#they've got the parts and the skill

[victorluvsalice]

Anyway, Smiler got the latest batch of eggs (one regular, two hatchable -- I just sold the latter as the coop is full anyway), then moved onto Moory, who came out of her shed in rather a state, poor girl! I had Smiler brush her clean, tell her some jokes, then milk her to make her feel better. :) Don’t worry, Moory -- it may have taken me a a good long while to actually get to having a cow, but now that you’re here, I’m determined to give you a good life on the Valicer farm!

With the farm animals taken care of, Smiler went upstairs to chat with Kelly for a moment (gotta make sure the cat has enough attention too!), then FINALLY got into the greenhouse and set up their drone to take a video of them making some Soothing Skin Balm while Victor evolved a bunch of his plants and did the harvesting. It wasn’t a very LONG video -- the drone powered down before it was done -- but it was something! I guess Smiler’s gonna have to update the drone to make sure it gets the whole process. *shrug* Well, I want them to become more handy anyway. . . Once they actually finished their balm, they put it and their drone away before heading into Moory’s shed to clean it (needing a clean themselves afterward), and then finally back up to the room to get the video and start editing it. Gotta get that content out for the masses!

As for Victor and Alice -- Alice finished up her book (hitting Writing 9 in the process!), had some lunch (a BLT), and went to chat with the chickens to make sure they were appropriately socialized, and Victor finished up his gardening, also had some lunch (fruit pie), cleaned up all the dishes around the lot, and Repairioed a bunch of wind turbines. Because, you know, they were almost all broken again. *shakehead* I swear, once you get past the initial “my Sim fails spells a lot and this particular spell causes a fire whenever it fails” stage, this spell is easily one of the most useful in the game if you have a lot of stuff that breaks often! I would highly recommend it and Scruberoo as must-have spells for any spellcaster!

[eggbagelz]

Urius is so liked in camp this is so wonderful

[theblehthatbloos]

I might elaborate more another time(I'm teaching them art and character design) I explained to a very small group of Middle schoolers what the prohibition was before moving on to watching Lackadaisy. They were not only shocked about it being a thing in history before we all watched it but also when talking about how it impacted society after.

One of them said they'd become a furry that sang sometimes too if they couldn't enjoy things even when they're an adult.

"That's whyyyyy they're all cats!!!" Was not what I narratively wanted them to pick up on or even something I expected, but our art class is improving alot with practice, let alone ideas.

Along with the tutorials and showing them as many skills as I can, while I am proud of them, I have now seen an extremely detailed Bill Cipher with cat ears and a coat that belongs to someone else.

They're getting really good and improving at quick rates but I didn't know what they'd cut with the precision and mastery I have given them. May what is left after the Gods help us all.

[medicinemane]

Anyway, Payday 2 is a fun game. Haven't played it in a long time, but pretty sure I can still solo almost any normal mission on overkill (as opposed to stuff like the White House which is actually hard... it's really just the last room where you're pinned from so many sides by heavy fire)

What a fun silly game where you can just turn off your brain and let your hands make big time cash while mowing down an endless tide of cops... it's like Vermintide, cop edition

[cipheramnesia]

One funny piece of media criticism floating around Tumblr dot hellsite dot com is talking about making movies that are just fun, The Mummy with Brendan Frasier being a premiere example. Generally the way it goes is, "they don't have to be good, just fun." Thing is, making a fun movie like The Mummy is a lot of work. Exciting adventure stories don't just happen by accident, and part of the immense skill of such movies is making it all look easy.

I'm sometimes taken off guard by a movie that's better than expected - usually because they seem low budget and the summary sounds boring. Sometimes it's because it looks like another boring and cliche action movie. Plenty of those exist too, it's not like thousands of creators are falling ass backwards into brilliant filmmaking, Venom is an outlier. But it's really common to experience the surprise of audiences about some kind of big dumb action movie, and I think that's because so many action movies are big and dumb, few people understand that good action movies are smart.

You know what's good about the Mummy? Why it's good? Because it's a movie that knows every genre cliche the audience is waiting for, and chooses its moments to break those cliches with great care for maximum impact. It's good because it's direction knows how to build up great tension with the plot, through foreshadowing, through audience awareness, through genre standards. And the release is beautifully controlled. The "wrong side of the river" line is funny under any circumstances but it drops as a capstone on a very intense escape scene which makes it KILL, every time. When John Hannah's character turns out to be, against all the pre-loaded genre expectations and foreshadowing, actually a generally honest stand up guy, it's so much fun! Not by accident though. It's on purpose. It's a big dumb action movie but it's a big dumb action movie made by people who are very very good at making big dumb action movies.

That's really the thing of it all. There's now a hundred MCU movies that just turned The Mummy into a formula, they've carved out all the one liners and twists and turns mechanically, but they're not big dumb movies, because they're not allowed to be made with the kind of adoration of the genre that you get in smaller films, films that aren't locked into a three year product rollout plan. But you can still get big exciting movies if you look around for em. They didn't go away, they just got pushed out to the edge.

But I gotta beg again - take the time to recognize that when those movies that seem made without a thought or a care somehow manage to hit with you, give you a great big grin and a sense of excitement, remember that's not an accident or luck, someone probably plotted that out and made it fun on purpose, with care.

[nerdygirlramblings]

continued adventures of omegaverse!141

previous

an: the idea of separate task force and pack comes directly from @dragonnarrative-writes and their amazing 'Autumn Embers' series

You leave breakfast feeling both lighter and heavier. An invitation to join the 141 is a dream come true, and the idea that someone other than Captain Price was speaking favorably about your skills is intoxicating. You only know the members of the 141 by reputation, so you don't know who'd seen you on the shooting range. You wish you knew so you could properly thank them.

When he'd made the offer, Price said he'd like to speak to you more formally at 1600. You've never been anything but basic infantry, so you wonder what needs to happen to ensure your transfer into the 141. To keep yourself circling around things you can't control, you focus on leading your squad through basic land nav maneuvers.

After land nav and lunch, it's sparring and workouts in the gym. The room is busier than you like, especially as you aren't here for yourself. The constant eyes on you and your squad throw them off, but you use it to remind them all how important it is to focus despite the pressure. It certainly isn't an active battlefield, but the fight - flight - freeze reaction can help train them out of that headspace.

When it's finally time to meet Price, you dismiss your squad for the day and head to the base office complex. He told you where to find him, and you're knocking at the door a few minutes early.

"Punctual," he rumbles when he opens the door. "'s a good sign." He gestures you into his office and you notice it's spartan nature. There are only a few items in the wall: mostly awards and commendations. There's a single photo frame on the desk but positioned so only Price, or someone on his side of the desk, can see it. You wonder what it is. It must be special to be one of the few personal items in the room.

The space is dominated by a large walnut desk meant to intimidate. As if his leading 141 isn't enough. As though being an alpha, and a large one at that, wasn't already nerve-wracking for anyone sitting across from him.

He must know how the optics of the space works because he comes and sits in the chair left open next to you. He has a thin folder in his hand as he sits.

"I wanna clear the air 'bout something first. I'm sure ya know the 141's an elite task force. But we're also a pack. I know lots 'a military packs form 'cause 'a proximity: always stationed tahgether or 'round one another all the time without really bein' compatible. But that ain't us. We're compatible as a task force an' a pack. But, and I wanna stress this, being pack ain't necessary to be on the task force. Task force wan's yer skill. 'owever, if ya do join the task force, we've already decided we're open at courtin' ya, if yer open ta bein' courted."

You reel, feeling like the ground has opened underneath you. Price must notice the panic in your eyes because he forges on.

"What I got 'ere," he lifts the slim folder, " is transfer orders. Effective immediately, or as immediately as I submit 'em. They've already got my signature. Once ya sign, if yer interested in bein' on the 141, ya'd train wi' us, run drills an' simulations wi' us. Like squads, we eat tahgether an' have the same R&R. Only thing ya wouldn' do is move inta the barracks wi' us. Not unless ya decided ya wanted to be part 'a the pack. Ya'd still work wi' recruits, but ya wouldn' 'ave a specific squad."

"Wait," you interrupt, "what happens to my soldiers then, if I don't have a squad?"

Price smiles wide at that. "Lookin' out fer 'em's good. Important to the unity of the task force ta look out fer one another. But no task force sergeant has their own squad 'cause we could be sent out at any time. Tha' lack 'a consistency would be worse fer 'em. So, yeah, someone'd take yer squad."

He watches you contemplate all it would mean to become part of his task force. It's a lot, and he hopes you're still up for the challenge, because the more time he spends with you, the more he wants you on the task force and in his pack.

You finally shake off the fog in your head and ask Price for some time to think about it before fully committing. "An' I'm sorry, sir. Because I know I said yes just this morning, but I never thought I'd lose my squad." You pause for a moment before quietly adding, "An' I never imagined the offer included being part of a pack."

He catches your eye and reminds you, "Ya'd only be pack if ya wanted to be. And we'd court ya the right way. If ya wanted."

In the end he gives you the folder and says there's no official deadline for the offer, but he would appreciate a firm answer - either with signed or voided papers - within two days.

You nod, already thinking through who you wanted to consult about this when Price pulls you from your thoughts again.

"Can I make one small request?" he asks politely.

You nod, adding, "If it's reasonable, sir, absolutely."

He gifts you another smile as he leans forward and says, "Join us in the mess tonight? I'd like to officially introduce you to the lads before you make your decision."

next

[talekinesis]

I need Stan and Ford to see their mom again

Like let's say she's still alive and in her 80s, she's in a wheelchair (ambulatory, she has customized canes) she still lives in their old home because a part of her hoped Stanford would come back, and she didn't want to leave their home, so he'd know where to go back to.

She wanted to stay put in case Ford came back.

So imagine her shock when both her boys come back home to her

Obviously Stan immediately starts apologizing for faking his death, putting her through grief, her arranging and attending his funeral, but she stops him like "I'd much rather it be fake than real." That's her baby boy, back from the dead, something most people don't get, so to her it's a miracle.

Her Jersey accent is thick, and it actually brings out the twins' accents that had faded over time (Stan's sounds natural to him since he always retained it a little, but everyone finds it funny when Ford's accent comes back because he just doesn't seem like the type to speak like that)

THEY MOVE HER INTO THE SHACK

The boys wanna take care of their mama and keep her around since it's been so long, and Caryn is delighted to be moved out of a loud city with rough memories and into a quiet little town where the people are odd but nice. Ford and Stan both work together to make the Shack accessible for her. Ford actually sat in her wheelchair to test everything and make sure she could get around on her own.

They catch her up on everything, and at first they don't think she'll fully believe them but she's like "Stanford built an international portal and got lost for 30 years? Stanley took his place and turned his home into tourist trap? Yeah, that seems like something my boys would do."

When she learns Stan taught himself engineering to re-build the portal, she's obviously very proud of him. "You were never dumb, Stanley, ya just learned different. Honestly, I always thought ya had A-D-H-D but Pa never wanted ya tested. But look how smart and creative ya turned out, son! I think ya did good." And Stan is definitely not crying.

Personal headcanon: Caryn was also really smart and picked up on things quick. The boys had to have gotten it from somewhere, and it wasn't Filbrick. He just took the credit because 1) he was the worst, and 2) times were different back then and no one would have really taken her seriously. But she's the one who would fix things around the house since she taught herself how to keep the place together and running since Filbrick wouldn't pay anyone to come and repair anything.

Imagine little Stan standing behind her with a flashlight while she fixes the wiring in the wall because an outlet stopped working. Both of the boys helping her while she fixes the car for the third time that week because it keeps breaking down. Mama Pines taught herself how to keep things up and running because no one else would or could.

Caryn meets Mabel and Dipper when they come back in the summer, and Mabel is THRILLED

She's technically met them before but they were still newborns at the time so they don't remember her, and she hadn't gotten a chance to see who they'd become

Mabel makes her a sweater and she wears it with pride. And I really think it would go like that scene from Elemental

Caryn: You made this?

Mabel: Oh, yeah, it's nothing-

Caryn: Nothin? Babygirl, my designer dresses were made by 'nothin.' Oh sweetie, you have got to do somethin' with this skill. And to think, I have an original 'Mabel Pines.'

And don't think I'm leaving Dipper out of this, he gets his great-grandma's attention too. She loves talking to him and listening to him tell stories about the monsters they've encountered in the past. She sees a lot of Ford in him, but she also sees a lot of Stan in him in other ways.

I think Dipper's love for "girly" music is something Stan used to share before Filbrick "disciplined" him for it. Child Stan used to sit in the kitchen with his Ma and sing along to the radio, usually listening to whatever she had put on.

Now all three of them sit in the kitchen and listen to the radio while Stan cooks.

Ford feeling like a failure for putting everyone in danger, and Caryn just goes, "Come talk to your mama." And he does. He goes and talks to his mama, like he always has in the past. She's in her 80s and they're grown men in their late 50s, but she's still their mom, and you never really quit being a mom.

I might actually write a short fic about this, I love it so much.

[alexaloraetheris]

Oh boy, I feel like it's time for a post nobody will like.

We all know clothes are getting worse. Recently I found some jeans I bought in high school, and since I lost weight recently I tried them on and they fit, so I'll be wearing them once we get out of the Hell season.

But I took them and compared them to the most recent pair of jeans I bought, and... Honestly the difference in quality is so fucking stark it made me want to give up on life. The jeans I wore in high school have gone through everything. I'm talking half of Europe here, because one of our teachers was pretty big on school trips everywhere she could get the money for. They've been washed, tumbled, survived an actual car crash and they're still good.

The most recent pair I machine-washed ONCE, everything else was hand-wash only. I babied them to the max because they made my ass look like was on Instagram. Do you know what they look like now?

They're full of fixes like these. They lasted less than a year on their own. I got another decent year out of them SOLELY because I kept fixing them. And fixing them again. The crotch alone I had to fix SEVEN TIMES. I COUNTED.

And these weren't cheap jeans! C&A jeans tend to be around 40$ these days, and I got these for about 30 with a discount. I expected them to last me AT LEAST a few years, because those high school jeans? THEY'RE THE SAME FUCKING BRAND.

Considering this was the quality I was getting for nearly 40$ I figured I might as well get the same quality for 15$ and downloaded SHEIN. I didn't get jeans from them but I got some light, fluttery summer pants in the style that, honestly, I fucking love. I got three pairs for the price of one C&A jeans, and I am aware I will have to baby them even more, because out of the five pairs of pants in total I have bought on SHEIN only ONE is made of the fabric that I might be brave enough to machine wash. And with SHEIN continually getting sued for using sweatshops I probably won't be getting those pants again.

So what to do with that shitfuck situation?

I am insanely lucky my grandma knew how to sew really well and didn't mind me looking over her shoulder as long as I was quiet. I am aware that's not a skill everyone has, but quite frankly? When nobody has any money and even paying big bucks for clothes does not guarantee any kind of quality, and even fucking THRIFT STORES are full of just junk now, I think it's time to face the facts.

You need to learn how to sew.

I'm not talking about sewing your own clothes, though if you can and you have the time and patience, it's probably the best option (good luck finding decent fabric, because we can't even find THAT anymore unless you're ordering from fucking Belgium). I'm talking about fixing up seams and sewing on a patch, little repairs that make your clothes last. It might be junk, but with sewing you can make it last twice as long for the price of a spool of thread.

Now that I've pissed off everyone who is, for some reason, morally opposed to learning how to sew because it's a 'girly hobby' or 'supporting the patriarchy' (a take that left me baffled like nothing else) I'm going to piss off everyone who already knows how to sew.

I recommend getting this little guy.

It's called a stapler sewing machine, for obvious reasons. If I recall correctly, it was invented to fix clothes on the go for fashion shows and/or cosplay. It does only a chain stitch and needs to be pushed manually, but if you need to, like, hem your trousers and you don't want to spend half an hour on doing it manually (and don't already have an actual sewing machine) this is a lifesaver.

Here's a tutorial how it operates:

Now, why am I recommending this? Because it will only set you back six bucks. I got two right off the bat because I was banking on one not working (and I was right) and so I could use it for spare parts. The one in the video (Spring Come) is the one I have as well, and it's the one that actually works. I can't vouch for any unmarked ones, but the blue one works. It IS a little temperamental, but with a bit of practice it makes things so much easier.

The reason I'm not recommending an electric machine of any kind, even the one that costs 18$, is because, if you're a beginner, then an automatic sewing machine becomes a machine that exponentially speeds up the rate at which you make mistakes, and if it breaks down, good luck fixing it unless you have a dad/uncle/friend who knows his electronics. This thing can be fixed with a screwdriver, and takes the same needles as an ordinary sewing machine.

You can buy a bundle of needles just about anywhere for any price and they'll be decent as long as they're steel, but I would recommend looking for some actual better quality thread. Everywhere else, you can pinch pennies, but the thread itself is what's holding your clothes together, so this should be the part where you're looking for quality instead of price.

Alright, those of you who didn't scroll past with a derisive scoff at my take, I hope I've been helpful.

[ozzgin]

Yandere School Q&A

I've gotten some related asks and thought I'd put them in a cleaner format, so I don't spawn another round of screenshots from my inbox.

Ohhh how would yan school react if y/n got hurt somehow?? Also quick question is her parents also platonic yans for them? Thanks!! - Anonymous

It only makes sense that the staff of the school is yandere material, too. The students may rush to help and insist they've got it under control, but the school nurse will be quick to act. It's the chance of a lifetime, having you to himself, and for longer than the usual standard checkup. The curtains are pulled, and the "do not disturb" sign is flipped. Your injuries are not to be taken lightly. You'll need to spend all day under his supervision.

The parents and all relatives are indeed platonic yanderes! I thought it'd be a nice touch since I've never approached the trope before.

YAYAYAYYAYYAYAYAYAYAYAYAA MORE YANDERE SCHOOLLLLLL You’re amazing!!!!! (I had to ask to make sure I used the right your/you’re) also is the darling yandere gonna keep sabotaging y/n? - @femboybasil

The tying up incident was actually an exception to what I originally planned, haha. For most of the competitions, darling yandere will guide (Y/N) and aid them for a flawless win. That's the comedy of it: he's indirectly doing the yandere part while trying to be discreet enough as to not alert the other yanderes. Additionally, (Y/N) helps him with the darling tasks. Though that part is very much expected by everyone from school. The Daring Academy teachers are probably observing the activities, baffled. "Who the hell is that student? What skill...what obliviousness. They should've applied to us."

If you’re comfortable with this concept, (since it’s a school-based series I don’t know if the reader and yanderes are minors are not, if they are then you don’t have to write this.) but obviously the students of the Yandere Academy are going to need to learn how to tie up their darlings once they’ve been captured. Would you mind writing a little blurb about it since Reader is the unofficially assigned darling stand-in for their classes? - Anonymous

This is the ask I used for the tying up idea in Part 3! To answer your worries, all of my stories involve 18+ characters! Just wanted to clear it up for anyone in doubt. The school/academy setup is more of a college/university kind of institution. I do love a good high school setup, but not for self insert romance.

I’d imagine that there’s a drama class at the yandere school to help the students learn how to act and seem innocent. What if they put on a musical or something like Phantom of the Opera (because of course it would be that) and reader got the role of Christine or the equivalent. Imagine all the yanderes fighting for the role of their love interests to get the excuse to kiss them, and other yanderes trying to sabotage them as tactfully as possible to keep the show going, but replace the leads to be alongside reader. Think that may be something cool to add/write about? No pressure of course! - Anonymous

You know the whole thing is going to turn into a ninja survival shitshow. They had hoped to never cast (Y/N) in any role, for everyone's safety. And for the most part, (Y/N) thankfully never showed any interest in the drama club.

The supervising teacher held (Y/N)'s application form with trembling hands. It seems their little club had finally run out of luck.

Worst part: the school can't even rely on the teachers. They're just as desperate to see their cute little (Y/N) perform on stage. "Maybe this job is too overwhelming for one person, sensei..." they'll smugly tell the original supervisor. "We could divide some tasks. Someone else could train (Y/N), for example..."

ok here me out, what if there is like a field trip or sports festival kind of thing where the Yandere and Darling academy meet up. Basically where a Yandere and a darling are made to pair up to go through the numerous activities (maybe ones that test their yandere/darling skills) so reader decides to pair up with clumsy Yandere ( who is in Darling academy) much to the displeasure of Yandere classmate. Maybe like a battle of the the Yanderes? - Anonymous

This was a little trippy to read, because it came right after part 3, haha. Which I feel is basically the same plot. Though it would be interesting to see how it'd play out if the stranger was Reader's best friend instead.

Reader excitedly approaches Clumsy!Yandere and asks him to work together, to the dismay of all other students. They're enraged. You can see it plainly: their hands tremble, their jaws are clenched, their eyes have a psychotic glint. Poor Clumsy!Yandere is in constant shivers, unaware of the death stares. You're cheerfully guiding him around, his hand in yours, happy to see your friend again.

[yanderecrazysie]

For the reader rejecting her soulmate by hiding the fact that they're soulmates drabble, can we get that with Gojo Satoru?

Coming from clan of sorcerers and being one of the most promising heirs, reader was hoping that her soulmate was just a regular human being so that she could have a reason to abandon the Jujutsu world and live a normal life. But unfortunately for her, her wishes were granted backwards. So backwards that she got someone from a prominent clan who also happened to be the strongest sorcerer known to man. Not wanting to deal what fate has given her, she hid her true mark made up a fake one and informed her clan she's leaving to keep her "soulmate" safe. They were disappointed but accepted none the less, and just like that she left for a normal life.

Despite thinking she avoided fate, what she doesn't know is that a simple faking of a mark does not sever a soulmates' connection. Especially when fate has forcibly involved her with someone like Gojo.

I love this and I love you for coming up with it. NGL I was influenced by the amazing @envy-of-the-apple and the INCREDIBLE Gojo fics they've made. Don't get your hopes up for this story, it's not nearly as good as theirs LOL

Title: I Don’t Want Love

Pairings: Gojo Satoru x Reader

WARNINGS: yandere themes, swearing, violence, implied murder

“If I leave before you

And I walk out alone

Keep your hands to yourself

When you follow me home

I don't want love

I don't want love”

-From “I Don’t Want Love” by The Antlers

You would turn eighteen at exactly 1 am, on the dot. You had set up a mirror on your bed, aimed straight at your upper arms. 

12 seconds to go…

You wondered which arm it would appear on. That isn’t what really mattered, of course.

7 seconds…

You wondered if you could tell if the person was average or ordinary by just the symbol alone.

3…

2…

1…

The silence in your room suffocated you. Your heart sank into the pit of your stomach.

It looked like a hand with the index and middle finger twisted together. You knew that symbol. You’d seen it every damn day.

Gojo Satoru. Your soulmate was Gojo Satoru.

The weight of your fate crushed you. This was even worse than the outcome you had feared the most. You had prayed for an ordinary person, someone who could whisk you away from this world of curses and responsibilities. You just wanted someone who could offer you the normal life you so desperately craved.

Instead, fate had bound you to the most powerful sorcerer alive, a man whose very existence was a magnet for danger and chaos. A man who would never, ever live an ordinary life.

“No fucking way…” you whispered to yourself, shaking your head frantically as though you could just simply deny what was seared into your right shoulder. You couldn’t accept this. You wouldn’t accept this.

You knew what you had to do. Your clan was skilled in concealment techniques and, with a bit of effort, you covered the mark on your right shoulder, and created a false mark on your left. It was a simple sun, unremarkable in every way. The perfect lie you could craft to fool your family, the world, and maybe even yourself.

The symbol could belong to anyone. Anyone but Gojo Satoru, who had been showing off his mark since his 18th birthday last year.

When the next morning came, your parents’ faces fell at the sight of the ordinary sun on your left shoulder.

“Oh, I was hoping you’d get a powerful sorcerer,” your mother had never sounded more disappointed, “Someone like that nice Satoru boy.” You hid a wince.

Your father crossed his arms, “Are you sure you want to leave our world behind for some ordinary man?”

You shrugged, acting like the decision was out of your hands. “I can’t drag an ordinary person who can’t even see curses into our world,” you replied.

Your parents agreed and, without much more resistance, you headed out to a world where everyone was oblivious to the existence of curses. 

A world you had always wanted to be a part of.

—-----------------------------------------------------

1 am on the dot for Gojo Satoru was like waking up in a bath filled with ice cubes. He shot out of his bed, panting and ready to fight whatever curse had found its way into his room. Then, he felt a warmth spreading over his soulmate’s mark and he relaxed, a smile playing across his face.

His soulmate had reached her 18th birthday!

Gojo’s smile widened as he pulled up his sleeve and studied the mark on his arm, the intertwined fingers that must match yours. For months, he had anticipated this moment- the day his soulmate would finally know of their connection!

Then, a strange, muted feeling. As if all of the warmth had been sucked out of him and his senses had been dulled. His smile sank into a frown.

His soulmate was attempting to hide their bond.

He was no stranger to concealment techniques- he was a sorcerer of unparalleled strength. But why would his beloved soulmate try to hide her mark?

It bothered him, but also piqued his curiosity. You must know who he was (everyone did), so why were you trying to hide from him?

Gojo’s frown deepened as the muted sensations got stronger. His soulmate was actively hiding from him. He couldn’t help but wonder, irritation spiking, why you would go to such lengths.

This wasn’t some simple concealment- you were rejecting the bond itself. And how dare you? He was the strongest sorcerer alive, you should be goddamned proud to be his soulmate!

He took a deep breath and tried to remain calm. He’d wait until the morning and find out whose birthday it was. Then, he’d approach you and figure out what you were playing at.

—------------------------------------------------------

One month had passed since your birthday, and you had already gotten yourself a job as a receptionist at a law firm. Your parents’ money would buy you an apartment for a few months, but you’d be expected to take care of yourself after that.

One of the lawyers, a tall, handsome man named Akira, was always stopping by your desk, flirting casually with you. You encouraged it full-heartedly. He was handsome, kind, intelligent and best of all…

He was normal.

Akira smiled as he stopped by your desk for the third time that day, “So, I was wondering-”

Briiiiing

“Sorry, hold that thought,” you winked up at him, picking up the desk phone, “Thank you for calling Hashimoto Law Firm, my name is (Y/n), how may I assist you today?”

There was no response, except for heavy breathing. Unnerved, you tried again, “Thank you for calling, how may I assist you?”

More heavy breathing followed and you gave it one last shot, “If you are speaking, I’m unable to hear you. Please call back again if you are in need of our services.”

You hung up, heart pounding for a reason you couldn’t place. Your right shoulder began to burn and your heart just about stopped altogether.

“What’s the matter?” Akira asked, concern in his voice.

You straightened up, avoiding his gaze, “Just a prank call.”

Akira took the answer with a nod, still looking concerned for you, “Don’t take prank calls too seriously. It’s usually just a kid on the other line.”

You swallowed thickly- you had a feeling you knew exactly who was on the other line.

Akira looked up at the clock, “Ah, it’s time to clock out for the day.” You followed his gaze and your stomach twisted unpleasantly.

“Will you walk me home?” you blurted out.

Akira’s eyebrow raised, “Did that prank call spook you that badly?”

“I’m worried it may be my ex,” you lied, “And if he knows where I work, he could be waiting outside for me.”

Akira smiled and offered you his hand, “No ex-boyfriend will get anywhere near you if I have anything to do with it.”

You smiled back.

The walk to your apartment had your heart pounding in your chest and your hands shaking. Akira’s larger, warmer hand slipped into yours and you squeezed it for reassurance.

You were nearly to your apartment complex when Akira whispered, “Someone’s following us.”

You realized there were not two but three pairs of footsteps walking down this street. You didn’t need to look back to know who it was- the burning on your right shoulder told you all you needed to know.

“You keep going, I’ll tell him off,” Akira said.

You wanted to tell him to stay with you, to not risk his life over you. You wanted to tell him that the person he was going to face was infinitely stronger than him.

But you were selfish.

As soon as Akira turned around, you broke into a run. You heard the man make a confused sound, as though he had tried to punch air (or, more likely, infinity) and then a bloodcurdling scream cut off by the pained, guttural noise of someone being punched so hard that their organs were being ruptured.

Maybe it wasn’t that bad, maybe that was your imagination running wild, but you didn’t turn around to see if you were right. Each time you heard that fleshy sound of a fist caving in someone’s chest, you just ran faster.

As soon as you had reached your apartment, you bolted the apartment door shut, grabbed your suitcase, and began stuffing things inside with trembling hands. 

Akira was most likely dead and all you could think about was how you had to change jobs and move right away. Were you heartless?

Maybe. But your soulmate mark wasn’t burning anymore and that was all that mattered.

—----------------------------------------------------

The next morning, you arrived at the law firm, ready to quit. You walked inside and found your boss already waiting for you. “Have you seen Akira? He was meant to be here an hour ago?”

“I haven’t,” you murmured, “Look, I have to quit-”

The door opened behind you and you spun around, hoping it was Akira, safe and sound. Instead, you were met with the sight you wanted to see least.

A tall man with white hair and a blindfold around his eyes. Gojo Satoru in the flesh.

“Oh, Mr. Gojo! Yes, you must be! Ah, why don’t you take that thing off your face?” your boss was quick to welcome the man, “Take a seat, (Y/n), you can take notes for us since Akira’s slept in.”

You remained standing, frozen in place as Gojo walked by you. Your soulmate was scalding hot, burning your skin so hotly that you let out a small hiss of pain.

“I’ll keep this on, if you don’t mind,” Gojo said, his voice carefree, “Now, about what we talked about yesterday…”

You began to inch towards the door.

“(Y/n), please take notes,” your boss said sternly. You jumped at the sharp tone of voice and found yourself helplessly obeying.

I need to quit. I need to leave!

Your thoughts didn’t match your actions. All you could do was hope that Gojo didn’t feel anything on his soulmate mark.

“So, Mr. Gojo, I understand you wanted to start a legal case about securing your soulmate?” your boss asked.

All of the blood drained from your face.

“Yes,” you couldn’t see Gojo’s stunning blue eyes but you knew they were looking directly at you, “You see, she’s a shy one. But, legally, I own her since she’s my soulmate. And she owns me, of course, too, but she’s not the one filing for an arranged marriage here.”

The two men shared a laugh as you began to feel faint. Unsteadily, you wobbled for a moment, before you collapsed to the floor.

“(Y/n)?” your boss stood up, surprised, “Should I call for medical attention?”

“Oh, that’s alright,” Gojo said, reaching out for you with a vicious grin.

“You see, I know just what she needs.”

[bat-boys]

a healer's touch

pairing: Azriel x fem reader

word count: 5.8k

warnings: mentions of injury and blood, a small amount of angst, lots of fluff

summary: as a healer you meet many people as part of your profession but when you are asked to heal a certain spymaster you are unprepared for the connection that comes with it.

a/n: hello, I'm new here! I had this in my head so needed to write to down. I hope you enjoy.

It had been a regular, if somewhat busy, morning at the healer's centre in Velaris. There had been a steady queue of people coming in and out to collect medicine, ask about a rash that concerned them or even pop in to express their thanks for healing a family member. You hummed a soft, familiar tune as you mixed herbs to create a salve for one of your regular patients whose old, aching bones continuously bothered them. 

It was days like this that reminded you of why you loved being a healer so much.

"Girl! Come with me. We're needed at the House of Wind." The calmness that had settled over the room was banished as Madja, the head healer, your mentor and distant aunt on your mother's side, bustled into the workroom to grab her box of salves, potions and herbs she kept on hand for moments like this.

"T-the House of Wind?" You squeaked as you set down your mortar and pestle, absentmindedly brushing your suddenly sweaty hands on your apron. 

"Yes," Madja sighed, "I curse the day I gave Rhysand permission to call for me personally anytime any of his friends get themselves into trouble." The words may have been harsh, but there was a warm fondness to her tone, and you knew she fussed over the Inner Circle like they were her own children.

"But me? Are you sure?" You may have been apprenticing under Madja for nearly a century at this point, but she, your peers, and the people of Velaris consider you a skilled healer in your own right. However, this was new and somewhat scary. You had never set foot into the House of Wind and barely interacted with the Inner Circle, whom you revered and respected for the future they were building across Prythian. You knew it was irrational, but you were terrified of attending to them and your healer skills fleeing at the very moment you needed them most. 

Madja stopped fussing and turned towards you, understanding flickering across her features as she took in your hands, wringing nervously in front of you. 

"Y/N, you are my best student, my successor - you are ready for this." Her voice was firm in her conviction, but her smile was soft as she fondly brushed a stray strand of hair clinging to your sweaty forehead, "Now come, get your things; I dread to think what they've gotten up to up there!"

The following five minutes passed in a blur as you shucked off your apron, grabbed your bag similar to the one Madja carried and met the two Illyrian lieutenants who bundled you up in their arms and flew you to the House. 

From the entryway alone, you knew the House of Wind was the most beautiful home you had ever stepped foot in. Madja chuckled beside you and didn't give you time to appreciate the room's beauty before she walked ahead of you and gestured for you to follow. Your heart was thumping rapidly in your chest as you swung your head from left to right and walked through the lovely hallways, trying to capture every ornate detail that decorated the walls. You must have been staring wide-eyed because Madja gently bumped her shoulder into yours, reminding you to remain professional. 

It wasn't long before she led you up a series of stairs and stepped outside into the sun's warm rays. For a moment, you let your head tip back slightly, closing your eyes to let the rays dance along your face. Down in the city, you very rarely got to feel the sun on your skin like this. There was always the long shadow of a building to obscure the sun, or you were simply too busy rushing from patient to patient to fully enjoy it. 

You used the moment to centre yourself, reminding yourself of your extensive training and ability and capability to heal almost any wound. You were the head healer-in-training, and you could do this.  You let your eyes adjust to the scene before you as you took in the outside training centre. The floor was covered in what you assumed was red dust, coating the hem of your dress and clinging to the brown leather of your slippers. Racks of weapons lined the walls, a ring was set up in the centre clearly for sparring, and ropes and punch bags were littered across the space, too. You could see that the training session was still ongoing, and you could hear people shouting suggestions to each other over the sound of swords clashing, but your attention snagged on the two males you saw grumbling next to each other. You knew who they were immediately and swallowed thickly as you realised it was them you had been summoned to heal. 

"What trouble have you two found yourself in now?" Madja called as she walked towards the pair of them. 

"It isn't our fault!" The one you immediately recognised as Cassian exclaimed.

"It never is." Madja teased back.

"We saw the guards in the Summer Court using a new training technique, and we decided to try it out…it didn't go well." 

"Evidently not. You tend to Azriel, I'll take this one." Madja sighed, already moving away from you to deal with Cassian. 

You faintly heard Cassian make a witty comment behind you before it was cut off with a hiss as Madja laid a hand on the cut slicing his chest. However, you were distracted as you turned to face the other Illyrian sporting a nasty injury, and made direct eye contact with those beautiful, disconcerting, ice-cold hazel eyes. Swallowing around the lump in your throat, you made your way over to him, your heart slamming into your chest.

"Hi, I'm Y/N." You cursed yourself for sounding breathless and for the blush that no doubt was creeping up your neck.

"I'm Azriel." His deep baritone voice sent a shiver of delight down your spine and knocked the rest of your breath from you. 

"I know." You smiled at him, and he smiled very faintly back, a soft huff leaving his lips as you set your bag down and reached out your hand to him, "May I take a look?"

Early on in your training, you discovered that if your patient was conscious and capable of answering questions, you would ask consent to touch them and walk them through anything you were about to do. You found this calmed them down and created a sense of trust.

Azriel blinked at the question, not used to someone with such a soft demeanour looking after him. He didn't respond but simply extended his arm towards you. Gently, like he could bolt at any moment, you held his wrist in your hand and slowly tilted his arm to get a look at the gash you could see through his leathers. 

A soft hum escaped your lips as you saw the slash in his leathers and the blood leaking through the cut to his skin. It didn't look too deep but would undoubtedly need healing if he needed to use any of his weapons anytime soon. 

"I'm going to remove your leathers. Is that ok?" You asked, forcing yourself to make eye contact with him again, ready for the way his gaze knocked the breath out of you again. He simply nodded, and you smiled at him before you bent your head back to the task at hand. 

Azriel barely breathed as he watched you unbuckle the strap at his wrists and then push the leathers off his arm. He had never experienced such softness from a healer or anyone before. He allowed himself to look at you, to let his eyes roam over your beautiful face. His eyes snagged on that strand of hair that had fallen from the bun that rested above the nape of your neck, and he had to physically stop himself from reaching out and discovering how soft your hair felt between his scarred fingers. He almost gasped when your fingers finally touched his bare skin, and a jolt of electricity zipped through his body at the contact. 

"Oh, this doesn't look too deep; that's good!" you mumbled as you gently sponged away the blood from around the cut to get a better look at it. "Ok, I'm going to close the cut. You probably know this, but it may tingle." 

The shadowsinger watched as your brows furrowed, and the hand that wasn't clutching his wrist hovered above the cut on his arm. Warmth spread down that cut, turning into a delightful tingle reverberating around his body. He had always hated this moment of being healed, cringing at the way his skin would knit together before him, almost against his will. However, he didn't feel anything as he watched the cut on his arm disappear and marvelled at the almost pleasant way your magic brushed against his. 

"Thank you." Azriel sounded breathless.

"You are most welcome." He watched, unable to move, as your hands slipped from his forearm to gently trace the scars around his hand. Azriel was often jumpy around his hands, hating the way they looked, but he couldn't help marvelling at the way you touched them as if you weren't afraid or sad—merely curious: "Do your hands get stiff at all?"

"Sometimes after a long day of training or when it's cold." You could feel his eyes on you as you continued to examine his hands. You had noticed them when you had first looked at his injury, having heard of them through various whispers and rumours that filtered through Velaris. What you hadn't been prepared for was how beautiful they were. To you, the scars that had been left behind, were a testament to his strength. 

"Hmmm, I thought as much," you said, looking up from his hands to meet his gaze. "I have a salve that will help if you would like it?"

"I would like that very much." His answer was very soft, and it caused the breath to escape your lungs once again. 

"Pop down to the clinic when you're next in the city. I'll have it ready to collect from tomorrow. Or just send word, and I will ask a courier to deliver it to you. I know how busy you are!" You could tell you were rambling now, and from the quirk of his lips, you were also blushing furiously. 

"I'll collect it myself, Y/N, I wouldn't want to trouble you."

"It's no trouble at all." You whispered. 

"Y/N! Can you also check over this Valkyrie once you're done with the spymaster, please?" Madja's voice broke through the peaceful silence you and the spymaster were enjoying—both of you shocked but not displeased by this steady connection you seemed to have. 

"Of course, I'll be right there!" You turned back to Azriel with an apologetic smile, "I'd best go; it was lovely to meet you, Azriel."

He watched as you gathered your supplies, brushing that strand of hair behind your ears, "And you, Y/N. I'll see you in the clinic."

As you walked away to tend to one of the young females who was smiling sheepishly at you, you couldn't help the butterflies that flew about in your stomach at the thought of seeing Azriel again. 

…

You hadn't expected to see him walking through the door to the healer's centre the next day. So when you heard the soft tinkle of the bell above the door and turned around to greet whoever had walked through, your heart leapt into your throat, and your breath left your lungs as you beheld the Illyrian warrior who had wandered into your sanctum. 

"Azriel." You whispered, similar shy smiles falling on both of your lips. 

"I hope this is a good time? I wasn't sure when would be best to pop in."

"Oh no! This is great. I finished your salve an hour ago, so it's ready for you to take home." You grabbed the small bottle you had filled not long ago off the counter and passed it over to him, "Rub this liberally over your hands when they are stiff. You can also use it as a preventative measure on days you know you might need it. Let me know if you need any more and how you get on, and we can adjust some of the ingredients."

"Thank you again, Y/N," You had to hold your body incredibly still to avoid the shiver that wanted to wander down your spine at the sound of your name rolling off Azriel's tongue. 

The pair of you stared at each other as silence once again settled over the room—a comfortable silence, one you didn't feel the need to fill. It was refreshing to feel that with someone, not having to say something to fill an awkward void. It was peaceful, and it surprised you to feel that with someone like Azriel, someone who was feared in every Court across Prythian, whose stories were used by parents to get their children to behave. 

"When do you finish your shift?" He finally asked, breaking that comfortable silence. 

"Oh! I actually finished ten minutes ago - you caught me as I was closing up." 

"In that case, can I get you dinner? To say thank you for the healing yesterday and the salve." Azriel looked almost shy as he shifted on his feet, having to clear his throat a couple of times. 

"Oh, you don't have to do that!" You were sure a vibrant blush was sweeping up your neck, and along your cheeks, at the soft smile the spymaster was giving you. 

"I'd like to." His soft voice made your heart melt, and in that moment, you knew you'd give anything to spend even a second more in his presence. 

"I would like that. I know a restaurant just a few minutes away that I've been meaning to try?"

His lips turned up into a broad smile, "Perfect. Lead the way."

…

If you had told yourself when you had joined the healer's centre all those years ago that it would lead to a friendship with your High Lord's spymaster, you would have laughed till you were hoarse. But that lovely meal you shared with Azriel in that charming restaurant along the Sidra was not the last. 

Azriel had taken it upon himself a couple of times a week to drop by the centre - either just as you were about to take your lunch break or just as you were finishing up for the evening - to take you out for a meal. Together, you had explored almost every cafe, restaurant, and picnic spot on this side of the city, and each time, you had left beaming ear to ear.

He had also taken it upon himself to either call down to the centre or request you come to the House of Wind to personally attend to the injuries he received from training or whilst away on missions. You had started to suspect that he called you even for injuries he could heal himself, and you blushed furiously every time you thought about it but refused to call him out on it, even jokingly. You lived every day for those visits, for those moments between the two of you, the times after the healing when you would sit together and talk, and the easy companionship you found in Azriel. 

Madja and Cassian had caught on to it, and both just smiled knowing looks when you told them you were off to the House of Wind or when you passed them in the hallway. Your frequent visits also meant that you had been introduced to Azriel's family, the Inner Circle of the Night Court. Slowly, over the months, you and Azriel developed your friendship, and you also began to cultivate friendships with the others, particularly Feyre, Rhys, and Cassian. 

Cassian made you laugh with his jokes, Rhys and you bonded over your shared ambition for the future you both so desperately wanted to create, and Feyre had become a dear friend who sometimes winnowed into your small apartment in the city to have girls' nights. 

You couldn't believe your luck at how your life had pivoted in the last couple of months, the happiness you now felt. All thanks to one person.

And one evening, after healing a nasty gash on Az's leg, you sat on the sofa next to him with the rest of his family scattered around you, a glass of wine in your hand and Az's wing hovering behind you to block out the cool breeze coming in through the open window you realised just much you loved him. 

…

"How many times a day do I use it?" the elderly patient in front of you asked again. You gave them a soft smile before reaching for a scrap of paper and pen beside you and scribbling the instructions down for them.

"Twice a day, once when you wake up and then again before you go to bed," you handed the piece of paper over to them, and they offered you a very grateful smile. "If you see no improvements within three days, come back, and we'll try something else."

"Thank you, Y/N, truly thank you." You waved them off with a fond smile as they shuffled out of the centre.

You were just turning to offer a smile and welcome to the next person who stood in line at the large counter in the centre of the room when the main door to the centre burst open, and Cassian stood in the doorway. Immediately, you knew something was wrong. His body was heaving, and he was out of breath as if he had rushed to find you.

"It's Azriel," he thundered. Your blood ran cold, and your heart stopped dead in your chest before starting up at a thunderous pace. Immediately, you allowed your calm healer's mind to take over, silencing the roaring in your ears and the panic clawing up your throat.

"Marta! I need you to take over at the counter. If it's urgent and you can't help, call for Sara. If it's something that can wait, take note of their name and where they live, and I will personally visit them in the next couple of days. Is that ok?" You didn't wait for a reply, throwing the apron off your body and grabbing the box of supplies you always kept by your feet when on counter duty in case you needed to rush off to a patient before diving around the counter towards Cassian. 

He threw an arm over your shoulder in greeting and comfort and to steer you through the crowd to a section of the street that was less occupied so he could fly you both up the House of Wind. 

"How bad is it?" You mumbled as you felt his strong hands cup underneath your knees and around your back, your arms reaching up to loop around his neck. 

"Bad," he grunted as he soared into the air. Being in Cassian's arms as he flew was so different from being in Azriel's. He was warm like the spymaster, but the desire to explore the air with the male wasn't there. The joy you often took in this short journey was missing. 

Cassian landed heavily on the tiled floor of the entryway, back where you had stood all those months ago when you had first been summoned. The House was deathly quiet as you made the familiar walk through hallways you barely acknowledged towards the bedroom Azriel always occupied. 

“Y/N.” Rhys breathed your name as you strolled towards him, and you noticed how Feyre, Mor and Nesta stood around the open door, each looking more nervous than the last. 

"Rhys," you acknowledged your High Lord, someone who had become your friend in the last couple of months, "is he in there?" You asked, his head dipping in a single nod as you slipped past him into the room. 

A sob almost wrenched itself from your throat as your eyes finally landed on Azriel. He was deathly pale, his body sprawled atop the covers of his bed, his wings flared out beneath him. You stared at him for a second, silently willing his chest to rise and fall with breath, and when it did, you almost screamed to whichever God would listen. A part of you couldn't help but acknowledge that he still looked handsome in this state, the proud line of his nose, the sensual curve of his lips - even as blood dripped from the huge wound in his chest and pooled on the bedsheets underneath him. 

"Where is Madja?" Rhys quietly asked as you stepped into the room and dropped your supplies by the side of the bed, your hands shaking as you began to raise them to assess Azriel's condition. 

"Away tending to a terminally ill family member." You tightly replied. 

"Shit." Shit, indeed, you wanted to grumble, but you were also suddenly, unspeakably angry. 

"With all due respect, Rhys, I have been trained personally by Madja for over a century, and I have been tending to this male's wounds personally for the last couple of months. I know his body and how it heals better than I know my own. I will take a look, and if it is beyond my capabilities, we will call for Madja, but I promise you now I will heal him." Everyone froze in the wake of your outburst, but you kept your eyes locked on the High Lord of the Night Court, a male you had grown increasingly fond of as you spent more time with Az and his family. He simply looked at you, a beat of understanding flashing in his eyes before he turned to his mate standing beside him, reaching out to take her hand and smiling softly at her before turning back to you.

"My apologies, Y/N. Please, do what you do best." His words were soft and apologetic, and you simply nodded at him before turning back to the male sprawled on the bed before you. 

Your heart broke to see him in such a state, the man you had grown to love. 

"What do you need?" Feyre softly asked behind you. Suddenly, you were incredibly grateful that Az had friends who cared about him so deeply and honoured that he had introduced you to them, too, and brought you into the lovely warmth of friendship. 

"Two bowls of water—one warm and the other cool—and some rags, please, Fey. I also need someone to help me get him out of his leathers. Can someone close all of the curtains and drapes in this room and get some faelights in here, please?" Immediately, Cassian was in front of you, starting at the buckles on his wrists, ankles, and chest. 

"Why?" Someone asked behind you, you thought it was Mor. 

"His shadows. They'll help heal him, but we need to create the environment in which they thrive best: darkness." Both you and Az had tested the theory over the last couple of months and you had found he was stronger and healed quicker when his shadows were around. It was something you so desperately wanted to study further but didn't want to overstep a boundary. 

Finally, between you and his best friend, you managed to wrangle Azriel out of his leathers, careful not to jostle him too much to not irritate his wound. 

"How bad is it?" Cassian asked, parroting back to you the question you had asked him not ten minutes ago but what felt like hours. You ignored him for a second, taking a look at the hole in Az's chest, punched just above his heart and cutting through those beautiful Illriyan tattoos before reaching your hand out to hover over the wound to get a better feel of it.

"Bad," you mumbled, "but easily enough to heal." A series of sighs cut through the tension in the room as every member of the Inner Circle let out a breath they had all been collectively holding. "He was stabbed from the front with a blade tipped with an ash arrow, I believe. He pulled the blade from his body, but it has left some splinters behind, draining his powers and stopping him from healing. Infection has set in so I think this happened a couple of days ago, he must have gained enough strength to winnow back here before passing out."

"Do what you need to, Y/N." Rhys's voice was soft but had the undercurrent of a High Lord's command—heal my friend, he commanded. You nodded once before rolling up your sleeves and turning back to Azriel.

For hours, you worked at healing Az, praying to the Mother throughout it all that he would pull through - if only so you could tell him how much you loved him.

…

There was nothing gentle about the way Azriel surfaced to consciousness. One moment he was swimming in darkness, and the next, his eyes shot open, and he sucked in a huge faltering breath. After years of meticulous training, his senses immediately began to take in his surroundings, and his brain was already calculating his escape route. It was only when he took in the soft bed beneath him, the familiar decorations in the room, and the female sat curled up in a chair beside him that he could recognise that he was home. That he was safe.

Safe.

He felt the twinge in his chest. He knew the moment he moved, a biting pain would radiate throughout his body, so for the moment, he just lay there. His eyes stayed focused on you, on the way you had clearly pushed a chair as close as you could to his bedside. Your hair piled up in a messy bun on the top of your head—tendrils escaping and framing your beautiful face—and a damp rag hung limply from your hand.

His shadows flitted around him, whispering your name to him in a fond way he had never heard them speak of another before. They told him how you had rushed to his side, commanded the room, and stood up for yourself and your capabilities. How you had spent hours upon hours pulling splinters out of the wound and then encouraging his skin to knit together, to heal. How you had nearly spent your entire magic to save him and had then stayed and made sure he battled the infection, sponging cool water onto his skin, talking to him as if he was conscious. 

“Y/N.” He whispered, his voice hoarse from misuse and lack of water. Immediately, your eyelashes fluttered and opened, scanning the room before landing on his awake form. Now that your beautiful eyes were open, he could see the smudge of purple underneath each one, and a pang vibrated through his chest at the thought of this incredible female staying by his side even when you were exhausted. 

"Az." You whispered back, tears begin to shimmer in your eyes as you took in the shadowsinger finally awake. Still pale and far from healed entirely, but awake. 

He winced slightly as he reached out and hesitated somewhat before gently cupping your jaw, stroking his thumb along your cheek and catching the tears slipping free.

"Thank you." You knew his shadows had whispered to him that you had almost depleted yourself for him and risked yourself to heal him. 

"You scared me." His face crumpled at your words as he saw in your eyes the terror you went through for those hours you weren't sure he would make it through. Guilt ate at him for not spotting the trap that had been laid for him.

"I'm sorry, sweetheart. I was ambushed." He continued to brush his thumb over your skin, and you let the feeling ground you and reassure you that he was here and alive.

"I don't need to know," he heard what you were saying, that you didn't want to know, "do you want to sit up?" 

"Yes, please." You moved swiftly and efficiently, having done this for so many patients before Az. You gently scooped under his arms and lifted his weight so he could move to a sitting position. He winced as the movement tugged on his newly stitched-together skin, but with your expert handling, he wasn't in too much pain. "How long was I out for?"

"A day and a half."

"Shit. I need to debrief with Rhys." He made to sit up further, to swing his legs over the side of his bed, but your hand was instantly there on his shoulder - softly but firmly pushing back. 

"Later. Once you've had some water and food, and I've had a chance to assess your wound again."

"Yes, ma'am." He smirked and gently took the hand that was on his shoulder, intertwining your fingers and running his thumb comfortingly over your knuckles. 

Another soft silence settled over you both, and Azriel found himself glancing down at your connected hands, "That day we met was the first time someone had dared to look closely at my hands. It was also the first time I saw someone examine them and not flinch."

"Your hands are beautiful, Az." Your voice was soft, still shaky from crying. 

"You don't need to say that Y/N." 

"No, I'm serious," you frowned, "your hands are beautiful, and they are strong - just like you." You both watched as you trailed your fingers across the back of his hands, tracing the lines of scar tissue. "I was so scared when Cassian burst into the centre, but that didn't match the terror when I saw you unconscious, and I didn't know if I would get a chance to tell you how much you mean to me." He could hear the emotion building in your voice again. 

"Come here, sweetheart." His face was soft as he held his arm out and motioned for you to come closer. A sob lodged itself from your throat as you shifted, taking care of his wings and injury, to slip onto the bed and move into the warm space of Azriel's body. Immediately, you curled into his side, carefully slipping a hand around his waist to hold him closer. Az curled his arm around you, and the feeling of being in his arms, being held by him, had your heart soaring in your chest. 

"Did it snap in place for you?" he asked softly, and you knew what he was asking—he was tugging at that soft thread that now sat between you. 

"When I saw you lying there unconscious. You?" That moment when your eyes had landed on Azriel on his bed, true terror had speared through you as that bond had snapped into place, and you had realised it was your mate lying there in the space between life and death. 

"That first day, when you held my hands so gently and offered me that salve." His voice held so much emotion, and you felt warmth trickle down that thread and disperse throughout your body as you both acknowledged the bond. 

"Az." He closed his eyes at the sound of his name on your tongue, and he could never get tired of hearing the way you said it as you propped yourself up to look at him. 

"We can talk about it later, about what you want to do and how we move forward. You don't have to make any decisions now." His hand stroked the skin on your exposed arm, the other finally brushing that strand of hair out of your eyes. A frown fell on your face at his words.

"I hope you are talking about how we accept the mating bond and not whether I want to accept it in the first place. I am honoured to be your mate, Azriel, and to get the chance to love you for the rest of our lives." He was sure he had stopped breathing, convinced he was still dreaming. That you would be willing to spend the rest of your life with him, to love him the way he loved you so fiercely. 

"Are you sure?" His voice sounded small, and you couldn't help the smile that danced on your lips. 

"I have never been more sure of something in my life, Az. You deserve this type of love. Let me give it to you." You whispered as you closed the space between you two. Your eyes scanned his face, ready to pull away if he gave the signal that he wasn't ready. But as his breath fanned your lips, your eyes locked, and the hand that had brushed your hair aside cupped your jaw firmly in his large palm, as he surged forward to capture your lips in his. 

Immediately, fireworks erupted behind your eyes at the delicious feeling of his lips moving against yours, wave after wave of pleasure rolling down your spine as you tilted your head back to give him more access. A soft moan slipped past your lips when Azriel gently nibbled on your bottom lip, causing a gasp, which he swallowed expertly with his mouth. You felt Azriel's hand slip from your jaw to cup the back of your neck, holding you firmly as the kiss transformed from something sweet into something else, something more wonton, something close to fire. 

Far too quickly for your liking, Azriel pulled away, gasping for air. Your eyes fluttered open as he rested his forehead against yours, a soft grin dancing on both of your lips as you made eye contact and saw the emotion swimming in both of your eyes. Azriel watched, entranced, as he swiped his thumb over your swollen bottom lip. Your eyelids fluttered as a soft moan escaped again between your lips; Azriel wondered if that was the sweetest sound he had ever heard.  

"My mate. I have waited for over five hundred years for you." He whispered into the heated air between you. 

"I hope I was worth the wait." You joked. Azriel couldn't help but close the space again at your words to press his lips to yours again in a soft kiss this time.

"You definitely are." Your toes curled at his tone, and as his lips still brushed against yours as he spoke. 

"The healer and the spymaster… there's a story there, I think." You grinned as you brushed his hair back off his forehead, wanting to take in every inch of emotion that he was freely displaying on his face. 

"And we will write it together," he promised, and you couldn't help the matching grins on your faces as you leant forward again to join your lips together in another spectacular kiss—knowing that for the rest of your very long life, you would never get tired of kissing Azriel, your mate. 

[girl-mercury]

I use a trick in my art that I don’t see people talk about often: erasable pens!

Most people seem to use pencil to make their guide lines, and then go over what they want to keep in ink or paint. I’m a watercolor painter, though, and if you go over pencil with watercolor paint, it seals it in.

If your pencil drawing is good, that works out fine, but my drawings are not. I don’t draw freehand, so I’m usually tracing a reference image. In addition to my lines, I mark out where my shading and highlights are going to be, which is all very helpful when painting, but I don't intend on keeping it in the final image.

This is where my Pilot FriXion pens come in.

They're "erasable" pens. They've got a rubbery bit on the end of them, you rub that on your pen lines, and they erase. But how it actually works is using the heat from the friction to somehow turn the ink invisible... which means you can skip rubbing the eraser on it, and just use heat directly, such as from a heat gun that a lot of crafters have (or just a hair dryer will do the trick too.)

As you can see in the video, I drew out some shapes, and then painted them with watercolor paint, using the lines to put my paint where I wanted it. Then I point the heat gun at my paper, and you can watch the lines vanish, leaving just the paint behind.

What this looks like in my process is this. As you can see, I've outlined all the lines of my subject's face, but I've also got areas that I filled in to indicate where I would need to shade more heavily, like along her jaw, on her neck, and in the inner corner of her eye; I also created directional lines for a crisscrossing pattern on her bonnet.

In the final version, once I was satisfied with all my painting, and I had gone over the lines I specifically wanted to keep in a permanent pen, I pointed the heat gun at it and watched the lines disappear. Now only the shade remains, and the pattern on the bonnet isn't as harsh; I've also used the pen to let me paint a plaid pattern on her cape.

If you look closely, you will see the shadow of lines within the shaded parts. Sometimes, the indentation of the pen tip on the paper will cause a slight relief drawing situation even after the ink disappears. You just have to remember to draw lightly.

I found the pens at Target for not too much money in the 0.5 size, and I just got some 0.38 finer line pens since I need to do more detailed work on my current piece.

Anyway these are SO easy to use, and I really enjoy being able to do art at the skill level I'm at, and doing it like this allows me to. Have fun with art!

[glitter-stained]

Thinking about how some modern comics writers (Tom Taylor) write the batfam and why it doesn't sit right (this post centers around the robins because of their training but some of that reflexion would definitely fit for Barbara and Cass as well.)

The thing with writing a team of people with similar training and strength is you can't take the easy route of "well this one is the smart one! And this one is the flexible one! And this one is the strong one!" .... which is obviously reductive to all of their characters. Obviously, they have interpersonal differences; Dick, being raised as an acrobat, is the most flexible, but that doesn't mean that every single one of these little fuckers doesn't like to bend, twist and somersault to dodge bullets like an annoying worm on a string being flung around in the sky. They're Robins. Obviously, Jason is the bulkiest, but that doesn't mean they don't all go through hardcore conditioning -Tim is only considered "frail" when you put him between Bruce and Jason, this guy would bench-press you any day, come on. (And DC editorial can lie to us about the girls' weights and heights and make them at the limit of ed-territory even though they're doing parkour and hardcore martial arts every day but I know the truth, Steph's strong as hell, homegirl's got bazooka-level guns). Obviously Damian was raised in the League and is proficient in a bunch of martial arts, but they all received training from a bunch of different experts, including, for all of them, the same guy (that they are all so normal and chill about.) Obviously, Tim is the one who used detective work to figure out everyone's identity but you're kidding yourself if you think he's the only intelligent/detective one amongst the robins. Being smart and a detective is a defining part of all of their characterization, and so is being a leader and a strategist. And then of course with that kind of simplified characterization we end up with Steph being "the girl robin" and Damian "the assassin one/stabby one" and Duke "the meta one" (yes this post counts Duke as a Robin. They trained him and also just cause I wanted to. I love him.)

And even if we make an effort and try to dissect it "this one is the detective smart one! And this one is the strategist! and this one is smart in a more techy-way! And this one is the leader! And this one- hey what kind of intelligence do we have left..." obviously doesn't work either. Duke was a exhilarating strategist in WaR already, Jason's strategic work in UTH and detective in Lost Days is thrilling, Damian is a fucking child surgeon (do I need to develop how intelligent that kid is), Dick was the first leader of the Titans and is always doing detective work like, that's an inherent part of his character, Duke was a cute-ass baby doing puzzles and planning to defeat the Riddler himself, Steph literally became Spoiler to stop Cluemaster (girl knows to solve riddles that would make Nygma shit his pants), they've almost all lead a team at some point, etc, etc. All of this is great and cool and a character being great doesn't take away from the skills of another character! Stark contrasts cannot possibly be the only interesting team dynamics, especially since they already have their own teams of contrasting skillset and personalities.

Imo, best robin team-up dynamics is them stepping on eachother's toes with their plans, getting into rapid-fire brainstorming sessions where they're all finishing eachother's sentences, reaching a conclusion and saying it out loud at the same time, one of them having a crazy ass plan and suggesting it to the other and the other saying "i like the way you think" to that person who thinks exactly like them, getting mad at eachother for being stubborn while also being a stubborn little shit, pulling complicated acrobatics together, and just thriving solving a good old complicated mystery with other people who are just as competent and enthusiastic about detective work as them but not a carbon copy, with extremely specific strength and weaknesses and quirks (like Dick's ability to recognise heroin by putting it in his mouth, Damian's uncanny voice imitation ability, etc.)

Of course, this doesn't even begin to touch the family drama, but honestly we get so much family drama angst with no real consequence rn, I'd really love just a robin team-up, relatively low-stakes (aka nothing taking over the city, the world, no past traumas unearthed to haunt them or parental abuse or secret cults etc etc.) Just a very elaborate murder mystery and a good excuse for all the robins to be there and a story that works with their similarities and their potential (both comedic and in terms of plot) rather than erasing it. It would be so much fun!

[woso-dreamzzz]

Penalty II

Barcelona Femení + Jenni Hermoso x Hardersson!Reader

Natalia Guijarro (OC) x Hardersson!Reader

Part of The Big Adventures Universe

Summary: Jenni tries to score a penalty

Jenni arrives after lunch, stretched and ready to beat you where Alexia has failed.

"Can you believe that this is the same kids that Tana went around getting our shirts for?" Jana asks in disbelief as Jenni sends an absolute rocket towards the goal only for you to collect it like it was shot at you by a six year old.

You drop the ball to your foot before shooting it back to her.

Jenni doesn't have your skills in the slightest so she doesn't catch it with her hands but rather her stomach. To her credit, she takes it well and grabs the ball to take another penalty.

"You know," Pina says as she watches Jenni kick another ball at you," When Aitana came up to me to ask, I was certain she was giving them to a kid that wanted to be a forward. I watched her grab one from Mariona and Salma before me."

"But why?" Talia asks suddenly," She's always wanted to be a keeper."

"I didn't know her," Pina replies with an eye roll," Aitana didn't give much of an explanation. Sue me for assuming."

"I couldn't imagine her as anything other than a keeper," Aitana says finally as another ball goes rocketing at you that you collect without even a second thought.

"It seems weird now that you say it," Pina agrees," But again, I didn't know who it was for at the time."

She reaches for more of the juice that Paredes packed.

Across the field, you collect yet another ball as Alexia grabs Jenni by the back of the shirt to pull her into an imitation of a team huddle.

The two of them are close enough that their heads are pressed together, no doubt trying to come up with a plan they haven't tried yet.

You stand there awkwardly, adjusting your gloves as the two veterans whisper together like two schoolkids. You wait a little longer before deciding that you'll just go and sit down while the two of them cook up a master plan.

"Hey," You say to Talia softly, taking her hand as you sit down.

"Hey," She replies," Are you finished then?"

"I think they're trying to work out a plan," You confess," They're two seconds away from drawing it out with a stick in the dirt."

It's a bit embarrassing for them because you've hit the nail on the head. Both of them are clutching sticks, looking on the ground for a patch without grass so they can draw something out.

"Do you think they regressed since they retired?" Talia wonders aloud when Jenni and Alexia find a clear patch and get to work drawing with their sticks. "Like, do you think that they've gone back to children? Is that what's going to happen to us?"

You frown. "I don't know. Did it happen to your cousin?"

"Patri was always a child."

"Okay!" Alexia says suddenly, clapping her hands," We've got it. We've done it. Get back out there."

You laugh a little under your breath but get back up.

"Don't let them win!" Patri yells after you along with the jeering from the rest of the girls as you take your spot back on your goal line.

Jenni runs up to kick the ball only to fall short and wheel around back to Alexia to whisper to her about something.

Alexia whispers back until they're having a little argument in hushed voices.

"Come on!" Pina cajoles," Are you scared or what?"

There's more jeering the longer they take until Jenni steps up again.

She doesn't do a run up and you're already moving to the left before she's even realised she's shooting that way.

You collect it easily, rolling the ball back.

Jenni huffs and Alexia runs up to whisper something into her ears. She nods and tries again.

Just like Alexia, she grows a bit more annoyed the longer it takes to get passed you. You don't give her any hope and the next time Alexia comes up to whisper in her ears, she snaps," I know! It just isn't working!"

"Do you want to stop?" You ask," It's getting late now."

"Yeah," Jenni says," Alright-"

"No!" Alexia snaps," Don't admit defeat! Don't let her win!"

"Hey!" Jenni throws her hands up in defence. "I'm more than happy to let her win. I know when we're outclassed."

"We're not outclassed! We're just rusty!"

Jenni claps you on the back as Alexia continues to insist she's just a little rusty.

"How do you deal with her at training all the time? Is she this intense as a coach?"

"More intense," You answer," You should see her when the midfielders mess up."

Jenni laughs. "Oh, I can imagine. Does she still get crazy eyes?"

You shrug and that's answer enough.

"I don't get crazy eyes!"

Jenni can't stop laughing now. "Sure you don't, Ale."

[familyvideostevie]

the meaning of it all

joel miller x reader

summary: Joel Miller, of all people, teaches you to ask for help. 

word count: 13.6k

warnings: jackson au, post part i, joel and ellie worked it out! joel is soft! language, violence, fluff, learning to accept help and love.

a/n: this fic is a soft joel (think part ii joel but make it two years into jackson because he and ellie resolved everything <3) and a reader who is much more me than i've written before. i hope you like it! thank you again to @strangerfreaks who held my hand through this, i owe you my life.

___

Luck. God damned old-fashioned thank-fuck-for-that luck has kept you alive since the world ended. Deep festering rage and a near-constant state of fear have helped. But every bullet you've found, every undamaged can of food, every shot that landed in the right place so you were the last one standing -- that's all luck. Or a curse, depending on the day. Depending on how you're feeling about it all.

And Jackson? That's the biggest stroke of luck you've had in twenty years. A single woman on her own with plenty of working years left and no obvious red flags was probably a no-brainer for the community to take in but you feel like you've finally made it. After two decades of violence and horror and pain, you fucking made it somewhere safe.

You spend as much time as you can making sure everyone knows how grateful you are. You don't have any special skills, not really. You can shoot well enough, cook well enough, clean well enough. Young enough when all the shit went down that you don't have a trade or any work experience, you just go wherever they need someone in town.

Keeping busy means you're bone-tired most nights. Exhausted sleep means fewer nightmares, less time to wander the halls of your very nice but much too-big-for-you-home and miss everything you've lost. But picking up shifts wherever you can also means you don't meet many people beyond hellos and exchanging names. Farming is easy and you get to work with a lot of the kids in town, daycare much the same. You're lousy with power tools but you're able to carry materials wherever they're needed. Cooking is easy when it's stew for hundreds of people and doing dishes is even fun when someone turns on the radio. You're making it work.

Patrol is...patrol. You're able, so you're on the roster. It's not that you hate it, not exactly. Going outside the walls makes you feel like you're someone else. You slip back into the mask of fear and anger, the one that kept you alive for so long. And the worst part is it's comfortable. 

You've done the training runs, the group patrols for three months. Infected still freak you out a little but you're smart enough to be more scared of people. All of the senior patrol members have cleared you for paired patrols and today is your first one.

Tommy meets you at the stables to check-in.

You don't really have any friends, though everyone is perfectly nice to you, but Tommy and Maria are probably as close as it gets.  You figure they take a shine to newcomers like you, ones who come in alone, maybe to keep an eye on them as much as anything else. But they've both got a smile and kind word for you whenever you see them, always asking if you need anything. You always tell them no, you're fine, thank you.

"You ready?" Tommy says. "I've had them pull Apollo for you." You pat yourself one more time to make sure you have everything. Pistol on your thigh, knife at your hip, pack secure on your back. Hat and gloves tucked into your jacket pocket to account for the wind on the trails.

"I think so," you tell him. You blow a raspberry at your horse and he blows back, nudging your shoulder with his nose.

"After this, pretty sure you'll have done every job there is to do in this town. Pullin' crops, plantin' crops, cookin' crops. Kids, the library, cleanin', buildin' that ramp at Lenore's last month. You've been here, what, six months? And you've done it all."

It should make you feel good that he's noticed. It does, but only a little. You still feel like you could work every day for the rest of your life and not repay what he and this town have given you. To make up for the things you've done on the road.

"I'm the best floater in Jackson," you joke instead. Smiling makes people like you. You haven't had much cause to smile in recent years so you're still getting used to the urge. Tommy scoffs. "I don't do important council stuff like you and Maria, though."

He ignores that. "Y'know, pretty sure they call that a jack-of-all-trades. A real Ren-ai-ssance woman." You try to come up with a retort, eyes wandering to the patrol assignment board. Your name is under ELK CREEK and under it is --

"Quit harassin' her."  Tommy rolls his eyes and flips off whoever comes up behind you. You turn around and see a man you know of but have never actually met.

"Joel," Tommy says. "I believe this is called havin' a conversation. You ever tried it?"

"Funny," Joel replies. He nods at you. "You my partner today?"

"Seems so." You introduce yourself, Apollo's warm breath at your back.

"Joel Miller," he says back.

You're a little intimidated, truth be told. You know him by reputation mostly. Tommy's big brother who came to town a few years ago with a little girl. They're both pretty much everywhere. Joel fixing houses and talking to kids in the street, going on patrols and always bringing back extra for whoever needs it. Ellie galloping around town with other teenagers and bringing home the biggest game. You've handed her books a few times at the library, too, seen her bright eyes and infectious energy underneath teenage angst that transcends even an apocalypse. And you've seen them together, heads down in the dining hall or pressed closed walking down the street -- heard rumors about why they came here, how they came here, too -- and one thing is clear to you: the Millers are beloved. By this town and by each other.

It's a miracle all its own in this fucked up world.

"You two ain't met yet?" Tommy says, pointing at the space between you. You snap out of your thoughts. "You've been here long enough to have met everyone by now."

"Guess not," you say with a wry smile. The younger Miller is too polite to call you out for not having a single friend in that time period, either.

"Well, here we are," Joel says. "Gonna keep us here forever, Tommy? Or can we do our job?"

Tommy claps him on the shoulder and winks at you. "Tone down the asshole for her first paired patrol, yeah?"

Joel snorts. He grabs a horse that was already tacked for him and leads it out of the stable. You follow with Apollo. The patrol coordinator hands out rifles and reminds everyone of the rules.

You hop on your horse. "You ready?" Joel asks, startling you a bit. "We'll gallop to the mouth of the river and then start patrollin'."

Something in you relaxes a bit at his clear confidence in you to handle yourself. You know you're with him for a reason -- he's one of the best. That, or maybe he just doesn't give a shit. Somehow you think it's the former.

You follow him up the hill outside the gates and through the tree line. The noise of the Outside is different than that of Jackson. Birdsong, snapping branches and dry brush under your horse, the wind rippling down the hill. You take a deep breath through your nose and feel a part of you come alive. It's funny how a world so beautiful can be so deadly.

Joel gallops a little ahead of you, strong and steady. You watch him, think about what you know. He's older than you, that much is obvious. Greying hair curling around his ears, lines on his face from more than just a stressful life. But he's strong, good at what he does. Those rumors come back to the front of your mind. How he and Ellie showed up, half-starved and bloody. How he and Tommy are the most famed patrol duo for Infected kills and otherwise. It makes you feel safe. It makes you want to learn from him. It makes you want to know more.

And he's got kind eyes. Somehow, he's got kind eyes.

"Alright," Joel calls back to you. "Route starts here." He slows his horse and you pull up beside him. He shifts in his saddle and turns his face to you. "Now, I know this is your first pair," he says. "I won't order you around or nothin' but my main piece of advice is that everyone has a different patrol style. Know how to adapt."

You dig your gloves out of your pockets and wiggle them on. Joel watches before his eyes snap back to yours. "Noted." You honestly didn't think he'd talk this much. "And let me guess. Yours is patrol in silence?" You punctuate the nervous quip with a smile.

Joel snorts. "Nah," he says. "Unless you're Max. Can't stand that fucker."

It startles a laugh out of you and any ice you'd imagined breaks for good. Max is one of the middle-aged men who probably would have been a lawyer or a politician based on the way he likes the sound of his own voice.

"Now," Joel says. "You done this route before?" His knuckles are a little red but he doesn't put on any gloves.

"Twice, I think. First log book in that old station, right?" Joel nods. "Second in the town?" He nods again.

"Color me impressed." His mouth tugs up at the corner into something you might call a smile. You try not to look too pleased with yourself. "Some of the dipshits on the roster don't even remember that much."

It feels like you've passed a test. His praise makes you feel nice. Noticed. Not something you often seek but you know yourself well enough to admit that you'd like a little more of it. Even if it's from a man you just met.

"Not that hard," you say softly. Joel looks at you for a moment longer before clicking his teeth. His horse starts to walk. You signal to Apollo to follow.

The patrol goes off without a hitch. Joel signs the log book in the station and you sign it in the tower. He lets you snipe two runners that he spots and doesn't scold you when you take three tries on the second one.

"Settlin' in okay?" he asks once you've rounded the town one last time and started back towards Jackson. "Six months, Tommy said?"

Despite his earlier words, you haven't chatted much this patrol. While you'd like to know more about him, want to get him to smile at you again, you're really just enjoying being out here with someone else, knowing that you're safe. That you've got somewhere to go back to.

"It's nice," you sigh. "I never imagined I'd find a place like this."

You really should pick up the pace to get back to town but he doesn't seem to be in any hurry.

"I know the feelin'," he murmurs. "Ellie'n me slept on the floor for a good two weeks at the start. Been two years and some nights I don't take my boots off."

"What a fucking life, huh?" That earns you a wry smile. "Having a house is...strange. All of the hinges squeak and I --"

"The hinges squeak?" You look over at him and Joel's brows are furrowed.

"Oh, I mean, it's no big deal --" You stumble over apologies. You don't want him to think you're complaining about a home his brother gave you when he sure as shit didn't have to.

Joel taps his thumb on the pommel of his saddle. "Can get that fixed, y'know."

You didn't know, actually. "Really?"

Now he looks at you like you're a little stupid. "Ain't you the one hauling shit to people's houses when they need a hand?"

He has a point and you hate it. It never occurred to you to ask for someone to come fix your hinges. They're just hinges, for fuck's sake. Other people have holes in their floorboards or leaks or need new rooms for family members. You're just...you.

Joel sighs. It feels like you've disappointed him and it swirls in your gut. "I'll take a look at it this week."

Your neck cracks audibly with how quickly you look up at him. "What? No, Joel, you don't have to --"

He says your name in a tone that you know means no arguing. "I know I don't have to. I offered."

"You don't even know me!" The words fly from your mouth before you can stop them.

He brings his horse to a full stop so quick you almost run into him.

"Look," he says. His gaze holds yours. Wow, he really can be intimidating when he wants to be. You can only imagine the things he's done, the things he's capable of. Anyone who has made it this long has blood on their hands. You've washed it from your own skin plenty of times. And yet, you feel completely safe. And you know that you'll probably do whatever he tells you. "I know how it can be."

Your gut swirls. "You don't know what I've been through," you say softly. It's not a jibe, it's just the truth. No one knows because you've told no one because it doesn't matter. You're here now.

"I've been alive for a while longer than you," he continues. "I've seen the world, just as you have. I've been out here. I was out here for a long, long time." He runs a hand through his beard, fiddles with his broken watch in what looks like reflex. "I know how hard it is to ask. To get back to something that makes any damn sense. But you can if you try."

The words linger in the chill around you. He's right, obviously. He's so fucking right that you want to be mad. You haven't asked for anything because you don't want to fracture the good thing you've got. Don't want to be too much, to be a burden they can't support, to make people think you don't deserve to be in Jackson. All things that don't make any fucking sense, not really, but you can't stop them. It's just how you're wired.

"So I'm comin' over this week to fix those hinges. Alright?"

"Alright." Something in Joel softens when you agree.

"Good," he says. "Good."

You finish the patrol in comfortable silence. All told it's been nice. To talk to someone, to feel like they give a shit about you even for just a few hours. You have no doubt Joel will be over to fix your hinges but you figure it'll fizzle out after that -- it always does. You don't know how to ask someone to stick around, anyway. But even this little bit of him will have been worth it.

Something both loosens and tightens in your chest when you get back to Jackson and through the gates. Goodbye beautiful, horrible outside world, hello safety, community, home. It's a trade-off. You and Joel hop off your horses and return your rifles. You're about to hand Apollo off to be brushed and returned to the stables when you feel a hand on your shoulder.

Joel says your name and you turn around.

"Good job today," he says softly. "Not too excitin' of a patrol, but you're good out there."

You blink owlishly. "I-- thanks," you manage. "Maybe we'll get to go out again as a pair." You're showing your hand but you can't help it. You want more of whatever this was.

Joel's mouth pulls up at one corner. "Maybe."

___

Two days later you drag yourself out of the house for community breakfast. Most mornings you're out the door and at your work detail for the day before you can pop over but you don't have anything assigned today. It's a rare respite and it has you antsy. You don't remember how to be idle, aren't any good at it. Sitting in your empty house means your mind might wander to the thoughts you try very hard to keep at bay. The loneliness, the regret, the fear. The loss. It's always there and you've gotten better at dealing with it after so many years but some days you really just wish you could talk about it to someone, could just bitch and moan about how fucking awful this life can be.

But everyone is carrying their own shit and you don't need to add to it. You don't want anyone to have to carry yours, too.

Breakfast is quiet this morning. You settle at a table with your toast and your eggs and your potatoes and smile back at anyone who smiles at you but no one sits with you. If they did you don't know what you'd say.

But then the air changes. Your neck feels a little hot and you slowly look around until you see what's caused it -- Joel and Ellie are here. He's already looking at you when you meet his eyes and he smiles a little, a half-moon curve of his mouth, and nods. You wave.

Ellie waves back, which you don't expect. She says something to Joel and he frowns, rolls his eyes. She punches him in the arm and he flips her off and grabs two plates, starts to fill them. You smile down at your own food.

"Man, are the potatoes that fucking good today?"

You look up and find Ellie in front of you. You're pretty sure she's 16 or thereabouts, still growing into herself based on the way she shifts on her feet. Her right forearm has the outline of something floral. She notices you looking at it and crosses her arms, looking unimpressed. Ah, teenagers.

"Pretty okay," you tell her. "I don't know if we've met yet --"

"We kinda have," she interrupts. "I know your name and you know mine, so. And you're at the library sometimes when I check shit out."

This still does not explain why she's over here talking to you. You can see Joel in the breakfast line still, glancing over his shoulder every so often to see if she's still in the room. You try not to catch his gaze because you're a little afraid of what Ellie might read in it.

"Can I do something for you, Ellie?" you ask, not unkindly. She scrunches up her nose and then sighs.

"Joel told me not to bother you but I wanted to ask if you could look out for a book for me. At the library." Her words get faster as she reaches the end of her sentence. She takes a look at you, sees that you're not telling her to fuck off, or something, and keeps talking. Some book about the history of comics or something.

"Oh," you say. You feel a rush of affection for her and the fact that she can hold the record for headshots on a group patrol and still want to read about something she loves in her free time. "Yeah, I'll look for you. I don't have a library shift until tomorrow but I'll look and put it aside if I find it for you."

Ellie tugs on her fingers. "Don't you need to write it down or something?"

You smile at her. "No, I'll remember." You recite the title and author she just told you back to her and it seems to satisfy her. It's like a switch is flipped -- her earnest expression morphs into something you can only call mischief.

"So Joel's coming over to fix your doors, or whatever," she says. "How'd you crack him?"

"I--what?"

"You patrol with him once and he's coming over to your house," she says. "It took him like, weeks to laugh at one of my jokes. And I'm fucking funny!"

You have no idea what to say to that. Patrol with Joel was your first time talking to him and while he's a bit intimidating, sure, he never came off as anything other than...good. But you'd bet he wasn't always that way in this world. Maybe this girl in front of you had something to do with it.

And honestly, you're sure he just feels a little bad for you. He's nice enough to worry, to make sure everyone in town can do their part and you'll take what you can get even if it's temporary attention.

Part of you knows Ellie is just giving you a hard time because she's a teenager and you're kind of connected to the guy who looks after her so you're fair game, too. But she's talking to you like she wants to which is throwing you for a loop. And you're realizing it's been a long time since you actually wanted someone to like you. Well, Joel aside.

"You want to tell me one?" you ask. She looks surprised and then delighted.

"Oh, fuck yeah. Okay, let me think." You take another bite of your breakfast. "Okay, okay, I got it. What did the mermaid wear to her math class?"

You give it a few seconds before you shrug. Ellie grins. "An algae-bra."

Your laugh makes her grin bigger. "See? Fucking hilarious." She holds out her hand for a high five and you oblige. "Anyway, Joel's gonna come over tomorrow, I think. Seriously, dude, I don't know how you did it. He never used to be this nice!" She looks over her shoulder at the man in question. He's sitting down at another table. "He's getting soft."

Her voice is fond and you're pretty sure she doesn't notice. "You should go eat your breakfast, Ellie," you tell her.

She sighs like the weight of the world is on her shoulders. "Yeah, I'm fucking hungry. Let me know if you find that book!"

"I will," you call after her. You can't help but watch as she barrels back to her table with Joel and immediately makes an attempt at his bacon. He fends her off with his fork before surrendering a piece with a scowl.

He looks up and catches your eye again. You stand with your tray and nod at him, turning around before you can see his expression. Stupid, so stupid to be caught looking like that. But you can't help it -- looking at the love still alive in this shitty world and wondering what it feels like.

___

You run into Joel on your walk home from the next day's shift at the library. You spent probably far too much of it looking for the book Ellie wanted but it was worth it because you've got it tucked under your arm. It feels like a small miracle but you're not one to question it.

Maybe it's the good mood you're in, but when you see Joel from behind you call out his name. He doesn't stop walking but turns his head like he heard something. When he spots you he does stop, waiting for you to catch up.

"Hi," you say, suddenly a little less brave.

"Howdy," he replies, amused. "I'm headed your way."

"You --" He lifts a toolbox you now realize he's carrying. "Oh, right. Hinges."

"I can come by another day if it's not a good time."

Joel could knock on your door in the middle of the night and it would be a good time. "No, ah. Now's good." He motions for you to lead the way even though he clearly knew where he was going. He must have asked Tommy.

It seems like everyone waves as you two head for your street. They call out Joel's name and he knows pretty much everyone. You feel a little self-conscious being seen with him like this -- you, pretty much a nobody in town through your own doing and Joel, beloved by all.

It doesn't stop until you're almost at your door. "You're popular," you say, trying to make it sound teasing. Instead, it sounds awed.

Joel runs his free hand through his beard. "Don't remind me," he grumbles. "Can't go for a walk without a damn conversation."

You pull out your keys and unlock the front door. There are plenty of people in Jackson who don't lock their doors but you can't shake the need. "Sounds difficult."

He chuckles and you feel it zing up your spine. It's nice to make him laugh. "Yeah, yeah. S'pose it's nice." The front door opens with a creak and you look at him sheepishly. His eyebrows touch his hairline. "They all like that?"

You nod. Joel whistles. "Christ," he says. "Alright." He follows you into the house. You try not to think about what he sees. You've tried to make it your own, just a little. Posters you traded for, books you've collected. You cleaned the whole thing top to bottom when you moved in but somehow it still looks a little un-lived in. You're working on it.

"Don't let me bother you," Joel says, getting on one knee with a grunt and prying open his box. "Probably need 'bout an hour to get 'em all. I'll holler when I'm done."

That's your cue to busy yourself with something, anything, but you don't want to. You want to talk to him, to watch him do whatever he's going to do, to soak up this time with Joel before he walks out the door and you go back to being acquaintances.

"What are you going to use?" you ask. He looks up, a little surprised, before pulling out a spray bottle and a rag. He shakes it at you.

"It's some sorta homemade shit one of the younger guys cooked up," Joel says. Somehow he manages to sound self-deprecating, like he thinks he should've thought of it first. "I think it's...soap? And cleanin' stuff? Fuck, I don't know." He huffs a laugh. "I know it works, though. Back in the day we'd use shit you could buy on the shelf." He stands with a grunt. "You old enough to know that?"

That gets you to laugh. "Yeah, Joel," you say. "I'm old enough to remember the hardware store."

His gaze feels a little different than before, like he's allowing himself to look. "Hmm," is all he says. "I'll just --"

You don't know how to justify shadowing him as he oils your hinges -- there's a joke there's somewhere -- so you don't. You grab a book from the shelf and settle on your couch and try your best to read but your mind wanders.

It's pretty clear that you have a crush on Joel. You've spent one patrol with the guy but somehow he's gotten under your skin. It's inconvenient but also...nice? A crush at the end of the world. The fact that you can still feel something so sweet, so juvenile after all you've seen and all you've done is almost laughable. And it's not like it's going to go anywhere -- you're sure Joel thinks you're too young for him, too green, and he's probably tripping over admirers in town. But you can let it be something to keep your days interesting until it fades.

It was hard enough to love yourself before the world ended for reasons anyone could understand. Societal pressures, stupid comparisons, things that don't matter at all now. Who has time to think about being loved when you're constantly faced with death? Feeling desired, feeling loved, feeling looked after isn't exactly top of mind. You're not even sure you remember how. You put one foot in front of the other and that's enough.

But wouldn't it be nice to be on the receiving end of affection from a man like Joel?

"All finished." You startle and realize you haven't turned a single page of your book. If Joel notices he doesn't say. He wipes his hands on a rag and eyes you. "Pretty sure I got all the doors."

You hop up from the couch and try to find your words. "I -- that's -- you're --"

"Thank you will do just fine," he says with a smirk. He tucks the rag in his back pocket and crosses his arms, leaning against the wall.

"Let me cook for you," you blurt out instead. "In exchange." You can make a few things fairly decently and making him something is another excuse to talk to him like this, to be on the receiving end of those eyes. "I can make chili. Does Ellie like chili?"

"Don't have to do that," he says kindly. "Helpin' you ain't a business deal. S'what people do here." He stands straight and heads for your front door, picking up his toolbox on the way.

"Joel," you say, snagging his sleeve with your fingers. You pull them back quickly and grab the book you brought home, holding it out for him. "Ellie asked me to look for this. Could you give it to her?"

He looks at the book the same way he looks at his kid. It's tenderness so raw you look away. "I will," he says softly. He tucks the book under his arm like precious cargo. "Thank you for findin' it for her." He clears his throat and looks at you, smirk back in place. "Wasn't so bad, was it?" he asks. You don't follow. "Havin' someone help you," he adds.

Your face feels hot. "I'll still cook for you," you say, opening the door. He shakes his head.

"You let me know if you need anythin' else, alright?" A quick smile and he's down the steps and back into the street, strolling back to his own home.

"I will." You say it to yourself and almost mean it.

___

You patrol a few more times over the next month but never get paired up with Joel. If you were a little braver you'd ask Tommy or the kid he's training to take over the schedule to put you two together but you don't. Instead, you wave at Ellie when you see her, nod at Joel from the other side of rooms where he's always talking to someone else. You let yourself enjoy the way your heart picks up at the sight of him and the thrill you feel after he smiles at you. It's a nice change to the boring, lonely routine you had before.

The doors in your house open and close silently.

Being outside is fine. You don't like it any more or any less, it just is what it is. Life at the end of the world continues on.

Until you have a bad patrol.

It's no one's fault and no one gets bit. You and your partner, Astrid, are tailing a buck that's wandering along your route. If you can shoot it you can load it on one of your horses and ride back together on the other. Winter is on its way and any extra meat helps.

You follow protocol. You're lining the deer up through the scope while she keeps watch. Just as you prepare to pull the trigger you feel it -- the pull of your gut telling you something isn't right. That feeling has kept you alive all these years so you lower the rifle and turn to Astrid just in time to see a stalker lunge out of the brush.

Its broken and jagged nails catch your shoulders and you go down hard enough to bruise. You can't hear anything over its snarls and the blood pounding in your ears but you do your fucking best. You wedge your forearm under its chin and try like hell to keep its mouth away from you. Your other hand somehow makes it to your belt and unsheathes your hunting knife and in one swift movement, you shove it into the soft jaw of the infected. Hot blood spurts over your face and you keep your mouth closed, shoving the corpse off you.

A gunshot has you whirling around and scooping up the rifle. You've got it ready to fire but you only find Astrid standing over a stalker corpse of her own, forehead bleeding and revolver smoking.

"You clean?" you ask her, eyes on her forehead. She nods.

"Shoved me into some thorns. You?"

"Yeah. Can we go home now?"

Your hands don't shake until you get back to Jackson. They tremble when you wash the blood from your face, your hair. You wish for just a second that you had someone to hold them, someone to tell you it's alright. Someone to talk to about how shitty your day was and how scared you were and how sometimes this life is so fucking exhausting and just when you think you're safe you're reminded that no one is safe anymore.

Maybe this is the kind of thing Joel was talking about. Asking for help.

The thought fades quickly. You can deal with this. You're just out of practice. You just got comfortable.

You go to bed as early as you can bear, closing your eyes and hoping for dreamless sleep.

You could only be so lucky.

You're no stranger to nightmares. Hell, who isn't? Usually, it's the same old shit -- people you've lost, fucked up things you've done, horrors you've seen. You know how to deal with it.

But this is the first time in a while you've got new nightmare fuel. The hot, rancid breath of the stalker and the agonizing sound of its moans. Your own choked gasps as you try with all of your strength to keep its rotting teeth away from you. Unlike reality, your dreams don't allow you to grab a hold of your knife and instead, you feel it take a chunk out of your neck, hot blood splattering your face and you have to just lie there as it bites and bites and bites --

You jolt upright with a small gasp. Necessity has taught you to wake silently.

"Fuck," you say to the empty room. No way you're going back to sleep after that. You swing your legs over the side of your bed and put your head in your hands. "Breathe. Breathe."

The sky is black through your windows. You have no idea what time it is but you stand before the lingering panic can take hold and make things worse. Fresh air will get the iron smell out of your nose. You dress in the dark in more layers than necessary but you want to stop shaking.

Jackson at night is quiet but there are always a few people around, always someone else who can't sleep. The sky is clear and the moon is bright and it smells like woodsmoke and the unique earthy feel of the valley. This is your home. So long as you have this you can get through it.

Your feet take you through the streets of houses, most of the windows dark. Just another lap around town and then you'll go home, try to sleep again.

Then you hear something. The gentle strum of an acoustic guitar weaving with the night air like a dream. A song from before, a song you recognize but don't know the name of, don't know the words. You wrap your arms around yourself and follow the sound down Rancher Street. If you find whoever is playing it you'll wave and walk slowly home.

Your breath catches in your throat when you see whose house it is. Joel is on the porch, rocking slowly and head leaning back, eyes closed as he strums. How did you not know he played guitar? It only makes sense that the hands that are capable of such violence can also make something beautiful. He can ruffle Ellie's hair and pull the trigger and fix your doors and do this.

Something in your chest tightens.

Joel's eyes open and land on you immediately. You realize how it looks -- you standing in front of his house in the middle of the night, watching him. But he stops his playing and calls out your name.

"Hey, you alright?" he says. You hover between taking a step forward and a step back.

"Couldn't sleep."

He shakes his head. "Can't hear ya," he says. "C'mere."

Step forward it is. Up the stairs and onto the porch that creaks a little under your boots. There's only one chair and a small table with a lantern on it. Wind chimes dangle over the railing and you drag your hand through them on instinct like a child with a toy.

"Sorry," you say softly.

"Only got one chair," Joel says. He's got one boot resting on his knee, guitar slung across his lap. He looks tired. "I'll go get another --"

You wave him off. "No, please," you say. "I'll stand. I'm too antsy to sit, anyway." If you sit down in a chair next to Joel Miller you might never get up.

He frowns but settles back into his seat. "You alright?" he asks again.

His gaze is a little too much. You feel silly all of a sudden, not sure how you got here. A fucking nightmare? God, you're ridiculous. You cross your arms and lean back on the railing and look anywhere but him.

"Couldn't sleep." Joel hums.

"Heard that one before."

He strums some more and you relax again despite yourself. "Sounds nice. Do you play a lot?"

"Sometimes," he says. "Old habit."

"It's a nice one. Better than walking the streets in the dark." Your tone is harsher than you mean it to be and Joel frowns.

"It's safe to," he says, as though your wellbeing is his personal concern. "Bit cold, though."

"Why are you out here then?" You're frustrated with yourself and taking it out on him just a little bit. The smell of blood fills your nostrils again and you press your fingertips into your crossed arms, hard, and close your eyes. Your breath stutters in your chest.

"Nightmares," Joel says wryly. There's some shifting, the scrape of wood on wood and you open your eyes. His are fixated on your fingers and you stop squeezing. The guitar is now leaning up against the house and he's got his elbows on his knees like he's about to ask you a serious question. The lantern light makes his hair look darker, less silver, but it also makes the lines on his face look deeper. You wonder what kind of shit he's seen. What things he has nightmares about.

"Had this conversation with Ellie a million times," he huffs, rubs his hand through his beard in what you now consider a familiar gesture. "You don't need to talk if you don't want to. But can't hurt."

Is he asking you to talk about your nightmare? Does he actually want to know? Do you know how to talk about it?

"I take it you're a fountain of emotional sharing, huh?" Again, the misplaced frustration. You don't know how to turn it off.

His eyes flash but he just leans back in his chair and shrugs. "Depends on the day."

The low-level hum of your infatuation with him flares and your traitorous brain bats it down right away. You want to see all sides that he can offer you, want to make him frustrated and angry just to see if that'll make him sick of you.

You run your hand through the wind chimes again, watching your fingers move through the air. You remember what the knife felt like in your hand, the way the blood was hot as it dripped down your wrist and onto your face.

"Tough patrol," you say. "Messiest since I got here." Joel says nothing and you don't look at him. "I...it was fine. We got jumped by some stalkers and it was fine but...close. And I -- I didn't realize how badly I wanted to come back here until then. How badly I wanted to go home at the end of it. Does that make sense?"

You finally look up and Joel's knuckles are white on the arms of his chair. When he sees you looking he crosses his arms. "Sure," he says, clears his throat.

The urge to try to explain more is overwhelming. "I mean, we've all done fucked up shit. I've been up to my elbows in infected guts and still come out on top and slept like a rock the night after. And all of a sudden I can't fucking handle a stalker getting in my face. It's like I've never had to get my hands dirty before and what if it means I'm going to fuck up next time --"

"Hey," Joel says firmly. You feel a hand on your forearm and realize you've been pacing, arms flailing as you rambled. He gives it a squeeze and then releases you. "Feel like I gotta say fuck now to catch up with you."

A wet chuckle works its way out of you. Where did that come from? Are you about to cry? On the porch of the man you have a stupid, stupid crush on? This is embarrassing. And his touch. People touch you all the time, all things considered. A tap on patrol indicating silence, a hand on your arm to get your attention, to brace you as you lift something. Children in town who don't know the horrors outside the walls give affection freely. Hell, Joel touched your shoulder after your patrol. You're not touch starved but you feel like no one has touched you with tenderness and meant it in years.

"Sorry."

Joel tuts. "C'mon," he says. "I asked."

"I don't think I feel any better."

He stands and grunts as he does so. He's so much closer than before, so close you can smell what you can only describe as Joel: wood shavings and gunpowder, laundry soap and leather. It's a little dizzying. He leans on the railing next to you.

"Bet when you go back to bed you won't dream," he says. "Usually what happens."

"Here you are again," you sigh. "Helping me out. I promise I get on just fine on my own."

"I know," he says. His eyes are warm and so, so deep. "Don't have to, though."

Joel, for all his kindness and popularity in town, is a man just like any other. A person who has seen and done shit that no one should have to see and do. You know he's got his fair share of secrets, of things he won't talk about. You all do. You know he can be unflinching and maybe even cruel, dangerous and deadly. Whatever is happening here -- this openness, this desire of his to help you out -- is hard won. You think about what Ellie said and let yourself have a dangerous thought: maybe he's this way with you because he wants to be.

You sway into him just a little before catching yourself and standing up straight. "I should go try that dreamless sleep," you say softly. "And you should, too." It does not escape your notice that you haven't talked about Joel's nightmares, whatever they are. You don't think he'd be that open. A piece of you imagines a world where you ask and he answers.

"I might," he says. Neither of you move.

That small piece of you would stay here all night. That small piece of you tries for the next best thing.

"Will you let me cook for you now?" you ask. It sounds a little desperate to your own ears. "Please?"

"Persistent, ain't you?" He taps his closed fist on the railing once, twice. "Well, if it's that important to you. Chili, you said?"

"I can have it done by sundown tomorrow. I'm on greenhouses but we always finish early. You can come by and get it. I'll do enough for you and Ellie for a few days." You're rambling but finally he's going to let you do something for him. Hinges, nightmares, it's too much. Maybe you can somehow cook out this affection for him, get rid of it with your own hands if you try hard enough.

"Alright," Joel says. He puts his hand on your shoulder lightly and squeezes once. You feel it all the way down to your toes. "Now get outta this damn cold."

He doesn't offer to walk you home. You'd say no if he did. You need the time to sort out the mess in your mind. You give him the most earnest smile you can manage and he watches from his porch until you turn out of sight.

__

Joel is on your mind all day. More so than usual, which is saying a lot. The crush has turned into something...more. Something that makes you hope and that something is dangerous. It's just setting yourself up to be hurt through no fault of Joel's when it goes nowhere. Because why would he be thinking about you?

"You're smiley today," Dina says. She's a sweet girl and you're paired together on greenhouse shift today. She's always got a story to tell about plants she and her sister saw in New Mexico or some weird mushroom she found on group patrol. You love how positive she is and you try to absorb some.

"Am I?" you say lightly.

She tugs on one more cucumber, putting it in your shared basket before wiping her face. She gets dirt on her nose. It makes her look young. "Got big plans?"

Your face feels hot. "Just cooking for a...friend." It's the first time you've said that out loud. It's probably true, right? Acquaintance, at least. Joel is important to you and it's taken an alarmingly short amount of time for it to solidify. That's just how the world works these days -- you never know how much time you have so everything moves faster. You care harder despite years of proof that nothing good comes of it. You can't help it. You were made to leak love like an open wound.

"A friend," Dina teases. Teenagers. You remember that she's friends with Ellie and it's very possible she knows exactly what you're talking about but she's too kind to say anything more.

"Yep," you say, popping the p. "Do I have to start teasing you about Jesse or are you going to cut me some slack?"

"Well, hey," she laughs. "I think it's nice to be excited about something. You're so serious all the time."

"Am not," you mutter.

Something you appreciate about Dina is that despite her age she knows when to leave it. "Whatever you say," she says primly.

Once work is over and you're back home the cooking goes quick. You focus just enough considering you want this to actually be good and for Joel and Ellie to like it. It's thank you chili, it's you are important to me chili, it's I want to see you every day for the rest of my life chili.

Well. It's thank you at the very least.

And food, especially in this world, means something extra. There's enough to go around in Jackson, more than enough, but anyone taking the time to fix something with their own hands means more. You know how different a meal can taste when someone makes it with care.

And to say you care is a bit of an understatement.

The chili is simmering and you're about to start on the dishes when there's a knock on the door.

"Shit," you say. You wipe your hands on a towel and pad down the hall in socked feet. When you open it you find Joel bathed in the golden light of the sunset. His hands are tucked in his pockets, the collar of his coat turned up to protect his neck from the chill that's settled in for the season. His face softens at the sight of you but his shoulders are still tight. Is he...nervous? No, you're projecting.

Here he is on your doorstep again. If you're not careful you'll get used to him being there.

"Sorry for bein' a bit early," he says at the same time you say, "I was just thinking about you ."

The tension melts out of him and he smirks like a man with a secret. "That so?"

Your eyes are wide as you find your words. Hopefully ones that aren't embarrassing. "Come in," you say. "I'm letting the heat out."

He follows you to the kitchen. "Smells good," he says.

"It's not quite done yet but that's a good sign, I guess." You stir the pot before rolling up your sleeves and taking your spot in front of the sink. "Sorry it's a bit of a mess, I was about to start on this --"

"Now I know you ain't about to do all that yourself," Joel drawls. It's a syrupy tone you haven't heard from him, not really. Is he...flirting with you?

"I...what?"

"Scoot," Joel says. He steps beside you in front of the sink and gently bumps your hip with his. "Seriously."

"Joel--"

"Does it look like I'm kiddin'?"

He keeps his eyes on yours as he shrugs off his jacket, tosses it on this island, and rolls his shirtsleeves up to his elbow. You look away from him so you can watch.

"This is getting ridiculous," you tell him even as you hop up to sit on the counter closest to the sink so you can see his face. He turns on the tap and starts on the various things in the sink even though some of them are clearly not from cooking tonight. "You'll be sick of this chili before I can pay you back."

"I told you it ain't like that," he scolds. "So quit it."

There's no real bite to his tone but you do as he says all the same. You kick your feet out a few times and do your best not to stare but fail miserably. The fall sunlight seems to have followed him into your house, pinkish-golden beams falling across his face. You can see a triangle of chest at the top of his shirt, a few dark curls teasing the hair on him. The scar on the bridge of his nose is much harsher up close, much deeper than the countless other ones that dot his forehead, his temples. He doesn't look as tired today. Maybe he got some sleep after all.

So did you. You didn't dream.

"How was your day?" you ask. Joel's eyes flick up to yours for just a breath before he looks back down at his task. His mouth pulls up at the corner.

"Fine," he says. "Had to fix the water heater at Ellie's place."

A piece of hair falls in his face and you shove your palms under your thighs so you don't brush it back.

You tap his denim-clad thigh with your socked foot, almost like a compromise with yourself when it comes to touching him. "And that took all day?" Damn, are you the one flirting now?

Joel seems amused in a grumpy way. "Well, no," he says. The faucet is on so he speaks a little louder. "Did some house chores. Worked on a guitar. Took a nap."

The image of Joel sprawled out on a couch is clear as day. You bet he looks relaxed in his sleep, the lines on his face not as pronounced, his breathing steady and even.

"Busy day," you say softly. He's about to say more, lips parted to ask about your day, maybe, but you're not about to admit that you spent all day thinking about him so you keep talking before he can. "Does Ellie like living in the garage?"

"Think so," he says. "She spends a night in the house every so often but I think she likes havin' her own space. S'important to me to give her that."

This is uncharted territory. You desperately don't want to step in shit, to somehow make him bring his walls back up. Everyone is protective of the things they love in this world and for good reason and you're pretty sure there is nothing and no one Joel loves more than Ellie.

"She's a good kid," you offer. "Everyone in town loves her."

Joel smiles down at his hands, that soft, raw smile you've seen a few times when talking about her. It makes your chest ache. "She is," he admits. "Pain in my ass, too."

You want so badly to ask him the details. How did they meet? How did they get here? How did they become so devoted to one another? And what happened in the last twenty years to get him to right now, washing dishes in your kitchen?

But you haven't earned that stuff yet. Maybe you never will.

"Does she like Jackson?" You remember what he said about them settling in, sleeping in the living room with their shoes on. You imagine he kept watch for weeks, maybe months, before deciding it was safe.

He nods. "S'good for her to have friends. And havin' school is good for her. She's real smart." He clears his throat. "And you? D'you like it?"

"Well, I like it much better now that my hinges don't squeak."

Joel laughs. "I'll bet you do." He's almost done, everything from your chili-making washed and set aside to dry. He's doing your dishes from breakfast but shows no signs of stopping."Do you cook like this a lot?

Your brows furrow. "I-- no, actually," you admit. "It's just me, so. Not worth putting in the effort that often."

He turns off the tap and grabs a towel and starts to dry. You should offer to help but you feel frozen to the counter. If you get any closer to him you might snap. His jaw is tight.

"When Ellie and I --" he stops, takes a moment to focus on the bowl in his hands. Joel, you've noticed, doesn't tend to say things he doesn't mean, at least not to you. It's like he knows that every word counts in a life as unpredictable as this. "We had a bit of a rough patch last year and we didn't talk for a while. I was damn near eatin' canned veggies on days Tommy didn't drag me to the community meals." He sighs and sets the bowl on the counter ever so gently. Violence and tenderness go hand in hand with him. "Just didn't have it in myself to try cookin' if she wasn't there to eat it."

It's the most vulnerable thing he's said. He keeps doing this -- offering you pieces of himself that you want to hold close, that make you think maybe he wants you to know him.

"Joel--"

"I guess what I'm sayin' is it's easier to take care of yourself when you're also takin' care of people who matter to you. That make sense?"

"Yeah," you breathe. "It does."

The whole scene is so...domestic that your chest aches. Joel in your kitchen doing your dishes. He's helping you yet again but this feels different. It feels like he wants to be here, talking to you. It feels real.

He finishes his task and dries his hands on a faded towel. You hop down from the counter to check the chili. "Should be done," you say. "Do you want to try it? Make sure it's worth it?"

"Oh, it's worth it," he mutters. You work to keep your face neutral. What does that mean? "Sure."

You pull a spoon from the drawer and while it would make more sense to just hand it to him you don't. Instead, you dip it into the steaming liquid and hold it out for him, your other hand cupped underneath to catch any spill. Joel stares at your offering for a few seconds and you wonder if he can hear your heart beating.

Then Joel reaches out slowly like he's afraid you'll bolt if he goes too fast, and lightly wraps his hand around your wrist. It's the first time he's touched you skin to skin and you know immediately that it's a mistake.

You'll never stop wanting him now.

His palm is warm, callused fingertips pressing gently into your skin and he tugs, bringing the spoon -- and you -- closer to his mouth. Everything moves in slow motion for a few moments and it's like you are the only two people in the world. Your kitchen fades and it's just Joel. His lips part and he slides the spoon into his mouth at the same time as his thumb strokes the inside skin of your wrist.

It's very possible that you gasp a little.

He closes his eyes and you're torn between watching his face and his throat as he swallows. You could look at him forever, you think, and never get enough. The set of his brow, the hard line of his jaw. Lines around his eyes and mouth from years of terror and violence but also from laughter and smiles. You want to learn every inch of him if he'll let you.

"Christ," Joel says. His eyes fly open and find yours. "That's good. That's real good."

"You're just saying that," you say weakly. He hasn't let go of your wrist and his thumb strokes once again. You wonder if you realize he's doing it.

Something in his face changes, something so small that you only notice because you're watching. It feels like he has decided something and you wish you knew him well enough to say what. You dare to hope it has to do with you.

"Oh, sweetheart, I'm a good liar but I ain't just sayin' that."

Sweetheart. It echoes in your ears, burrows its way into your chest and takes root.

You're so fucked.

But there's something in Joel's gaze, in the brush of his thumb across your skin, in the fact he's just done all of your dishes and talked to you like he wants to be here that gives your traitorous heart some ground to stand on.

You send him home with as many glass containers of chili as he'll take. He argues that you won't have enough for yourself and manages to convince you to keep a few. You don't tell him that what you really want is to sit next to him at a table and eat it, knees bumping under the wood and his smile making your empty house feel warm.

"Tell Ellie I say hi," you say once he's out your door and on the porch. "And let me know if she likes it."

"Will do," Joel says. You hug your arms around yourself against the chill. He frowns slightly.

You wonder if he'd touch you if his hands weren't full.

"And thank you for--"

He shakes his head. "Not acceptin' thanks," he chides. "Not from you."

You don't know what to say to that. Joel seems to realize he's rendered you speechless, not for the first time, and nods his head before heading home.

"See you around, Joel," you call after him. It sounds half like a question and half like a wish.

He turns. "Countin' on it."

___

You do see him around but not as much as you'd like. Things pick up around town before the seasons can change and send Wyoming into winter. You find yourself in the kitchen most days helping seal jars for the community food stores, hands chapped from the hot water and heart light when you think about Joel. He nods at you from across the dining hall, opens the door of the library when you're going in and he's coming out, and tells Ellie to tell you how good the chili was when you share a shift at the stables.

"Fucking amazing," she says.

You sleep fairly well, going to bed each night with a little bit of lightness in your heart that you allow because why not? There's no way out short of Joel telling you to fuck off and you don't think that'll happen. If only you could get over yourself a little more and actually do something about it.

As much as you want to keep telling yourself that this -- glances across rooms, smiles from a distance, memories of his hand on your skin -- is enough, you're not sure that it is. The force of your want is destabilizing considering the most that's happened is maybe a little bit of flirting. But maybe this is you taking his direction to ask for...no help, not exactly, but to ask for something. To ask for him.

Today you're going on patrol. You decide as you mount your horse that you're going to ask Joel if he wants to get a drink when you get back. You want to talk to him again, let him under your skin a little more. Maybe tell him some things about yourself. Sometimes he's milling around the gate or on wall duty but you don't see him as you and your partner -- a fairly new kid in his twenties -- take your rifles and head out. You're on an easy route today, just clearing out the town over the hill and the highway exits near Jackson. Shouldn't take you more than a few hours.

It goes to shit fairly quickly.

The kid -- Conner? Charlie? You can't remember -- is rambling about the infected he's killed for some reason when you realize something isn't quite right. You can't hear any birds. Apollo snorts and it sounds panicked. You motion for the kid to stop talking but he either ignores you or doesn't see.

He sure shuts up when the clicker bursts out of a house to your left. Apollo startles and rears at the moment you reach for your gun and you can't grab hold in time.

You go flying, bouncing off a rusted-out car and landing hard on the broken pavement of the street with a popping sound. There is a pain in your shoulder so intense your vision whites out. The kid is shouting, the clicker is making that awful sound, but then you hear two gunshots and nothing else.

"Holy fuck," he says, rushing over to you. "Fuck, are you okay?"

Well, for a talker, this kid a good shot.

"Get the -- horse --" You roll onto your back with a groan and he grabs Apollo and settles him.

"What happened?"

You stare up at the sky, blue turning purple. It'll be sunset soon and you very well might be fucked if this is what you think it is.

"I think my shoulder popped out," you say through gritted teeth. Your head doesn't hurt like you smacked it and your side is only a little sore. Maybe some bruised ribs. Your hands are scraped, blood beading on the heels of your palms. "Help me up."

"Holy shit." He helps you sit up and then stand, your left arm hanging limp at your side. You hiss through your teeth as it gets jostled and lean heavily on the car. "You don't look so good," he says. "Can you ride? We should only be a half hour out of town."

"I...don't think so." You're pretty sure you'll pass out from the pain and this kid doesn't look like he can handle that. You don't want to fuck up the joint any more than you have to. "You're going to have to go back and bring someone to set it for me, okay?"

"But the rules say --"

"I know what the fucking rules say," you snap. Don't let your partner out of your sight. Your shoulder is throbbing and you might cry but not until this kid is on his way back to town. "That's why you're going to go as fast as you can, alright?"

"We should at least clear a building first so you can --"

"No time," you say, looking at the sky. "If we want to be back before nightfall you need to go now. I'll handle myself."

You really should know his name. He sets his jaw in a move that reminds you of Joel which causes a pang in your chest so intense you want to rub it away. "I'll clear that garage, okay?" He points behind you and before you can stop him he runs towards it with his gun out.

Lucky for both of you it's clear. You take Apollo inside and slump against the wall, pistol in your hand. The kid closes the garage door behind him and you hear the clop of his horse as he gallops away.

"Fuck," you say into the empty room. It's dusty and full of cobwebs and not much else. Empty metal shelves, a rusted-out lawn mower, some tarps so ratted they're useless. Apollo snorts. "Not your fault, buddy."

Death has been nipping at your heels for twenty years now. You've always expected it. And you're fairly certain you won't die out here. Maybe end up spending a night on this floor, having to walk yourself back to Jackson tomorrow morning. But you can't help the fear that rises in your throat. You know how an injury like this means so much more in this world. You won't be able to work for weeks. You won't be able to patrol, to pull your weight.

You're going to need a lot of help.

You close your eyes against the stinging tears and thud your head against the wall.

The pain dulls the embarrassment you feel when you catch yourself thinking of Joel. You wish he was here. If you'd been on patrol together this wouldn't have happened. You wonder what he's going to think of this.

What you'd really like is for him to hold you and tell you it'll be alright.

A few tears slip down your nose. Apollo noses at your knee.

There are no windows so you don't know how much time has passed. You start to question if this was the right call. Maybe you could have made it back on horseback, or at the very least slung across the back of Apollo like a sack of flour, arm be damned.

Your traitorous brain is about to remind you of all the things that go bump in the night out here when you hear something. 

Someone is calling your name. Yelling it.

"Here!" you scream. Apollo whinnies. "I'm here!" You have no idea if they can hear you. You press your good shoulder into the wall behind you and try to push yourself to your feet but just as you do the garage door is hauled open and there stands --

Joel.

A sob bursts from your throat and you will yourself to pull it together. Behind him the sky is much more orange than it was when you first sat down.

Joel's eyes look you up and down once before cataloging the space and locking on some milk crates. He stacks two of them.

"Sit," he says. His voice is tight.

"Joel --"

"Sit."

You do as he says. He kneels at your feet and rummages around in his bag. His horse stands munching on some overgrown grass on the driveway. Did he come alone?

"How are you here --"

Joel cuts you off with a glare. His eyes are blazing, jaw grinding as he holds out a length of bandage.

"Hold this." He stands and his knees crack. "Kid said it's your shoulder. Anything else?"

The throb is still deep, still intense, but his arrival almost made you forget all about it. You shake your head.

"Didn't hit your head? Crack ribs? Nothin' like that?"

"No, I don't think so --"

"Need you to sit up straight," he says. There's no warmth in his tone but it's a little softer now that he's taken stock of the situation. "I ain't gonna lie to you, this is going to hurt like hell." He digs in his pocket for something and pulls out a square of leather. "Need you to bite down on this."

He squats so that you're just about face to face and holds out the leather. It feels like being in your kitchen, you holding out the spoon and fighting your desire to touch him. Except this time he won't look you in the eye. You open your mouth and he gently places it between your teeth, thumb catching the corner of your lips and trailing along the edge of your chin before he pulls away and stands up.

"I'm going to reset it on three, alright? Bite down hard on that." He finally meets your gaze and you nod and close your eyes. He puts one hand on your shoulder and the other on your wrist and you wince even though you feel incredibly safe in his hands. "Alright. One...two --"

Joel jerks your arm up and around before he hits three and you barely hear it pop back into place because, as he said, it hurts like hell. You bite down hard on the leather which also serves to muffle your scream.

Someone is talking to you."I know, baby, I know. Good job, you did a good job."

You open your eyes and wipe away a few tears with one hand and pull the leather from your teeth. Joel looks pained but his face snaps back to neutral when he sees you watching. His eyes narrow.

"Where did that come from?" He gently grabs your wrist and looks at your palm and you both find it bloody. "Got it on your face."

"Scraped my hands when I fell," you say hoarsely. He clicks his tongue.

"Give me that bandage." You don't even get a chance to hand it to him because he plucks it from your lap. "Gonna make this into a sling for this arm. Try not to move it much. Then we'll clean those hands and head home. Get you to the clinic for some meds." He gently positions your arm, which hurts a lot less than before but is still throbbing, and ties a sling so it's bent close to your chest. You can feel his breath on your neck as he does the knot.

And then he's back crouching in front of you.

Joel Miller on his knees for you so many times in one day makes you a little dizzy. Or maybe that's the adrenaline.

"Are you angry with me?" you ask softly as he wipes clean your palms and cheek with firm touches. The muscle in his jaw twitches again and his hands freeze for a split second.

"No," he says. "I ain't mad at you. I just can't believe the fuckin' kid left you here."

"I told him to."

"Can't believe that either. You know better."

"It's fine, Joel," you say. "It doesn't matter. I would have just walked back in the morning if no one came --"

He pulls his hands away and tosses the rag to the floor. "Damnit, it does matter," he curses. "'Course it fuckin' matters. Cut that shit out."

Now you're confused. It sure seems like he's angry with you. "Joel, I don't understand --"

His hands cradle your face and the protest dies in your throat. "You matter to me," he says thickly. His eyes are wide but his stare is steady. "Ain't it fuckin' obvious?" Anger and desperation are dripping from his words. "It matters."

For one long second you think he's going to kiss you. Now that might kill you.

You wrap one hand around his wrist and lean into his palm. A thousand thoughts swirl in your head but you focus on one. Joel is here which means you're safe. Joel is here which means he's going to take care of you. Joel is here. Joel is here. Joel is here.

"Oh," you breathe. You turn your face in his palm and press your lips to the center of it. His breath hitches and it feels like something big between you shifts, slots into place. "Okay," you say against his skin.

He pulls his hands away and stands. He works his jaw a few times before shouldering his pack and holding out his hand. "Let's go home," he says.

You stand with his help. "I think you'll need to help me get on my horse."

"Not a fuckin' chance," he growls but you can still see tenderness in his eyes. "Can't hold on well enough with one arm. We're ridin' together."

This Joel is one you haven't seen. But this is what you wanted, right? You want to see every part of him. Something molten and heavy sits in your stomach at how tense he is, how his hands remain gentle despite his harsh words. How he just told you that you matter to him. Maybe this is all a dream.

He helps you on his horse and then gets on behind you, tying Apollo's reigns to his so you won't lose him. He wraps one arm right around your stomach, mindful of your arm.

"Ain't gonna be comfortable," he says in your ear. "But it'll be over quick."

You lean back into him. Hell, it's all on the table now. If your arm is going to hurt you might as well enjoy your time pressed against him.

"Oh, I don't know," you say. "This isn't so bad." He snorts and snaps the reigns.

He talks low and steady in your ears as you gallop, his palm firm on your abdomen to keep you as still as possible though it's a hopeless venture. Your shoulder aches, sends sharp tendrils of pain through your entire arm with every stride.

He tells you that he was on the wall when your partner came back alone. That he knew something was wrong with you as soon as the kid came into view. He'd seen the patrol assignments and knew you were paired together. Kid didn't know what flag to use to signal his approach because you're not supposed to leave behind your partner.

Joel tells you how he hopped down from the wall and asked the kid where exactly he left you. Demanded to know how hurt you were, if you'd been bit. He was on a horse before anyone else could get their shit together, told them to get Tommy and have the clinic ready for you. Started hollering your name as soon as he got to the street, rifle ready for any infected to show up.

"Damn miracle when you yelled back," he says just as Jackson comes into view. You're sweating and dizzy from the pain, practically all of your weight slumped back into his chest. "Almost there, sweetheart. Doin' real good."

The rest of it is a blur. Joel takes you to the clinic where he becomes increasingly agitated that he set your shoulder wrong until one of the staff says he did it just fine. They give you a real sling and one painkiller to take if you hurt really bad, despite some harsh words from Joel in an attempt to get you more.

"Don't move it above your head for two weeks. Keep the sling on for that time, too. Ice it today, start moving it back and forth a few times in a few days. You got someone to help you for a bit?"

Before you can open her mouth Joel answer for you.

"Yes." The nurse hides her amusement well. She lets you go. Joel keeps his hand on your back as he walks you to your house.

You stop him when you get to your front door. "Joel --"

"If you're about to argue with me, so help me God, I'll --"

"I was going to ask if you need to go check on Ellie." You pull out your keys and after a second hold them out for him. Maybe letting Joel help you is helping him, too. You can handle that. You think.

"Told Tommy to when I left. I'll go home once we get you settled."

We.

"Okay," you say softly. He unlocks the door and motions for you to go in. You sit gingerly on the couch and Joel brings you a glass of water.

And then he paces. He looks at the books on your shelf without seeing them and rubs his thumb against his first two fingers over and over. And all of a sudden he won't look at you.

"Joel, sit down or something," you grumble. "You're making me nervous."

He stops. "Fine." His tone has a bit of bite to it that makes you close your eyes. There's an armchair in the room but he sits next to you instead. He presses his knee to yours, almost in apology.

The adrenaline has faded by now and all you feel is the ache of your shoulder and ribs and rawness of your palms and heart. The shoulder hurts like hell but in a way all of this hurts deeper, harder than that. In the way you know love, or the beginning of it, can hurt.

You sniffle.

Truth is you're overwhelmed. By what happened, by Joel coming to get you and saying all that shit. By him touching you, by him being here, by your own heart beating so quickly at his nearness. Even though you dared hope he felt something close to your affection for him it's a shock to realize he cares about you because you're you, not just because he's a good man. You've always wanted love that came from a place of purpose, which feels selfish on the best of days. You should just accept whatever kindness comes your way in this cruel world.

But, fuck, you've always wanted to feel chosen. Like you matter.

And you do. Right here, you do. From his own lips he's said you do.

You don't even realize you're crying until Joel curses softly and one wide, warm palm is on your face again.

"What's wrong? You hurtin'?" His thumb swipes at your tears. "Talk to me."

"I'm fine." You press your face into his shoulder and he holds you, hand soft on the back of your head. "I'm just -- I'm just really glad you're here, Joel."

"Course I'm here," he says into your hair. "C'mere."

There's nowhere for you to go considering you're already pressed against him. But his arms come around you fully, mindful of your shoulder, and your fingers fist in his shirt.

You should be embarrassed. On the scale of fucked up shit that's happened to you, today is remarkably low. But you let yourself have this. You breathe him in and let him hold you.

"I was going to ask you to get a drink tonight," you mumble. His chest vibrates with laughter.

"That so?" he says. His hand rubs up and down your spine. "Reckon I'd say yes."

You pull back just enough to see his face. This close you can see how his eyes have a bit of gold in them. "Really?" Even with proof of his affection right in front of you it's a little hard to believe.

"Am I readin' this wrong?" he asks. "It's okay if I am--"

"No," you say quickly. "No, you're not."

"Thought so." His lips pull up at the corner just a bit. "But, still. You've had a real rough day, and --"

"Joel," you breathe. You free your good arm from your embrace and put your hand on his jaw. He's touched you plenty today and you want to give it a try yourself. His face is warm, his beard gently rubbing against your skin. His eyes flutter close for a breath before he opens them wide and leans into your hand just a little.

"Alright," he says softly. Then he says your name, just once, ever so tenderly. It sounds like a prayer.

Joel Miller kisses you in the middle of your living room. Despite the affection you've been nursing for him over the last little while you never allowed yourself to imagine what it would be like to kiss him.

It's like this: the first press of his lips is soft like he thinks you'll pull away. When you don't he takes your lower lip between his and presses a little harder. Your hand slides into his hair and he palms your hip with one of his and cups your face with the other. His tongue traces the seam of your lips and you open for him, let him lick into your mouth. You sigh into it and tug on his hair just a little. Joel makes a sound deep in his throat and then pulls away.

You're both breathing heavier than before, both smiling. Joel presses his lips to your forehead, your temple. He holds you against him and you breathe against the skin of his neck.

"Will you let me take care of you?" he says into your hair.

"For my sake or yours?"

You think he'll laugh but he just breathes. "Both," he says. "Hell, you know what's goin' on here. I showed my hand. Been showin' it." He pulls away so you can see the honesty in his face. "I told you in as many damn words as I know how."

He did. He did and you make yourself believe it. Love in this life is worth holding on with both hands. Whatever this is, whatever this is going to become, you want it. You want to let this man continue to teach you to ask for help. You want to learn from him, maybe teach him a few things of your own.

You want to love him. You think you could sooner rather than later.

You trace the line of his brow, run your fingertip over the scar on the bridge of his nose.

"Can you kiss me again?" you ask.

"What a fuckin' question," he says. "C'mere."

thank you for reading <3 reblog, send feedback, general masterlist here!

[foone]

BTW as a trekkie the funniest thing you can do is find someone who isn't and try to explain Spock's Brain to them.

"so trek got canceled after two seasons, but fans launched a massive letter-writing campaign and got it renewed. First time that'd happened in the history of TV, I believe. They came back with an episode called Spock's Brain."

"interesting. So what's the plot?"

"aliens steal Spock's Brain"

"what. And what else?"

"no that's pretty much it. His brain gets stoled. They have to go find it."

"huh. Why do the aliens steal it?"

"they need a computer to run their society."

"and they decide to use Spock's Brain?"

"yep! So the Enterprise crew rigs up a remote control device for Spock's body so they can drive it around like a toy car, and go looking for his brain."

"wait. They don't leave it behind in, like, medical stasis?"

"nah they're worried they won't be able to get the brain back to his body in time. So they bring it along. As a remote controlled body. They've got a little remote with like 5 buttons. Walk forward, turn left, turn right, Kung-fu attack, and so on"

"attack?"

"yeah they have to fight off the aliens at one point. With Spock's body."

"huh."

"the best part? The ultimate moral of the episode seems to be against gender segregation"

"WHAT"

"yeah see the aliens who stole Spock's Brain are a bunch of cavemen living on the nuclear-winter surface and a bunch of women living below ground, with PAIN RAYS. the women steal Spock's Brain to run their society, because they're not smart enough to run their machines."

"that seems... Sexist?"

"yeah a bit. So at the end when they get Spock's Brain back, they solve the society's problems by convincing them to reintegrate the sexes and work together on solving their problems. Also Kirk says something like 'in time you'll learn that women can provide not only pain, but pleasure!' to the cave men"

"... Do the women have pleasure rays too?"

"no. He's not talking about that. Anyway this is all skipping over the fact that when they meet up with the alien woman they saw steal Spock's Brain, she doesn't know how to put it back in. Or take it out. She doesn't know what a brain is."

"what"

"yeah she was sent on this mission by the old computer that was failing, and it used a Teacher Machine to temporarily give her SUPER SURGERY skills to get the brain out."

"so she went from not knowing what a brain is to being able to do neurosurgery?"

"yeah. And here's the thing: McCoy can't put the brain back in either. It's too compilated for him."

"so they went searching for Spock's Brain, knowing that they had no way to put it back in?!"

"exactly! So McCoy gets taught how to do Super Brain Surgery by the Teacher Machine, and he starts putting Spock's Brain back in his body, but the skills wear off before he can finish"

"they wear off?"

"yeah you only get them for a few hours. So he has the brilliant idea of hooking up Spock's vocal cords so that Spock can walk him through hooking up the rest of his brain."

"there are so many reasons why that doesn't make sense"

"YEP! THAT'S SPOCK'S BRAIN!"

"so this was a guest writer who never worked before or again, right?"

"no, it was Gene Coon. He wrote like 15 episodes, most of them pretty good, and went on to do some other scifi films. He's the guy who created Khan."

"why do you like Star Trek again?"