#things are looking up for me in the general sense. i'm in a good spot in my life right now but that doesn't stop the perpetual brainfog

[ressq]

man i sure wish i had the energy to do anything at all!

okay well it's not entirely true that i haven't been doing anything. i'm cooking. trust.

[devotion-disorder]

be careful what you wish for...the village Killian's from is having a bit of a population crisis right now, and having a nice little human come by could be just what they need...

Oh noooo....I'm just a naive human lost in this big forest with no one waiting for me...would be a shame if some beautiful elves whisked me away and brainwashed me into thinking I'm their pet/breeding machine and only need their "love and devotion". That would be terrible /silly

- 🩵

wdym the beautiful elf men do not, in fact, have my best interests in mind and were planning something nefarious from the start </3 I was just gonna write down some quick thoughts but it kinda got out of hand LOL

Content warning for: implied drugging (hypnotics, aphrodisiacs), dubcon/ noncon touching (nothing explicit though), manipulation, slight obsessive/ yandere themes, general elven condescension?

Imagine that you’ve accidentally wandered too deep into the forest and lost your way, your shoes hardly holding up in the rough terrain, and the last remaining rays of the setting sun are snuffed out by the overgrown foliage…

To make things worse, you walk right into some sort of trap - a stumbling step is all it takes to activate the runic trip switch, and a suffocating cloud of purple gas is the last thing you remember before things fade to dark…

How clumsy of you! Good thing Priest Killian happened to be on his evening walks when he spotted your pitiful form twitching and writhing in the hunting trap he’d set up; carefully he scooped you up and went his way back to the village. Only the most observant would be able to discern that the Priests’ unmoving smile seemed a bit wider than usual.

It was a trap the elves set up for hunting animals, he’d explained. The poison was almost enough to be fatal, had he not been there in time to save you. It’ll also take a bit for all the toxins to be out of your system. No worries though, because Killian offers to take care of you in his quarters until you’re up on your feet again. 

You don’t even remember if you’d managed to give a response, what with lead-heavy limbs and relentless migraine pulsing in your head. Luckily, Killian treated you with utmost care. 3 meals a day (along with the antidote treatment) brought to your bed (well, his bed), and spoon-fed to you because you were too weak to even sit up. He massaged your stiff muscles and brushed your hair. He ran warm baths and washed you – and even then he never opened his eyes – so at least there was some comfort in that.

Under Killian’s care you gradually regain your strength, save for the occasional dizzy spell and fatigue. But he saved your life after all! Feeling indebted to him, you offer to stay longer in the village to help around. While Killian’s expression is ever-unreadable, you can’t help but sense a bit of…amusement from him upon your suggestion. Regardless, he agrees – so long as you agree not to wander too far outside the village, because it’s very dangerous out there, he said.

And of course, he maintained a watchful eye over you, shadowing your tottering form as you went around introducing yourself to the other villagers. How cute.

You worked whatever odd jobs the elves had for you. which isn’t much at all. Mostly just menial tasks, or perhaps relaying messages. Things that they could’ve easily done themselves with their magic, but it’s fun watching an over-enthusiastic little human do it instead, so eager to please. You would say they are…endeared, perhaps. Or maybe they’re just looking out for you, what with your unfinished recovery. Anyhow, the elves are charmed by the newfound presence in the village.

Killian gifts you a new set of clothes, made by the local tailor (you don’t remember visiting a tailor for measurements at any point though, strange). To help you feel more at home, he said. It's pretty, a delicate garment that flutters cool against your skin in the warm summer heat, with an unmistakably elven style of elegance. It is a little short but, well, elves are known for being tall so maybe they're not used to human proportions? The white silk is a bit sheer in places, and you tried to ignore how it clung to the contours of your body when you sweat…

You hadn’t expected elves to be so openly affectionate. Being a long-living race known for their high culture and intelligence, it made for the perception that they were maybe a bit prudish, engrossed in their endless pursuit of finer things to care about lowly desires. But you suppose the elves are as curious of you as you are of them. You got to know some of them quite well, and soon it was routine for them to envelop you in their embrace. They pet your hair and nuzzle into your neck (Killian said something about how common skinship is in elven culture), at times slipping their digits beneath your clothes…sometimes you don't really remember, because the medicine still made you a bit sluggish. But it's ok! Their affectionate nature is a surprise but one you welcome. You think. 

During all of which, your treatment continued. Just a little longer, Killian promised. The side-effects seem to show no sign of waning, if not worsening at times. Sometimes you struggle to recall what has happened and what has not. The elves didn’t seem to mind, gladly cradling your tired body when you are overcome with sudden bounds of weakness. You poor little thing, they cooed, one hand combing through your hair to distract you from their other that wandered along your body.

Some days the medicine leaves you feeling more flushed than usual, and a strange feeling you can’t quite place invades your senses; a deep, frustrating kind of yearning that throbbed in your core. You assume it's the side-effects of advanced elf sorcery/ enchantment in your antidote treatment. It’s a tad embarrassing, but you can’t really do anything about it when the elves (if not the Priest himself) check in on you so frequently. 

Your only reprieve comes when Killian slots himself snug against your smaller form at bedtime. Were you always this close? You’re not sure if you recall, trying desperately to suppress the suggestive thoughts flooding your brain. His cool hands trail over your body, and it feels way too good against your overheating skin, so good that you can’t even think about resisting as his lips come crashing on top of yours, when he slips his arm underneath your waist to push you closer, closer against him.

Stumbling out of Killian’s quarters in the dead of night, confused, and your vision blurred by hot tears, all you can think about is getting away from him, from this godforsaken place. The other elves stepped out of their houses from the commotion. It was as if something in the air shifted. Their friendly, curious pretenses have dropped completely, leaving a ravenous hunger and unyielding need in their place. The way they leer at your body, the disheveled elven outfit failing to provide much cover, makes your hair stand on their ends. The elves close in on you, their concerned voices laced with something unmistakably sinister. You’re trapped.

A gentle hand on your shoulder snaps you out of your stupor.

“Now, now, I’m sure we’re all very excited about our little one here, but everyone will have their turn sooner or later.” Killian explains. He leans close to your ear, whispering in a volume only audible to you. “Look at you getting everyone so riled up already. Aren’t you such a needy little pet?” You’re paralyzed in fear, but his husky voice in your ears is still setting your nerves alight. 

“I’ll give you two choices. Either you let me 'take care of you' back at home,” his arms snaked around your body again, lithe fingers fanning across your thighs. “Or we’ll give everyone a show, and maybe let them get...a preemptive taste, as well. What’ll it be?”

[yoyomomiko]

Hiiii, I love your writing sm! <33

Could you write monster trio hcs with an s/o who is completely oblivious to their flirting?

Obvs u don't have to write this if u don't wanna! :]

pairings: monster trio x female reader

cw: luffy doesn't really flirt (I don't know how luffy would be flirting I'm sorry), not proofread , probably contains grammar mistakes, english isn't my first language!!

— (a/n): okay so like... I kind of got carried away and didn't really stay with the request and I just realized it now that i'm done writing :(( it just doesn't feel right, I mean, they're not really flirting... it's more like, indirect flirting, you know?? i'm veryyy sorry!!! :(( -> m.list

— LUFFY

Luffy doesn't even understand the concept of flirting, he simply doesn't know how to flirt. He just does things that feel right, like holding your hand all the time or hugging you randomly.

He CONSTANTLY invades your personal space, leaning in way too close when he talks, but you just assume he's always like that (which, in a way, is true).

Luffy will offer you food, which is a huge deal, but you just think he's being generous and thank him without reading into it.

He calls you "his favourite person" or "his girl", but you just assume it's meant to be platonically.

He'll grab your hand and swing it while walking, and when you ask why he simply shrugs. "Dunno, feels right!"

If another guy talks to you, Luffy pouts and clings to you, but you just think he's being his usual affectionate self.

If you ever find yourself in danger, Luffy's protective instincts go overdrive. However, he doesn't exactly know how to express it in a way that makes sense.

He gives you his hat when it's sunny, grinning at you joyfully, like it's a big deal. And then you're just like "Aw, thanks!" And you don't understand why he looks so disappointed (⁠╥⁠﹏⁠╥⁠)

Luffy likes sitting next to you during meals, pressing his leg against yours. But you just pull away since you think he just needs more room.

He LITERALLY tells you "I like you a lot!" And you're just like "I like you too!" And ruffle his hair.

He tells you that he'll protect you forever, with the most serious expression ever, and you'll just assume he's being a good captain.

Whenever you hug him, he picks you up and spins you around, grinning like an idiot.

He trusts you with his hat. Like, he trusts you. He lets you wear it all the time, because he knows you'll take care of it. Heck, he's the one placing it on your head! You don't really think much of it, though.

Eventually, Luffy gets frustrated and just blurts out "I wanna be your boyfriend!" And waits for you to finally get it.

———☆

Luffy had been looking for you all morning, walking around the ship, asking everyone where you were. When he finally spotted you on the deck, sitting with Usopp, he rushed over excitedly. He felt his chest tighten whenever he saw you talking with anybody else, but he always brushed it off.

"[Y/N]! I need you!" Luffy grinned, grabbing your hand and pulling you away from Usopp's conversation.

"What's wrong?" You asked, chuckling a bit at his sudden enthusiasm.

"I just wanted to talk to you! You always hang out with everyone else, but you never hang out with me!" Luffy pouted, pulling you along toward the bow of the ship. He threw himself down on the ground dramatically, patting the spot next to him. "Come, sit with me!"

You raised an eyebrow, a bit amused as you leaned over him. "Are you really this clingy all the time?" You teased, a smile tugging at your lips.

"Yeah!" Luffy exclaimed with a wide grin, nudging you to sit next to him. As soon as you sat down, he immediately leaned against you, resting his head on your shoulder. "I just like being close to you. You're my favorite person!"

You smiled and ruffled his hair, thinking he was being his usual goofy self. "You're my favourite person too." You replied, smile widening a bit. "You're a great captain."

He grinned, but then he got serious, standing up straight, staring at you. "No, no, I mean... I like you! I really like you!" He repeated, a little louder this time, a faint pink decorating his cheeks.

You blinked at him, not quite processing it. "Aw, that's sweet! I really like you too."

Luffy just whined, burying his face in his hands as he quietly mumbled something under his breath. You just laughed, patting him on the back as he continued whining. "I think you need a nap, Luffy!"

— ZORO

Zoro isn't the best with words, so his flirting is more about physical gestures, like carrying your things and such.

He always makes sure to sit next to you, no matter where you are, but you just assume it's a coincidence.

He trains shirtless around you more than necessary, subtly flexing, but you never seem to notice.

Speaking of training, he helps you train, standing behind you to correct your form, giving you advice.

I already said he's not the best with words, but he has a tendency to compliment you, although not directly. He might praise your abilities in a fight. You don't really think twice about it, but to Zoro, it's his own form of adoration for you.

He always glares at Sanji when he's flirting with you, but you just think they're bickering as usual.

If another man shows interest in you, Zoro's natural reaction is to stare them down with a glare. You'll never notice his intense gaze, because you think that he's just annoyed by something unrelated.

If you ask for help reaching something, he doesn't just simply hand it to you. He lifts you up effortlessly, just as an excuse to feel you in his arms.

If you're tired, he'll literally carry you to the girl's room. You just think he's being a good friend, as if he does it for everyone else (he doesn't).

He loves it when you nap near him during his training, he just likes your presence. You always think it's just because he's comfortable around you.

If you get hurt, he's the first to scold you. "Be more careful." He's the one patching you up, not letting Chopper get near you (unless it's a serious injury).

Zoro's way of showing affection is through silent protection. You'll never notice that he's doing it for you specifically, and he won't say anything to make it obvious.

He also kind of teases you playfully, as a form of affection. He'll make fun of you when you do something silly, but he's never too mean about it.

He gets SUPER protective in battle, always watching your back. He can't bring himself to look at you badly wounded.

Literally EVERYONE notices how protective he is of you, but somehow you never do. Even strangers think so.

Like I've said before, he finds excuses to touch you. For example, gently guiding you through crowds by the small of your back.

He also somehow always catches you when you trip. Right before you hit the ground, he's there, arms wrapped around you and helping you stand back on your feet.

Eventually, he just grabs your face one day and says something like "Damn it, I like you. Get it now?"

———☆

You were standing near the railing, gazing out at the ocean, watching the sunset, completely lost in your thoughts. That was, until you heard heavy footsteps approaching behind you.

"You've been standing there forever. You lost or something?" Zoro's voice came from beside you, his usual gruff voice a little softer.

You glanced at him as a smile tugged at your lips. "Nah, just thinking. The ocean looks really pretty right now."

Zoro leaned against the railing next to you, arms crossed over his chest. He wasn't exactly great at this whole flirting thing, but if Sanji could do it, how hard could it be? He decided to go for something subtle. Something cool.

"Yeah, well..." He muttered, his gaze lingering on you a second too long. "It's not the only thing that looks pretty around here."

You turned to him, blinking in confusion. "Oh yeah! The ship looks great in this lighting too." You smiled as you took a look around, completely missing the way Zoro's expression dropped.

He sighed, shaking his head slightly before he tried again. "That's... Not what I meant."

You furrowed your brows in confusion. "Oh, you meant the sunset, huh? Yeah. It's really nice."

Zoro stared at you for a long moment, his lips parting slightly, trying to process how this was going so terribly wrong. He tried again, this time leaning just a little closer, lowering his voice. "I was talking about you, idiot."

You blinked at him, slightly tilting your head to the side. "Me?"

Zoro nodded, waiting, praying for the realization to hit you already.

"Ohhh." You finally broke the silence, and for a moment, his heart skipped a beat.

"That's really sweet, Zoro! You think I look nice too?" You chuckled, as if he had just complimented your outfit instead of attempting to flirt with you.

Zoro groaned, running a hand down his face. "Yeah, sure, that's what I meant..." He mumbled, admitting defeat.

You gave him a friendly pat on the back. "You're getting a lot nicer, you know that? I think hanging around me is softening you up."

He let out a quiet scoff, turning his gaze back to the sea. "Or maybe I'm just like that with you."

"Huh?"

"Nothing."

— SANJI

Sanji is the king of exaggerated compliments. Every time he looks at you, it's as if he's seeing the most beautiful person in the world. "My darling, the moon is jealous of your beauty tonight." is a pretty common line from him, but you just think it's his usual behavior.

He constantly tries to impress you with his cooking. He'll make your favourite dish and serve it with grace, and when you compliment the food, he blushes as if you're complimenting him. You thank him every time, but in your mind, it's just good manners.

He will find any excuse to help you with something, even if it's small, like picking up something you dropped. And the moment you thank him for it he's like "Anything for you my lovely lady!" You just smile and move on because he does that with pretty much every woman.

Sanji's always the first one to offer you his jacket when it gets cold. Sometimes, when he gets brave, he wraps it around your shoulders and makes sure to linger closer to you for just a little longer.

He has a soft spot for you when you're sad, and he'll stop whatever he's doing to comfort you. He'll hold your hand, stroke your hair and whisper sweet nothings. You just assume it's because he's a gentleman, not because he's crushing on you hard.

Sanji can be pretty possessive, especially when another guy is even slightly flirting with you. You'll catch him glaring, and if anyone so much as dares to brush against your arm, he'll throw a fit. That person might get a foot to the face, but who knows!!

Whenever you compliment his cooking or his fighting skills, he gets way more flustered than with anyone else. His eyes will turn into hearts, and he'll literally swoon.

Sanji often stares at you with wide starry eyes but when you catch him, he'll just say something like "Oh, nothing! Just admiring my beautiful angel." You think he's being his usual self or just lost in thought.

He makes a huge deal out of holding the door for you, pulling your chair at dinner and guiding you with his arm. But you think it's just because he's being polite. He tries to take your hand as he walks you around, but you just think he's offering help, never suspecting that he's being a little more than just polite.

After all his dramatic declarations of love, he finally cracks. One evening, while you're standing by the railing, he walks up to you and throws himself down at your feet. "I cannot live without you! You're my everything, and I need you to understand that!"

———☆

Sanji had been watching you all day. When you first arrived and joined the crew, he had already been swooning, but now, after spending this much time with you, he was completely smitten. He had made your favourite dessert just for you, and now he was patiently waiting for you to notice.

You peacefully sat on the deck, reading a book, when Sanji rushed over, holding a plate of freshly made pastries. "Ah, my darling! I've made these just for you!" He smiled, leaning down with a hand on his chest in a dramatic bow. "Only the finest for my beautiful lady."

You looked up from your book, a little surprised. "Oh, Sanji! Thank you so much! You really didn't have to, but I appreciate it!"

Sanji's heart skipped a bit as you reached for one of the pastries, giving him a sweet smile. "Anything for you, my love." He muttered, but his voice came out softer, almost like a whisper. He was looking at you like you were the only person in the world. He pressed a hand to his heart, praying you couldn't hear how loud it was beating.

You giggled, thinking nothing of it as you took a bite from the pastry. "This is so good! I don't think I've said this enough, but you're really talented."

He blinked, and his face turned pink, clearly flustered by the compliment. "I only make the best for you, [Y/N]." He replied, his voice shaking just slightly. He leaned in a little closer, almost as if hoping you'd get the hint. "You deserve nothing less."

You looked up, gazing at him, smiling warmly. "Thank you, Sanji. I appreciate it..."

He sighed dramatically and placed a hand to his forehead. "Oh, my sweet [Y/N], how I adore you..." His voice trailed off as he stared into the distance.

"You okay?" You tilted your head, genuinely concerned. But once again, completely oblivious to how he was really feeling.

He slumped forward onto the table, groaning in agony. "I don't think I can take it anymore..." He mumbled under his breath, barely audible. "Why can't you see how I feel?!"

★yoyomiko ★miko

[psychoticallykind]

Crime

"Crime" - Jegulus Microfic - @into-the-jeggyverse - 572 words

--------------------------------------------------------------

Regulus walking into his generally very peaceful living room, took three steps, and froze in place. "James?"

James startled at the sound of his voice, his eyes flying away from the letter he was holding.

The letter with the sickeningly familiar sigil of the 'Ancient and Most Noble House of Black'.

"Regulus, hey." James forced a smile. "Good morning."

"Is it?" Regulus asked, pointedly glancing at the letter James was still holding.

James shifted his weight. "It just came."

"I thought it couldn't," Regulus replied, just now spotting the owl that shouldn't be on the windowsill. "I thought - the wards stop those from coming. Sirius promised they did -"

"The wards stop them from sending anything to you," James interrupted Regulus before it could overwhelm him. "This - this one isn't for you."

Regulus blinked. "What?"

"Yeah," James bit his lip. "This one was addressed to me, actually."

No, no, no - they couldn't send things to James. They couldn't - "What did they say?" Regulus managed.

"Oh, not much," James replied. He shrugged. "Just the usual - I'm not worthy, I come from a line of blood traitors, by loving you I have committed the most heinous crime against all of wizardkind. You know - I've ended the world, and I'll surely suffer for it."

Regulus would have laughed if James didn't look a bit distressed. "They admitted that you love me?"

That would be a surprise, actually. Regulus didn't think his parents actually believed in love.

James hesitated. "I might have paraphrased that bit."

"That makes more sense." Regulus walked up, moving behind James and wrapping his boyfriend in a hug as he read over his shoulder. "Wow. They really hate you."

James laughed. "That was pretty clear, yeah."

Regulus hummed. "How are you doing?"

"I'm fine," James replied quickly.

A little too quickly.

Regulus scanned the letter again, reading aloud. "Though every child has a rebellious phase, I had genuinely hoped Regulus would not lower his standards to such an extent. And while I have found peace in knowing that it won't be long now before he tires of such blatant immaturity and incompetence, I could not in good moral standing allow you to continue to defile the Heir of the House of Black without being given the opportunity to understand why your pairing is, ultimately, distasteful to the point of possible disownment and a scourge on proper society." Regulus paused. "Am I the heir now? That's fun, we'll see if it lasts. I thought they might have finally given it to Cissa, she deserves it." He kissed the base of James's neck. "She's just as wrong as she's always been. Yes?"

"Mhm," James agreed.

Regulus waited, giving James a minute to sort through everything. "Questions?"

James set the letter down on the couch, turning to hug Regulus properly. "Dumb ones."

"Ask anyway," Regulus reminded him. "If you need to, it's fine."

James rocked them a little bit, and Regulus melted into the warmth and citrus scent of James's body wash.

"Can we stay home today?" James asked.

Regulus nodded. "Of course, mon soleil." He leaned back, studying James's expression. "I love you."

James gave him the first genuine smile of the day. "I love you, too."

Regulus kissed his cheek. "I know." He stepped back, keeping James's hand and flicking the fingers of his free hand at the parchment.

They watched it burn - along with the owl, who screeched in disappointment before flying away.

[awearywritersworld]

"took you long enough"

gojo satoru x reader summary: when you ask your best friend to meet the guy you've been seeing, things don't go quite as planned. w/c: 3.2k tags/warnings: angst to smut with a fluffy ending. 18+. friends to lovers. jealous gojo. curse words. drinking. gojo shoves ur love interest. he's just kind of an ass to him in general. fem!reader. no use of y/n. a/n: i don't often write smut, but i kinda got carried away.. carpe diem, i say masterlist

gojo is tired of hearing you ramble on about the new guy you've been seeing. he barely even glances at your phone screen when you try to show him a picture you took together.

"you're way out of his league," he states dryly.

"hardly," you scoff. "men don't exactly line up for me like women do for you."

it'd be a lie to claim you didn't have a thing for gojo at one point, but you learned a long time ago that he isn't interested in you that way. it wasn't hard to tell, given his parade of hookups and the occasional two week relationship. you've gotten over it though... for the most part, anyway.

he rolls his eyes. "i assure you that's only because you're shy, princess."

"okay, so you should be rejoicing that your best friend finally landed herself a boyfriend—"

"boyfriend?"

"well.. it's not official yet, but i think he's going to ask me soon!"

your apparent enthusiasm at the prospect leaves a sick feeling in the pit of his stomach. of course, it's only because he wants the best for you and this guy certainly isn't it. "you've gone on like two dates."

"'toru, i've been seeing him for almost a month!" when he doesn't respond, you continue speaking. "so... that's why i was sort of hoping you'd come out with us tonight."

he looks at you increduously, "i am not third wheeling."

"you won't be!" you assure. "shoko and kento said they'd come. i just want you to meet him because you're really important to me and i actually think this could go somewhere—"

"alright, alright," he acquiesces, albeit begrudgingly. he's never been able to say no to you.

you squeal with excitement, throwing your arms around his neck in a brief hug. "i can't wait! we're all meeting at seven, i'll text you the address."

after a quick kiss to his cheek, you gather your things, all but running out the door. you weren't going to give him a chance to change his mind.

he stares after you wordlessly, running a hand through his hair while an unfamiliar tightness overcomes his chest.

when gojo enters the bar, he spots you right away despite the sizable crowd. as he makes his way toward your group, he can't help but notice how pretty you look in your little dress. in fact, you'd look absolutely perfect if it weren't for the fact you have another man's arm around your waist.

wait, what?

your laugh rings out across the room and judging by the smirk on shoko's face, he can tell she's said something you find unreasonably funny. once you spot him, your face lights up and you pull away from your almost boyfriend to give gojo a hug, something that brings him a sense of satisfaction.

"hey, sweetheart," he greets loud enough that the other man can hear. "who's this?"

"satoru, this is shinya!" you're beaming at him expectantly, so gojo has no choice but to extend his hand.

"hey, man." shinya shakes it firmly. "it's great to meet you. my girl's told me a lot about you."

gojo's eye twitches and he decides almost immediately that he finds shinya utterly insufferable. his voice is grating and he's too short and didn't you say you prefer guys with lighter hair—

"nice to meet you, too," gojo responds cooly. "i'm always happy to meet one of her friends."

nanami and shoko share a knowing look, more than prepared to break out their hypothetical popcorn. and boy, is this as good an occasion as any.

the strongest sorcerer isn't one to indulge in liquor, but how can he refrain when he has to be in the same room as shinya? each time he touches you, looks in your direction, calls you some sickening pet name— whenever he breathes in your general vicinity, really— gojo brings his drink up to his lips.

everyone else seems to be getting along, but unfortunately, he grows increasingly snarky with each glass he empties.

shinya asks what you'd like when he goes up for another round and it's 'oh, you don't know her favorite drink? well, i guess you're not as close as we are.'

shinya pulls your chair out for you and it's 'wow, you really got yourself a gentleman, princess.'

shinya mentions that he's fairly well versed in martial arts and it's 'really? maybe we should go out back and spar. i think it'd be fun.'

nanami steps in then, not entirely convinced gojo would hesitate before laying him out. "you can put the measuring tape away, idiot."

shinya is being an impressively good sport, but your anxiety has you emptying glasses in a hasty manner, too. you have no idea what's going on with gojo. you understand that he can be abrasive at times and that communication definitely isn't his strong suit, but his behavior is just absurd. you force an awkward laugh at nanami's comment.

"not that i'm not having, um, a great time and all!" you hiccup before continuing. "but i'd really like to dance. c'mon shinya!"

nanami and shoko wind up joining you both, which comes as a surprise. neither of them are exactly the partying type (not that you are either), but you're happy to see them having fun. honestly, you can't remember the last time either of them let loose.

you wonder if they also just wanted to escape gojo's snide remarks. now that they aren't ringing in your ear every other minute, your nerves have certainly calmed down a bit. well, until—

"so you do know that he's totally in love with you, right?"

"who?" you question, looking around as if it'd be obvious.

and it is, just not to you.

shinya chuckles. "gojo."

"what?" you bellow, completely dumfounded. "no way! i mean he's not— and i'm not— we're just friends."

"yeah?" he still sounds amused, nodding in gojo's direction. "is that why he looks like that?"

turning toward your table, even you have to admit he looks completely miserable. unbeknownst to you, he's spent the last half hour sending away every woman that approaches him asking to dance. he just isn't in the mood right now. at least, that's what he tells himself.

"er.. he just doesn't get out that much," you try your best to brush it off.

"whatever you say, baby."

you're relieved he doesn't seem terribly bothered by the idea, even if you find it completely implausible. it's true you spend a lot of time together and that you know one another like the back of your hands, but you'd given up any hope of it being more than friendship a long time ago. you'd moved on.

but if that's the case, why did shinya calling you baby suddenly feel so wrong? you convince yourself it must just be the alcohol.

when the four of you finally stumble back to the table, you realize you've missed last call. though it's probably for the best, as the five of you are certainly in for a nasty hangover the following morning.

it's near closing time, but the crowd has hardly thinned out and the music is still beating loudly in your ears. you're going back to jujutsu tech with your friends rather than home with shinya, so you loudly exchange goodbyes over the music as he gets ready to leave.

"i had a really great time tonight," he tells you. "maybe we could go for dinner tomorrow? there's something i've been wanting to ask you."

"okay!" you agree eagerly, eyes shining. "i'll call you in the morning."

gojo feels his stomach drop, his jaw clenching bitterly. he tries to tell himself to relax because this is what you want, but he just can't seem to get his thoughts straight.

shinya leans down, his lips meeting yours sweetly, and it causes white hot anger to flood gojo's body. it all happens so fast, shinya's ripped away from you with astounding force and he staggers backward. you've been struggling to hear over the noise all night, though you make out each word that follows with striking clarity.

"get the fuck away from her!"

gojo stalks off before anyone has time to process what just happened. he's already half way across the room when you come to your senses.

"'toru!" you call out, taking a step in his direction when he doesn't respond. "satoru!"

you take another step but you're stopped when something pulls you back. you look down to find shinya's hand wrapped around your wrist before your gaze turns up to meet his eye. "look, i really like you, but if you go after him, don't bother calling tomorrow."

the ultimatum is simple, but so is your decision. "i'm sorry."

you run off before he can say anything else, shoving your way through the bar patrons, and follow gojo out the door into the cold air of night.

"satoru!" you shout once more, thankful that his pace is slow enough for you to catch up. he turns to face you when you tug on his sleeve.

you nearly shy away from him, his expression something fierce, but the liquor in your system gives you courage. "what the hell was that? you embarrassed me—"

"i don't fucking care," he spits.

he's never taken such a tone with you, so you throw your hands in the air and exhale impatiently. "what do you mean? you should care! you're my friend, aren't you?"

"that's exactly what i mean. you're supposed to be mine," he growls.

you're not sure how it happens, but the next thing you know, his lips are crashing into yours, your teeth knocking together with the force. his hands paw at your hips, pulling your body against his greedily.

"i can't believe," he mumbles against your lips, "you wasted your time," his hands find your hair, tugging your head back and revealing your neck, "with that fucking loser."

once he's finished speaking, his lips trail across your jaw, landing just below your ear. your eyes flutter open and you're suddenly very aware that you're standing in the middle of a public sidewalk.

"'toru," your voice is breathy, even though you're trying desperately to keep it together. "there are people—"

he pulls away heatedly, his eyes narrowed. "you didn't care when he kissed you in front of everyone."

"yeah, but that was just a peck," you reason, though if he keeps this up, you're worried you might lose your resolve.

"tch, i guess you're right." the familiar sensation of warping through space and time sweeps through your body for a few seconds before your feet meet solid ground again. you don't need to look around to know you're in his bedroom. "we're going to do a lot more than that tonight."

your stomach flips at his words, heat rushing to your core. his lips find your neck once more, leaving sloppy kisses along your skin. "that's what you want right? for me to show you who you belong to?"

you nod weakly, feeling as if you're in a daze.

"ah, ah. use your words, sweetheart."

"yes— ah—" he sucks on the spot just above your collarbone before nipping the delicate skin there. "yes, 'toru."

"then get on the bed," he orders lowly.

and who are you to disobey? you can't honestly say you haven't been dreaming of this for years. his blanket feels cool to the touch, making you realize suddenly how much your skin is already burning with desire.

he kneels beside the bed, wasting no time before pushing up your dress and pulling your legs apart. you see his shoulders fall as he exhales harshly at the sight. his eyes flutter shut when he presses a kiss to your core over the tiny cotton panties you decided to wear.

he's rudely reminded of the possibility that you may have put them on with another man in mind.

"did you let him fuck you?" he interrogates. his eyes don't leave yours as he begins placing open mouthed kisses on the inside of your thigh.

"n-no!" it's almost embarrassing how vehemently you deny it, but the man between your legs takes great pleasure in your response.

"mm, knew you were a good girl."

he hooks a finger beneath your panties, pulling them down excruciatingly slow. you buck your hips up once he throws them off to the side.

"feeling eager, princess?" he taunts, his breath fanning across your center.

you nod, your legs shaking with anticipation, before remembering what he said about using your words. "please, 'toru. need you so bad."

he can't possibly deny you, not when you beg for him so sweetly. he presses a soft kiss to your swollen bud before flattening his tongue against it, drawing circles there. he groans when your slickness coat his chin.

you whine when his eyes shift up to meet yours and push yourself against him even further. he chuckles against your skin, but truth be told, he's just as eager as you are. he slips one long finger inside of you, relishing in how easily you take it.

"oh—" you cry out as he adds another finger, his tongue pressing against you just a little harder.

his other hand is gripping your thigh roughly, the flesh spilling between his fingers. one of your arms is supporting your weight, but the other reaches out, your fingers threading through his hair.

you're panting now, tugging on his white locks in pleasure. he moans in response and the way your walls are clenching around him lets him know you're close. "c'mon baby, cum for me."

that's all it takes for you to unravel, his name falling from your lips over and over. he doesn't stop until he's sure you've come down from your high.

"you tasted so perfect," he tells you, unbuckling his pants in a hurry and shoving them down his legs.

his shirt and boxers follow quickly thereafter, so you pull your dress over your head. you can't tear your eyes away from his cock, it's long and thick and pretty.

he pushes you back against the bed and crawls on top of you, but then he just stares down at your face. just as you begin to wonder if something is wrong—

"you're so fucking beautiful. have i ever told you that?"

your mind reels for an answer, but you don't have to worry about it for long, as his lips capture yours. you can taste yourself on his tongue

"tell me what you want," he murmurs against your lips as he moves his cock along your slit, coating himself in your wetness.

"need you, 'toru. p-please, i need you to fuck me."

he smiles against your lips as he lines himself up with your entrance, pushing inside slowly. he leans back to find that your eyes are screwed shut and your lips are parted in bliss. he's determine to seer the image into his mind forever.

splitting you open is absolute ecstasy, the noises he's making are proof enough of that. "fuck, princess. fuck."

he nearly whimpers when he bottoms out. "god, you feel so perfect. i could stay in this pussy forever."

your legs wrap around his waist once he begins to pump in and out. "never felt so full, 'toru. it feels s'good."

he shudders at your words and laces his fingers with yours, sweat beading on his forehead as he picks up his pace. his head dips down, his teeth nipping the skin of your neck aggressively.

"p-people are gonna see—"

"i want them to," he rumbles. "want everyone to know how good i made this tight little pussy feel."

you can't argue with him, not when this is the best anyone's ever made you feel. his head shifts even lower, his tongue moving along your nipples in a way that has your back arching off the bed.

he uses the opportunity to snake an arm beneath your lower back, holding your body against himself firmly. the new angle has you mewling his name in the most sinful way.

"you're takin' me so well. like you were made for this cock."

your head's lolling to the side as you fall to pieces beneath him and he can feel himself getting close. "look at me when i fuck you, baby."

you do as he asks, his hips stuttering when he sees the tears of pleasure swimming in your eyes. "you're mine, aren't you? tell me you're mine."

your pussy clenches around his cock so tight it's almost painful. "i'm yours, 'toru. all yours."

"fuck, that's my good girl. gonna cum for me again, hm?"

you nod up at him meekly, too far gone for words, but he doesn't seem to mind this time.

"'i'm close too, sweetheart." his fingers reach down to rub circles on your clit, eliciting a throaty moan from you.

you feel your stomach tighten and you're nearly there, but you don't go over the edge until he begs, "can i fill you up? want to so bad."

you can't find the strength to respond, so you hope the way you tighten your legs around his waist and claw at his back is answer enough.

your head rolls to the side once more, your vision going fuzzy around the edges. he grips your chin between his thumb and forefinger, turning you to face him. "please, baby. wanna see you when i cum—"

he hums your name through a choked moan, his thrusts becoming sloppy as he reaches his own high. he collapses on top of you, laying there for a moment before pulling out and rolling onto his back beside you.

no words are shared, both of you trying to catch your breath and slow your heart rate. the silence gives your mind a chance to wander, which is never a good thing.

you consider the fact that gojo's never kept a girl around for more than a week or two— that this probably meant way more to you than it did to him. you sit up feeling stupid and wrap your arms around your chest.

you look around the room in search of your panties, his cum running down your thighs when you stand up to grab them. it's not until you pull them up your legs that he opens his eyes. he props himself up on his elbow, furrowing his eyebrows when you pick up your dress.

"what are you doing?" he asks curiously.

"well, i figured i should go back to my room—"

"what, are you crazy?" he gawks at you. "get your ass back in this bed."

you approach him shyly, your apprehension clear to him. "i mean, you can if you want, but why would you go back to your room?"

"i just didn't know if you... you know.."

"no, i don't know." if you knew him any less, you might think he was intent on torturing you, but it's clear to you that he's genuinely confused.

you sigh. "i just didn't know what this meant for us."

"baby, i didn't think i could make it any more clear." he sits up to grab you by the wrist, tugging you onto his lap and wrapping his arms around your waist. "i'm all yours, so you're stuck with me." he tries to mask the nervousness in his voice when he asks, "is that okay with you?"

you nod, hiding your face in his neck. "took you long enough."

[vanteguccir]

chris/matt’s reaction to reader calling them pretty boy or just really soft pet names in general 🤍

ㅤㅤㅤㅤㅤㅤPRETTY BOY * CHRIS AND MATT STURNIOLO

SUMMARY　::　Chris and Matt's reaction to Y/N calling them pretty boy for the first time

WARNINGS　::　none.

AUTHOR'S NOTE　::　that is my work, I DON'T authorize any form of plagiarism; copy, "inspiration" or translation! | english isn't my first language, so I'm sorry if there's any grammar error.

01. chris　─　

Chris leaned against the doorframe of their shared room, watching Y/N fiddle with a new piece of jewelry she’d bought. She sat cross-legged on the bed, the cozy warm light from the bedside table showering her body, making her look angelic. Her focus on the delicate bracelet was intense, her brows furrowed in concentration.

As if sensing his gaze, Y/N looked up, her face breaking into a bright, infectious smile.

"There you are!" She exclaimed, her eyes lighting up even more. She patted the spot next to her on the bed. "Come here, pretty boy."

Chris’s heart skipped a beat. He walked over, a wide grin spreading across his face.

"Pretty boy, huh?" That was new, and he couldn't lie and say he didn't like it.

Y/N giggled, a sound that always made his heart flutter. She nodded enthusiastically, her cheeks turning a soft shade of pink.

"Yes, you’re my pretty boy."

Chris sat down next to her, feeling a warmth spread through his chest. He loved how her words could make him feel so special.

"Well, if I’m your pretty boy, what does that make you?" He asked, leaning in closer, nuzzling the soft skin of her cheek, his warm breath hitting her face.

Y/N’s blush deepened, and she looked down at her bracelet, trying to hide her giddiness.

"I guess that makes me a lucky girl." She murmured.

Chris chuckled softly, lifting her chin with a gentle finger.

"The luckiest." He agreed, pressing a tender kiss to her forehead. Her skin was warm under his lips, and he could feel her smile against him. "My lucky girl."

02. matt　─　

Y/N lounged on the couch, nestled in her favorite corner, a book in hand, when she heard the familiar sound of Matt's footsteps coming from the small hall that led to their shared room.

He entered the living room, his hair slightly tousled from, apparently, a very good nap, and his eyes still heavy with sleep.

"Hey, sleepyhead." Y/N greeted him with a smile, her eyes sparkling with affection. "Did you have a good nap?"

Matt rubbed his eyes and stretched, a soft yawn escaping his lips.

"Yeah, I did. I needed that. Recording all night wasn't a good idea... How's that book going?"

"It's amazing, but you know what's even better?" Y/N's smile grew wider as she set her book aside, giving Matt her full attention. "Seeing my pretty boy all relaxed and well rested."

Matt froze, his cheeks flushing a deep shade of pink. He wasn't used to such compliments, even though Y/N always seemed to catch him by surpise, as if she knew exactly how to make his heart race every time.

"P-Pretty boy?" He stammered, his voice barely above a whisper, his blue eyes turning wide open, shining below the daylight that came from the big window.

"Yes, pretty boy." Y/N repeated, leaving her book aside and standing up, walking over to him. She reached out, gently brushing a stray lock of hair from his forehead, aligning his messy curls. "You are the most beautiful, kind-hearted person I know, yeah?"

Matt's eyes widened, his blush spreading from his cheeks to the tips of his ears. He could feel his heart pounding in his chest, each beat louder than the last. He was such a sucker for praises, and Y/N knew that very well.

"Y/N, you can't just say things like that." He mumbled, his voice barely above a whisper.

"Why not? It's true." She replied, her smile widening as she lowered her hand from his hair to his face, caressing his jaw.

Matt's heart raced as he felt her touch. He couldn't remember the last time he had felt so flustered. He bit his lip, trying to suppress a grin but failing miserably.

"I-I... uh... th-thank you." He managed to say, his voice trembling.

Y/N chuckled softly, loving how flustered he became. She leaned in, pressing a gentle kiss to his cheek.

"You're adorable when you're shy." She teased, her lips brushing against his skin.

© vanteguccir

[pomefioredove]

hiya :D i hope you're well rested, well fed, and hydrated today (and if not this is your reminder!!)

may i please have a sugar cookie, #18, with whipped cream and chocolate chips? thank you <3

ANOTHER BANGER COMBO. lilia fans here's your dinner

order #18, sugar with whipped cream and chocolate chips

*ੈ✩‧₊˚ bored senseless

tropes: fake dating and royalty AU characters: lilia additional info: romantic, reader is gender neutral, reader is not yuu, fae!reader, takes place during Malleus' childhood word count: 900

It was only supposed to be for one ball.

When the General of the Right, the Dragon's Hand, the keeper of the Prince himself sends for your word, you answer. When he invites you to attend the centurial ball with him, you say yes. When he whispers in your ear as you ascend the castle steps, his hand tight around your arm, you listen.

And if he tells you that he's been formally courting you for the past century, you nod your head and let him hold the door for you like a true suitor would.

There was, of course, a thousand and more questions to be had, but not there, not when you were already inside the castle's stone ballroom, arm-in-arm with Lilia.

You really just wished he would've disclosed this pertinent piece of information before the ball.

The questions you had, you now had to answer for others.

"How did you catch the crimson eye of the General himself?"

"Especially as a fae of such low nobility?"

"Especially when he's had no interest in courting for the past several hundred years?"

You were able to keep up with the ruse, but it wasn't easy nor fun, especially since Lilia seemed to prefer letting you do all the talking.

When it was over, he handed you a small box of silver and went off alone, without a word, leaving you at the gates of the castle.

How strange, you had thought, but in your years in the court of Briar Valley, you'd learned not to question strange things.

Besides, it was only one evening.

...Well, that's how it started, anyway.

The next invite was to a gala hosted by a Count the following year. Then there was one a few months after that, another after that, and, slowly, your name became known throughout the country, and always spoken right next to General Lilia's.

On a cold night, a dinner hosted by a member of the Senate, one you would have never even dreamed of being invited to if it were not for your suitor, something stranger happens.

"Another one," you sigh, leaning against the stone of the terrace you and Lilia had snuck off to. The night was chilly but clear, every star visible in the sky.

Lilia sits on the railing beside you. "Don't look so glum. I'm sure these events are just a fad. You know how the nobles like their trends,"

"They're just very long,"

"And very boring, I know," he sighs, rubbing his face. "And I hate to be away from the Prince, but times have changed. I can't just win a battle to stay in the Senate's good graces. I have to be..."

He gestures vaguely. "...Noble,"

You look up at him as he sits cross-legged on the stone railing. "Is that why we're..."

You can't say "lying about being engaged to the entire country", but you want to. He knows that.

"What? ...Oh, no," he says, waving you off as if you had said something silly and childish.

"I just didn't want to come to these things alone. I'd be bored senseless."

Your eyes widen with something like wrath.

"..."

He's looking at the party ahead, picking his nose. It takes him a moment to sense your glare.

"...What?"

"Are you unwell?" you suddenly snap. "For years we have been "engaged" in front of the people and the nobility and you say it's because you were bored? Do you know how many lies I've given? To my own family! And the stress of coming up with such nonsense on the spot, to people who could have me banished from court, or worse..."

Lilia stares back, wide-eyed at your sudden outburst. Then, he smiles.

"...How long have you been hiding that sharp tongue, hm?"

"That's all you have to say?"

"Goodness, no," he says, hopping down from the railing to stand in front of you, his hands folded behind his back.

He leans forward, invading your personal space, which he is ever so fond of doing. "Do you know why I chose you, out of everyone in the court?"

What kind of a question is that? You scoff.

"...No,"

Lilia smiles, and he takes a step closer. "Well, you're not as uptight as the rest of them, for one. Your family has always been a little... untraditional, we'll say. But it was also because of this,"

He flicks your forehead, almost playfully, and you blink.

"My face?"

He chuckles. "No, no, though that's certainly a bonus. I meant... before the lies and the sneaking about, the one thing I could remember about you from court, for as quiet and meek as you can be, was your imagination. You always have the most outlandish ideas, the most improbable thoughts. And yet, you speak them with such passion, when you're permitted..."

He pauses to smile.

"...Well, I knew you could come up with some lie about us, and it would be rather entertaining."

You stare back. Lilia has always had a way of surprising people, but this is...

He smirks at the look of shock on your face, taking a moment to not-so-subtly check you out, for lack of a better term, and he takes your hand in his.

Then, he says the magic words, the ones you'd been dying to hear for every event since you started this whole ruse.

"Shall we get out of here?"

[mono-dot-jpeg]

born from another timeline - jayce, viktor

summary; "viktor, wake up, hexcore just dropped a hot person" - jayce, probably

genre/extra tags; oneshot, fluff, comedy, maybe some angst, is this considered isekai /j, amnesia?, zauntie! reader, different timeline! reader, the almost too good to be to be true timeline, hexcore knows everything, magic curses, can be seen as romantic or platonic, half baked ending, im sorry this can seen as ambiguous ending

word count; 1.3k

a/n; it's time for some silly silly writing. im changing up some of the request to be a little more interesting. im not great at interpreting long requests like this bc they can be a lot for me, and sometimes, with requesting in excitement, they can have some parts that dont make sense. but i still hope it's enjoyable. also i have no idea if my addition to this request made sense but i was too committed so. enjoy :)

you don't remember a fucking thing. all you know is that something called a hexcore spit you out, and now you're floating in the air with two really hot people. and you're undoubtedly panicking, and they're panicking too.

generally, a lot of panic.

when you finally manage to stop floating, the situation settles a little bit. at least for the two men that were floating with you.

"how did you get here?" but unfortunately, you had to be questioned. which was reasonable, you would probably do the same.

a yordle creature is trying to question you and your origins, but your mind can't seem to conjure up anything that would be a viable answer. "i.. don't know. but where exactly am i?"

the yordle, heimerdinger, informs you that you are in piltover and introduce you to viktor and jayce as well.

"piltover.. i definitely didn't know that this was piltover because i've never been around there."

"do you remember anything about your home?"

"not much. but i'm from the undercity." you answer. and that leaves the young scientists to ponder why exactly the hexcore brought you here. was it really that powerful to just teleport people from the undercity to piltover?

nothing seemed to be clicking. and so, they decide to escort you back to the dark lanes of the undercity.

but when you reach the bridge, viktor can spot the shine of confusion in your eyes.

"wait.. this is the undercity, right?" you looked over at the glum streets. "but.."

"but what? it always has been like this."

"this isn't.." you head pulses with pain as a memory tries to break through. "the undercity wasn't like this. it was-" before you can even speak about your home, it feels like you have the wind knocked out of you. your breath heaving as you cough near uncontrollably. jayce and viktor are quick to offer a hand to help you. jayce holds you steady, and viktor offers a hesitant but gentle hand. "it wasn't like this.." you can only mutter as another cough tickles your throat, threatening to come out. it doesn't take long for the two men to come up with a different thought instead.

"i don't think you're from our world." viktor said slowly.

"but i'm from runeterra, i live in zaun, i know that much." you get a little defensive. "and i know that, this isn't the zaun i live in."

"i think it's much more different than what v is saying. let's just head back."

viktor should've realized sooner as a zaunite himself. you didn't wear any worn-out dirtied clothing or had that scent of undercity smoke and gasoline that always permeated around the lanes. you were different from the undercity he knew.

with enough convincing to heimerdinger, he agrees to let you stay in piltover, but viktor and jayce would have to be responsible for you. which admittedly feels a little offending as you're not any kind of irresponsible pet or kid, but you wave off the annoyance for a more pressing problem.

"i'm from a different timeline?"

"it sounds crazy, i know." jayce immediately tells you, just seeing the incredulous look on your face. "but it seems like the most logical conclusion. you said you were from runeterra, you were from the undercity, and that the undercity you know doesn't look the way our undercity does."

"it could be entirely possible that you can even be from a different universe in general, ehh... i suppose that would be like a timeline, too." viktor sucked in a breath through his slightly clenched teeth as he tried to wonder over the details of what counted as a universe or timeline.

"the point is, this isn't the runeterra you know. and we don't know how to get you back."

and so you basically had a reset button on your life, now living in a world that was close to yours.. but not quite.

heimerdinger had concluded that there was some sort of magic binding on your memories, not allowing you to speak too much detail of them. and there seemed to be no loopholes for it. you would be stuck like that for an unknown amount of time.

that was concerning, to say the least. but not as concerning as trying to remember that this isn't the world you know. you're not meant to be here. but you'd be lying if you said that you weren't curious about how this world functioned compared to yours.

you were naturally really interested in the hextech. and it seemed like the hexcore was interested in you, it spit you out into here after all.

"do you think the hexcore is the reason i can't talk about my home?" you asked the two scientists as you stared at the core of magic and science.

"it would make sense. in a way. it's the only magic you've been exposed to. and directly in contact with.. obviously." viktor said with matter of fact tone.

it seemed like it was the only somewhat reasonable answer. and there was only one solution to you; live this new life. you don't remember everything that happened in your old life, and even if you did, you'd be coughing up your lungs before you can get a word out about it.

alternate reality and timelines really aren't fun, you realize quickly. you live in this.. new piltover and zaun and it's.. really off-putting. like knowing that everything is fine, but your mind is telling you that there's something just so wrong.

your identity blends in just enough with the support of viktor and jayce. but you don't feel right. viktor easily can sense that feeling of isolation. he understands it too well. it's the face he's seen on multiple zaunites like himself. when they don't know if they really belong in this world.

he tugs you away into his side of the lab as the gentle whirring of the hexcore hums with life, mocking you that you have no way home. jayce had left to pick up some dinner for you three, and you stayed behind for the sole reason of not having anything better to do (and maybe even keep viktor company).

the look in his sharp amber eyes is hesitant before he speaks. "how are you feeling?" he asked within the ambiance of the lab. he doesn't look at you, turning to mindlessly fiddle with his work-in-progress hex claw.

you shrugged halfheartedly with a hum, "i don't know. it just..." you let out a sigh. "it doesn't feel right."

"what doesn't?"

"being here." he lets you continue if you want, stopping his tinkering to look at you. your eyebrows furrow with a frown on your lips. "i don't know. maybe i'm just being delusional."

he pursues his lips, trying to find the right words to say. "i'm sorry we can't find a way back to your home." he said softly. "i can't imagine how it feels like to live in a world so similar but so different from home." he takes your wrist gently to guide you to an empty chair next to him.

you sit down slowly. he looks at your disheartened face.

"i'm not great at comfort like this. jayce would probably do much better than me right now. he gives a great hug." he laughed weakly, trying to lighten the mood. "but i'm not going to sit back and let you be alone on the pain." his eyes swirl with warmth. you can tell he's trying his best to comfort you.

"do you think.. we would ever meet back in my timeline?"

before viktor could answer, the door opens, revealing the golden boy himself.

"i got us some dinner!" his smile oblivious and bright, unware of the heavy air as his presence seems more bright than the setting sun.

you don't feel like you belong in plitover, but you know you belong with viktor and jayce at least.

[twstowo]

Oyo, um I read one of your fics and it was rlly good. I'm pretty sure it was one of the 'they end up another universe twst' fics. They're rlly juicy BTW

I was thinking like...what happened if otherverse bois met normalverse yuu and they actually start liking them? Sorta yandere-ish type stuff to the point where they don't wanna leave normalverse yuu? (Yes, I've been calling normal yuu 'normalverse' yuu bc it makes a bit of sense lmao)

Understandable if you're a bit uncomfy with this :)

❤️❤️❤️❤️❤️

♡︎This is quite an interesting idea! I had though about it once but since you asked now I'm really going to write it! Also I'm not the best with yandere themes so I hope this is good enough!

♡︎Includes: OB! Characters

♡︎Warning: Malleus's part made me kinda sad, IM SO SORRY MALLEUS LOVERS. Also all of them need therapy.

[AU Masterlist]

NV - Normalverse (Thank you for the idea Anon!)

First things first, in general, I believe that they would understand that you aren’t the same person from their Universe, however, this wouldn’t excuse the fact that every time they see your face they are thrown back to your relationship back in their world, which to say the least is not the best.

⋆⋅☆Riddle

There would be no doubt that he would dislike you intensely. Moreover, the fact that this Riddle would be even worse than the pre-overblot Riddle in the NV would put you in a difficult position.

The first time he spots you, he would be blinded by rage and probably try to behead you. Fortunately, Trey and Cater quickly save you, taking you as far away as possible from Tyrant Riddle.

He will do anything to find you, and he will have no tolerance for your actions. At the slightest inconvenience you cause, he will be right behind you, ready to tell you how much of an annoyance you are.

But you catch on to his game pretty quickly, so you counter him by being the very definition of perfection. You make sure not to break a single rule and set an example for everyone around you, and by the Sevens, that only makes him even angrier.

But is he really angry? He can’t deny that he feels slightly impressed. Among everyone else at this strange college, you are the only one who comes close to reaching the level of perfection he demands.

Slowly, he finds himself growing fonder of you. He starts thinking about bringing you back with him once he finds a way to return to his universe. You’d fit perfectly in the castle with him, and he’s certain his mother would have approved of you.

⋆⋅☆Leona

When it comes to Leona, he is more annoyed with the NV version of you than anything else. After all, you were always pestering him about being lazy and irresponsible. He had been plotting to have you exiled once he took the throne by killing his brother.

So, the first time he spots you, he's ready to turn around and leave, not wanting to hear your nagging. But that doesn’t happen. You speak to him as if he were a normal person, with no harsh words, and even smile at him when you finish talking.

Is he seeing things? Why are you so different in this universe? And why is he enjoying this new kind of attention so much?

Yet, he remains rude, constantly sending glares your way. He firmly believes you're trying to trick him into something malicious.

Still, you bring him lunch and talk about your day. You are strangely kind, something he never thought he would experience, especially from you. You are the first person ever to treat him like this.

Slowly, something starts to shift inside him. Your attention becomes something he craves, and he starts becoming obsessed, to the point where he checks if you give the same treatment to others.

And if you do, he makes sure they are out of the picture the next time you look for them. He will ensure that you have only him to turn to, to talk about your day, and to give your full attention.

⋆⋅☆Azul

OH NO! He’s had enough of your antics ruining his business! Azul puts up a sign with your face and a red cross over it in front of the Monster Lounge. YOU ARE NOT ALLOWED IN!

Floyd and Jade find this absolutely hilarious and watch as you stroll into the Monster Lounge without a care in the world. (You’re literally that meme: "This sign won’t stop me, because I can’t read.") They don’t even try to stop you, they’re far too entertained by the thought of seeing how this new Azul will react to the chaos.

Let’s just say that Azul quickly learns the hard way that you aren’t here to ruin his business. Instead, you seem determined to ruin his reputation by being overly affectionate and making him squirm with your sweet words in front of all his clients, no less.

He tries to distance himself, avoiding your gaze and setting boundaries, but you keep coming back. In that, you remind him of the version of you from his own universe.

And for some reason, he finds that persistence very attractive. He can’t deny that, before you decided to ruin his business, he used to have a slight crush on you back then.

But now, you aren’t trying to ruin his business. Quite the contrary, you’re a magnet for attention, constantly drawing more customers to the Mostro Lounge.

Slowly, Azul starts losing himself in this fantasy: you and him, together, expanding his business. But at a certain point, he realizes he’s thinking more about you than the money the two of you could make.

He becomes determined to keep you by his side, even if his business suffers because of it. If all it takes to have you is tarnishing a bit of his reputation, then he’s willing to do it.

⋆⋅☆Jamil

By the Seven, he was already annoyed that Kalim was here, but you too? This was about to be the worst day of his life, two incredibly annoying people threatening to ruin his plans.

He keeps his distance, but when you spot him, he’s about to tell you to go find someone else to bother. Then, you say something completely unexpected: you’re actually annoyed by Kalim’s antics.

You? Annoyed? At Kalim?

He’s taken aback. In his universe, you and Kalim were inseparable friends, always together. But the you from this place is actually bothered by him? He doesn’t even need to know why you’re annoyed. Just the fact that someone finally agrees with him about Kalim makes him incredibly happy.

He enjoys it when you come to him with your frustrations. Whether you’re irritated by Kalim’s constant gifts or his endless parties in your honor, because you feel overwhelmed, Jamil is always there to listen. He savors your complaints, and he’s quick to add his own criticisms about Kalim, which only deepens your dislike for him.

As time goes on, you start finding comfort in Jamil’s presence. His understanding and validation make him seem like a refuge from the chaos that Kalim brings. You begin to rely on him more, and Jamil can’t help but enjoy how your dislike for Kalim boosts his own ego.

Jamil starts subtly shaping your view of Kalim. By reinforcing your negative feelings and positioning himself as your only true ally, he ensures that you depend on him more. He carefully creates situations where he appears better compared to Kalim, making himself seem like the perfect match for you.

Jamil feeds off your growing dislike for Kalim. Your negative feelings towards Kalim seem to boost his ego, and he finds himself loving your voice even more.

You deserve someone who truly understands you, and Jamil believes he’s that person. He’s confident that he’d be the perfect match for you.

⋆⋅☆Vil

There you are, Neige’s number one fan. He doesn’t even look in your direction, you aren’t worth it. Shouldn’t you be with him, guarding him like the lapdog you are?

Vil has to admit that at least you seem more elegant here. You look more relaxed and gentle, but maybe you were always like that back then. Perhaps he was just too focused on Neige to notice you.

Or maybe this version of you from this universe is simply sweeter and kinder. Perhaps here, you don’t make Neige your whole identity and actually treat Vil like a person rather than just competition for Neige.

Vil is intrigued, he finds you interesting, even. There’s a charm to you that brings him comfort. When he learns that you’re not that close to Neige here, he finds himself feeling pleased. And when you tell him that you find him “oh so much more beautiful,” he realizes that you might not be so bad after all.

Then he becomes attentive to your habits, your likes and dislikes, he memorizes every time you express any small detail about yourself only to use these as a way to create more opportunities to be closer to you. He brings up things you’ve mentioned in passing, showing how attentive he is to your likes and dislikes. His compliments become more personal, always tied to something he knows you value.

He loves especially when you talk so sweetly about him, or when he overhears you telling others how beautiful you think he is.

So whenever you mention Neige in a good way he becomes jealous, you should be exclusively devoted to him, he should be the only thing that crosses your mind and he was to make sure you only see him as your number one option.

He’s determined to make you see him as your everything, and he’ll stop at nothing to ensure that you’re his, completely and utterly.

⋆⋅☆Idia

(In here both Idia and Ortho from the AU get sent to the NV.)

Ah yes, the ruiner of fun, you.

Back in his world, he used to send his followers to pester you, hoping you'd leave him alone. But no matter what, you always managed to bounce back and ruin his mischievous plans. What was with you, always messing with the fun? If a person or two died, who would even care?

But this version of you seems so much more into the chaos. He watches as you join in Ace's dumb ideas or get excited when Ortho prepares to blast off half the school.

You actually seem like someone who would join in his schemes now, and he'd love to have some help.

Howver the idea of you laughing, scheming, or enjoying yourself with anyone else starts to eat away at him. He starts sabotaging your interactions with others, asking for Ortho’s help to keep Ace busy with other things, making sure you spend more time with him.

He starts sending Ortho on missions to monitor your every move, always keeping tabs on who you’re with and what you’re doing. If anyone tries to get too close to you, they mysteriously vanish from the scene, often without you even noticing.

Everything feels so perfect when the two of you are together, you don’t need anyone else just like he doesn’t need anyone else.

⋆⋅☆Malleus

Poor Malleus had been treated badly by his crush back in his universe. You never answered the letters he sent, and he had heard that all the little trinkets and flowers were returned because you didn’t want any of them.

So when this version of you from this strange new place treats him with such devotion, such kindness, and accepts his small gifts, even inviting him to spend time with you, he can hardly believe what’s happening.

This was essentially a dream come true for him. He wonders if it had been you he sent all those letters to, whether you would have written him back with the same excitement.

Why, then, hadn’t this lovely and perfect version of you been the one in his universe? Why was he the one left unloved in his world?

He wants to take you with him. Surely, you love him, you wouldn’t be angry if he took you back to his castle. The two of you could finally do all the things he had dreamed about while gazing lovingly at the flowers he once sent you.

After all, why else would you shower him with such kindness? Why else would you invite him to spend time with you? You must love him too.

[d1xonss]

Hey have a great day! 🫶🏻🪻Could you write about Reader who lives in Alexandria when The group first were brought by Aaron.Daryl noticing the resemblance between him and reader being distant from actual citizens in Alexandria and not wanting to participate in parties or fun always going out from the gates to forest.Reader also has a huge scar on her eye something like Carl’s. Daryl making her feel beautiful showing each other their scars and fluffy ending

Beauty is in the Eye of the Beholder

✧ Pairing : Daryl Dixon x Reader

✧ Era : Season 5

✧ Pronouns : she/her

✧ Genre : Fluff

✧ Word Count : 2k

AN ~ Me actually finishing a request that’s been sitting in my drafts forever?? Everyone clap😌. No but seriously, I'm proud of myself for finally getting this done, I hope it was worth the wait and you guys enjoy it. xoxox

You were the first person he noticed. That’s what he thought anyway. He wasn’t focused on the new houses, the strong walls, or the many unrealistic luxuries the new community provided. His curiosity solely remained on you from the very first moment he could remember.

You were different from the other people who lived in the area. Whilst they were all warm and welcoming the second he and his family stepped through the gates, you didn’t seem the least bit interested in their arrival. Though you were still present, watching from a distance as you absorbed the new faces, yet you couldn’t seem to bring yourself to greet them properly. He remembered how you stood on the porch of your house, your arms folded over your chest as you eyed everyone somewhat suspiciously. He remembered how your gaze seemed to linger on Carl and Judith, noting the two kids that needed a place like this to be safe.

But the thing he would surely never forget, was when he first spotted your scar. From a distance even, he could make out the shape of a long, crooked gash that traveled from the middle of your forehead and down toward your eye, stopping in the area right above your cheek. It was prominent, noticeable from even a hundred feet away, and something that surely was proof that you had been through a lot. Though even if you didn’t have any evidence on your skin, Daryl could still tell from your weariness that life outside of these walls wasn’t all that generous to you. Just as it hadn’t been for him.

Weeks seemed to pass by, and he still didn’t even know your name. Yet he was very observant whenever he managed to spot you walking down the streets of Alexandria, almost as if he had a sixth sense like he knew you were near. Most of the time he would just watch you, curious and hesitant, not looking to bother you though he couldn’t help but be intrigued. However, he picked up a pattern in your routine, noting that around the same time everyday you would leave the community to head off into the woods. For hours you would just disappear, not coming back until the sun was starting to cast an orange and pink glow to the sky. 

Though every time you would return, you came back with nothing. Not an animal, not a single can of food, nothing. It confused Daryl slightly, wondering what it was you did out there for the entire day only to come back empty handed.

He felt drawn to you, relating in a way that the others couldn’t even begin to comprehend. Whether you knew it or not, the two of you seemed to have a lot in common, not even needing to be on speaking terms to know that for a fact. Both quiet and reserved with a harsh past, not liking to interact much with others seeing as you hardly left your home, other than to head off into the forest day after day. The wilderness alone seemed to be something you both enjoyed as well. Perhaps you also liked to hunt, or maybe you also had a love for bikes and trinkets. Daryl didn’t know for sure, but one of these days, he wanted to find out.

The man wasn’t good with words, which was why it had taken him so long to build up the courage to speak to you in the first place. But when he spotted you sitting near the pond, reading a book he was surprisingly familiar with…he took a chance. For the first time in his life it seemed like, he threw caution to the wind and decided to go through with it before he changed his mind.

His hands clenched and unclenched nervously with each step he took to approach you, not even fully knowing what to say once he got there. He racked his brain over and over again as you were just a few feet away now, but ultimately he ended up with nothing, now awkwardly just standing in front of the bench you sat at.

But sensing his presence, you looked up from the pages to see him lingering near, his heart doing a flip in his chest. You were…beautiful. He had never really seen you up close until this very moment, but now that he had, it was like he never wanted to look away. He could see the gold flakes in your eyes, the freckles that were scattered all over your face, and lastly…the scar that was embedded in your flesh. But it didn’t bother him at all. In fact…he liked it.

A sheepish, lopsided smile crossed his face as he nervously ran a hand over the back of his neck, “Hey…”

He watched as you slowly smiled back at him, setting your book off to the side, something he didn’t necessarily expect. But you had a certain look to your expression, telling him that you had been wanting to seek him out just as much as he did you.

“Hi…” your voice spoke softly.

And from that point on, he was hooked.

The two of you had grown to be insuperable, which was somewhat of a shock to the rest of the community seeing as neither of you really liked anyone. But with each other, it was somehow different. Like there was an understanding there. You could be sat in comfortable silence without really being alone, enjoying each other's presence even if you didn’t have the energy to fill the quiet. Or you could have company when going on small runs or hunting trips, which Daryl ultimately found out you liked to do. Or there would be times where neither of you could seem to shut up, bouncing stories back and forth as you shared a bottle of whiskey which also helped loosen the tongue.

But the bottom line was, you were happy. For the first time in your life, you finally felt like you had found your person. A soulmate you didn’t even know existed, yet he seemed to fall right into your lap.

Though one afternoon, Daryl noticed you were a bit quieter than usual. At first he didn’t think much of it as he assumed you didn’t feel like talking much that day. But the longer he observed you, the more he could sense that something was wrong, that something might’ve been bugging you. And the truth was he was right, something had been bothering you. But you would rather die than bring it up to him.

Your voice filled the silence of the forest as the two of you sat in the grass of the clearing, reading aloud from the book that was propped up in your hands. Daryl observed you as he laid on his back, one arm placed underneath his head as the other drew absentminded circles up and down your arm. He usually wasn’t one for physical touch, in fact most of the time he cringed at the thought. But again, with you, it was different. He felt comfortable enough to be open and vulnerable with you, just as you were with him. Or so he thought until he slowly came to the realization that you were clearly keeping something from him.

Once you finished the chapter and closed the book to set aside, he let the silence linger for a moment before he spoke quietly, “You okay?”

You looked down at him, forcing a small smile, “Yeah…I’m fine. Why?”

He tilted his head, “Come on. Ya know you can talk to me bout anythin.” he said as he slowly sat up to scoot beside you, reaching out to tuck a strand of hair behind your ear.

A soft sigh left your lips, “I’m fine.” you repeated.

“Yer a terrible liar.” he retorted, though he didn’t push much further. He knew if you wanted to tell him, you would, and he didn’t want to make you uneasy by bringing up the subject over and over again. He just worried about you, being someone he cared about deeply, it came at a price of some heavy protectiveness.

You slowly shook your head as you looked down at the few wildflowers in front of you, “Just…one of those days.” you admitted quietly.

His heart sank a little as he knew what you meant by that. There were times where you would get down in the dumps about yourself, feeling a bit more insecure than usual. It was something common, hell he even knew the feeling himself, but it still hurt to see. Especially when he couldn’t wrap his head around it; to him you were the most stunning person in the entire world.

After a moment he gently reached out to take your chin in his grasp, turning your face so you would look at him. His eyes studied you, his thumb moving up to trace the line of your scar, the same insecurity that your mind seemed to linger on the most.

“Yer beautiful.” he said softly.

You huffed quietly with a slight roll of your eyes, clearly trying to brush off his comment as if it didn’t register or matter to you. “M’ serious.” he tried again.

“Well, I don’t feel beautiful.” you gently argued, “Everyone always stares…like this is the only thing they can see when they look at me.” you said quietly as you gestured to the thing marking your flesh.

He tilted his head a little as he took in your words, knowing where you were coming from as it couldn’t be easy having to deal with that every single day. But somehow he wanted to prove how special you were, how breathtaking you were in his eyes, how he hardly even focused on your flaws. Because to him, your “flaws” were only what made you more perfect to him.

“You wanna know how I see ya?”

You tilted your head at him, as if you knew his answer would make you cry and gag at the same time as affection was still something you were getting used to. Though at the same time, you wanted to hear.

“I see ya as someone who’s got the biggest heart the world has ever seen. I see ya…as someone brave, and smart…and stubborn as all hell.” he listed. You couldn’t help but laugh at the last one, knowing it was true.

“But mostly…when I look at you, I see the most beautiful person I ever laid my eyes on.”

The sincerity in his voice was enough to cause a lump to form in your throat, knowing that he meant every word. He truly cared about you, he had proved that time and time again since you had met him. Honestly, you didn’t know what you did to deserve someone who cared about you so dearly, but you sure as hell weren’t going to take it for granted. Not now, not ever.

“I know it’s not an easy thing to get past…shit, m’ still self conscious about my own demons sometimes. But whenever ya start to feel like this…I just want ya to know I’ll always be there to reassure ya. Alright?”

You slowly nodded your head, leaning forward to wrap your arms around him in a hug, sighing at the feeling of his touch. His hands gently gripped your waist as he rested his chin on your shoulder, willing to hold you for as long as you needed. Willing to tell you however many times you needed to hear it, just how special and important you were. He wanted to make sure you felt loved, knowing that you hadn’t received much of that in your past. It was like he wanted to heal your inner child, just like you were doing for him.

“I…” you started to say, but the words seemed to get lodged in your throat, not fully knowing how to express yourself comfortably.

But Daryl just tightened his grip on you, “I know…me too.”

~ Thanks for reading! (And for your patience)

[triptuckers]

wild flowers - percy jackson

Request: yes! "Can I request a platonic Percy Jackson x Child of Demeter!Reader based off the new Disney series? Where Child of Demeter!Reader is significantly older than Percy (17/18 maybe?) and is the one to welcome him to camp instead of Luke. Reader is more gentle and understanding to Percy's questions and is in general sort of a parent figure in the camp?" Pairing:  percy jackson x demeter!reader (platonic) Summary:  you welcome the newest kid at camp half-blood Warnings:  none (omg??) Word count:  1.1K A/N: was excited when I saw the new episode will be out on Tuesday but then I looked at the time zone and it's 3 am for me so I'll still watch it on wednesday :') thanks for your request, enjoy!

you try not to look away as percy, the newest addition to camp half-blood, nearly shoots another camper. he falls to the ground due to the force of the bow.

'alright.' you say, walking over to see if percy's okay. 'so not archery.'

'I didn't mean to!' says percy, looking at the kids who had flattened themselves to the ground to avoid being shot.

'of course you didn't, they know that. can I have the bow?' you say.

percy quickly shoves the bow in your hands as well as the quiver of arrows. you hand them back to the apollo kid who was teaching him with a thanks and an apologetic smile.

'see, I suck at this.' says percy. 'I'm not good at anything.'

'hey, that's not true.' you say. 'everyone is good at something. c'mon, I'll take you to my favorite spot at camp.'

that gets his attention. 'your favorite spot?'

'yep. right this way.'

you lead him away from the archery field. you can tell he's curious. you take him to the strawberry field, where some of the satyrs and your siblings are tending to the plants.

you walk past the strawberries to a field of grass where wild flowers grow.

'it's pointless.' says percy as the two of you sit down.

you frown. 'what is?'

he gestures around. 'all of this. I'm not one of you. it's clear there's something wrong with me. none of this matters because my dad won't reveal himself, he doesn't care. my mom is gone. I suck at archery. and I can't work in the forge. I can't do anything.'

you look at him. most kids are tough on themselves when they arrive. percy isn't any different.

'at least you didn't suck as much at archery than I did.' you say. 'contrary to you, I actually did hit someone when trying out archery '

percy's eyes widen. 'you did?'

you nod. 'apollo kids had to patch them up. luckily it wasn't that bad. but still I haven't touched a bow since. and I'm also not good at sword fighting. I only carry one because it's the weapon I suck the least with.'

'what if you suck at everything?' asks percy softly.

you smile at him. 'this is all normal. we all felt like this when we came here, regardless if we could already fight or not. and look at me, I still can't fight that well. I'm a joke compared to luke and clarisse if it comes to fighting. gods, even annabeth is better than me and she's your age.'

you point ahead to the strawberry fields. 'my cabin doesn't bring forth the best fighters. and that's okay. we're good at other things.' you say.

percy looks at your siblings, sure enough, not a lot of them carry weapons. maybe you do because you're head counsellor of your cabin.

'when did you find out who your mom was?' asks percy.

you sense he's not just curious about your godly heritage. he wants to know how long it would take before his father claims him. and he already knows there are unclaimed kids.

'for me it was pretty clear. I've always loved plants. I've got an impressive garden back at home.' you say. 'demeter claimed me my second day at camp.'

'so pretty fast...'

'for some kids it's fast. for some it's slow. some kids are very certain about who their godly parent is and sometimes they're right and sometimes they're not. you can't predict it with 100% accuracy.'

'did someone guess it correctly?'

'most of the times it's the athena kids who are right about their hunches. but they're athena kids of course, very smart. also a lot of ares kids are right. and for others it's a 50/50 chance. for instance, milo. everyone was convinced he was a hephaestus kid because he really liked to blow stuff up. turns out he's an athena kid. he's just really smart about blowing stuff up.'

'I bet I'm a kid of the god or failure or something. I'm just a regular kid, I'm not special. I don't have any impressive powers. not like you.'

'you think my powers are impressive?' you chuckle. 'I'm good with plants percy. over the years I've learned how to master those. but at first all I did was accidentally make flower patches.'

percy looks at you, frowning. 'you what?'

you laugh, then point to your shoes. they look like you've worn them every day for the past five years. which you have, somehow they won't wear down.

'these were a gift from my mom. if I don't wear them, flowers grow where I walk.'

'really?'

you nod and take them off. you get up and walk a circle around percy. and indeed, flowers grow where you put your feet down on the grass. you pick one and give it to percy, then put your shoes back on.

'it's the only thing I still can't master. maybe it's not something to be mastered. I'd ask my mom but the only time I saw her was when I was out fighting for my life. wasn't really the time to ask about flowers. she didn't even give me my shoes in person, just sent them here.'

you and percy are silent as you look out over the valley. you remember your first days at camp, how scared you were. you didn't know anyone, you were told your mom was a goddess, and you could never have a moment alone because there would always be someone who could find you based on the flowers you left behind.

'everyone here has been through what you're going through now.' you say. 'maybe they didn't experience it in the same way. I mean, you did kill the minotaur. but all of them have been confused, wondered about wether they belong, if there's something wrong with them. we all found our way in the end.'

'did you feel like you didn't belong?'

'sure. but then chiron explained to me it's all because of the gods. we've got dyslexia because our brain is wired in greek. the adhd is from our need to fight. it's all in our dna. just give it time, you'll belong. any other questions?'

'what do you do when you're not at camp?'

you smile. 'try not to run into any monsters and wait for the time to go to camp again. you'll find your family here, percy, trust me. now let's see if the aphrodite can teach you anything.'

you get up and offer your hand to percy. after pulling him to his feet, you start to walk toward the aphrodite cabin.

'you know, regardless of what cabin you belong to, you can always come to me if you have any questions.' you say.

percy smiles at you. 'thanks.'

A/N: If you want to request something, make sure to read my house rulesHere’s the list of characters I write for. Everything that I have written can be found on my masterlist. Please don’t repost my work, as I spend much time and effort on it!! Thank you for reading! Much love, Marit/Max

[takenbypeter]

Hi! I LOVED your Wonka x reader fic! Could I maybe request something?? Maybe one where she's the last one stuck in the laundry after everyone else gets rescued and he needs to go back for her? I love angst and fluff haha

All good if not! Love you

Trapped In Your Own Thoughts

Willy Wonka x reader

Words: 961

I am loving all the Wonka love I'm seeing, every time I write for a new character I wonder if anyone will actually request for them so seeing people request for Willy Wonka truly makes me heart melt

Abacus, Piper, Larry Chucklesworth, Lottie Bell, Noodle and you stood in a straight line across from Mrs.Scrubbit as she peered from behind the counter. 

What you thought was going to be a tiresome scolding from the woman turned into something unexpected as she laid pounds of money out on the table. She first stated how Mr.Wonka had settled a deal with Mr.Slugworth covering all your bills. And one by one she went down the line addressing every individual until it was just you and Noodle left. 

“It’s funny,” Scrubbit says as she stares at the last pile in front of her before glaring directly at you, “Mr.Slugworth didn’t seem to leave a single sovereign for you. Guess you're not important eh?”

You stilled, unable to believe your own ears as Scrubbit smirked at your disheartened reaction. “…this must be some sort of mistake,” you muttered before getting cut off. 

“—No mistake at all,” she grinned a toothy grin, “in fact your name didn’t come up at all. So don’t just stand there. Back to work with you,” she ushers and stunned you look around trying to wake yourself from this nightmare that you found yourself trapped in. 

“Go.”

With a wave of her hand, you walked past them shutting the door behind you. “Now, for our dearest Noodle…” you heard her voice fade away as you walked to the laundry room in a daze.

You could not believe this was happening. Of course this would happen to you. You shook your head unable to stop the thoughts from swirling as you walked down the hallway past all the now empty rooms, past your own room until you came to the laundry doors. 

Climbing down the steps and looking around at the now lifeless room, it was impossible for you to do anything but dwell on the whole situation. 

You were stuck here. Alone. 

Being here with a group was one thing but alone? That was something you wouldn’t ever wish upon your greatest enemy, (that is if you had one). 

This had to be an error. Why would everyone else be free except for you? It didn’t make any sense. 

Then your mind slipped back to what Mrs.Scrubbit said about Willy making the deal. 

Did he know you were to stay back? No he couldn’t have. Right? Right. You tried to assure yourself before you even had the chance to doubt him any further. That man was too good and too precious for him to accept this deal knowing you’d continue to be held captive like this.

You went back and forth, replaying Mrs.Scrubbit’s words, trying to figure out what could’ve happened. 

Was Mrs.Scrubbit right? Were you just unimportant?

Your mind goes back to those few late evening conversations that you’ve shared with Willy. It was kind of silly for you to think anything from that. It was foolish in general for you to think so much of the young man, especially when you’ve only known him for a short period. But you couldn’t help but feel hurt. 

Was it that easy to forget you and move on?

Maybe all those experiences just meant something to you.

You could only grind your teeth as you dove deeper and deeper into your self deprecating thoughts. It was difficult to pull yourself out when there was nothing else or knowone else to distract you.

Your thoughts silenced as a screaming pile of bedsheets fell down the chute landing with a hard thud.

The fabric shifted and you spotted familiar brown curls pop out followed by Willy’s head. “I can’t wait for that to be over,” you heard him say as he grunted while climbing out from the chute.

“Willy…” you let out, more surprised than anything to see him. 

“Come with me, we’re getting you out of here,” he declared, running up to you without wasting a beat, “we already gathered everyone else, so let’s go.”

He runs back to the chute, waving for you to come over and you do so. Willy prepares an empty cloth bag as well as some laundry so you have a gentler landing and he then pats the empty spot. 

You prop yourself up occupying the chute and with your legs bent you hug them close as he scrambles to tug the bag up over your legs.

Thinking about it now, your wandering beliefs were all so idiotic, but for some reason in that moment, you couldn’t stop them from slipping past your lips.

“I thought you were going to leave me behind,” you chuckled. 

You meant for it to sound as just a childish passing statement but Willy immediately paused his movements, his arms coming to rest on both sides of the chute around your legs. 

“I’d never leave you behind,” he voiced.

It was impossible to stop a tiny shy smile from spreading onto your lips, “yeah, I know but, I don’t know it was just a passing thought.”

“Hey,” he lowered himself to meet you at eye level as you sat, “I would never leave you behind,” he repeated his statement from earlier, his tone soft and delicate yet firm.

It was a simple phrase, but coming from him it meant something to you. 

A new concern popped into your head, “wait, what about the contract?” You questioned, suddenly worried about the consequences that would follow. 

Willy replied with a smile that told you he already had an answer ready, “don’t worry about that, we have a plan.”

You nodded, allowing yourself to trust the boy before he wrapped your head tying a simple knot.

“I’ll see you on the other side,” he said, giving your leg an affectionate pat before sending you on your way out.

[sai-int]

Hi! This is the first time I make request and sorry if my english isn't good but I've been reading a lot of smut of daryl lately and now i am craving some angst. Could you write one where the reader is younger than daryl (maybe she's around 23) and she has a huge crush on him but daryl doesn't want too acknowledge her feelings because she's younger than him. But then daryl realised that he's crazy about her too when reader is trying to move on from him.

Thank you! Mwah!

I turned this into smut, and kinda strayed away from what you asked I'm so sorry, also i just found this in my drafts from like a year ago, i am SO sorry pookie

-> not proofread, straight stream of consciousness vibes

farm!daryl, kinda smut, mdni, ignore the lack of capitalization, I did this on my phone

from the second he saw you smoking way up in that tree, he knew he'd be better off hightailing it back to atlanta.

the eldest greene sister. and boy did herschel have a lot to say. When daryl and his group arrived at herschel's farm, daryl's initial thought was that it must've been a weed farm, mainly because he could smell the damn plant from at least a mile away.

okay, not really. herschel picked up on the scent as he greeted the group outside and followed daryl's gaze to you, propped up in a tree, puffing away at your diy bible-rolled joint as you doodled in a notebook

"would you stop with the damn plants for a second? We have visitors." herschel called out to you. you hopped on out of the tree and made your way over to the group, snuffing out the joint and stuffing it in your pocket for later.

what? it's not like there's anywhere you could buy some more.

"thought we weren't taking anybody in?" you said to your dad, sizing up the group before your eyes landed in daryl.

herschel had responded, but either the weed kicked in or the world must've suddenly gone mute, because the only thing you could hear was your heart beating.

he had made eye contact with you, but quickly adverted his eyes and fixated on the grass, which became the most intriguing thing in the world to him.

herschel continued talking and negotiating with the group's leader as you stood there, your eyes flickering between daryl and the rest of the group.

herschel had allowed them to stay until a kid you discovered to be carl–who got shot by otis) heals up. much to your dismay, you could see the brooding archer setting up camp right underneath your designated smoke spot. not that you minded having a man that absolutely devour-able underneath you as you indulged, but it was still your tree. you had headed inside to make some dinner for carl when you spotted him through the kitchen window.

you quickly stomped your way out of the main house to your tree- his tent. he had just snuffed out his fire and zipped up his tent for the night.

"you're camping out under my tree." you said matter-of-factly, standing outside of his tent and perfectly aware that he can hear you through the thin fabric.

"it ain't yer tree, sunshine." he grumbled from inside the tent.

"it's not your land."

"ya can't make a tree yer property... ain't how that works."

"oh but that is how it works.."

you could hear a mumbled response, but you were already rounding the tent and making your way up the tree before you could make sense of it.

it wasn't long before the smell permeated his tent. he didn't mind the smell of weed, if anything, it enticed him to join you. but god was he exhausted.

perhaps, he wasn't exhausted enough. he relented and opened his tent and turned around, trying to find you through the darkness. like you had night vision, you could see him looking up, almost directly at you.

"plan on joining me? or you just gonna stare at me little while longer?" You called down to him.

"ya gon' share?" he said loud enough for you to hear him, but not enough to wake the others.

"come and find out.." you teased. not only did weed make you generous, but it turned you on too. flirting with the clearly older man was not on your playbook, but then again, neither was the end of the world.

christ almighty this was a new low. definitely sativa.

he made his way up the tree with ease, the smell of weed growing stronger as he made his way closer to you. he sat down across from you. the thick branches of the willow tree would support you both. The fiery glow from the bud briefly illuminated your face as you inhaled

to daryl, you were much prettier than you were earlier. he could see the way your rosy lips had briefly trapped the filtered end of the joint before inhaling, and the warmth in your cheeks under the moonlight. yeah, he was definitely feeling the second-hand high.

wordlessly, you held out the joint to the older man, smiling softly as he took it from your grasp and placed his lips around it.

he took his fair share of hits as you shamelessly admired him. his looks weren't lost on you, and yours most defintely were not lost on him. maybe it was the weed, or the way you tits sat in you shirt, or the way your hair seemed to perfectly frame your face, or even the look in your eye, but he slowly felt himself shuffling over to you, suddenly longing to feel your skin on his.

as he sat closer, the smell of weed seemed to fade away as your aroma his him like a brick. the vanilla in your remaining body wash had been swept up by the wind, imbuing his senses, sending a wave of sparks straight to his cock.

the tension was palpable. he looked into your longing eyes. he knew what you wanted. he wanted it too.

"we can't- yer old man he'd-" he mumbled, ignoring the way your eyes burned his skin, and most defitnely trying to ignore the way his pants strained around him.

"we can," you cut him off in the same quiet fashion, your hand finding his thigh as if it had a mind of its own.

the second you touched him, he could feel himself bending to your will, his mind slowly twisting into mush. he saw the redness in your eyes and knew you were just as gone as he was.

within seconds you planted your lips onto his, molding together instantly. his rough hands found their way to your hips as he maneuvered you on top of him.

you could feel his cock straining in his pants as you instinctively pressed yourself into him. he could feel the heat from your cunt radiating onto him as you mewled from the friction. your teeth caught your lip as you remembered that you couldn't be too loud. he looked up at you, his heart pounding and reverberating through his bones. you began to grind on him as he held you firmly against him, his head tipping back and against the larger trunk of the tree as he kneaded the fat of your hips.

he pressed you harder against him, moving your hips to grind against him as he instinctively bucked his hips into you. his clothed cock rubbed repeated and merciless strokes against your clit. his hands snaked their way up your back and neck, eventually grabbing a fist full of hair from the nape of your neck. he pulled backward, latching his lips to your neck, feeling your heart beat erratically underneath your skin.

"f- fuck..." you mewled into his ear. daryl wanted that sound on repeat 24/7. you felt yourself begin to drip past your panties and soaking your cotton shorts. your hands rested on his hard chest, feeling his body shutter with every stroke of your hips.

daryl could embarrassingly feel his climax approaching as he pressed himself into your heat. the coil that tightened inside brought him some semblance of clarity from his high. He stilled your hips with his hands and pulled you off him.

"what the fu-"

"I ain't gonna cum inside m'pants like some damn teenager... 'f 's gon' be anywhere, its gon' be inside ya." he said quietly, his lips grazing your ear as he whispered, still holding you close.

masterlist

[fumifooms]

Marcille and Chilchuck’s interwoven character arcs: the fantasy of prince charming, idealization vs pessimism and loss

I’ve alluded to Marcille and Chilchuck being central to each other’s arcs so many times but the proper full analysis has been long overdue. I’ve made a post going into their differences and similarities and the many ways they’re foils for each other, but this is going to give more focus to a narrative rather than character angle this time around. We talk a lot about the importance of Marcille in Chilchuck’s arc, it's more obvious overall, but less so about Chilchuck’s importance in her own, so this is going to emphase on the latter. When talking about fantasy vs reality, usually optimism is associated with fantasy and pessimism with reality, but that's not the full picture either. Both situations and relationships can be layered and subtext can imply quite a lot, the reality of things can be more complex than we'd like or hard to reconcile, and that's exactly what we're talking about today and how that is a lesson both Marcille and Chilchuck needed to learn. Give this a shot and look at the manga pages alongside my reading and decide for yourself whether I’ve got a point or I’m going overboard~!

So, Marcille and Chilchuck are character foils in many many ways, and I think a particularly brilliant part of their arc is how they balanced each other out on idealization. On one hand, idealizing things means only seeing what you want to see through rose-colored glasses, on the other, being completely opposed to it usually means denouncing any optimism at all, refusing to hold any good faith or hope. These stances reflect both their backgrounds, as Chilchuck has lived through being discriminated against and taken advantage of consistently, betrayed by employers and eventually the person supposed to be closest to him, his wife, meanwhile Marcille grew up more sheltered and lonely, and books were a big way through which she experienced social situations & the ways of the world in her rural home before going to the magic academy as a researcher and getting more actual life experience herself.

I think it’s especially interesting to analyze the trope of— the idealization of— the perfect chivalrous prince on a white horse who is pure hearted and will make you swoon, in the context of their relationship and their arcs! It’s a recurring motif- you’ll just have to trust me and read further~ Obviously this contains spoilers for the whole manga, so beware! It's very long because I'm trying to cover the topic fully from the ground up, my apologies.

Table of contents:

How they start out

The Daltian Clan and its importance

Prince Charming vs Chilchuck Tims

Ideals vs desires vs wants

Deconstructing realistic romance & compromising between romanticism and reality

Princess imagery in Marcille

Conclusion

Let’s start with the beginning:

How the characters start off:

Their relationship is both familiar and strained (extra reading: analysis of their relationship pre-canon and early canon), they bounce off each other with the ease of coworkers who’ve been working together for two years and who share similar common sense. Because yes they’re both generally grounded and rational, and generally they respect each other’s input and perspective, but, they both have blind spots…

The biggest hurdle is the way Chilchuck refuses to open up. Marcille has made efforts to befriend him, and though he was open to developing a better workplace dynamic and, say, helping her out with shopping for a pouch outside of work, even if it ended up being counterproductive he’d refuse to even just say his age, let alone share anything about his family situation. Knowing he had kids and a wife would have pretty efficiently fully shut down that he was a kid, and yet he valued being closed off more. Chilchuck is often shown being pessimistic, assuming the worst intentions out of people and being wary of anything good happening, being the last person to trust something or someone, etc. (Quick summary analysis of him I made if you want here, beyond the character foil analysis I linked at the beginning.) He prefers assuming that opening up will only bring him problems to assuming that it'd bring about positive things.

Meanwhile Marcille is very… Honestly she’s hard to classify strongly. Because I could say she’s very open to people, but honestly it’s conditional? She emotes intensely but she’s not quite a befriending machine either, especially when we recall the magic academy days as well, she’s not unused to keeping people at some level of distance, herself keeping a lot of secrets too. She was very wary of Laios at first because she had misconceptions, she holds grudges and isn’t personable with everyone like Namari or Toshiro, when she’s introduced to the party she seems serious and doesn’t smile. While I don’t fully agree, there’s a good analysis not by me here showcasing what I’m talking about. Marcille’s more serious academic side often gets undermined and I think it’s an important part of her, but then the difference between her and Chilchuck comes down to theory vs practice: knowledge vs experience. I think something more fitting to say would be that she’s idealistic and easily swayed, for example the way she lights up whenever she can put a story-like twist on things, her mood can go from dread to hype and reverse in one second, like with riding a kelpie or with the conflict between Chilchuck and his wife, or again with Namari, where it becomes a sort of hero vs antagonist dynamic for her where justice and righteous thoughts should override everything else like needing money to live. She's very stubborn, like he is, but it's easier for her to come around in dramatic ways, on things big and small, mentioning for another example thinking better of orcs suddenly because they can cook well.

So sure on first meeting she isn’t exactly eager, but then we do see her enthusiastically trying to befriend everyone! Becoming very friendly once she’s done assessing them. She is social, and fittingly she’s very curious about people. And that said, aesthetics do matter a lot to her, and I mean this beyond just enjoying vibes, for example- and follow along the lingo I'm setting up here- if something ‘breaks’ an aesthetic like Chilchuck or Falin not being a child she’ll willfully dismiss and ignore it, if she can spin something into a story like Chilchuck’s breakup she’ll get carried away, she can get the wrong impression, be gullible for the sake of believing a narrative, such and such. I’d say she’s guarded around people at first, but then with time becomes an open book emotions wise, how she’s always loudly and unapologetically talking about her feelings and emoting. She’s not reckless, rather she’s bold and often has to make decisions quickly, like when the plan unexpectedly changed during the red dragon fight, but things like using dark magic can feel like thoughtless decisions looking from the outside, like to Chilchuck, who as per his pessimism dictates he sees all of this in a negative light, assumes the worst: that she’s just ignorant, naive and reckless. She’s easily worried and discouraged but still always perseveres.

He's biased against mages and elves because of past experiences and he projects that onto Marcille. And it makes sense because good faith is dangerous to Chilchuck- for his feelings in relationships yes, but more concretely and important for his life at work, the way an old party of his was going to sacrifice him to succubi for easy money. Like the way he constantly puts his non-work values down to the group so they don’t have high expectations of him, having high expectations for someone else is vulnerability he doesn’t want to or cannot afford. The result however is that he, too, put people into boxes to avoid having his preconceived notions challenged. He's very judgemental, which we see with Laios as well, and even with Izutsumi in the ice golem chapter, but by then he's learned to self-reflect more and be honest with his feelings due to Leed, meaning his social conflicts get resolved more often and more quickly, again like with Izutsumi in the ice golem chapter.

So in the end, there are things that stand in the way of them having true, equal respect for one another. She sees him as a kid despite everything else (being capable and mature, etc etc), and he sees her as a ticking bomb of a naive elf mage who’s gonna get herself into legal trouble if she doesn’t get them killed first.

And it takes an arc spanning the whole manga for them to get there, to truly see each other on equal footing, culminating with the bicorn chapter.

I'm going to be mentioning them a lot so in my mind, the most important Marcille & Chilchuck arc defining scenes happen in: mandrake chapter, mimic chapter, shapeshifter chapter, hypogriff soup chapter, changelings, bicorn, succubus, and Marcille dungeon lord. We're talking mostly about Marcille's discrimination and their narrative about loss here, but on the end of Chilchuck's discrimination the dark magic plot is very central so honorable mention to the red dragon chapters, the harpies chapter and the cockatrice chapter, the latter where Chilchuck airs out his beef particularly directly.

Interestingly enough, the mandrake chapter which is in VERY early manga, where characters and dynamics are still being set up, Marcille gets Chilchuck to say that she isn't a burden and that he's glad they have her and her skillset with them, so the question of "does he respect her at all" was answered before the audience could even think to ask it, and Marcille also makes statements shortly after showing she respects him in turn- more on that later. This has for a result that we do know there's a foundation of respect here, even when as said it's not complete... yet.

So let’s get into it! Early on we already get a lot instances hinting at their opposed core values of optimism vs pessimism. It’s perfectly summarized in the two panel excerpts opening this post: "Sounds romantic!" "Sounds fishy.", hope vs wariness. "Meeting you was fate!" "… Which means it’s fate for you to eat these monsters, too!", if good things happening to you is fate then you must accept that all the bad things that happen to you are fate as well. It’s "Things will work out!" vs "Things will not work out".

The issue here seems rather evident, it’s a balancing game. Compromising, adapting your judgement to the situation. Yes Marcille romanticizes things too much and it can cause her trouble, and yes Chilchuck being so closed off on himself gets him into trouble as well.

(Not telling there was a mimic nearby being maybe the most straightforward example.)

His refusal to hope for anything good happening to him ever is at the core of him not having even tried reconciling with his wife (more on that later with the bicorn chapter). Through the manga, Chilchuck influences her to be more savvy and to respect boundaries more (with himself and Namari for example), while she influences him to become more open and give things a go. It’s no coincidence that it’s Marcille that pushes him to try reconciling with his wife and gives him hope that it just might work out- that that chance even on its own means it's worth giving it a shot.

The Daltian Clan & its importance

The importance of fiction in some people's lives and their specific psychological relationship to it is a very complex human brain topic with many many studies and an infinite amount of subtleties, I can't possibly do justice to this section at its full potential but I'll go over my major points. But the complex and layered nature of this relationship is why, for example, the interpretation that Marcille is a lesbian despite her likely attraction/love for male fictional characters (if not even just simping or stanning separate from those), has legs to stand on and is a compelling angle!

The Daltian Clan, often shortened as Dalclan, is Marcille's favorite book series and is very very personally important to her. In an extra we learn that part of it is that seeing a half-elf character personally reached out to her and meant a lot. She feels seen through it. Even if it's notable that the half-elf haracter isn't her favorite, general Hagreus, but the one with black hair. It's a Cinderella type of romance & convoluted political intrigue series full with a lot of drama, reminiscent of stuff like Romeo & Juliette or Richard III.

I believe that books were developmentally very important for her, similarly as to how cartoons are important to the education and development of toddlers and kids nowadays, or how oral stories like fairytales have always been important to teach lessons. Fiction engages readers and provides emotional stimulation, which can often be a flawed substitute for actual human contact- but nonetheless a big factor in socialization. For Marcille who lived in a rather rural region surrounded by books and chickens, who couldn't fit in with kids of any age around, books were a major part of teaching her how to socialize, how people and social groups worked. This is also part of why the autistic Marcille angle can be very compelling and plausible, though personally I don't see it that way.

So yes I think that sort of upbringing shaped her a lot, and I think it's part of why Marcille has trouble not putting people into boxes... Why even though Falin assured her it wasn't like that, Marcille had made this whole narrative in her mind painting Laios as a villain that stole Falin away against her will/for nefarious purposes. Why she has trouble not thinking of/treating Falin as a kid, unwilling to process how she has grown up. Why Chilchuck has to be very young in her mind, and it was very very hard for her to reconcile the fact that he wasn't. (It's actually interesting to note that Marcille treats Falin and Chilchuck similarly in a lot of ways, overstepping boundaries, being dimissive and touchy- There's a lot to say about how the party dynamic changed a lot with during canon it becoming just Laios, Marcille and Chilchuck at first and Laios' monster interest reveal, notably that in Falin's absence that she may have latched onto Chilchuck and treats him similarly to Falin may be her finding it omforting to fall into habits or filling a hole.) I think complexity in fictional characters gets her gears turning, but there's always a film of impersonality to it right, where it's not real, there's a safe distance, if you want to form romantic narratives about how things went down and a character's angst, you can, but someone who’s real… Things are often uglier or harder to grapple with. And she doesn’t want Falin to have grown up, for her to so quickly have aged. I think applying this sort of storybook veneer onto her real life connections, pushing people into boxes, is a way for her to make social relationships more digestible. And she's a big gossip enjoyer too! Engaging in shallow retellings of people's interpersonal drama, eating it up with enthusiasm and curiosity. Part of it, like with novels, is vicariously living through others I think, experiencing making connections where she hasn't or couldn't, the way her relationship with the other girls at the academy besides Falin stayed distant and shallow despite being friendly. Gossip, like stories, are safe, distant from your own life, they're easy to judge, not unlike the irl popular interest in following others’ online drama. You’re not involved yourself, so you don’t have as much chance of getting hurt. So yes, easier to digest. Less complex, less unpleasant things and less contradictions that are hard to process. Sort of like a defense mechanism to not have your worldview challenged, dodging having to recognize these things by assigning them tropes. And I think part of it too like I implied is: she can’t experience actual loss through books and gossip. They give her emotional social stimulation she doesn’t fully allow herself to have with actual humans for fear of getting invested in a way that’s very raw and personal. Again, like how she pushes Falin away to ignore the more nuanced facets to their relationship! The intensity of what I’m speculating on here in her character is debatable but I do think it’s present at least in some amount.

In a similar way to dogs being important to Laios’ social life (I made something of an analysis on that if you're interested, but this one's not relevant to what I'm talking about in this post) books are her comfort zone. If she can compare a real situation to a story it brightens everything and, well, it does make her assume things wrongly often but it also makes her able to analyze people deeply, like the roleplay-theory-speculation about Chilchuck's wife and the way she hit bullseye on how Chilchuck felt in the aftermath. But like how Marcille only agreed to wear the frog suit when the party told her it'd look cute on her, or how thinking about riding on kelpies made her excited for what previously she saw as a tedious and dreadful journey. Special interest power blast.

And this is where comes in her coworker, a disillusioned embittered man.

A guy who knows all about how messed up the world & people can be and isn't afraid to say it how it is, who in every sphere of life has field experience rather than fictional one- with romance, work, and having dreams & ambitions. Someone flawed and real, someone who won't let her interpret him however she wants without confronting her about it & challenging her to change her perspective.

It took a looot for Marcille to fully stop seeing him as a kid, and in a way I think it was necessary for the dissonance to be both this hard to reconcile and this impossible to ignore: that he truly is a middle-aged man down to his demeanor and family background but that he looks like a teen at most to her. That she literally has to look beyond aesthetics to be able to first fathom then accept and internalize that he's an adult despite his looks. That it was so ingrained and took so long, so much that even while she recognized and said "He's usually the most mature one of us", so much that even as it's implied that she knew logically he's an adult before the changelings, as pictured earlier she still couldn't conceive it. It's like with her calling Laios and Falin's parents kids in a post-canon extra, it's not that she doesn't know it's that it's hard to wrap her head around. Necessary and important because, if Chilchuck was any less loud about being a man she could have gone on unchallenged in her assumptions. If it was an easier to dismantle misconception, something easier to digest, then her arc of coming to see him as he is would have had less impact on her character, afterwards she could continue to run with her own interpretations of people like Falin and Namari without her confidence in being able to pin down people into simple roles being so fundamentally shaken. And it's notable too, that Namari's choice to leave the party to look out for herself situation was decidedly unheroic, but it was Chilchuck who spoke to Marcille about why her decision was both reasonable and had a lot of thought behind it, making her accept that it doesn't make Namari a bad person or even a bad coworker or friend.

Chilchuck is someone who knows that sometimes, bad things happen for no reason, and it's not meaningful or part of a grand narrative, it just sucks and you have to deal with it.

As the foil to her very emotional black and white interpretations of things, Chilchuck represents nuance, and he's impossible for her to ignore.

Prince Charming vs Chilchuck Tims

Chilchuck is so obviously not a prince charming. He doesn't have the looks, the attitude nor the lifestyle. Does he have the virtues for it? Well, no... But also, yes. More on that in a bit. It's also interesting to think of the status aspect to it, because being from an impoverished oppressed class/community is so central to Chilchuck's character, something usually far removed from prince charmings and white knights, and not only status wise but on the topic of virtues... It’s an interesting thread to explore, the way one may have the means to remain chivalrous rather than becoming distrustful and embittered: sometimes optimism is a sign of privilege, being able to be or remain optimistic through life. I'm sure Marcille would be the first to jump onto the aesthetic and narrative allure of a pauper in love with a princess, of a hero of the people à la Robin Hood, but it's still interesting to think of that as another facet of the contrast Chilchuck makes. Alright, tangent done.

But obviously, despite this all they have a great work dynamic and respect for each other's capabilities. It's not like Marcille is mean to people who don't fit these fairytale high standards, no that’s only when she feels wronged or if there's injustice, rather she becomes dismissive of people’s complexity, wether they become an angel like Falin or Marcille’s shapeshifter of Chilchuck or a villain like Namari and Toshiro or Laios when they met. But my point, my point: she actually thinks very highly of him!

"He’s usually the most mature one of us" "He’s dependable, we’re counting on him" "No, chilchuck is definitely virtuous."

And I think the ways in which that shows are very interesting.

^ Ok so this happens, in the Namari chapter I keep talking about. Look at his expression in this last panel. He's always teasing her, but doesn't this here feels a bit... Suggestive? Like he's implying things, not just talking about it in a work setting but also giving her general life advice. Maybe even making an innuendo for womanizers, gentlemen who flirt without meaning a thing and have some hidden agenda. Warning her about smooth talkers that seem too good to be true. It’s honestly a very easy to overlook but defining interaction for them. It’s a quote that’s on his Adventurer’s Bible plus his anime quote keychain merch!

I love his implication that "I say what I’m about straight up, money, so you can trust me"- and isn’t that just the exact thing… Because that is what this is, he’s pitting himself against these people who help without asking for anything and he's saying he’s more trustworthy and reliable than them, driving a wedge between him and those people to prop himself up by comparison. His words tie a lot here into his general worldview too, of course here he's ✨Imparting His Wisdom✨, but it also ties into his self-image issues I'd say, where he’s hard on himself and calls himself a coward etc: if no one has positive expectations for you on an interpersonal level, then you can’t disappoint them. It only goes up from here if you start at rock bottom, can't have unpleasant surprises.

But the meaningfulness of this moment doesn't start and end there: That moment happened in chapter 20, but then this happens in chapters 36-37...

I was always puzzled by the split second interaction between Marcille and Kabru. Marcille blushing is the point, it’s in the anime too and it’s the focus of the panel. That moment of hesitation before she goes back into business mode where she looks at him back, and blushes. And idk I always felt like it was weird timing, like it was a weird beat Kui chose to put emphasis on, why the story even had them make eye contact in the first place, what point it could be making besides "Kabru is handsome and charismatic" which was already made with Hien and Benichidori below, otherwise it's not even like Marcille and Kabru ever interact. Like, maybe it's for it to be a callback when she glances at him while the canaries interrogate her at Thistle's house? Regardless, she blushes, but her expression is more akin to a "Uuhh he smiled at me why’d he smile at me like that. Oh he’s kinda pretty. Well anyways-" rather than swooning or truly checking him out. She’s frowning, even. And like I said, being very naturally charming was a point already made previously.

But then… This repeated reminder that Kabru is a lady killer IS the point, Marcille reacting to him in that way IS the point. Kabru is the epitome of ‘will say they help you but has hidden motives and might betray your trust if it serves their interest’ (not a diss on him tbf he has understandable goals), he is the epitome of looking noble, welcoming and chivalrous but actually being dishonest and manipulative, and what’s important here is… Marcille turns away and sticks by Chilchuck. Of course this is logical, no one would expect her to go running to Kabru lol, but I implore you to think of the thematics of it all, a princely guy, the closest character of the cast in the flesh embodying the prince charming persona, is giving her some positive attention, and it does affect her a bit but nonetheless she turns away, and strategizes with Chilchuck instead of trusting or giving good faith or getting carried away. She chooses Chilchuck. Unlike so often, she doesn’t let aesthetics sway her here, get in the way of her better judgement, distract her from the point. She chooses not to give good faith, even if he seems charming and friendly and smiles. Marcille is serious when the situation requires it that's now new, but this is in line with the lesson he instilled earlier above. And if nothing else, Marcille has a good memory, exhibit B to come later. Here we see part of why Chilchuck was afraid of Laios or Senshi but not Marcille blurting out the wrong things with Toshiro and is party, when push comes to shove they're often on the same wavelength. Marcille and Chikchuck do strategize with specifically each other regularly, they do tend to pair up a lot after all, so this isn’t especially new, but it’s the first time there’s this sense of us vs them imo. Like how earlier Chilchuck was saying that he’s better than the smooth talker type, here we see Marcille implicitly agree.

She just has a passing glance & thought for Kabru but she knows her true allies and true values, and she wants to strategize with Chilchuck. What I am saying is that if she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus, if she was logical about it she’d pick Chilchuck over that guy actually, yeah. At the end of the day, no matter the pretty smiles, she knows who her actual friends are. Whiiich on that topic, next section!

Ideals vs desires vs wants

It's succubus analysis time

Her succubus is quite direcly a prince figure, a knight on a white horse who's come to whisk her away. He calls her princess, even! She's taken the role of Daltian Clan's protagonist, essentially. He kisses her hand, nothing short of the most classic courtly romance tropes. He's even drawn in a noticeably more shoujo style, not unlike the characters' faces in the aftermath of getting their energy sucked by succubi.

I made a whole analysis on specifically Laios’ succubus but it covers some stuff that could be interesting for this analysis as well, I’ll repeat the essential stuff tho: Their succubus all show what type of social connection they desire. Izutsumi’s is familial, Marcille wants someone she can emotionally connect with, seemingly romantic, Chilchuck wants something physical and sexual so he doesn’t have to think and worry about anything deeper (betrayal, insecurities, etc, the difficulting that come with a committed romantic relationship- also likely related to his senses & stress), and Laios wants people and friends who’ll accept him and his monster interest- platonic.

But more interesting for this analysis is how succubi work. The goal isn’t to beckon, but to incapacitate. The succubus doesn't work on the basis of rationality, it’s not a factor they go for and it’s not one they need to appeal to either, as we see. (Laios is a special case -gestures to the linked analysis- but the succubus doesn’t appeal to his rationality as much as it soothes his worries, his friends judging him etc etc, and the reason Izutsumi could remain unaffected is that there is always a half of her not enthralled by the succubus because she essentially has two souls.) Neither Marcille, Chilchuck or Izutsumi could realistically expect any of the people they saw to be real and not fake succubis. They KNOW that, they were actively preparing for the succubi to jump on them and fight back, rationally they know they're monsters! But how this monster works is that it targets deep desires within you that when face to face with it'll make you hesitate, make something in you unable to fight or flight and instead do the third instinctive option: freeze. Or especially in Laios’ case, the form gives the victim just enough confliction on the matter for them to want to believe it’s real. All they have to do is just not move, stay passive and accept the attention, so it’s not an issue of wether they reciprocate an action or run away. It's so that it shortcircuits you and leaves you open to pick like a fruit.

If this wasn’t the "reads your heart so deeply that it freezes you to the spot" monster, Chilchuck WOULDN’T be doing anything with these women. He’s been devoted to his wife even 4 years after separation on bad terms, you think he’d ever cheat on her? If this was a decision he were to make, instead of just freezing, he would reject it. In that similar way, Marcille’s succubus might not be what she’d rationally go for. You think if this was what Marcille had to choose, the person she wants most to see and at her side, her most alluring form wouldn't be Falin, alive and well? You think that wouldn't be the thing Laios truly wants most as well? And before people say that canon proved that the latter wasn't with the curse the winged lion put on him, THAT'S THE POINT!!!! You can irrationally desire things, you can desire things to degrees so deep you can’t change it even if you wish you could, but if it was truly a choice up to you, you'd choose otherwise. Laios decided to become king, even if that's a lifestyle so far from what he truly wanted, even if it is duty more than fun for him. Like how Chilchuck would choose faithfulness despite for sure having come into contact with many beauties through his four years of separation.

Ideals vs reality are a big Dunmeshi theme in general, same as wants vs needs, and you can see Marcille’s daydreams and novel themes make it an especially relevant throughline and theme for her. Not unlike how in my opinion General Hareus and Mithrun intentionally look very alike to contrast reality vs fantasy!

Marcille never reacts any particular way to Mithrun’s appearance despite the blatant resemblance, so that makes me think the point/joke is meta rather than character focused. The romanticization of elves and their societal drama in their fiction contrasting heavily with a very real and imperfect product of their military system. The canaries certainly aren’t glamorous next to whatever military Hareus is the general of. There’s even the fun little details like Hagreus’ lips being drawn with extra details because they’re full and pretty while Mithrun’s lips are drawn with extra details because they’re chapped and dehydrated.

So yes, themes of what you actually want vs irrational cravings. Base desires vs actual wants. Needs are also separate, but not relevant for this discussion. To get to the specific definitions I’m using for the words in this section’s header, ideals vs wants vs desires: ideals are your ideal of something, the best degree to which a thing could be tailored to you, and it can be derived from both wants and desires, usually a mix of the two, but for example: I’d say the succubus is a type of ideal (the platonic ideal of allure to the victim) derived solely from desires, because a want is active rather than passive, acted upon rather than suffered, because a want unlike a desire involves thinking things through. So a want: something you want, you take actions towards getting or achieving it, it can be a very strong feeling but it’s something you pursue or wish to pursue. Finding a cure to death is a want, not wanting to be alone is a desire, see, I’m assigning desire this more primal or unchanging subconscious nature to it. On the flipside with Chilchuck, sex without ties, easy pleasure, is a desire, but the want is not having to think about his marriage situation because it’s painful, not wanting an emorional connection because it’s all the easier to be hurt with, just wanting to take his mind off of everything for a while.

Thus the succubus targets Marcille’s wish for a perfect knight who could cherish her forevermore, someone safe and known and fantastical, just hers in a way, free to see and construct however she wants because he’s a character to interpret, and it targets Chilchuck’s wish for pleasure that’ll whisk him away from the stress and pressure and reality of his life, something that’ll make him feel both good and desirable and emotionally uncompromised, not unlike what alcohol does, as he says he likes having his fine senses dulled in the changeling chapter. Idealization is twisting the image of something in your mind to be closer to what you want, but usually mostly desire on a more subconscious level, to be true, almost a wish, sometimes but not always hand in hand with idolization which is to put something on a pedestral. Idealizing things that are easier to reconcile with mostly, in Marcille’s case: it’s easier to believe that Chilchuck is very young and it’s easier to stomach that Falin hasn’t aged much, it's easier to believe Falin is an angel who can do no wrong and if she left with Laios it's not that she chose to leave Marcille, and it's easier to believe Chilchuck is just a moody closed off youngster than an embittered old man. It can be done to people as much as concepts, like the idea/plan to give everyone a 1000 years lifespan, surely that'd do really well and everyone would love it. Wants and desires are both very often about changing reality after all, wether it be your situation or an event in your past or a law of the world like death, but wants are mostly through actions and since desires are more subconscious it can lead to self-delusion easily. Like with succubi, wants engage with your rationality so they target desires instead. The demon's strategy isn't too ar off, either, feeding into both and using underlying desires to manipulate its victims. Dungeon Meshi is in part yes about resisting desires, the irrational cravings, mostly through the character of the demon. I mentioned needs earlier, and to ideals vs wants we also add vs needs, both emotional and physical, and needs alongside wants are what Dungeon Meshi wishes to promote for a healthier person, Dungeon Meshi which illustrates very well with the dungeon lords that you can be a slave to your desires.

The parallel between succubi and demons is intentional. The demon is in fact the origin of the succubus myth in-world. No wonder they operate similarly in many ways- the succubi are in a way a more simple straightforward version of the demon, with less convoluted strategies and less intricate manipulation.

Of course the succubus each character sees does say something about their characters, but what I’m saying is we shouldn’t assign choice or morality to it as if it wasn’t an ethereal monster whose whole biology is focused on being able to freeze people through appealing to desires, much like how we can’t fault people for falling for demons’ manipulations. Like that’s their WHOLE thing and they use mind control through enticement shenanigans. I know people sometimes fault Chil for his succubi and if you want here’s my stance.

Point of this whole thing is, people can rationally choose things that are different from their deeper desires, like in truth Falin’s safety being more important to Laios than becoming a monster. Like how Marcille stayed with Chilchuck to strategize instead of wanting to give good faith to Kabru. Yes, this is the main point I'm coming at with this section lol. Marcille idealizes and idolizes the figure of a perfect prince charming, undoubtedly! But when it comes to what she actually wants, not in some ideal fantay world but in reality, she knows Chilchuck and her imperfect friends are some of the best she could ask for. She's content with them as they are. She would choose a flawed reality over a perfect fantasy.

That's a big part of what her dungeon lord arc is about too, all her tendencies to ignore what others want for what she thinks is best for them or thinks is a perfect course of action: accepting that people are complex with different wants, and that something that's a no-brainer to her like wanting to live for a long long time is a solid no for many. And Laios and the party confront her about it, and Marcille, even under the influence of a demon, chooses to accept reality. Chooses to accept that there are some things that, even were she to be able to, she shouldn’t change after all (even for stuff that’s not forcing everyone to live for a millenium, like bringing Falin back from the dead is something that the party and Marcille had to come to terms with maybe not working and the way they went about it was self-centered). She chooses to come back to herself and the party, to accept the world as it is even if flawed and sometimes hurtful.

And hm, I wonder if Chilchuck had any role in the lead up to that particular decision... I wonder if Chilchuck was a major influence in teaching Marcille that the world isn't perfect and her internalizing things that were outside of her bubble!! I wonder if Chilchuck was directly what made Macille turn towards her party and thus start thinking of giving up on being dungeon lord!! Joking, joking, of course it does. To be continued, see you in the princess imagery section at the end of this essay.

Essentially, this section is to show that: 1) despite what her succubus may suggest, she has indeed grown by that point in the manga compared to pre-canon and her overly idealistic simple black and white vision of things, and it doesn't prove the ‘choosing her friends over a prince thing’ wrong, and 2) despite how deeply ingrained romanticism is in her and how it calls out to her, she still has chosen and continues to choose reality and her friends over it. How fantasy is important to her and how much she loves it, and her having the will not to mindlessly succumb to it coexist and it's that resistance against fantastical ideals that speaks of her as a character so much.

And what does that mean, for Chilchuck? For him and Marcille?

Deconstructing realistic romance AKA compromising between romanticism and reality AKA Chilchuck Tims vs Prince Charming part 2

So what we’ve covered so far is that 1: idealization is something that Marcille does a lot, including concerning Chilchuck, 2: the prince/knight figure is meaningful & important to her, 3: Marcille isn’t a lost cause on it, and for instance, much like how she stops harping on Namari after Chilchuck explains to her how professional reputations and networking work, he can change her mind on things.

Let’s get back to their prejudices of each other for a bit. You might have to zoom in for this one.

Her shapeshifters of both Chil and Laios are influenced a lot by looks and impressions. She’s very adamant about Laios and Falin not looking alike at all, for one. Marcille’s view of Chilchuck’s lockpicks are surprisingly accurate. Meanwhile, despite their first big relationship moment during canon being about how he’s glad to have her and her skills for the dungeon dive, he still ridiculizes her magic somewhat with the crude spellbook. She’s still silly and tease-worthy to him, even while he praises her like in the good medicine chapter with Leed he says it himself in the same breath. Silly, or "ridiculous" depending on the translation, is somewhat ambiguous, but I assign it the meaning of 'thoughtlessly reckless', like how again in the good medicine chapter when he's saying this he's referring to Marcille's future job prospects, because law and career are important to conform to for him. Despite this, their shapeshifters’ behaviors are accurate, although Marcille’s Chilchuck is nicer and less bitterly reclusive. Note how it's Marcille's chilchuck that makes it furthest and how why she thinks hers is the true one is that her Chilchuck "looks less mean"- this is what I mean when I say she idealizes him and sees him as a little angel, along with his fluffier hair it gives us the perspective of why she'd find him so hair-ruffable and why she likes sticking to him so much, I suppose.

Marcille's arc of not seeing Chilchuck for what he is has steps, it's not like Senshi who does an 180 seeing his changeling. There are a couple of important moments for it that tell us her progress and changes her perspective: Him telling his age -> the shapeshifters (our best look into an objective assessment of her perspective) -> reveal that he has a wife and kid(s) (fully shattering her denial) -> seeing him as a changeling (true reckoning. Putting the nail in the coffin of what reality is) -> bicorn chapter (acceptance. Internalization)

You might notice that the explanation for Marcille’s Chilchuck is "Even though she’s been told he’s an adult, deep in her heart she still doesn’t get it", and a fantranslation translates it as "Understands he’s supposed to be an adult, but hasn’t quite come to grips with the fact internally". This definitely implies her arc of growing to see him as an adult had already started by then. Especially if we compare it to Senshi’s more intense babyfied Chilchuck. This goes back to what I was saying about Marcille watering down people for the sake of aesthetics, some rational part of her knows he’s an adult, but it’s emotionally that she struggles to reconcile the fact with her perspective. It’s actually pretty ambiguous when she first starts considering he might be an adult. If by this point she was already digesting it, then I think it must’ve been when he told the party his age. It’s not unsimilar to rationally knowing Falin is an adult at 23 even if it doesn’t feel like it to her, or post-canon calling the Touden parents kids even though obviously she’d know they aren’t actually, it’s classic longlived race patronization. He’s older than Falin, by 6 whole years, and even Marcille isn’t that blind to what that'd mean. Wouldn't marcille also have a problem with child labor otherwise? There's also how Marcille pre-canon shortly speculated Chilchuck was in love with Namari in her Adventurer's Bible extra. She for sure has witnessed a lot of half-foots walking around, probably even drinking at taverns. She knows, on some level. Chilchuck even does a whole rant after they react going on "this is why long lived races are condescending assholes". So that’s my bet, "Is he an adult?" "Well yes but actually no" (Chilchuck), "I’m an adult now I’ve grown" "Awww you’ll always be like a kid to me!" (Falin) Depending on the dub and interpretation, I know for example that when I made my family watch the anime they thought Marcille "See? You're just a kid!" after he said he was 29 they saw it as teasing and playful, unserious, or even disappointed, implying she'd have thought he was older than 29. It's actually ironic how someone as developmentally atypical as Marcille, whose physical and mental growth was unpredictable, unsynchronized and messy, would judge others by appearance and age so much. But well imo appearances are important to her so in that way, she especially judges those because she had to live through being judged by those standards as well. She puts elven standards on everyone the same way she does with beauty standards, so age is included in that.

Marcille here is struggling with dissonance, it's why she "hasn't come to grips with the fact internally". And this all makes sense for the arc that sharing things about himself is what opened the gates of being understood better. Point is, her vision is influenced by her own feelings of how things should be like, veiling herself to the reality of things.

And notice the point that the problem her lack of rationale when it comes people- Chilchuck regularly makes her prioritize rationality over feelings, and well that’s somewhat his whole schtick when it comes to debating philosophy. With Namari and how her leaving the party and not returning is reasonable even if it feels wrong, just like the "don’t trust someone just because they seem well-meaning and generous, strategize instead of swooning", and ironically also the "it's important to take in mind how things like touch when healing can affect parties and create love triangles" lol, "don't be emotional, and also remember people being emotional will stirr up shit". Since she’s someone pretty swayed by feelings, it balances her out. Ultimately, if we consider the Dungeon Lord arc her culmination, it’s Chilchuck who ends her arc by meeting her halfway through appealing out to her feelings, but that’s the flipside of the coin of their arc, and it’s her willpower to face reality that saves them so I don’t think that contradicts that Marcille had to do her half of the journey & comprise.

I would argue there are many hints of Marcille knowing on some level he's an adult throughout early canon. Not just seriously calling him the most mature of the group, but her behavior at the Golden Kingdom's too for example. Would you act all shy asking a kid to sleep in his bed, especially one she's always felt so comfortable trampling the boundaries of and touching casually? Idk that's weird. She's asking to sleep in his bed because by her own admition it'd make her feel more comfortable. Chilchuck is safe to her and she feels shy implying it and asking for a favor like that. Shy that he'd find her silly for it, and/or shy that this might be inappropriate according to etiquette and in other contexts. To me this feels much closer to two peers, like how in the mandrake chapter she wanted validation from him too, and yes she still infantilizes him and emasculates him into someone who's harmless in her mind- not just someone who wouldn't hurt or take advantage of her, because she knows that, because Chilchuck does protect her (more on that later!!).

He's not heroic, but he's brave, when it matters. He's mean and rude, but also caring. He's responsible, even when it means going the unpleasant route. The aesthetic doesn’t fit the role, but the actions do.

He keeps claiming he’s a selfish coward who’ll be the first to dip in a fight, and yet he’s always, consistently pulling her out of danger, or specifically calling out to Marcille when danger strikes. And I think it’s because of the nugget of info we get in the adventurer’s bible that her stamina and athletics are bad, in canon he does call her clumsyhead like once but it never felt enough for me to deduce that on its own personally. So then the reason why he’s always targeting her, beyond the reasoning that she’s the healer thus the most important to keep alive (which he brings up in the rabbits chapter), he takes it upon himself to help her, save her and pull her away from danger because she’s clumsy. She’s not defenseless, she’s known to use explosions, and still he feels the need to save her and through the manga he’s even died trying to pull her to safety one and a half times: dungeon rabbits + the drowning- they didn’t die in the latter though it’d have gone that way if it weren’t for the water bursting out just after, and that situation was especially hopeless regarding Chikchuck being able to do anything to save her at all, yet he still tried.

A little knight in shining armor, a little noble hero, a little prince charming innit?

Chilchuck IS all show and no talk- and she knows the value of that!!! It's why despite all his sour demeanor she respects him both professionally and as a smart guy she can trust, why she feels safe with him and wants him by her side when strategizing or even sleeping. The aesthetic doesn’t fit the role, but the actions do. Fantasy vs reality!!! He teaches her how to face reality both with his words and actions, through the contradictions of him, his caring behavior and bitter words, his old manners and young looks!

And actually let's TALK about that drowning scene hello. There, in the collage above, in the bottom left. The context of that is: This is after the demon leaves when the dungeon collapses, the dungeon gets flooded by water and they go under, with no sense of where or how there could be an exit to this. 1: Since the dungeon is collapsing and reviving someone only works in dungeons, there is no guarantee that Marcille or anyone would be able to revive someone during or after this, NONE. 2: He is risking his life for her, he is STRAIGHT UP playing his life on this choice, action hits and shit gets more serious than it ever has, and he yet does it anyways. Perhaps it's the gravity of it that pushes him to make this choice, that this time if someone dies it's for real and he can't accept that, but either way his choice is made in a split second, he prefers dying trying to save her than living without saving her. He is fighting for scraps of hope, seconds more of holding onto life. Which, 3: This situation is HOPELESS. In the end yes they end up being spat out by some exit out the dungeon with the strenght of the flood, but there was no way to know this would happen, and like we see in the third panel Chilchuck and the others actually lose consciousness. That's for "a way out of this", but even moreso, what is he hoping to accomplish? He's small and weak like he always reminded the party in fights, he CANNOT PULL HER UP TO SAFETY, HE CANNOT PULL HER AT ALL, WE SEE HIM STRUGGLE TO AND FAIL. HE CAN'T DO ANYTHING BUT HE STILL TRIES DESPITE THE RISK. You might also say- haha!! You might also say that this is a show of optimism from him!! You could say that after Marcille changed him, pushed him to have more hope in him, he now has the strenght and will to hope that this might do anything, that this might save her! A little similar to the situation with his wife actually, the point is that the chance is worth taking even if it might not turn out like hoped for- the point is that it's always worth trying and keeping hope to fight on, there is risk in being vulnerable and reaching out to his wife yes, there is risk, as with jobs, as with finances, as with anything- It's not that you'll never fail, but you have to not give up when you do- there's a risk but you can't just shut yourself off to the world and to relationships, you can't suddenly care about nothing! That's Chilchuck's arc! And maybe it's because his arc of becoming more hopeful and open yourself to caring centers her that it's her he latches onto here and not Senshi and Izutsumi who are equally in trouble here, maybe it's because he knew her longest or because he still feels this sense he has to look out for her like always, or because he trusts her to breathe underwater least, I don't know, but it's what happens! And listen, by all intent and purposes it was a hopeless situation, they were on the verge of drowning but he still fights to save her, and everything looks lost for a sec, but then the water current miracurously spits them out of the crumbling dungeon. He gets up and he runs to marcille fearing she's hurt but no, they're saved, she's fine, they're all alive and out of danger. It worked out. Having hope was right.

They make me ill I tell you. Like what the HELL, am I supposed to NOT go crazy when this happens??! What if they were the meaning of life what if their arc was about cracking the balance of living and loving healthily and cracking the code of life. Okay. Okay okay okay so anyways so

He can be quite self-sacrificial and noble! Always looking out for others, and giving Marcille particular attention in that regard, likely in part due to her being clumsy in his eyes and her being the healer aka their token of safety.

Sit your ass back DOWN you are in no state sir. Despite her biases Marcille is still observant, she still loves dissecting people like in that pre-canon party relationships chart in her extra, she's still the one to say "Chilchuck is the most mature here". Marcille still notices things! She has an interest in people and Chilchuck is someone she especially likes to "study". She read him like a book in the bicorn chapter, and if she was able to it’s that she looked, she remembered, she saw. The way he doesn’t like waiting on people, that he’s very reserved with feelings, the way he often doesn't pick up on others' and even his own- It all comes through in her quote unquote analysis of him, what married life with him would be like and how he reacted to his wife leaving.

Point is, Chilchuck is very harsh on himself, but there are gems inside of him, there is gold hidden away if you dig at his heart. And point is, Marcille is good at highlighting those. And besides, isn’t humility a mark of heroes?

Okay. Sooo there's not that much to say about the changeling scene actually, for both Senshi and Marcille, the chapter just previous where Chilchuck reveals he has a wife and kid is what fully reckons them with how Chilchuck is a fully fledged adult, and for both of them seeing Chilchuck as a tallman is the final nail in the coffin. With Senshi it's a rather fast 180, and he mourns the sweet kid image he had of him where he poked his cheek and ruffled his hair, but for Marcille it's just an extra "he's really really REALLY really not a kid. Really". It has a bit of a reversal of Marcille and Chilchuck's dynamic, since now he can manhandle her instead of her manhandling him. This is a rather pleasant experience for him from what we can tell, whereas Marcille is struggling to keep the party's walking pace and complains about the heat implying half-foots are more sensitive to temperatures, Chilchuck finds having his senses dulled relaxing, has no problem of the sort Marcille is having AND! And! He can pull her around. The fight with gargoyles happen and he's pulling her arms, picking her up, he even throws her both before it and during the fight, he has the physical power to push her away if he wants to and also to pull her out of danger- the way he later tries to in the rabbit chapters and with drowning, but also when the Faligon reveal happens. He still doesn't look like a knight in shining armor, and he still doesn't have the demeanor of one, but he has the most power to protect her than he ever has. Anyways so yes, further "oh Chilchuck is an adult. And he's kinda knightly and can protect me wow. And also ugly not at all like elven beauty ewwwwww. I won't be able to unsee it now if I try to ruffle his hair after this".

It’s always a question of seeing more facets to someone and slowly digesting them and internalizing them, like Kui puts it herself in the shapeshifter explanation for Marcille's Chilchuck. And this illustrates a bit what I was saying in the section about Dalclan and tropes and people being "digestible" to her. She has to get used to the idea first and it's a slow process.

And during the succubus chapter as well, right after the bicorn chapter where she fully accepted Chilchuck as an adult, Marcille doesn’t falter when she’s confronted with seeing Chilchuck as, for a lack of a better term, a sexual being. She even cracks a (albeit sfw) playful quip about it, about them being all blondes. I suppose with the crass jokes he made like during the frog comic that might have prepped her for it lol.

And on that topic... We're here guys. The holy grail of Marcille and Chilchuck.

🔥The bicorn chapter🔥

The chapter finishes both Marcille and Chilchuck's arcs about harmful idealization vs not being a doomer, so to speak. It's the culmination, the ultimate balance found, the moment where the lesson gets fully internalized on both sides at the same time. It is a MASTERCLASS in how to do relationships arcs and character studies.

Chilchuck starts the chapter being dismissive of Marcille and her interests again, it opens with a narrated bit about his bad experiences with romance in past parties and he admits he has contempt for people who find the topic of love fun. He sees her still a bit as both a fly circling around him and a venus fly trap waiting for the opportunity to pounce on him and not let go until he spills everything. He ends it though, willingly giving up information on him in conversation with her, opening up, and appreciating her perspective on his romantic troubles.

Marcille starts the chapter having mostly processed that he's an adult, asking him about his wife, but she's still Weird about him and his personal life- and okay, that doesn't quite change, but something does change- everything changes for a moment, in fact.

And what's the catalyst? The cataclysm, even? Chilchuck lies and says he cheated on his wife.

[Okay guys I am officially out of pic space, sorry but I'll have to start recurringly linking to images instead: page]

We get to see live Marcille's esteem for Chilchuck plummet and freefall to the ground. And Chilchuck often acts like hassling and teasing between them is onesided, that she's always the one harassing him, but since early manga Chilchuck has always liked to tease her every opportunity he gets, often initiating interaction just for it... During half of this chapter Marcille is giving him the cold shoulder and we get to see that he misses her, we get to see her fully shut down the (racist) joke he throws at her and see him be SHAKEN over it. He wasn't expecting his lie to tank his reputation and relationship with the party members this much, maybe because before whenever he called himself selfish and cowardly no one seemed to think less of him for it, and he's at a loss for what to do like we see here. He misses their friendship. He's always said he didn't care for having a friendship with them all and whatnot, but here we see him grapple of the aftermath, of knowing what it would be like without them as friends, without them at all.

[page 1, page 2.]

And like with his wife, he has a choice to make. Be passive and spiteful and do nothing, or be vulnerable and communicate to win them back over. And this time, after a manga's length of learning little by little to be more open (and literal coercive torture) he chooses to do it, to try and clear up the misunderstanding.

And listen, on Marcille's end this was NEEDED. He DROPS in her eyes to deserving no respect- but even in these times we see her be jealous of Chilchuck opening up to Senshi, implicitly still caring about what he thinks of her, and most importantly that she does still care about him himself when the bicorn breaks his arm and she runs to his side to heal him, worried. Why was this needed? Because Marcille was forced to have her full, complete vision of Chilchuck shattered. Not only is Chilchuck not little in her eyes anymore, but he's also no angel. He can MASSIVELY- borderline unforgivably- mess up. He is an adult who can royally fuck up, even be immoral. She calls him a depraved adult man.

It sounds negative, but what this does is actually strip him from any idealization and infantilization in her eyes. Is there something more adult than adultery? Is there something less honorable, less wholesome? In this chapter Marcille is forced to reconcile the Chilchuck she knows with this man who did something vile to his wife, even the mother of his child.

And then Chilchuck clears things up, he takes the risk of an argument and actual rejection and sacrifices the secrecy around his family situation to make up with her. And it works. Instantly.

And so he goes "Okay so one day she left me and I have no idea why, probably for no reason. The end. What a petty thing to do am I right. We'll probably never talk again." and she's like "Bet? Actually I have several ideas as to what could have happened and you WILL listen."

(For a Chil & Chilwife analysis go over here instead btw.)

She was always perceptive, but she always had a bias that made her vision of others flawed. Her lens of novel worlds and narratives. Remove, or at least shift that bias in a productive direction, and you get a strength rather than an hindrance. The skill of self-inserting (literally. The half-foot depicted as his wife is even literally Marcille a a half-foot, and his child looks just like him, to show just how good her imagination is lmaoo) Marcille is such the "If I wanna hit the ball… I must become the ball" type. As proven by how she controlled her familiars in the hypogriff chapter. "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m cute and nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough. Then I'd leave to test your love, and you're failing that test rn but if you came back to me even after a long time I'd take you back for sure." And see these! See Chilchuck frowning there in how she thinks of him, how he gets peeved when she takes time to get ready.

No because, this means everything. Marcille started out the manga thinking he was just a kid with a party pooper attitude and even in the shapeshifter chapter where she’s more coming to terms with her having been wrong about him, her shapeshifter of him is sweet and cute and nicer like "No the REAL Chilchuck is much less nasty! ☺️". But in the bicorn chapter it all comes to a head!! Learning that "Chilchuck cheated on his wife" made her esteem of him tank to rock bottom almost, finally acknowledging that Chilchuck can both make adult mistakes and be significantly flawed. But then! The chapter ends by him opening up which in turn make her esteem of him comes back up, but things have changed, still. What she does with her "virtuous husband" bit might seem like idealization again, and she is being optimistic about the wife'smotives, but she’s not making him into something he’s not! She recognizes his flaws (embraces them even.) Like how as the wife she thinks of an angry/frowning chilchuck, how he complains about waiting on her, which he's also done to Marcille before...

Even the way she says "he wouldn't say that he loves me enough" IS DIRECTLY SOMETHING FROM HER OWN EXPERIENCE FROM THE MANDRAKE CHAPTER. Because then she wanted to hear from his mouth with his words that he does value her, that he does appreciate her, that she's not a burden to them! She knows how it can feel like he doesn't appreciate you even when he does, and how insecure it can make someone! Now when she flavors things, she takes the embellishments from her own experiences instead of from novels! Reality, too, can be romanticized without becoming pure fantasy. Fantasy doesn't have to be dry and bitter, it can be beautiful and fun, too. Her "if I was your wife, life would be something like this and I'd feel like this" is truly based on her own perspective and feelings- her empathy and interest in others is not a weakness like Chilchuck thought, it's borderline a superpower.

She doesn't just keep his flaws in mind, she also hypes up his qualities!! He is virtuous, bicorn approved, devoted even after separation!! And that hyping up, and optimism that things wouldn’t necessarily go bad if he tried to mend things with his wife, really gave him hope, and also finished up his arc about optimism not always being bad, sometimes even being necessary.

She inspires him to think that things can work out, that he can still be pleasantly surprised even with all his bitterness. After all, he opened up to Marcille and they talked just now, and she forgave him and they made up, didn't they?

And he must have never quite let go of all hope, must stil lhave some left in him hidden somewhere, because in all those four years of separation never has he stopped calling her his wife in present tense, because even after all of them he has stayed faithful and never moved on.

And all of this with the chapter ending with Chilchuck eating a sweet and savory sandwich, which he thought would be bad and inspired disgust in him at first, and being like "Huh, the sweetness actually complements the bitterness pretty well."

THE SANDWICH IS THEM. "Syrup in a sandwich? Sweetness has nothing to do in a meal." IT'S OPTIMISM AND PESSIMISM COEXISTING. IT'S SWEETNESS AND BITTERNESS BOTH HAVING THEIR PLACE IN A DISH. IT'S MARCILLE AND CHILCHUCK COMING TOGETHER TO HAVE THE RIGHT BALANCE FOR HIM TO BE ABLE TO SAY "It might not go well like in stories, but I'll still try".

Remember what i said about compromises earlier, balance of optimism and pessimism? He tries it, and it works out despite having no faith that it’ll be good, and he’s pleasantly surprised. SURPRISES CAN BE PLEASANT! They're not just life-shattering, not just dangerous, it is possible to be pleasantly surprised! And this is why Kui is a goddess of telling stories through food.

He’s opening up to her, as he takes that last bite of the sandwich, he willingly and easily gives up an information about his family for the first time <3

And this isn't only chilchuck adopting her perspective either, it's him completing it. Marcille still simplified the conflict between him and his wife, still couldn't have the whole picture, still put a positive and hopeful and romantic twist on it all, but she did have a point. Chilchuck reaches her halfway, is inspired by her, but he also complements her, says okay, but also this, also it might not go as well as that, not going against it but building on top of it, not trying to replace it but instead this optimism and cynicism coexisting, joining together. Marcille brings him back to the reality that he doesn't suck as much as he thinks and things aren't doomed, but he also brings her back to the reality that that may not be enough, and in that uncertainty called life they're learning to be okay with it, to smile about it, to want to be part of it, hearts open.

Notice how she defends his virtues directly taking from Daltian Clan for her reasoning, as well! Comparing chilchuck to her novel characters to explain him, rather than overwrite him.

She’s such a wingwoman. Such a cheerleader. Couple therapist. Emotional support friend. 10/10.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" Chilchuck: "damn I needed that" /hj

So this neatly ties the last bits of Chilchuck's reluctance to care about others and being cared about in turn, yes yes Marcille reads him like a book so well that he's left shaking, and this is it, really, their arc is about the balance in loving too much and loving too little, in stifling others with that love and care and interest the way Marcille does vs showing it so little that others don't even know if he cares at all, à la “if we want the rewards of being loved, we have to submit to the mortifying ordeal of being known.”

Marcille has a whole theme with the prince charming trope, with her idealization and storybook motif and this is sort of the "Well someone perfect like that isn’t very realistic and romance is usually more complex- and that’s ok and good, and flawed people can still be ✨virtuous✨" conclusion. Again, fantasy doesn't have to be perfect to be worth it, to be valuable and lovable and great and precious.

He’s the devoted virtuous man that she wants not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous and devoted and loving family man. Far, far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks.

Marcille has this grand fantasy, this ideal of prince charming, a chivalrous gentleman knight, but through canon especially with Chilchuck she learns to not idealize people so much. That acts are more important than aesthetics. The bicorn chapter is all about Chilchuck’s romance being realistic: flawed. And it’s no coincidence that this is what ties their interwoven arc closed, because they learn to compromise, his pessimism and her optimism. Marcille sees and recognizes a romance that is both flawed and beautiful and is able to balance the two decently, meanwhile she convinces Chilchuck that yes it is worth fighting for and having hope for. Repeating myself but it’s easy to think she’s still idealizing Chilchuck during the bicorn chapter, BUT it’s important to notice the differences with the shapeshifter chapter, where her shapeshifter of him was "cute/sweet" "not nasty", an angel who could do no wrong. In the bicorn chapter, not only does he fall from her esteem a lot because she believes he cheated for a good part of it, thus acknowledging that he can be flawed and adult enough to commit adultery, but also! When she roleplays as his wife, she doesn’t erase his flaws!! She knows he has a short fuse and isn’t always pleasant, but believes that he’s worth loving anyways… 

And see this is the point!! She romanticizes his life, not idealizes it. The difference may be subtle, but it's there. In romanticization there's how Ghibli depicts mundane scenes of daily life, portrays doing chores like cleaning clothes as something that feels good, something worth doing that doesn't have to be miserable. In Chilchuck's life, in his flawed relationship with his wife, she sees the beauty and light and love to highlight so even if the lifestyle is humble and even if the relationship is tense it seems nice, it seems worth fighting for. She's using aesthetics again, but to inspire instead of stifle, the way she uses them to hype herself up sometimes too.

This is it this is the thing! Her worshipping and idealizing the image of perfect prince charming that will whisk you away on an ethereal romance becomes her romanticizing a realistic flawed middle aged dad with personality issues and a failing marriage, that he still is worthy of love and having his cute grand romance story and his happy ending!!

Marcille has a very hard time conceptualizing a point where love can’t conquer all, right. She’s optimistic and if there’s a will there’s a way etc etc etc. Notably when Marcille speculated about Chil’s wife, she centered around the theory that his wife wanted to "test" him by leaving, that she didn’t feel loved and left to see if he’d chase after her. She believes that his wife would be ecstatic to see him again and reaching out would make them reconcile and happily get back together, no problem. Chilchuck and his wife have been separated for 4 years. When Falin left the academy she and Marcille were separated for 4 years. Marcille has to believe Chil’s wife is waiting for him, that she hasn’t moved on, that she wants to be found. There's a different perspective on time, but there's also... Just parallels. Parallels everywhere. Miss coping, meet coping in an opposite way! And so she teaches Chilchuck to not assume everything is lost before havign even tried, and so he teaches Marcille to let go when it's needed.

She specifically loves characters who think they can’t be loved and pessimistic and dramatic… And story-fying him is literally what she does when she engages with the story of his breakup with his wife like it’s a story to decode, reinforcing the whole narrative about tropes and princes and how he comes to shape her view on them.

Even if the context here is explicitly that she relates! Which, she finds being able to relate to them comforting and a positive point so it being a "type" thing isn’t fully off- but this is what I mean when I say she always keeps a film of emotional distance from people, she wants to love and be loved and know people on the deepest level possible so bad but it’s something that scares her too so she prefers to chase after the safe: the unreachable- the fictional. Like Chilchuck. Bit of tangential speculation, but she wants to crack his shell and make him open up- but it’s also easier because he pulls away instead of pulling in/closer so the relationship is fully in her control in that way, if it weren’t for the teasing… Making her into someone silly in his mind is how he keeps himself from putting weight into her words, how he gets himself to automatically dismiss the wise lessons she tries to instill to him, nope sir he doesn't have anything left to learn, he's an old crouton who understands everything there is to know about this cruel cruel life yes sir. Because trying and being rejected hurts! Because if it wasn't fated to turn out wrong, then it means there was luck or choice, and that makes failures almost more painful! But people leave!! People leave and people come back and new meetings happen and choices are good, choices shouldn't be taken away! Not like how Marcille tries to forcefeed immortality to humanity, as a dungeon lord...

The chapter ends with a panel of Marcille and Chilchuck bantering again, with everyone else going about their business seeming nonplussed while the two are being very loud as if to say, ah, classic them. Return to normalcy, return to their usual closeness and shenanigans. All is well.

The Princess imagery

And now we’re falling into the rabbithole. Imagery doesn’t have to be anything more than imagery, but I discuss romantic connotations in this section (amongst the platonic reality of things ofc), you can skip to the conclusion if you’d rather but you will miss important analysis of the dungeon lord balcony scene, a big piece of the puzzle in wrapping it all up. I found the meaning of life & the world in marchil but it’s ok I get it if you wouldn’t... We're all built different ig. The character with princely chilvalrous knight parallels in the manga is moreso Laios, but Laios too breaks the trope a lot. Chilchuck gets prince and knight parallels but by contrast instead, in subtext more than any explicitly drawn. There's a lot to Marcille's princess imagery and though I've never fully covered it I try to somewhat tackle it here.

For as much as the bicorn chapter is what ends their arc about balancing pessimism and optimism and finding healthy compromises, the arc of their RELATIONSHIP is in the dungeon lord chapter where he fully opens up to her, inviting her to meet his family and all. AND MY GOD, the princess imagery!!

Listen I am trying so hard to keep this unromantic, and to be clear subtext is subtext for a reason, it doesn’t have to be concreticized or "acted upon" perse, but… I think it’s there in this scene, at least a bit. I’ve spent a long time trying to pin down what was so charged in it, besides both of them blushing, despite him offering for her to meet his family, despite it calling out to a genuine deep instilled desire in her heart enough for it to work- for it to make her turn towards them, despite the first thing she does after is shower him in romantic gifts, and it eventually struck me… It’s the parallels with other media, with tropes!! This is HIGHKEY Romeo and Juliet type shit!!! The stuff you see in every couple new kinda trashy romance kids movies! A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with a heartfelt spiel implicit confession from underneath her balcony, offering him flowers because he succeeded in calling out to her heart…….. And they have to CLIMB to her.

Remember her succubus' words? "Oh, princess... I can't believe you slipped away from the castle yet again... Honestly, what in the world shall we do with you...? Come, let us return." Again like with her succubus, she’s living through a storybook trope but with Chilchuck’s twist, more nuanced and realistic yet just as meaningful, even if it isn’t strictly OR at all romantic and if it’s more complicated and less glamorous. She’d have to peel the layers to get to the vulnerable truth of it, like anything else. I'm just gonna drop this here...

Doesn’t it sound like a proposal. One that’s both so storybook-like, and contrasted with such real yet unromantic and grounded words, all about the implications rather than in your face grand gestures "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? I’m not saying this was all intentionally crafted to be romantic but it nonetheless exists in the subtext, ripe for analysis. Of course they talk about planning together his reconciliation wit hhis wife, but the same thing happens regardless, he fully lets her into his life.

And again there’s something to be said about how that is what makes her finally turn around! This is extremely meaningful not only to Chil but to Marcille, the enticing thing that finally hooks her, gets her to finally look down at them. An offer to meet a flawed man’s flawed family, to help him mend it and its issues. It isn’t through the filter of a book, or mere gossip to her, she knows this man and she wants to be involved in his life, to know him and his family herself, ready to meet them and form connections. The clumsy, imperfect reality of a friend telling her he’ll let her into the other spheres of his life even if that means she witnesses the embarrassing and the ugly. It’s vulnerability on both their ends, offered and received, a gambit that was worth taking, both in the moment to talk Marcille out of being dunlord and long term of letting her in to see the deeper sides of him, there are take backsies once someone knows something about you after all. SHE STOPS BEING A DUNGEON LORD IN GOOD PART BECAUSE HE TOLD HER HE'D LET HER INTO HIS LIFE. SAY IT WITH ME, A FLAWED REALITY IS WORTH IT MORE THAN STAYING IN FANTASY!!!! In denial of reality, both that Falin hasn't grown older, that everything can turn out perfectly, and that everything is lost and there's nothing Chilchuck can do to make his wife love him again or even make his party listen to him.

Chilchuck says this after he sees her materialize her parents as doppelgangers. And so he goes on to say- hey your family will never go back to how it was when you were young, my family will never be what it once was either, but we can both move on and make the best of what we have anyways, isn’t that what you taught me, there are more out there! I’m opening up myself to new relationships and friendships because of your pushes, and now I want you to do the same! Life goes on and there’s always more joy and connections to be had! Stop isolating yourself, dammit!

And the thing too with Marcille’s arc is that she can’t get what she wants. She can’t. She can’t get everyone to live forever if she doesn’t take others’ free will away, if she doesn’t make the world stop for her as she plays god with the laws of nature and the cycle of life. And everyone’s important to that arc obviously, Falin during the story is the main object of that fear, and it’s moreso her death that pushes her arc along but it’s still extremely influential, Laios is the main one who sees her insecurities and talks her down, Senshi’s always harping on ecosystems and laws of nature and how resurrections aren’t natural and is there to offer comfort and support, Izutsumi’s someone new Marcille gets to take care of and her farewell talk with her reveals a lot about how she’s grown, but seeing this it’s easy to see why Chilchuck is paired off so much with her on their respective arcs, right? The one who tells it harshly how it is even when the reality is unpleasant, who gives up quickly when it's about things turning good for him but who always pushes and fights on when it matters with the party, who challenges a rose tinted glasses perspective head on.

He looks nothing like a knight but he still acts like one. He’s nothing like a prince or a dashing romantic courting lover but still he gives her a novel worthy balcony heart to heart scene. He’s painfully real and raw but she does bring that twinkle of hope and romantization that makes the world feel more wonderful to him, but like she tells him, he’s virtuous and he should give things a shot because people see good in him too and not only the bad he always shittalks himself for, she’s not making it up, he always had that sparkle of knight and prince in him.

Like, giving someone a handkerchief is literally a romance trope associated with nobles and princes. And Chilchuck has offered Marcille his handkerchief at least twice! The second time in the cockatrice chapter as a bandage. He keeps it in his pouch, with his tools, like the most must-have to offer it Marcille at any moment, ha /j. Prince behavior <3 The cowl like a knight’s favour, a token from a loved one he cherishes above all and keeps on himself at all times. Story tropes shit.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

And man this whole angle makes the "Don’t you want to meet my family?" "-gasp- I really do want to! -turns away from eldritch power and living in her demon-made dreamscape that can allow her to live in fantasy to instead go back to flawed reality with her friends-" all that more meaningful and striking. A fitting end to her arc, a fitting hook to get her to turn back towards her and tempt her to give up on being dungeon lord. It’s always been just asking things and anecdotes about him and his family, never talking about meeting them, but by having someone so "fated with doomed love" open up and reach out to her "fated to never love", she opens up too, is willing to take the risk that any relationship entails, the same one that he took by offering it, the same risk they’re both averse to and scared of, loss and rejection. By actually meeting his family she involves herself in the stories she creates. It makes them real. She’s finally involving herself intimately with others, despite the real threat of loss that she will have to experience, wether through time and death or rejection.

Marcille and Chil’s arc, man…….. See, this is why I’ve been tilling the fields of that analysis for months this is why I’m insane about them, not only is there so much to say but her relationship with Chil straight up deconstructs her perspective on the world as idealized and influenced by fiction and fantasy and optimism. Like, he’s at the core of that part of her arc and man!! Man.

And the way that this is the culmination of their arc together… Like the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take is one thing but the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’... It makes it so so perfect if she were to lower her ideal from a perfect elven prince to a virtuous halfling man (which she does romanticize).

So she doesn’t want a prince, she doesn’t want a general, she just wants this guy she knows, this friend she trusts as reliable, who has good intentions even if wrapped in unpleasant demeanor, that’s all she needs to be content and well and feel safe. By the end, he might even have become something of a prince charming to her, won over with heroic acts and virtues.

After all- Remember when I said she wouldn't be able to be as touchy so lightheartedly as before with him? Well wrong, apparently! This parallel from chapter 23 just before the red dragon fight vs chapter 96 at the final feast confirms that her like of him and behavior with him was unconditional of him being a kid or an adult. Marcille is just Like That and that she just likes him. A good part of what reads as infantilization truly is just how she cares for people in general.

Conclusion

She’s afraid of change, so it's only fair that he would be perfect to teach her a thing or two. She had fantasies but he had experiences, both had bias. Their arc is about how bitterness isn't an efficient solution to hardships, about how assuming the worst from everything is a trap that doesn't reflect reality either, a trap people fall into just as much as rose tinted glasses.

Their arc says that love is a beautiful thing regardless of loss. Something both of them needed to remember. Life isn't like a novel. Sometimes an ending ISN'T satisfying, you don't get closure and it might not even be happy, but that doesn't mean nothing can end well, doesn't mean every farewell is bitter. Peace is worth both fighting for and making for yourself. You can't shut yourself off from the world because things sometimes hurt, there's more of life to live- won't you come meet my family? Won't you meet new people, won't I try to mend relationships that are dear to me? My family is flawed, but it's still worth meeting, still worth loving, still worth fighting for and keeping even with all its flaws, no? Elven storybooks don't feature half-foots, but they're worth spinning grand poetic and romantic tales for all the same. Life is bittersweet, and that's an acquired taste to have, but one good to be able to stomach as a whole.

There’s a lot of reasons why someone would love fictional characters but be afraid of love in reality, not unlike with Laios' and Chilchuck's own experiences love has a layer of danger and fear because it can hurt to love and it can hurt to be loved. People can leave you, and in Marcille that fear's mainly through death but for Chilchuck that’s through just… Leaving. Through giving Chilchuck optimism and hope, drive to keep going despite these realities, she’s also growing to be more comfortable with the thought of relationships ending and moving forward regardless. And I do think that was part of her arc of growing to accept that Falin might be dead dead, I think Chilchuck was a big part in that. Falin is the passive object of the arc but Chilchuck is the active actor pushing it along, in a way.

Because people can always leave, Falin will leave to travel the world, but she might come back- and that's okay. And that’s exactly the thing that the story wants Marcille to make peace with! Falin wants and needs to leave and Marcille needs to be content just taking what she can get, wether it be time with people or the boundaries they set with her. THE BOUNDARIES! THE BALANCING OF OPTIMISM AND PESSIMISM! IT'S CHILCHUCK'S DOING!! "The world isn’t all good, but you should be able to see the bright side of what you do get" is what she and Chilchuck learn. To learn that she can still enjoy when she is there, and still reach out to her and keep in touch through letters- to do what you can and to get what you can and to accept that as enough, for it to bring you the joy and peace it can. Don't push your expectations onto others, wether that's being overly intimate or overly judgemental, don't be too pushy but also don't be too afraid and not do anything at all.

In many ways even before, even on the regular Marcille was his gateway into being more lighthearted, always exchanging playful jabs, laughing at her. Teasing her because she teases him, lowering himself to her level until he looks back and realizes he’s having fun with it instead of just throwing jabs bc he’s the master of sarcasm TM.

Chilchuck smiling casually and softly, genuinely, when saying that things don’t work out sometimes, is just so powerful. From the man who always assumed the worst of everything, who always spoke of life and the world bitterly... By the end, while saying these things he’s smiling openly rather than smirking smugly. Carrying on with his go getter attitude with a touch more optimism in his heart. Now he's made his peace with life and sees the good in it, still.

It's all about... How flawed relationships with flawed people can still be made into somehing good and healthy that make the world brighter… How flawed relationships are still worth remembering and cherishing. Except the winged lion, there to represent abusive relationships you need to fucking DITCH.

Marcille and Chilchuck’s arc is about how in life sometimes books do close and end, but other ones can open and start, and to never give up on that. People’s lives, relationships, these things are temporary and inevitably end, but there’s meaning and joy in having been there for them, and focusing on the end and the pain and being pessimistic in it doesn’t keep anyone safe, not meaningfully. "It’s not all nice like in the stories. Sometimes, a book just ends." "And another opens."

Dungeon meshi promotes the important of balance for both a healthy body and a healthy mind, and optimism vs pessimism is one such case <3

MAYBE IT'S ALL COMPROMISES MAYBE IT'S ALL SWEET INBETWEENS. Maybe we'll take our vision of what we thought we could be and make something new together! DRINK IN MODERATION!!!!!! SEE LIFE LIKE FAIRYTALES IN MODERATION!!!!!!! THE RIGHT ATTITUDE LIES BETWEEN IDEALIZATION AND PESSIMISM

Disclaimer:

This was pretty messy but thank you so much for reading!!

Thank you to @/lyril for making the more complex collages!! Check out her blog!

To be clear! Does this arc exist in the text, the whole tropes and idealism vs pessimism thing, do they have tangible impact on each other as both characters and narrative devices? Yes. Is Marcille and Chilchuck the central piece of the story? No. Is Dungeon Meshi about this and how it all culminated into a cool Romeo and Juliette scene? Lol no. Chilchuck isn't the most important person to Marcille and her story nor is Marcille the one most important to Chilchuck. Just like the other major characters in the story, their dynamic and progressing relationship is a plotline/subplot amongst others, and the level of layers and subtext it possibly has doesn't erase any other part or subtext of the story. Arcs can coexist. Multi-layered relationships can coexist. Just a reminder that this is my own analysis and interpretation of canon.

Dungeon Meshi is about food and how it ties us to a life that’s worth living, about unity and trying to understand that which you do not, to not demonize that which is different or unknown, to connect with others even if it’s hard, even if it’s in unusual or undescribable unlabelable ways, and Marcille and Chilchuck’s relationship is certainly a pawn in these themes like every other relationship.

I’m having fun, but I don’t want anyone getting lost in the sauce. It's unfortunate that to many, acknowledging there's any merit to analyzing this subtext is equal to supporting a ship they dislike, but this isn't ship propaganda, this is analysis of canon text where I happen to see a more niche angle. You can disagree with an interpretation without saying that it's nonsensical.

Like I don’t wanna say I’m a marchil truther but if you define it as believing canon does have genuine and credible basis for it then yeah I guess I am. I feel insane everyone acts like they have no chemistry and no material and??? We exist on different planets I think Like I know I implied some romantic undertone but in canon it totally can start and end at two coworkers bonding and getting to know each other better and see each other’s perspective and it influencing them both for the better. No buts, you can totally do that. Although this plus the crumbs it drives me up a wall when people say they have no chemistry or ‘how come people see anything in this pairing?’ They’re literally a comedic duo? A comedic duo that interacts so so much that gets paired off in scenes, a thematic duo which is even acknowledged and reflected in the anime’s opening. He teases her 24/7 canonically because he finds her reactions fun/cute, the only person he teases on the regular, and she’s obsessed with knowing more about him and loves being touchy on top of it, plus reads him like a book because she files away every little thing about him in her memory, like if that isn’t a strong basis for a ship I think the bar has gone too high. I’m derailing but yeah just. Do you see all of this? They drive me insane, I feel like I’m reading the necronomicon when analyzing them, picking up on subliminal messages, I keep always seeing new threads. And it’s been my otp for like 2 years now, idk when they’ll stop having a grip on me but????? There’s just so much to dig into with them. There will never be another pair like them. Do you hear me there’ll never be another duo that hits all of these like this, do you see this insanity? They are my lifeblood and if i’m eating up anything them-related it’s because they’ve earned it so hard tbh. So yeah if I’m ever dramatic about marchil it’s because I have this 100k words novel narrative in my head and marchil is the meaning of life to me hope this clears it up

Which on that note idk what or when my next Marcille & Chilchuck analysis will be. I might very well make a bite sized, summarized version of this analysis because asking people to read all of this is kind of insane of me... And full disclosure I’m also very likely to edit points in or tweak bits every so often in this analysis because idk if I’ll ever stop thinking about it, and phrasing can improved. This has been in my drafts and outlined more than a year and I’m literally still adding extra points save me. I might also do a different angle on their arc because here yeah I mostly just dug at the prince trope angle, at ONE of many angles... Like one interesting thread in the manga is Marcille emotionally maturing and becoming more like her mother, on top of her regularly being a mom type friend the way she looks after Izutsumi and Falin, which could be interesting to pair with the fatherhood of Chil. Hmm. Anyways

And obviously do whatever you want, but this analysis and all is why I personally can’t stand the fanon that Chilchuck and Marcille have a father-daughter undertone. It goes against their arc together, which is explicitly, literally about her acknowledging him as a man, an adult, about coming to see each other truly as peers and her coming to validate him as an adult, then a father and husband from an outside perspective and a friend, and inversely him coming to not belittle her profession and philosophy. Their whole arc is about learning to see each other as an equal and equally value each other’s perspective and opinion. You could argue it’s also the arc that happens with Izutsumi, but honestly with her it’s a lot about Izutsumi learning to compromise and others instilling lessons to her onesidedly while learning to respect her perspective and boundaries, it’s not nearly as much of a reciprocal thing. Izutsumi needs to be heard, but she also needs people teaching her and guiding her. Imo it cheapens the arc, the whole point is that they’re just two people who grow to see each other as equals, that the Laios party is coworkers turned friends. Marcille doesn't need a new parental figure, she needs friends who'll keep her in check the same way she does them.

I do love the way that the manga avoids romance. For every romantic undertone there’s a platonic explanation that is just as compelling and especially to this degree it’s both rare and wonderful. I think that a lot of people need to learn that sometimes ambiguity is the point instead of something that needs to have a specific objective answer. Sometimes the intent is for something to be able to be read in different ways in itself, or that the complexity of the relationship is canonically something that cannot be put into a neat box. Which! Next analysis I'm very intent on making is gonna be about unlabeled relationships in Dunmeshi and queerness, see you there!

Fast and dirty TLDR

Marcille’s personality is very serious and direct. Due to this, she frequently gets into arguments with the master of sarcasm, Chilchuck. Chilchuck views Marcille as “the friend who cannot shut up”. He is often the practical foil to her more imaginative or idealistic views.

She actually thinks very highly of him! "He’s usually the most mature one of us" "he’s dependable, we’re counting on him" "No chilchuck is definitely virtuous", and at first it’s also through this twisted lense that he’s a kid, like she has to put people into boxes so they’re more digestible, tropes, in line with aesthetic, and at this stage it’s hard for her to see Chilchuck as being even able of wrongdoing really. And gradually that gets challenged when she sees that yeah, he’s an adult, and then BAM bicorn chapter- Because by then ok fine he’s an adult, but it hasn’t quite fully settled yet as we see in the shapeshifter chapter and she still has a warped view of him a bit, she has an accurate grasp on his behavior yet still sees him as a little angel. And then she "learns" he committed adultery. Her esteem for him hits rock bottom and she spends the chapter cold to him, she still cares and comes running when he’s hurt, but she’s set on mean mugging him, until it’s revealed that- He didn’t actually. Oh, actually he just has family angst. And she starts roleplaying and having her novel vision again BUT THIS TIME HER MIND VISION OF CHILCHUCK IS OVERTLY FLAWED. He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration, worth fighting for.

The prince charming figure has importance in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something more poetic, easy and digestible (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and where she needs to learn to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, but seeing their virtues too, like accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but who still is worthy of love and having his cute grand romance story and his happy ending.

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities and capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still a virtuous husband like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

[blossomthepinkbunny]

I wanna talk about the pride artwork for HB, because like a lot of other people I have some thoughts.

Firstly, positives:

It overall looks pretty good imo. The colours are bright and the picture has nice energy. I don't mind the HB/HH artstyle in general, it's mostly the designs that are the problem (the designs in HB are better than in HH). It is very cluttered, but I sorta learned to deal with that and I don't mind as much here.

Millie being there for Moxxie is cute and she looks amazing.

The outfits for some of the characters look good.

Sallie May being a Lesbian is nice (idk why, it just is).

Verosika looks great and very pretty (as always).

I like the idea of Loona taking Octavia to her first Pride parade. I like the idea of them hanging out in general and I want to see more of that.

Beelzebub looks cute.

I like the face Barbie makes (idk either).

Now onto the things I don't like:

Some of these sexualities seem kinda like they were just made up on the spot. Loona being Bisexual is nice, but she literally only ever showed interest in guys and there was never anything that could lead us to assume that she's Bi. The same thing goes for Mammon or Andrealphus. For Andrealphus it seems like they just made him gay to excuse the weird comments he makes about his Sister and especially since a lot of people started using their weird relationship to imply that Stella has some problems as well and isn't just a heartless bitch. Now they can basically just say: "Andrealphus isn't weird towards Stella, he is literally gay, why would he harrass her". I don't mind as much with characters like Bee or Barbie, because they only showed up once and it would've been pretty difficult to confirm their sexualities.

A lot of people mentioned Mammon being Ace just seems like an excuse to not put him in sexual merchandise or something. He is the only fat character in HB (who is actually relevant) and he is one of the two ace characters. It feels sorta disingenuous when the only two ace characters are a teen and the single fat character you have. Especially since, if I remember correctly there were a lot of people (including me) who found Mammon attractive and were looking forward to more sex-positivity for plus sized folks, especially when in Vivzepops shows theres only him and Mimzy (Adam as well maybe).

Why do a lot of the pansexual demons in this show feel stereotypical. Bee and Asmodeus are fine, the background demons as well I guess. Blitzø is super horny all the time and could fill a whole party just with people he slept with. Verosika and her followers are succubi who we saw sexually assault Moxxie. Barbie Wire manipulated a teenage/barely legal human to do what she wants by using her body. And Chaz is a literal and very open sexual harrasser/abuser. The only joke he has are making unwanted sexual remarks toward Moxxie and being horny. He has a sign that says: "I will fuck anything", which isn't what pansexuality is and the wording makes it really weird ("anything" not "anybody"). And he looks at Andrealphus weirdly. Him and Blitzø are also naked for no reason.

I would've loved to see some nonbinary/genderfluid/genderqueer characters. We don't have one confirmed genderqueer character. How about nonbinary Octavia or Vasago. Or genderfluid Moxxie. Or bigender Barbie or something. I just wished we had anything like that. Also a personal headcannon of mine, but Asmodeus should probably be Polyamorous. He is the incarnation of Lust and with how they wrote him in the show it's kinda hard to believe/doesn't make sense that he is in a monogamous relationship.

Where are Mayberry and Martha? They were confirmed to be sapphic and so far they're the only sapphic characters in an actually sapphic relationship we see in HB. Why does Wally get to be there but they aren't? Why is Vasago there instead of them, when he hasn't even showed up in an episode yet? Why is Vasago there in general? It's not like i'm gonna be happy with him being confirmed to be gay because there is nothing we know about him yet.

Why is Tex not there? Did they just forget him? He might be straight but he could still be there to support his girlfriend and isn't he literally Verosikas bodyguard. He was at the weird Blitzø hate party with her, but not here?

Isn't Chaz dead?

Why would Asmodeus and Fizz go to the same parade as Mammon, when the only episode with Mammon so far has dealt with how much he hurts Fizz.

You might say: "This isn't supposed to make sense, it's just a more interesting way to confirm characters' sexuality for pride month, so it doesn't have to make canon/logical sense". Which I would agree with, if they didn't excuse Stella and Striker (two pretty important characters) not being there by saying something along the lines of: "Do you really think they would attend a pride parade?". Maybe not, but I also don't think Chaz would attend a parade, being dead and all. I also don't think that Barbie would go out of her way to go to hell, just to attend a pride parade, especially since her brother is there too. I also don't think Andrealphus would go out of his way to go to a parade filled with imps and people he doesn't like. I also don't think Mammon would be there because it's nothing that brings him money or something. Stella might be straight and that's the reason she isn't here. But her brother (who she seemingly likes and confines in) is there and she could go to support him and her being straight isn't even confirmed, so she could very well be queer. And isn't Striker queer as well? Im sorta confused with that, because they try to make him a bigot (probably also homophobic), but the scene he has with Blitzø in "Harvest moon festival" seems very queer. His offense at sexual remarks could also imply that he is a very sex-repulsed asexual or Demisexual or something. Unless of course they want to use the fact that he doesn't like sexual remark from men as a way to make him seem homophobic (even though him reacting bad to unwanted sexual remarks doesn't mean he's bigoted, like that's well within his rights to be uncomfortable). It's not as if Viv shows restraint with making villians/antagonists queer in general. Mammon, Chaz, Andrealphus are all antagonists in HB and are also there. In HH they literally went out of their way to confirm Vox being in a relationship with Valentino, a rapist. It seems like being Straight/Bigoted/too much of an asshole to show up only applies to the characters who actively dislike Stolas and to the only main female antagonist.

[ofcrowsanddragons]

Davrin/Rook concept, a Crow Rook in the "Thrill of the Chase" stage has been taking Lucanis and Davrin out on missions together after Weisshaupt.

Davrin and Lucanis are sniping at each other, occasionally in earnestness as they try to understand what the fuck their ally's life is. Lucanis is asking pointed questions about the blight and how Davrin feels about eventually dying to it. Rude, Lucanis, when Davrin is still dealing with the idea of not throwing his life away against the biggest, baddest monster at his first possible opportunity.

Rook is mostly content to let them dig in each other's sore spots until they've figured each other out.

It's getting concerning, though, as Davrin peppers the master assassin with questions. "How do you sleep at night? You'll kill literally anyone for money? No, but you'll just accept that your Talon is right when they say someone deserves to die?" Like men at arms don't do exactly the same thing under a lord.

Rook calls for a break when they recognize the feeling of resentment creeping into their gut.

"Lucanis, can you give us a minute?"

Rook catches a flash of understanding and maybe guilt on the assassin's face before he nods and makes an appropriate excuse. He retreats some distance away, staying just in sight and setting up as a lookout.

"Davrin—" Rook starts.

"I'm not going to apologize to Lucanis for not trusting him," Davrin says, firm. He could take the break to clean the muck out of his weapons and armour, but Davrin generally eschews distractions when there's something important at stake, and he's good at sensing when that is.

"I am going to leave that between you and him," says Rook. No one is going to just get over Weisshaupt, Rook thinks but doesn't say, and the assassin and monster hunter have chosen to blame each other over the mess out of a mixture of genuine suspicion and veiled defensiveness. "But Davrin, do you have anything to ask me?"

He looks at them in that cautious way he might use to assess a monster's nest.

Rook tries humour. "Am I a raging insomniac myself or do I sleep like a baby?" the mask cracks. "Do I trust my Talon when he says someone deserves to die?"

Davrin sighs and approaches them, reaching across and touching the back of his gauntlet to the outside of Rook's arm. "It's not like that."

"I'm an assassin, Davrin," Rook says, catching his eye and holding it, steady. "I'm not telling you not to ask these questions. I think you should." Rook catches his hand with their own and squeezes lightly.

"You're not like him," Davrin insists.

"I'm not possessed and I haven't rid the world of enough high-profile blood mages to get a title out of it," Rook says lightly, "But you haven't asked what kind of bloody work I've had to enact myself, on less deserving people."

Rook lets his hand go and Davrin steps away.

"Keep asking, Davrin. You need to know what kind of people we are."