#things may be going kind of good for me in terms of drawing

[absoleyes]

[maniculum]

Medieval Scorpions Effortpost

So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:

The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".

Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.

As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".

Let me tell you. This is not a problem unique to this illustration.

See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:

That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?

So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.

And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.

*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.

Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.

And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.

11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)

12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)

12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)

12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)

13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)

13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)

13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)

13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))

13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)

13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)

13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)

13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)

13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)

13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)

13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)

13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)

14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)

14th-century Germany, MS Additional 22413. (That is clearly a turtle.)

14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)

15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)

I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.

[colleendoran]

Great Big Good Omens Graphic Novel Update

AKA A Visit From Bildad the Shuhite.

The past year or so has been one long visit from this guy, whereupon he smiteth my goats and burneth my crops, woe unto the woeful cartoonist.

Gaze upon the horror of Bildad the Shuhite.

You kind of have to be a Good Omens fan to get this joke, but trust me, it's hilarious.

Anyway, as a long time Good Omens novel fan, you may imagine how thrilled I was to get picked to adapt the graphic novel.

 Go me!  

This is quite a task, I have to say, especially since I was originally going to just draw (and color) it, but I ended up writing the adaptation as well. Tricky to fit a 400 page novel into a 160-ish page graphic novel, especially when so much of the humor is dependent on the language, and not necessarily on the visuals.

Not complainin', just sayin'.

Anyway, I started out the gate like a herd of turtles, because  right away I got COVID which knocked me on my butt. 

And COVID brain fog? That's a thing. I already struggle with brain fog due to autoimmune disease, and COVID made it worse.

Not complainin' just sayin'.

This set a few of the assignments on my plate back, which pushed starting Good Omens back. 

But hey, big fat lead time! No worries!

Then my computer crawled toward the grave.

My trusty MAC Pro Tower was nearly 15 years old when its sturdy heart ground to a near-halt with daily crashes. I finally got around to doing some diagnostics; some of its little brain actions were at 5% functionality. I had no reliable backups.

There are so many issues with getting a new computer when you haven't had a new computer or peripherals in nearly fifteen years and all of your software, including your Photoshop program is fifteen years old.

At the time, I was still on rural internet...which means dial-up speed.

Whatever you have for internet in the city, roll that clock back to about 2001.

That's what I had. I not only had to replace almost all of my hardware but I had to load and update all programs at dial-up speed.

Welcome to my gigabyte hell.

The entire process of replacing the equipment and programs took weeks and then I had to relearn all the software.

All of this was super expensive in terms of money and time cost.

But I was not daunted! Nosirree!

I still had a huge lead time! I can do anything! I have an iron will!

And boy, howdy, I was going to need it.

At about the same time, a big fatcat quadrillionaire client who had hired me years ago to develop a big, major transmedia project for which I was paid almost entirely in stock, went bankrupt leaving everyone holding the bag, and taking a huge chunk of my future retirement fund with it.

I wrote a very snarky almost hilarious Patreon post about it, but am not entirely in a position to speak freely because I don't want to get sued. Even though I had to go to court over it, (and I had to do that over Zoom at dial-up speed,) I'm pretty sure I'll never get anything out of this drama, and neither will anyone else involved, except millionaire dude and his buddies who all walked away with huge multi-million dollar bonuses weeks before they declared bankruptcy, all the while claiming they would not declare bankruptcy.

Even the accountant got $250,000 a month to shut down the business, while creators got nothing.

That in itself was enough drama for the year, but we were only at February by that point, and with all those months left, 2023 had a lot more to throw at me.

Fresh from my return from my Society of Illustrators show, and a lovely time at MOCCA, it was time to face practical medical issues, health updates, screening, and the like. I did my adult duty and then went back to work hoping for no news, but still had a weird feeling there would be news.

I know everyone says that, but I mean it. I had a bad feeling.

Then there was news.

I was called back for tests and more tests. This took weeks. The ubiquitous biopsy looked, even to me staring at the screen in real time, like bad news. 

It also hurt like a mofo after the anesthesia wore off. I wasn't expecting that.

Then I got the official bad news.

Cancer which runs in my family finally got me. Frankly, I was surprised I didn't get it sooner.

Stage 0, and treatment would likely be fast and complication-free. Face the peril, get it over with, and get back to work. 

I requested surgery months in the future so I could finish Good Omens first, but my doc convinced me the risk of waiting was too great. Get it done now.

"You're really healthy," my doc said. Despite an auto-immune issue which plagues me, I am way healthier than the average schmoe of late middle age. She informed me I would not even need any chemo or radiation if I took care of this now.

So I canceled my appearance at San Diego Comic Con. I did not inform the Good Omens team of my issues right away, thinking this would not interfere with my work schedule, but I did contact my agent to inform her of the issue. I also contacted a lawyer to rewrite my will and make sure the team had access to my digital files in case there were complications.

Then I got back to work, and hoped for the best.

Eff this guy.

Before I could even plant my carcass on the surgery table, I got a massive case of ocular shingles.

I didn't even know there was such a thing. 

There I was, minding my own business. I go to bed one night with a scratchy eye, and by 4 PM the next day, I was in the emergency room being told if I didn't get immediate specialist treatment, I was in big trouble.

I got transferred to another hospital and got all the scary details, with the extra horrid news that I could not possibly have cancer surgery until I was free of shingles, and if I did not follow a rather brutal treatment procedure - which meant super-painful  eye drops every half hour, twenty-four hours a day and daily hospital treatment - I could lose the eye entirely, or be blinded, or best case scenario, get permanent eye damage.

What was even funnier (yeah, hilarity) is the drops are so toxic if you don't use the medication just right, you can go blind anyway.

Hi Ho.

Ulcer is on the right. That big green blob.

I had just finished telling my cancer surgeon I did not even really care about getting cancer, was happy it was just stage zero, had no issues with scarring, wanted no reconstruction, all I cared about was my work. 

Just cut it out and get me back to work.

And now I wondered if I was going to lose my ability to work anyway.

Shingles often accompanies cancer because of the stress on the immune system, and yeah, it's not pretty. This is me looking like all heck after I started to get better.

The first couple of weeks were pretty demoralizing as I expected a straight trajectory to wellness. But it was up and down all the way. 

Some days I could not see out of either eye at all. The swelling was so bad that I had to reach around to my good eye to prop the lid open. Light sensitivity made seeing out of either eye almost impossible. Outdoors, even with sunglasses, I had to be led around by the hand.

I had an amazing doctor. I meticulously followed his instructions, and I think he was surprised I did. The treatment is really difficult, and if you don't do it just right no matter how painful it gets, you will be sorry. 

To my amazement, after about a month, my doctor informed me I had no vision loss in the eye at all. "This never happens," he said.

I'd spent a couple of weeks there trying to learn to draw in the near-dark with one eye, and in the end, I got all my sight back.

I could no longer wear contact lenses (I don't really wear them anyway, unless I'm going to the movies,) would need hard core sun protection for awhile, and the neuralgia and sun sensitivity were likely to linger. But I could get back to work.

I have never been more grateful in my life.

Neuralgia sucks, by the way, I'm still dealing with it months later.

Anyway, I decided to finally go ahead and tell the Good Omens team what was going on, especially since this was all happening around the time the Kickstarter was gearing up.

Now that I was sure I'd passed the eye peril, and my surgery for Stage 0 was going to be no big deal, I figured all was a go. I was still pretty uncomfortable and weak, and my ideal deadline was blown, but with the book not coming out for more than a year, all would be OK. I quit a bunch of jobs I had lined up to start after Good Omens, since the project was going to run far longer than I'd planned.

Everybody on the team was super-nice, and I was pretty optimistic at this time. But work was going pretty slow during, as you may imagine.

But again...lots of lead time still left, go me.

Then I finally got my surgery.

Which was not as happy an experience as I had been hoping for.

My family said the doc came out of the operating room looking like she'd been pulled backwards through a pipe, She informed them the tumor which looked tiny on the scan was "...huge and her insides are a mess."

Which was super not fun news.

Eff this guy.

The tumor was hiding behind some dense tissue and cysts. After more tests, it was determined I'd need another surgery and was going to have to get further treatments after all.

The biopsy had been really painful, but the discomfort was gone after about a week, so no biggee. The second surgery was, weirdly, not as painful as the biopsy, but the fatigue was big time.

By then, the Good Omens Kickstarter had about run its course, and the record-breaker was both gratifying and a source of immense social pressure.

I'd already turned most of my social media over to an assistant, and I'm glad I did.

But the next surgery was what really kicked me on my keister.

All in all, they took out an area the size of a baseball. It was  hard to move and wiped me out for weeks and weeks. I could not take care of myself. I'd begun losing hair by this time anyway, and finally just lopped it off since it was too heavy for me to care for myself. The cut hides the bald spots pretty well.

After about a month, I got the go-ahead to travel to my show at the San Diego Comic Con Museum (which is running until the first week of April, BTW). I was very happy I had enough energy to do it. But as soon as I got back, I had to return to treatment.

Since I live way out in the country, going into the city to various hospitals and pharmacies was a real challenge. I made more than 100 trips last year, and a drive to the compounding pharmacy which produced the specialist eye medicine I could not get anywhere else was six hours alone.

Naturally, I wasn't getting anything done during this time.

But at least my main hospital is super swank.

The oncology treatment went smoothly, until it didn't. The feels don't hit you until the end. By then I was flattened.

So flattened that I was too weak to control myself, fell over, and smashed my face into some equipment.

Nearly tore off my damn nostril.

Eff this guy.

Anyway, it was a bad year.

Here's what went right.

I have a good health insurance policy. The final tally on my health care costs ended up being about $150,000. I paid about 18% of that, including insurance. I had a high deductible and some experimental medicine insurance didn't cover. I had savings,  enough to cover the months I wasn't working, and my Patreon is also very supportive. So you didn't see me running a Gofundme or anything.

Thanks to everyone who ever bought one of my books.

No, none of that money was Good Omens Kickstarter money. I won't get most of my pay on that for months, which is just as well because it kept my taxes lower last year when I needed a break.

So, yay.

My nose is nearly healed. I opted out of plastic surgery, and it just sealed up by itself. I'll never be ready for my closeup, but who the hell cares.

I got to ring the bell.

I had a very, VERY hard time getting back to work, especially with regard to focus and concentration. My work hours dropped by over 2/3. I was so fractured and weak, time kept slipping away while I sat in the studio like a zombie. Most of the last six months were a wash.

I assumed focus issues were due (in part) to stress, so sought counseling. This seemed like a good idea at first, but when the counselor asked me to detail my issues with anxiety, I spent two weeks doing just that and getting way more anxious, which was not helpful.

After that I went EFF THIS NOISE, I want practical tools, not touchy feelies (no judgment on people who need touchy-feelies, I need a pragmatic solution and I need it now,) so tried using the body doubling focus group technique for concentration and deep work.

Within two weeks, I returned to normal work hours.

I got rural broadband, jumping me from dial up speed to 1 GB per second.

It's a miracle.

Massive doses of Vitamin D3 and K2. Yay.

The new computer works great.

The Kickstarter did so well, we got to expand the graphic novel to 200 pages. Double yay.

I'm running late, but everyone on the Good Omens team is super supportive. I don't know if I am going to make the book late or not, but if I do, well, it surely wasn't on purpose, and it won't be super late anyway. I still have months of lead time left.

I used to be something of a social media addict, but now I hardly ever even look at it, haven't been directly on some sites in over a year, and no longer miss it. It used to seem important and now doesn't.

More time for real life.

While I think the last year aged me about twenty years, I actually like me better with short hair. I'm keeping it.

OK. Rough year. 

Not complainin', just sayin'.

Back to work on The Book.

And only a day left to vote for Good Omens, Neil Gaiman, and Sandman in the Comicscene Awards. Thanks. 

[aesethewitch]

Ambient Spells

The idea of the ambient spell isn’t so uncommon. My use of the word “ambient” may throw you for a bit of a loop. An ambient spell is any spell that permeates a space in an unobtrusive way. They affect the area surrounding their vessel and require little to no maintenance or upkeep. They’re long-term workings that require varying levels of effort to put together and cast. Depending on what exactly you need, they can be as simple as setting out a bowl of salt or as complex as crafting a home decor piece from scratch.

I always recommend making ambient spells that are self-fueling. I often refer to them also as “set it and forget it” spells. They’re the crockpot of spellwork — work up front for a slow burn output.

Chances are that you’re already aware of or even know how to create ambient spells. Any spell that affects the vibe of a room, for example, would count as an ambient spell. Lighting incense specifically to invite in positive energy counts. A ward that sucks up baneful magic and transforms it into blessings also counts. The primary idea of an ambient spell is that it’s making a change to your environment in the background. It’s the cool breeze in summertime, the subtle piano at a fancy restaurant, the scent of fresh-baked cookies fading as the day goes by. Positive, but not overt.

When to Use (or Not Use) an Ambient Spell

By their nature, ambient spells are fairly general workings. They can be quite powerful, of course, just like any other spell. The thing to keep in mind is that they’re not ideal for targeted magic.

For example, I wouldn’t create an ambient spell to banish someone from my life. I might make an ambient spell to make an area unwelcoming to them, or to anyone who would do me harm. The unwelcoming vibe might discourage them from coming around, sure. But it may not work outside of the area the spell lives in; and it may not get rid of them for good.

Similarly, an ambient spell might make a good general ward for keeping out loud, unwelcome spirits, but it wouldn’t specifically cast out the one particular spirit who’s been causing problems. It might discourage their behavior, but it wouldn’t necessarily get rid of them. A concentrated, single-use banishing spell would work significantly better for that purpose. Afterwards, an ambient spell can keep the area clear of that spirit’s influence.

I also wouldn’t use an ambient spell to draw in specific success. General success or money, absolutely — whatever wants to come my way is welcome, via a basic money bowl set up next to my wallet. But if I specifically want a promotion or a particular amount of money, I’m not going to leave that to the ambient money spell. I would craft a spell specifically for what I’m looking for.

When deciding what kind of spell to cast, keep this idea in mind. An ambient spell is best for behind-the-scenes results that happen without your concentrated effort. When you want something specific, a more targeted spell will work better nine times out of ten.

Creating an Ambient Spell

It’s possible to create an ambient spell with nothing but energy work. However, I often find that these fade quickly and don’t lend themselves well to self-fueling. They tend to need more active upkeep than I prefer for a spell that’s meant to be set and let go. I recommend choosing an appropriate vessel of some kind to contain the spell to help it last longer.

How do you decide what’s an appropriate vessel, though? And how do you set one up? How do you make a spell self-fueling? Let’s start from the top and go in order.

Identify the Purpose

Decide what the spell will do. This is going to define the components and the way you’re going to cast the spell. In my experience, ambient spells work best when they’re given a single purpose. For example, I wouldn’t make a spell that’s a ward and a cleanser and a spirit welcome mat. It dilutes the purpose. Choose a single, clear motive for the spell.

Choose a Vessel

Now that you know what your spell will do, it’s time to decide what it’s going to look like. The vessel you choose should reflect the spell’s purpose in some way.

An open bowl works well for absorbing energy. Why? It’s open. The face of it is open to the room, ready to take in whatever kind of energy you assign to its contents.

A closed jar, on the other hand, would be good for repelling. It’s closed off and sealed — a one-way road going out of the jar and into the room to clear it.

A wreath hung at the door could serve a lot of purposes, depending on what it’s made with. I would use a wreath as an agent of transformation or as an energy emitter to release a certain energy into the space.

A stone makes a solid vessel for protection or grounding. I have one on my working altar to help keep me in the moment and create a good environment for working magic.

When you’re choosing your spell vessel, keep in mind how visible you want it to be. Certain vessels are going to naturally be more obvious than others. A wreath, for example, is hard to miss — but it also just looks like nice home decor. A jar full of herbs and things would be more obviously a spell, but they can be small and easily hidden.

I have both obvious and hidden ambient spells peppered around my home for varying purposes. If you’re keeping your practice a secret, you’ll likely want to keep your spells more obscure or hidden. But if you aren’t, and you can make the choice of whether you want the spell to be in plain sight or not, consider the effect you want the spell to have.

If you want the spell to absorb bad vibes, baneful magics, the evil eye, or other negativity, a hidden spell might serve you well. Hiding the vessel somewhere means that whoever’s casting against you may not expect the resistance. On the other hand, if you want a vessel that allows friendly spirits to visit you during the holidays, a beautiful centerpiece on your dining table that’s charmed with spirit-friendly magic might serve the purpose.

Choose an Energy Source

Ambient spells need to draw energy from somewhere. Think of it like a battery. The ingredients you put into the spell may provide a temporary charge, but if you want the spell to be long-term, it needs an input. How will your spell recharge itself?

If you want the spell to be shorter-term, only a few days or so, then you can skip this step. But if you want an ambient spell to last a while, like a ward or vibe-adjuster, you’ll need to think about this carefully.

Like when choosing the vessel, the energy source should match the purpose of the spell. For example, I have a simple room refresher spell set on a table that’s central to my home. The purpose of it is to take anxiety and negative thoughts to turn them into positivity. I set it up so that the act of walking past the bowl swirls the air around it, and therefore also the energy around it. That kinetic energy fuels the bowl’s magic and keeps it going. I don’t have to actively recharge the bowl or its contents, because we walk past it constantly.

Another example would be an ambient spell to help you do the dishes. (Whether that’s remembering to do them or finding the motivation for it is up to you.) The fuel for the spell could be the act of walking into or past the kitchen, running water elsewhere in the home, or even cooking or eating.

The energy source could also be something like lighting a candle next to or over the vessel on a schedule, if you prefer. This would add an upkeep step, of course, and wouldn’t be my first choice. The only ambient spell I do this with is my money bowl, and that’s because it’s tuned to be able to shift focus from day to day depending on what exactly I need (commissions versus tips versus discounts, etc.).

Setting Up an Ambient Spell

Decide where you want to place your spell’s vessel ahead of time. If you have pets or kids, make sure you put whatever it is out of their reach. If the vessel is something like an uncovered bowl, you’ll want to be sure that it isn’t going to get knocked over. Similarly, if it’s made of glass, you don’t want it to fall and shatter. If your vessel needs to be hidden somehow, determine where you’ll keep it. It would be smart to make note of where the spell is and what it looks like in your grimoire or spell notebook just so that if you forget about it, you can identify it later on down the road.

After you know where you want to put it, it’s time to choose ingredients and fill your vessel. The components you decide on should, obviously, match your goals.

Casting an ambient spell is much the same as casting a regular spell. The only thing to keep in mind is that an ambient spell has a sort of prolonged release.

Upkeep and Care of an Ambient Spell

For the most part, ambient spells should require little to no upkeep. With that said, you should still do routine check-ups on them. I include them in my regular rounds when I check on my wards and various protections, but you could do yours whenever it makes the most sense to you.

Depending on how you decided to fuel your spell, you may need to do a bit of feeding. Whether that’s lighting a new candle, refilling a cup of water, mixing around a pile of herbs, or giving the vessel a little shake, do so anytime it feels like the spell’s energy is flagging. It may take some practice in sensing energy to know exactly when a spell needs refueling. This is partly why I suggest creating a schedule to check in on the spell; ambient spells are a great type to practice sensing spell energy, since they’re typically long-lasting and may wax or wane depending on the day.

If your spell is fully self-fueling and it doesn’t seem to be working anymore (or at all, even from the start), it’s time to take it apart. Discard disposable components according to your practice’s tenets. Cleanse the rest for future use. I would suggest washing your spell vessel alongside magical cleansing.

A Ready-to-Use Example

Here’s an extremely simple example of an ambient spell I use in my home to keep the main living area light, fresh, and conducive to getting work done. Since both my partner and I work from home, it’s important that our areas have an aura of focus.

Materials:

- A small bowl, preferably green or brown - Enough salt to fill the bowl halfway - A few pinches of dried rosemary

Instructions:

1. Ensure the bowl is clean and dry. Pour salt into the bowl until it’s halfway full. 2. Sprinkle dried rosemary into the salt and stir. 3. Instruct the spell, in whatever way makes sense to you, to exude focused but calm energy into the space. 4. Place the bowl in an area that is frequently trafficked. 5. Leave the bowl in place until it no longer provides a fresh, focused energy to the space. Dispose of the contents, clean the bowl, and reset the spell.

Notes: - This spell is powered by movement specifically, because both my partner and I work from home, and we pace when we’re having a hard time focusing. The spell draws in the energy from our pacing and the frustration we’re putting out to fuel itself. It then transforms and releases the energy as calm, focus, and productivity. - I suggest a green or brown bowl because this spell is meant to work for our jobs. Green for success, brown for grounding. Personally, my bowl has both colors. - When instructing the spell, you can speak to the bowl, write a petition, do an incantation, or whatever else you like. This is the most personal part of the spell, and it’s what makes the thing Go. It’s up to you to decide how it’s going to work.

Final Thoughts

I would hesitate to call ambient spells “low energy” spellwork. While they can be low-energy-friendly in the long run, and they can be extremely simple to set up (such as the one I described above), they aren’t always. Ambient spells do require an up-front energy cost. Even so, I find them very rewarding and useful.

Folks who visit my home often comment that it’s an inviting, friendly, good-natured space where they can leave their worries and anxieties behind. That’s on purpose. I’ve got ambient spells in place that eat up anxiety and spit out positivity. I’ve got ones that repel hexes and are charged by sunlight. All of these spells are long-lasting and well worth the effort it took to create them.

I hope this little guide is useful to you! If you’ve got questions, feel free to send me an ask. I’m happy to ramble about ambient spells or other types of magic as much as you’d like.

And if you did enjoy this post, consider dropping a couple dollars in my tip jar! Supporters of all types (tips, commissions, shop purchases, and memberships) get early access to posts like this, sometimes up to two weeks early, and every bit helps me keep the lights on.

[flawseer]

On the False Dragonets of Destiny

Recycled art... Forgive me, I can't physically draw more than I currently am.

Just a little while ago I was looking at some replies to my recent work, and I noticed a nice comment from someone who expressed they enjoyed my comics featuring the false dragonets of destiny, but couldn't really get into them in the books. I am thankful for that comment, but even more thankful for the opportunity to ramble at length about something I kind of wanted to talk about, but couldn't find a plausible excuse for. Until now.

All of this is just my reading of the material, of course. You don't need to agree with me on this.

Content Warning: Some discussion of abuse, trauma, violence. I don't know if it's severe enough to warrant a warning, but better be safe.

General discussion

The false dragonets of destiny, the alternates, or whatever one wants to call them. They enter the story proper in book 4, after having made a few minor cameo appearances before, and serve as a kind of hybrid antagonistic force and pseudo-allies for Starflight during his stay on the Nightwing Isle. During that time, they are very abrasive, stand-offish, uncooperative, and a bit annoying, and I guess that doesn't make them come off very well. But like, in spite of that or maybe partially because of it, I am really fond of these guys, and I'd like to take some time talking them up to you.

One can examine how these guys act and conclude that they are a bunch of dysfunctional screw-ups. And they absolutely are that, don't get me wrong. But one should keep in mind: the majority of the time they are in the spotlight, they are in an extreme, tense, and frighteningly uncertain situation. It's easy to forget how stressful these situations are because the books as a whole really like to gloss over the more frightening kind of subjects on account of being written for young readers. You can't really go deep into themes of abuse, trauma, and depression in a story like that without tripping over some kind of censor on the way, but the implications are there, between the lines for you to find.

Understanding the group

Who are the false dragonets of destiny? They are posited as a mirror image of the true dragonets of destiny, who have all been extensively schooled in matters of education and martial prowess. The first thing we see THIS group do on page is brawl, so one may think they must be trained and capable fighters. Viper and Flame constantly throw around death threats and aggressive quips, so one may think they are hyper-violent and dangerous. They are neither. Nautilus admits the Talons haven't bothered training them at all, they haven't seen real combat, they've likely been deliberately kept away from the war as a whole. Flame doesn't even know how to use his fire breath correctly. Starflight, who is by far the least physically adept of the arc 1 protagonists, is able to outpace them even as four of them team up against him.

They are neither killers nor a crack team of badasses, rather they are a bunch of play-fighting, posing delinquents who talk a big game with little in terms of actual skill to back it up. Realizing this is key to understanding just how out of their depth and ill-equipped they are to handle anything that gets thrown at them on the Nightwing homeland, especially past the negotiations at the Skywing outpost.

Abduction and imprisonment

When Starflight first finds them, they have been on the Nightwing Isle for a good while, and they are suitably bristly because of it.

Look at this situation from their perspective. These guys have known nothing other than their semi-peaceful life in the Talon camp. Then the leader of that camp, Nautilus--a figure they all know and trust, essentially sells them to a frightening stranger, who looms over them and is so physically large he could crush each of them easily. This stranger pulls them away from their home without even giving them a chance to say goodbye to their relatives (I'm convinced Avalanche would not have let Morrowseer take her son if there was a chance to intervene, so Flame must have already been gone when she found out).

A contingent of Nightwing awaits them, blindfolds them so they don't know where the entrance to the Nightwing home is. They pass through a kind of eldritch tunnel that pulls at their souls. When they are finally allowed to see again, they find themselves trapped on an island where there is no sunlight and every breath hurts as the air is thick with ash.

The Nightwings won't let them leave, in fact they don't know if they will ever be able to leave again. Nobody tells them what's going on, what they are meant to do, or what the plan is. They are left confined in some room with nothing to do, and they (sans Fatespeaker) can't go outside without being arrested. Food is brought very infrequently, and usually inedible, so they haven't eaten since they were forced to leave home. They don't know where they are, nor where their parents are, nor if their parents know where THEY are. They are completely cut off from anywhere, isolated, trapped in this little slice of hell with no means to escape and little hope to acquire any soon.

I think if I was in a situation like that, I would be pretty cranky too. More than that, I would be scared out of my wits, and I believe that they are as well. If you look at their actions through a lens of them being frightened, their irritating quirks suddenly become very relatable. Viper is coping by throwing out threats and making herself seem bigger and scarier than the thing trapping her. Flame makes offensive jokes about killing Fatespeaker because making light of the situation helps him keep his wits together. Ochre is hard to read, but I think he's just tuning everything out. Squid is convinced that his father--who is the most important and smart dragon in all of Pyrrhia--has made the correct choice and knows what's best for all of them. And Fatespeaker is in complete denial, choosing to trust an inaccurate vision of the future while ignoring all the red flags that don't fit into it.

I think it's interesting that you can read this as all of them having a different strategy to cope with the uncertain and frightening situation they're trapped in. That's part of why I like them; they're very flawed and make interesting decisions.

Trauma and Empathy

You can look at someone like Squid and see his surface traits: He is annoying, he whines and complains constantly, he brags about who his father is, and he seems completely incapable of doing anything useful. If this guy was in any other story, I would probably dislike him. But Squid has the benefit of being a whiny dweeb in a situation where it is very appropriate to whine and be scared. He has a scene where he makes a somewhat goofy speech at Morrowseer where he calls him stupid and wants to go home, and is subsequently exiled. It's a bit silly in execution, but for me it did succeed in making me feel bad for Squid as he desperately and pathetically pleads for Morrowseer not to send him to his death.

But then you can read beyond the lines a little and view the scene in the full context that isn't really dwelt on. Here, you've got Squid, who is inept even among his peers, sheltered and doted on by his father, whom he has never been away from for any real amount of time until now. This guy, who probably can't even feed himself (otherwise he might have been able to catch fish in the waters around the island), keeps telling himself that his father has a plan, that all of this, even the questionable stuff, is happening for a reason. He hasn't eaten in weeks and he's been the punching bag for everyone else's frustrations (because Fatespeaker is not around enough, hanging out with Starflight). Now he has been chased halfway across the world, forced to cross the ocean while tired and starving, to be told he has to talk to a bunch of violent strangers who hate his kind and want to kill him. He tries to hide but is grabbed by the throat and held in the air by a soldier twice his size. This is likely the first time his life has ever been threatened that directly and with genuine intent.

The strange new Nightwing who was sent with them somehow manages to deescalate the situation enough to save him, but then, without warning, more dragons burst into the room. Suddenly everything is on fire, including the soldiers who just a moment ago threatened him. He is close enough to them to watch their forms twist and writhe in agony as they slowly burn to death.

As he is made to watch this horrifying spectacle, all the feelings he repressed by reminding himself of the faith he has in his father come flooding back in at once. It becomes too much for him to bear, and he breaks. He starts crying and verbally lashes out at their abuser for the horrid conditions they have been placed in and demands--half asserting and half pleading--to be allowed to go home. This isn't really whining anymore, this is a full-scale mental breakdown, rendered to be simple and digestible to a young audience. Imagine how harrowing this scene could have been if it wasn't filtered through a child-friendly narrative.

Closing thoughts

There is a scene some time after that I found kind of poignant. At one point, Starflight looks out and he sees Flame just standing out there, silently staring into the distance. There's maybe one line dedicated to it, and when you read the book normally, you don't really dwell on it since it's so nondescript. But this scene happens shortly after the visit to the remote outpost. The soldiers that burned to death in there were all Skywings. Skywings like himself, and like his mother, who also was a soldier before she joined the Talons. Whenever I picture him standing there, I imagine he is reliving that moment, hearing the dying screams of his kinsmen. I think he will be hearing them forever.

So in conclusion: The reason why I like the alternate dragonets so much is because of the enormous, untapped potential they possess as characters, and how deep some of them run if you take some time to look at them. I feel like all of them have a story to tell, and it's a bit of a shame that Sutherland likely won't come around to telling any of them. If I had infinite time, money, and energy, I would love to make many more comics about them, as they are an interesting lot.

Especially Flame's story I feel is such a heartbreaking tragedy, and thinking about the way it ended saddens me. He's one of my six all-time favorite characters in the series, I wish he could have gone out in a happier, healthier way.

[dc-x-reader-stuff]

HusbandJason Todd x Reader head cannons please !!!

Husband! Jason Todd Hc’s

Jason Todd x Gn!Reader

My first time writing Jason stuff, AaAa - I hope it’s accurate to a good point. Like I said before I’m partial to Wayne Family Adventures Jason and a mix between him and the other versions of Jason’s I’ve seen on this app so I hope it’s acceptable- TvT

I’ve seen a lot of people be a stickler about the accuracy of Jason and have gotten genuinely angry if he was too nice or too angry or whatever so it’s all ahdjfnfjfn-

Anyways I hope you enjoy though- :DD

——————————————————————

The wedding the both of you have was small. Well, small-ish - there was a lot of people he wanted to invite, surprisingly, ranging from some close friends, to allies in the vigilante world, to his family. There were a lot of vigilante’s in their civilian forms at your guy’s wedding. Your side of the family was really surprised The Bruce Wayne and The Clark Kent was there without any paparazzi whatsoever.

(You and Jason were very careful about that. So was Bruce, especially for all the hell Jason went through when he was younger. They may be on better terms now, but he still felt he had a lot to make up for. Jason is completely fine with that - to a point, of course.)

The honeymoon? Nice and calm vacation to a small town near Smallville. Jason and you wanted a getaway for just eachother, without any stresses of vigilante stuff, or villains to inevitably interrupt that.

Unbeknownst to the both of you, his siblings were also keeping a very strict routine of ‘DO NOT CONTACT JASON OR Y/N UNLESS IF IT IS A DIRE, DIRE EMERGENCY’

Trust me, if it was two dires you both would’ve had to come home.

Luckily that didn’t happen.

Now, married life back in the city was a whole other thing to get used to.

You two have already lived together for the past couple years beforehand. You two have already dealt with your fair share of strains in the relationship, and still do to some degree. But luckily over the years before marriage you guys found a way to deal with that in a healthy way.

You prioritize healthy coping skills. So does Jason.

Even your respective therapists do. (Harley Quinn helped you both find ones qualified for your respective traumas. Very hard task, but Harley has a bit of a soft spot for Red Hood both in and out of the mask. She’s pretty chill with you too.)

Jason has his bouts of anger. Never, ever takes it out on you though, ever. Hell no. You guys have a punching bag for that. Sometimes you both use it together if you guys are venting about your day! Very cathartic and nice to bond with.

He teaches you how to fight. Just in case. You hate using weapons but he helps you get more comfortable, and you guys go over plans in case of break-ins, kidnappings, ect.

Especially if someone decides to burgle your cat.

You guys have a black cat you guys found in an alleyway a year into dating. He is your guy’s son that you decided to name Robin. Jason didn’t like the name at first, especially since you not-so-subtly alluded it to be reminiscent of his Robin days, but over time it stuck.

Robin is a nice and very sweet kitty. No one messes with Robin and you have thrown hands after someone broke into your apartment once to steal him. That was also during the time you moved in with Jason, he freaked out when you called him after the break in. Thoroughly impressed you managed to beat up the intruder but he cares about your’s and your cat’s safety - you moved in not long afterwards.

Reading and drawing dates - you guys, even into your marriage, go on small dates like these that don’t require too much thought or money. Sometimes you go to the park, or if it’s raining to your guy’s favorite café, with your favorite books (and sketchbook no. 173637294 for you specifically), and just enjoy your times together.

You guys do it at home too, but it’s fun to dress up and get out of the apartment for those kinds of dates.

Your home, despite all the weapons he has hidden around or on ‘decorative’ display, is quite cozy too!! It’s your safe space and you want it to exude that energy all throughout. Jason likes figuring out where decorations and furniture should go with you, it’s his favorite thing that gives him a sense of normalcy with you.

Also the banter between you two is fun. Smartass after smartass remark leaves you in stitches with laughter. Especially if it’s late at night and you both are loopy from lack of sleep. (Jason has more practice with that but it still effects him to some degree.)

At this point being married, you’re used to his nightly activities too. Sometimes you stay up and make him his favorite food to the best of your ability (you aren’t too good at cooking, but you’re learning for the both of you, same as him). Other times you just order takeout and eat with him.

Sometimes you help with his injuries, other times you don’t. If they’re small and benign he’s able to do them himself, bigger ones have you worried and helping him.

You always make sure he has an icepack ready for bruises. He’s taught you how to stitch wounds up to, given the fact that you don’t have as much medical experience as him.

Also after his nightly escapades as Red Hood, you guys sit and have tea too!! Calms him down enough to sleep, even if some nights are harder than others.

He’s gotten better at coping with his PTSD, but as per the usual he does have his nightmares at times. You being there right next to him helps. And you help ground him back into reality. Be it cuddles, if he’s comfortable with them, or be it just sitting there next to him and talking to him about whatever’s on your mind until he’s laying back down to listen to you.

You guys switch between who’s big and little spoon.

Robin is always near you guys in some way during bedtime. One time you woke up to cat fur in between your’s and Jason’s heads before. Robin doesn’t understand personal space at all but you guy’s love it all the same.

Speaking of which, he’s a natural born shoulder kitty! He will jump on your shoulders when the offer is available. Sometimes he scares the crap out of the both of you though whenever he’s being frisky, though. But normally Robin’s smart enough to do it when you two are aware that he’s there. He learns.

On your harder days, Jason makes you breakfast and makes you tea just like you do for him. He always asks you what you need, what you’re comfortable with. Some days it’s cuddling, other times when you don’t want to be touched you just tell him you want him near only. He knows that’s when he can just sit beside you on either the couch, table, barstools or bed and just read while you listen and watch your guy’s favorite shows.

You guys also have nights where you guys have watch parties too.

Sometimes his siblings join in too, bringing food from Alfred as well. It’s fun, and annoying for Jason at times, but still great nonetheless.

You guys visit the manor when needed, or during holidays too. Hanukkah, Christmas, Valentine’s Day, certain Galas, birthday parties, ect.

Sometimes you guys both just visit to mess with his siblings and Bruce. Cause some chaos a bit, that sort of thing. It’s fun.

Also you guys have gossip dates.

Be it about vigilante drama, co-worker drama, customer drama, family drama, villain drama, you guys will gossip and when those dates are at home Robin the cat will put his two cents in as well. He’s as vocal as he is sweet. Which is very.

And sometimes you record when Jason and Robin have conversations. Neither of you guys can understand the cat’s meows but it’s so fun interpreting it and seeing your husband have a full on conversation with the cat. You send it to the group chat you’re in with all the siblings and he never hears the end of it for the next few patrols. Sometimes Dick and Tim and Duke want to know what the tea is between Jason and the cat and he always says “That’s between me, my spouse and my cat, not you three.”

You inevitably tell them anyways, as well as Cass, Steph and Barbara.

Also Damian loves Robin that cat. He requests play dates between his pets and yours. You always cave for the kid, much to Jason’s dismay. But then again, he caves for him too. He always does.

Speaking of kids, I don’t think you guys will necessarily have one for a long, long while.

You guys agreed that you have to be absolutely sure and ready. Financially, mentally, emotionally, physically, mentally. Kids are a big responsibility and neither of you want your kids to ever grow up in an unsafe and unstable environment.

When you guys are ready though, which won’t be for a long while, I’m sure you guys will pull a Bruce and adopt or foster kids. Teenagers first, along with their siblings if they have any. You’d never separate them from their siblings - hell, the both of you, along with some help from his family and friends, would track siblings down if needed.

Like I said though, that won’t be for a long while.

You two are perfectly content in your save haven apartment with your lovely black cat Robin.

Besides, if you guys had kids early, Robin would be jealous and attention starved.

Neither of you would want that.

[beanytuesday]

Hey, I love your art -- I was wondering if you ever posted your illustration for Kafka's "A Hunger Artist" on here? It's really evocative and gorgeously framed, and I find myself thinking of it frequently!!

Thank you for the kind words. A Hunger Artist by Franz Kafka is one of my favorite short stories of all time, and it’s a very quick read. You can read it right here:

https://www.kafka-online.info/a-hunger-artist.html

Go ahead, I’ll wait here.

I’d like to take us opportunity to talk a little bit about the story, if I may.

Although there are a couple different interpretations of the story's meaning, it unambiguously read to me as an allegory for the plight of the creative, likely drawing from Kafka’s own experience. The ‘starving artist’ comparison is obvious, but there’s much more to it than that. In a departure from most other depictions in media, the plight of the artist is not depicted as something noble or redemptive, but as a sort of self-destructive madness. The hunger artist dies alone and in obscurity, his impact on the world ultimately being completely marginal and insubstantial. When questioned about why he chose a life like this, he reveals that he doesn’t even enjoy fasting, he simply couldn’t find any food he liked. That is to say, a true creative does not select this kind of self destructive lifestyle because they enjoy it; rather, it is because they cannot possibly bear to do anything else. Kafka himself, It should be mentioned, supposedly despised pretty much every job he ever had.

As some of you may know, I developed severe tendinitis a couple months ago. Mentally, September was probably the worst months of my entire life. I reflected on this story a lot –I had wrought my own self destruction, and for what? A couple of bucks? A few comics that i’ll become embarrassed of in a year’s time anyway? Unsure about my prospects for recovery, I became incredibly depressed.

But having been starved of the ability to write or draw, I had a genuine epiphany. Standing at the corner of Boston liquors in Allston, I resolved that I would muster the strength to endure this, regardless of how long it took, because what awaited me at the end was nothing short of the greatest prize a person could ask for: That very thing derided by Kafka –the life of an artist.

There is no greater pleasure than making art. I mean that genuinely, I mean that literally. No, it isn’t noble, no, it isn’t redemptive, but in a totally hedonistic and self-serving way it is simply the greatest thing that life can offer, ambrosia in the mouth, better than sex, better than drugs, better than anything that money can buy, and I feel pity for anyone unable to experience it. I am not being hyperbolic, I am not being metaphorical. I am stating this in the plainest of terms, having lived a life without it for the last couple of months.

So although my personal relationship to the story has changed in the past couple months, Kafka was right about one thing; nothing else tastes good, at least not by comparison. We must imagine the hunger artist happy.

[forcedagere]

I personally really like the idea of Bill x Reader x Ford. This one kinda ties into my previous post, but it’s not required reading. I suppose this would be an AU where Ford accepted Bill’s offer during Weirdmaggedon, or something else went wrong resulting in Bill staying in power :)

Contents: forced age regression, yandere, implied mental manipulation

Whereas Bill is far from the best caretaker (though he tries, in his own way), Ford takes care to create a semblance of structure in your life. He doesn’t have tons of practical experience with children or little ones such as you, but he makes up for it with dedication. He takes to caring for you as if it were a newly discovered, fascinating field of study. In other words… He reads many, many books, and tries all kinds of things to figure out what you like best.

Ford is not entirely fond of the kind of dynamic you have with Bill. It's not because he doesn't want to be referred to with parental terms, that's simply a matter of preference, but that he insists on you being friends above anything else. Considering the dynamics at play here, Ford cannot help but view it…

"As simply pedagogically irresponsible, Bill." The triangle in question rolls his eye. "Oh, boohoo! Fancy McFancypants over here knows what’s up!” Bill glances at you from the corner of his eye. Seeing you crack a smile while you’re sketching away with your crayons, he’s encouraged. “You read one book on how to raise a kid, and now you wanna tell me what to do? Get lost. Kid, c'mon, prove him wrong-- I'm your favourite, right?" You look up from your latest piece of art. You are drawing all three of you, in fact. You're usually deaf to their arguments, it's such a constant that you've grown used to the noise and stopped viewing it as a threat. (Your daddy calls it 'bickering'; Billy, when daddy isn't listening, calls it 'flirting'. That makes you giggle.) But you don't like getting involved in it yourself! So you firmly shake your head, and drop the pacifier attached to your necklace to speak. "No favourites… I love you both," you say with the confidence only someone as little as you could have. Billy's eyelid flutters, and your daddy smiles.

To put it simply, Bill is the ‘fun, rule-breaking parent’ and Ford is… A little less that. One should not take Bill Cipher as the benchmark of taking good care of a human, though.

Ford will make sure your meals are more varied than the endless stream of candy that Bill feeds you, and get you tucked in for sleep at regular times, too. Compared to Bill, who enjoys playing games with you and ‘roughhousing’, Ford prefers calmer activities. He’s definitely up for the occasional board game, but, most of the time, he’ll read to you, make drawings upon requests (or give you lessons!), or toy around with science experiments safe for someone who gets the urge to put anything that looks interesting inside their mouth.

He might’ve taken you for an adventure or two outside, but… The world hasn’t been the same since Bill got his hands all over it. He may be technically immortal now. You decidedly are not, as far as he knows. Either way, he doubts that Bill would let you out of this room to begin with. He doesn’t have to ask to be able to know that. If there is any reason he would keep someone locked up the way he does with you, it must be because you have some form of special connection to him. Ford does not believe he would risk that.

Really, Ford isn’t stupid or blind. It’s not that he’s going along with all of this because he is ignorant of Bill’s manipulation of your mental state. Bill can call it a ‘nudge in the right direction’ all he wants. He’s keeping you regressed. But everything has changed. He has changed, and Ford doesn’t know if he made the right decision. He fears he hasn’t. (Somewhere out there, in an alternate universe, a Stanford must live who made a difference decision. Ford hopes he’s happy.)

Spending time in this little contained room, with something dependent on him and eager to be looked after by him, who doesn’t know better and never will… It’s not good, it’s the very definition of selfish, but it’s comforting to him. Grounding, in a sense. With an eternity of time left ahead of him and the foundations of his previous life all but crumbled, he has something steady to return to. It doesn’t matter how much he rationalizes it. It’s twisted and fucked up, plain and simple.

…He supposes he can understand why Bill finds him so amusing, even now.

A little whimper snaps him from the spiral of his thoughts. Your bottle is empty. He should get youa refill, then pull you back on his lap.

[yandereunsolved]

🦇 — Stephanie Brown — 🦇

"Hey, hey, hey, hey, huh eh—!?"

"..."

"It isn't very kind to throw things it at the person who saved your life."

"You kidnapped me and locked me in a random hotel room."

"The term 'kidnapping' is so subjective! You were trying to leave the country for some business trip. Some bad guys would have wanted to hurt you. You wouldn't cooperate so I had to remove you from the situation."

"I had Oracle triple check everything over I even bought the plan tickets. This is a very important trip, Stephanie."

"Don't use my name like that! Hmph—You are my mentor. You aren't supposed to leave the country without me! You could get hurt. You aren't a crime fighter like the rest of us. Y-You are so technical and intelligent, and you are even better than Tim or Barbara at so much of the hacking stuff! You are like a doctor and have a psychology degree. You're just so great."

"I understand that you have grown close to me. However, our emotional connection cannot interfere with this job. I am going to be taking down an incredibly powerful crime boss—"

"Let me help you. I will be an asset. I can swear to that."

"You are growing obsessive and a bit possessive of me. We need to draw a line in the sand. You were not even notified of this mission! How would you—it was Tim, wasn't it?"

"Maybe. I wouldn't call it obsessive. I just need to help out my mentor. It'll be a good learning experience. Let me come, please."

"No."

"Please,please,please,please,please."

"No."

"Fine. I just won't let you go. I may not be as intelligent as you, but I am much stronger. You can just stay here in the hotel room with me, and we can watch movies and do skincare."

"You have gotten me this time. You can come along on one condition. That condition is that you listen to every word I say, and you stay on the down low."

"Of course! You won't regret it! I love you. I love you so, so, so much!"

[impactrueno]

ok stop. stop. i'm gonna stop you right there because why in the world are you telling me this? where is this even coming from? what did you see on my blog that would make you come to me with this? i didn't ask ANYONE to justify their feelings about beetIebabes, positive or negative. you don't have to explain anything to me. i don't ship them, and i don't care whether other people ship them or not, or their reasoning why. my ask box is not an open letter column in a magazine, it's part of my blog. i'm a person. this isn't "beetlejuice fandom central" or anything like that.

i already said i do not want any shipping discourse of any kind brought into my blog. respect that.

just know that you're allowed to dislike things. you're good. no one is making you like the ship, i promise. i support you, you're perfectly valid and don't let anyone tell you otherwise. i'm very sorry that happened to your friend, but that's not a "proshipper" thing, that's a groomer thing, and groomers can be ANYWHERE. to see it as an exclusively "proshipper" thing is just going to put you in danger because kids have gotten groomed by shippers of "safe and wholesome" pairings as well. i've seen it happen and it's why i distanced myself from a previous fandom. so please, if YOU are a minor (or just young, adults can get groomed too) please stay on your guard no matter what circles you're in, and yes, even around "safe" shippers. i can't stress this enough.

let me tell you something before i shut this topic down.

this fandom i distanced myself from, i did it because i kept seeing adults pressuring minors to draw certain things. some 16yo kid drew suggestive art of a character under the pretense of a shitpost, and people went crazy over it and demanding more. and kids are always going to give into peer pressure, so of course they continued doing it and escalating the tone of the "shitpost" drawings.

this wasn't a "proship" space, quite the contrary, these were all very "anti" types as you may call it (once again i loathe these terms and shipping discourse is a fucking circus i don't want to involve myself with) the types that enforce safe, appropriate and unproblematic shipping and content. but here they were, hooting and hollering and with a terrifying lack of self-awareness and pressuring the kid to draw more suggestive art. IN PUBLIC. ON TWITTER. everyone thought it was hilarious but i was standing there like "wow! i want to get the fuck out of here" and i tried to remind everyone to NOT give in to peer pressure to do anything you're not comfortable with, but no one was listening because "sexy art of a popular character"

you can be manipulated and peer pressured to do things you're uncomfortable with at any age. especially if you're kind of a people pleaser like i was. people got nsfw art out of me that i didn't want to draw when i was 20. i got used and manipulated by someone who shipped "the correct things" to ship.

you won't realize you're being groomed until it's too late. that's why i insist for kids to stay safe and make wise choices, keep an eye out EVEN IN "SAFE SPACES" and i repeat do NOT let ANYONE pressure you into doing something you're not 100% comfortable with (and even if you are, think it over)

once more: stay safe, guys. no matter who you think your friends are. groomers can use anything to groom you, not just "problematic" ships.

that's all i'm gonna say. don't talk to me about shipping discourse again, please. won't be posting asks about this if i can help it.

[dreamings-free]

Louis about LT3

a summary UPDATED 6/10/24

Sep 2022 first time Louis mentions a 3rd album. Louis is quoted in Euphoria Magazine saying: “Ideally, I’d like to try and write the next record before I go on tour next year. I want to do something similar to what I’ve done this past year.” (but from what we know now it seems it didn't play out that way..)

Sep 14th 2022 Louis leaves a comment on Faith In The Future co-writer Nico Rebscher's instagram post about Out Of My System saying "Can’t wait to do more on the next album!"

Jan 2023 Louis is on holiday in Cabo, Mexico and is spotted travelling with his guitar - maybe in case inspiration strikes!?

Feb 22nd 2023 Louis is seen "a tiny village with a recording studio in it". A few days later both Louis and Matt Vines likes an instagram post by Faith In The Future co-writer David Sneddon captioned "Spent the week at @ angelicstudiouk with friends and heroes." Another FITF co-writer Theo Hutchcraft is seen in one of the photos.

May 11th 2023 Louis tweets: "Also probably shouldn’t mention this so early in the process but I’m feeling really confident creatively, just finished a week of writing and it was unbelievable. Exciting!"

May 13th 2023 When asked about the next album at the LA screening of All Of Those Voices, he answered: “I recently just started, yeah. The majority have been my own, but some of the lyrics is less direct, so it’s maybe not quite as specifically about me but,I felt really fulfilled, the last couple of writing sessions I’ve done have been really, really good.”

Nov 23rd 2023 Louis gets asked about album 3 at the Rolling Stone UK Awards and is quoted saying: “It’s funny, I wrote maybe 4 or 5 tunes in one of the breaks of the tour legs, and actually, I just wanna spend a bit of time. I’m really excited for those songs, but I don’t know when the next records gonna come and the thing about me is when I start writing, I’m just desperate to release things as soon as a possible, so I wanna take a bit of time on this record. So when that might be, who knows.” He also talks a bit about potential collaborators and mentions DMA'S.

Jan 20th 2024 Louis follows producer James Ellis Ford who has worked with Arctic Monkey, Gorillaz and many, many more.

Jan 24th 2024 When asked in a twitter Q&A if he has "a concept in mind already for the next album?" his answer was: "Started drawing the outline in my head". He also told fans asking at the meet 'n' greet in Jakarta that it would be "soon, in my context of the word" 😜

Mar 30th 2024 At the Tecate Pa'l Norte press conference he said: “At the moment, um— to be honest, I haven’t really— the question was what I listen to which is a slightly different thing but; I haven’t really given the next record real thought yet. Obviously it’s been on my mind. But in terms of conceptually, or even finding references, I’m not really at that point yet because I’ve done a lot of touring— just kind of getting that out of the way before I really start thinking about that proper.”

April 4th 2024 He told Chilean radio station Bio Bio: “I have written a couple of songs, but when I was writing them I wasn’t thinking about what they would be for a new album, they were just written to give me something to write and not put pressure on those songs. But I think I will start the work on a new album at the end of this year, maybe.” futher elaborating to Radio Disney Chile: “The good thing about this record is I’m gonna have plenty of time to experiment and with that it gives you plenty of room to just kind of find where the edges of the record live. So yeah I’m looking forward to getting into the process, but like I said I’ve been loving touring at the moment so just been kind of sticking to that.”.

He also told Paraguayan radio station HEI Now: “Of course there’ll be a new album. When? I’m not overly sure. I think I’ll probably start writing at the end of the year. I just wanna let as much life in first and then I can really start emoting and writing.”

June 2024 In the FITF tour LatAm recap video posted to Louis’ instagram 25/6 he says: “At some point I gotta think about the next record, but.. I’m a bit scared of that, truthfully right now, feel like I’ve been enjoying the success of Faith in The Future for.. quite a while. And yes, it’s been the pressure of the shows but I delivered what I think was a good record and a record that was successful. So now going into the next cycle it’s a little bit.. a little bit tentative going into it. I know that’ll change once I get off the road and really start thinking about the essence of the record and the concept of the record and stuff like that. But right now.. yeah, I’m just thinking about the festivals, I’m excited for those.” (he also talks - in past tense about playing in Mexico City and about the upcoming Away From Home Festival, so we can assume this interview was done somewhere in early June)

August 4th 2024 Responding to a fan sign at Santander Music Festival that said "How close R we to the next album 1-5?" showing three - possibly four? - fingers! meaning the album is 3/5 (or 4/5?) done!

Oct 4th 2024 curious activity across Louis' socials; on twitter the header image was changed from the Louis Tomlinson : Live album graphic to just the cover image and the Faith In The Futuretweet was unpinned (like it was on Louis' insta 9/9). on Louis' instagram the bio text was cleared and the link to louist.lnk.to/live was also removed.

Oct 6th 2024 Louis replies to a fan on twitter asking if new music is coming with "Only been off tour 2 minutes. The next record is going to be my best yet but need chance to let life in first!"

tbc...

[drdemonprince]

I think I may be autistic but I have no idea what to do with this information and I'm also kind of worried im trying to make myself fit into it if that makes sense? I have been diagnosed with ADHD officially, but I'm not sure, maybe I have both?

"Am I Autistic or Not" isn't really a helpful question. It's so big, and so abstract. Try asking yourself questions that are smaller and more concrete. Things like:

Which sensations are really difficult for me to handle? Do I experience sensory overloads? What can I do to reduce or prevent future sensory overloads?

Which sensations are really pleasurable for me? How can I incorporate more of those sensations into my life?

What activities or topics do I find very stimulating, thought-provoking, or exciting? How can I make more time in my life for pursuing those activities? Where can I meet other people who also enjoy those things?

Which aspects of socializing do I find hard? What do I find draining, uncomfortable, or confusing? Is there anyone I can ask for help understanding the things I find confusing? Are there social performances I can try doing less often, or less intensely?

Which activities seem to drain me more than other people, and how can I get the rest I need? Do I need far more recharge time after socializing than most people I know? Do organizational or administrative tasks like cleaning my house or answering emails take a lot of out me? Is there anyone I can ask for support, or any responsibilities I can let go of (or half ass)?

Finally, where do I feel at home? Which spaces make me feel comfortable? Which communities seem to get me? Who do I enjoy being around? Who brings out a playful, lighter, opener side of me? Where do I hate being and who do I dread being around? What do I need out of my home environment in order to feel at peace? How can I bring more of the positive into my life and reduce my contact with the negative?

Are you Autistic, Anon? -- my answer is, who cares? It doesn't matter. You don't ever have to answer that if you don't want to. Use whatever term you want, whenever it feels right. In the meantime, find the spaces, experiences, and people that help you feel less broken. That might include Autistic spaces, as well as other neurodivergent or queer ones. That's fine. Explore widely. Each one of us is a complex enough person that we can't be contained entirely by a single community, identity label, or space.

Private questions of identity matter very little if we aren't actually living out that identity in community with other people. Find the spaces, people, and activities that are good for you -- and if many of them are also very good for Autistic people, well then congrats, you're our kin, whether your choose to adopt the label or not.

Further reading:

[giantmushyfriend]

Welcome back to the Ineffable lyric discussion (can I hear a wahoo)

In honor of the announcement of season 3 of our beloved Good Omens, I find it completely necessary for us to discuss one of the many songs on Aziraphale and Crowley's angelic playlist that made me scream my bloody head off. One of those songs is the one and only The Book of Love by Peter Gabriel. While I UNDERSTAND this song may have just been chosen to spell out SEASON THREE, I think it goes much deeper than that because of all of the parallels it draws to Aziraphale and Crowley. And ultimately, what I think is going to happen in terms of their relationship when they finally sort their shit out. So beware if you haven't watched season 2 of Good Omens because we're about to do a fucking DEEP DIVE into this.

First, the title of the Book of Love feels almost like a call to this looming threat to the Book of Life that was consistently used in series 2. The entire season, Crowley and Aziraphale have to work oh so carefully because with the Book of Life being confirmed, they know that either of them could get the other erased, and whether they want to admit it or not, losing the other is their biggest fear. We've seen this when Crowley believed Aziraphale to be dead in Series 1 when he couldn't feel Aziraphale's presence anymore since he got incorporated. When Aziraphale isn't there, Crowley is a mess. Likewise, we saw how both reacted during the ineffable divorce scene in series 2. Crowley is full-on begging Aziraphale to stay, and Aziraphale has finally admitted that he needs Crowley and full-on mouths for Crowley not to leave him. The Book of Life inherently, from how Neil set it up, feels threatening. The Book of Love, on the other hand, raises an entirely other reaction. Throughout the series, as corny as it sounds, love has been what grounds our protagonists. It is the love of Tadfeild and his friends that keeps Adam from kickstarting the end of the world; it's what keeps him from rejecting his father, the literal devil. It is the love of the earth, of humanity and all its strange creations, and for each other that keeps Aziraphale and Crowley attempting to prevent the end of the world when it could be so much easier to just accept the fate of it all. Love is the key theme that grounds our protagonists, that makes them tick. Love is safe; love is, at times, painful but overall kind. So when we see this title on their playlist, listed amongst heartwrenching tales of grieving a relationship, you could have had, and of loss, it brings a sense of salvation and safety. The Book of Love, unlike the Book of Life, is not a threat- it's a sanctuary for Aziraphale and Crowley.

Now, diving into the lyrics.

"The book of love is long and boring

No one can lift the damn thing

It's full of charts and facts, and figures, and instructions for dancing

But I

I love it when you read to me.

And you

You can read me anything"

The first couple of verses inherently feel like Aziraphale and Crowley's original view on this notion of love. As two supernatural entities who aren't bound by human emotion or logic, love may seem superficial and downright silly at times. The courting procedures that different societies have taken on throughout the centuries and the songs and dances that come along with it may all seem like a big waste. The book of love is a manifestation of love itself, and originally, it seems unappetizing to our protagonists. That is until they refind each other, and love goes from this thing that humans feel and jump through hoops for to this tidal wave of emotions. Love felt silly and unrealistic before, but with each other, they are willing and excited to explore it, even if it comes with things that feel inherently silly.

Also, these verses draw some cute parallels to headcanons and features of cannons. If you've been involved in the Good Omens fandom long enough, you've probably stumbled across the idea that Crowley asks Aziraphale to read to him for a multitude of different reasons. Some people say it's because his eyes aren't meant to read, one of the many punishments that came with him being cast down from grace, or maybe it's just because he finds Aziraphale's voice comforting. Additionally, the line about instructions for dancing is just so heartwarming when we look at the ball scene from this past season and Aziraphale's daydreams of a romance worthy of a Jane Austin novel.

"The book of love is long and boring

And written very long ago

It's full of flowers and heart-shaped boxes

Adn things we're all too young to know

but I

I love it when you give me things

and you

You ought to give me wedding rings"

I'm sure we've all heard this idea that you'll understand love when you get older, but even when you get older, it never seems to make sense. This idea that love is too old for any of us to truly understand, and that humbles us but in the best way possible. There is no point in trying to figure out what exactly love is because you could spend thousands of years feeling it and watching it happen all around you and still not know exactly what it is besides this all-encompassing feeling. And that is exactly the perspective of Aziraphale and Crowley. They have seen countless examples of love, true, unwavering love, and they have felt it for each other. And yet they themselves cannot begin to fathom what love, true unconditional love, is exactly. These two supernatural, ethereal/occult beings are humbled by the very concept of love like humans are- and that love is drawn from each other.

And then there is this notion of giving, which pairs so well with Crowley's primary love language, acts of service and gift giving. If the first chorus was Crowley talking about how he loves it when Aziraphale reads to him and takes care of him, then this is Aziraphale talking about how Crowley displays his love. And this final notion of asking for that final commitment, one of the key ways humans express their love for each other, is just amazing. Because in a way, Aziraphale moving to make this commitment, to fully be on their side in this way, is the resolution we have been wanting since the beginning. For Aziraphale to finally feel safe enough to let go and finally let himself settle to where he finally belongs, on his side with Crowley.

[nekropsii]

What a about Caliborn makes him so cool in your opinion?

Go keep track of his progression as an artist alongside his development as a character and think about how these are intrinsically linked. Ponder the fact that he is both at his most obnoxious and at his most amateur when trying to ignore his unique style explicitly brought on by his canonical learning disability and mimic others rather than truly be himself. Consider how his explorations of art are genuinely cool, not a bad thing, and how we get some really neat multimedia stuff out of it.

Caliborn may be a shitty little teenage wretch but the way he is portrayed as an artist and as a disabled person is both really good and very real. It comes from a place of love. His learning disability is handled with a degree of gentle care that you would not really expect from Hussie. The place Caliborn's art style ends up in is so fucking sick and I actually unironically love it. The technique he uses is really interesting. It's intentionally reminiscent of an Etch-a-Sketch, and I'm a little obsessed with it.

This is so fucking good. I mean this seriously. He's right - that is some Pure Art Skill.

I just love the way art is employed as a necessary component of his character arc. It's so neat. You don't see visual cues that intricate too often. Usually it's just in character design, but watching his entire art style and even his medium of choice change several times over is fascinating. You can really tell Hussie had a lot of fun with him. He's also just really, really fucking funny. Just about every sentence that comes out of his mouth is Grade A Absolute Fucking Gold, and I'm honestly obsessed with his dynamic with Dirk. This may get me thrown to the wolves, but I personally think Dirk and Caliborn have way more chemistry than Dirk and Jake. Maybe that's because we actually see Dirk and Caliborn interact on screen... Lmao.

Necessary Topic: I don't know why people hate him so much. Like, I understand hating his misogyny and fatphobia, sure, but those are deliberate character points and not just Hussie-isms. I see people act like Caliborn is indicative of Hussie, as if Homestuck-era Hussie wasn't, like, famously really fucking good at writing female characters and absolutely not a misogynist. Caliborn's a parody of Homestuck Anti-Fans - which is a term we really ought to bring back, god, anti-fans are absolutely still a thing and good lord they're everywhere - who really were just shitty little bigoted haters. Calliope, the opposite side of his coin, was representative of, essentially, "the best kind of Homestuck fan" - an ultimately sweet young teen girl who willingly dedicates almost all of her time to this piece of fiction she loves so, so much, who draws a lot of fan art for the joy of it all, has OCs that don't fit any of the design conventions in Homestuck whom she pairs with the characters in it for innocent fun. Someone who has a lot of theories and analyses, writes a lot of fanfic, and is genuinely just having a lot of fun. Everyone loves Calliope. Even the characters in Homestuck love Calliope. They just think she's the cutest, sweetest little thing they ever did see. Caliborn was the worst kind. He sucks on purpose. No one likes him. He is a total nuisance to characters he is by all means trying to impress. I love them both.

It's also just funny that he's a canonical Intersex Transmasc who is probably Gay and this has, like, no relevance to anything about him, really. So no one really talks about it. Gender Hilarious, Gender Nefarious.

[fairycheol]

enhypen as boyfriends

이희승

Heeseung is the type of boyfriend who likes to playfully flirt with you in public just to get a reaction out of you. It’s a habit he’s had since before you started dating.

But with his teasing comes his never ending urge to protect and take care of you, doesn’t matter if it’s pulling you to the inside of a sidewalk, tying your shoes for you, and making sure you are eating regularly.

And trust if he finds out you’ve skipped a meal, he’s sitting you down and personally hand feeding you everything.

Arguments between you two rarely occur and when they do happen it’s usually over something small, like forgetting to text him good morning or give him a kiss goodbye.

This man is so dramatic he once ignored you for an entire week because you mistook one of Jake’s hoodies as his (｡-_-｡)

All in all he just wants you to be happy with him, and he’s willing to do pretty much anything to make sure you feel that way.

박종성

Jay I think is more of a silent lover. He’s not screaming “I love you!” in your face 24/7 like some of the other members, but that doesn’t necessarily mean his love for you is any less.

He prefers showing his love for you by putting his black card to use no matter how much it may annoy you. Jay’s rich tho, so he has no problem dropping 1k dollars for you when he wants.

And while the expensive bouquet of flowers and fancy restaurant dates are nice, Jay also knows how to plan a more relaxed dinner date.

He’ll put his cooking skills to use and make a cute little picnic just for you, complete with activities like painting or stargazing.

You also didn’t hear this from me but, Jay is an extreme cuddlier. I’m talking straight up will put you in a chokehold just to keep you from getting up and leaving him in the freezing cold.

Kind of want my own silent lover Jay now ☹️

심재윤

Oh lord where do i even begin with Jake.

I guess i’ll start off by saying that he loves showing you off. I’m talking will go up to random strangers in a 7/11 to say things like,

“this is my girlfriend? isnt she so pretty?” and then he proceeds to get upset if the person agrees or says nothing at all like okay 💀

Then you have to yell at him for drawing to much attention to you when you have on disney pajama pants and the first sweater you could find from off your dirty floor, but he still insists you look great.

Apart from that he’s not afraid of being affectionate in public, he’ll hug you, hold your hand, and kiss you at any given moment. He still knows when to keep a respectable amount of distance between you two, especially if you begin to show signs of discomfort.

This man would be so in love it’s actually sickening, he stares at you like you made the universe. (cue Niki dramatically gagging in the background)

박성훈

The two of you are either polar opposite’s or the exact same in terms of personality but otherwise, star-crossed lovers. That’s exactly what you guys are.

Sunghoon I think is a perfect combination of what Jay and Jake are as boyfriends. He’s quiet but can get really loud with his affection whenever he wants.

Café dates are a must. He enjoys the peacefulness of sitting together drinking coffee and talking about how you’re both feeling.

I get the feeling his favorite form of physical affection is hugging you, getting to feel the warmth from your body and the way you nuzzle into his neck makes him feel all warm and fuzzy inside.

He’ll never admit this to you but he loves being woken up with kisses onto the moles that decorate his pale skin. He’s faked being asleep at least 10 times just to get some kisses and bask in the warmth of it all.

김선우

Sunoo is probably the most energetic lover out of all the enhypen members. Nothing and i mean absolutely nothing can stop him from letting it be known just how happy he is to have you in his life.

He loves any and all kinds of dates, baking dates? loves it. stay at home dates? he’s got snacks ready. fancy dates? oh he’s going ALL OUT.

Taking pictures of the two of you is another favorite of his. His camera roll is 90% just you. He tears up a little when he has to make room for camera storage cause he wants to cherish your memories together on his phone.

I think he’s also very big on keeping you well fed. He’s always making trips to the store and buying your favorite snacks so you never run out.

Physical affection is another big thing for him, he wants you to feel his love not just through his words and actions but quite literally through his body too.

He’s a perfect boyfriend.

양정원

Jungwon, Jungwon, Jungwon, our lovely leader is def a shy lover. He’s quiet but his actions speak a lot louder than words.

He basks in the warmth of your love and affection. He’s exactly like a cat, YOU kind of have to do all the work but it’s honestly not as bad as it sounds.

He lives for dates in the park, getting to walk around and find a good place to set up your picnic makes him very happy for some reason.

And trust me when i say he has fallen asleep on your lap a good number of times, but he can’t help it! he just gets all warm and happy around you.

I do think because of his leader instincts he’s very protective of you. One time you scraped your knee at the park and my guy was running around almost in tears ready to fight the pebble you tripped on.

He eventually calmed down enough to get some bandaids from a near by store and fix you up. He insisted on carrying you all the way home and was some how successful on doing so.

西村 力

He’s your concert/trip buddy. You two will go anywhere and everywhere together it kind of annoys the members but hey, young love.

He once spotted you at one of their tour stops in the U.S. and he almost lost his mind. Fans got suspicious as to why he began to pay so much attention to the section you were sitting in.

Niki likes to facetime you at random parts of the day just to annoy you, jkjk he does it cause he wants to talk with you. Being around the hyungs for so long makes him miss you and feel lonely but he’ll never admit that.

He more often then not will sneak you into the practice room to show off his dancing and will ask for your opinion afterwards.

It’s mandatory that you give him a kiss everytime he does something good or else he gets upset 😠

All in all he’s just happy to have someone to call his home away from home.

[crazysodomite]

what is it like to be kind of popular/getting people interested in your own ideas and not fan art?

I don't think I'm popular *looks behind my back fearfully* 😨

Here's the thing. A lot of people post things and just expect people to find them and interact with them. To some people it works. But a lot of the time there's no way for people to even find your stuff or engage with it.

A lot of people go into fandom tags to look for art and writing, but not a lot of people just scroll the "oc" or "art" or "writing" tags aimlessly.

I'm not like. A social media expert 😼 or whatever. I don't know anything about anything ♥️ I literally just do whatever weurd things i want and that's it

Here's some things I can advise:

If you have ocs.... Please feel free to actually talk about them in detail, share your thoughts on them in detail, write actual info and profiles on them. Don't be shy to do this bc there's no way for someone to engage with your ocs if they don't really understand who you're talking about except the names 😭... Feel free to like link their info in your pinned or their toyhouse profiles or whatever... !!!! A lot of the times I follow someone and they ask to engage with their ocs, and I want to, but I literally just don't understand who they're taking about... Or I see someone talking about their ocs in very vague terms but I can't actually find who they're talking about.... (Not that you have to do this do whatever you want ... I'm not the boss of you ♥️ it's just something id like to see) And also don't be shy to actually remind people who you're talking about bc people who haven't been following you for a long time won't know. I think this is simpler for me because my concepts/characters are very basic/shallow and easy to understand. Taur who is a bee, taur who is a bath, etc... Is Inherently understandable and doesn't have any deep lore

👆 this applies to everything in general not just ocs. Talk about art. Talk about your own art. Talk about what you love in the art of others. Talk about your plans and concepts and ideas. Talk about your projects. Share with the world 🌍 🌍 🌍

Don't be shy to talk about your things. I think some people are anxious about seeing people unfollowing them. I personally use xkit to hide my followers on pc and actively avoid looking at my follower count on mobile... Because idgaf ♥️. If someone doesn't like what I post they're Nothing to me. I post about taurs and weird things basically every day. What do I have to lose? My dignity as a Tumblr blogger? Genuinely like just share whatever thoughts or concepts or doodles or drawings you want without being like "aww nobody wants to see this". Honestly I also do this because I don't have friends to talk about concepts and stuff with so your mileage may vary. Maybe you don't want to post. Maybe you worldbuild with your friends. Then maybe you can share the results of that worldbuilding and thoughts, that's good too.

Self reblog your stuff 😭 even old stuff. Self reblog your stuff and then elaborate on it further with your thoughts. Dig up old concepts and do things with them. Its okay to do this. Not everyone sees your stuff when you first post it... !

Actually engage with others. Others are more likely to see you and engage with you when you do the same to them. If you never interact with anyone else's art why would others interact with yours. And unfortunately posting stuff and expecting people to just stumble upon it is not a very good strategy...