#this book literally saved my life

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[gothsuguru]

this man has no fucking right to be THIS beautiful… jinshi my LOVE.

[bookwyrm35]

You know what line is spoken so casually but breaks my heart every. single. freaking. time?

Lucy: She's in pain...

Lockwood: Of course she is, she's dead.

Lockwood believes that any afterlife ghosts (and possibly all people) experience is agony. From this simple line, we see into his mind and find that he thinks his parents, his sister, any agents or friend or anyone else he's lost- he thinks they're suffering.

...as someone who's lost a close relative recently, I can't imagine how hard it would be to grieve properly and healthily if I believed that they were hurting. My grandpa was in a lot of pain before he passed away, but now that he's on the other side (the true other side, not the limbo we see ghosts trapped in), I know he's at peace. I personally believe he's in heaven, the literal best place anyone could ever be, and that thought, that knowledge, brings me so much comfort.

No wonder Lockwood has such a hard time letting go, he must think that holding onto his family's memory is the only way he can make their supposed suffering somehow worth it.

To anyone who's in the same boat as him, I just want you to know it's okay to let them go. They're okay now. Holding onto what they went through in life or right before their life ended is not going to help them, it's only hurting you. It's hard to let yourself grieve and harder to let yourself heal but I promise it's worth it. We saw Lockwood do it with the help of his new friends and family and I know you and I can do it too.

[ganondoodle]

I fully understand the pain you feel with TLOZ now. I mean, I understood it before, but after Arcane becoming League's canon, after watching the second season, I feel so broken and conflicted and like I spent time loving something just for it to amount to nothing.

reliving my totk nightmares just a few months after finally being able to cope with that

[twinstxrs]

there’s probably something deeply wrong with me because every time i see someone react to the pok gukgak interrogation scene it’s like “oh no oh my god is riz’s dad a bad guy?” when the first time i saw that scene my only thought was “oh my god is riz’s dad HOT??”

[nora-durst]

sorry i’m not done talking about chaos walking actually. i’m just thinking about todd hewitt as a ya sci-fi protagonist like you just open the book as a 12 year old or whatever and you’re like can’t wait to read about this young hero’s thrilling adventures on this far off planet! okay he’s illiterate. oh he’s mean to his dog. ok he self harms. oh now he’s committing a hate crime. and that’s like. before we even get to book two and the whole complicit in a genocidal regime situation. todd hewitt the character that you are 🫶

[tali-zorahs]

read ocean's echo recently and NOW i have brain worms.

[quiescentdestiny]

Neil just never shutting up about the fact that Andrew is solid, a wall, something to hold him up when he needs it, etc.

and at the same time never shutting up about the fact that there is not a goddamn thing on the planet that could get him to stop running at full force, as quickly as possible.

only for him to not at all recognize that, in fact, Andrew is an immovable object to him, even though he says it 15 times a day, right up until he slams into that wall at 60 miles per hours and goes oh.

[james-spooky]

this is a test

[seilon]

love when this is referred to as the gifted kid website. shockingly my mental disorders made me mentally disordered and school never really vibed with that so. couldn’t be me

[exoscreamsoda]

i know next season is supposed to be lestat focused (and im currently having a breakdown imagining him as a rockstar) but i would give ANYTHING to see a glimpse of how louis and armand were living in the current age before they invited their couple therapist. theres no way they figured out how to use the internet to its full potential. did rashid come over one day to set up their wifi and then ended up their little henchman. are their man snacks found on craigslist or something. armand said he didnt want daniel there so i can only imagine louis was annoying him 24/7 while he was trying to read on his kindle in peace 💀 the way louis is so adamant about getting this book made makes me think he was watching tv and one of those reality shows that covers old musicians came on and he saw lestat and started tweaking because no way did he think about old man dan's book out of no where

[gxreyxrvxesi]

imagine thinking ur scary and tghen u get this😭😭 u r NOT scaring nobody🙏🏾🙏🏾 CANT WAIT TO SEE WHAT NEW NAME AND LOCATION AND VPN IP THEY COME UP FOR ME!1!1!1!1!1!1!!!! /j

[yoihino]

Where's that post talking about how shipping two characters can sometimes undermine the deep relationship and character dynamic they share in the original work? I feel like I really need it roght now

[phoenixfiiire]

Having beaten the game again, I am further convinced that Joshua lived and Clive died.

[neverbelessthan]

I got tagged by the lovely @sleepystede to make an adorable little picrew blorbo dude. Thank you for tagging me! 🥰

I was feelin' the spots. He looks like a little chicken stuck in a stress ball. Also this is a 10/10 accurate representation of me in a few weeks, glasses and noise cancelling headphones on, listening to @lindie-kninjaknitter's podfics while i wander about Japan ✌️

tagging: @jessystardust, @adickaboutspoons, @scorpiostarseed, @wickedlycaskett, @endevouring-to-surprise, @daria-meoi, @pumpkinspicepirates and sorry sorry sorry if i've tagged anyone who has already done it, and if I missed someone who would like to do it please just pretend that I'm better at this than I am and that I tagged you. (And if I keep tagging you for these things and you hate them, please tell me to stop.) *social anxiety jazz hands*

(I've been buried under mountains of uni work and only just realised that i've been tagged for a bunch of things! Sorry! I'm slowly toddling my way through them, thank you so much for thinking of me! ❤️)

[raddestrose]

I WANNA READ ORV

BUT IVE GOT MY DUMB PRE QUARTERS

AGHHHHH