#this episode's really one for the books

[egophiliac]

don't think I'm not still obsessing over 7-12

[poorly-drawn-mdzs]

Out of sight, out of - wait.

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[thelaurenshippen]

911 really is such a good reminder of the particularly kind of joy that is weekly, seasons-long shows with many episodes per season. every character gets a moment to shine even in a truncated season. the satisfaction of seeing characters grapple with stuff that happened YEARS ago. having multi-episode arcs and one-off arcs that are equally enjoyable. beach episodes (metaphorical). I know we're all saying this all the time but why can't more tv be like this

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[deoidesign]

I met the me who made different choices

[intheconfessiondial]

Redraw of the cape post, because that entire concept deserved better than the illustration I gave it.

[owletstarlet]

can i offer you a nice omurice in this trying time

(Nov/Dec page of the 2024 natsuyuu poster calendar. I had fully forgotten about this page and it was an absolute delight to rediscover it given the subject matter of the one single fic I’ve been able to produce in all of three years—

[5-turtleducks-in-a-trenchcoat]

Everytime I listen to the Ancient Rome Sidequest it destroys me emotionally. But who knows, maybe somewhere there's a world where nothing terrible happens and it's just Sasha and Grizzop having fun adventures in ancient Rome.

[lovesodeepandwideandwell]

It's crazy how I can be like "I'm having a depressive episode" until I'm with the right people and then it's like oh no I'm ok actually

[egophiliac]

So.... what are your thoughts on Ace's UM, if you haven't been asked this already?

sneaky magic for the sneakiest boy

no but really, I think it fits him really well! I had thought his UM would probably involve something kinda sleight-of-handy or pickpockety! and I looooved that it made such a nice loop-around back to episode 1. ❤️ I was. kind of half-expecting him to just run out and punch Riddle in the nose again. but instead this time 'twas he who offed the queen's head! it was great! and he did it while stone-cold terrified out of his mind! because Ace is the only remotely normal or well-adjusted person at NRC and therefore the only one who is like "we're going to literally die, this is super effed up". but he did it anyway!!!! I AM SO PROUD

[thorough-witness-enjoyer]

“HE’S COMING BACK!!! MY GLORIOUS KING, THE GREAT NAVIGATOR AND TAKER OF WILLS, WILL RETURN BACK TO ME!!!! I CAN FEEL HIM!!” I scream as I am strapped down to be tasered for the 8th time this hour.

[coquelicoq]

this chapter/episode feels very classic short story...something so satisfying about how it resolves. the A plot and the B plot are solved by the same action because it turns out, unbeknownst to the characters and the audience, that they were directly connected the whole time. and because the storylines are so linked, the resolution of chobi's depression is twofold: he's touched by the effort his friends went to to get him something beautiful, and he's touched by the fact that the thing his friends think is so beautiful is actually a part of him that he had cast off and thought of as unremarkable. it fits together so simply and so elegantly that it seems just as natural as it is surprising. what a pleasing economy of storytelling.

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[scootersscooter]

Don't think I'll ever forget how y'all bitches villified Camila Noceda and made her out to be an abusive parent for literally no reason other than racism

[bumblingbabooshka]

Everyone who makes jokes about Vulcan hand sex is ignoring the REAL Star Trek hand sex species.

The Ocampa.

[theodoravery]

oop... i'm gonna say it.... but i think what ppl don't get about 7 brothers is that maybe you don't have to take everything so seriously ?? idk man. why not enjoy fun and silliness. why not embrace the cringe. like i'm really sorry the y/n book is already doing a better job at being inclusive than your faves </3