#this counts as meta right?

[lyricailove]

Ian is the type to trip over his own foot and flail like a baby giraffe.

Mickey is the type to slip on an ice cube and go, "SHIT!"

[longelk]

happy world otter day had to make tribute

[prismatiger]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[transmascanakin]

I think in order to understand Geta's character you first need to understand that he's not smart and is not only incapable of manipulation but in fact very influencable himself. Neither he or Caracalla were made to be scheming villains, that is not their purpose in the story and just because Geta's mind is clearer than his brother's you should not overestimate him. He is dumb.

Second you also have to deal with the fact that he's extremely devoted to Caracalla and he loves him in a way that's not very easy to grasp by the audience, and he most likely would not show or feel resentment or disgust towards him like you think he would. (Do not missunderstand me i do think it can be explored in an in character way because of course Geta has his limits too but I dont really see it portrayed in a way i think would be realistic for him.)

[vickyvicarious]

It's kind of striking how Jonathan already is expressing doubts and fears, he isn’t ignorant of what situation he might be in, but when the Count gives him food and a bed, he dismisses these fears as his mind playing tricks.

The warm hearth, the meal, all this transferred him from the darkness and the snarling, howling wolves outside, to the light and the safety of Castle.

So Jonathan stepping from the outside, is trembling, shocked, but now this powerful old man is giving him a warm fire, security, and food. He's now putty in his hands.

In retrospect then, Dracula manipulates Jonathan from the beginning, putting him in grave danger, and leaving him alone in the cold and surrounded by wolves. Later, he plays the kind host, providing Jonathan with food and shelter. Jonathan is now like a grateful puppy, completely dependent on Dracula for his basic needs, but he is unable to recognize this due to the carefully orchestrated emotional roller coaster Dracula has just put him through.

From the start, Dracula is doing textbook abusive, gaslighting codependent tricks to manipulate Jonathan, one could say...

I feel like as readers, it can be easy to dismiss just how easy it would be for characters to dismiss their fears and doubts once somewhere warm and well lit. Unless someone is truly already a believer in the supernatural, anyone would probably try to talk themself down, just because... well, the idea seems kind of silly, doesn't it? Sure, there were scary stuff happening, but - really, my host is impersonating his own coach driver? Why? Spontaneous fires in the woods that can be seen through a solid human form? Wolves that are driven off by a commanding gesture alone? What kind of ghost story is this? Jonathan sticks to his guns fairly well, being firm about what he's certain he did see, but he admits to having fears and doubts he's not going to mention because they aren't logical, they're fearful speculation about things that for the most part, probably are things he's always considered impossible.

So, yeah. Leaving Jonathan outside in the courtyard alone for a while, to really marinate in his fear and distress at realizing he's trapped alone, surrounded by wolves and who knows what else, and has no idea where to go to seek help... by doing so, Dracula not only has time to run around and take off his disguise, but he primes Jonathan to see his invitation inside as a welcome relief. At least it's better than being exposed to the threats outside. (Though interestingly, it seems it still took several invitations before Jonathan actually came all the way in.) It's setting Dracula himself up as a welcome savior. He brings Jonathan inside, out of the cold and dark to somewhere well-lit and warm. He feeds him, he's courteous and friendly, he shares Mr. Hawkins' praise with him. Jonathan gets to smoke a cigar and relax a bit. He gets to tell the whole story to an interested audience. * Of course he feels better than before. And it's thanks to Dracula. Dracula is the one who can protect him from all that scariness out there, who can make him feel comfortable again. It's a good way to build trust and influence quickly, by positioning himself as a friend/protector.

But Dracula can't restrain himself. He pushes too much, too soon, and Jonathan feels rightfully creeped out:

As the Count leaned over me and his hands touched me, I could not repress a shudder. It may have been that his breath was rank, but a horrible feeling of nausea came over me, which, do what I would, I could not conceal. The Count, evidently noticing it, drew back; and with a grim sort of smile, which showed more than he had yet done his protuberant teeth, sat himself down again on his own side of the fireplace. We were both silent for a while; and as I looked towards the window I saw the first dim streak of the coming dawn. There seemed a strange stillness over everything; but as I listened I heard as if from down below in the valley the howling of many wolves.

As soon as Dracula touches Jonathan, he feels repulsed. Part of this may be some kind of instinctive reaction to Dracula's supernatural nature. Maybe it's related to the memory of how incredibly strong his grip was earlier. Maybe it's simply because Dracula is being an overfamiliar creep - that would be plenty of reason on its own. (And I'm sure his terrible breath doesn't help matters.) But regardless, Dracula hasn't established enough trust between them here for Jonathan to welcome this touch. And he's not quite established a fearful enough power dynamic for Jonathan to force himself to accept the touch. Politeness is the only reason Jonathan doesn't move away, but his feelings are made obvious by his shudder.

Dracula pulls back, tries to play it off, but they still fall into a silence that is clearly a lot less comfortable than before. And the atmosphere around them reflects the sudden distance too: Jonathan notices dawn coming (presaging a physical separation as well, but also Dracula's power waning right after this blunder lessens his emotional power over Jonathan). Eerie elements creep back in: Dracula's frustrated smile shows his teeth more than all his deliberately charming ones have done before. Wolves are howling, which pleases Dracula and upsets Jonathan - the final exchange which they have before Dracula sends Jonathan off to bed, and one which seems to bring Jonathan right back to a much more distressed state of mind as he relives the night's experiences over again.

Dracula spoils his own fun a little bit here, because he puts Jonathan back on guard. And I think it's clear he's a little annoyed at himself for it. He finds Jonathan so interesting/enticing that he's having difficulty playing a long game. At least a part of him wants to jump right in to more intimate/threatening actions, and though he mostly restrains himself, the mask still slips and his victim notices. Which is lucky, as Jonathan needs that guard up to keep himself safe.

* I just realized that Jonathan does say that he "told [Dracula] by degrees all [he] had experienced" on his journey. I hope to god that doesn't include him mentioning the crucifix lady's gift with any kind of specificity, or else I fear very much for her life.

[blueteller]

Top 10 TCF Fanfics Formats

So, as far as I can tell, if you're looking up TCF fics on AO3, at least 90% of what you see will be one (or more) of these formats:

Reaction Fic ("In an Instant" fic alikes: all sorts of "divine intervention" and "watching the show" setups)

Where Cale is Not Cale (usually: KRS transmigrates as another character. Most commonly: Twin Cales AU.)

TCF Except Slightly AU (sometimes because of a ship, but generally a straight-up canon retelling with changed details)

Shipping "Ahoy!" (I don't read those, but I've seen Alberu/Cale & Choi Han/Cale tags a lot. I can roughly imagine.)

Angst Fest Under Magnifying Glass (mostly based on the colorful collection of Cale or OG Cale's traumas, but often exaggerates them to make them EXTRA depressing and basically AU)

Dimension Travel (kinda similar to reaction fic premise, except Cale and sometimes others literally appear in the TBOAH dimension)

Crossovers (usually ORV, mostly Cale ends up in a crossover and... is being Cale, but nothing status-quo breaking happens most of the time?)

Romance Game and/or High School AU (for some reason...? Usually Cale-centric, but not always)

Something Weird Happens To Cale (usually de-aging scenarios, curses & transformations)

Various one-shots (mostly Gen small what-if or canon compliant scenarios)

I'll be perfectly honest - I'm guilty of mostly writing that kind of stuff as well. I covered a lot of different fics within those categories, so it might seem unfair. But... TCF fandom can use a little bit more variety, don't you guys think?

[orphiclovers]

Something about the way SP goes from referring to YJH exclusively as 'Puppet of the Oldest Dream', then later as '3rd turn' and finally to the epilogue 【I pray that we don't have to run into each other again, Yoo Joonghyuk.】 <- Using his actual name for the first time, as a farewell, a sign of respect and also admiting defeat. That yes 'that is Yoo Joonghyuk', a whole person, not a puppet or a part of SP that ran away.

At the same time SP is again separating himself from his identity as YJH by easily using that name for someone else. Even though he stopped actively rejecting that name for himself when he went with OD and 999ths individuals, even said 'I am Yoo Joonghyuk.' It's tempting to assume, but I don't think this is him sliping into old habits, because now it feels less self-destructive.

Even while he was trying to 'not be Yoo Joonghyuk' and become 'Secretive Plotter' full-time, he never ever called anyone else by his own name. Not the kkomas, not 3rd. Because he not so secretly believed he was the superior, smartest and strongest Yoo Joonghyuk, the only one deserving of seeing the ending, the 'original'.

But now that he has found inner peace with OD and a happy ending for himself, it's like he can let go of that need to be 'the real Yoo Joonghyuk' and let 3!YJH have that dubious honor

[arsenicflame]

steddyhands modern au inspired by this post:

(1828 words, themes of kink but nothing explicit, established blackhands & gentlebeard-centric. Happy Pride!)

Stede picks up leatherworking in the wake of his divorce. He's not exactly sure how it ended up being such an important hobby for him, only that he had always admired the intricate designs on his horse's best bridles, and with little else to do with his time, he decides to give it a go.

It's rocky going at first, but he's having fun working with his hands for the first time in his life, and there's a sense of satisfaction in seeing the design come to life as he works. With practice, his skills improve, and he learns how to make things that are truly one of a kind.

He starts off posting his pieces online, as a way to reach fellow enthusiasts, but quickly finds himself with a rather large audience. Stede’s style is unique, and, after many requests from his followers, Lucius encourages him to make some more basic pieces he can sell. It's not about making money for Stede, but another way to meet new people who share his interests- as Lucius keeps telling him, it's sad that his personal assistant is the main person he talks to these days. 

So Stede sets out on a new adventure, and has quite the time designing a new range of patterns for the market. He makes purses, belts, bracelets, and, most importantly, dog collars- all still with his unique designs embossed into them, of course. He rents a booth at his towns monthly craft fair, and very quickly finds himself with a new group of friends in the other regulars- Pete, his usual neighbour, who sells an array of wooden figures he carves, Roach, who runs a stand for his bakery, and Frenchie, who isn't actually a stallholder, but is almost always busking near his friend Wee John’s stand of knitted goods, bringing life to the market even in the pouring rain. There's also Buttons, another regular at the market. Nobody is exactly sure what he does there- he doesn't sell things, or seem to buy anything either, but rain or shine, he's there with the birds.

Stede’s been doing this a few months by the time June rolls around. As he's setting up his stand, he notices that the area is much busier than it’d normally be at this time of morning. Lucius, who got roped into helping run Stede’s stall somewhere down the line (despite his protests that this is not what personal assistant means… But hey, he got a boyfriend out of it, at least), reminds him that there's the parade today, too- not realising that Stede had no clue there was a parade today, and especially not that it was pride. Stede immediately jumps to fretting about the amount of stock he’s brought, and Lucius takes the cue to escape, saying he’ll go and grab them coffee (but really, he's off to flirt with Pete)

Lucius is still missing when Ed stumbles across the little leather stall. Stede’s just ran back to his car to fetch his last boxes of inventory, and by the time he returns, Ed’s already begun to narrow down his choices. Stede greets him, starting to tell him that they're not actually open yet, but before he gets more than a couple of words out, Ed’s exclaiming “You're a Kiwi!!!”

The two of them smile at the shared recognition, and Stede says he’ll make an exception, just for Ed, and asks him what exactly he was interested in. Ed tells him that he's looking for a collar “for his boy”, and points out the particular design he was looking at. It happens to be one of Stede’s favourites from this latest run of work, a fact he mentions to Ed. It leads them into a discussion about Stede’s craft, and Ed’s Izzy, and then everything in between. Ed’s listening intently to the things Stede’s telling him, completely drawn in by the process, and by Stede himself. He watches as Stede stamps Izzy's name into the collar, and Stede even lets him have a go at one of the stamps. 

Lucius reappears sometime in the middle of this- only to immediately retreat again, seeing Stede engrossed with Ed. He sets up camp at Pete's booth opposite, watching this man flirt intensely with his boss- and Stede flirt back just as hard. Does Stede even realise he’s doing it? Lucius had known Stede was gay since before Stede even admitted it to himself, but this is on a whole other level.

The pair stand there so long that Izzy comes to look for Ed- the two of them are manning a float on the parade with their crew, and it's past time for them to get geared up. He's already worked up, frustrated to have been left to set up everything alone, when Ed had just gone to see if he could get them both coffee. So maybe he's a bit of a prick, approaching with a brash “where the fuck have you been, Edward”, to which Stede brings the same energy, giving a bitchy “Ed! Do you know this guy?” Izzy tenses, ready to snap, but then Ed cuts in, excitedly telling Stede that this is “his Izzy!” Which confuses the hell out of Stede. 

Forgetting his earlier attitude, he asks Ed if he “really named his dog after his friend”, only to be met with confusion right back from Ed at where the hell Stede got the idea he had a dog from. Stede gestures at the bag with the collar in it, to which Ed has to tell him, “oh, no, that's for him.” Ed tells Stede that they're here to run a float for their local leather society, and while Stede is certainly shocked by what Ed’s saying, he's not finding himself… uninterested. It's simply that he’s never even considered any of this before, especially not that people would use the things that he made for this, but Ed sounds so enthusiastic about it all. He tells him about how his friends would love to see Stede’s work, about how classic leather gear is always so fucking boring- but not Stede’s stuff, no, Stede’s stuff is “fresh” and “fascinating” and unlike anything Ed’s ever seen before. 

Ed's enthusiasm is incredibly infectious, so when he invites Stede to come back to see their float, he readily agrees. It’s a concept Izzy’s less than enthusiastic about. He doesn’t really want to bring this man who’s dressed like he just walked out of a HOA board meeting to their kinky little corner of the world, but he is having a lot of fun watching Stede squirm, so decides not to raise a protest. He does demand he gets his long-overdue coffee first, though (Stede pays for it- as “compensation for him distracting Ed from his job”, he says, not giving Izzy a second to process before he's tapping his card)

By the time they return to the float, Fang, Ivan & Jim are waiting for them, all already geared up. Stede is stunned silent at the sight for about 5 seconds, before he starts actually looking at the quality of Jim’s harness, and proceeds to go off about the poor quality of the craftsmanship, about how the hardware is tacky and completely the wrong choice with this leather, how his “ten year old daughter could do a better job!!!” 

There's complete silence from the group, until Izzy, of all people, bursts into laughter at Stede’s audacity (and, the fact he was staring at Jim's tits completely unabashedly, like he hadn't even noticed them in the first place). Izzy's laughter sets Ed off as he tells the group about Stede’s misunderstanding- “you didn't say he was a person!” “I mean, he's my dog”- and soon everyone's having a friendly giggle at Stede’s mistake.

It's somewhere in the middle of the retelling that Ed remembers that this whole thing happened because he was buying Izzy a gift. After a moments fumbling, he presents Izzy with the collar-  It's a rich, deep black, embossed with a rolling pattern that resembles waves. It’s made from a firm enough leather to take the tooling, and to remind Izzy that he’s owned while he’s wearing it, yet still soft enough for long term comfort. Izzy's eyes immediately lock on to it, an unreadable expression coming over his face, and Ed turns it; first so he can really see the design and Izzy’s name embossed into it, and then so he can see the small “Ed ♥” on the inside of the collar, right over his swallow tattoo. 

“I did the heart,” Ed says to him softly, intended only for Izzy’s ears. Izzy's eyes flick up to Ed’s, and he raises his chin to give Ed the room to put it on. Ed buckles the collar around his neck almost reverently, a test of the tightness turning into a caress of Izzy's neck. It's a perfect fit.

It's as though something comes over Izzy; so twitchy and abrasive earlier, now silent, staring at Ed with a look akin to worship in his eyes. He obediently tilts his head for a kiss as Ed's fingers move to his chin- It's a sight to behold, and one that has Stede intrigued. He wants to know more about this lifestyle, and these men in particular. He wants to be the one to put that expression on Izzy's face.

The moment breaks as Ed and Izzy pull apart, and Ed calls for the crew to finish the last bits of set up. Izzy shakes himself a little before running off to bark orders again, but even still, there remains a softness to him that wasn't there before. 

Ed turns back to Stede with an apologetic smile, already obvious that he has to get going. Before he can speak, however, Stede jumps in -“My business numbers on the card in the box… I'll be around all day”- Ed’s smile turns more genuine at that, promising to stop by if he gets a moment, and that he’ll send his friend's Stede’s way- “if he wants that kind of business.” Stede says that he does, actually- that he's seen a whole new world already today, and, while he was a little taken aback at first, he can feel the passion Ed and his friends have for this life. If there's one thing that's ever mattered to Stede, it's other people's enthusiasm. Maybe he doesn't completely understand yet, but he would like to try.

One year later, Stede’s back at the market on pride weekend again, far better stocked for the crowds this time around. Lucius is finally free to spend the day flirting with Fang & Pete to his heart's content, now that Stede’s roped his own boyfriends into helping him run the stall- and into modelling the merchandise. Ed loves that part, while Izzy needs a lot more convincing, but the puppy eyes Stede & Ed weaponise against him make a very good argument.

[sarcasticsra]

Clawing my face off at the meta of the last ep

Impulse and hyper vigilance hooking up so he’s aware of the danger but not too frozen by paranoia to act

Attention standing up against confusion to reprioritize what’s important and lock away unchecked ambition

Pleasure starting to realize that doing the right thing can feel good! But still being tempted by greed

Conscience finally having some power to direct the brain!

(Hopefully culminating in Elias’ realization that each function of the brain can be both rewarding and helpful when implemented in a healthy manner and destructive and isolating when implemented in an unhealthy manner…)

Everything about this season is incredible

[sneakyboymerlin]

My hot take is that if Merlin didn’t love Arthur, the Disir episode would have still gone exactly the same.

[ridell-crimea]

back to da oldest hobby in the world (arbitrarily deciding two characters i like are friends)

[britcision]

The funniest thing about realizing that Thistle would legally own his dungeon through squatter’s rights is that Mithrun wouldn’t

You gotta be on the property 7 years, Mithrun only made it to 5

Personally I choose to believe this is why the demon seems to have kept most of the dungeon lords for less than 7 years each, Thistle “Get In This Fucking Book And Shut Up” who lasted 1000 years is an outlier who shouldn’t be counted

[returntodreamland]

kirby except they just go fishing

[liesmyth]

could you help explain something? when alecto surfaces in nona and scolds pyrrha for "playing mother and father" and insists that she should have eaten them - "i would have respected you much more for it" - what did she mean? as in, she shouldn't have gotten caught up in the sixth's business, and instead abandoned them to boe and go to the half-flipped moon by herself? or am i missing something??

OH I LOVE THAT PART. I also have no clue! It's such a punchy passage, but I have no idea of what it could possibly mean. "Eating someone" in TLT is mostly associated with Lyctorhood, in the sense of consumption, but I doubt that's what Alecto is referring to, since she's talking specifically to Pyrrha.

Or, like you suggest, she could simply be using "eating" as a shorthand for 'take advantage of' — it fits with whatever little we get of Alecto's vocabulary and thought patterns — and saying that she should've just looked after herself and left, instead of dedicating herself to a lost cause.

I also have no clue if when she says "US" she means Nona + Cam and Pal, or she means herself (Alecto + Nona and all her disjointed memories) or she means Alecto and whatever soul fragment is inside her (personally, I believe that a bit of Gideon's soul is inside Harrow's body.) Or she could even be saying "US" to mean herself and Varun as Resurrection Beasts, though that's less likely.

I think you're probably right and she's just using a very carnal metaphor to say that Pyrrha should have left, but like... I'm not ruling out that there's a more literal explanation that will introduce a new worldbuilding / "magical system" related element in AtN, just because I never know what to expect from this series. I'm once again so fascinated by the glimpses that we get of Alecto's personality because she's such an enigma.

For context, this is the full passage

(It also comes right after Nona telling Pyrrha that she shouldn't make Nona remember who she is, because Pyrrha "wouldn't like" what happens)

[vickyvicarious]

On the summit of the East Cliff the new searchlight was ready for experiment, but had not yet been tried. The officers in charge of it got it into working order, and in the pauses of the inrushing mist swept with it the surface of the sea. Once or twice its service was most effective, as when a fishing-boat, with gunwale under water, rushed into the harbour, able, by the guidance of the sheltering light, to avoid the danger of dashing against the piers. As each boat achieved the safety of the port there was a shout of joy from the mass of people on shore, a shout which for a moment seemed to cleave the gale and was then swept away in its rush.

The searchlight is important as a plot device to allow us to 'see' how Dracula brings the ship to land even in the midst of the storm. But in-universe, this is another lovely moment of people being good to one another. They are all invested in saving whoever they can from the storm (Dracula), they cheer at each victory. Loud enough to "cleave the gale" (to halt him) for a moment each time, before their voices are overwhelmed again.

This is also another moment of modernity/technology against ancient magic/nature*. The searchlight is new, operating it is an experiment. And the use of this bright modern light is able to cut through the darkness Dracula has brought, to save people from the death he would have brought them. Of course, none of them are his targets and if they were this wouldn't have worked, but just as background characters saving other background characters helps support the theme of people helping one another, I think Dracula's focus on his own needs leading to plenty of deaths he might not even notice or care about is really consistent with his role in the story. He's the main villain, he's a monster who causes very direct and personal pain, yes. But he's also a vector. Suffering and death travels with him. Sometimes he causes it, almost casually (the mother he killed), sometimes he doesn't even particularly notice it (the people who die in this storm), sometimes it is a ripple effect from something he deliberately did (I shan't say right now). But even before his physical arrival in Whitby, the clouds gather overhead, the ominous tone builds - and now that he is here, things will go wrong. It's just what happens around him. But it can be stopped. At least some of it. At least some people can be saved, and that's reason enough to cheer... even if your voices are lost in the gale again shortly after.

(Speaking of: Dracula as the storm. The storm silencing people's voices. Themes~)

* Though the caveat here is always of course that Dracula himself is being innovative/modern too, in his own way. He's crossing running water, all by himself! In fact, it's possible the searchlight helps guide him in to shore better as well, and if so that plays into a whole nother thing about people trying their best and Dracula taking advantage to harm others. And then those who know feel guilty about their role as his unintentional/coerced aid...

[blueteller]

Thanks for answering! If I can ask more but what made og!Cale (and also KRS) not like their previous life? And is the novel not still complete?

Of course you can! I'll answer each topic in this order, as it will make the most sense:

the current state of the novel

why OG Cale did not like his previous life

why Kim Rok Soo did not like his previous life

how transmigration happened, and why it was good for both of them

First topic: is the novel complete?

At this moment, the novel is still in the works: more precisely, Part 2 is still in the works. Part 1 of "Trash of the Count's Family" (title from "Eat Apple Pies" English translation; the manhwa title translation is "Lout of the Count's Family" due to convoluted legality reasons) had been been completed in year 2022, with 776 chapters.

While I considered Part 1's ending a satisfying conclusion of the main story arc, it still left a lot of unanswered questions – and I do mean a LOT. It felt less like the end of a book, and more like an end of a season. So Part 2 is really the continuation of the same story.

Between Part 1 and 2, there were additional "extras" published, which were numbered as chapters 777-799. So that when the prologue for Part 2 came out, it was numbered 800, and everything from 801 up was Part 2. Yesterday on Munpia, where I read the novel in Korean (through an automatic translator of course, since I don't know any Korean. Let me tell you, it's a pain...) came out chapter 1006, which makes TCF Part 2 currently 206 chapters long.

The author originally predicted that Part 2 to be 300 chapters long. No one believed that, myself included: because the author is one of those writers who always end up writing much more than they intended, hahaha! I know that feeling well. I'm estimating Part 2 to be at least 500 chapters long by the end it's done, probably around 600.

...I know that the length of this novel might seem unreasonable, but it's really not being stretched for content or money purposes: it's truly Plot all the way through. It's all story. There really is just that much story to tell, and it would not be as satisfying if you cut any of it out.

I admire this writer a lot. TCF is so much fun. I freaking love this novel.

Second topic: why the Original Cale Henituse did not like his life?

We have to go back to the very beginning: the marriage of Count Deruth Henituse, and Jour Thames. (You might have seen the name "Drew" being used sometimes, but it's really just the matter of translation. I'm sticking with "Jour".)

Jour had a very complicated background, but I won't dive into all of that here – what matters is that Jour had a very special power. It was a Wood Ancient Power called "The Annual Rings of Life", and it allowed her to see the "annual rings" of all living things: past, present and future. Meaning she could see the fate of a person, including how many years they had to live.

And when she looked at her young son, Cale, with that power, she saw something very unusual. His "annual rings of life" were "warped". Meaning, he would experience an unusual fate in the future, and in result become a Variable: either a regressor, a transmigrator, or a reincarnator. Or, more than one at once. So she told Cale:

"You are someone who will have an unusual experience with time."

Basically, she saw OG Cale's future fate and realized that the world is going to be in Big Trouble, because gods only make Variables like that happen when something really big and really bad is going down.

Now, it's just my speculation – but on top of it, I think Jour could see her own "annual rings". Meaning, she knew she would die young, and that by the time Cale became a Variable, she would no longer be around. So, knowing all this, she decided she needed to help out as much as she could: she wrote down a journal for "the person who would possess her son's body" in the future.... and commited suicide.

Why? Because it allowed her to split the power in 2 pieces. But that is a much longer story, and we're here to talk about OG Cale.

But it all starts right here: with Jour committing suicide, although no one knew that was the case at the time. All they knew was that Jour went on a short trip to Harris Village for some reason, had a carriage accident on the way back, and then died soon after, despite her injuries not seeming very serious.

That unexpected death devastated both Deruth and Cale, who loved her very much. Deruth was emotionally broken and Cale reminded him much of his dead wife, because they both had red hair and looked very similar. I imagine he started avoiding Cale for that reason, although it wasn't at all mean-spirited: Deruth was simply depressed over his beloved wife. To cope with his broken heart (and possibly to give Cale a new mother figure), he soon chose to remarry rather quickly, to a woman named Violan, who already had a son named Basen. Basen was 3 years younger than Cale.

Basen's existence is the reason why Cale chose to become "trash". You see, while on the outside people thought that Cale was outraged at his father "replacing" his mother so soon, or that he resented Violan... that wasn't the case at all. Cale quickly grew to accept them both as family. However, unlike Jour (who was from a small noble family), Violan was descended from a merchant family. She and her son were not nobility. Because of this, Basen faced discrimination from their relatives, who did not approve of Deruth's second marriage.

Young Cale, seeing Basen insulted and belittled by other nobles, created a plan. He told Basen to lie to everyone that he was Deruth's biological son, and that he was a Henituse by blood. Then he began acting like a completely spoiled brat. He complained, he yelled, he threw things. At the age of 15, he started drinking. He did everything in his power to completely ruin his reputation.

Why? All for Basen, Violan, and later Lily. Because he wanted them to be accepted by noble society. If he, Deruth's firstborn, was removed from succession, that would make Basen the next Count. And then no one would be able to disrespect them.

While it might seem like a crazy plan (and let's be fair: he came up with it as a child), it was actually surprisingly effective. No one saw through his act: not even his butler Ron, who was a trained assassin by trade. Cale's acting abilities were flawless. He played the drunk, spoiled noble with a trash reputation perfectly. Basen was quickly accepted as the heir by the public; although nothing in the family had been formally decided. While this was going on, Deruth did not know why his son was acting like this, but he never really lost faith in him; he probably thought it was all about Jour's death, and Cale would mature in time. It was also said that despite everything, Cale still acted respectfully towards his father, and was distant but still respectful towards his step family. Their family were thus strained, but not broken.

When Kim Rok Soo transmigrated, he was under the impression that OG Cale was deliberately shunned by the rest of the family. But that distance was purely artificial, but OG Cale's own design. When KRS!Cale "stopped" acting distant towards the rest of the family, the Henituses happily embraced the change. They likely thought that he finally allowed himself to heal from Jour's death and move on. That's why no one questioned him about the "change of personality", even though they all noticed it immediately.

Now, we have to talk about the TBOAH ("The Birth of a Hero") timeline. What happened before OG Cale regressed, and transmigrated into KRS's body.

In the TBOAH timeline, when OG Cale was 18, he met Choi Han on a rainy day. OG Cale was "drunk" (actually just pretending to be, as his alcohol torelance was secretly super strong), and Choi Han mentioned being from Harris Village, which had just been all massacred by assassins.

Now OG Cale, full in his "drunk trash noble" personna, probably had his own reasons for provoking Choi Han. He likely thought that getting into a fight would prevent him from getting sent to the Capital for an important celebration, and letting Basen shine. But he also honestly hated Harris Village, which was the place where his mother died. So he insulted the dead villagers to Choi Han's face. Choi Han took it personally and beat him up quite a bit for it. That incident was what inspired KRS!Cale to change the events from the TBOAH timeline, despite his lack of desire to get involved with the "plot of the story".

What exactly happened between this point and OG Cale's transmigration 22 years later is mostly speculation, but we do know some things from the TBOAH timeline thanks to KRS!Cale.

Firstly, soon afterwards Basen went to the Capital, and it was attacked with bombs. Basen either got lucky, got injured, or died in the incident. Whichever actually happened then, Basen certainly could not remain alive for long; 2 years later, the Henituse territory was attacked by the Indomitable Alliance, as their first act of war. We know that the territory was unprepared, and suffered countless casualties. Among them, the entire Henituse family died, except for OG Cale.

So we have a clear order of events for OG Cale in the TBOAH timeline: his happy early childhood, his mother's death at 8, soon followed by his father's second marriage and the appearance of his step family, OG Cale sacrificing his heir position for Basen's sake, a terrible adolescence focused entirely on ruining his own reputation and acoholism (the latter which followed him into adulthood, and no wonder), and finally losing his home and his entire family at the age of 20.

Not to mention, the 20 years of war which followed afterwards. The TBOAH timeline sucked for absolutely everyone.

When soldier Cale was 40, during the "final battle" of all the allied forces against their enemy, he got trapped under his allies' corpses. As he laid there, he witnessed Choi Han facing the White Star, the mysterious enemy leader. OG Cale saw as White Star suddenly grabbed Choi Han and declared:

"Time is warped oddly for you."

The words made him recall what Jour told him years ago. In that moment, OG Cale realized: the White Star had his mother's power. Then the White Star shoot a stream of fire at OG Cale, intending to casually finish him off.

...but OG Cale did not die, because at that exact moment, the God of Death offered him a deal.

What kind of deal? And why? Let's get back to that in a bit.

Third topic: why Kim Rok Soo did not like his life?

First of all: from the very beginning, KRS was screwed. Why? Because he was born with a curse.

What curse? And why? I'll get back to that bit later, too. But what matters is: it was a curse of bad luck, which made KRS loose every single person he cared about sooner or later.

KRS started off not too differently from OG Cale – he wasn't a noble, but he had two loving parents. However, a tragedy struck early on, and both died in a car accident. As a young boy, KRS got adopted by a distant relative named Kim Seung Jong, his uncle.

KRS's uncle, who turned out to be a gambling addict and an alcoholic. He took KRS in only to use what little money his parents left for him, starving and abusing him. Eventually, KRS ran away.

What happened to him shortly afterwards is a bit unclear. It's possible he lived on the streets for a bit. But eventually, he had to have landed in an orphanage, because he went to high school like a normal teenager with an ordinary life.

...Except that one incident with some evil dimension travellers noticing his curse, mistaking it for something else, and trying to kill KRS. And also someone else using him as live bait. But hey, KRS got his memory erased afterwards, so it's not like the trauma of those events affected him or anything, right?? :')

Soooo anyway, all was going well for KRS. At the age of 20, he got into a university and had a part time job as a waiter. All was good!

...Except then the Monster Invasion started. That's right! You read it right! You thought KRS was from a normal modern Korea?? SIKE, he was from a post-apocalyptic world all along!! KRS spent 3 days under building debris, drinking rain water and slowly starving, until he was rescued by a young hero named Lee Soo Hyuk. LSH lead KRS into a nearby Shelter – a place with supernatural properties which were immune to monster attacks – and left. All was good!! ...Except then the leader of the Shelter turned out to be a huge jerk and started bossing KRS around and beat him up on occassion. Luckily, the Shelters failed 10 months later and everybody at the Shelter died, including that jerk!! ....Wait.

So KRS survived not just one, but 2 incidents where everybody around him died. But that's ok, because he joined the organization lead by LSH and another cool dude named Choi Jung Soo. Sure, they risked their lives every day by fighting monsters and rescuing people and fighting organized crime on the side – but hey, at least KRS had friends now, for the first time in his life! So that's good, right?

....Except, several years later – around time when KRS was 26 – a super powerful monster called an Unranked Monster killed everyone in KRS's team. But it was fine! Totally fine! He just survived everybody dying around him for the 3rd time in his life, and everybody kept talking about him behind his back how he's an unfeeling bastard because he's unable to cry anymore... but who cares! KRS became Team Leader now, and he was determined to have zero casualties from now on.

That's right! ZERO. CASUALTIES. Because he's the most stubborn person alive, and also insane. So of course, he managed to actually pull it off.

So KRS spent the next 10 years being an absolute bada**, taking down mob bosses, fighting monsters and keeping all his team members alive, but also keeping distant from everybody and not having any friends because hey – if you notice a suspicious pattern of all your friends either vanishing or dying since you were a kid, you'd probably stop trying to make friends too.

36-year-old KRS was totally fine, and emotionally stable, and absolutely-not-at-all traumatized by all the deaths he's witnessed so many times. Just like OG Cale was probably-not-at-all traumatized by how his entire family died, or the next 20 years of war witnessing people brutally dying everywhere and an evil overlord taking over the world. They were both totally fine, I assure you!!

...Anyway, what was that 4th topic again??

Fourth topic: how and why the transmigration happened, and why was it good for both of them?

Right, let's start with OG Cale's deal.

The God of Death is able to make deals with people in life threatening situations. When the White Star attacked OG Cale, it allowed the God of Death to offer him to regress back in time and then switch places with one Kim Rok Soo. But why OG Cale? Obviously KRS had the qualifications to avert the events of the TBOAH timeline and the End of the World, being an experienced leader of an apocalyptic world – but what made OG Cale so special?

Well, there could be several reasons. One of which was how despite all their differences, their lives were similar in many ways. Both OG Cale and KRS lost family when they were young, experienced rejection from society, and had military experience. Not to mention the acting skills. OG Cale was able to successfully take over KRS's job, and that was no easy feat. KRS's team noticed the change of course, but they were much more happy about their totally-not-depressed-and-potentially-suicidal Team Leader was finally starting to open up, than the fact that he apparently went "crazy" one day and decided he suddenly liked alcohol now.

Another reason, perhaps, was how OG Cale's mom had the Annual Rings of Life power. It was quite important for defeating the White Star, and the way Jour set it up, only her son – or at least, the person in her son's body – would be able to find the Ancient Power; specifically the part which was able to see fate, aka. the future. The White Star got his hands on the "weaker" half of the Annual Rings, so he was only able to see the past: which saved OG Cale, as during the confrontation where the White Star tried to kill him, he wasn't able to recognize him as a future regressor & transmigrator.

...There's also Jour's Thames heritage, but that's a a whooole other topic. (Also the possible connection between Cale Barrow's last body and the Thames, but that's just a theory right now so it doesn't really matter.)

So, that covers the part of "why OG Cale". What about KRS? He couldn't be the only person capable of defeating a final boss like the White Star, right?

Well, remember how I mentioned that KRS was cursed since birth? Well, turns out that it was all the White Star's fault! Apparently KRS was meant to be born in the fantasy TCF world. Except the White Star was a reincarnator, who reincarnated using an ancient curse. To be reborn, the White Star stole bodies from other people, like KRS. Those unfortunate souls would then pass on and reincarnate in a different dimension, except bearing a part of the very same curse. The curse which makes sure that "you can never cherish anyone ever again". While the curse was weaker in the victims of the White Star than the guy himself, it still affected people like KRS. Because the God of Death was the one who originally created the curse, he felt really guilty about it. He tried to remove it from KRS, but was unable to.

...until the transmigration, that is! So, part of the reason why KRS was chosen for the transmigration (or rather, to be the "victim" of OG Cale's own transmigration) was that it allowed the God of Death remove the curse from him. Which allowed him to FINALLY make friends and be happy.

OG Cale, in return for this deal, got: a time regression which saves his family and the entire world, the truth behind his mother's death, a new environment to live in unrelated to his traumas where he could heal, and most importantly, a young reincarnation of his birth mother, whom he got to adopt as an uncle.

KRS, on the other hand, got: a blood family that cares about him, a free luxurious lifestyle with lack of responsibilities, new environment to live in unrelated to his traumas where he could heal, a detailed guide about closest future tragedies to prevent, and most importantly, a life free of the curse he unknowingly suffered from his entire life and the ability to keep all his new family and friends close to him.

....Phew. I hope you don't mind my explanation being so long.

To sum it all up:

the novel has two parts, Part 1 is finished, Part 2 is in progress

OG Cale lived in a lie and then through a war and got to start over

KRS lived through constant suffering and trauma and got to start over

their positions in life made it perfect for a transmigration switch with no loose ends

I hope this explanation helped!