you've always been together, you think, why you always will be. four hedgehogs huddling together in the cold of night, too desperate for warmth to stay away from each other's spines.)

carefully, almost cautiously, you bring her hand to your lips. as if you’re handling a flimsy sheet of glass. featherlight, a touch so tender you hope she knows what you’re about to say before the words leave your throat.

“you’re worth it,” is whispered against her skin, your lips against her knuckles. shoko softens, but you think the sigh that slips from her lips sounds just a little shaky. “always.”

and finally, you know you aren't deluding yourself. it’s there, visible, the cherry red of her ears; a red that matches the lipstick on your skin. a flush that never travels down to her face. but it’s enough.

she clears her throat. voice beginning to change shape, slowly but surely, morning fatigue peeled off with the ticking of the clock. there’s still a raspy residue, leftover smoke that’ll never quite leave her lungs, but it’s silkier now. trickling like honey from her parted lips.

and it’s terribly soft, her tongue twisting around the vowels, a low lilt that drips with tenderness. she wills herself to smile. tired, but fond. “just let me make you one cup, then.”

so you do.

you let her, after briefly pointing out the functions of the far too expensive espresso machine that satoru bought you when you first moved in, and she listens intently. those pretty eyes, the intelligence behind them, her lips pursed in focus. shoko’s a genius, you’ve always thought — so effortlessly good at memorization, at figuring out how things work. what ties everything together. 

you think it’s a little comical that she struggled so much with making coffee, of all things, but you choose to attribute it to her slight hangover.  

because she’s focused, when she begins to fiddle with the machine. attentive. as if she’s dissecting it. a satisfaction in the way she moves, the way everything clicks into place as she works. everything serves a purpose, every single part in the machinery, every tube or pump of caffeine. she compares it to the human body, a glint in her eyes, and you can’t disagree.

all you can do is watch her. silently, entirely mesmerized. sitting on the kitchen counter, bare thighs against the marble, swinging your legs. telling her about the dream you had, while she listens. always.

a fresh, thick aroma of espresso and rainwater begins to waft through the apartment. one you drink in, greedy, steam filling your lungs. as you admire how the tiny droplets bounce off the hyacinths blooming on your balcony.

and when she’s finished, producing one cup of espresso, tailored to your liking, you can’t still the beating of your heart. unsure if you should blame it on the caffeine yet to enter your veins, or the proud smile that lingers on your girlfriend’s lips. maybe the way her fingers curl around the handle, the way a soft here, baby, spills from her smudged lips. all of the above, probably.

she’s gorgeous. breathtaking. sometimes you want to give her everything, more than you could live without. your heart, your lungs, your eyes. anything she asks for.

but she would never. all she’ll ever need is for you to keep sticking around, keep telling her about your silly dreams, keep letting her feel the beat of your pulse at the base of your throat. a mantra she’s fallen a little bit in love with.

and when you put your lips against the ceramic, and a bittersweet scent fills your lungs, you think you can taste it. that care, a love soft enough to mend all the jagged edges of your heart.

shoko smiles. smoothing a stray eyelash from your skin, thumb against your cheekbone. “how is it?”

(you swear it’s the best cup of coffee you’ve ever had.)

[thepersonperson]

I can’t believe we got an infodump on simple domains AGAIN over a Sukuna backstory.

More complaining under the cut.

Usually I am one to give Gege the benefit of the doubt and will read heavily into what little information we are given. But I can't defend this chapter themes or character wise.

Even if this turns out to be a fakeout, going in painstaking detail over a show-not-tell battle in a way that lacks characterization and heartfelt emotion sucks to read. Even if the new shadow style and simple domain debacle goes somewhere, having it the main focus after an extremely traumatic battle instead of characters processing their emotions sucks to read. Even if Gojo is alive and that's why they're this chipper, everyone ignoring his sacrifice and efforts along with Choso's sucks to read.

I'm happy Yuta and Higuruma are alive but why was their revival off-screened? Yuta was so defensive over Gojo and everyone treating him like an object just 8 chapters ago. What happened to that? Why is everyone treating this battle like it was no big deal? (Also why the fudge did Kusakabe tell Yuji, a 15 year old, to his face he should've been killed while disparaging Gojo for protecting the life of a child???)

After the Shibuya Incident, there was a whole segment dedicated to how this affected the average person. The Culling Games ended and there are still bloodthirsty freaks running around. What happened to them? Is Angel hunting them down and that's why Hana is missing? Infodumping on anything except the battle would've been better.

I doubt we'll get any more info on Sukuna, Kenjaku, and Tengen at this point. We'll be lucky if there's a funeral for even Geto's body. Shoko was absent this entire chapter which makes me thing she's still trying to save Gojo or she's preparing their bodies for a funeral.

Anyways. This is the worst JJK chapter for me hands down. My hopes for the final 2 are mostly dashed. Crunch and poor working conditions really do ruin art my goodness.

[deweyduck]

monster slang in monster high 2 (2023)

[ittybittyremy]

I really hate the use of the word "hypocrite" in the CR fandom because it doesn't let people appreciate the nuances of the characters/situations. This is not to say that the characters don't have their hypocritical moments. I just think there are people who slap the word on a character and call it a day, not even bothering to try to understand it.

I have more to say but TLDR: Hypocrisy is a fact but it feels like an insult because it implies that there is no reason that the contrast of ideas exists.

You won't like to hear this but everybody (including you) is/will be a hypocrite at some point. There are many cases of this, some more severe than others.

As a small example, I hate the sound of other people clicking their pens repeatedly but I click my pen repeatedly all the time. Is that hypocritical? Yes! You could slap that label call it that and call it a day and it wouldn't be technically wrong. However, you could also figure out why these contrasts exist. In my case, my thing with noises has to do with control. I don't mind my pen clicking because I can choose the tempo and decide when to stop it. But others make that exact same noise, I can't control it and I don't know when it'll stop.

Hypocrisy is a fact but it feels like an insult because it implies that there is no reason that the contrast of ideas exists.

This is not meant to say that all hypocrisy makes sense or has reason. Reasonless hypocrisy is one of the foundations of prejudice/discrimination but that's a whole other conversation.

There will also be reasons of hypocrisies existing that you disagree with. However, just because you disagree with the reason doesn't mean that the reason does not exist.

Back to Critical Role

I made this post because of people's reactions to Ashton regarding their views on the gods versus the primordials. During the CR Cooldown, the cast calls Asthon out for their hypocrisy of their views on the gods versus the titans. This is what Taliesin says about it:

"It's the difference between the feeling of being small in front of someone rather than being small in front of everything. Is really what happened, which is instead of having the smallness and raging at the big person, it was 'I'm in the middle of this.' [Asthon] didn't feel separated from it... It was more feeling the place in the cosmos, rather than actual people going 'oh it's you' and you're like 'fuck'."

Of course, you can understand Ashton’s hypocrisy and disagree with the reasoning. That's fine, as long as you see their reasons and acknowledge that they exist. It may not make sense to you but it makes sense to the character.

[cherries-and-knives]

The average oldest daughter experience is relating to all the fictional people weighed down by responsibilities, the ones who love aggressively, who want to be great but don’t always know how, or the ones who are expected to be great and are just trying to survive under the weight. It’s finding yourself in the ones who have a hard time expressing emotions, but have little problem expressing anger. It’s being drawn to the protective characters, who love with shields and go down fighting for others, but have a hard time excepting love in return and often don’t expect it.

[wiezumbeispiel]

Had an idea that was like. Well what if instead of crows glados had 3 baby porygons?? They’re kind of like birds. Kind of. Anyways all you need to know is that she loves them very much

[vagun1ka]

i have finished watching g-witch and Belmeria is person I relate the most to.

[collectorcookie]

they released the full body image for the outfits and i now get to roast murr on unsafe lab practices (<- worked in labs before). Explanation in tags

[ducktracy]

Does it ever feel pressuring (no pun intended) to work on a show with such a legacy and history as SpongeBob?

VERY much so, but in a good way, if such a thing exists! one of our mantras on our little storyboard plussing team is “pressure makes diamonds” and it is a very applicable saying

when i first started, i was TEEEEERRRIFIED! i really felt like i had no idea what i was doing, and there have been so many times where i’ve turned in a section and genuinely thought “oh my god they’re gonna fire me for this it’s so bad.” working in animation is frazzling enough! but not only are we working on a cultural mecca, with not only the kids of today to entertain, impress and inspire, but to maintain the integrity of the series and entertain/impress/inspire the kids like us who grew up with the show, we are also working with literal animation legends and animation veterans!! it’s pretty surreal to be working on the same show as someone like Bob Camp, who’s been in the industry for 40+ years… and even more surreal when he says he’s a big fan of your work 😵‍💫‼️‼️‼️‼️

THANKFULLY, i’ve made a lot of strides in curbing some of my storyboarding stage fright. it used to be really bad when i started, like genuinely panic attack inducing! the constant patience and guidance and encouragement of my peers and consistent practice from these past three years have really allowed me to grow and blossom. now, when i feel a bit claustrophobic in remembering the pure scale of what we’re doing, i weaponize it for good!!

i think of how inspired and amazed and obsessed with SpongeBob i was as a kid. how it inspired me to draw, how i remember drawing along to episodes and commercial breaks. my brother and his wife are both elementary school teachers and routinely update me about how their kids are still crazy for SB (and they both brag about me to their kids heheh). i think of all the kids watching, all the kids realizing that getting to draw these characters and interact with them and live in their world is something you indeed can do, all the kids who religiously catch each new episode like i once did… it just fills me with so much confidence and hope and love, and that motivates me to deliver and do my best and try to do what i can to help make each episode be better and more fun than the last

SpongeBob is for everyone, obviously! that’s one of the great things i love about working on it: i get just as much enjoyment watching our finished episodes as our target audience. but i do bring up the kids particularly often because, at the end of the day, that is who we are doing it for and i also just can’t help but think back to how my SpongeBob obsessed self as a kid would have had her world rocked to know i’m doing what i’m doing. i want to give those kids, who i used to be and still essentially am, the same joy and spark and all consuming inspiration i felt and still do

there are definitely some days where the gravity of what we’re doing hits harder than others! some days are a lot more difficult than others. this is an absolute dream job, i’m not just saying that, i always fantasized about maybe one day being able to work my way up to working on SpongeBob and now it’s my first animation job—but it is very easy to get overwhelmed by just how big of a legacy we’re carrying on our shoulders! how many other mega talented people work on this show! there’s a lot to juggle. but we juggle it well. there is so much love and heart and care poured into this show. we do everything we can to maintain the integrity of the characters and the show’s core, and it just makes me love what i do all the more and makes me more determined to do it

TLDR: YES! but i’m much better off for it, because it reminds me of why we’re working so hard to begin with. we all want this show to be the best it can—to maintain its core 25 years later, but still have fun doing it. i mentioned this on Twitter, but when i met Bill Fagerbakke last month he was saying how cool it is that fans who grew up with the show are now able to work on it and i couldn’t agree more. it’s the greatest honor imaginable being able to carry such a monumental torch, and i hope i’m able to keep at it for a long, long time.

[angelsdean]

ruthlessly deleting old 2021/2022 posts (not by me) from my dean studies tag like *click* un-incorporating that from my beliefs system! also the way SO many posts have me like ok uh-huh good aaand then say one completely wrong thing that loses me. it's so many posts.

[kyouka-supremacy]

Well.

[sciderman]

Sometimes i remember a comics moment i randomly came across somewhere, where Sam Wilson mentiones a musical and Steve Rodgers says he doesn't like musicals, to whitch Sam goes "Guess that means you really are straight" and even tho i don't care about Cap America or the Avengers, the moment stuck in me for that quote by Sam. And like....Sci, any ideas if straight men actually don't like musicals or is that bullshit?

actually i think i know more gay men who hate musicals than i know straight men who hate musicals. i've had a drag queen stop me point blank when i was about to sing a barbra streisand song, and i know so many gays who pointedly hate abba. so based on my experience i think the inverse is true. most of the straight men i know are kind of impartial about musicals, but gay men? hate.

my theory is that a lot of gay men don't want to fall into stereotypes, maybe. but thaaaaat's just a theory! a gay theory.