the face of a man who helped his brother with a broken sternum get out of bed and helped him put his clothes on
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god. GOD the Ezra transmission at the end of season 1 still makes me fuckigng sick to think about, especially with the context of Mira and Ephraim hearing it. To think that for eight years his parents had been ripped away from their son all for the crime of speaking out for hope, never knowing what became of their Ezra, of that tiny seven year old left on the streets scared and crying and alone, to spend days and months and years in that awful place with all of that emptiness and then, and then and then and then.
And then they hear their boy's voice again, and they know him immediately, even without name, because of course they do, that's their son, that's their Ezra, and he's speaking out for hope just as they did, and they've been apart from him longer than they ever had him, but his voice is here, his hope is here, and he talks about how they inspired him, how he's carrying on their legacy of courage and community hope, how he has a new family - thank God he has a family, he is safe and he is loved, even if they will never know who has loved him so much as to earn the title of family - and that hope will one day prevail, just as they taught him it would.
They hear his voice, by god they hear his voice, and it's one of the last sounds they ever hear.
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To be clear, I do ship Marcille and Falin!! I just ship them as.... complicated, you know? They have dyke drama. Marcille is deluding herself that Falin hasn't grown up and she's not going to age, and she's not going to die no matter what Marcille does, and Marcille isn't going to have to live most of her life having lost her. Meanwhile poor Falin would like a step by step written explanation of how to convince her very good elf friend that she is an adult, and has some potentially adult feelings about getting wet and naked and crawling into bed together
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once again thinking about the parallels of Neil going into the Nest over Christmas break for Andrew and Orpheus going into the Underworld for Eurydice. hows your day going though.
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One day I hope to have the fondness for my ocs that you do. Yeah, sure, their tale is tragic and ends sadly, but that doesn't stop you from giving them tender moments, or from making aus where they live happily. You care so much for Vasco and Machete, and it's so endearing to see all the soft art of them
Aw geez ;-;
Thank you! They are my darlings, of course I care about them terribly. And even of I can appreciate and see the value and impact of a good tragedy, I also yearn to see my dogs happy and safe, even more so as time goes on.
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Love the energy of the new doctor who episodes, love Ncuti Gatwa's charisma and the show's willingness to take risks. That being said I'm a bit sad we don't seem to be getting the old character focus of the og RTD seasons. I really like Millie Gibson's performance but on a script level Ruby Sunday doesn't feel like a real person to me. What drives her, what are her flaws, what's her socioeconomic background and how does that inform her behaviour, what are the unlikable parts of her, what does she want most? What's her relationship to her mother like beyond aspirationally and non-specifically positive? How does she dress when she's just sitting around at home? What might she butt heads with the doctor about???
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the tragedy is that they died so young. they are stuck eternally as children. the experience of adulthood has been robbed from them, not just physically but emotionally. charles says himself, he never got to grow up. they never can, they never will.
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