#think victorian fashion trends

[pbaintthetb]

is health socially produced/infected by culture?- boring, done to death, important but no shit yes

is society produced by health/culture infected by health?- exciting, fun, centres health

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[theawkwardone6]

Literally don’t talk to me about how uncomfortable Victorian women’s fashion was unless you’ve had a Victorian outfit tailor made for your exact measurements, you’ve broken in your corset, and you wear it for a whole day or I will stab you 13 times

[ciciyup]

Phantomhive manor (+ Gregory Violet) X Fem! Reader time traveler headcanons.

Summary: You are a time traveler and you have arrived in the Victorian era, how would you fare with certain characters if they met you?

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Ciel Phantomhive

In one moment he was drinking his tea and enjoying his chocolate cake and the next Sebastian had arrived with you at his side. Everything about you seemed to confuse him, from your unusual and very inappropriate clothing to your casual and bland way of speaking.

At first, he only let you stay in his mansion so he could study you, for some reason you seemed to know more than him and even more than Sebastian, and the more time you spent there the more you seemed to confuse him with your strange ways.

The inappropriate clothes you were wearing seemed to not want to take them off while you complained that the corset and the amount of things in the dresses were uncomfortable, which made Ciel roll his eyes more than once, on top of that, in your comments you added that the clothes you were wearing were “the fashion” and “the trend” when Ciel only saw in them two pieces of fabric like a poorly covered window added, in his opinion, to your bad style.

The way you spoke was so strange, that way so casual and without any grace, but at the same time confusing to hear you say words that he had never heard before. He had bothered to look up those words himself in some books, but then he left the task to Sebastian, who soon informed him that those words did not exist... At least not in his time. On top of that, it seemed that you did not appear in any kind of paper that informed about your birth or other important things that should be in people as soon as they are born, which made Ciel stop taking it as a bad move and see the possibility that you really were a time traveler, since Sebastian had ruled out the possibility that you were some entity like a demon, angel or shinigami by not feeling any of that in you.

It was really surprising for him, he would not deny it, to see such a strange and at the same time so useful device. You called it 'cell phone'. It was surprising for Ciel to see a device that could take color photos, see himself on video moments before while doing something random and be able to watch it and replay it. The fact that music came out of that device surprised him quite a bit too, not only because of that, but because of the huge difference between the music of the future and that of his time, it had certainly been a big shock. Surprisingly, some of the songs you taught him he ended up liking, the ones with a soft and pleasant rhythm, and the fact that you put those 'headphones' you had shown him where the music could be heard better turned out to be a great experience.

He seemed to start to trust you more, your conversations were pleasant and you seemed to have a very different kind of thinking than he was used to seeing in people, it was nice in a way. You seemed to have a more open mind, more liberal, without prejudices or hypocrisy.

Maybe with you there Ciel could take advantage of certain things to have an advantage over his adversaries in the business and political sense, after all he was an earl and it was always good to be one step ahead of everyone, if it was three steps then it would be even better. Although he was always on guard and cautious while you seemed to tell him certain things, he took mental notes of what could happen or happen in the future if he didn't change something in the present. It was all very intelligent and strategic on his part.

Finding you had been a great important piece for his game and being aware of more things that he probably wouldn't get to see, but he was pleased to have been lucky enough to have you appear. He just wished you could stay a little longer to be able to appreciate a vision as different and at the same time as pleasant as yours.

Sebastian Michaelis

Surprise was to say the least. This human really had something. He felt curious? Fascinated? You were so strange, your way of seeing everything was so different. Sebastian felt surprised because you even surpassed him in subjects he didn't know about such as politics, future wars, economics. It was fascinating and perhaps also, in a way, a blow to his ego. Why did this human come out of nowhere with all the answers up her sleeve, in such a way that she managed to surpass him in knowledge? Still, Sebastian was an extremely intelligent being with centuries of experience, so even if you had advanced knowledge, he wouldn't feel intimidated. Instead, he would see this as an opportunity to learn and expand his own understanding.

While he lets you settle into the mansion at his master's request, as the days passed, he would soon bring out his sarcasm when he saw your attire and clothes, dropping some sarcastic comments, but always with a polite tone to sweeten.

Seeing the device in your hands and turning it on would surprise him at first, being somewhat impressed by the great advancement of humans in technology and since he is a very intelligent supernatural being, he would quickly learn to use the cell phone and any other device you had with you. He would even dare to take your phone with him secretly just to study it, sometimes to take pictures, videos and other times to listen to music, noticing the great change between one era and another. The photographs and videos would be what would attract his attention the most, enjoying filming some cat that appeared in the mansion and then watching it on the phone.

Despite enjoying certain things, Sebastian would evaluate if you represented a potential threat, being cautious, but without raising suspicions on you. He would always prioritize Ciel's safety so he would stay close to you for a certain amount of time, even if sometimes you wouldn't notice. Coming to the conclusion that you didn't seem to be dangerous or an enemy to Phantomhive, which made him become more friendly and even offered you hospitality while you stayed at the mansion.

He would take advantage of your advanced knowledge to improve efficiency and security at the mansion, as well as a chance to learn about humanity and how they had advanced so much over the centuries. He would come to enjoy the conversations if they interested him enough, you don't always meet a time traveler so he had to get something out of it, it was sure better than hearing anyone else talk about the same old topics.

You were different from what he was used to, clumsy, closed-minded and boring people who had nothing new to offer, but since you had arrived it seemed like you had awakened something in Sebastian that he hadn't felt for centuries. He hoped you would stay a little longer, it would be a shame if he had to go back to the same boring emotions.

Finnian

He was very excited about you, although at first he seemed confused, especially by your unusual clothing, his excitement made him see beyond. Seeing artifacts he had never seen before amazed him, his eyes shining as he took the first picture with so many colors and heard the music coming out of it. Surely asking you for your phone a few times so he could take lots of pictures of himself with big smiles and doing different things or anything in general that he found nice to capture, even leaving the phone without storage.

“Can I really talk to someone who is on the other side of the world right now?” Finny would ask you in surprise when hearing you explain about calls and messages. But surely the game apps would also keep him very entertained, especially the pet care and gardening games, spending so much time there that he would already know how to use most of the things. He seemed to be amused by the fact that you would randomly throw out words that he had never heard before, some of them amused him so much that he would keep them in his mind and would often repeat them, even while there were people there, causing them to look at him in confusion. His enthusiasm could be higher than the looks they usually gave him. Finny liked to learn new things and having met you would definitely continue to fascinate him even after days.

His face would light up as you explain to him the simplest thing for you it would be surprising for him like the fact that there was something called 'internet' or 'television' that made everything easier in everyday life like a blender, bed warmer, cars. Whatever you told him it seemed like the boy would explode with excitement.

He would definitely be mesmerized if you showed him series or movies, whatever was moving on the screen would surprise him, but if they were fantasy movies he would surely enjoy them more seeing the special effects and thinking about how everything looked so real. He would definitely like to know all the musical genres, especially the most lively ones, but at the same time with a pleasant rhythm, trying to imitate modern dances, laughing at his own clumsiness and certain dance steps that made him laugh.

It would be enriching for both of you to have met him. Finny enjoyed your company and everything he managed to learn at your side, but in addition to that he also liked to teach you about his own time by telling you first-hand details and even making you see certain things from a new perspective. Being with him was undoubtedly a breath of fresh air and both of you could have a new look at the world.

Snake

He would be mostly confused by your unusual way of speaking, puzzled by words you used to say at random and not have a specific meaning, it would be difficult for him to understand. Unlike what one would think, even though Snake is a very shy boy, he would not feel ashamed to see you in a different type of clothing or in lesser cloths, since having been in the circus before he lived with people with little clothing or more "revealing" clothing, so although it would still be somewhat surprising and embarrassing for Snake, it would not be on a large scale.

Seeing a phone, something that did not yet exist back then, would make him feel particularly intimidated and think that it is something dangerous, staying cautious while you show him the device. He would be surprised when you showed him videos and people or anything in general moving inside that small device, even his snakes could be attracted and watch while they communicate through Snake asking questions about the device.

What he might like the most would be snake documentaries and anything about snake care. When you used to lend him your phone you would probably find him in the mansion's greenhouse surrounded by his snakes while his eyes were glued to the screen as he watches videos on snake care as well as precautions for when they shed their skin, their habitat, best food, even on wikipedia looking up different things to take care of himself and his friends.

Telling Snake about your knowledge and things that would happen in the future would make him feel intrigued and at the same time fearful thinking about what thing could cause something else to happen and prevent it from happening even if it was inevitable anyway. Also, he would like to know more about how people have evolved, if they were kinder to others, if there wasn't as much fuss when they saw someone different, if they accepted certain things more easily.

Seeing you want to teach him music with those big sound devices that you called 'headphones' would make him feel a little self-conscious, but finally when the music plays his surprise can be seen in him as he feels something he had not experienced before. He would have preferences with some genres more than others, the ones he might like the most would be ambient music, classical music and jazz.

He could get used to your presence in the long run. You seemed to be one of the few people he enjoyed the company of, and he learned more things with you by his side. He wouldn't deny spending a nice afternoon with you while you tell him how much everything had changed over the years and Snake would gladly listen to you.

Gregory Violet

First of all, why was there a girl at Weston College if it wasn’t for some special event? Secondly, he would be very intrigued, so he would take you out of public view if he had the chance so you wouldn’t cause any fuss at the time. Although he might initially keep his distance between you due to being generally reserved, his curiosity would make him approach you little by little.

Despite your unusual attire, Gregory would remain just as reserved, not judging anything about you as he silently analyzes you. He probably wouldn’t care much about how you look or what you wear, perhaps he would at first glance, but then he would remain discreet. He would be interested in the unusual and aesthetically different, wanting to capture the essence of your appearance in his drawings. You would be a source of artistic inspiration and he would want to draw you, but being so reserved he wouldn’t ask you to, at least until he gets to know you more deeply.

Seeing a phone for the first time would certainly leave him in awe. The ability to see color photos and color videos and even be able to take them yourself would leave him speechless. He would be more attracted if you showed him art-related photos with lots of colors and different things like that. Speaking of art, he would definitely be fascinated with the amount of things he could learn on different internet sites about artists’ paintings, drawing ideas, biographies and even reading any pdf book and using apps to draw and create without using pencils or hands would be extremely intriguing to Gregory.

Watching stories told through moving images and sound would be another completely new experience. He might be especially interested in movies, series or documentaries that deal with artistic and historical topics. He would be very intrigued and have many questions about how the device works and how you can see anything through it, be it movies, books, letters, numbers, photographs. How a movie could be created and what kinds of devices would be required to film and make the special effects.

If you had been there long enough for Gregory to become more comfortable, he could draw you, maybe he would ask you or, more likely, he would draw you without you noticing or telling you. He would like to capture your “futuristic essence” and keep those drawings to remember you if the time came when you had to leave. He would also make separate drawings of the electrical devices you had told him or shown him, wanting to remember them too.

It would be a unique experience for him and his memory to have met you and learn about all the new advances of the future generations. The fact that you seemed to have a more open mind and no need to judge would have made him enjoy your company more during the time you shared, after all you had not labeled him as weird or different like most people in his time and he appreciated that.

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[marzipanandminutiae]

random question based on the dracula hair post, but if most women wore it up anyway, why not just cut it shorter? even with the western world's gendered perception of hair length (which i don't think was quite as common back then,) practicality for Working Peasantry had overcome that other times

An amazing question! And one that various people actually asked throughout at least the 19th century.

I've read an early French source (translated) wondering why more women didn't adopt the "coiffure a la Titus" trend- think Curly Pixie Cut -because their hair would just be up if it was long, anyway. I've read dress reformers in the Victorian era wondering something similar. I've read one particular late 19th century man who seems to have had some sort of fetish- to my mind -expounding about the glories of women with approximately shoulder-length hair.

And yet, with a very few exceptions, most women historically...did not do that. Even if they had to do physical labor in the fields and such.

I really couldn't tell you why. I have a few theories, ranging from Biblical guidance in a letter from St. Paul saying that women should have long hair (though realistically, that doesn't seem to be something anybody brought up often as the reason they had or admired long hair- it mostly comes up against various short-hair trends that tended to be brief and isolated until the 1920s) to just long-held beauty standards. For one thing, various ways of dressing long hair pinned up went in and out of fashion, and served as a means of self-expression even for working-class people. For another, the idea of letting one's hair down for a spouse or lover as an expression of sensuality/intimacy carried a LOT of weight in many times and places- you can't do that if it's not long.

Personally, when asked why I have very long hair if I just wear it up, my answer is pretty much that: I can't pin it up in ways I like if it's not long, and I enjoy taking it down as a way to relax (and when I'm in a relationship, to express intimacy and comfort around my partner).

Humans are not always logical creatures!

[superfallingstars]

this post seems related if you haven’t seen it before and find this kind of stuff interesting :-)

You asked about wizarding fashion which is something that lives rent free in my mind at all times so pls excuse the wordvomit

I always imagined it as a very mixed thing. Muggleborns would keep up at least a little with modern muggle fashion for whenever they are visiting family etc so there are probably (muggleborn) tailors who incorporate necklines, sleeves/shoulders/silhouettes that match current or recent muggle fashion. I can imagine these being popular with halfbloods too.

For more .. conservative (racist) wizards and witches it is possible that fashion developed completely seperately from muggle influences. Or even as a direct opposite of muggle influences. They could have seen a new trend come up with muggleborns and decide they want the exact opposite.

I do imagine that some purebloods would dress in clothing more like the boring robes, but that fabrics and embroidery etc could spice it up (moving embroidered birds etc). It's also possible that they have very different ideas on what silhouettes are desirable and they might use boning/petticoats/crinoline/shoulderpads/etc mixed with magic to achieve shapes muggles would never be able to achieve.

Another route is going completely magic oriented and then I imagine Iris van Herpen type styles with movement and floating bits etc

I hope this was somewhat understandable whoops

(I also imagine that Hogwarts uniform Is the really boring plain sword in the stone robes and everyone no matter their background hates them cause they're so outdated and stupid looking)

Ahhhh so much to consider here! And I don’t disagree with any of it.

I love the idea of Iris van Herpen inspired robes!

Oddly enough, I never considered embroidery that’s, like, enchanted to move. There are so many things magic could do with clothing. This idea reminds me a bit of the rejected concept of Elsa’s live fur coat in Frozen.

This is making me realize how uncreative I’ve been thinking about wizard robes—and ALSO. So many missed opportunities in the HP films to really play with this concept.

Also, also. Hogwarts robes are, to me, definitely the Sword in the Stone type. Very much NOT cute. There’s an ancient post about this that I could probably dig up, but if you know Tealin’s art from the early 2000s, that’s what I think the Hogwarts uniform probably looks like, at least in canon.

[hollowed-theory-hall]

So, Wizarding Robes

I saw this post by @iamnmbr3 and @kittenjammer talking about wizarding fashion and I wanted to talk about this for a while, so I'm going to give my own two cents on it based on fashion history. I love history in general, but fashion history and historical architecture are two I’m incredibly passionate about. So, here we go (post with a lot of pictures ahead):

When I read the books and they mentioned unisex “robes” which function like dresses in a way (as you don’t have to be wearing trousers beneath them:

James whirled about; a second flash of light later, Snape was hanging upside down in the air, his robes falling over his head to reveal skinny, pallid legs and a pair of graying underpants.

(OotP, 647)

And described as being very colorful and billowing, often accompanied by a pointed wizard hat, it was clear to me JKR was trying to invoke the image of the classic fantasy wizard robe:

Especially when it comes to Dumbledore.

The thing is, this style is based on a real historical period and historical styles of the medieval period in Europe.

Medieval Europian Robes

When I'm thinking about the "classic fantasy wizard look" the first historical period that comes to my mind is the 15th century and I'll illustrate why.

Spesificly, the 14th and 15th centuries houppelande. It was a long over garment that looked kinda like a dress with wide, flaring sleeves available for both men and women in various shapes, cuts, and even patterns. Here are examples of some houppelandes:

(As you can also see, early 15th-century fashion comes built-in with silly hats! Just like wizards)

In the 15th century you also have a wide array of cuts of cloaks (and even more silly hats!):

Along with surcoats, that contrary to their name, weren't just for knights to signify on their armor the house they serve:

These 15th-century garments are exactly like wizard fashion is described in the books: billowing robes, colorful and eye-catching, and accompanied by silly hats.

The thing is, all these garments are from the high medieval period and as wizards broke away from muggles only when the Statute of Secrecy was enacted, I'd expect their fashion to follow the muggle trend up to that point and then start diverging. Even the most pure-blooded wizarding families of the modern day, like the Malfoys, integrated with muggle circles up until the Statue of Secrecy, something that would've forced them to dress like the muggles at the time to blend in better.

As the Status of Secrecy was first enacted in 1692, it's time to talk about:

Late 17th Century Fashion

Now, while the high middle ages in Europe had everyone wearing essentially wizard robes and silly hats on the regular, the Statue of Secrecy was enacted much later. Fashion in the 17th century was drastically different from the earlier one mentioned above.

In the late 17th century, this is the kind of dress I'd expect from women in England:

And this is what I'd expect from men:

Which is very different from what is described but would've been the historical basis the wizards would work from.

So what do I think wizarding fashion is actually like?

Well, since the books are in the 1990s and wizards don't really live in a vacuum we know some later influences in fashion did make it in. So, I think wizarding fashion is an odd mix of 15th-century and late 17th-century fashions updated to the time period the wizard grew up in, hence distinct fashion changes between generations like we see in the muggle world.

We see these distinct generational fashion changes with characters like Agusta Longbottom who wears a Vulture hat. These sorts of hats with real birds on them were a thing historically. They were quite fashionable in the late Victorian era, which is when Agusta would've been a child if she's around Dumbledore's age:

Fudge is described as wearing a Bowler Hat, a kind of hat that started catching on in the late 19th century but was still a staple in menswear into the early 20th century, hence indicating Fudge's age.

Ron's yule ball dress robes are described as old-fashioned, again indicating fashions in the wizarding world change at a similar rate to the muggle one. Note that since the 17th century, fashion has been changing quite rapidly and by the 18th century fast fashion where you need to buy new garments each "season" has already started becoming a thing. With all that, I think wizard fashion indeed changes just as rapidly as the muggle one.

Now, that's great, and all, but, what would that odd mish-mash fashion even look like?

Well, I made a few very quick sketches as concept examples for what casual wizarding fashion in the UK might look like if we're working off historical references:

(not my best pieces, it's just to get the concept across)

Note that Wizengamot robes and other formal professional wear would probably be older in style and closer to 17th-century fashions.

[auckie]

I think the things that offend me most nowadays in like, smaller interpersonal interactions rather than grand, sweeping trends in culture, are when people chose to not partake in a wide set of things. Like musical close mindedness, or refusal to try different foods from different cultures. Not watching an entire subset of films bc they’re ‘french’. Avoiding reading bc you say you have adhd and it’s too hard. Like dude I get it, I’m busy. I can be picky. Everyone can. But the willful ignorance of closing yourself off to those VAST portions of the human experience, and not having curiosity and a lust to learn and explore art that was made by someone worlds apart from you either in terms of their culture, era, whatever. I dunno man it just pisses me off so bad. I think it’s arrogant. Like oh you’re comfortable in your safe little bubble huh? And you’re enforcing its barriers with the excuse that you’re autistic and have sensory issues. With music made by black people?? lol okay. It is pretty presumptuous for me to assume malicious intent but I think those prejudices are borne from either the comfort of being someone who’s wealthy and probably white not feeling the need to learn past what they think is enough, or it’s a reflection of a society that’s taught you to prioritize what it shills— popular, current (white, depending where you live ig) artists who are making streamlined, easy to digest content. Often when I meet people with these issues they’ll have one particular ‘niche’, and it tends to be like. 70s music. Victorian literature. Anime and Japanese games. But they’re still not really investing beyond the media presented. Like there’s so much more to Japanese culture than liking some cartoons put out between 2010-2020. You don’t gotta become some sorta Einstein who learns the background of every little freak in FGO yeah. But don’t you wanna aim higher? Aren’t you interested in any of the historical figures? And nothings wrong with hopping onto a trend. You read Dracula bc of that Dracula daily thing. Cool! Read more. Some people will say they’re chronically ill or disabled and can’t get outside. That’s okay. The internet is full of things you can read other than fanfiction, YouTube has a shit ton of free music. There’s Wikipedia and free articles online if you have questions about things. Yeah nobody is spending four hours a day looking at the national archives website and studying art history but it’s imbued in the things around you, and youll absorb it ambiently as you go along. you dont have to be a jack of all trades and cover every major genre of every major medium, but it never hurts to try! I really love seeing ppl ask too. Bc it can be kind of humiliating to admit to what seems like some jackass hipster that you’ve never delved into, idk, Serbian films (lol not that one). And hopefully if whoever you’re asking will give you honest good recommendations and not berate you. I’m kind of berate a straw man rn I guess. The hostile tone def doesn’t lend to an atmosphere of sharing but I cannot tell you how many times I’ve rbed anything involving specifically jazz only to see someone rb and add the stupidest comment on the post, or in the tags, or go into my inbox to be like waaah I don’t like jazz bc it’s boring and old and for pretentious hypocrites who hate neurodivergent people! Like what are you TALKING about. Fine if you don’t like it but don’t try and rationalize that as a moral standing you shit lark. And just as they’re allowed to dislike jazz I’m allowed to not really enjoy people who don’t like jazz. Or country. Nautical knots. Knit wear. Watching urbex YouTubers get their shit rocked by squatters. Korean food. Pachuco fashion and stupid ugly low riders. Bollywood films. and they don’t want to try any of those things either yknow? The next thing I’m getting into is circuit bending.

[simsdaughters]

GOTH LEGACY CHALLENGE

Making this for myself and any of you guys who wanna tag along to this little experiment with me!

The goal of this challenge is simple: get to 10 generations, with each one representing a different goth subculture and fashion, starting with the Goth family. I hope that through this, you guys can see the love I have for the goth culture :)

For extra drama: none of the Goths of the main family line may die of old age.

RULES PER GENERATION BELOW:

GEN 1: Aristocrat Goth

The founders of the Goth legacy, their aristocratic air lends credence to their importance. Drawing from historical periods such as the Victorian and Edwardian eras, this subgenre of goth fashion features tailor suits, cravats, waistcoats, corsets and hats.

Master the piano and violin skills.

Reach 500,000 simoleons in savings.

Master the business career.

Make enemies with at least one Landgraab.

GEN 2: Witchy Goth

Drawing inspiration from their parents' lifestyle and beliefs, Cassandra and Alexander adopt a more spiritual approach to the goth aesthetic. This fashion subgenre is characterized by esoteric and spiritual elements in the outfit, such as moons, stars, skulls and maybe black cats if you want to be on the nose with it, while the cultural approach to it is inspired mainly by, of course, witchcraft.

Become a spellcaster.

Master the medium skill.

Learn all potions.

Reach lvl 5 in the gemology skill.

GEN 3: Traditional Goth

The "original" goths, who find their roots in gothic rock born in the post-punk era, the traditional goths are what you first think of when you hear the word goth: ripped, black clothes, dark makeup and wild hair. As a punk offshoot, traditional goths prioritize self-expression, individuality and challenging traditions.

Join any artistic career, and reach lvl 5 in it.

Master the guitar skill.

Volunteer at least once a week.

Befriend any occult.

GEN 4: NU Goth

A slightly controversial subgenre in the goth culture, NU or "new" goth is a more modern approach to the goth genre. More lenient in their view of what "makes" a goth, they are known to be more welcoming to mall goths and baby bats than trad goths (though that does not mean traditional goths are hostile to the two, simply that there is a prominent debate in the goth scene on what consists "a true goth"). This fashion type is what you'd probably find on pinterest or tiktok, with the more current fashion trends influencing the style.

Sell at least 5 thrifted outfits.

Join the social media career.

Film fashion tutorials at least once a week. (Get Famous)

Have at least 500 followers on any social media.

GEN 5: Cyber Goth

The cybergoth subculture and fashion mixes industrial, 2000s and rave aesthetics in one, featuring leather, neon colors, futuristic looks and a love for electronic music. They embrace philosophical discussions and imaginations of a dystopic information society future.

Master the DJing skill.

Reach lvl 5 in the dancing skill.

Go clubbing at least once a week.

Master the programming or robotics skill.

GEN 6: Pastel Goth

Mixing the kawaii aesthetic with gothic ideals and themes, pastel goth makes it's mark by ... well, being pastel. Often seen dipping into lolita or fairy kei fashion, this style can accessorize with sometimes cutesy details. This style is more focused on the fashion and aesthetics of the gothic look rather than the music, and on having fun with their self-expression.

Have an all-pastel home !

Join the Style Influencer career.

Make 5 friends.

Thrift clothes at least once.

GEN 7: Romantic Goth

As expected, romantic goth subculture focuses on romanticizing death, the macabre and the dark. They find beauty and appreciation in things like withered roses, skulls and more. Their fashion is characterized by flowy, ethereal silhouettes, and a feminine touch to their outfits. Its the embrace of beauty.

Have a gothic wedding ceremony.

Master the writing skill.

Have a cemetery.

Romance a vampire at least once.

GEN 8: White Goth

The white goths reverse the traditionally dark and ... well, black palette of the gothic genre for white, and other such colors you shouldn't wear at a wedding. Their clothing taste often includes silks, ethereal garments, ornate jewelry and parasols.

Master the organ skill.

Master the painting skill.

Serenade someone at least once.

Wear white at a wedding.

GEN 9: Victorian Goth

The Victorian Goth subculture pays homage to the elegance and refinement of the 19th century. Their fashion sense borrows from the Victorian era, with silhouettes evocative of the era, top hats, lace and corsets. They mix the aesthetic of a bygone era with the ideologies of all goths, that of individualism and self-expression through art and fashion.

Do not own any electronics, lights included.

Master the writing skill.

Own at least one horse, and travel to lots with it.

Paint at least 20 paintings.

GEN 10: Vampire Goth

Inspired by vampire lore and horror, the vampire goth fashion scene includes elegant, intricate designs, corsets, capes, vampire fangs (real or otherwise) and bloody, macabre themes. Like the romantic goths, they find beauty and allure in the dead and the deadly, and would probably love owning a fainting couch.

Master the charisma skill.

Master the vampire lore skill.

Turn at least 5 sims into vampires.

Become a Master Vampire.

[saliosis]

happy halloweeen!! here's my take on a "core refresh" pack (part 6)

1, 2, 3, 4, 5 + more under cut

frankie's fashion is very experimental. they like to explore themselves through what they wear since they're just learning things about the world. to symbolize their personality, they have a "quirky" style of fashion. mostly mismatched, mostly all over the place. there's not really a category for frankie's style... not that i can think of. they like to wear anything, honestly. dresses, suits, overalls, shirts, shorts, boots, heels. they're trying to figure out their style, so sometimes they'll incorporate some more colors. they like black and white, but they add teal in. yellow is another color added.

they don't wear real/natural silver because they've learned that this can harm their fellow monsters. any silver accessories they have is fake (painted grey, because that's a way to work around it)

they experiment with piercings

this was in my og design, but they have a huge patch over their left eye. it's plaid, so sometimes they try their best to match their outfits well enough for them to look aesthetically pleasing

likes patterns. stripes, plaid, etc. etc.

clawdeen's fashion is furry and bold. again, this is the fashionista of the school. she is the queen of fashion. again, she likes fur and animal print. whatever she chooses to wear is what usually sets the trends and expectations for those at monster high. she loves to explore herself though. i'd say her style evolves, but these are the main ideas of her fashion. she loves purple, but she also loves green. maybe has a french fashion inspiration? i don't really know how to label it. it's sort of mcbling, but also the style you'd expect of a very cunty aunt who likes shopping. she likes pants best, ngl. jeans are great. skirts are fine by her, she just loves pants.

i like the idea of clawdeen constantly changing up her style. yes, she can also wear something like her g3 outfits. much more coordinated. what i've displayed is the style that takes up most of her closet, tho

she wears glasses, but she has different pairs for each outfit

green is a color she loves so much but doesn't make use of it enough

the wolf family has a little emblem thing i've snuck onto each. it's a golden circle pendant with a small moon on the inside, two little bars holding up the design so it floats. it could also look like a money symbol... idk like coins. it's good luck. mostly for money manifesting and all. she runs with the gold and goes crazy. only gold, no bronze accessories. ever.

on days of the full moon, she will wear super loose clothing. the moon cycles could also impact her fashion choices.

draculaura's fashion is very iconic. a sort of gothy, classic, and romantic sort of look. i'd say she likes to take a spin on victorian styles and make them modern... while also mashing together those 2010s pink/black skull prints and tees that we all know and love. i really like the idea of her in a long dress that hits the floor. i would say she's romantic goth. she likes frills, long ball gowns, lace, and hats that can cover her from the sun whenever she has to travel outside in the daytime. lots of slip dresses if she wants to be more casual. elegance, but done cutely.

the silhouette of an outfit is what matters most to her when it comes to fashion

if she wears a skirt, she wears a big petticoat underneath. a very big petticoat

her parasol can be used interchangeably with a large hat. she always wants either or to match her outfit. and they are always kind of extra

her "victorian" style is a sort of nod to her immortality. she probably likes that fashion period best and likes to try and honor that

i like the idea of her experimenting with her hair. it was a g3 idea, kinda. but bangs, streaks, half and half, etc. i like to imagine draculaura being into the big goth hair

cleo's style is very similar to her g1 style. gold. blues. elegant, fresh, modern, and incredibly easy on the eyes. obviously, she loves to flaunt her designer clothing around school. and since she is so popular, it's expected for her to serve look after look. you will never ever see her look bad. every cleo portrayal i've seen never has enough mummy wrap. she needs it to survive and yet, she only has like, one or two bands on her arms. my cleo's fashion is all about wrap-themed clothing. she has lots of wraps. sometimes she comes up with ways to mix that or even show off her monster trait and heritage. she loves see-through, glittery material too, obviously paired on top of something. but it's glamourous. it's rich. it's sometimes a little 90s inspired, but mostly fresh.

this cleo loves pants. loose pants work, i suppose. but she likes them baggy. one of the best examples of what she likes to wear for pants would be those baggy pyramid-textued pants i designed for her once

gets custom made jewelry (braclets, earrings, etc) that spell out her name in hieroglyphics

likes shorter skirts, but secretly admires longer skirts ten times more

blue lover. any shade. try her. she will obviously mix around her makeup, nails, and hair to work around whatever blue she's feeling

loves gems. lots of gems. real ones, obviously.

doesn't like socks very much. she can literally just do the same thing socks do for feet with mummy wrap. same with stockings

[cobragardens]

Aziraphale's Ascot: An Analysis

What's most interesting to me about the ascot Aziraphale is wearing when he turns up in Crowley's car in 1967 is that it's very fashionable.

An ascot (American), or day cravat (British), is a band of material meant to be worn inside the shirt collar, terminated on each end with a long wide tongue of that same fabric.

The band goes around the back of the neck, and the tongues are tied in the front and tucked into the open neck of a collared shirt. An ascot displays a wide sweep of color just below the wearer's face to flatter their complexion and show their personality.

And the late 1960s was the ascot's peak of popularity. The Duke of Windsor wore them; the mods wore them; British Invasion bands wore them. Fred wears an ascot in the Scooby-Doo cartoons. Lance Corporal Shadwell wears one. They were a huge trend.

On the surface this doesn't seem like Aziraphale at all. His previous appearances indicate his stylishness in ancient Rome is merely serendipitous overlap of Roman fashion with his personal preferences for white robes, blond hair in a Brutus cut, and gold wing-themed jewellery. In 1601, 1793, 1941, and all contemporary scenes, his style is decades to more than a century off the fashion of its time. We know he's into bow ties by 1941, and he's hardly one to adopt a style merely because it's popular; so why the ascot in 1967?

One possible explanation is that Aziraphale misses the clothing of the Victorian period and leaps at the chance to wear something that harks back to a time when he felt at home, sartorially speaking.

I don't think that's it, though, at least not in Show Omens. For one thing, traditional ascot ties (what a British person would call an ascot or an ascot tie, rather than a day cravat) are not at all the same accessory as the ascots of the 1960s: they're formal rather than semi-casual daywear; they're made of thicker silk, often with a woven rather than printed pattern; and they're worn outside the shirt and collar. More importantly, we've got two scenes of Aziraphale in the Victorian period, and he's not wearing an ascot tie in either of them: he's wearing a long cravat tied in a wide bow, a precursor to his bow ties.

I therefore propose a different explanation for the ascot of 1967.

As Aziraphale has clearly never been anywhere near a polyester fibre in the whole of his celestial existence, and as he always affects an appearance of idle hereditary wealth, we must presume that this--

--is silk. (In fact in the 1960s, a silk ascot in light colors was a signal of upper-class status.)

And we know Aziraphale likes silk, because by 2023 he's been wearing a silk velvet waistcoat for 200 years.

I again advance the argument that, despite himself, Aziraphale is a voluptuary by nature: a person who directs their energies toward the pursuit and enjoyment of pleasure, especially (but not solely) sensual pleasure.

He can control his appearance at will, and yet he has a barber; that means he enjoys the pleasure of a haircut and maybe a hot shave. (I have similar suspicions about his manicured hands.) The barber has recommended new cologne, which means Aziraphale has an old cologne, which means he likes to smell beautiful scents. He eats for sensual pleasure. He drinks for sensual pleasure (much more so than Crowley, who drinks for the pleasure and escape of inebriation). He listens to music for sensual pleasure. He attends the theater for pleasure. Reading is as much a sensual pleasure inside your own head as it is intellectual self-stimulation (which is its own kind of pleasure in turn); and believe me, collecting books is as much a sensual pleasure as a logistical and a philosophical one.

Aziraphale even agrees to an Arrangement with a demon to give himself more spare time for his pursuit of human pleasures. And then he and the demon become friends, because what could be a greater pleasure than indulging yourself in the good company of someone clever and kind and beautiful, who flirts with you and tells wicked jokes you mustn't laugh at--except perhaps for the pleasure of making that person smile in return?

Fun fact: The silk of which casual ascots are made is finer than the silk of either traditional ascot ties or neckties, because ascots/day cravats are made to be worn inside rather than outside the collar.

In 1967, instead of his usual crisp bow tie around his usual tightly buttoned collar, Aziraphale wears an open collar and a day cravat because the fashion of the 1960s lets him keep silk against his skin.

And there's one other thing, too. Compare Aziraphale's ascot to Lance-Corporal Shadwell's, or to the standard ascot knot:

The edge of Azirapale's ascot sits below the edge of his shirt collar where it should sit above, and the cascade spills almost an inch in front of his Adam's apple instead of flush against his neck. Aziraphale has tied his ascot low and loose.

It allows him to bare more of his throat to Crowley than has been sanctioned by custom for 2,000 years.

How long after Aziraphale reverted to bow ties did Crowley think about that?

[thelibraryghost]

A Young Person's Introduction to Late 19th-Century Western Fashion

hello fellow youths

General information Banner, Bernadette. "Exposing Victorian Influencers Who 'Facetuned' Their Photos. (Photo Manipulation was EVERYWHERE)." YouTube. July 17, 2021. English Heritage. "Fashion Through History: Episode 1 – Victorians." YouTube. February 9, 2023. Lady Rebecca Fashions. "100 Years of Fashion // The Fashionable Plus Size Silhouette from 1820-1910." YouTube. June 5, 2021. Victoria and Albert Museum. "100 Years of Fashionable Womenswear: 1830s – 1930s | V&A." YouTube. July 18, 2023. Zebrowska, Karolina. "Victorian Fashion Is Not What You Think It Is." YouTube. March 19, 2019.

Accessories Banner, Bernadette. ""Afro-Victorian": Bringing Historical Black Women's Dress into the 21st Century w Cheyney McKnight." YouTube. October 20, 2021. Cox, Abby. "A Fashion Historian Explains the History of the Handbag." YouTube. January 26, 2023. Rudolph, Nicole. "Dangerous Things in Victorian Pockets : Mens Pocket History." YouTube. March 2, 2024. Rudolph, Nicole. "The Controversial History of Color Season Analysis." YouTube. November 4, 2023. Zebrowska, Karolina. "Disgusting and Creepy Victorian Fashion Trends." YouTube. October 17, 2018.

Bustles and hoopskirts Donner, Morgan. "Weirdest Victorian Invention: The Bustle-Chair (and we made one)." YouTube. November 20, 2020. Lady Rebecca Fashions. "100 Years of Underwear // The Changing Plus Size Shape from Regency to Victorian to Edwardian." YouTube. May 1, 2021. Lady Rebecca Fashions. "All About Bustles! A Deep Dive into 1870s Fashions." YouTube. December 26, 2023. Rudolph, Nicole. "Why were Victorian Hips Controversial?" YouTube. September 12, 2021.

Cosmetics Birchwood, Vasi. "1800s Makeup Is Not What You Think." YouTube. July 21, 2023. English Heritage. "Queen Victoria Makeup Tutorial | History Inspired | Feat. Amber Butchart and Rebecca Butterworth." YouTube. May 20, 2019. Zebrowska, Karolina. "I Used Only Victorian Cosmetics For a Week." YouTube. July 26, 2023.

Fabrics Rudolph, Nicole. "Did Silk Spontaneously Combust in the Victorian Era?" YouTube. August 8, 2021. Rudolph, Nicole. "The History of Elastic." YouTube. July 4, 2021. Rudolph, Nicole. "The Truth About Arsenic in the Victorian Era." YouTube. January 24, 2021.

Gowns Bullat, Samantha. "Dress Historian Analyzes Victorian Mourning Clothing of the Mid-19th Century." YouTube. March 14, 2021. Lady Rebecca Fashions. "All About 1860's Fashion // What did Civil War-era fashion look like?" YouTube. November 12, 2022. Lady Rebecca Fashions. "How did fashion evolve from 1850-1859? // 1850's Fashion Deep Dive." YouTube. October 1, 2022. Rudolph, Nicole. "Victorian Fast Fashion? The Truth about the History of Disposable Clothing." YouTube. February 6, 2022. SnappyDragon. "Were the Pre-Raphaelites painting accurate medieval dress . . . or Victorian fairtytalecore?" YouTube. April 26, 2024. Zebrowska, Karolina. "19th Century Fashion - How To Tell Different Decades Apart?" YouTube. November 17, 2017.

Hair care and styling Banner, Bernadette. "Following a Victorian Home Made Hair Care Routine (1889)." YouTube. September 11, 2021. Lady Rebecca Fashions. "Getting Dressed in an 1888 Daisy Costume // Easy Bustle-Era Hair Tutorial." YouTube. November 13, 2020. Lady Rebecca Fashions. "Getting Dressed in the 1870s & 1874 Hairstyle Tutorial." YouTube. February 23, 2020. Rudolph, Nicole. "Why did Victorian Women Cut their Hair Short?" YouTube. December 18, 2022. Laundry and housekeeping English Heritage. "A Tour of the Laundry - The Victorian Way." YouTube. September 6, 2019. English Heritage. "How to Wash Up - The Victorian Way." YouTube. March 18, 2021. English Heritage. "Laying the Table at Christmas – The Victorian Way." YouTube. December 14, 2022. Walkley, Christina, and Vanda Foster. Crinolines and Crimping Irons: Victorian Clothes: How They Were Cleaned and Cared for. Peter Owen Limited: London, 1978.

Outerwear and working wear Birchwood, Vasi. "What Irish Working Women Wore in the Late 19th Century | I Made the Clothing of My Irish Ancestors." YouTube. June 23, 2023. English Heritage. "The Real Mrs Crocombe | Part Four: A Victorian Cook's Outfit." YouTube. July 5, 2018. Stowell, Lauren. "It's Hot: Let's Look At Some Bathing Suits." American Duchess. August 18, 2023. Rudolph, Nicole. "The History of Jeans, T-shirts, and Hoodies: Time Travel 101." YouTube. March 20, 2022. Zebrowska, Karolina. "The 1851 Women's Pants That Made The Victorians Go Crazy." YouTube. March 2, 2020.

Shoes Rudolph, Nicole. "100 years of Antique Boots." YouTube. February 10, 2024. Rudolph, Nicole. "How to Make Regency & Victorian Shoes: Beginner Shoemaking." YouTube. June 27, 2021. Rudolph, Nicole. "The Myth of Tiny Feet "Back Then"." YouTube. September 26, 2021.

Undergarments Banner, Bernadette. "I Wore a (Medical) Corset for 5 Years. How do Victorian Corsets Compare?" YouTube. November 7, 2020. Banner, Bernadette. "Making Some Frilly Victorian Underwear || 1890s Combinations." YouTube. February 9, 2019. Birchwood, Vasi. "What Victorians Wore to Bed." YouTube. May 5, 2023. Cox, Abby. "I made weird Victorian underwear (it's a knit onesie) & a pretty 1890s corset || historical sewing." YouTube. March 21, 2021. Lady Rebecca Fashions. "How 8 Different Historical Corsets Affect the Same Plus Size Body." YouTube. December 12, 2020. Rudolph, Nicole. "100 Years of Corset History: How 8 Corsets affect the same body." YouTube. November 29, 2020. Zebrowska, Karolina. "How Did Victorian Ladies Stay Warm in Winter? || THE EXPERIMENT." YouTube. January 22, 2021. Zebrowska, Karolina. "How Did Victorian Women Deal With Their Periods?" YouTube. October 17, 2019.

[theaethernetconnection]

Just had a random thought about how differently Crowley and Aziraphale interact with humans and their culture throughout history. More or less, Crowley interacts with the culture and Aziraphale interacts with the people. There's so much nuance of course because I'm thinking about how aziraphales appreciation of culture comes purely through food, and Crowley tends to notice people's social cues and little details about people. But thinking about in Rome, or Victorian times or the wives in the 1960s. Crowley is always experimenting with her gender expression and the culture of the place where he resides. I think that the way Crowley works is he really lives in the places he lives in such as going to bars, talking to people on the street, the lowlife, the nightlife, actually paying rent for some goddamn reason. But aziraphale stays on his own for the most part, he absorbs the people he interacts with but definitely stays outside of fashion trends, and altogether doesn't really immerse himself in any culture. It's why he's unaware of the life the poor live in the grave digging minisode, and also the reason he has so many signed books from magicians and prophesy tellers. He engages with the people for long periods of time. Is he super good at listening to human emotions? Not exactly... But is he great at cataloguing and absorbing the essence of the people he meets? Yeah.

[marzipanandminutiae]

Madame Marzi I must defer to ur wisdom

Recently you rb’d a painting with some younger ladies and in the tags talked a bit about short hair in Victorian Times

Do you have any reference for how shorter hair was styled at the time? I’ve seen plenty of paintings and such with VERY short hair (post illness or perhaps childbirth) where all you can really do is smooth it back, but what about that awkward, past the shoulders sort of stage where it’s too long to just brush back but too short to do much to? Surely they had some styling guides..?

(Also, a side question— how old would one be before going from shorter skirts to adult/full length ones?)

The two little girls in the garden (probably preteens-young teens)? Yes, I did!

It's hard to find images of women with in-between hair lengths, and I'm not sure why. Possibly because they'd find ways to put it up with false hair, whereas hair too short to put up is more obvious in photos. This could also have to do with the type of woman who has pixie- or bob-length hair voluntarily vs. mid-length: the latter is more likely to be attempting a grow-out, and thus to try her darndest to do The Culturally Accepted Long Hair StylesTM where a lady who chose a much shorter look wouldn't care. If that makes sense? Because, indeed, some of the women with very short hair were not ill or postpartum: ladies could, and did, choose to eschew long locks back then. It wasn't very common, but it happened.

(Nicole Rudolph has an excellent video about localized short hair trends for ladies during the Victorian era.)

You see a lot of these bob-type looks in photographs where the hair is center-parted and either naturally curly or curled on purpose, around the mid-19th century:

(1850s or 60s)

(Author, feminist, and abolitionist Anna Elizabeth Dickinson- no relation to Emily that I know of, though Anna was also a queer female writer around the same era -c. 1860s. She wore her hair short all her life, so it was voluntary in this case.)

(Also 1860s.)

Pre-Raphaelite muse Fanny Eaton frequently appears to have chin-to-shoulder length hair, though given that she was Black with a corresponding hair texture, it's hard to tell what the actual length is- it may be long and looped up in the 1850s-60s styles popular when she was most commonly painted (most free Black women in England and the US wore styles also popular with white women, to the best of their abilities given that fashion plates assumed European-textured hair as the "norm"):

(Fanny Eaton, 1861. Also worth noting that we have no images of what her hair looked like when she wasn't posing for fantastical paintings.)

I've never actually seen an image of a Victorian woman with mid-length hair outside the context of theatrical or artistic images from the end of the century, now I think of it. Huh. It's a mystery, I suppose!

As for skirts, while in earlier periods children had basically worn miniature adult clothing, it became fashionable around the 1830s-40s to dress girls in short skirts and boys in short pants. The usual rule was knee-length until around age 10, then mid-calf-length until somewhere between 16 and 18 when skirts would be "let down" and the girl would start wearing her hair up, becoming a young adult in the eyes of society. (Contrary to popular belief, this had nothing to do with marriage- while you were theoretically eligible for it when you started dressing as an adult, girls/women younger than 20 were still often considered a bit too immature to marry. It wasn't forbidden, but many people thought it unwise. And yes, unmarried young women did still wear their hair up and their skirts long.)

...unless she preferred her hair short, which as you can see, was an option!

[lovelyfaustus]

here's some more hcs about claude (my babygirl)

claude faustus x modern! reader hcs (platonic)

basically the setting is u somehow ending up at alois' place n chillin like a villain named dylan and also befriending claude 🎉 imma sneak in some alois hcs as well🙏

---------------

🕷️when you first showed up, claude honestly had no real opinion of you, just that you looked odd and very out of place (who are you???? what??)

🕷️after alois let you reside with them, claude's interest in you would only grow

-who are you? where did you come from? why are you here? what even.....???

🕷️claude would lie and say alois ordered him to come find you and ask some questions, such as your name, your age, why you look so....weird (fashion and perhaps makeup-wise), and how you ended up at the trancy estate

- alois asked you all that shiz when you first pulled up, claude will just say alois forgot or something

🕷️eventually you would end up saying you were from the 21st century, and he would look at you and think.."what"

-i mean if you got hoodies and sweatpants and sneakers, it wouldn't be hard to believe that you were not from the 19th century.

🕷️fast forward some few months after getting to know you a little more, you would find some way of getting your phone to work in alois' mansion

🕷️if you played some music out loud, claude would be curious, asking you what the song is about or how humanity has crashed so hard that it considered "that" music (only bc it's significantly different than the Victorian era)

🕷️claude would like hozier, dodie, some pierce the veil and get scared

🕷️he won't really like taylor swift much, but he can admit he may slightly enjoy some of her songs, especially the lyricism, but only a little 😉

🦋alois would absolutely fucking LOVE upbeat, 21st century music. like the kinda stuff that trends on tiktok these days

🦋he would also wanna play dress up with some of your clothes, because in his eyes, they are bizarre costumes (they look weird as hell to him)

🦋you would invite him to some karaoke type stuff and he would go all out, especially on songs that are suggestive (claude would sigh, what have you done to alois)

🕷️claude would consider you tolerable, but actually he does enjoy your company; it's new and it brings some sort of excitement to his long, boring life

🦋alois prolly forgot all about claude besides demanding him to do things or bring things for both of you. you're his best friend now, good luck🙏

[correlance]

Are you really a Charlastor or Radiobelle fan if you've never created a fan child for Alastor and Charlie? (joking)

Anyways, here's Lucille Morningstar, or "Lucy" for short, the fan daughter for Alastor and Charlie that my best friend and I came up with. We both agreed that Alastor would probably be a better "girl dad", and I wanted to design a daughter for them that looked a lot like Charlie, but still had distinctive traits that came from Alastor. As for crescent moon-shaped cheek marks and hair, those were inspired by Queen Celena the Shy from Star vs. the Forces of Evil (SVTFOE):

I also wanted to put her in Charlie's 1930s outfit from the pilot, and also give her pink hair, because of course Charlie and Alastor's daughter would have "cotton candy hair", given Charlie is...Charlie.

A few other details:

"Lucille" (Lucy) was #85 in the Top 100 names for girls (1930s). It is a play on the nickname for Charlie's father (Luci, or "Lucifer").

Lucy has Alastor's teeth, but only shows them when she wants to intimidate others. (Aunt Rosie taught her how to do that.)

Her horns are sometimes mistaken for goat horns, since they are relatively small, and often covered by her hair, and also because Charlie has goat hooves. Lucy doesn't mind being a "goat demon".

She is a literal "strawberry blonde" in terms of hair color and tone.

Lucy has blackened fingers, which she usually covers with gloves.

Her mouth and eyelashes resemble those of Lilith, Charlie's mom.

Since Aunt Rosie helped raise Lucy, she wears a lot of "vintage" clothing, ranging from the Victorian era to various other decades. She tends to be very "fashionable", and became a fashion designer, operating under the label "Roebuck Design" (i.e. Sears & Roebuck). ("Roe" and "buck" are both deer-related terms.) Velvette thinks her designs are "outdated"; Lucy points out "vintage" fashion trends often cycle back into popularity.

Lucy likes growing out her hair long for styling, and Alastor would carefully comb and brush out her hair when she was growing up.

Alastor also taught her sewing and tailoring when she was a child, and allowed her to practice on some of his older and torn clothes.

Since both of her biological parents have red blood, so does Lucy.

Her ideal voice actor is Susan Egan (Megara, Rose Quartz, etc).