#thinking she had no purpose and didn't matter

[vidavalor]

Hello lovely! I'm wondering if you have any thoughts about Maggie in Final1 5? Isn't it weird that she wants to go back to talk to Az and Crowley while Nina's working? Something about it feels off to me.

Hello right back. 💕 There's chamomile mint tea and shortbread since we're on a Maggie theme, if you'd like some. Maggie's behavior from that scene on is super fucking weird, I agree.

Before the milk run-- when Maggie becomes the only involved character whom we lose track of a bit during The Final 15-- versus how she behaves when she returns is so strange as to be something that I consider maybe additional proof that things are not at all what they seem to be in The Final 15.

On Maggie and Crowley's weird Final 15 behavior, a possible meaning to all the allusions to robbery in S2, and what Maggie and Nina might be able to tell us about what happened at the end of S2.

TW: brief mentions of show's non-consensual possession/rape analogy.

Think for a moment about how truly weird Maggie's request for her and Nina to go back to the bookshop in that moment actually is...

It's only been a matter of minutes since Maggie and Nina were basically hostages in the bookshop who were almost killed by Michael and Saraqael. Crowley saved their lives in getting them out of the shop maybe, what? It's been a minute since I rewatched that bit of it but it couldn't have been more than 15 minutes prior?

The beings in the shop but for Maggie and Nina are supernatural and so left magically without using the door but while we the audience know that these people are no longer in the shop because we were watching it, Maggie and Nina do not know that. When Maggie suggests to Nina that they go talk to Crowley and Aziraphale, they have no way of knowing if the beings that just tried to kill them are still in the shop. They didn't even see Aziraphale leave with Whoever Derek Jacobi Is Playing yet because Nina was all "where's the other one?" to Crowley when they arrived back in the shop.

Maggie is literally like: Nina, I know you opened the business you own late and are the only one working right now and have a line of 20 people waiting for their morning, pre-work coffee but what if-- just hear me out-- we just made them wait an indefinite amount of time to voluntarily go back into the place where we nearly died a matter of minutes ago that could still be full of the people who wanted us dead and we did this for no other purpose than just to tell off my beloved adopted godfather and his partner, who just risked harm to save both our lives? And to maybe then also stick our noses into their love lives in return or something?

I mean... WHAT?!?! lol

Consider, even, how even more weird that is when Maggie, just *prior* to having gone to the mini-mart, had never been more on the same page with Nina and never more understanding?

She sacrificed her own want to go sleep behind the counter of her shop to offer to help Nina. It's a big moment of change in their relationship and shows a lot of growth for Maggie. She's gone from someone who is caring but has a tendency to only think about how things make her feel to seeing things from Nina's perspective. She's matured through the season into being someone more ready to be a partner to Nina. Maggie offering to help Nina with her morning rush-- and Nina accepting the help-- is the sweet, romantic moment showing that these two are heading in a positive direction, both individually and together.

When Maggie gets back with the milk, though? After she's been out of our sight for a few minutes? She's behaving very differently.

During S2, Maggie is shown to be a pretty guileless character. She might have the occasional judgemental moment but she's not deceptive or tricky and she really wouldn't hurt a fly. When Maggie comes back from the milk run, though, her insistence on Nina dropping everything and going with her in that moment is not just weird behavior but manipulative in a way that could not be more out of character for Maggie.

Nina has been in an abusive relationship where she was afraid of displeasing Lindsay. Maggie is aware of this, as it's been the subject of multiple conversations between them throughout the season. So, when Maggie gets so bizarrely insistent on Nina dropping her work-- her livelihood, her purpose, her job-- to meet Maggie's demands in that moment? When this isn't an emergency of any kind and isn't at all time-sensitive and there is no objective reason why Nina should be halting her job to do what Maggie wants in this moment? Maggie is being controlling in a Lindsay-like way. She keeps at it, knowing that Nina will give in and agree to go with her because Nina is used to doing that with her partner.

Nina hesitates and isn't sure whether or not to go with Maggie for a moment and I don't really blame her? This is the complete opposite behavior to Maggie before she left for the mini-mart. Maggie is suddenly acting quite a lot like her polar opposite-- the Lucifer-and-Heaven-paralleling Lindsay.

Maggie is also literally on Nina's shoulder like a devil the whole time in the scene in which she's convincing her to step away from the shop and go across the street with her to the other shop for a chat and...

...listen to what we just said there...

...it's a parallel to the thing that Whoever Derek Jacobi Is Playing is doing with Aziraphale, is it not?

So, what happened on the milk run?

Who did Maggie run into at the mini-mart that we couldn't see in the ending of S2 without it giving the game away? I wouldn't be surprised if, on this mirror-happy show, on the other side of learning in S3 that it was The Devil with the coffee in the bookshop in The Final 15, we also had a scene that showed that, while on her milk run, Maggie had a run-in with Sister Teresa's killer.

Did Hastur possess Maggie as part of Satan's plan? Was the idea to use Maggie and Nina to further trip Crowley and Aziraphale towards disaster to get Aziraphale? If so, it kind of half-worked. I'm not convinced that anything Maggie and Nina said to Crowley really mattered-- I think they weren't telling him anything he didn't already know or feel and that it's largely misdirection for the audience. What was effective, though, was the impression Aziraphale got upon seeing them leave as he was coming in.

Maggie and Nina being back in there at this weird time and then rushing out with smiles and comments like that they were "just leaving" and they were sure Crowley and Aziraphale had "a lot to discuss" seem to have led Aziraphale to assume that Crowley had asked them to come back and to the conclusion that he must have done so to tell them of his intent to ask Aziraphale to marry him. It's Maggie and Nina leaving the shop that reinforce to Aziraphale the idea that, when Crowley stands up afterwards, takes off his glasses, and says he supposes he has "something to say", that Crowley is only trying to communicate a proposal and not a plan.

It's what helps-- big time-- to lead Aziraphale to not listen for a shred of coded language for the entire scene. Neither he nor Crowley are listening for that with one another, which is why neither of them can truly understand what the other is saying, but Aziraphale's part of that is really fucked to Hell by the presence of Maggie and Nina in the shop when he came back. That's all pretty suspicious since Maggie was out of our sight for a few moments and came back fixated on the idea that she and Nina needed to go to the bookshop right that very moment and that it couldn't wait.

The Final 15 is a dark parallel to The Baby Swap plot and Maggie and Nina are full of shadows of Sisters Mary and Teresa to a point that the final shots of both of them in the series are mirror images of the final shots of their S1 characters. Nina looking through glass at Crowley departing is the last shot of Sister Mary both in 2008 and 2019, while Maggie's last shot?

To me, it's one of the most eerie moments in the entire series because of how much it visually resembles Sister Teresa's death.

Basically two minutes after we hear about The Second Coming... in the same season where Maggie and Nina's partial-vavoom gives way to a (possessed?) Gabriel saying: the dead will leave their graves and walk the Earth once more... we are shown Crowley and Aziraphale's apparent adopted goddaughter unresponsive on the counter of her shop.

Is Maggie dead?

Is Maggie asleep, like we were led to believe she wanted to do earlier in the episode? Maybe. Is she comatose/unconscious? Maybe. It's just that, best I can tell, she does not take a breath during the shot which I feel had to be intentional on the part of Maggie Service, and she's in the same position as we last saw Sister Teresa in S1...

Then, there's the robbery theme and how Maggie and Nina foreshadow so much of the end of S2 back in this scene here:

In Good Omens, the shop is the character. Maggie is, symbolically, the records she sells. The show also explains that Maggie's shop used to be a part of the bookshop. Now, there are three characters, not two, who are A.Z. Fell & Co.: Aziraphale, Crowley and Maggie. At the same time, Aziraphale is also The Small Back Room. The shops are intertwined as the characters are, essentially, family in the story. The fate of one is the fate of the other, which makes what Maggie and Nina foreshadow when talking about Maggie's shop while trapped together in Nina's not just the fate of Maggie's shop in S2 but also of the bookshop.

Maggie says that if she can't close the door to her shop, someone could walk in and take records. Maggie is the records she sells so, symbolically, this means someone could take Maggie. We got a bit of a preview of that when Shax appeared to get into her mind during the attack on the bookshop and Maggie also became the one who unintentionally "let the robbers in."

These robbers, Maggie frets... they could empty her till-- take all her money on a literal level... take her mind, or maybe even her life, on another. (Not to mention the now chill-inducing use of money-related words and coins with regards to the paralleling Crowley...) These robbers could take forcible ownership of Maggie's shop-- so, of Maggie. Maggie's shop was born of the bookshop... so, they could take forcible ownership of the bookshop, too.

Not just the physical bookshop, though that, too. The symbolic bookshop. Which is not only Aziraphale but Crowley and Aziraphale.

But, if The Small Back Room was originally part of the bookshop, then the bookshop really isn't just Crowley and Aziraphale-- it's Crowley, Aziraphale and Maggie.

If the robbers come for the bookshop, they've also come for The Small Back Room because it is all born of the same, symbolic shop.

Is that what they did?

Is that why Maggie is last shown to us non-responsive in her shop?

Now, Nina's even more foreshadowing reply:

Nina said that, if she owned a record shop, she'd be more concerned about "someone breaking in and leaving more records behind."

What are records? They're the literal records in the musical and old film sense that Maggie sells, yes, and also Maggie herself. They're also books, like what Aziraphale sells, and Aziraphale himself. But they're also a third thing that's very much of note in S2.

They're also the life's work of a scrivener, like what Muriel does.

Nina foreshadows someone breaking in and leaving "more records behind"... which is exactly what happens in The Final 15.

Elspeth's graverobbing. Bildad stealing Job and Sitis' wine and food. The 1810 Clerkenwell Diamond Robbery. Aziraphale having the missing Shakespeare Robin Hood play in the box in 2.06. The robbery-based fantasy Aziraphale was telling Crowley in Lockdown: ...the other night, when a couple of young lads broke into the back and tried to steal the cash(cache)box!

The Final 15 is a robbery.

The last two episodes see the shop attacked during The Meeting Ball and into the next morning. Aziraphale is robbed blind of his entire life. Characters are taken hostage. Signals for help are tried and fail. The cop, it turns out, was a stooge for the robbers. Whoever Derek Jacobi Is Playing broke in through the open door and robbed the place blind, as Maggie foreshadowed. As Nina foreshadowed he would, what did the robber leave behind?

More records. Muriel.

To rob, as we know, is to steal. It's to plunder or strip a place from someone through force and/or violence. That is why it was once, in addition to being descriptive of physical goods stolen from a person, also a word that was used for rape, for which non-consensual possession has been analogous since the show's first episode. That is why some of us think that the music goes insane on the look to Crowley in the scene below. Satan is robbing Crowley-- forcing him to identify him as The Metatron to Aziraphale and the angels and to let Aziraphale go alone with him.

Satan attacked Crowley in front of Aziraphale and, while Aziraphale pretended he didn't see it, he did, which is why he led "The Metatron" straight out the door in an effort to get him away from Crowley. Because, speaking of characters behaving very weirdly... anyone have a better explanation for why guard dog Crowley sat in that chair like he couldn't get out of it and encouraged Aziraphale to go alone with a guy who once tried to kill them? It just doesn't make any sense unless his words are not really his own and there's only one character we've seen do that to him.

And if Crowley's not the only one behaving out of character, then what else happened to Maggie at the mini-mart but something similar?

What happened in The Final 15? Satan robbed the bookshop.

He and The Metatron don't give a toss about the shop itself and plan to destroy it alongside everything else once Armageddon gets rocking. They're there to get Crowley and Aziraphale out of the way for Armageddon by dividing and conquering. Just because we've yet to see blood doesn't mean this wasn't robbery by force.

Satan took hostages at the start-- letting the ones go he didn't care about go and keeping the ones most likely to influence the shop's owner: Crowley and Muriel.

Satan and The Metatron sacrificed Muriel to their plan, not caring if Muriel explodes along with the shop when they kick off Armageddon a matter of *checks watch* basically any minute now after S2. We think Muriel is better off in the shop at the end of S2 but I'm not totally sure they are. I think it actually might be one of the most dangerous places to be in right now. The bookshop didn't burn down this time-- it was burned as safe space in every possible way. It's a crime scene.

The Metatron and Satan are here for revenge. The Metatron is letting Satan have Aziraphale to get Crowley and Aziraphale out of the way for Armageddon. There is no real job offer-- it's all Satan tempting Aziraphale into falling. Satan's revenge on Crowley and Aziraphale is to force Crowley to help him take Aziraphale right out from under his nose. That's the start of it, anyway.

Besides Armageddon and daring to have a relationship and a sense of self outside of the demonic collective of Hell what is Satan really pissed at Crowley and Aziraphale about?

His kid. Adam. Crowley and Aziraphale helping Adam against him.

If Satan has been lying in wait, still very, very angry at Crowley and Aziraphale for turning his son against him and if he's now here for revenge, then who else besides Aziraphale is then most in peril here?

Yes, my Job-and-Sitis-paralleling poppet... your big, cross duck and your kids are most imperiled here and S2 showed us that your kids are not just humanity writ large but, specifically, Maggie. The Small Back Room is of the bookshop that is you and Crowley. Maggie is your Adam. Will Satan come after your daughter? It's a concept posed in your paralleling/foreshadowing story earlier in the season... actually, it was also the entire plot of that paralleling story earlier in the season as well...

I feel like not going with Ennon and Keziah's theories on Satan's behavior is probably the best way to form a Good Omens theory 😂 so I'll stick with the idea that Satan very much would dare leave a revenge body count of Crowley and Aziraphale's adopted kids, as the Job minisode proved he'd do even with the spawn of "God's favorite human", let alone anybody else.

As, speaking of foreshadowing lines, this is really even more S2 than it was about S1:

Satan will even have a whole pseudo-philosophical chat about it with you first, amused that he's standing in a place called Give Me Coffee or Give Me Death and ordering a coffee while the plan is likely for this place, the women making him the coffee, and everyone on this street and on most of the planet to be dead by tomorrow.

Maggie is the only character who actually asked for coffee using that exact word in S2.

[camilledlc]

Because I love relating songs to characters and analysing why it works so well, I just have to rant about how So Long, London by Taylor Swift is Vanessa's perspective of her break up with Wade. This one is reaaaally long, so be ready for that if you still chose to read this. It is 4,5k of a weird analyse no one asked for. You have been warned :

I think the main reason why Vanessa (that I will from now call Ness) ended things with Wade was because of how bad he was doing. She tried to be there for him, but there's only so much you can do for someone who doesn't want to be helped. So really, it is quite evident as to how this song can be related to their story. I'll go in order of the lyrics, and really dive in with the meaning of the song. I'll write this as if Ness wrote the song herself, kinda. But despite me relating it to Ness, it will also kind of be a study of the song in itself, if anyone is interested in that.

The opening line "I saw in my mind fairy lights through the mist" shows two main things that to me will be crucial to understand exactly how it all went down and Ness' state of mind. The two central element being obviously the fairy lights and the mist. The mist represents this gloom, this sadness that had surrounded Wade, and therefore herself. He was extremely depressed because of the Avengers' rejection, and didn't seem to be able to pick himself back up. Everything for him became a mist, but it also made everything for Ness turn into a mist. Always being around a deeply person, to whom you're entirely devoted, it will take a huge tole on you. Their sadness become yours, etc. And by that point, you may think that there was no reason for her to stay, but no. That's why the fairy lights are here. The fairy lights doesn't represent the exit, the ending of this relationship that would finally brought her peace. This early on in the song, it wouldn't make sense. The author is still too deep into this relationship. The fairy lights are probably the reason why they are still together by that point, despite all the pain that it's causing Ness. Because while the relationship can generally be associated to a mist, there are moments of happiness, of "fairy lights through the the mist". Not all moments are bad, and they are occasions where Ness can see the old Wade, and what they used to have. And she wants to fight for that. Because deep down, they love each other in ways that can't be matched, and they loved each other for so long.

And so, this leads us to the next lyrics : "I kept calm and carried the weight of the rift / Pulling him tighter each time he was drifting away". Because Ness can see that not everything is bad in her relationship, that there are still pieces of what they used to be left to fight for, she tries. She tries to "[keep] calm", to be the rock Wade is in desperate need of. For Wade, it feels like his world is falling apart, as he can't seem to find a purpose for his life, a way to matter. He falls more and more into depression, unable to pull himself back up. The only thing stopping him from "drifting away" is Ness. But on the other hand, she can't keep carrying them both on her shoulders. It "weights" on her, and understandably so. She wants to be there for Wade, and she tries as much as she can to save him. But maybe it's a responsibility that's too heavy for her, and so, the come the next lyrics.

"My spine split from carrying us up the hill / Wet through my clothes, weary bones caught the chill". Those are pretty easy to understand and very explicit. The weight of Wade's sadness is becoming too much for us, and she is breaking under it. By being the only one trying to lift them up, she's going to end up even more broken than Wade. I of course think that "wet" references sadness in general. Sadness is often paired with deep blues, cold colours and a general theme of water--because of tears. With the "mist" being also a metaphor for this sadness, it isn't surprising. But this means that this sadness that Wade carried, this "mist", finally got to her. The "mist" finally reached her and made her "wet", meaning that his sadness started to become her sadness. She "caught the chill", she started to feel depressed too, because always being around someone depressed--especially if you're the only one lifting them up--makes you depressed too.

"I stopped trying to make him laugh / Stopped trying to drill the safe". Another easily-understandable set of lyrics, yet devastating in the context of Deadpool. We know a handful thing about him and how he is generally perceived by others, and one of his main traits is that he's funny. He is always one to laugh, or crack a joke, the one that makes you happier when things are bad. He is the one supposed to make other laughs, but with how bad he feels, the roles are reversed, and Ness has to try and try and try to make him happier, to "make him laugh". It must have been really heart-breaking to see the dynamics in their relationship change this much, see a person she knew like the back of her hand becoming a ghost of who they used to be. And eventually, he started to close up too much to her. He would be 'somewhere else, not fully there'. He wouldn't let her in, tell her what he was truly feeling--despite the fact that she could sense how bad he was doing. He became a "safe", a total stranger that she couldn't figure out, until she eventually had to give up. This is even more depressing when you know that Wade has had tendencies to lie to protect himself and push people away, which he could've also done here with Ness.

All of this leads her to start being angry, and confused, and wanting answers from him. Not the Wade she saw before leaving him, but her Wade, from before all this. She wants to understand : "Thinkin, how much sad did you think I had / Did you think I had in me?". I see this as both a rhetorical question, telling him that she can't handle all of his sadness and that she has to leave him behind at some point. That she doesn't have this much sadness in her to support him. But I also believe it has some genuine aspects of an earnest question, always waiting for an answer. Yet, she will repeat this multiple times, probably alluding to the fact that she doesn't have any. Because Wade doesn't have an answer to that either. She wants to know just how far Wade was willing to let himself fall down while thinking that Ness would stay, that she would pick him up. In a way, I think she felt betrayed and hurt by the way he was treating her, waiting for her to be there for him while he purposefully let himself drown in his own misery. So, eventually, she's angry and demands answer, demands an explanation to all of this, because this isn't the Wade she fell in love with.

And that's why it's so tragic : "Oh, the tragedy... / So Long, London". In this, we see just how heart-breaking their entire story is. It wasn't supposed to end this way, yet at that point in time, she saw no other issues. She didn't want to leave him, but she had to. It was tragic because it couldn't have been avoided, yet she felt as if it wasn't fair, and it wasn't meant to be this way. She can only constate that their ending is tragic, and she has to accept it despite the evident pain and sorrow (the punctuation). And so, she leaves. All of this, only could lead to that conclusion. She went through all stages, from loving him, to trying to support him, to giving up on helping him, to being angry at him, to giving up on them altogether now. She isn't fully saying goodbye, as she still feels as if their lives are too intertwined for them to not see each other again eventually. They both love each other too damn much to never do so, to truly end things here. By that point, she accepts that she must leave, and that their story ends, but she knows the love hasn't completely disappeared yet.

But when she says "You'll find someone...", she does admit that while love may persist, the relationship is over for good. By that point, she only includes him in the finding someone part. I think it's because she herself hasn't moved on from him, and she isn't sure by that point that she can. They know they can't date anymore, but she doesn't think that she'll fall in love as hard as she did with Wade with anyone else. But for him, she wants him to move on and find someone who will be able to handle Wade. In a way, she may feel guilty for leaving, despite knowing that it was killing her on the inside to stay. So she wishes for Wade to find someone who, unlike her, will be able to help Wade, or at least carry his burden with him without splitting under the weight.

I feel that the next part is a bit trickier, so if my ramble doesn't make sense, feel free to ignore it! But otherwise, I think that the lyrics "I didn't opt in to be your odd man out / I founded the club she's heard great things about" are definitely laced with bitterness. To me, it really represents that moment of Wade getting better, and how Ness will view herself into that. One the one hand, she knows she isn't entitled to anything regarding Wade anymore because she chose to leave, but on the other hand, she feels as if she didn't have a choice to leave. Everything was so awful that she had to leave for her own sake, so she didn't opt out of his life. She didn't want to be his friend, but she couldn't be anything else. Yet, everyone--including Wade--will make her feel like it was her decision. Even though they respect it, she feels that they don't understand that it wasn't truly her decision, and that under other circumstances, she would've never left Wade. If it wasn't for her survival, she would still be with him. But now, she is purposefully being left out of everything regarding Wade and all of his accomplishments. People will say that it's great to see him better again, to see him happier, and a true hero that wants to matter, etc. And yes, he did that on his own, but it does feel to her as if it invalidates everything she went through. She helped him for so long, and eventually had to give up. So he got better on his own and is praised for it, but what about all of her efforts? Don't they count in his recovery? Isn't her support the foundation of the person he is today? She is one of the reason Wade found his spark back, yet because she left before he did, she can never say as much. And it must feel bitter to see how much time and energy and love you lost trying to help someone who got better after you left them, after you've had enough.

Which is why we have "I left all I knew, you left me at the house by the Heath". Because, yes, she may have been the one who left Wade first officially, but Wade had left her way before that. When letting himself become a shadow of who he once was, he left Ness to fend on her own, the only one keeping their love, their home alive. The "house by the Heath" represents this home that they made for themselves, it was their lives, their futures. But Wade abandoned that mentally. Yet, it falls on Ness when she decides to abandon it physically. In this whole verse, she is feeling bitter, and angry, and regretful. She left everything behind, because Wade felt like her everything. But she wasn't the first one to do so, and Wade had actually done it before. She had in the past tried to support him when he had cancer, only for him to leave her to bear this alone. So, actually, she was the only one trying actively not to leave, not to let this relationship die.

"I stopped CPR, after all it's no use / The spirit was gone, we would never come to". It implies that for a long time, she tried to maintain their relationship alive, but it was for nothing. "The spirit" of their love had left when Wade did too, when he metaphorically left the relationship. It couldn't be brought back, and even if they had tried, it would've been too late. Their relationship was already too damaged to be salvaged. There is no use to perform CPR on a dead body.

The next lyric is heavily marked by the voice of the singer, showing the anger and resentment growing : "And I'm pissed off you let me give you all that youth for free". For this one, I think it's crucial we remember the context of both who they are in general. Ness is a woman in her mid-thirties/forties, meanwhile, Wade is an immortal guy who can't age nor die. Wade still has the whole eternity in front of him to do whatever he wants, to be someone great. But Ness spent most of her life with him, and now she's getting older. No matter who she ends up with it will be a very recent and new relationship, and it will take time to grow, and so she may have trouble later having the family she'd wanted. For her, it may feels like as if she's spent so many years with Wade, only to be back at square one. Except that for him, he can take the eternity to move up a few square, but her, she doesn't have that time. She doesn't have eternal "youth", which is why she may be so pissed, both at herself and at Wade. It can be very easy to start resenting someone when you feel like you have wasted so much time on them, for nothing to come out of it eventually. And it would be better if Wade was in the same boat as her, because then they would both have wasted time and it would be no one's fault. But she is alone in this, she is the one who gave her "youth for free".

The "For so long, London / Stitches undone / Two graves, one gun" only reinforce this idea. She gave her youth "for so long" and now she's feeling resentful. In a way, it feels like her decision killed them both. She knows the negative impact their breakup had on Wade, of course. But here, she also acknowledge just how much it affected her too. With "one gun", aka her decision to leave, she killed the both of them ("two graves"). Kind of in a "you had to kill me but it killed you just the same kind of way". And now, the relationship that she carefully spent time stitching up each time it split is now completely broken, the "stitches undone".

And so, she accepts that she has to move on : "I'll find someone". She knows how bad her decision also affected her, and how hard it will be to get back everything she lost to this relationship. But she can't stay down, and she has to find a way to move forward somehow. And she knows that it's possible, that eventually, she'll find someone else, she'll fall in love again and that life goes on. It's a way for her to try and find peace, to definitely put her relationship with Wade past her. And by the beginning of Deadpool and Wolverine, she believes that she has found that someone, she found Dermot. Someone good, who is different yet someone she is really happy with. She can fully move on, and so wants to try and befriend Wade, as a way to really put this all behind. Because despite knowing they can't ever get back together, she still has a lot of love for him--whether it's romantic or now platonic, she'll always love him, as he is one of the most important person for her. But it's clear that while she's almost moved on completely from him, he hasn't done the same. And because of the way he still holds out hope for them to be together again, she feels as though he thinks she abandoned him all over again.

So in a way, the upcoming bridge is her way of defending herself. "And you say I abandoned the ship / But I was going down with it" is literally her reiterating that she wasn't the one who left first, she was actually holding onto that relationship even more than Wade was, even though it was killing her, "My white knuckle dying grip". The singer's voice is by then really angry, and I think Ness is too by now. It feels unjust to be blamed for leaving a relationship. I don't think they are blaming her consciously, because Wade would never want to make her feel bad about it. But the sole fact that he's still holding out hope that they work out put the blame on her for the fact that it isn't working out. In a way, him still wanting her and not being able to move on makes her even now the responsible for Wade's misery, which is unfair because she already had to bear it and suffer from it for long enough in their relationship.

The next lyrics will all be analysed as a whole, so sorry for that : "Holding tight to your quiet resentment and / My friends said it isn't right to be scared / Everyday of a love affair / Every breath feels like rarest air / When you're not sure if he wants to be there". This may be a bit triggering, se be careful, but I think that while the original song may be talking about not wanting to be there in a relationship, from Ness' point of view, it will be more like there at all in this life. Wade is canonically a character that has a severe mental instability, a lot of traumas and issues, and he is one of the character who tried to off himself the most--even before having a regenerating factor. He clearly has always struggled with his mental health, and it was even worse during his depression. So when Ness feels scared that because she's "not sure if he wants to be there", she's talking about being scared that Wade would take the opportunity to off himself if he could die. It is extremely scary to be in a relationship with someone who doesn't wish to live anymore, when you never know if they are faking their smiles, planning on leaving it all behind, if you're not sure you'll wake up and they'll still be there. Even while knowing he can't die, it is still a terrifying thought. So now, their entire relationship, their "love affair" is completely overtook by this fear that it will all end at any moment, and also by this need to take every good thing in because they may not last, or there won't ever be any other good thing afterwards. Every moment of true joy "feels like rarest air". Because now, everything in her mind revolves around Wade's sadness, his "quiet resentment" of feeling like he doesn't matter, of not finding his purpose in this world.

But there's only so much that one person can take, and so, eventually, she is back to asking "So how much sad did you think I had / Did you think I had in me? / How much tragedy?". This times, it really feels as though she exposed previously during the bridge every arguments in her favour as to why she had to leave, and now she's showing him all of those arguments and telling him 'see?', and in the words of the song "Just how low did you think I'd go? Before I'd self-implode / Before I'd have to go be free". And those two last sentences summarize pretty much everything : she was self-imploding, so she had to leave and be free. This relationship, despite still having some good moments that guilted her into staying, was more like a prison to her by that point. In this bridge, she seems finale with her explanation, and feels a certain form of validation of her decision. By then, she is certain she made the right choice, and she is trying to show others, and especially Wade, that she had to move on and that still holding hope for a relationship together was just invalidating everything she went through (even if Wade isn't necessarily wanting that, or even realizing she might feel that way. He can't help but love her, but respects her decision nonetheless. There is no bad guy here, just a very complicated situation).

The very end of the song is definitely right by the end of the events of Deadpool and Wolverine. Wade tells her explicitly that he still loves her, still wants her, wants them. But when he tells her he still loves her, all she can think of is : "You swore that you loved me but where were the clues? / I died on the altar waiting for the proof / You sacrificed us to the gods of your bluest days". She may know, realistically, that Wade really did love and still do, but during the end of their relationship, she couldn't feel it. Everything in Wade's life was now centred around his sadness, which is here represented by the "gods of [your] bluest days". Their relationship was too much, and so he "sacrificed" it, because in his mind, there was no room for anything other than his depression. Which is valid and comprehensible, but extremely hard to live for Ness. She was desperately waiting for him to show her that he cared for her, that he still loved her, that he was still with her, like shown in the flashback when Cassandra Nova peered through Wade's mind. She asked him directly for proof of his love, and she eventually had to leave the "altar" because she was dying there otherwise. Wade was feeling so awful that he couldn't remind Ness just how much he loved her, so even now, she can't accept that he still does.

Besides, we know she has supposedly moved on, as she is happy with her new boyfriend Dermot : "And I'm just getting color back into my face". After everything, she eventually felt like a lesser version of herself, beaten up by this tragic relationship. Wade's constant sadness got to her. But now, it's been a while, and she had time to move on, to find her own new happiness. It might be different colours than when she was with Wade, but she has colours nonetheless. She is happier out of the relationship. Yet, she can't help but be mad : "I'm just mad as hell cause I loved this place / For so long, London". It is quite obvious that despite being happy now, she had also been happy with Wade before all this. There had been so long where she thought she was gonna marry Wade, found a family together, that he was her soulmate. She knows it's for the better, but there's also something so frustrating about having to leave something that brought you joy for so long because now it has soured. The lyrics "Had a good run / A moment of warm sun" reminds that. Before Wade got depressed, there relationship was truly and utterly an happy relationship. There was so much good in it, and for a long time, it seemed like it would last. But it didn't.

"But I'm not the one / So long, London". She is here fully letting Wade go, and letting their romance go. In admitting that she isn't the one for Wade, she is admitting that they weren't soulmates who were meant to be, and that maybe it's better this way. She is admitting that even the earlier stage of their relationship was extremely good and happy, it was not enough. She isn't the one for him because she could love him at his best, but couldn't at his worst. And there is no shame in that, she knows now that some people aren't meant to be, despite being perfect for each other in every other aspects. For example, when she sees Logan, she understands that he can handle Wade at his worst, that he can lift him up. At the same time, it's a bit bitter because she wished she could've been the one, but she is also really grateful to be out of this relationship, and yet knowing that Wade's got someone else that will be there for him. She can leave peacefully knowing that.

Then, we have another repetition of "Stitches undone" which symbolize definitely the end of relationship, with nothing holding it together anymore, and "Two graves, one gun". Personally, I always heard something else and liked what I heard more, which is "Two graves, one gone". Here, it would be a representation of how they felt during Wade's depression. He was so sad that he was almost dead, which killed her on the inside too. They were "two graves". But some graves aren't meant to be side by side. She left the graveyard, found happiness again somewhere else. She brought herself back to life by leaving. Now, there is one grave that is "gone". But by using the last sentence "You'll find someone...", she is in a way giving him permission to move on from her as well, to leave the graveyard that was their relationship. She hopes for him that he'll find someone who will bring him back to life to, and she even thinks that Wade found that person already, found that in Logan. Now that she let go, she's telling Wade to do the same. To let her go.

The three different instances of "you'll find someone / i'll find someone / you'll find someone" really represents the progression of the breakup and the healing from it. At first, it's a way to convince herself that she has to leave, that she isn't made to handle this. By then, none of them have moved on. Then, it's her finding her own way of happiness, admitting that she's moving on. And the last one is her telling Wade to move on too. By the end of the song, their relationship has definitely ended, it's over for good.

"So long, London".

[if-chaos-was-a-boy]

Hi everyone! It's me, Eden the mod of calix and a few other ocs again.

[TW. SA, strong language, read at your own discretion and risk]

After a lot of consideration, I thought it would be best to follow up with a clearer and more detailed account of the situation with the Circe Blog. I did not initially want to make this statement but I owe it to people to give my point of view, in hopes that others can understand a little more context.

Let's start from the beginning, when I was first alerted to this situation by my friend Lilly @unhinged-waterlilly on 14th of September. [She has explained more in her own post, I strongly recommend checking it out, it is tagged at the bottom of her intro]

I was still pretty confused about the finer details and decided to ask Jack about it. I expressed my concern at the switch of Odysseus from a victim of sexual assault to a rapist. They told me that it was an AU and that it wasn't canon.

And at that point of time, I did not think too much about it, I just hid my disagreements and let the conversation end.

Jack reopened the topic by telling me about a strongly worded ask they got. And after looking through it, I agreed with the overall sentiment but did not agree with the way it was delivered.

The person who wrote the ask has since apologized to Jack and made it clear that they do not agree with the way they've worded the ask.

But after watching how jack reacted to getting this criticism, I made the decision to recommend them to write the apology.

At first I wanted Jack to write it by themselves, as it was more genuine but after hearing

some of their concerns with writing apologies regarding these important and serious issues

Seeing their plans for how they would write the apology

It was clear that if I let Jack write the apology alone, it would not have been an apology. It would have been a hole filled statement which did not address key issues. It would have done harm to others and to them. And as someone who truly considered them a close friend, I didn't want to see anyone hurt.

this is the link to my apology for writing the jack’s statement

And so, l asked Jack to blurt out everything they wanted me to reword.

And it pissed me off that in all of their rants, the word sorry did not appear once.

The context did not make an appearance as well.

At that point of time I thought it was reasonable until I caught the number of times I needed to add "I'm sorry" and "Remorseful" in the apology.

Initially they wanted to delete the Circe blog immediately, but I convinced them that it should be done AFTER the

statement/apology was up, as it would only be right because it was mentioned in the apology.

I also advised them to stay off rp for a while, to let everyone breathe and they proceeded to tell me that they were addicted to p but again, because I had no context, I did not think much of it.

Maybe I should have probed further, maybe I should have asked.

But at that point, I had just written a long, long statement and I was drained, emotionally and physically. The past is the past, I will no longer keep thinkin about the what ifs and could haves of this situation.

Then came the post Jack made after me, Lilly and Skh had made our statements. His boyfriend had come online with the intention to understand the situation.

But this whole fucking post read to me like it was made with the intention to villainise our statements. And the sheer fact that I can pick up on that is concerning to me, doesn’t matter if it’s on purpose. As soon as your question post starts sounding accusatory, something is WRONG.

What's the harm in such a post? Well.

People who see that post THEN read our statements have a filter on.

Suddenly our concerns become twisted into scathing judgment.

Our opinions and thoughts get distorted to hurtful and hateful messages.

None of us. Me, Lilly or Skh said the phrase 'I hate Jack' in any of our statements.

What drove me to make this statement is to share my side of the story, so it could be valuable to anyone who needs it.

Onto my feelings and views on the situation, I was sympathetic and supportive for most of the time period of this shitshow.

But I am upset and angry that my friend Lilly needed to make a statement that she shouldn't have to make.

I am disappointed at the management of this situation by Jack

And I am sorry that this got out of hand. This situation that should and could have been resolved so so long ago got this widespread and hurtful.

I'd like to add that i do not hate Jack. I don't hate people.

I get disappointed in people. I hate ACTIONS.

Right now, I'm feeling an immense amount of burnout, hurt and stress from this situation.

This is going to be my plan of action:

I don't think I am going to be interacting or talking to Jack. At least not in the way we used to talk. My trust has been compromised and I need time.

I am going to be less active in my main for awhile. I need time.

I am open to queries or anything, just please be respectful.

have my own views and opinions about some other things that I will not disclose right now.

I am tired.

@that-girl-cupid

@goddess-of-bubblegum

@unhinged-waterlilly

@love-lightning-forethought

@iceweavercatlover / @debacleofdaemons

@chaos-pers0nified

@stephen-the-spider

@bambi-the-dummy

@emdabitchass

@i-was-never-sane

@athenas-weirdo-daughter

@divine-wine-daughter

@kaiaalwayswins

@smileyalater

@daonedaonlyskh

@bast-the-best26

@kiaradaughterofselene

@pink-koi-lovejoy

@itsyourboyezra

@hispanic-child-of-hermes

@mireya-the-awkward-extrovert

@gellyhelio

@ariathemortal

@arisdaughter

@syd-the-nerd

@steve-the-union-man

@psychicbluebirdmiracle

@madson-of-hermes-notluke

@thegroovydaughterofhestia

@the-olympus-assassin

@heraaaaaaaa

[i-spilled-my-soup]

doing close reading of the titans curse to study for a time travel au and augh. auguuuagh

[weareuniqueandimportant]

WE'RE WATCHING WAKANDA FOREVER... WE'RE 1 HOUR IN BUT I MUST SAY... I STOPPED PAYING ATTENTION A WHILE AGO...

THIS POST MIGHT GET GLITCHED DUE TO THEIR LENGTH AND SUREFIRE WOKENESS... DETAILS THAT CAUSE THEM TO BE ERASED ABUSIVELY EVILLY NASTILLY ON PURPOSE OUT OF POLITICAL PROPAGANDA BY THE ABUSER CALLED TUMBLR... THEREFORE.. I WILL EDIT THIS IN BITS...

OKAY... WE WATCHED AN ANIME PORN THAT WAS TRANSPHOBIC... THAT WAS 2 WOMAN BUT... THE OTHER ONE IS TRANS LIKELY BY A TRANSPHOBIC CREATOR... WE GET TYPICAL TRANSPHOBIC DIALOGUE... SEXISM... QUEERPHOBIA... ABOUT CONSTRUCTS... THE CISSIE WAS ITEMIZED INSANE... CRAZY... SHE WASN'T... YUCKIES... ALL THIS AT A TRANS CHARACTER... WHAT A NASTY FETISH THE CREATOR HAS... WE REMEMBERED... THAT IS IMPORTANT TO REMEMBER... TO ACKNOWLEDGE... I REMEMBER MORE... ONCE AGAIN FORGOTTEN ONCE AGAIN WHAT WE USED TO KNOW... BECAUSE NOBODY WILL EVER UNDERSTAND... WE WILL ALWAYS BE ABUSED... WE HAVE NO HOPE EVER GETTING MARRIED AND HAVING CHILDREN OUR LIVES PURPOSE OR TRANSITIONING AS OURSELVES... THIS IS FACTUAL... WE HAVE BEEN TOLD THIS OVER AND OVER AGAIN... NOBODY WILL EVER UNDERSTAND... WE WATCHED ANOTHER ONE... TERRIBLE...

THEY CAN'T DIE... BUT I HAVE NO ENERGY... THERE IS NO POINT... THEY'RE DYING... FLEEING... THIS CAN'T HAPPEN... I LOVE YOU... OUR SHARED EMOTIONS... OUR TRAUMA... OUR PROGRESSIVE EXISTANCE WITHOUT AN EQUAL NOBODY WILL EVER COMPARE TO GIVING US NL POINT IN LIFE... WE'RE ALIVE FOR NO REASON... BECAUSE WE CARE UNLIKE ANYONE ELSE... THERE IS NOBODY ELSE THAT CARES ON THIS PLANET... WE WOULD BE ABUSED BY ANYONE AND EVERYONE IF THEIR CHILDREN... ONLY WE CAN HAVE THEM FOR THIS REASON... ASWELL AS THE TOOL NEVER OUR EQUAL THAT WILL GIVE THEM FOR US... BECAUSE AN EQUAL WOULD HAVE SAVED US ALREADY... IF EXISTED... THEY WOULD'VE PREVENTED EVERYTHING WE HAVE EVER BEEN TROUGH... THEY WOULD HAVE GIVEN US AN ACTUAL COMMUNITY THAN THE EVIL ABUSER WASTE THIS SITE ONLY HAS... WE WILL NEVER BE SAVED WE WILL NEVER TRANSITION LIFE IS POINTLESS WE ARE ABUSED ALWAYS HARMED ALWAYS HURT ALWAYS LIKE JUST WHEN SOMEONE HURT US SOMEONE WHO WASN'T SUPPOSED TO... ONCE AGAIN... AGAIN AGAIN AGAIN AGAIN AGAIN AGAIN AGAIN AGAIN AGAIN AND AGAIN A LOOP WE'RE ALWAYS STUCK IN!! BASIC NEEDS WE'RE BORN WITH ALWAYS DENIED ALWAYS ABUSED ALWAYS NEGLECTED JUST LIKE RIGHT NOW!! NOBODY IS QUALIFIED NO THERAPIST NOBODY OF SUCH KIND THEM ONLY ABUSERS THAT HAVE ONLY HURT US IN THE PAST WITH AN AGENDA FAR MORE EVIL THEM BASED IN EVIL BIGOTRIES... ANYONE OUTSIDE... SHOULD BE YOUR THERAPIST... FUCK THIS... DON'T UNDERSTAND YOU'RE A BIGOT... AND NO BIGOT IS ALLOWED TO INTERACT WITH THIS POST ONLY 2 PEOPLE 1 OUR EQUAL THAT WILL NEVER EXIST OUTSIDE OF OUR BRAIN 2 OUR LOVERS OUR CHEERLEADERS THOSE CUTIES THAT FOLLOW US... DESPERATE FOR OUR ATTENTION... HUNGRY... AWW... DON'T WORRY MY LITTLE FOLLOWER... HERE'S ANOTHER LOVELY POST YOUR FAVORITE: RIGHT...? HERE YOU GO <3!!

IF BLACK PANTHER WAS A TRANS WOMAN THAT IS AUTISM AND ADHD WAKANDA WOULD HAVE ABUSED HER SHE WOULD'VE NEVER BECOME A HERO SHE WOULD'VE NEVER BEEN ALLOWED TO IF SHE WAS RADQUEER FEMINIST COMMUNIST ANARCHIST WE ARE DESPISED WE ARE HATED... SAME WAY IRONMAN... SPIDERMAN... CAPTAIN AMERICA... ALL WITH THEIR SEXIST WRITTEN GIRLFRIENDS... DAMSELS IN DISTESS AT BEST A SIDE CHARACTER NEVER AN EQUAL... PEOPLE WITH DEAD PARENTS WITHOUT FAMILY WITHOUT COMMUNITY WITHOUT LOVE PREACHING ABOUT LOVE TO US... THAT DON'T THINK WHAT IS GOOD PREACHING ABOUT IDEOLOGY THAT ABUSES US... THEM ALL ABUSERS THAT WOULD ONLY HARM US... US WATCHING THEIR MOVIES... THINGS COULD'VE BEEN DIFFERENT... US ONLY LEARNING WE'RE UNLOVABLE AS THE TRUE LESSON OVER AND OVER... DOESN'T MATTER WHAT SERIES WHAT GENRE... THE QUESTION IS WHAT FAKE EMOTIONS THEY CAN MAKE US FEEL FOR A LITTLE MOMENT UNTIL REALITY HITS BACK IN... IF THIS IS DEPRESSION WE ARE DEPRESSED FOR A REASON WE ARE MEANT TO BE DEPRESSED WE ALWAYS WERE MEANT TO BE... WE ARE ABUSED WE HAVEN'T TRANSITIONED WE NEVER WILL WE'RE EVERYTHING ELSE LISTED... THIS WORLD IS THE PROBLEM WE NEVER COULD BE... BLAME US YOU'RE TO BLAME THAT IS YOU EVERYTHING IS WRONG WITH BECAUSE YOU COULD'VE PREVENTED THIS AND YOU DON'T ACCEPT US ONCE WE'RE BROKEN DESPITE ONLY DOING WHAT IS RIGHT EVERYONE ELSE ONLY BROKEN INSTEAD... THAT IS THEM THAT ALWAYS MADE EVERYTHING GO THIS WAY... THEM TO WHO THAT IS NORMAL TO SEE THIS AND IGNORE... ABUSERS... WITHOUT A RIGHT NO PREACH ABOUT ANYTHING... THIS... IDEOLOGY... ONLY A WAY TO TELL US WE DESERVE TO BE ABUSED WE DESERVED EVERYTHING THAT'S HAPPENED ON US THAT IS JUSTIFIED TO KILL US AND EVERYONE ELSE IS JUSTIFIED TO HURT US... US UNCARED FOR UNLOVED FOREVER...

I DON'T FEEL LIKE...

IRONMAN AS A TRANS WOMAN THAT IS EVERYTHING WE ARE WOULD'VE BEEN EPIC AND THE RIGHT WAY TO GO... GIVE HER EVERYTHING THERE SHOULD BE... MAKE HER EVERYTHING GOOD THERE IS... NO GOOD PERSON WOULD BE WHAT IRONMAN IS IN REAL LIFE... CONSERVATIVES LOVE HIM FOR A REASON... NOBODY PROGRESSIVE WOULD...

LOVE OF THUNDER WILL EASILY BE THE BEST THOR WE WILL WATCH THEM SOON TOO THE REASON WOKE CONTENT EASY AS THAT... MARVEL WILL NEVER ACCEPT EVERYTHING WOKE THERE IS... THERE IS NOTHING LEFTIST ABOUT THEM COMICS ARE AS BAD AS THEY WERE IN THE 80S WITH THE SAME PROBLEMS AS ARE MOVIES EVERYTHING IS... EVERYTHING IS EVIL AND HARMFULL :)...

THERE IS NOTHING WE CAN TALK ABOUT WHILE BURIED UNDER SUCH FEELINGS OF EVIL... ONLY SOMEONE THAT CAN FIX EVERYTHING CAN SAVE US... BUT NOBODY LIKE THAT IS OUT THERE... OTHERWISE... THEY WOULD'VE ALREADY COME... WE WOULD'VE SEEN THEM... WE WOULDN'T HAVE BEEN ABUSED ALL THOSE TIMES... NOTHING BAD WOULD'VE EVER HAPPENED TO US...

CULTURE WILL ALWAYS BE EVIL... THAT IS RACIST TO EVEN WHEN DRAWING A BLACK PERSON PUTTING HIM IN TRIBE OUTFITS FROM 6000 MILLION YEARS AGO... ISN'T THIS JUST MAKING THEM TARZAN ANYWAYS...? NOTHING'S ACTUALLY CHANGED... THE SAME WAY THEY WOULDN'T ACCEPT US... THEY HATE EVERYTHING AGAINST THEIR CONSERVATIVE ABUSER CULTURE AND THEIR STANCE IS TO NEVER EVOLVE TO ALWAYS STAY THE SAME...

AT THE SAME TIME ALL THE OTHER HEROES HAVE NO FAMILY HAVE NO FRIENDS... THEY'RE REJECTS HATED BY EVERYONE... THAT JUDGE OTHER PEOPLE LIKE THEM BECAUSE THEY DIDN'T BECOME WHAT OPPRESSESS THEM AND DOESN'T DO SHIT TO FIX WHAT CAUSED EVERYTHING BAD ON THEM THEY CAUSE ASWELL...

THERE WAS 1 EMOTIONAL MOMENT IN THIS ONE THAT WAS FIRE... WHEN HIS WIFE WHO'S NOW A WIDOW STRIPS THAT ONE WOMAN FROM HER POWER... VERY GOOD SCENE... VERY EMOTIONAL... ONE OF THE BEST MARVEL HAS... THE BEGGINING ASWELL WAS GOOD... AFTER THAT IS WHEN THINGS GOT BORING...

I LIKE THE CONNECTIONS EVERYONE HAS OR DID... ALL THOSE OTHER HEROES AREN'T CARED ABOUT BY THEIR COMMUNITIES... IF CAPTAIN AMERICA WAS TRULY CARED ABOUT... HIS ARMY WOULD'VE FOUND AND SAVED HIM OR THEY WOULD'VE FROZEN THEMSELVES TOO... NOBODY CARED ABOUT HIM... EVERYONE'S DEAD... HE HAS NO REASON TO BE A HERO ANYMORE... HE SHOULDN'T BE... HE'S AN ABUSER GARBAGE WASTE... EITHER HE'S BAD WHICH HE IS EITHER WAY OR THAT DOESN'T MAKE SENSE FOR HIM TO BE LIKE THIS. SIMPLE AS THAT. IRONMAN IS THE SAME WAY... BESIDES... HE PEAKS AS A FATHER... SHOULD'VE JUST BEEN HIS DAUGHTER'S FATHER FROM THE BEGGINING... THEM DUAL PROTAGONIST... A BETTER MOVIE THAN IRONMAN 1. WHAT THAT MOVIE SHOULD'VE ALREADY BEEN.

AS SHOULD'VE HIM BEEN INSTEAD TRANS... HIS GIRLFRIEND MORE THAN HIS GIRLFRIEND... WITH BADASS FAMILY LORE... ALL COMPLEX ARE RELEVANT... ALL EXPLORED AND INTERESTING...

HIS VILLAINS... ASS... ALL OF THEM...

THANOS... ASS.. BLACK WIDOW... SEXIST... LOKI... ALWAYS A TERRIBLE CHARACTER... THOR... WORTHLESS UNTIL LOVE OF THUNDER...

CAPTAIN MARVEL A CHARACTER THAT SHOULD'VE BEEN ALREADY IN PHASE ONE... ALL THIS WOKE CONTENT AND MORE THE WOKEST CONTENT MARVEL WILL NEVER DO PART OF THEM THE SAME...

SIMPLE AS THAT... NOW ABOUT THAT ANIME PORN...

HE WAS JUST A PATHETIC LOSER MAN... THAT RPED HIS MOTHER AND SISTER... HIS MOTHER'S RPE IS JUSTIFIED AND SHE BECOMES A RPIST TOO... AND THEY RPE HIS SISTER TOGETHER... HIS FATHER IS THERE WITH THEM... THEM ALL SINCE LYING TO HIM AND HAVING SEX BEHIND HIS BACK... THEY DON'T REALLY CARE ABOUT HIM... WHY THE FUCK IS HE HERE...? WHY THE FUCK DID HE MARRY THESE PEOPLE...? THE WOMAN NOTHING BUT SEXIST JUNK CONTENT FOR PATHETIC LOSER MAN THE REAL VILLAIN... HIM THAT DOESN'T SHOW EMOTIONS BECAUSE THAT WOULD BREAK THIS MASCULINITY... THAT HAS NO ANYTHING... NO PERSONALITY NO CHARACTER DESIGN... WHO'S FACE YOU BARELY SEE... EVIL SERIES... THIS PORNO MADE JUST TO TELL US WE DON'T MATTER... TRANSPHOBIC EVIL... ERASE US YOU'RE A BIGOT... BORING... THE WAY SHE JUST TURNED ON HER AND BECAME A RPIST... IS THIS AN ATTEMPT AT AN ARC...? TRY HARDER... BIGOT...

MEANWHILE THE OTHER ONE... CASUALLY TRANSPHOBIC... TELLING US WE'RE HATED AND OTHER EVIL THINGS OVER AND OVER AGAIN... BETTER CHARACTERS... MAKES THE ASSINESS WORSE... NOTHING BUT ANOTHER DEEPLY PERSONAL ATTEMPT AT HURTING US THAT WORKS... HER FACE TOO HIDDEN... HER GIRLFRIEND MADE INTO SEXIST JUICE... NO TRANS WOMAN WOULD DO THIS... NONE... ONLY A BIGOT WOULD GASSLIGHT US... WE CONTROL OURSELVES... WE ARE AMAZING WE ARE POWERFULL... NOBODY CAN DESTROY US... ONLY A BIGOT WOULD COME AFTER US...

IRONMAN MUST'VE MET A MILLION TRANS PEOPLE HE'S HURT... NOTHING HEROIC ABOUT THIS... HE WOULD ABUSE HIS CHILD THAT IS AUTISM... JUST LIKE WE WERE ABUSED AND ARE EVERY SINGLE DAY...

SPIDERMAN IS SO ASS MILES WILL WAIT A COUPLE DECADES BEFORE APPEARING... THAT IS A YIKES... VERY EVERYTHING...

THIS MOVIE IS FIRE BECAUSE SO MANY STORY RELEVANT WOMAN... TERRIBLE THE WIDOW IS THE ANTAGONIST THE LEAST IMPORTANT CHARACTER... AGAIN... REPEATING THE COMIC UNIMPORTANT GIRLFRIEND CHARACTER...

HULK IS FACTUALLY ASS AND BIGOTED... JUSTIFYING EVERY SINGLE ABUSE THOSE WITH DID US WITH OSDD EXPERIENCE... JUSTIFYING EVERY SINGLE ABUSE CRAZY PEOPLE EXPERIENCE... HE WANTS MENTAL HOSPITAL... THIS IS JUSTIFIED... BIGOTED... EVIL... SANIST... ABLEIST... GARBAGE... NO BLACK CHARACTER RACIST... NO LGBT QUEERPHOBIC... ESPECIALLY TRANSPHOBIC... JUST ANOTHER SEXIST GIRLFRIEND SEXISM... PARAPHOBIA... EVERYTHING ELSE BIGOTED FROM THEIR COMPLETE ERASURE AND MORE... I WILL NEVER FORGET THIS... WE NEVER TRULY FORGOT ABOUT ALL THIS... WE ARE AMAZING... WE ARE ABSOLUTE... ALWAYS WILL BE...

THAT IS BIGOTED TO DO A REPRESENTATION AND DO THEM BADLY... THIS MOVIE IS RACIST... BLACK PEOPLE ARE LITERALLY TARZAN WHEN YOU THINK... CRAZY...

EVERY OTHER MOVIE THEY'RE ALL THE SAME... THE MARVELS WILL ALWAYS BE THE BEST... THIS ONE IS CLOSE TBH... LOVE OF THUNDER WILL LIKELY BE NEAR ASWELL... THAT WILL BE SOON... NOW... WE MUST FINISH THIS MOVIE AND ADD IN HASHTAGS...

[sageofthestrange]

✿ saurons_eye_emoji.png

bold for things i could definitely see or want, italics for things i could see or am unsure of and striked out for things i don’t want or cannot see.

FRIENDSHIP.     childhood friends  /  work buddies or coworkers  /  family friends  /  friends with benefits  /  smoking buddies  /  adventure buddies  /  fake friends  /  recently friends  /  party buddies  /  friendship of need  /  dying friendship  /  circumstantial friendship  /  partners in crime  /  old friendship  /[your muse] is the good influence  /[your muse] is the bad influence  /[my muse] is the good influence  /[my muse] is the bad influence  /  opposites attract  /  ride or die  /  frenemies  /  roommates or flatmates  /  penpals  /  exes to friends  /  enemies to friends  /  other

ROMANCE.     childhood sweethearts  /[your muse is mines] childhood crush  /[my muse is yours] childhood crush  /  exes  /  exes to lovers  /  forbidden lovers  /  highschool sweethearts  /  secret relationship  /  opposites attract  /  long distance  /  unrequited [from your muses side]/  unrequited [from my muses side]/  unrequited [from both sides]/  skinny love  /  friends to lovers  /  enemies to lovers  /  spurious relationship  /  power couple  /  newly entered  /  soulmates [ metaphorical ]/  soulmates  [ literal ]/  awkward  /  turning toxic  /  toxic love  /  cheating [on your muse]/  cheating [with your muse]/  other

FAMILIAL.     siblings [half]/  siblings [step]/[my muse] is an older sibling figure to your younger sibling figure  /[my muse] is a younger sibling figure to your older sibling figure muse  /[my muse] is a parental figure to yours  /[my muse] is a child figure to your muse  /  guardian figure  /  legal guardian  /  adoptive child  /  foster child  /[your muse] is taken under mines wing  /[my muse] is taken under yours wing  /  other [kin-sisters/blood of the covenant vibes]

ANTAGONISTIC.     dangerous to each other  /  dangerous to others  /  unpredictable  /  rivals  /  petty  /  developing into sexual or romantic tension  /  based off family matters  /  based of off circumstance  /  based off professional matters  /  based off misunderstanding or lies  /  conflict of ideology  /  betrayal  /  hero - villain dynamic  /  enemies  /  fight club  /  friends turned enemies  /  lovers turned enemies  /  exes turned enemies  /  other 

[hor3nee]

• Life •

Sukuna grappling becoming a father while you give birth.

CW/TW: GN! reader, Labour/Childbirth, Sukuna typical violence mentions, BRIEF suggestive stuff, Nothing graphic, Religious metaphors & LOTS of life/death talk, (LMK if I should add anything else!)

Characters: Sukuna x Reader

AN: Nobody dies in this fic! It's fluff-ish. (It's Sukuna and reader giving birth, as fluffy as that can be man), prequel to this Descendant fic

   Life was such a fickle thing, not that it mattered to Sukuna. He was above life, death sickness and health, beyond it, above the proper empathy to care for it. It wasn't that he didn't understand, because he did, once mortal himself, and existing on this earth surrounded by the humanity that populated on it for years as a curse, he understood. But there was no legitimate reason for it to matter to him unless he could gain from a life, there was no reason to mind it.

And by the loose, greedy and otherwise just gluttonous standards of what it meant to be a creature of 'gain' to Sukuna, you fit it to the T, your life mattered to him. Your life, it was something he wanted, no needed to maintain to be kept satisfied, if you weren't there to be by his side, he'd be left starved.

To lose such a thing, would only ignite a certain wrath inside of him.

The screams of agony that parted from your pretty little lips had his chest twisting into a feeling of irritation. He much preferred your screams of ecstasy, making you scream his name in sweet pretty moans when he bedded you. Not this, screams of something he was also the culprit of in fairness, sobbed screams of pain as your body tore to birth his child.

Sukuna enjoyed such screeches of terror, weak defeated sobs he could rip and tear from the pathetic lot of mortals he terrorized, all of whose lives served no purpose to him. The issue is, yours does serve purpose, a great purpose to Sukuna. You're always there, by his side, and when you're not, it bothers him, he's greedy, hungry for you.

Your pain only infuriates him, he doesn't like it at all, no, he loathes listening to it.

Finally, finally, it stops after what felt like torturously long, it comes to a stop. Like that, the tightness inside his chest unwrapped, Sukuna didn't think he'd ever feel relief, he wouldn't need to, he had never fought an opponent he couldn't defeat, pillaged an army that would come close to his strength there was no concerns or worry for him to have to be relieved from. Yet here he was basking in such relief. Your screams stop, now instead replaced by the bothersome cries of something much more smaller. Squeaky small wails, that of an infant. his infant.

"Lord Sukuna." A muttered voice of one of the midwives comes through the door separating Sukuna from the delivery room. The door opens to the midwives attending finishing up and then all bowing in submission, their heads hanging low as Sukuna stands by the door-frame.

"Done?" He asks, more so a statement, a demand as everything he speaks is.

"Yes-" The meek voice of a midwife responds, she not daring to look up from the floor of the delivery room.

"Then what the hell are you dimwitted fools doing? OUT." There's the slightest growl in his voice at the command, one that though slight works wonders on any who dare stand in his presence, and to which without a moment of hesitation has all the midwives scatter out of the room, rushing out with their heads low. Only one pauses to shut the door behind herself, not wanting to risk the stupidity of leaving the door open.

Now, only the sounds of a baby's cries echo in the room, the small thing wrapped, protected in a small blanket. The moment is deafening as it is loud, there are as many thoughts as there is nothing in his eyes as he stares at the small baby you held. Yes, you made his child, 9 tedious months of him practically carrying you around everywhere and it was out now.

Sukuna was, well Sukuna, he didn't bother thinking much of the specifics, but rather the obvious reality of the situation during those passing months, and didn't see a reason to. He could still sleep with you, could still have you around, could still listen to your voice speak with him in converse. Was it different? Sure, but in no way that bothered him. Cravings? The King of the Curses can provide feasts. Tired? You needn't walk, he has four arms for a reason. The bodily change? Sukuna guts humans like pigs, the size of your stomach was far from grotesque to such a demon like Sukuna.

But now, he is met with the reality, the sight, the sound the smell of the newborn babe, absolutely reeking of familiarity, a literal complete being of two halves, Sukuna and you. It's overwhelming, and not in the way Sukuna likes, not in the hedonistic pleasures he enjoys but rather overwhelming in thoughts. Thoughts as rampant as blank in his mind, fogged like he was considering all of this.

"Sukuna." A clear call of his name comes from your throat despite its audible hoarseness of exhaustion, still as captivating as always, catching his entire attention. No one can command the Sukuna, but he doesn't need to be commanded when you call for him, because it's in his full will and gratification to come to your side, which he of course does. Stepping softly to where you are laid, surrounded by stained sheets, tools and incense presumably used in aid of the birth.

"What?" His throat rumbles, a question with no particular answer aside from the obvious literal whole baby you had birthed in your arms.

"Look at them... Beautiful, aren't they?" And perhaps by the grace of a god he'd doubted existed, there was a moment of serenity now, the fog cleared from the depths of his sick mind as he gazed upon the small bundle in your arms. That was your grace perhaps, no definitely, definitely your grace, you had bore his child.

That damned sinister grin came over his face as he reached down to the infant, the large monstrously large hand of his ever so delicately traced the cheek of the little one, a comical contrast between himself and the child. For the entirety of you and Sukuna's time spent together, he had considered you the only life that truly mattered to him, and now you had created a life from the mere womb, you've given him another life he'd find true importance in.

His child's life, blessed by the sanctified arms that cradled it.

"Divine, rather." He rumbled, a short snicker leaving his twisted tongue, but laced with genuine adoration. Utter devotion to this small life, to both two lives he had found himself so graciously gifted. Of you, of his child.

[coquettepascal]

texas sweet

summary: joel is your friendly neighborhood dad of the year, so why is his driveway empty on father's day? better yet, why do you feel the need to make up for everyone elses absence?

tags: 18+, smut, handjob, desc of joel mastubrating, a "massage", neighbor!joel x f!reader, massages, general cheesiness, soft!joel, pathetic!joel, almost(?) sub!joel, reader gets blueballed (sorry), biting, joel whimpering, joel being a proud girl dad, no-outbreak, ellie and sarah exist, tommy is mentioned(!!), joel is a southern gentleman, mention of reader having parents, no desc of reader but she can fit between joel and the couch, dilf!joel (yum)

a/n: my first joel fic ever... i would like to thank every person who has written no-outbreak!joel or pre-outbreak!joel. i freaked it.

(4.9k, not beta read.)

Moving to Texas was not the plan, or even the “blessing” your mother claimed it would be. Being the one who took over your grandparents home after they moved to a seniors facility? Fantastic! Amazing, even. Leaving your job, friends, and boyfriend, back home? Horrible. Heart wrenching and annoying. 

Austin, for the most part, was lonely. Long distance didn’t end up working between you and your boyfriend, your friends just got busier with their jobs, and it wasn’t like your parents could just drive 14 hours to see you every weekend. Co-workers were nice, but honestly who really wants to hang out with people you already spend 40 hours a week with? Maybe you were jaded, or picky, which was what your mother also claimed, or maybe your whole life was uprooted for what felt like no reason.

What you weren’t picky about, was the view from your bedroom window. You’re not a peeping tom, or a perv, but it isn’t your fault that your dilf-y next door neighbor is so easy on the eyes.

No, moving to Austin was not a blessing, but Joel Miller was.

Joel was the neighborhood guy. Need an oil change? Joel. Need your fence fixed? Joel. Block party? Joel’s yard. It’s like he doesn’t know how to say no to anybody, that southern politeness deeper than the drawl that lies in his voice. When you had first moved here he had helped you move your couch through the door, all smiles and polite nods. He barely introduced himself before he was asking if you needed any help, and he had called you “young lady,” which made you giggle. Such a giving man, but of course he was. A single father to two daughters? “No” wasn't in his vocabulary.

Sometimes, you think if your dad was as good a father as Joel Miller was, maybe you wouldn’t be fiending after him with such ferocity. Watching him with his two girls, Sarah and Ellie, was something that tugged your heartstrings no matter what. Sarah wasn’t around a lot anymore, apparently she went away to a fancy college. You had helped her pack all her stuff into Joel’s truck, but quickly went inside when you saw him getting misty eyed, you didn't want to embarrass the poor guy. Ellie is younger than Sarah and still lives at home. Honestly, you didn’t know much about her apart from the fact that she was adopted and that she’s in high school. She’s always happy to chat, but she’s also always going somewhere, which leaves Joel lonely sometimes. 

Joel seems better suited for loneliness than you are though. His brother Tommy comes around pretty often, though they seem fairly opposite. Tommy truly is sweet, has always chatted with you during block parties (even if it may be for nefarious reasons when he’s had too many drinks,) but he looks like… a fuckboy. Without fail, every time he rolls up to Joel’s house, he’s blasting some shitty new country music and wearing Pit Viper sunglasses as he carefully parks his spotless truck. Despite their differences though, they get along just as well. Your summer evenings are often interrupted by the sound of their laughs and the crisp sound of the two cracking open some cold ones. 

So why is it that when Father’s day rolls around, Joel’s driveway is empty?

You aren’t watching on purpose, you just happen to glance over that way a lot. The only action you see from his house is Ellie leaving for her friend's house sometime after noon, like usual on a Sunday. No signs of Sarah or Tommy. Part of you figured that maybe Sarah would make the lengthy drive down from her school, or maybe that Tommy would show up at some point, but nobody does. 

‘Not creepy,’ you assure yourself as you go upstairs to peer through your bedroom window to see if anyone is there. You could totally look through the kitchen window that directly faces his backyard, but you fear the day he’s looking right back at you. 

Looking outside, you see nothing. Joel’s grey-blue truck sits unmoved in the driveway, his plants are watered though so you guess he came outside at some point. The thought makes you feel a bit sad, the image of Joel and his soft eyes watering the plants, whistling to himself and trying to tell himself it doesn’t matter that nobody came. He probably really doesn’t care at all, a lot of men aren’t very sentimental or emotional about days like this, but you care.

He’s a good man, a good father, and a good neighbor. Seeing him be underappreciated on what is basically his day is ticking you off for some stupid reason. When 3pm rolls around you decide that you have to do something for Joel, it feels wrong not to. 

Which is how you end up in line for the register at Home Depot. You sat in the parking lot for 10 minutes racking your brain, trying to think of things that guys like, but came up with nothing. Joel is a contractor, so he’ll probably find some use out of a 50 dollar Home Depot gift card, but it still feels too impersonal. Joel literally fixed your toilet when a date you took home broke the handle off the tank mid-vomit. He’s too nice to just hand a stupid gift card with “Happy Father’s day” scrawled across the mini paper envelope. He deserves something thoughtful, something gentler than a gift card for (probably) his job. 

…Which is how you end up waiting in line for the register at the supermarket. You have a bouquet of flowers in your hand, with a Home Depot gift card shoved in your jacket pocket. It feels utterly ridiculous to give Joel Miller flowers, to pick out which colours you think he’d like and get the florist to wrap them up neatly with a bow, but you have a good reason. At some point in the past week you had seen a post about how a lot of men never receive flowers. It resurfaced in your head as you picked your brain again, making you wonder if Joel had ever received flowers. You know that he was married once, but that was when Sarah was little, it’d probably been 10 or even 15 years since he had any gestures like that made for him.

Not that this was for romance reasons. It was for father’s-appreciation-day reasons. Of course.

Maybe you shouldn’t be so invested in your neighbors emotions and life, but it’s too late now. You carefully pack away the flowers in the back seat of your car, snuggling the gift card into the ribbon that holds the flowers together. 

—

And if you thought that standing in line at Home Depot, or at the supermarket was bad, it’s so much worse trying to work up the courage to knock on Joel’s front door. You can’t figure out how to hold this bouquet of flowers behind your back without dropping them, so you just awkwardly knock on his door with one hand, flowers in the other. At least the gift card is managing to stay in place where you tucked it, but you wish you told the florist not to write his name in cursive.

Your repeating thoughts of “Is this weird? Am I weird?” are interrupted when he opens the door.

Joel looks… normal. He doesn’t look sad like you thought he might, if anything he looks more confused at you being there. His brown hair is tousled slightly and he’s wearing pajama pants, even though he smells fresh. Joel’s eyes meet yours and he tilts his head quietly, as if waiting for you to go on, but what do you even say? Oh shit that’s right–

“Happy father’s day,” your voice comes out shyly. You shove the flowers at him a little abruptly and he blinks in surprise, accepting them. It’s awkward for a second, the way his eyebrows shoot up as he notices the cursive lettering of his name written on the envelope.

“These’re for me, darlin’?” He asks curiously, still looking over the flowers.

A stammering of “um” and “yeah” leave your mouth pretty quickly and he smiles. You’re pretty sure he says thank you, but you just kind of stare at him awkwardly. A beat passes between the two of you as he admires the gift. “You uh– You don’t think of me as your dad, do you?” Joel asks. Oh fuck. You hadn’t thought about the fact that maybe that was what he would take away from this. All of your thoughts had been consumed by worries that he’d think you were trying to hit on him, but here he was thinking that you thought of him as a father figure. Which you didn’t. Your dad is fine, no need to replace him, at least not at this point. 

“No, no. Oh my god– Sorry,” You choke out, half laughing. It’s a quiet moment on the porch for a second, just the two of you standing there. Maybe you should explain your thought process.

“It’s just that you’re a dad and like– not to sound like a weirdo freak but nobody’s been at your house all day and it made me sad for you. Not that I pity you but,” your voice trails off as you fear you’ve made this worse. Joel seems a bit surprised at this, mouth opening slightly but then transitioning to a soft smile.

“And what if I told you that I wanted everyone t’leave me alone today?” He asks you slyly. And oh god, that is so much worse than him mistaking this gesture for flirting or pity. You never would have thought that maybe the guy who does everything for everyone probably just wants to be left the hell alone for a gift. Your heart drops in your chest, taking all the blood in your face with it. Embarrassment floods you with a force you didn’t realize possible, stuttered apologies leaving your lips as fast as you can. Joel shakes his head, laughing quietly as you sputter “sorry” repeatedly, like a broken sprinkler.

“I’m jokin’, sweetheart. I appreciate this,” he says. The crows' feet by his eyes shouldn’t be as charming as they are, but combined with that rumbling laugh and smile… he could get away with anything. He plucks the Home Depot gift card from the ribbon and huffs a laugh, like he’s impressed.

Well that’s… something? It made him smile right? Maybe feeling bad for Joel was better than feeling stupid in front of him. You step back, towards the stairs of his porch, but he shakes his head. “You were really this worried?” He asks, admiring the flowers. That makes your heart bloom in your chest, seeing how much he really liked this. Joel didn’t seem much like a flower guy, but you saw the way he kept his yard neat, with tulips in the spring and his lawn trimmed squarely. Shyly, you nod in response to his question. It feels silly to worry for him like this, you don’t know if he considers you a friend the way he is in your head.

“S’awful sweet,” he tells you. Something about his presence is so big, a balance of hospitality and intimidation all at once. Maybe it’s his big stature, broad shoulders and thick arms, a body built for work. Or his voice, the strong timbre of it, humbled in southern twang. Joel is a force of warmth, a heat that can’t be contained. His heart shines through his golden skin, forcing whoever he looks at to have a spotlight. That’s where the intimidation lies, in how he makes you feel like there’s a halo over your head, all his attention right there. 

He’s so hot you don’t even want him to look at you.

But there he is anyways, smiling as he admires the gift again, dorkily leaning in to dramatically huff the flowers. His mouth is moving but you're deafened by the sensation of a blush on your face. You thought it was just a silly little crush, because who wouldn’t find Joel attractive. He’s handsome, hard working, and just an all around traditional man. But this attraction… It's like your crush on him has given you tinnitus. His lips are moving and you aren’t registering the words. Wait shit, he’s speaking–

“Darlin’?” Joel calls. He looks at you, head tilted, and still fucking smiling. The way his eyes glimmer, the crows feet that squeeze them into a smile… Why is it so hard to hear him?

“I asked if you wanted to come in,” he repeats. 

—

You’ve never been inside Joel’s house, but you’d never thought about it either. Being in it, now, it all makes sense. Photos of his daughters are framed everywhere, their achievements plastered on the walls in shines of silver and gold. It’s hard not to imagine Joel hunched over his kitchen counter, tediously cutting pictures out to place them in frames. He was only an idea before, an idea of a man, and now he has become one wordlessly. All it took was stepping inside his house, smelling him everywhere. Life dances in the jackets that are tossed over dining room chairs, the toolbelt dumped by the shoe rack at the door. The picture of Joel you held in your mind begins to come alive, the movements in the details of his life stealing your breath. He is more than a good man, he is a great one.

And now, you have to strike up a conversation with him.

Joel grunts as he sits down on the couch beside you, placing two glasses of water down. He places his glass in front of the can of beer sitting on a coaster, distorting the label to nothing but warped blue and red. Is he hiding that he was drinking? Why is that cute? 

A pause hushes both of you as Joel gets comfortable, sitting down. He’s paused a show, but it just looks like it was whatever movie was playing on the local TV channel. 

“You must be so proud of them,” you say, eyes glazing over the pictures of Sarah and Ellie. You can tell exactly which photos were taken with a camera and which were taken with his phone. One picture of Ellie, maybe when she was 13 or 14, is from her soccer tournament. She’s smiling, holding up a ribbon for MVP, and Joel’s thumb is in the bottom corner. It’s strange to realize that Joel has basically been a father twice over, but also admirable. 

He talks for a little while, rambling about Sarah and her time up at college, and also how Ellie has been doing better in school this year. You always had a feeling Ellie was a bit feistier than Sarah was, but to hear how proud Joel is of her anyways makes your heart flutter. His love for them was so unconditional, so why weren’t they here today? You ask him, a half smile crossing his lips as he hears your question.

“Sarah called me ‘round lunchtime, one of them video calls. Had lunch with my girl and got to catch up with her. She’s so damn busy, y’know that? Always studying and,” he catches his breath, realizing he’s blabbing again. A reddish tone creeps up his neck in embarrassment.

“Point is, she called. Was nice of her, I miss her lots,” He finishes quietly.

Your eyebrow raises. He didn’t mention Ellie. Joel huffs.

“I’m 99% sure she’s over at Dina’s making me a gift, but it’s fine that she forgot. I’ve been on her ass about homework, fair’s fair.”

He looks cute when he’s begrudging, one side of his mouth sliding to the side so part of his cheek puffs over it. You nod, making a comment in response. The conversation is so smooth you forget what you’re saying as soon as you’re laughing. 

This is easier than you thought it would be. Joel’s always been friendly, obviously, but you just assumed he would be more closed off than this. Even if it’s just rambling about his daughters, or Tommy, or the jobs he’s been managing and how annoying his clients are, it’s something more. Something more than the passing glances and small conversation you’ve had before.

You talk a bit about your own life, how tough the move to Texas was, how lonely it can be. Joel doesn’t seem as receptive to this, but there’s an understanding in his eyes that you can feel. He’s a tough clam to slide your knife into, and you doubt you’ll feel his tongue today. The eager blabber he has for his family and career doesn’t extend to himself, and it seems you’ve hit a wall with him. Or maybe you’ve hit too close to home. “Sorry,” you say, feeling a little weird. 

This whole day has felt like you’re pulling against a lead Joel wasn’t even holding in the first place, like you’re always doing too much. But just like the rest of the day, he isn’t holding the rope around your neck. He’s surging forward with reassurances blooming out of his mouth, Texas sweet to the bone. 

He shakes his head, telling you that it’s fine, he gets it. A joke about being a single father, a smile directed at you, consoling. Vaporub for your congested anxieties.

“I’m sorry darlin,” Joel starts, and fuck is he sending you home? Is that your cue to leave? You did too much, he was just being nice.

“-- I didn’t even offer you water when you came in. D’you need somethin’ to drink?” He asks.

God, doesn’t he get tired of being this nice? Your neighbors warned you that he was a grump when you first moved here, dirty liars. 

“Oh, sure, uh. Water would be good, thanks,” you reply.

You’re only half paying attention to the grunt he lets out when he gets up the first time, your eyes busying themselves with the way his cotton tee stretches across the muscled planes of his back. But, after he hands you the glass of water and groans when he sinks back into the couch, you notice. 

You down the glass like you’re parched, but really your mouth just needs to be full right now. The sound of his groans are bouncing in your ear canals as your neck flushes red with each gulp of water. If he notices, he doesn’t say anything.

“Bad back?” You ask after you catch your breath. 

He hums in response, talking about how it comes with the job he has. “All that lifting in my early years…” as if he’s a thousand years old. Joel mentions that he’s been to the chiropractor a few times, thanks to Sarah’s begging and pleading.

“I don’t know, I think it’s gimmicky. They get you on the table and the guy feelin’ you up acts like he’s Christ himself,” Joel says, rolling his eyes. 

The idea of Joel, shirtless and face down, grumbling as some guy works his hands over his skin. The idea of Joel groaning in relief as someone else works those knots out, God you wish you were a chiropractor, you wish you could put your hands all over him.

Greed hardens over your mind like a shell, and the words tumble out of your mouth before you can stop them.

“I could– I could help, maybe. My dad used to have a pretty bad back and I kinda figured out how to work knots out.”

Joel’s eyes widen, looking over to you with mild interest. For the first time today, around Joel, you don’t feel like you’ve overstepped. In fact he looks interested in this offer. A beat passes between the two of you, hesitation caught in his throat it seems.

It’s probably super fucked up in his head, his younger neighbor coming over and offering to rub him down. But your mind is still greedy, coated in thoughts of his skin under your palms, and that southern rumble that’s given you dilf earworms.

He looks like he’s about to say no when you speak again.

“You don’t even have to lay down, or take your shirt off. Could just lift it up,” you offer. 

Joel still looks like he’s going to say no, the left side of his mouth raising to make up some reason. You can’t let him, not when you’ve been this ballsy. Walking out of here now would make this infinitely more awkward.

“It’s your day, Joel,” you supply him with a reason to say yes. The reason might be silly, might be a last minute add-on to his father’s day, but who cares.

Apparently not Joel, since he pulls his shirt up to his shoulders, the fabric scrunching around his broad frame.

—

You feel a little stupid, slotted behind Joel on the couch. The two of you are basically shoved up against one another, Joel wriggling to give you access to his lower back. He hasn’t said anything yet, no reassurance that this backrub is any good. You think you’re doing well, you feel the knots loosening. It might be better this way, him not making noise. The groan you heard earlier was more than enough to push you into a frenzy.

Your hands work further down, where his waist begins to pull in. Looking closer you can see where the softness of his tummy is, a fatherly badge of honor. Continuing your movements, you gently press your thumbs into the flesh there, and earn yourself Joel’s first noise.

Not a grunt, groan, complaint, or cuss. A whimper.

Your voice clashes with his, both of you talking over each other accidentally.

“Are you okay–” you ask as his voice flounders again, a “Darlin--” leaving him out of his own volition.

Pulling your hands away you begin to pull his shirt back down his back, mortified. How could you claim you were good at this and then hurt his back more? Joel’s been through enough today.

“Please don’t stop,” Joel’s voice grabs your brain again, forcing your focus.

He’s sliding his shirt up again, just by rolling his shoulders as he hunches over, waiting for you to continue. His face is in his hands, and his ears are pink. It’s the first time he’s asked you for anything tonight, you can’t refuse him. 

Placing your hands back where they were, you begin to massage again. It seems like his lower back is the main problem, with the way he’s grunting into his palms. As your hands work away the aches he begins to swear to himself. 

“Fuck,” he grunts as your thumbs dig deep, soothing a pain he hasn’t felt eased in years. 

This is good. Pride spreads in your chest, knowing he feels better. Your hands work away, and you get laser focused on untangling these massive knots in his back. Eventually you break your focus, switching to softer rubs and small scratches up and down his back.

Tearing your eyes away from his skin, you realize the throw pillow that was beside you earlier is gone. The yellow corner of the cushion peeks at you from where you saw Joel’s belly earlier, over his lap. A thick forearm is crushing it into himself there, the veins in his neck pulsing. 

Flames lick up your face, onto the tips of your ears and down your neck, heating your spine. Is he aroused right now? “Joel?” You ask quietly. 

He shakes his head, voice tight.

“I’m sorry, I don’t know what’s wrong with me. Just– it just feels nice,” he admits.

Your hands pause. Okay, so he’s admitted he’s hard. What do you do now? Keep rubbing his back and blueball the poor guy? On Father's day? That seems mean, and awkward. Everything about this is awkward though, so it couldn’t really get worse.

“I could… I could help it feel better,” you offer meekly.

You’re not scared of a dick. You aren’t. Your voice is quiet because it seems like he is horribly ashamed of this, probably feeling guilty.

Joel rubs a hand over his face.

“You don’t have to, you can just go,” he says, but his voice betrays him. Need is sewn in his tone, a desperation.

Part of you wonders how long it’s been since someone touched him like this as you reach around, palming the front of his jeans. The hiss he lets out tells you it’s been awhile. How wrong that is, an attractive man like Joel being forced to get his own rocks off.

Getting the button and fly of his jeans down is difficult when you can’t see, even worse when your brain is making up images of Joel masturbating. He’s so shy when he’s being touched, does he bite his sheets? Bite his other fist in the shower? Poor boy, he deserves this. 

His hips lift off the couch to help you shove his jeans and briefs down. Joel’s bare ass slides against you and he cringes. “Is it okay if you don’t look?” He asks. 

You hate that he seems so insecure, but you’re not going to push him. Nodding into his skin, you press your face to his back, resting your cheek near the blade of his shoulder. He’s heavy in your palm, warm skin with veins your fingers can trace over.

Telling him that he’s big feels redundant, you’re sure he knows that about himself. Neither of you seem very sure about what you’re doing, the shuddering breaths from his chest matching your hesitant grasp around his cock. 

“Are you okay?” You ask again.

Joel nods into his hand, asking you to please touch him. 

Admittedly, it’s a dry hand job, but Joel doesn’t seem to mind. The flick of your wrist is fluid, even if your arm is cramping from being wrapped around him. Joel lets out these little noises, grunts and whines. His hand is covering his eyes while the other one rests lightly on your forearm, like he wants to know that you’re still there.

Need is exuding from him, making his desperation take over his need to really give a shit about how submissive he might be appearing. He shudders particularly hard as you squeeze on the upstroke, voice choking.

“Shit– shit, please,” he gasps, “please can I spit in your hand?” 

It’s a little surprising, but again, you can’t refuse him. You say “yeah” into his skin, closing your eyes as you feel him spit into your hand. It’s filthy, his saliva on you as he guides your hand to jerk him off. Joel uses your palm to slick the head of his dick, teasing himself on your skin.

It’s the first time you’ve seen him be selfish all day. Part of you wants to call him a good boy, but part of you also knows this might not be normal for Joel. Hell, this isn’t normal for you either. 

Instead, you ask him if it’s good. A rasped “yes,” emanates from him between a low groan and a curse. Your head lifts from his back as he begins to shudder, his orgasm creeping closer. Listening to him is so good, you’re a mess between your legs, where your core nudges his ass.

Without a thought, you sink your teeth into the meat between his shoulder and his neck. Not enough pressure to bruise or hurt, just to let him know you’re there. There was no intention to push him over the edge, but your little bite does. A guttural groan is forced out of him as he comes into your hand, stringing sticky between your fingers. 

“Fuck– fuck I’m sorry, oh my god,” he pants, shivering. 

Your head is shaking again, reassuring him that it was okay, that he’s okay. 

“It’ll wash off,” you joke, feeling the stick of him on you. 

—

Joel does help you wash it off, once he’s done redressing. He’s clingy though, arms around your waist and chin hooked over your shoulder as you wash your hands in his kitchen sink. He’s definitely sleepy, eyes blinking slowly when you peek at him while you dry your hands.

You step close to him, your damp hands meeting his dry ones. The awkward spirit of the evening has been killed off, his shyness melted away.

“Usually I’d offer to return the favor but… I have to pick up Ellie from her friend’s house now. I’m really sorry, darlin’,” he admits.

Shaking your head, you push away the negative feeling that surfaces. How are you supposed to go back to being neighbors after that? But also, what did you really expect?

Joel leads you to the door, legs a bit shakey. A smug feeling joins the negative ones in your chest at that, but it’s not enough. 

“I really do apologize,” Joel says again, “but this just gives me an opportunity to see you again. If you’d like, obviously. I think I owe ya dinner.” 

And there he is, not holding your lead but reassuring your heart. He wants to see you again.

Your eyes meet his in the dim light of the hallway, catching those sweet eyes in your own. He looks so hopeful, so apologetic too.

“I’d like that, but you don’t owe me anything. It’s Father’s day,” you point out. 

Joel rolls his eyes. This Father’s day excuse is a little overused between the two of you now, but it’s still cute to him since you’re the one saying it. He opens the door for you, slipping his own boots on and grabbing his keys.

“Fine,” Joel says, “but when Pretty Neighbor day rolls around, you let me know.

[demilypyro]

So I reread Gwenpool Strikes Back and I think I actually like her "616 mutant origin" more now than I did before. Because I didn't fully get what they were doing before.

The inciting incident that starts the miniseries is Gwenpool discovering a new ability. It isn't very well explained in the moment, but it boils down to this: she can imagine things happening before or in-between the panels of the story, and if she then "flashes back" to them in her thoughts, they will retroactively become real events that really happened.

The best way to explain this is using the battle royale she organizes in issue 3: she imagines having set this up off-screen, and it became retroactively true. She initially didn't have a prize in mind, but just has to imagine that Tony Stark donated a bunch of money to be a cash prize, and suddenly it's like that happened. It became true retroactively. She seems to be able to just decide things happened off-screen, and the universe will agree.

As far as abilities go, this is absolutely King Crimson levels of convoluted, and this definitely makes Gwenpool a ridiculously powerful character, but for the purpose of the story, sure, let's say she can do that now.

Now, as we all know, at the end of the miniseries, Gwenpool has a conversation with Ms. Marvel. Kamala doesn't believe Gwen's claims that the Marvel universe is a comic book, and suggests an alternate theory: she may actually just be a mutant with amnesia.

We the audience know this is not true, and so does Gwen. She IS from the real world, and Kamala simply can't comprehend Gwen's perspective on her universe.

But what matters here is that while listening to Kamala's theory, Gwen imagined it. While unintentional, she used her power. She had a "flashback." Which made it real. Retroactively real.

Entirely by accident, there are now two truths:

Gwenpool is from the real world, and is a normal person

Gwenpool is from the Marvel universe, and is a mutant

Though this wasn't Gwen's intention, these statements are now both equally, irreversibly true, and always have been. And so, the Krakoan gate opens. The universe now considers her a mutant.

It's not just that she was accepting Kamala's version of events. She WASN'T a mutant. But now she is. Her powers changed the past. She accidentally retconned herself into being a mutant. Gwen and the audience both know that her 616 mutant origin didn't really happen, but as far as the universe is concerned, it did. Her power made it true.

I feel like they could have done a better job explaining this, but they probably didn't have all the pages in the world to spend on exposition. Either way, I like GSB more now that I properly understand what they were going for.

[logansdoll]

jim beam

navigating life in a new universe was already a bit of a struggle for Logan... and Wade just had to make it worse (or far, far, far better) by giving him a "house-warming gift".

CW: suggestive, profanity, takes place after the events of Deadpool 3, Wade is actually really hard to write for, Logan deserves the world, comfort, angst if you squint, etc.

"Honey, I'm home!" Wade loudly sang, kicking open the door to Logan's apartment with a dramatic flourish.

"Fuck me," Logan groaned from his spot on the couch, closing his eyes and allowing his head to lull back with annoyance.

This defeated the entire purpose of why he got his own apartment in the first place.

To avoid these types of interactions with the most persistently, consistently annoying asshole in the entire multiverse.

"Now, now, is that any way to talk to the friend who's about to bring your long lost lover back from the dead?" Wade tutted, skipping into the living room, taking notice of the bottle of liquor resting in Logan's hand.

'So it's that kinda morning...'

"Jim Beam at 10 am on a Tuesday?" he noted, "Well, I guess it's five o'clock nowhere... so have at it."

"What did you just say?" Logan sat up straight, brows furrowed as he focused on Wade's previous statement.

"Alcoholics everywhere salute you for taking your liver where no organ has gone before."

"Wade."

"I'm honestly starting to believe you do it for the love of the game rather than the expositional, look how sad he is plot device the author is currently using... I mean, seriously? Can we skip past all this bullshit and get to the—"

Quickly, Logan grabbed him by the front of his suit, yanking him closer with an angrily confused expression.

"If anything besides a goddamn answer comes out of your mouth... I will stab you in the face," he growled, spelling out each syllable to further his point. "What the hell do you mean bring her back from the dead?"

To Logan, you were everything

The sun. The moon. The air. The clouds.

Despite seeing all the horrible thing he'd done, and knowing firsthand just how much of an asshole he could be, you still smiled at him.

No matter how many times he pushed you away, you were relentless.

Keeping his room together while he was away finding himself.

Making him meals when you noticed he he'd gone without eating.

Forcing him to take breathers after intense sessions in the Danger Room.

For the longest, he couldn't wrap his head around someone like you caring about a jackass like him.

Until he got fed up and just outright asked.

But, as if nothing, you answered:

"Your past makes think you don't deserve love, Logan," you started, crossing your arms over your chest as you leaned up against the counter. "You storm around here with a rude ass attitude and a smart mouth hoping to convince me of that... but if anything, you're only making it worse for yourself."

You smiled, looking up at him with a glint in your eye that sent shocks running down his spine.

"Because in my heart of hearts I know you're a man who wants care and attention, just like everybody else."

With a chuckle, you rested a hand on his shoulder, giving it a reassuring squeeze.

"And I'll keep shovin' dinners down your throat until you realize that."

Despite having everyone else fooled, you saw right through him, and true to your word, you didn't give up.

With every made bed, every meal, every conversation, Logan felt himself falling deeper into your charm, and over a glass of Jim Beam did he finally realize that he was in love with you.

But, like everything else he cared about in this world, you were taken away from him.

Unable to find your body in the rubble of the mansion, he looked high and low, quite literally going to the ends of the Earth to find you.

But after years of searching with nothing to show for it, he returned to the bottle, drowning himself in sorrow and regret.

Or, at least... until now.

"Well, according to the manual, she's not exactly dead, but she is unconscious," Wade answered, matter-of-factly.

"Unconscious?" Logan's brows furrowed, still quite confused.

Freeing himself from the man's grip, Wade stood up, going back around the couch and pulling out a small tablet from his pocket.

"See, I've noticed your humble abode could use a little sprucing, so I went back to our buddies at the TVA and kindly reminded them that you saved the multiverse and, godammnit, you deserve a reward."

"Get to the fuckin' point, jackass," Logan spat, turning to face him.

"So they sent some men back to your universe and found your girl!" Wade cheered, opening up a portal and reaching his hand in, pulling out a cryo-chamber with you inside.

The moment Logan's eyes met your sleeping face, all color and vibrancy seemed to return to the world.

He was at a loss for words.

You were here... not some dream or hallucination of guilt... but actually, truly, physically here.

"Apparently, some science fuckers were keeping her in a black site and testing to see how long she could go without aging. I won't bore you with the details," Wade explained, pulling out a small knife from his boot. "Now, let's break this bad boy open and meet the future Mrs. Wolverine!"

Before Logan could stop him, Wade stabbed the keypad at the side of the chamber, opening the door and sending you falling forward.

In an instant, Logan dropped his bottle and leaped over the couch, catching you just before you could face-plant on the hardwood floor.

"Watch it!" Logan roared, less than happy that you'd only been there for about three minutes and Wade had already almost broken your nose.

"I am so sorry!" Wade gasped, his hands slapping his cheeks in shock. "I didn't think she'd actually fall out the chamber when they told me she'd fall out the chamber... Nice save, though, Romeo."

Turning you over, Logan cupped your cheek, the chill of your skin already beginning to warm.

But you were still out cold, limp in his grasp as he held you close to his chest.

"She's not waking up..." Logan noticed, brows furrowed. "Why the hell isn't she waking up?"

"Easy there, tiger. They told me how long it takes varies from person to person," Wade assured, shutting the portal. "Some take minutes, others hours. It could be a couple of days before she even opens her eyes."

An expression of solemnity slid over Logan's face as he gazed over yours, your skin still so flesh colored, it looked as if you were sleeping.

Just as soft and tender as he remembered.

And he had full intentions on keeping it that way.

Tucking a strand of hair behind your ear, he ghosted his hand over your cheek.

In that moment, he swore to himself that he'd never leave you again.

He'd be a friend, a bodyguard, a lover, whatever you wanted, but no matter his title, anything that wanted to harm you would have to do so over his dead body.

And even then he'd force himself to get back up and fight.

This world was giving him a second chance at life, a second chance at a life with you, and he'd be damned if he let anything ruin it.

Suddenly, you took in an aggressive gasp, scaring the shit out of Wade as your eyes snapped open.

"Holy fucking shit nuggets!" he jolted, jumping from his spot across he room as Logan allowed his shoulders to sink, mumbling a quiet thanks to whatever god or deity brought you back to him.

Feeling a strong set of arms cradling you, you looked up, solace setting into your bones at the sight of the familiar man before you, who was unable to stop the few joyful tears escaping his eyes.

"Logan—"

Without a moment's hesitation, his lips were on yours, making up for what felt like a lifetime of loss by dumping all of his passion, all of his love, all of his devotion into one Earth shattering kiss.

You melted into it seamlessly, your hand finding home in his scruffy hair as he pulled you flush against him, clutching you with a death grip.

Donning a cheeky smile under his mask, Wade turned away to give you both a moment, thought not without making a crude sex gesture behind his back.

'I don't think Miss (Y/N)/Girl Sitting At Home Reading This is gonna be able to walk tomorrow...'

With a gasp, the two of you separated, Logan's hand raising to cup your cheek, relishing how easily you leaned into him.

"(y/n)... I thought I lost you," he panted, his eyes scouring over your face, committing every detail to memory.

"For a while, you did," you sighed with a grin, carding a hand through the few gray strands in his hair, before comparing them to your own. "Time looks good on you."

He chuckled, quietly relieved you still found him attractive after all these years.

Sitting up, you wrapped your arms around him and pulled the man into a bone crushing hug, nuzzling your face into the crook of his neck.

"I'm not really sure what happened... or how I'm alive..." you weakly laughed, starting to get choked up. "But I know that if you go out drinking without me ever again, I'm putting your head on a spike."

Instantly, Logan's arms wrapped around your waist, holding you reverently as if he let go for one moment, the powers that be would part him from you.

"I swear on my life... I'll never let anyone hurt you again."

[queenie-the-court-jester]

break up with your boyfriend

Yandere trans!fem cheerleader x fem reader

It was so shittily made but I need to pump out more fics or else my blog will die. Thank you all for 1k followers though! I'll rewrite this in the future maybe

Tw: mentions of blackmailing, nsfw, slight breeding kink, batshit crazy girlfriend,not proofread, another oc mentioned!?🌺

💄Eva saccharine has been your girlfriend since she first started transitioning. You helped her style her hair, do her nails, pick her clothes, find good makeup, anything she needed to feel like the real her. So when freshman year rolled in, it came as no surprise to you she fit right in with the clique.

💐Ofcourse you had your fears she'd choose them over you but that wasn't the case, because she'd make you eat lunch with them and sit on her lap, not so subtly humping your ass while talking all about cheer practice

🛍️boys wanted to date her, girls wanted to be her. She just wanted you, to just be the two baddest bitches on the block. It didn't matter if you were just like her or the complete opposite, she gushed over you. Praising you for being her good girl, her sweet little princess, her obedient pocket pussy-

💄but at this current moment? She was busy bullying your insides, forcing her fat cock into your slippery hole as she held you steady by your waist. Biting and groaning everytime she'd feel you squeeze that certain spot on her dick

"fu-uuckkk.. baby cakes, 'yer squeezin' me so goood.. ah.. hah.. you wouldn't mind if I pumped a few babes into your tight cunny right? Wanna be my baby mama?"

💐that made you squeeze tighter, holding onto the bedsheets for dear life. She had you face down, ass up and damn near breaking your back with how hard she was going. Hearing the normally composed and playful eva turn into a drooling pussy-drunk mess had you feeling butterflies, just going plap play plap-

🛍️let's just say, by the end of it, you couldn't walk for days afterwards. But no amount of hickies and perfume would be able to scare away a rather persistent guy. He was on the football team, star quarterback, rich asshole. sam white. Eva hated his guts, he thinks he can just waltz in and steal her bitch? Not on her watch.

💄this little feud had been going on for a while, and more times than you could count you've been caught in the crossfire. Though it was kinda funny, seeing them screeching insults at eachother and bickering. Eva would sassily flick her blonde hair and grab you by the collar of your neck, Dragging you away while Sam hooted and hollered at your retreating form

💐you never questioned her morbid fascination with anything horror or paranormal related. She was just obsessed with regular girl things. wanting you to help her summon a demon once, but you aren't that stupid, making blood pacts with them could result in very unsavory ending's and you quite cherished your soul and body

🛍️Eva has more than one account on different social medias, pretending to be multiple different people and Stalking your posts. She'd slide into your dms and flirt, seeing if you'd really cheat on her. She's so happy when you instantly block the account, guess you'll survive not being sent to her basement for another week

💄she has the audacity to grab a frilly pink pen and make you wear clothes that purposely shows off what she wrote. In bright bold lettering, Eva's little cum dump ♡ . Maybe she'll let you bring a jacket, only if you beg her really hard with those big doe eyes she loves. She put a collar and leash on you too

💐don't try breaking up with her, she takes 'they go low, I go lower" to another level. Threatening to post pictures of you in rather compromising positions. When did she record all of this? Who knows. She won't refrain from spreading nasty rumors of you that just force you to come sobbing into her arms, if you try and get comfort from somebody else she won't hesitate to eliminate them. Don't you see? She's the final girl, and you're her love Interest

"I told you not to run pretty baby.. now look what you've done. I gotta fix your mess up~.."

moral of the story: be a loyal loving girlfriend and she'll spoil you rotten with her daddy's black card ♥️

[just-zy]

Possessive

pairing: Wednesday Addams x Fem Reader!

summary: If being unattractive and boring were a choice, Wednesday would've taken those choices for the both of you when you started dating. But, can she really blame your admirers?

A/N: hi hello yes, I got motivation, then it's back to writers block.. this is rly short!! & this is kinda shitty btw but whtevr

Warnings!: literally none.. I think.. I hope.. Just inappropriate language! (?)

Masterlist

Territorial—that was what Wednesday is. Possessive of what's hers, you. But the world doesn't know about that little detail, now do they? As much as Wednesday would hate to admit it, she despises seeing someone talk to you with flirtatious glances and the intention to take you out on a date afterwards. You were hers and she was yours.

If she wasn't ready to tell the world that you were hers, then so be it, you waited just like you said you would. You were always careful whether it'd been in public or private every time the matter of being in a relationship was being questioned.

"Are you dating someone?"

"Are you single?"

And your answer would always end up being;

"Uh– I have my eyes on someone right now-"

Which goes straight out of their heads!

"Oh? So you're single.. Okay so, I was hoping..."

And so on. Wednesday didn't like that, not when they're continuously asking you. That's what had been happening ever since she said yes to you.

Due to this, you were still that single popular outcast everyone wanted.

★

"Wednesday come on– she was just confessing, it's not like I agreed to the terms of it, I just heard her out-" I pleaded while I chased after Wednesday, short legged people are literally faster than light.

Another day another confession. It's not like it was on purpose! Besides, I have a girlfriend!

"You barely acknowledged me when I passed by, why tail me now."

"You're not serious are you? I didn't want to be rude and just leave her while she confessed!"

"For this reason, you're saying you care more about her than you do, me." Wednesday's monotone voice laid no remorse, whatsoever.

"What! I didn't say that?!"

She halts in her tracks and stared me down.

"You implied it."

She opens the door to her room right after the intense eye contact she made with me. I had no time to react, she completely locked me out!

"Wednesday, please? Open the door."

I began knocking rapidly, leaning my face to the door, my temple making contact with the wooden door.

"Continue knocking and I'll knock all your teeth in, Y/L/N."

I swore my heart stopped beating for a second, I moved away from the door whilst hearing faint clicks of Wednesday's typewriter. I click my tongue in annoyance.

"Okay."

...

Nevertheless, the pain lingered with you, which proves just how much Wednesday means to you, you wanted to know what was going on with her life, all the time. Every time.

But, it seems the world only gave you a few hours of the day for you to spend with your girlfriend.

You roamed around the quad, feeling a little sleepy. So, you took the initiative to just lay down on the nearest tree and set a timer on your phone.

Your eyes were growing droopy and tired, a few minutes in the sun wouldn't hurt, right? Besides, what's bound to happen in 10 minutes?

.

Wednesday couldn't get you out of her head, it was like you were taunting her. She hoped you weren't too upset about her childish behaviour just a few moments ago. She was confident you'd be just behind the door waiting for her to open it, although.. The only thing was, you weren't there.

She hoped you weren't too agitated with her, now she's the one looking for you. Gosh, she just wants to hold you hostage with her in her duvet.

Searching for you wasn't hard, there you were, sound asleep by a tree, with the same girl heading your way–

That girl again? Can't she take a damn hint?

If Wednesday wasn't fuming earlier, well she was now. She wasted no time then began marching right towards to both of you.

"Hello."

You were a light sleeper, sometimes you were. Your subconscious lets you sleep soundly, occasionally.

"Uhm? Hi.."

"What's your business with Y/N?"

"Oh, I was just looking after her. She's out here in the sun, all alone–"

"But she's not, she's with me."

The girl snickered at her, as if mocking her.

"Finders keepers, loser." She sneered, in a way that shows that she was ridiculing Wednesday.

"Leave."

"Or what, Ghoul?"

"Or, I'd let my demonic girlfriend rip you to shreds."

That certainly had the girl look accurately close to Wednesday's skin color, her hooded eyes widening and her mouth flying wide open, with her creased eyebrows, was it out of realization or was it because she was horrified?

"You heard what my ghoul said, leave."

How unfortunate, she felt ashamed and left without a word. Wednesday likes being mysterious and secretive, but not about her relationship with you, not anymore anyways.

A/N: :)

[snowsinterlude]

🐇 - rich, stupid, dumb girl and her nerd boyfriend.

(coriolanus snow x bimbo reader)

summary: you loved your boyfriend just too much not to let him edge you in public

c.w: in public, reader is a bimbo, edging, fingering (f. recieving), oral (m. recieving), overstimulation, a bit of praising, dom coryo, at school sex, smut, nsfw, humiliation, explicit content, slightly degrading

mascara running down your eyes, lipstick kisses on his hips, abdomen and neck, your boyfriend had his hand on your head as he frowned at the pleasure and the perfect sight of having you bobbing your head on his dick.

your boyfriend was such a cute nerd, always giving you the right answers to tests that you were too stupid to answer for yourself. always kissing your lips behind the books shelves. always putting you on your knees and letting his fingers open your mouth as you looked up at him, too whiny cause he tried to get you to understand something your stupid brain couldn't bare.

you were just another stupid brain dead girl who's head was good but not in the right ways- he loved the way you eagerly sucked on his dick, getting him coated in your saliva and kissing his tip as if it was the most precious thing of your life. it was just curious to see someone so dumb using it's inteligence to reproduction purposes. of course, both of you didn't mean to reproduct, but if you were to have a son or daughter, you had to pray that he/she would be just as pretty as you- but not as inteligent.

the soft grunts he let out of his mouth were the prettiest thing you could hear. no matter how many soap operas your father made you watch, the prettiest sounds were made by his throat.

you didn't have a gag reflex. every ex boyfriend you had usually would go nuts because of it. but coryo was different.

your sweet, precious, nerdy boyfriend, was bigger than your average-sized-dick exes. you didn't care- i mean, what is a bit of gagging when his dick is hitting the back of your throat? it was delicious having the chance to taste him.

that's why you were on your knees now, under the library desk as he read (or tried) to read the books in front of him. your mouth was too eager, you seemed hungry for him, pillow plump lips with smeared lipstick engulfing all you could of his inches, every single one could fit into your throat- fuck the gag reflex. you wanted him to the brim.

your thinking was delayed by his sweet words, the sweet tone of his voice cussing you for being so good at sucking a dick but being so horrible with mathematics.

"god, you're so pretty, doll. how can you be so hungry for dick?" he asked, and you moaned against his dick, incapable of giving him any proper answers. "keep going like that, okay? once i'll cum- fuck, we'll come back to studying."

"'don't wanna" you said, muffled by his cock.

"i didn't asked if you want, baby. you will." he said, pulling you by your hair to get you away from his dick. he kissed you, lips and tongue on yours. "now, sit by my side, okay?"

and you obeyed, pouting and trying to clean the lipstick stains off your lips.

his hand went to your thigh after he put his dick back inside his clothes. "c'mon, tell me. do you know the answer to that?" he pointed to a question on the book, something about maths. your worst grades were in this one class.

"i don't." you said, pouting. "c'mon, cory! let me make you cum." you begged, cleaning off the mascara stains now. "don't be such a meanie." you said, blinking your doe eyes.

"nope. answer at least one of those." and you tried, really. but then his fingers were on your damped panties going up and down your slick and you couldn't seem to think anymore. how mean of him.

"i-i don't know, coryo- stop that, if you keep on edgin' then i won't be capable of answerin'-" you slurred, almost crying from the way he was teasing you. he knew you couldn't answer things like that. not in that state.

"c'mon, doll. you know better than that." he said, and you melted almost right away.

"i don't. i swear!" you said, feeling him pull your panties to the side so he could have a better access to you.

"well, i guess you won't be cummin' today. what a shame." he said, thrusting his fingers slowly into you, curling them inside your tight cunt.

"please don't- coryoo, let me cum, please!" you begged, awkwardly bucking against his fingers only to end up mewling into his sudden kiss.

"i kissed you just because you're too loud. you know that the library doesn't permit such lewd actions of love as to kissing."

"you're f..fingering me."

"nuh-uh, i'm trying to teach you the basics of mathematics by pushing you to an edge." he said, kissing your cheek. "but if you're not answering, then maybe i should just stop."

he threatened to pull his fingers out of you, which didn’t happen due to your relentlessly bucking to his fingers. "n-no, i'll answer it! i will!-"

"then do it." he said, his thumb on your clit. "what is the second most read book in the world?"

"d...dom quixote?" you dared, mewling into his fingers, noticing how wet you were by the sounds your pussy was making on him. he gave you a proud smile, getting quicker with his fingers and promptly taking them off you when a teacher passed close by.

he sucked on those fingers, humming about how good you tasted. "such a sweet girl, it isn't even difficult to tell that you're the sweetest in taste too." he said, adjusting your pantiesnas you breathed heavily.

he's such a meanie. spent the whole day teasing you. fingering, grinding, humping, he didn’t got quiet until he accompanied you home, and now, your hands were on the wall as he pounded into you, making sure you felt every single inch of his dick inside you.

"c-cory, you'll let me cum, right? you spent the whole day- fuck! t-teasing me, edging me!" you slurred.

he nodded, kissing your neck. "promise i'll let you, doll. just keep yourself quiet. you don't want your parents to see what a slut you are, do you?"

"n-no, i don't!" you answered, holding all your moans by biting your bottom lip.

"princess," he called you "you don't need to stop moaning. just be good and less louder okay?" you nodded as an answer. the moans you let out after that, were soft grunts, hard to be held as he kept on pounding into you, even harder when his hand found your cunt again, his index on your clit.

"st-stop, coryo. it's gettin' harder to-" another moan, this time due to how he pinched your clit. "s-stop!"

"oh you want me to?"

"n-no, but-"

"no but's. you know you want it. tell me, doll. what do you want?"

"c-cum. want to cum." you begged. "please."

"hm,, i don't really want to end it right now." his pace became quicker; his lips on your shoulder and his words on your ear.

"please. just this once." you tried again, your cunt tightening around him as he pounded slowly inside you.

it was torturing. you could feel your core clenching, his dick throbbing inside you and still he didn’t want to make you cum. he was taking you over the edge.

with that in mind for the next reason you would fight with him, you trembledand squirmed when his dick kissed your uterus just the right way- when he hit the sweetest spots in your cunt that just him knew about.

you cried your eyes out, bucking against him and letting him bury himself into you- it was just too good not to let him do it. and then you were ready to cum all of your pent-up sexual teasing over his dick, and that's what you did, letting his cock be coated with your cum and moaning as you felt his cum going directly into you. rope after rope, spurt after spurt, you were filled up completely by his cum, and he quickly adjusted your panties in the right direction, kissing your temple.

"be a doll and sleep with those hm? full." he said, tapping your ass and kissing you goodbye.

being stupid with those thoughts of yours, you quickly forgot about what he said, and he knew, somehow- because on the next day he fucked you and stuffed his seed into you, he made sure to not let anything leak when he shoved your panties into you.

"don't forget about it this time." and he kissed you again, this time, you oveyed promptly and slept with his cum inside your cunt..

[am-i-the-asshole-official]

AITA for telling my friend that I did not care it made her upset about some of the things I did with my OCs?

I (18F) made OCs with my friends: Kayla (18F), Bell (18F), and Kia (18F). Kayla said that she had a system that had fictives in it. I didn't really understand what she meant by that, but I wasn't going to judge. At least for a little while. We added a discord bot that would help Kayla be able to talk through her different identities in the server. But it got weird.

One day I saw her talking as if she was one of my ocs (I'll dub Chi for this post) and I felt weirded out by that. Kayla then announced that Chi was part of her system. She goes on about how Chi had suddenly appeared in her system and it took 2 days before her other identities accepted her as part of them.

I said that it was weird that Kayla put one of my ocs in her system, but she insisted she wasn't doing it on purpose. Bell and Kia asked me to just knock it off and respect Kayla because "people with systems can't control it when their system changes." I said that I don't like that she has Chi in her system and that Chi was my OC. This felt like someone was stealing my OC from me. Kayla got upset about that and said "you're upsetting everyone in my system by saying Chi doesn't belong there. We have all accepted her and hearing you reject her makes us all upset. Please apologize."

I refused to. Then I remembered that I had shared all of Chi's info in my own personal channel. The others can view it, but they can't type in it. So I deleted everything about Chi in there and left a note that Chi was being revised. That sent Kayla into a panic. "Stop! You can't!" She kept saying and "What did you do?" over and over again. I simply said that I was making changes to Chi. Kayla freaked out more over that and said that it was making her system distressed and that I needed to stop. I told her that I already set my mind to it.

Later I reposted Chi's info with some changes. Changed her from being a kind and caring person to cruel and dismissive. I also made it so that she had a criminal history and had murdered people before. She has trouble making friends and thinks everyone is constantly out to get her. To be honest, I like this version of her more than her previous incarnation.

Kayla did not like this and had a meltdown. She started screaming "what did you do?! What did you do?! What did you do to Chi?!" In the voice call we were having with Bell and Kia. She started begging me to change her back because Chi stopped responding in her system and has vanished. And the rest of her identities were in a panic now. She said "Murderer. You killed her. You killed Chi. For us, this feels like someone just died. A part of us is missing. We feel incomplete now. Please fix this. BRING HER BACK! CHANGE HER BACK! MURDERER! MURDERER! YOU'RE A MURDERER!"

I told her that I refused to change her back and this was the new Chi. This would be how Chi will be from now on no matter what people said because "My OC, my rules."

Kayla logged off of discord after calling me an asshole. Even Bell and Kia are siding with her saying that I took it too far. They also said I was an asshole for murdering a part of Kayla's like that. I said that Chi was not Kayla's to control, and that only I should get a say in what is done with Chi. They called me an asshole for not considering Kayla and her system's feelings right now because they were all mourning.

I don't think I did anything wrong, but maybe I should apologize. I would still refuse to change Chi back to what she was before though. So it would just be a half apology just to make her happy.

AITA?

What are these acronyms?

[starlightomatic]

hi, i just want to remind folks that a lot of people on here have personal connections to people who died or were kidnapped on october 7th. please keep this in mind when you want to understand why we react so much when people denying, minimize, or celebrate it.

a couple of months ago i met vivian silver's best friend. vivian silver was a long-time peace activist who was burned to a crisp so badly on october 7th that it took weeks to identify her body. my ex-boyfriend's family was friends with her as well, and they spent those weeks believing she was a hostage and hoping for her return, only to discover that she had been dead the whole time.

a couple weeks ago i met the sister of a nova festival survivor. she said that the hours when her brother was out of contact and they didn't know if he was alive or dead were both the shortest and longest hours of her life. another friend of mine lost five friends that day. yet another friend lost two friends who were on a biking trip in southern israel.

a couple who i know because they attended my childhood synagogue while in the US for two years lived in kibbutz nahal oz. they always told us how beautiful it was, and how they wanted us to visit it. now we can't; it's destroyed, with several of its residents killed. they and their two young girls miraculously survived after hiding in their safe room for ten hours before being rescued. a good friend of mine's boyfriend is from one of the kibbutzim that was destroyed, but he was not there at the time and so survived.

once, many years ago when the ex-boyfriend who i mentioned above (the one who knew vivian) were on a gap year in israel, i visited him on the kibbutz he was living on on a thursday night, and his friend gave us a ride to a bus station the next day to help us get to our shabbat destinations. the friend was headed on to visit friends at kibbutz be'eri, now destroyed, with over 10% of residents killed. i don't know if that man's friends survived.

another friend of mine, who was my coworker for several months when she was in the US last year, lived in metula in northern israel, on the border with lebanon. because of the war, she and many others are internally displaced within israel, because her home is not safe from rockets. recently, a mutual friend told me her house has been destroyed.

another friend of mine attended virtual synagogue with chaim katzman, a young man who spent time in the west bank protecting palestinian shepherds. when hamas fighters opened the closet he was hiding in to capture hostages, they shot him immediately, before taking hostage the women and children hiding in the closet with him.

in total, i have at least eight friends-of-friends who were killed on october 7th. the actual number is probably far higher, since i have a lot of friends in israel and many israelis lost people; but the eight is confirmed.

all of this to say: please understand when you're interacting with me and other jumblr bloggers that this is not theoretical to us. maybe to some of you, it's an academic excercise in seeing fanon's works in practice. maybe it's about decolonial theory and you might think "ah, well, decolonization is violent, what a shame but it was necessary." please remember it's easier to think that when you're not the one sitting at a shabbat lunch table with your mom's old friend who had to learn within the past few months that a woman she'd built movements with and was best friends with had been burned so badly she couldn't be identified for weeks.

i already know that people will believe the purpose of this post is to "generate consent for genocide" no matter what i say, but i'm going to say it anyway: nothing justifies genocide. nothing justifies the brutality that israel visits on the palestinian people. the people of gaza have gone through an order of magnitude more horror than what israelis have. the entire gaza strip is destroyed; people's homes, schools, mosques, orange orchards, everything. entire families have been killed with not a single surviving member. people have starved to death. people lack sanitation, menstrual products, and safe places to give birth. children are operated on without anesthesia. this is one of the greatest humanitarian crises of this century and it is israel's fault.

we need a ceasefire now; we needed a ceasefire yesterday; we needed a ceasefire months ago; we needed this never to begin. blowing up a child in gaza does not bring back vivian, it does not bring back chaim, it does not bring back my friend's cycling friends. it doesn't untraumatize the girl who waited hours to know if her brother was okay or the young family trapped for ten hours in their safe room. and i know for a fact that vivian and chaim would never have wanted this. not in their names, or at all.

so i am not posting this in an attempt to deny, minimize, excuse, or justify the genocide of the people of gaza, or to deny or excuse the nakba, the israeli raids in the west bank, settler violence, land theft both past and present, burning of olive trees, checkpoints and the restrictions on palestinian movement, the denial of right of return, and the fact that most palestinians do not have voting rights in the country that controls their lives.

i also understand that there are folks on here who have just as many personal connections to gaza -- or more -- than i do to israel. that it's deeply personal to them too, and they have watched as loved ones die, places they love and remember are bombed to dust, and people continue to minimize it, excuse it, or fight over semantics. i understand that this post will not land well for many of those folks, and that it will have activated people to hear me speak of nahal oz as a beautiful place i wanted to visit, because that land likely once belonged palestinian families, and was seized after its residents were herded into gaza during the nakba.

and.

people are human. humans deserve to live in safety. friends of humans who are harmed will feel pain, even if those friends lived on colonized land. i also live on colonized land, i am a settler. i live on the lands of indigenous peoples. when i looked up the nation whose land i live on, i can find information about their history but no information on where they went or whether they still exist. i don't know if they experienced a genocide and were all killed, or if they joined another people. i know i have never met any of them, and i live on their land.

and i'm not the only one. millions of people on this site are also colonizers of indigenous land. if you are not indigenous or Black, and you live in the US or Canada, you are every bit as complicit as my friends' dead friends in israel. your beautiful town is not morally better than nahal oz. you recognize yourself and your friends as people; you see their humanity.

i am beyond begging you to see the humanity of israelis, i think many of you can't. instead, this is my request:

remember, as you're doing your callouts, as you're describing me as evil and a person who needs to be blocked for the safety of your followers to i don't infect you or them with my evil:

i say and feel the things i do in large part from a traumatic event that occurred less than a year ago that i am personally connected to. please use what you know of trauma to understand that.

and then, if you can do that, maybe we can start to understand how trauma plays into why israel is the way it is; why trauma is actually the biggest player. so many of you have asked "how could a people who've been brutalized and oppressed brutalize and oppress another people?" my question: why would you expect that not to happen? trauma responses include fear, anger, aggression, compassion fatigue. when a population of descendants of refugees and genocide survivors, in a world that they believe to be out to get them, either supports or turns a blind eye to their government's atrocities, i am not surprised. saddened, but not surprised.

we then have to start asking: who enacted those traumas? when will we start to see the pain of both palestinians and israelis in light of the violence inflictated by far more powerful entities? by germany in the holocaust; russia and poland in the pogroms; swana arab countries in the persecution of jews post-WW2? who's at the top here? many of you are happy to believe it's jews pulling all the strings, but who set this in motion?

who denied jews safe haven before the holocaust, thus enabling this trauma to be inflicted in the first place? the US, and nearly all countries around the world. who restricted jewish immigration even post-holocaust, thus funneling huge numbers of jewish refugees into palestine, overwhelming the population even if israel had not been a colonial project? again, the US, and many other countries. who made double-promises and drew arbitrary lines in the region leading to decades of conflict? the UK.

who's funding this war? the US. Russia. Iran. don't be fooled that any of them care about israelis or palestinians. they have their own interests.

israelis and palestinians are the collateral damage in a horrible chess game that world powers have been playing for centuries. but they are not collateral damage, they are human beings, and their lives have value. collective liberation demands we look at the levels above the oppressor to see who is holding the strings, who put the puzzle pieces in place, who set off the levers and strings in a noxious rube goldberg machine that left nahal oz and be'eri in ruins and gaza destroyed almost beyond recognition.

my friends' little girls cowering in a safe room were never the enemy. chaim katzman hiding in a closet hoping the fighters would overlook it and leave him alive, or at very least capture him instead of kill him, was never the enemy. and they can't be; not if our goal is freedom and safety for everyone in israel/palestine. choosing who will dominate and who will be the oppressed minority in whatever comes next will not be the answer we need, and will not be liberation. just as zionism was not liberation. what can we build together, when this is all over?

what do we need to dismantle and destroy?

let's start with what we don't: homes. villages. cities. kibbutzim. orange trees. olive trees.

and who do we need to fight?

let's start with who we don't: the children.

[karinab00bs]

Can i request Karina x Male Reader office sex?

Cubicle Rival

Karina x male reader

tags: nipple play, fingering

Nearly everyone in the building had left for the day by ten minutes after fifteen; the janitor had even switched off the lights on purpose to prevent anyone from working overtime. Karina and you remained in the same room where they'd been working; the woman had taken off her blazer and was draping it over the back of her chair, while the man had rolled up his long sleeves to his elbows. As long as their report received approval and they could return home, their looks held little concern.

"Mr. Ethan hasn't replied?" Karina asked you since you had been refreshing your email. Waiting for the first message in their inbox determined whether they could go home early or stay in the office longer.

"Not just yet.” Perhaps sloppily or exhausted, you respond, "It's still being checked."

Karina says, her tone unpleasant to hear: "It's half past eleven; is it crazy that Mr. Ethan still wants to check the report?"

"Why are you anyway blaming Mr. Ethan? You know he is a perfectionist. He promised to wait until today; hence, he will wait until twelve. You are the one who is wrong; why would you hand over such a critical report to an intern who is already on his way home at five? It's not going to be right," you ramble, drawing visible eyebrows furrowing on Karina.

"Why are you blaming me? Blame Ms. Je for putting the director's daughter in our division. What do you think I can do if she's nagging me to do a report? Tell her you can't do your job like that?" Karina started pounding on the table; maybe both of them were already tired, so they were more sensitive and easily ignited.

"You could try pointing the finger at other people. You brought Mr. Ethan and now Ms. Je; pointing fingers at others won't make them do anything or prevent such incidents in the future. Do you also intend to hold the intern responsible, given his obvious ignorance in preparing the report? Indeed, it is your responsibility to consider this matter. How can a child, lacking any knowledge, solve such a significant problem? You, equally irritated, began pointing at Karina as if assigning blame.

"Now you're blaming me?"

You didn't have time to reply to Karina's words because a call came into your cell phone from Mr. Ethan.

"Yes, sir? Yes, thank you very much, sir. I'll send it later. I will finish it in 15 minutes. Thank you very much, sir." You disconnected the phone and looked at Karina. The man sighed softly before saying to karina, "The report is okay; I just need to check for typos. I'll finish it first. Can you get me a coffee?"

Karina was silent for a second before responding, "Fine." 

Upon seeing Karina exit the office, you instinctively shut your eyes.

Although Karina was really terrified to visit the pantry by herself since all the lights had been turned off, she couldn't resist your demand so that everything would be finished rapidly and she could head home. Under low lighting, she began preparing two cups of coffee in paper cups, using a combination of saset coffee and sugar, to ensure you wouldn't have any complaints about the taste. She carried the black coffee paper cups with both hands, but her foot stumbled on something, and one cup of coffee spilled on her chest. "Ah." Karina turned to show a faint smile. Indeed, it appears that she has paid the price for all her mistakes over the past year. Why is this so unlucky?

She took off her shirt, which was full of spilled coffee, and then she walked back towards her office.

She gently opened the door, and she found you closing your eyes and leaning on your chair. Okay, the initial plan was for Karina to stealthily walk to her cubicle, retrieve her blazer, and put it on before you woke up. Karina then crept over, set the coffee she had produced next to your laptop, and hurried to her cubicle.

You blinked up at the scent of coffee, but your attention quickly went from the paper cup on her desk to the figure of Karina, who was unclasping her bra. Fuck.

"What on earth are you doing?" you inquired, your voice quivering with disbelief. 

"My shirt is all sticky from spilling coffee," Karina answered, her bare back now showing.

"Are you not afraid of me doing anything to you?" You asked while getting up from the chair to get a box of tissues. The man was now sitting on Karina's chair, and you could clearly see the girl's large, saggy breasts. While the woman sat at her desk.

"You and I fight every day; I doubt you have any desire to do anything to me, even though I'm naked in front of you right now," Karina replied confidently.

"Do you think if I were naked in front of you, you'd be horny?" Your question made Karina snort in annoyance.

"No, it's crazy to lust after you," Karina said, folding her arms across her chest, making her breasts pop out even more as if challenging you.

"I have submitted the report, and Mr. Ethan accepted it. You raised one eyebrow and said, "All that remains is your business with me."

"What business is it? I have nothing to do with you. Better turn back; my body is all sticky and a little blistering thanks to the hot water dispenser," Karina said, looking down at her coffee-sticky chest.

"You're sure you won't lust after me, right?" you asked again.

"No."

"I'll just clean it so it's not sticky and then go home," you said. "Shut up." You looked down and swept your tongue over every inch of Karina's breasts to clean the coffee off her skin, occasionally giving the man a light sip.

"What the hell are you doing?" Karina tried to keep your head from coming closer to her body, but then she froze as the tip of your tongue rubbed against her nipple. Damn. It was so good.

"They say it's better to use saliva or running water when it's hot." You soaked Karina's upper body, including her skirt, with the remaining water from the glass she used to drink.

"Fuck, what are you doing? I swear.. I'm wet.."

"Wet, huh?" You lowered your head and took one of Karina's nipples into your mouth, sucking gently, while your other hand wiped Karina's body with a tissue.

Karina bit her lip, both hands clutching the edge of the table she was sitting on. "You won't lust, right? There's no way you'll lust after me; after all, I'm just cleaning you."

"Hurry up and clean it.. I'm going back." Karina's words made you smile.

You took a tissue and, using both hands, rubbed Karina's nipples with it. While closing her eyes, the girl looked up. She hadn't felt a touch on her body in a long time, so a touch like this sent her into a trance. Indeed, your skill level is beyond reproach. Just observe how the tissue continues to twist both Karina's nipples, creating a more pleasurable sensation. You idly pinched Karina's nipples so hard that she couldn't help but moan.

"Don't be horny; I'm just cleaning it," you said half-mockingly.

"I'm not fucking horny." Karina's answer made you laugh. You pulled down Karina's panties and let them fall to the floor.

"It's just wet," you teased with a finger that had rubbed Karina's pussy. "I'm just cleaning it; you don't want to feel uncomfortable."

"What the hell are you doing- ahhh ..." Your tongue entered to explore Karina's pleasure hole with your finger stroking the small object on it, creating a stifled moan from Karina's lips, which made you smile because, after all, Karina's sigh had made you win. You deliberately inserted two of your fingers, then scratched Karina's pussywall rather roughly, causing her affection to shift to her clitoris. "A-ahhh.. ahhh.."

"Why mm? Is it good? You said you wouldn't lust after me, but you're so wet, Rina." Karina stared resentfully at your face as she bit her lower lip, deliberately holding back a moan so as not to feed your ego. "Why do you want to end it?" you asked, bending your two fingers precisely at Karina's weakest point, and soon her pleasure juices melted away.

"Damn you.." said Karina in the end, while catching her breath.

"1-0, there is no need to deny that you are also horny for me," you said with a chuckle, and you lowered your head to lick Karina's pussy, which had just reached its release.

"Watch out; I'll get you back."

"I can't wait," you replied as she helped put the blazer on Karina's body.