#this counts as meta right?

[lyricailove]

Ian is the type to trip over his own foot and flail like a baby giraffe.

Mickey is the type to slip on an ice cube and go, "SHIT!"

[longelk]

happy world otter day had to make tribute

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[screamlet]

out of nowhere 911 structure rambling because it's monday and i don't want to work

i binged 911 in a couple of weeks in june and what i miss more than anything, ANYTHING, is how much better they used to be at writing ensembles. idk what changed, like maybe people got lazy trying to find reasons to join different storylines together (at least bring people from different storylines together), or maybe they're rotating availability because some people have side projects and storylines need to be more siloed- whatever. i miss when the show felt like it all took place in the same fucking city, lol, and people interacted like they knew each other and what they were going through. like when they were all first responders and found family and sometimes literal family and their lives intersected with each other at multiple points??

and i miss the side characters!! there used to be people at dispatch who SPOKE sometimes, and RAVI, and MAY and HARRY, characters who regularly fleshed out each part of the show's universe and contributed to the story/vibe/dynamic. ugh

my main fandoms have always been ones with big casts of characters (hockey, star trek, bts, tolkien, jesus it's like exclusively ensemble town in my brain) because other people with their own pov's and histories and what they bring to the dynamic - they're interesting!!!! and episodes lately (especially this season) feel like a bunch of 4-5 minute clips glued together into an "episode" like they're made to share as an ig reel or tiktok but not part of an actual coherent story

anyway. anyway. i don't think the writing and narrative will get their shit together anytime soon. 🤷‍♂️ and every episode will keep feeling like i'm standing at a buffet as they bring out different things and i'll make myself a plate of the things that interest me, which isn't bad but it's not what got me into this restaurant in the first place

[vickyvicarious]

It's kind of striking how Jonathan already is expressing doubts and fears, he isn’t ignorant of what situation he might be in, but when the Count gives him food and a bed, he dismisses these fears as his mind playing tricks.

The warm hearth, the meal, all this transferred him from the darkness and the snarling, howling wolves outside, to the light and the safety of Castle.

So Jonathan stepping from the outside, is trembling, shocked, but now this powerful old man is giving him a warm fire, security, and food. He's now putty in his hands.

In retrospect then, Dracula manipulates Jonathan from the beginning, putting him in grave danger, and leaving him alone in the cold and surrounded by wolves. Later, he plays the kind host, providing Jonathan with food and shelter. Jonathan is now like a grateful puppy, completely dependent on Dracula for his basic needs, but he is unable to recognize this due to the carefully orchestrated emotional roller coaster Dracula has just put him through.

From the start, Dracula is doing textbook abusive, gaslighting codependent tricks to manipulate Jonathan, one could say...

I feel like as readers, it can be easy to dismiss just how easy it would be for characters to dismiss their fears and doubts once somewhere warm and well lit. Unless someone is truly already a believer in the supernatural, anyone would probably try to talk themself down, just because... well, the idea seems kind of silly, doesn't it? Sure, there were scary stuff happening, but - really, my host is impersonating his own coach driver? Why? Spontaneous fires in the woods that can be seen through a solid human form? Wolves that are driven off by a commanding gesture alone? What kind of ghost story is this? Jonathan sticks to his guns fairly well, being firm about what he's certain he did see, but he admits to having fears and doubts he's not going to mention because they aren't logical, they're fearful speculation about things that for the most part, probably are things he's always considered impossible.

So, yeah. Leaving Jonathan outside in the courtyard alone for a while, to really marinate in his fear and distress at realizing he's trapped alone, surrounded by wolves and who knows what else, and has no idea where to go to seek help... by doing so, Dracula not only has time to run around and take off his disguise, but he primes Jonathan to see his invitation inside as a welcome relief. At least it's better than being exposed to the threats outside. (Though interestingly, it seems it still took several invitations before Jonathan actually came all the way in.) It's setting Dracula himself up as a welcome savior. He brings Jonathan inside, out of the cold and dark to somewhere well-lit and warm. He feeds him, he's courteous and friendly, he shares Mr. Hawkins' praise with him. Jonathan gets to smoke a cigar and relax a bit. He gets to tell the whole story to an interested audience. * Of course he feels better than before. And it's thanks to Dracula. Dracula is the one who can protect him from all that scariness out there, who can make him feel comfortable again. It's a good way to build trust and influence quickly, by positioning himself as a friend/protector.

But Dracula can't restrain himself. He pushes too much, too soon, and Jonathan feels rightfully creeped out:

As the Count leaned over me and his hands touched me, I could not repress a shudder. It may have been that his breath was rank, but a horrible feeling of nausea came over me, which, do what I would, I could not conceal. The Count, evidently noticing it, drew back; and with a grim sort of smile, which showed more than he had yet done his protuberant teeth, sat himself down again on his own side of the fireplace. We were both silent for a while; and as I looked towards the window I saw the first dim streak of the coming dawn. There seemed a strange stillness over everything; but as I listened I heard as if from down below in the valley the howling of many wolves.

As soon as Dracula touches Jonathan, he feels repulsed. Part of this may be some kind of instinctive reaction to Dracula's supernatural nature. Maybe it's related to the memory of how incredibly strong his grip was earlier. Maybe it's simply because Dracula is being an overfamiliar creep - that would be plenty of reason on its own. (And I'm sure his terrible breath doesn't help matters.) But regardless, Dracula hasn't established enough trust between them here for Jonathan to welcome this touch. And he's not quite established a fearful enough power dynamic for Jonathan to force himself to accept the touch. Politeness is the only reason Jonathan doesn't move away, but his feelings are made obvious by his shudder.

Dracula pulls back, tries to play it off, but they still fall into a silence that is clearly a lot less comfortable than before. And the atmosphere around them reflects the sudden distance too: Jonathan notices dawn coming (presaging a physical separation as well, but also Dracula's power waning right after this blunder lessens his emotional power over Jonathan). Eerie elements creep back in: Dracula's frustrated smile shows his teeth more than all his deliberately charming ones have done before. Wolves are howling, which pleases Dracula and upsets Jonathan - the final exchange which they have before Dracula sends Jonathan off to bed, and one which seems to bring Jonathan right back to a much more distressed state of mind as he relives the night's experiences over again.

Dracula spoils his own fun a little bit here, because he puts Jonathan back on guard. And I think it's clear he's a little annoyed at himself for it. He finds Jonathan so interesting/enticing that he's having difficulty playing a long game. At least a part of him wants to jump right in to more intimate/threatening actions, and though he mostly restrains himself, the mask still slips and his victim notices. Which is lucky, as Jonathan needs that guard up to keep himself safe.

* I just realized that Jonathan does say that he "told [Dracula] by degrees all [he] had experienced" on his journey. I hope to god that doesn't include him mentioning the crucifix lady's gift with any kind of specificity, or else I fear very much for her life.

[miaoqing]

i have been trying to figure out why i'm allergic to the idea of shipping shen yuan with anyone other than binghe but i think this post edited by @aphel1on explains it perfectly:

like. who else is going to lovingly feed binghe antipsychotics and who else is going to be shen yuan's housewife from hell ??? also you saw what happened when they were Pining . Bonded Pair Do Not Separate

[orphiclovers]

Something about the way SP goes from referring to YJH exclusively as 'Puppet of the Oldest Dream', then later as '3rd turn' and finally to the epilogue 【I pray that we don't have to run into each other again, Yoo Joonghyuk.】 <- Using his actual name for the first time, as a farewell, a sign of respect and also admiting defeat. That yes 'that is Yoo Joonghyuk', a whole person, not a puppet or a part of SP that ran away.

At the same time SP is again separating himself from his identity as YJH by easily using that name for someone else. Even though he stopped actively rejecting that name for himself when he went with OD and 999ths individuals, even said 'I am Yoo Joonghyuk.' It's tempting to assume, but I don't think this is him sliping into old habits, because now it feels less self-destructive.

Even while he was trying to 'not be Yoo Joonghyuk' and become 'Secretive Plotter' full-time, he never ever called anyone else by his own name. Not the kkomas, not 3rd. Because he not so secretly believed he was the superior, smartest and strongest Yoo Joonghyuk, the only one deserving of seeing the ending, the 'original'.

But now that he has found inner peace with OD and a happy ending for himself, it's like he can let go of that need to be 'the real Yoo Joonghyuk' and let 3!YJH have that dubious honor

[blueteller]

Top 10 TCF Fanfics Formats

So, as far as I can tell, if you're looking up TCF fics on AO3, at least 90% of what you see will be one (or more) of these formats:

Reaction Fic ("In an Instant" fic alikes: all sorts of "divine intervention" and "watching the show" setups)

Where Cale is Not Cale (usually: KRS transmigrates as another character. Most commonly: Twin Cales AU.)

TCF Except Slightly AU (sometimes because of a ship, but generally a straight-up canon retelling with changed details)

Shipping "Ahoy!" (I don't read those, but I've seen Alberu/Cale & Choi Han/Cale tags a lot. I can roughly imagine.)

Angst Fest Under Magnifying Glass (mostly based on the colorful collection of Cale or OG Cale's traumas, but often exaggerates them to make them EXTRA depressing and basically AU)

Dimension Travel (kinda similar to reaction fic premise, except Cale and sometimes others literally appear in the TBOAH dimension)

Crossovers (usually ORV, mostly Cale ends up in a crossover and... is being Cale, but nothing status-quo breaking happens most of the time?)

Romance Game and/or High School AU (for some reason...? Usually Cale-centric, but not always)

Something Weird Happens To Cale (usually de-aging scenarios, curses & transformations)

Various one-shots (mostly Gen small what-if or canon compliant scenarios)

I'll be perfectly honest - I'm guilty of mostly writing that kind of stuff as well. I covered a lot of different fics within those categories, so it might seem unfair. But... TCF fandom can use a little bit more variety, don't you guys think?

[arsenicflame]

steddyhands modern au inspired by this post:

(1828 words, themes of kink but nothing explicit, established blackhands & gentlebeard-centric. Happy Pride!)

Stede picks up leatherworking in the wake of his divorce. He's not exactly sure how it ended up being such an important hobby for him, only that he had always admired the intricate designs on his horse's best bridles, and with little else to do with his time, he decides to give it a go.

It's rocky going at first, but he's having fun working with his hands for the first time in his life, and there's a sense of satisfaction in seeing the design come to life as he works. With practice, his skills improve, and he learns how to make things that are truly one of a kind.

He starts off posting his pieces online, as a way to reach fellow enthusiasts, but quickly finds himself with a rather large audience. Stede’s style is unique, and, after many requests from his followers, Lucius encourages him to make some more basic pieces he can sell. It's not about making money for Stede, but another way to meet new people who share his interests- as Lucius keeps telling him, it's sad that his personal assistant is the main person he talks to these days. 

So Stede sets out on a new adventure, and has quite the time designing a new range of patterns for the market. He makes purses, belts, bracelets, and, most importantly, dog collars- all still with his unique designs embossed into them, of course. He rents a booth at his towns monthly craft fair, and very quickly finds himself with a new group of friends in the other regulars- Pete, his usual neighbour, who sells an array of wooden figures he carves, Roach, who runs a stand for his bakery, and Frenchie, who isn't actually a stallholder, but is almost always busking near his friend Wee John’s stand of knitted goods, bringing life to the market even in the pouring rain. There's also Buttons, another regular at the market. Nobody is exactly sure what he does there- he doesn't sell things, or seem to buy anything either, but rain or shine, he's there with the birds.

Stede’s been doing this a few months by the time June rolls around. As he's setting up his stand, he notices that the area is much busier than it’d normally be at this time of morning. Lucius, who got roped into helping run Stede’s stall somewhere down the line (despite his protests that this is not what personal assistant means… But hey, he got a boyfriend out of it, at least), reminds him that there's the parade today, too- not realising that Stede had no clue there was a parade today, and especially not that it was pride. Stede immediately jumps to fretting about the amount of stock he’s brought, and Lucius takes the cue to escape, saying he’ll go and grab them coffee (but really, he's off to flirt with Pete)

Lucius is still missing when Ed stumbles across the little leather stall. Stede’s just ran back to his car to fetch his last boxes of inventory, and by the time he returns, Ed’s already begun to narrow down his choices. Stede greets him, starting to tell him that they're not actually open yet, but before he gets more than a couple of words out, Ed’s exclaiming “You're a Kiwi!!!”

The two of them smile at the shared recognition, and Stede says he’ll make an exception, just for Ed, and asks him what exactly he was interested in. Ed tells him that he's looking for a collar “for his boy”, and points out the particular design he was looking at. It happens to be one of Stede’s favourites from this latest run of work, a fact he mentions to Ed. It leads them into a discussion about Stede’s craft, and Ed’s Izzy, and then everything in between. Ed’s listening intently to the things Stede’s telling him, completely drawn in by the process, and by Stede himself. He watches as Stede stamps Izzy's name into the collar, and Stede even lets him have a go at one of the stamps. 

Lucius reappears sometime in the middle of this- only to immediately retreat again, seeing Stede engrossed with Ed. He sets up camp at Pete's booth opposite, watching this man flirt intensely with his boss- and Stede flirt back just as hard. Does Stede even realise he’s doing it? Lucius had known Stede was gay since before Stede even admitted it to himself, but this is on a whole other level.

The pair stand there so long that Izzy comes to look for Ed- the two of them are manning a float on the parade with their crew, and it's past time for them to get geared up. He's already worked up, frustrated to have been left to set up everything alone, when Ed had just gone to see if he could get them both coffee. So maybe he's a bit of a prick, approaching with a brash “where the fuck have you been, Edward”, to which Stede brings the same energy, giving a bitchy “Ed! Do you know this guy?” Izzy tenses, ready to snap, but then Ed cuts in, excitedly telling Stede that this is “his Izzy!” Which confuses the hell out of Stede. 

Forgetting his earlier attitude, he asks Ed if he “really named his dog after his friend”, only to be met with confusion right back from Ed at where the hell Stede got the idea he had a dog from. Stede gestures at the bag with the collar in it, to which Ed has to tell him, “oh, no, that's for him.” Ed tells Stede that they're here to run a float for their local leather society, and while Stede is certainly shocked by what Ed’s saying, he's not finding himself… uninterested. It's simply that he’s never even considered any of this before, especially not that people would use the things that he made for this, but Ed sounds so enthusiastic about it all. He tells him about how his friends would love to see Stede’s work, about how classic leather gear is always so fucking boring- but not Stede’s stuff, no, Stede’s stuff is “fresh” and “fascinating” and unlike anything Ed’s ever seen before. 

Ed's enthusiasm is incredibly infectious, so when he invites Stede to come back to see their float, he readily agrees. It’s a concept Izzy’s less than enthusiastic about. He doesn’t really want to bring this man who’s dressed like he just walked out of a HOA board meeting to their kinky little corner of the world, but he is having a lot of fun watching Stede squirm, so decides not to raise a protest. He does demand he gets his long-overdue coffee first, though (Stede pays for it- as “compensation for him distracting Ed from his job”, he says, not giving Izzy a second to process before he's tapping his card)

By the time they return to the float, Fang, Ivan & Jim are waiting for them, all already geared up. Stede is stunned silent at the sight for about 5 seconds, before he starts actually looking at the quality of Jim’s harness, and proceeds to go off about the poor quality of the craftsmanship, about how the hardware is tacky and completely the wrong choice with this leather, how his “ten year old daughter could do a better job!!!” 

There's complete silence from the group, until Izzy, of all people, bursts into laughter at Stede’s audacity (and, the fact he was staring at Jim's tits completely unabashedly, like he hadn't even noticed them in the first place). Izzy's laughter sets Ed off as he tells the group about Stede’s misunderstanding- “you didn't say he was a person!” “I mean, he's my dog”- and soon everyone's having a friendly giggle at Stede’s mistake.

It's somewhere in the middle of the retelling that Ed remembers that this whole thing happened because he was buying Izzy a gift. After a moments fumbling, he presents Izzy with the collar-  It's a rich, deep black, embossed with a rolling pattern that resembles waves. It’s made from a firm enough leather to take the tooling, and to remind Izzy that he’s owned while he’s wearing it, yet still soft enough for long term comfort. Izzy's eyes immediately lock on to it, an unreadable expression coming over his face, and Ed turns it; first so he can really see the design and Izzy’s name embossed into it, and then so he can see the small “Ed ♥” on the inside of the collar, right over his swallow tattoo. 

“I did the heart,” Ed says to him softly, intended only for Izzy’s ears. Izzy's eyes flick up to Ed’s, and he raises his chin to give Ed the room to put it on. Ed buckles the collar around his neck almost reverently, a test of the tightness turning into a caress of Izzy's neck. It's a perfect fit.

It's as though something comes over Izzy; so twitchy and abrasive earlier, now silent, staring at Ed with a look akin to worship in his eyes. He obediently tilts his head for a kiss as Ed's fingers move to his chin- It's a sight to behold, and one that has Stede intrigued. He wants to know more about this lifestyle, and these men in particular. He wants to be the one to put that expression on Izzy's face.

The moment breaks as Ed and Izzy pull apart, and Ed calls for the crew to finish the last bits of set up. Izzy shakes himself a little before running off to bark orders again, but even still, there remains a softness to him that wasn't there before. 

Ed turns back to Stede with an apologetic smile, already obvious that he has to get going. Before he can speak, however, Stede jumps in -“My business numbers on the card in the box… I'll be around all day”- Ed’s smile turns more genuine at that, promising to stop by if he gets a moment, and that he’ll send his friend's Stede’s way- “if he wants that kind of business.” Stede says that he does, actually- that he's seen a whole new world already today, and, while he was a little taken aback at first, he can feel the passion Ed and his friends have for this life. If there's one thing that's ever mattered to Stede, it's other people's enthusiasm. Maybe he doesn't completely understand yet, but he would like to try.

One year later, Stede’s back at the market on pride weekend again, far better stocked for the crowds this time around. Lucius is finally free to spend the day flirting with Fang & Pete to his heart's content, now that Stede’s roped his own boyfriends into helping him run the stall- and into modelling the merchandise. Ed loves that part, while Izzy needs a lot more convincing, but the puppy eyes Stede & Ed weaponise against him make a very good argument.

[sarcasticsra]

Clawing my face off at the meta of the last ep

Impulse and hyper vigilance hooking up so he’s aware of the danger but not too frozen by paranoia to act

Attention standing up against confusion to reprioritize what’s important and lock away unchecked ambition

Pleasure starting to realize that doing the right thing can feel good! But still being tempted by greed

Conscience finally having some power to direct the brain!

(Hopefully culminating in Elias’ realization that each function of the brain can be both rewarding and helpful when implemented in a healthy manner and destructive and isolating when implemented in an unhealthy manner…)

Everything about this season is incredible

[ridell-crimea]

back to da oldest hobby in the world (arbitrarily deciding two characters i like are friends)

[bitimdrake]

I have solved jason todd discourse. The problem is that red hood/jason todd enjoyers are actually three completely different groups masquerading as one:

Fluff Jason Fans, who want him to be a pure hero, fully integrated into a loving and happy family. Desperate for his bloody reign of terror to be NBD and also not his fault. Huge fans of "good big brother Jason". Dislike when he is in any way bad.

Righteous Jason Crusaders, who want him to be a murderous antihero, estranged from his non-killing family but validated by the narrative. Desperate for him to show strong and consistent principles. Huge fans of "the people of Gotham actually love and respect Red Hood". Dislike when he is in any way wrong.

Tragedy Jason Lovers, who want him to be a traumatized kid come back wrong, haunting his family as he claws for satisfaction. Desperate for conflict that isn’t easily solved. Huge fans of when every character is being morally challenged and also miserable. Dislike when he is ever a clear-cut hero.

Therefore I propose henceforth Jason Todd comics, fic, analysis, and other discussion be clearly labelled with the appropriate category. This will solve all problems forever I think.

[returntodreamland]

kirby except they just go fishing

[britcision]

The funniest thing about realizing that Thistle would legally own his dungeon through squatter’s rights is that Mithrun wouldn’t

You gotta be on the property 7 years, Mithrun only made it to 5

Personally I choose to believe this is why the demon seems to have kept most of the dungeon lords for less than 7 years each, Thistle “Get In This Fucking Book And Shut Up” who lasted 1000 years is an outlier who shouldn’t be counted

[vickyvicarious]

On the summit of the East Cliff the new searchlight was ready for experiment, but had not yet been tried. The officers in charge of it got it into working order, and in the pauses of the inrushing mist swept with it the surface of the sea. Once or twice its service was most effective, as when a fishing-boat, with gunwale under water, rushed into the harbour, able, by the guidance of the sheltering light, to avoid the danger of dashing against the piers. As each boat achieved the safety of the port there was a shout of joy from the mass of people on shore, a shout which for a moment seemed to cleave the gale and was then swept away in its rush.

The searchlight is important as a plot device to allow us to 'see' how Dracula brings the ship to land even in the midst of the storm. But in-universe, this is another lovely moment of people being good to one another. They are all invested in saving whoever they can from the storm (Dracula), they cheer at each victory. Loud enough to "cleave the gale" (to halt him) for a moment each time, before their voices are overwhelmed again.

This is also another moment of modernity/technology against ancient magic/nature*. The searchlight is new, operating it is an experiment. And the use of this bright modern light is able to cut through the darkness Dracula has brought, to save people from the death he would have brought them. Of course, none of them are his targets and if they were this wouldn't have worked, but just as background characters saving other background characters helps support the theme of people helping one another, I think Dracula's focus on his own needs leading to plenty of deaths he might not even notice or care about is really consistent with his role in the story. He's the main villain, he's a monster who causes very direct and personal pain, yes. But he's also a vector. Suffering and death travels with him. Sometimes he causes it, almost casually (the mother he killed), sometimes he doesn't even particularly notice it (the people who die in this storm), sometimes it is a ripple effect from something he deliberately did (I shan't say right now). But even before his physical arrival in Whitby, the clouds gather overhead, the ominous tone builds - and now that he is here, things will go wrong. It's just what happens around him. But it can be stopped. At least some of it. At least some people can be saved, and that's reason enough to cheer... even if your voices are lost in the gale again shortly after.

(Speaking of: Dracula as the storm. The storm silencing people's voices. Themes~)

* Though the caveat here is always of course that Dracula himself is being innovative/modern too, in his own way. He's crossing running water, all by himself! In fact, it's possible the searchlight helps guide him in to shore better as well, and if so that plays into a whole nother thing about people trying their best and Dracula taking advantage to harm others. And then those who know feel guilty about their role as his unintentional/coerced aid...

[sneakyboymerlin]

My hot take is that if Merlin didn’t love Arthur, the Disir episode would have still gone exactly the same.