#they're the random episodes in the middle that really show you the characters or the essence of the show

[winternaut]

I miss you filler episodes i miss you 20 episode seasons i miss you monster of the week format i miss you character development i miss you self contained episodes i miss you tv that isn't a long chopped up movie

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

[nenoname]

Gravity Falls DVD Commentary Highlights

(just a huge, and I mean huge, dump of random quotes that stuck out to me, which I sorta separated into characters+their relationships and it's probably gonna be obvious that Stan is my fave lmao

I dunno how to make this legible for anyone but whatever, just take all these rando character tidbits. Stan Twin pranks! Sonployee essays! The concept for a post-Weirdmageddon episode that Alex insists is just too miserable but I want it anyway! The Pines family making me cry!)

Stan

"We love the idea of Stan [in Boss Mabel] having a minute to uh, having a context where we want to see him be his worst self and seeing his big brash personality in like a setting that everyone can understand, because the Mystery Shack is a little bit ungrounded because he's in his world of his characters, but seeing him out in the outside world is funny weird."

We really enjoyed the fact that he's as awful as ever and he's rewarded for it. We like those anti-morals where Stan uses his terribleness to succeed incredibly well.

I think it was a little hard for people to understand in the writer's room at the beginning of the series was that, even though Stan is following a lot of these tropes of being a miser, he's not grumpy. Like he actually loves being himself. He really revels in it like even though he's got some kind of sorrow inside, his kind of day-to-day like he's more about just the uncle who loves to hear himself and make dumb jokes than he is somebody who's mean or cruel or cynical per se.

The [NWHS] storyboards managed to make Stan this awesome action hero while still keeping him Stan. Like I like the fact that he steals a wallet in the middle of it. He steals a wallet, he smashes somebody against the wall, he sasses him but he also has this just great Inception moment. And it's because we're building to a big question about “who is Stan?”, I felt a moment of seeing him be kind of awesome further increases your “who is this guy?” He keeps going back and forth between like “oh geez my back” and you're like “all right that's the Stan I know” and then like “whoa, he just did an awesome jailbreak! Is he some kind of super villain? Who is he really?

There's more of Ford in Stan than I think Stan realizes that I think only comes out in certain moments.”

Why did Stan keep a clipping of himself titled “grifter at large”? I think he thought he looked cool in that picture. “You know I kind of have a Clint Eastwood look in this grifter at large photo. I think maybe I'll use this as an About the Author one day. I gotta hold on to this one. You know what, I'm a criminal but I'm a nostalgic criminal! Loving the past is my greatest crime now!”

I know how Stan feels in this [Principal talking to his family] scene, when somebody comes in and says like “You know what? There was a race you didn't know you were running and you're already behind, way behind.” 

And you know even though Stan is a guy who looks like he's having a fun time, I always, in my gut, thought of him as somebody who is a huge well of sadness, a loss of human connection. And that need to please, that trying to get laughs from the crowd and constantly telling dumb jokes and you know putting on a big show in the Mystery Shack, he's trying to get from them the affection that he never got from his family and lost with his brother.

Stan has been waiting for years to have a reunion with his brother. He's always felt like a screw-up. Stan once again had an idea of how he thought things were going to go. He thought that his brother was saying “I need your help” for the first time. He's going to go up there, they're gonna have some drinks, they're gonna catch up and instead he ended up shoving his brother into another dimension and running out of food and money. It's sort of his worst nightmare. But this was Stan's entire character, from the very beginning of the series, was built around this idea that he's living with this tragedy. He's a guy who outwardly seems like he doesn't appreciate family but in fact wants it more than anything in the world and feels like maybe he's not worthy of it and would do anything to prove that he is.

Seeing Stan figure out what he's good at felt important to me. Like he's never been good at anything in his life and he makes a stupid hokey joke and it suddenly turns into a profit. I felt like without [showing how the Mystery Shack was created], I was missing something and understanding why he would do this, how this would be the solution to his problem.

We would like the idea that Stan appears to win through dumb luck, that it's sort of Intelligence versus Guts but Stan wouldn't actually bet everyone's life on a dice roll. He's a cheater! At the end of the day, I believe Stan has been thrown out of Vegas for counting cards and for weighing dies and I believe he could con his way out of any game, particularly for an obnoxious wizard like this. The idea that Stan would gamble everyone on pure chance is like no. No, he's got a plan. This is the guy who escaped prison using gravity leaps, he's got a way out.

The one big thing [The Stanchurian Candidate] does is really highlights Stan's inferiority complex compared to his brother. Part of what he's doing is he's trying to be an important man here and this episode is actually a pretty good setup in many ways for Weirdmageddon Part 3. When we see Ford they're all going on this rescue mission to rescue Ford and this episode shows you just how much Stan wants to be the hero like the reason that he can't shake Ford's hand when they're in that circle.  The cold open of this where he sees everyone loves Ford and now that Ford's back, he's the best. Stan's like “well, how about I run for mayor!” It's just to boost his ego and make him feel better about himself.

Dipper and Mabel

“Straight man protagonists are really hard to write because every other character had a comedic hook. We understand that Soos is kind of this weirdo, his brain is in another place. Mabel has this exuberance and sees the best in every situation and is very creative. Stan is a crooked conman. Dipper is… the normal guy and a character like that can often feel like they don’t have agency, start to feel just reactive.

Waddles is Mabel's only love that lasts the summer. Mabel is very prone to love at first sight and Waddles is able to love back with Mabel's degree of love.

[In Sock Opera] Mabel's in love with Gabe, Dipper's in love with the Author and they're both willing to do something crazy to get get closer to that thing

There kept being layers of adjustment to make it, “okay what would it take to get Dipper to make a deal with Bill?”  1: He would have to not understand the rules of the deal. He's been tricked, he thinks he's just giving a puppet, he didn't know was himself. Classic genie rules, you get what you wish for in a way you didn't expect.  2: There's a little ticking clock that just started, which if he doesn't do it by now, he's gonna lose all this.  3: Bill rightfully points out that Mabel has been kind of not sacrificing for him and he maybe needs another ally right now  4: He was sleep deprived and actually you'll notice that Dipper blinks right before Bill arrives and that's our way of suggesting that that countdown might not have even existed

I think Dipper and Mabel are of equal exact intelligence but Dipper's insecure. He sees his accomplishments as a way to make himself better and thus is motivated to focus on things that are accomplishment type things. And Mabel is very confident and likes having fun and when she's having a good time, she has a little tunnel vision for the people and the things around her. That's one of her biggest flaws. She's actually really, really sweet when she notices and understands your pain but not when she's doing a bit, when she's doing a scene, when she's doing a gag.

Ford

Originally [the fake Author] looked a little bit more like an oddball wacky inventor and I felt he had to be pretty idiosyncratic. There's certain color things about him you'll notice. He's more or less got the color scheme of the Journal, you know maroons and golds, so that you kind of feel instinctively like maybe that's him. A lot of these motifs though we would end up using in Ford's design, as well the gloves and the coat and all that but much cooler later on but preparing you, it's Ford Lite. 

Now this is there's no logical reason that Ford would break [the warnings about the portal] up into all these books this way but up until this point he's been shown as this sort of all-knowing mysterious Puzzle Master that it felt appropriate, even though it's not logical.

It works for the storytelling so when Ford wrote that, that's when he was super sleep deprived. He realized that Bill had betrayed him, he was starting to have a hard time differentiating between fantasy and reality, he was losing sleep and scribbling all sorts of lunatic serial killer looking stuff about the end of the world.

In Time Traveler’s Pig, we see what should be a young Stanford Pines even though again, the design's a little off but we knew big sideburns, bushy hair. Although that Stanford looked a little bit more swole than this guy and that's one of the what we thought were very subtle clues in season one that helped a lot of fans figure figure everything out way too soon.

[Using the memory gun on the agents scene] needs to show that Ford's really awesome and so we could get rid of the agents and show that Ford can pretty much handle anything that Stan can't and also call back to our memory ray all in one.

There was a lot of fan speculation when we first met Ford. Generally when television shows introduce a new mysterious character late in the game, they turn out to be a villain like 9 out of 10 times. They turn out to be a villain or they're there to get killed off to show the stakes of something and like we could have made Ford evil but I always felt that that would be less interesting. The point that I was trying to get to is that Stan and Ford had this relationship that fell apart and it was both of their faults and I thought that if I'm Stan, I'd be more frustrated if Ford is actually a good guy. It would drive me insane if he's pretty reasonable, pretty rational, better at me than everything.

So we've flirted with this brief moment where it seems like he's a villain and we worked really hard to make it so that like his eyes are being covered by the reflection of the light. His dialogue is ambiguous enough here that for a moment you believe what Dipper believes, which is “maybe he's possessed by Bill.” You just saw him shaking Bill's hand, what is he supposed to believe?

I like that Ford has this photo with him, he had for a really really long time all the way through multiple dimensions. And he's probably told himself- I almost imagined if McGucket found that photo in his coat while they were working on the portal or something, like “What's this here?” and Ford would say “oh yes, that's a photo of a very important moment! That's when I…  that's when I first decided I want to be an inventor!” There would be no reference to the real reason he's keeping it. “This is me and my brother.” It would be like, “oh yes I was thinking about science as a horizon, a frontier to reach towards– you know like a boat, like a ship, like science! It's about science!”

Soos

You choose family. That you create over the course of your life and if that somebody earns being your family, like the Mystery Shack. These kids and Stan, they’re Soos' family and he's happy about that.

I feel like Soos gained something out of [Blendin’s Game]. He gains the knowledge that like “I'm tired of thinking about this man who I'm missing, who doesn't care about me. I'm going to concentrate on the people in front of me, the people that are my true family.”

Soos is a fan of the show even though he's in it. He's a big fan of Gravity Falls and [NWHS] killed him.

I always knew what I wanted Soos’ end to be Soos running the Mystery Shack. I imagine that Soos is actually way better at giving tours than Stan is because he loves all that stuff truly and he believes it. That's part of the difference. Stan’s like “um, all right suckers, this stagnant puddle is the befuddle puddle!” while Soos is like “yeah, one time I looked in there, I think i saw like a cyclops dude. Like, I really think I saw one! Like it might have been a reflection combining my pupils, but like?” and people are like “Whoa, really??”

McGucket

They hired a bunch of people and then they erased their memory. That’s my explanation for why there's like such amazing inventions that would take whole teams of people. McGucket secretly hired a number of contractors and erased their minds. Like I think of McGucket as being like a really sweet nice guy completely in over his head who just like “oh well, once I've erased one guy's mind, I gotta erase ten more guys’ minds to cover it up” and it just sort of builds into like “I guess I'm kind of this kingpin of crime and I'm starting a cult I didn't mean to. Whoopsy daisy!”

When we get to Ford and see their backstory and see their relationship, it just makes all the stuff that happens with the portal and what happens with Ford and all that more poignant that he had someone there who was not only his friend but also a voice of reason and telling him to stop and that he wouldn't listen to him, as opposed to Ford being down there on his own with nobody to bounce off, anybody to say “hey wait a minute, is this a good idea?”

“McGucket was the assistant and he was maybe this assistant who was sort of put upon and Ford kind of brought a college buddy together with him. You know Ford as somebody who lost Stan, and even though he rejected his brother, he kind of needs that other person and he tried to find that in this kind of sweet prodigy and he just pushed him too far.

[The test scene] is meant to show sort of what it was that McGucket needed to erase, what it was that drove him to madness. It was partially seeing the Nightmare Verse and the way it messed with his head and also partly just realizing that this thing has apocalyptic consequences and he doesn't want to be a part of it. And if he can't destroy it or talk Ford out of something, he can forget about it.

Because If Ford's weakness is pride, McGucket's weakness is weakness. He's got a kind heart and he can't stop people, he can't destroy things. I mean he should have basically knocked Ford out with a wrench and take this thing apart piece by piece. He's the one who understood how to build it but I think he's kind of a follower and I think he's the kind of person who could get suckered in by a cult leader. He’s the kind of person looking for instruction and he really respects Stanford and can't bring himself to uh, he's like “I just got out of a bunker! I don't want to go work for another guy down in another bunker! This is my third doomsday cult this year!”

Stan and the kids

Stan and Mabel have such a different life perspective it seemed natural that at some point they would get to a major conflict

Seeing Grunkle Stan and Dipper bond like, I sort of believe that both of them are bad with women and both of them would rather believe there's a giant conspiracy than that they have they just can't get ladies 

Can this idea about Mabel's relationship with Waddles actually reveal a rift between Mabel and Stan where Mabel and Stan actually get along pretty well in the series you know? When they they're both such strong stubborn personalities that when they conflict, they conflict hard like in Boss Mabel. But this idea that Waddles is sort of a metaphor for what Mabel loves and Stan loves Mabel but he doesn't really think that anything she thinks is necessarily smart or right. He loves her like “guys she's my sweet niece but she doesn't know anything you know? She doesn't know anything about a pig” She forgives a lot with Stan but like Waddles sort of represents like the purity of her deepest love and the idea that Stan would threaten that is genuinely a shock

In the previous season it ends with Dipper giving up his journal and there was a lot of argument about “oh is it lame if he just gets his journal back?” Another thing we struggled with, we knew that Stan knows the importance of this journal he wouldn't give the journal back to Dipper so it was a bit of a convolution we'd written ourselves into a corner. We wrote ourselves out, we said “okay he's photocopied it. he's giving it to Dipper because he knows that Dipper's really precocious and he'll never stop asking.”

“We knew that we wanted everything to come to a head when the kids are going to discover Stan's secret and they're going to discover it in such a way that they only get little bits and pieces and they have to decide for themselves based on the limited information. Is Stan's a good guy or if he's a bad guy? Ultimately that decision will be a decision of heart versus mind. And Dipper's mind, Mabel is heart and they're fighting with the scraps of information they have.  Should we trust our heart about how we feel about this guy over the course of the summer and everything we've been through or should we trust the clues? That seemed like a believable way to get Dipper and Mabel to begin a rift between them that is resolved by the end of the series.”

The way Stan acts in [NWHS] is like, to me part of what feels so grounded about it is like I'm a child of divorce and like I know that when parents or parent figures know that hard times are coming for the kids. They kind of lay it on thick they're like who wants ice cream you know what I mean? Like Stan being extra nice to them at the beginning is like it's kind of a realistic thing that that adults do when they know like big changes are coming.

I felt it was really important that we added the scene where they're at maximum bonding. They're up on the roof, they're shooting firecrackers. Stan knows in his heart that when his brother arrives everything is going to change in ways he can't predict and he's really savoring this moment because he knows, even if things goes completely smoothly, which they don't. the kids are still going to be mad at him, especially Dipper for basically lying.  They had this big meeting after the end of Scaryoke where of course Dipper also crossed his finger but Stan crosses his fingers and says “oh I'm telling you everything” and he knows that the kids are not going to be happy about the fact that he's been keeping this all from them because they've done amazing things together already and he should have trusted them before now. 

This act break is them saying, “wait, Stan might be a random grifter who maybe killed our real uncle!” That's pretty heavy for any show let alone a cartoon show.

What that would mean for them if all this stuff is true is so much further than just like, “oh he lied to us about a couple things.” It's just like, “no he's straight up just some random dude that we don't even know uh and the guy that I've been pining for this whole time is dead!”  We really try to stack the deck so it's like Mabel's perspective and Dipper's perspective are both kind of racing to see who gets in front and there'll be a moment where it's like yeah you kind of buy with Mabel she feels good about about Stan and then this scene is the most you’re ever with Dipper where we discover this huge crazy curveball and this feeling that you have looking at this newspaper and looking through these fake IDs this is how Dipper feels all the time.  If you want a window about what it's like to be Dipper, this moment where a giant conspiracy reveals itself out of little pieces and seems to suggest that no one is trustworthy like that's that's where Dipper lives and this to him confirms every bit of suspicion and every bit of paranoia he's ever had and he's willing to run with it. 

I love these characters so much that, for me I was like “I need to see Stan saying goodbye to the kids at that bus. And I don't want him to be some guy who isn't Stan, who doesn't even remember the kids.” That would be really dramatic. It might make you cry more but to me it doesn't actually mean anything. Their relationship which they've built, he was willing to sacrifice his memories to save them. That's how much they meant to him but because he was willing to do that, I think he deserves to get him back.

Stan and Ford

But I think Stan's hope is, that in Stan's mind this is going to play out one way which is that; he's going to free his brother, his brother's gonna come out of that portal after 30 years. Stan's probably imagining that Ford is weak, emaciated, wrapped in a blanket, that he'll stumble forward, through a beard. through blurry eyes, he'll be “my brother, is that you?” He'll embrace Stan, he'll hug him, he'll say, “all these years I thought I was goner but you saved me! I was wrong to mock you, I was wrong to call you the stupid twin! Dad was wrong about you! You're the greatest man and let's be friends again and who are these niece and nephew?” Like that was what Stan was kind of hoping. He knows it's there's a million things that could go wrong, including potentially the destruction of this dimension, but he so desperately needs to believe that he can make up for the problems of the past. He's hoping for this but he knows that things are going to change

When I started the series, I always knew Stan had a twin but all I knew about Ford from the jump was that he's everything Stan Isn't. So Stan is a guy with a huge chip on his shoulder, he's kind of a loser at life. There's somebody who is a winner at life or at least was a winner in all these ways that Stan wasn't.

We realized that in order to bring out the maximum amount of frustration in Stan, [Ford] needed to have a bit of a heart. Like here we see him being kind to the kids, he's not he's not all bad which is what's so infuriating to Stan. The idea that he would quickly get along with the kids when he can't get any respect from them. Ford is designed for what would bring out the most amount of conflict in the family. What would be Dipper's hero, what would be Stan's rival and who's somebody that we could empathize with. I mean, it’s  hard to empathize with a character that comes out and punches one of your characters in the face, basically before he almost says anything.

You see that at this age, that all the stuff [in their room] that would cross over, that would appeal to both of them. It's not just like “there's science stuff here” and then there's “what Stan would be into.” but no, they both like all this.

There was also a version [of ToTS] where early on, they'd rigged the school water fountain. They did sort of like a caper, it was science and a scam together when they were in elementary school but we decided to save the science for the science fair stuff.

We played around with the idea that you would see them working together doing little science games or pulling little pranks. There was actually a scene that some of it was even storyboarded where they're in a treehouse together and Crampelter and his friends have tracked them down and are begging for their lunch money and Stan and Ford have used their jerkiness and geniusness to rig up like a water balloon throwing machine that knocks Crampelter in the head. I remember him saying, “oh no, my old-timey paper crown!” We were really hanging a lampshade on all these sort of Little Rascal cliches.

Ford's not a villain. You know he's getting in Stan's face and saying “I want my life back” but hopefully by the end of the episode even though you don't root for his perspective, you understand his perspective where it's like Stan ruined his science project, Stan shoved him into the portal, Stan took over his house. He’s not completely unreasonable to want it back and he's not completely unreasonable about his request. He says “okay you've got till the end of the summer” and Stan's little look there tells you everything you need to know about how he feels about the situation.

We needed pressure to be at the point where Stan and Ford recognize their lifelong rivalry and Ford does a sincere apology to Stan and almost more importantly, he acknowledges Stan's intelligence. He says “you wouldn't have fallen for Bill's nonsense.” He recognizes that his brother has a kind of intelligence he doesn't.

I always imagined that as kids, Stan and Ford were like this dynamic duo. They were getting into scrapes and like planning pranks and with Stan's creativity and Ford's genius that they were an unstoppable awesome team, before life turned them against each other. I imagine that as kids they were always swapping glasses and tricking their parents so that they could get double presents. And this is a move they did back in New Jersey constantly. We had to figure out who's gonna make a sacrifice and how and even though it's Stan who agrees to be “I'll be the one erase my mind, it's fine, it's worth it”, it's a sacrifice for both. Ford at this point is willing to get his brother back and he has to lose him again. 

Stan and Ford, when they can finally work together, do bring out the best in each other. They just have been missing it for so long.

Post-mind return, Stan and Ford get along and that scene where they both threaten the bus driver gives a hint of what would happen if their powers were combined. We've never seen them working together as adults, they would be a really formidable duo.

Pines Family

[The Blind Eye has] such a great scene between Mabel and Wendy. We don't have a lot of scenes that are just them hanging out and she can kind of be like the cool older sister. Mabel's so obsessed with boys and Wendy's just like "yeah, whatever. They're a dime a dozen."

“in the storyboard, the postcard that Soos is holding up from New Orleans actually said Vegas and at the last minute we got really worried that people were gonna see that and think that that was a clue that Stan was Soos's deadbeat father. And because like our audience, we've trained them to look for clues and to connect dots, they start connecting dots that are not connected. And I called a late retake because, and I see people be like, “wouldn't that be cool if Stan was actually Soos's father” and I hate that headcanon. Whoever's listening and you think “that's a great idea!”-- that's a terrible idea!! Because it means that Stan ran out on his kid and then came back in his life. And weirdly pretends to not be his dad. It flies against the moral of this entire episode which is like, you know this guy who is Soos’ blood relative like cast him out and didn't come back and didn't make time for him and all these people did. These people are Soos’ real family and to say “Stan would be Soos' real father more if he was genetically–”, I'm like “no, no forget that!” Like relationships are about what you do. To me friendship is thicker than water and family is something you can create so I really didn't want anyone to think that we were suggesting that because to me, it actually wasn't just the wrong idea, it was like thematically against what the show's about.” "

"[In NWHS] Every character faces their worst possible choice, which is “Mabel must choose between Dipper and Stan” and “Soos must choose between Stan and the kids,” like “guard that thing with your life. I'm not going to explain to you why.” I believe that Soos would do anything to guard Mr Pines's secrets and these are the only two characters that could possibly make him doubt Stan, these two kids that he loves so much."

"For [DD&MD], you want to set it up as being like [Ford]'s like the coolest toy that's down in the basement that Dipper really wants to play with and he is not allowed to play with him."

"The first three quarters of the series are sort of about Dipper's crush on Wendy and this final quarter is sort of about his crush on the Author. He's such a fan of this guy and he's so used to being denied that which he's a fan of and he's never found anybody who cares about his nerdy stuff. Mabel doesn't care, Stan doesn't care, Soos cares but on a different level. He's so hungry for the approval of somebody like Ford This idea that they would bond over a nerdy board game felt like sort of the way to do this big idea in a sort of grounded way that I like better than like Ford presented Dipper with the Five Trials of the Genius Boy. “I passed these when I was your age! Can you do it too?” and it's like nope he just likes the same dork game that he does."

"The arrival of Ford is creating the two sets of twins starting to pair off between the Brainiacs and the Maniacs"

"Actually I enjoyed that [Ford putting the die in a cheap plastic case] got a little bit of a reckless side because it shows you the Stan part of him. The Stan part of Ford, the little bit that likes a little bit of danger, he likes a little bit of risk. If he would show that side, it would be in when he feels at ease, with a kindred spirit. Around Dipper he’d be like “isn't this pretty cool?” He'd never be that irresponsible around Stan.  I like that Dipper is sort of a little bit of a Achilles heel for Ford as well. Ford has certain blind spots and Dipper exacerbates some of those just because he's willing to encourage, he's willing to “yes and” Ford towards whatever dumb idea he might have."

"Dipper, Mabel, Stan and Ford, they're all characters who need each other. Without Dipper, Mabel's just in a fantasy land. Without Mabel, Dipper is just sort of just spiraling into misery, spiraling into his own neurosis and not being pulled into those social situations, not growing as a person."

"You want [Stan] to be true to our various awful grandfathers, so I feel like for the most part you know that [being shitty to women] a plausible thing for Stan to do, that you only forgive because you know he's not a role model. Nobody wants to be like Stan. The kids never look up to him. The only person who looks up to Stan is Soos and Soos is enough of a comedy character that you understand the joke is “oh this guy thinks the worst way to live is good.” And then at one point you realize why. We made it clear why Soos looks up to Stan is because he gave him his job. He gave him a father basically, he’s essentially Soos’ father. And of course Stan who's had a life of just chaos and disappointment, the only person who would be a surrogate son is [Soos] but also Soos has the biggest heart in the world. So only the biggest heart in the world could forgive all of Stan's many flaws and also if Soos can love Stan, then maybe there's something in there worth loving, then maybe we can too."

"Stan, even when he's sweet, he still has to threaten to murder his niece and nephew."

"I do think the value of [Stanchurian Candidate] is that we're learning just how important it is that [Stan]’s seen. At this point, the kids have become a surrogate family. At the beginning of the show, they were just kind of a little nuisance and then he kind of tried out getting the family from them that he never got from his brother and the idea that he would lose them to his brother is his greatest nightmare and the only way he can really express that is by trying to be impressive to them and trying to be his brother's rival."

"Ford offers Dipper this apprenticeship because Ford sees Dipper as somebody who's special like himself. That Ford's great flaw is arrogance. He believes that there's special people and everyone else and that you can be held back by your siblings. That human attachments are actually weaknesses. The song and dance that he's giving Dipper right now is the exact song of dance that he gave McGucket back when they were younger which is like “sure you could continue working on your job and computers but you and me are different. We're better than everyone else, we have a path that no one else can understand. Only us can do this.” And it’s a very seductive idea for Dipper but he starts to be a little insecure here. He’s kind of “I can't believe it” and he's sort of right to be suspicious because Dipper is a smart kid but Ford's projecting. Ford loves Dipper because he sees someone who tell him yes to everything. He'll never challenge him and if Dipper had taken Ford's apprenticeship,Dipper probably would have gone the way of McGucket, turned into a kind of insane paranoid hermit with no friends, just kind of losing his mind. Like it's a seductive offer but also ultimately Dipper needs to learn not to try to grow up too fast."

"This entire time Dipper's been having this journey of self-discovery and seeing his future as this wonderful thing that he can't wait for. Mabel has been, piece by piece, seeing her idea of the summer fall apart."

"As Ford and Dipper's relationship grow stronger, Stan and Mabel also find much more sort of connection. They both feel like the sibling that's getting kind of sidelined."

"I think [amnesiac!Stan] would be hardest on Soos, second hardest on Ford but Soos would show it. Probably third hardest on Mabel, fourth hardest on Dipper just because where their hearts are. Dipper's not heartless, that's a testament to just how heartbroken those other characters are."

Series goal+ The Finale

"So our idea was; the memory gun can erase a concept as designated by the dial. It stores it. It records you and it keeps that recording and that if you watch that recording things start to come back a little bit, that it hasn't actually completely erased it from your mind. It's more sublimated somewhere where it's really really hard to reach and in the series finale, my concept of Bill is that; if he hadn't gotten in all those forms and fought Stan, Stan is the one that destroyed Bill. Were it just the mind eraser itself that he would be sublimated somewhere but he was weakened in the mindscape and destroyed in the mindscape. But Stan's memories were being sublimated and by looking at the scrapbook in the same way that McGucket's memories come back, they start to come back to the surface."

"I think part of what makes [NWHS] work also is that it has the strongest ticking clock. Yeah, I mean. it has a literal ticking clock. Also the sun is going down it's also, the town is starting to drift apart as the characters are starting to drift apart. There's just such a sense of Doomsday and even though we have like a three-part apocalypse, to me nothing feels as apocalyptic as this episode now."

"The entire purpose of [ToTS] is that Stan and his brother have had this huge rivalry that remains to this day and threatens to tear apart Dipper and Mabel and briefly does, and then Dipper and Mabel are able to find their way together, which is meant to repair Stan and his brother's past."

"Here we're teeing up the rest of the conclusion of the series which is just “whoa this is different. The status quo is shifted and is it going to shift us?” and that was the mission of this entire story was shift. Shift things such that it pits Dipper and Mabel against each other so that they can ultimately make things right and fix their uncles’ trauma in the process."

"“Let's try to set things into motion such that all of these characters who we love, who love each other are placed at maximum odds”. So Ford's entire existence in the series is basically a wrench in the relationships between Stan, Dipper and Mabel, that Stan has had a sibling who he didn't get along with and they've grown up having this horrible rift. Dipper and Mabel are these two twins who love each other but are very very different and are at this sort of volatile growing up moment where if something goes wrong could they turn out like Stan and Ford."

"[The convincing Gideon] scene works for me because it sort of represents the full completion of Dipper's Wendy Arc. Even though he's talking about Gideon and Mabel, he's really talking about himself. That idea that you can't force someone to love you but you can strive to be someone worthy of loving. It really does come down to like be the best you, you can be and the right person will see and feel that."

"It was gonna be W1, W2, W3 and then some kind of goodbye story. I remember it being something vaguely about some sort of other time travel. Bringing Blendin back because he just kind of vamoosed in the middle of this big story. There was that discussed like time traveling back to the first day when the kids arrived. The challenge was thinking of a valuable arc. So like each episode needs to have like a new problem and a new resolution and I was trying to brainstorm what's something that could feel valuable for like a final episode after the apocalypse, after Stan's mind has been erased and he's in the process of getting it back. "

"The thing I remember I wrote one out it was it's the last day of summer. Dipper and Mabel are packing uh they're planning to go home, they're feeling like nostalgic, they kind of don't want to leave. Blendin shows up and he explains that there's all these time bubbles left over, these weird anomalies because of all the time business and what Bill has done and just to watch out and be careful. Then Dipper and Mabel actually accidentally trip into one of these bubbles that are sent back to the very first episode or actually beyond the first episode, their first day in Gravity Falls um and somehow this was meant their character arc was to go from being like a little sad that they're going to leave Gravity Falls to seeing what it was like on the first day. When they were scared to be in Gravity Falls. The idea is like their first day they're like “oh Grunkle Stan, he's this weird old man and we hate living in this house and like we missed our place of comfort back home! And this is a kind of scary new adventure that we don't like.”  The kids see their own growth and realize like “the way we felt about going to Gravity Falls like we don't think we can handle it, is how we feel about leaving.” That feeling of going into a new experience means that something new and exciting is going to happen you're going to grow. There was some thought that maybe over the course of that episode, Stan would get his memory back and something that the kids had done in the past would help him in the present, get his memory back.

"What's supposed to be happening here isn't that Stan's entire memory reappears in an instant. It's supposed to be a couple days of work and we see the beginning of that process when he looks at the scrapbook and then we're kind of jumping ahead a few days. maybe a week of just intensive memory therapy with Stan before he gets there."

"When we were trying to crack the half hour episode after Weirdmageddon, it felt like we were just kind of wallowing and Stan not having his memories. It was a very depressing thing. And we didn’t get to have Stan for the last episode, which was like “it's a great it's great i think you get the emotion like in this episode. It tears you apart when you see it. You could last a little bit longer on it. But going much longer, then you just feels like well what are we doing? Why are we just kind of wallowing in our own sorrows for no good reason.”

"When we had discussed the idea of an episode beyond this episode, a fourth episode, it was basically 20 minutes of [amnesiac!Stan]. This is so intense, you might think you want it but good lord, this is enough."

"Bill singing “We’ll meet again” was something that just felt like the perfect reference because this is kind of an ending about endings in a lot of ways and we know we know Bill's going to be defeated. We know that people like Vill and have grown attached to him and for him to sing “We’ll meet again” is sort of the perfect mysterious way to say like “I might be going, I might not be going.” It’s a reference to Dr Strangelove, a movie that famously ends with nuclear apocalypse and the song “We’ll meet again” so it's for those pop culture savvy. It's already tinged with a kind of a fear and an irony and the apocalypse built in, so it's perfect on a number of levels."

"The concept of the Zodiac as existing in our current canon is this idea that the prophecy was that friends and enemies would need to come together, seemingly impossible alliances would need to be made to stand up to Bill for this prophetic moment. You know that characters like Gideon who was who used to be an enemy, characters like Pacifica, like Robbie, that we've reached the point where thanks to the kids’ kindness and growth, they are now friends with Pacifica, they've resolved Robbie's jerkiness, they've helped McGucket with his memory. They've even overcome this issue with Gideon in W1 and so it seems like friends and enemies have all been restored, leaving only one thing which is Stan and Ford have to shake hands. And their pride once again is what dooms the entire world but they get so close."

"It's clear Stan, even though he's being stubborn here and holds things up, he's ready to do it.  He clasps Ford's hand and then Ford can't help but correct his ignorant brother with something that doesn't matter at all after professing how important all this is and how important it is to put pettiness aside, he's the one who ends up being petty in the end."

"I like that Stan [during the deal] is just thinking “all right, think white, think white, think white.” He's like “think about nothing but sitting on your lazy boy.” "

"Stan and Bill had never interacted in the series up until this moment  because he had just been taken over when he was asleep. We'd seen a lot of Ford and Bill, but Stan and Bill has never happened. And Bill sort of represents all the mystery and weirdness, and Stan is the guy who just wants to have a good life and protect his family. He's the one who never invited Bill in but he's willing to take Bill out."

"If Mabel's going home with a pig, Dipper's going home with this symbol of his friendship with Wendy. And even Stan he's wearing that Mabel sweater. That's a visual symbol of; he's softened up, he's embraced family, he doesn't need to be the tough guy all the time."

[robogalaxies]

☎️ - The Unneeded But Happily Researched Crumbs Of Everything We Know About The Commissioner

“If anything happens… I’ll deny I ever knew you.”

The Commissioner is, as we all know, a mystery, and I hope it stays that way, but I put it upon myself to wrangle every little tidbit of information we have on him outside of giving cases! I do this solely because of three things:

I have nothing better to do

I find myself strangely endeared to his character (i.e. I do a gay little "favorite character" clap every time I hear him mentioned)

I want to share all my random knowledge with you all because I go digging for it in every S&M media there is

I'll be dividing this up into 4 sections for ease of access: comics lore, games lore (HtR, Telltale, TTIV), cartoon lore, and misc. lore. Some things MAY be assumptions based on other characters' reactions to what he MIGHT be saying or say about him, sure, but I will source all information on where to find it & provide images when they can be easily provided!~ If anything new comes up or I have forgotten something, I'll update. Until then... hope you love both hyperlinks and "at least I laughed at it" style commentary! ☎️

Comics Lore

The introduction of The Commissioner, as with everyone else! Small tidbits of his quite understated character outside of being The Phone are here, obviously, including:

the Commissioner's one and only speech bubble! (Bad Day on The Moon)

the beginnings of the implied "I love you" statements towards Sam & Max with an "XOXO" on a postcard (Bad Day on The Moon)

he shows SOME disdain towards Sam & Max's attitudes towards achieving their goals, being the one specifically to tell them to go on a road trip (On the Road #1, "Prisoners of The Casbah")

Games Lore

Hit the Road

The Commissioner is barely a character in this game (big surprise, right?) and you do not get much information on him minus the bare minimum of "he is Sam & Max's boss," so there's not much to be said here. In fact, I don't know why I mentioned it. Great game, though, go play it! Now! I'll wait until you get back :)

Save The World

Welcome back! There're only minor silly tidbits here, but they're needed for this comprehensive list. Everything is worth mentioning about a character with nothing to his name but "The Commissioner." I mean, you're reading this post, right?

wears bifocals! 👓 ("The Mole, The Mob, and The Meatball")

was once in contact with & worked with Harry Moleman, as he sent him to be the mole for the Toy Mafia. Crossover of the century... I wonder if he knows how far poor Harry has fallen ("The Mole, The Mob, and The Meatball")

Takes Sam & Max out for dinner sometimes, apparently, if they do well enough on their cases! Squirrel Garden sounds disgusting, but I'd be jazzed too if they also had the free breadsticks ("The Mole, The Mob, and The Meatball")

likely just a quick jab, so I don't really know why I'm putting it here other than humor, but Max apparently doesn't trust him! I hope that gets solved; Commissioner is sorta signing his meager paychecks ("Bright Side of The Moon")

Beyond Time and Space

The middle child of the Telltale trilogy, this game has barely anything in terms of tidbits given that he really only assigns the beginning cases in 1 out of 5 episodes, and even then, that doesn't give a single thing away. Despite this, there's gotta be one or two tidbits we should learn, right? Sure!

is aware of Sam's insistence on answering the phone & seemingly asks straight up why he didn't answer (What's Up, Beelzebub?)

Can confirm an "I love you" towards Max... d'aww! (What's Up, Beelzebub?)

The Devil's Playhouse

The Commissioner barely shows up or is referenced in this game, mainly due to the story existing outside of the common framing of "assigning cases," but we learn two small yet revealing tidbits:

British Columbian! 🇨🇦 (The City That Dares Not Sleep)

Has provided books on cultural and racial sensitivity for Sam & Max because they kept "reducing people to obvious stereotypes." (The City That Dares Not Sleep)

This Time, It's Virtual!

The phone exists yet again... but in your VR HEADSET! Some fairly funny Commissioner lore in this one even if you, like almost everyone I've seen in this fandom, dislike or even hate this game:

His family is in hiding, and I'm assuming Witness Protection?! Must come with the territory (phone call after completing first three Freelance Training segments in-game)

Can confirm an "I love you" of some sort said to Sam ... d'aww! (phone call after completing first three Freelance Training segments in-game)

Signs off even official, legal wanted posters with "The Commissioner," asking people to seek the help of Freelance Police & associates himself as PART of the Freelance Police!

signs your certificate at the end of the game, which mentions the Illuminati in conjunction with his name for some reason! What kind of policing are we running here....??

Cartoon Lore

Truly, the 90s cartoon is where most Commissioner lore lies if we take into consideration all of these happen within the same universe, which we likely shouldn't. This being said, the cartoon provides us with the only picture we have of the guy (see post photo above the cut). Alongside this, we also get a LOT more information than any other media:

before we even start the information in the ACTUAL cartoon, Sam & Max say within the show's initial Bible believe he's out to kill them, in some way, saying they're the "troubled, ungrateful sons he never had." That's so sweet ... in a way. As well, there's a very small section dedicated to the Commissioner as a character, though not much is said that we don't already know (Sam & Max Cartoon Series Bible)

has Geek's number, or at least a number to the Sub-Basment of Solitude, as he calls it more than once over the course of the series, which makes me wonder how well he may or may not know Geek! Like a grandniece or something (episodes 1, "The Thing That Wouldn't Stop It" & 3b, "They Came from Down There")

cried over the story of Sam & Max having to get rid of John, their beloved alligator son... must be a shared parental instinct (episode 6a, "That Darn Gator")

apparently sends sticker books in case briefings on a semi-regular basis, as Sam comments that he "loves when the Commissioner does that" as if it has happened before - how whimsical! (episode 6b, "We Drop at Dawn")

confirms the Commissioner as a legitimate police commissioner alongside being Sam & Max's boss (episode 6b, "We Drop at Dawn")

seemingly very fussy if not given his private bathroom and honor bar. Fancy stuff, Commissioner, & he apparently allows Sam and Max up there! Or not, they just sorta bust in. Whatever! Sharing is caring (episode 6b, "We Drop at Dawn")

the Commissioner has a DAUGHTER! and somehow, Sam & Max got invited to her WEDDING! I think she's beautiful and I hope she doesn't resent her special day getting ruined (episode 11a, "Kiss Kiss Bang Bang")

that iconic, signed, chest only photo given with the solemn, loving, promise of "If anything ever happens, I'll deny I ever knew you," followed by Max crying that it's "It's just... so him." - what a loving, tender and slightly bordering on oddly familial relationship he has with Sam and Max... stop, I'll start crying! (episode 13, "The Final Episode")

Misc. Lore

These are lore tidbits that are present in mediums either outside of the media itself, belong in a game that is not technically part of the larger S&M canon, or has to do with out of media context, but should be included anyway because why not!

gifts Sam & Max a new floaty pen from a different United State every Christmas ... but not really anything else! (Poker Night 2)

Sam & Max discuss the Commissioner's power in response to doubt about his existence, claiming "Don’t you know he’s everywhere? He knows we’re talking about him right now!" - which is sort of scary, but I'll let it slide because it implies that the Commissioner's surveillance is of a much higher caliber than we initially thought and that is BANGER (in-character interview for Telltale, found here on Steve Purcell's Sam & Max FB page)

He's affectionate yet surly & I'm sure all those "I love you" statements contribute to that! D'aww... (Skunkape Origin Video)

Voiced by a member of Bay Area Sound, Julian Kwasneski, in the Telltale trilogy! Talked about and even has a LINE recited in this specific developer commentary! We love a mysterious boss who sounds like an adult in Peanuts.

God bless the guy, he had a rash! Does this matter? No. Will it ever matter? Likely not, as it was from the sadly cancelled Sam & Max: Freelance Police trailer. Sighs. At this point, you can tell I'm just adding whatever mentions we get of the guy. Makes me giggle, though.

Conclusion...?

In the end, the Commissioner is a mystery, and always WILL be a mystery. Hell, I sort of never want to know as it will ruin every single thing I have worked so hard to archive, but it is fun to comb through the different canons! Of course, it is likely any of this can be tossed out or considered non-canon in the blink of an eye because Sam & Max always loves to give a middle finger to character details if they don't affect the main plot & likely a lot of these are mere gags. The Commissioner is phone, and always will be only phone. However, it's always in my best interest to try to find ANYTHING to push back the curtain even the tiniest inch, and I hope my efforts were worth it. Now, to sign off, just press that phone! You got it, you got it! ☎️

[fandomfantasyy]

MASSIVE WARNING FOR II 17 SPOILERS ++ INANIMATE INSANITY THEORY ++ ADAM KATZ TWITTER CODE SOLVING !!

i am holding onto way more hope than i should, however, this is a stray theory of mine that im holding onto for said hopes sake.

to those who haven't watched ii 17 yet, PLEASE keep scrolling. i mention just about everything that happened in the episode, and im basically reviewing it at the start. the episode is so much better without any spoilers!!

so, inanimate insanity 17. if you don't wanna hear me blabber on and on about the episode, scroll to the other big text. otherwise i am RANTING i need an outlet. 3:

inanimate insanity 17 was a rodeo. me and my partner had a few straggling theories before we watched it, and a few of them were true. knife did indeed punch cobs, they really did fight, everyone that heard was disappointed to find out they were made by mephone 4.

starting with the majority of the opening sequence, going from memory here, knife's desperation? ow. suitcase's new found paranoia? OW. them doing everything to find out what was wrong was so bittersweet, because you can just tell that they don't know how to stop it and are holding onto to random theories and hope.

nearing more of the middle section, i completely forgot that bow could possess people. made me giggle a bit tbh….. besides that, I HATE COBS HE MANIPULATED MY BABY, TOILET. ☹️ the admission of guilt from mephone 4, only to realize his apology could never speak loud enough almost killed me. lightbulb, fan, and test tube, all dead. the bright lights poly. when toilet told mepad that he understood it wasn't a competition anymore? and when cobs pulled off toilet and begun killing everyone? jesus christ dude (also im a little sad at the lack of extra pronunciation on "your" when paper yelled at salt saying "hes not your boyfriend" as a payjay shipper but....)

more on the end side, the fight convinced me for a damn while. it doesn't make sense to me how one single throw got knife extremely scuffed and chipped, but it's finneee, it's show logic!! :3 anygays. the main painful time. the pull of the plug, prompting toilet to call himself "the best assistant", the way knife put his hand on suitcase to comfort her, the way cobs SACRIFICED MEPHONE X??? dude this show is gonna make me go bonkers.

last but not least, "the show is over," and mephone 4 has no choice but to go back "home" with cobs. ow.

there are still so many questions. the eggs helped power everything, but were they fake? how did mephone 4 find the land he built inanimate insanity on? obviously it isn't fake, he's still sitting on it at the end of the episode. where's 3gs? what about mepad? was mepad made up? too much to answer with too little information.

overall, what a painful episode. it seems like the end, right? wrong.

inanimate insanity is not over. we are getting ii18.

at least, thats my theory. average movie length spans 1½ hours to 2½ hours. us inanimate insanity fans were told that this finale would be as long as a movie. right now, we are only at an hour. i dont remember the last time i watched a movie that was only an hour. they're out there, yes, but i doubt the creators would pray on very short movies to support their angst.

adam katz's teasing on twitter / x, saying that mephone x was after him, only for his account to be seemingly gone or empty? there's no way adam simply quit twitter because he ended his line of work. it's a thing that happens, but i dont think this is that. most of adam's characters in the show died before the plug was pulled. is that a direct reference? i don't know.

as of october 15th, adam seemingly returned to twitter, but instead as the robot from ii17. why would they bring him back suddenly, why would they make this teaser? there's no real, legitimate explanation in my eyes... other than them maybe just wanting to torture us. that, however, is not the point.

continuing on adam robot twitter thing, on his twitter / x profile / status, (idk what it's called i don't use twitter / x,) it says, "Loading a large amount of files... / Estimated wait tim: 2880 minutes, 0 seconds". that directly translates to two days. we're heavily likely to get the true final episode or the trailer of such of ii2 in 2 days.

update for the above. on october 18th, around 3pm EST, a code to decipher was posted. someone in the comments of the twitter / x post said that it was "you seek to know the true reason for such a tragic second season if you decide you want to show more there may be something to restore see .com/insert code". we, the viewers might be bringing the show back.

season one and season three's final episodes ended with a "the end". ii17 did not have this end card. this seems like a very crucial thing that they couldn't just "leave out". after all, why on the most important finale of all of the finales so far, would they leave out saying "the end"? if it's truly the end, they wouldn't leave it with a black screen and a sobbing community. (the last part, maybe, but not the first part.....)

both season one ended with 18 episodes, and season three ended with 19 episodes. season two seems to almost be ending on episode 17. this could go either way, with season two ending with a pattern of 17-18-19, OR, if we're really lucky, 18-19-20. (or we just get an extra 18 or smth idk)

there is a reason why this is only a stray theory of mine. only 6 days before the release of ii17, adam katz and brian koch were saying their thank you's and goodbye's to the inanimate insanity community. it feels like the end of this show is near, if not sadly over now.

overall, i still have hope. but this wont be clear until we either see a ii18 trailer or we dont. i will regularly update this with new information as it gets found by me and my partner. goodbye for now, inanimate insanity community, and good luck.

robot adam's twitter saga.

adam katz's teasing on twitter / x, saying that mephone x was after him, only for his account to be seemingly gone or empty? there's no way adam simply quit twitter because he ended his line of work. it's a thing that happens, but i dont think this is that. most of adam's characters in the show died before the plug was pulled. is that a direct reference? i don't know.

as of october 15th, adam seemingly returned to twitter, but instead as the robot from ii17. why would they bring him back suddenly, why would they make this teaser? there's no real, legitimate explanation in my eyes... other than them maybe just wanting to torture us. that, however, is not the point.

continuing on adam robot twitter thing, on his twitter / x profile / status, (idk what it's called i don't use twitter / x,) it says, "Loading a large amount of files... / Estimated wait tim: 2880 minutes, 0 seconds". that directly translates to two days. we're heavily likely to get the true final episode or the trailer of such of ii2 in 2 days.

update for the above. on october 18th, around 3pm EST, a code to decipher was posted. someone in the comments of the twitter / x post said that it was "you seek to know the true reason for such a tragic second season if you decide you want to show more there may be something to restore see .com/insert code". (credits to @\NickleBFDIA2012 on twitter/x !!) we, the viewers might be bringing the show back.

connecting to that, more hints have already been found. there was a code on cabby's wiki that is decoded to “You want the second key word? These pages are your answer. Next, go to the three time player with the lowest average placement." (credits to @\MeesterTweester on twitter/x !!) this brought the fandom to nickel (i believe), and im not quite sure what it says.

however, i do know one thing. it's been solved, and my theory was proven true.

we will be getting episode 18 of inanimate insanity by late november.

[eisforeidolon]

The thing with doing 'so and so consumes x media' content? Is that you have to consistently bring something to the table that is more interesting to your audience than them just revisiting the media themselves. It can be something like BTS insider information, but it doesn't necessarily have to be that big of a something. Just enthusiasm and surprise as a new viewer can do it. In-depth media critique can do it. Snark can do it in the right circumstances (though that doesn't really apply with a podcast you're selling to fans). Etc.

I haven't and am not going to listen to the Now & Then podcast, but from the people who've talked about trying it that I've seen, I get the impression Rob & Rich don't really understand that. Or they mistakenly think that listening to two middle-aged dudes who appeared in a bare handful of episodes yammer at each other is in and of itself a draw. Uh, guys? Tuning in for you specifically as opposed to deciding to see you at a convention they're already at are very different things.

I feel like they tried to bill the podcast as being an insider take, but they themselves aren't insider enough to do that so they're intermittently hosting some guests from cast and crew who were. Except they fill time between the guests with them doing a first time react to the show. Which could work ... except it sounds like they're doing it badly. They don't actually seem to like the show, but are trying to sell it to SPN fans who are, you know, fans. They frequently miss or fail to understand major moments, themes, and plot points. In short, they fail to make it consistently entertaining to the general audience they were presumably trying to pull. So most of the fans that actually love the show and were tuning in hoping to enjoy them watching it as a way of revisiting it? Have tuned back out. Which leaves who to give them money for continuing to do it? Oh, right, the weirdos who would happily throw money at studio janitor #5 or random non-speaking extra #207 if they told them D/C was real and canon. R2 haven't 'seen D/C is real, OMG!'. They've seen that they can continue to make money off having been on SPN without even bothering to rewatch the show and pretend to enjoy it! All they have to do is go down a checklist of 'D/C moments' and hint they can see how shippers would be into it and hellers will happily throw money at them. They'd already lost most of the fans who tuned in hoping they actually had interesting things to say, so why not?

All that is dumb enough, but Insisting this means that if Jensen rewatched the show he would totally [understand D/C was canon/make it canon] is an impressive level up in absolute batshit stupidity. Jensen isn't some rando who was in a handful of scenes in 10-20 episodes across 15 seasons, only trying to pretend he cares about the show for money. No he hasn't watched the entire show back over, but he's read every script, talked to the writers and directors, and every fucking thing (bar a few flashbacks/de-agings) Dean Winchester ever did on screen did it through Jensen acting out what he saw as Dean's motivations. Despite their constant self-delusion on this point, the GA and most of the fandom did not watch the show and think there was any kind of romance between those two characters. So insisting Jensen himself would entirely change his mind on who Dean was and what he felt despite his prominent role in determining exactly those things by watching the show back as a whole?

It's the same old fixated obsession with their own fanfic and denial of rationality that has lead them to make these same stupid predictions queerbaiting themselves over and over and over and over and over and over and over and ...

[peupeugunn]

okay but imagine if shadowhunters had had filler episodes. just them doing dumb nonsense that didn't have any effect on the plot. bonding.

clary learns about the nephilim education system and she doesn't know whether to be horrified or amazed cause on the one hand they're giving knives to four year olds, on the other hand, izzy is a fully certified forensic pathologist at 19.

simon spends an entire episode dragging raphael around new york tryna find him a replacement jacket because even though the kidnapping situation was very fucked up he feels really bad!!! the episode ends with them picking out a really amazing jacket and then raphael having to pay for it because with all the supernatural crap happening, simon honestly forgot that he's a broke college student.

jace and alec episode with them on their day off just chilling (izzy and clary following them because clary Does Not Understand Parabatai and izzy thinks this will help. somehow.) they go to the library and spend some time curled up together reading. they get coffee and go to the park. jace screams at some ducks while alec provides moral support. they go for a movie. they walk around the city holding hands. they go back to the institute to spar a little and then head off to bed. clary through the episode keeps asking "are they dating? are they not? seems like they are?" but izzy keeps denying the dating allegations. clary then finds someone in the institute that can actually explain parabatai with actual words and she barges into izzy's room in the middle of the night screaming "YOU COULD HAVE JUST TOLD ME THEY'RE SOULMATES ISABELLE!"

there's an episode that is literally just. magnus' cats. nothing else. magnus provides narration like this is a nature documentary.

malec's second date, where they just sit on the couch and watch tv and trashtalk the characters. the entire episode is edited to look exactly like a youtuber-reviewing-a-tv-show thing. the first time time an action scene comes up, alec gets so mad at how unrealistic it is and magnus gives him a detailed explanation of how and why movie fighting is so different from real life fighting and why they're choreographed that way. the episode is an hour and a half because magnus and alec keep getting sidetracked and start talking about random stuff. it ends with them falling asleep together on the couch.

a magnus & catarina & ragnor episode with them just hanging out. cat and ragnor keep making fun of magnus for being so in love but he keeps agreeing with them with a lovestruck expression and that takes the fun out of it. the episode is a clipshow style thing except it's not clips of stuff we've already seen, it's their adventures (including, obviously, peru.)

a jimon episode where simon sits jace down and explains in detail the entire plot of star wars. all the star wars. jace asks so many questions and they get so sidetracked at times but simon powers through. at the end, jace reveals that he actually has watched star wars and he knew everything simon was saying but let him go on and on for hours because he wanted to see whether simon would figure it out and also cause jace likes spending time with him.

a clizzy episode where izzy jokingly asks clary to paint her and clary gets so excited!!!! so izzy goes along with it. clary keeps talking like she's doing a tutorial on painting except izzy can't see what she's doing. through the episode, izzy keeps doing more and more ridiculous poses and clary paints and sketches them and somehow they turn out actually good?

i have more ideas but like. idk about you guys but i'd have watched the hell out of this stuff.

[shallowseeker]

As a follow up to my previous message about Dean’s grief being colored through Sam’s vision, it’s striking in that *that’s* the full circle moment of the show the writers were leaning to. Sam was initially the viewers eyes into learning about the supernatural and the Winchester family. We learn they support their lifestyle by running credit card scams, as an example. While undoubtedly Dean became the main character, after over 300 episodes, we wind back to Sam and see Dean through Sam’s eyes. He deflects about losing Cas. We get just the tiniest glimpse things aren’t right with Dean when he’s by himself - that hug with Miracle, getting up and leaving the bed unmade - but ultimately that’s it. Everything else Dean experiences in the remaining 20 minutes of the episode where he’s still alive, he’s with Sam.

And speaking of visions, I almost wonder that what we see of Sam’s life might not actually be what happens but rather a daydream of where he might go from here. He could marry a faceless random woman, have a kid - if it’s a boy, definitely name him after Dean, and try to hide away from the hunting lifestyle. If he doesn’t put pictures up, maybe the images of people like Cas and Jack, Jody, etc will fade from his mind. He’ll teach the importance of family to his son. We know that’s important to Sam by the enlarged picture of his parents and Dean (from Lebanon promo pics) in the middle of it all. And he’ll definitely keep the Impala.

And that might be what happens in Sam’s life. Or it might not. We really don’t know what happened after he closed the bunker doors.

"I almost wonder that what we see of Sam’s life might not actually be what happens but rather a daydream of where he might go from here."

❗❗❗❗❗❗❗

OH MY GOD. THE DREAMY LAST SEQUENCE AS SAM'S DAYDREAM WHILE DRIVING HIS WAY TO THE NEXT HUNT. See, Sam's listening to Carry on My Wayward Son, but in his mind, it becomes...this.

I friggin' love that idea, though! Like, when you lose someone, you do find yourself thinking, "I'll see them again, someday. They're probably in Heaven right now. Jack fixed it, so it's better. Cas helped. Everyone is together. I'll probably meet him on a bridge...when I too cross over." That's so...normal.

"He could marry a faceless random woman, have a kid - if it’s a boy, definitely name him after Dean, and try to hide away from the hunting lifestyle. ...And he’ll definitely keep the Impala. And that might be what happens in Sam’s life. Or it might not. We really don’t know what happened after he closed the bunker doors."

The woman is blurry, because Sam doesn't have a clear idea of it just yet, but she will be transformational and zen and so, so normal. Sam has a very poor idea of what aging will actually look like for him, too because none of his fam has ever actually made it that far. Which is why the wig looks so weird.

Sam has a very poor imagination of what "normal" looks like, because he is and has always been a weirdo. Like, he really thinks he'll be decrepit and elderly by the time his son is a young adult.

Not only do I love this, but I spent the last three minutes laughing at how Sam put his entire neurodivergent heart into his grief-fantasy, and it looks like that.

spectacular! @lemon--verbena

[stuffnonsenseandotherthings]

Crackpot Predictions - Only Friends Episode 1

Welcome to a new thing I do where I try to predict (*cough* wildly guess *cough*) what's going to happen in a show based solely on my read of the first episode. I'll try to cover all of what I think are the main story beats, record them here for posterity (and so I can either say "ha I told you so" or you can all point and laugh at me later), and hopefully by the end of the series we'll all be able to see if I'm a clairvoyant with a magic orb or, alternatively, a numpty with a glass paperweight. Some of these predictions are completely serious, others are complete crack, and some are just random thoughts that had the misfortune of wandering into my head.

With that, let's get started shall we?

The Hostel

Setting up a hostel for your graduation project? How cute!And with your best friends too? How adorable!

Too bad that hostel is absolutely Not Going To Happen. And not only is the hostel Not Going To Happen, its also going to be the site of some of the worst moments of your entire lives!

Prediction: is this is where it's all going to go down, this is where they're going to have the final argument, this is where the climax is going to happen, this is where shit hits the fan and then explodes. I mean why else would you introduce a building site if not to have all your characters have mental breakdowns symbolically in the middle of it? Scaffolding and painter's tarp is for screaming matches and for saying things you never meant to say.

Mew

Oh Mew. Soft, virginal, innocent Mew. Mew who lives in a completely different world to his friends where he wears cute pastels, gets a teen movie montage when he wakes up in the morning, gets a public confession like something out of a romance movie... Surrounded by people with impure thoughts and even worse intentions. What on earth is going to become of our sweet pastel boy?

Who am I kidding, he's going to be fine.

In fact he's probably going to be one of the few people who is fine by the end of this series, and will probably be at least partially responsible for quite a lot of other people being very fucked up (especially Top, sorry my man but you are doomed by the narrative). He's definitely doing to be hurt and he's definitely going to lose his honour student title and he's definitely going to have less friends by the end of this but he'll be fine, he's literally the only one in the friend group other than Chueam with the emotional maturity to cope with and process what's about to happen.

Prediction: He's going to lose friends (but not Chueam, she'll stick with him), his academic record is going to be messed up (but not irreparably so, he'll just have to put in extra work to repair it), and he won't have a boyfriend by the end of the series but he'll be okay, he'll be able to walk it off when it's all said and done. He may even start to get his man back (if he wants him, that is).

Ray

Poor Ray, he's a rich brat who clearly has some self-esteem issues and is whipped for his best friend. He's in for a rough ride I fear, especially seeing as he currently deals with his emotions by getting very drunk and/or lashing out.

Sand will probably be good for him (perhaps a little too good for him) in both bringing him down a peg and hopefully giving him the kind of ego boost he actually needs (no Ray you are not a burden but please stop ruining your liver) and I'm really looking forward to the development of their enemies to fwb relationship and all entails.

Unfortunately for Ray he looks like he might be a bit of a bleeding heart romantic on the inside so he's probably going to get his heart broken twice in a very short space of time; once by Mew and his new relationship and then once again by Sand and his refusal to play second fiddle and Ray is only going to realise this when it's a bit too late. Needless to say Ray will probably not be having a fun time for most of this series and of all the character he is tied as most likely to end up in hospital at some point.

Prediction: He's going to lose friends, he's going to fail his degree, he's going to get his heart broken twice and he's probably not going to be okay about it (but hopefully he'll be on the mend by the end of it all). Ray is going to start shit he can't finish and he, more than anyone else, is going to be a victim of his own actions but hopefully he's also going to be the character with the most growth. Sand might be around to scrape him off the floor at the end, but Ray is going to have to work himself out first.

Boston

Boston, what to say about Boston other than currently he seems to be trying to break the record of most men slept with in a single episode (his competition is Brian Kinney from Queer As Folk btw).

There's definitely a lot more than meets the eye when it comes to him and I look forward to unpacking all of his messy laundry when the time comes. He seems to be both incredibly confident with his life choices (good for him) and incredibly insecure about them at the same time which is fascinating and I definitely get the feeling that he has issues with Mew (to the point where I wouldn't really say they're actually friends) because of that insecurity. I genuinely wouldn't be surprised is at some point we get a lot of pent resentment spilling out from Boston about Mew because no one casually mocks someone they're genuinely okay with that many times behind their back.

Prediction: Boston wants but he doesn't quite know what. He is definitely blowing up every single friendship he has in the process of working it out and he's probably going to find himself on his own for a while too, which might actually be what he needs. That being said, if anyone decides to put forward a laurel at the end of the show though, I also think it's going to be him. I also predict no romance, but I also don't think that's what he wants or needs.

Top

Top the Top Tier player who's never not got his object of interest before. He likes casual sex, comes off as a bit of a sleaze (but at least a sleaze who respects boundaries), and is apparently looking for a new challenge now sleeping around has got boring (but not boring enough to not sleep with Boston again).

The problem for Top is that he thinks he's approaching Mew in his world and on his terms where in reality he's already dancing to the tune of Mew's fiddle and it's only going get worse. Mew's world has rules and regulations and things you just don't do (like sleeping with your boyfriend's best friend) and Top is going to find himself caught up in them. What's worse is he's probably going to find out (much too late) that he wants to be caught up in them. Top might be the big man now but he is well and truly fucked.

Prediction: Top isn't going to take his relationship with Mew 100% seriously until he realises he's already completely invested in it and at that point it's going to be too late. He's definitely going to break Mew's heart but Mew is going to break his ten times over and he's not going to recover easily from that. He might have a chance at redemption, but only once he's completely wrecked himself first.

Sand

Sand was just trying to live his life and then he threatened to pee on someone's head and it all went down hill from there.

At the moment he seems like the audience stand in: watching all the chaos and wondering what on earth is wrong with all these privileged brats (semi-affectionate). Like Mew he definitely seems to have himself together in a way that makes me think he'll come away from this pretty okay emotionally (it'll hurt but he's not allergic to emotions, he'll heal). Unlike Mew he definitely doesn't seem to completely together life-wise (i.e monetarily) though, which does make me wonder if our 3 friends (I'm not including Chueam in this, she's not a guilty party) are going to mess that up for him instead.

Prediction: Emotionally he's going to be okay (although he probably has heartbreak in the cards), in every other aspect I think he'll sustain the most damage (and therefore will be entitled to compensation). He feels the most like an innocent bystander and, as such, is definitely going to regret the day he lay eyes on the back of Ray's head. Out of all the characters, he's probably going to be the one due the most apologies all while having done very little to anyone else.

Nick

Wow well Twison changed when he went to uni, wasn't expecting that trajectory at all 😋

In all honesty I feel like I have the least to go on for Nick in terms of predictions (not that I have much to go on for anything else I've been saying). He seems to be completely gone for Boston already (oh Babe he is not a good target to fall head over tits for) and I like the idea that's floating around that Nick is already familiar with Boston somehow based off his reaction to their first meeting.

That being said, I am getting a little bit of a creep vibe from him (maybe it was the invasion of his client's privacy and subsequent masturbation scene that pinged the alarm idk) but I can't help but feel like everything Mew said he'd do if he slept with Top? Yeah Nick would actually do all those things and more. So yeah, while Boston is going to mess him up with their ambiguous relationship, it's only because Nick was pretty messed up in the first place and he'll end up messing Boston up right back with his clingy/obsessive tendencies.

Prediction: Looks like a marshmallow, is actually on fire. Things are going to go wrong for him but only because things were not right in the first place. Possibly the most likely to actually need therapy. I also wouldn't be at all surprised if he's the one to swing the bat that brings it all crashing down, in fact in this crack-pot prediction, I'm expecting him to.

The Friendship Group

Is going to be in tatters by the end of this series, I'm so sorry Chueam. (I mean is this even a prediction or am I just stating the obvious?)

Prediction: Mew and Chueam are probably still going to be friends (they seems like the closest to each other) but no one else is going to be talking. Ray might have Sand (and Chueam if he doesn't fuck up too much) but Boston going to be on his lonesome and so is Top unless they want to throw a pity party together. At the end of the show there will be a tentative reconciliation, but with the knowledge they're never going to be the same, never going to be as close as before.

TLDR + Extra Predictions

Mew: About to have the worst time of his life but he'll make it through, his pain is going to end up being other people's problem.

Ray: Poor, unfortunate soul checking in at heart-break hotel twice in the space of a few months. Most likely to get his man though.

Boston: Needs to figure out what he wants. Probably going to end up completely cut off from everyone but also most likely to extend the peace offering at the end.

Top: Fucked. (Might get a chance at redemption at the end if he's lucky)

Sand: Emotionally fine, financially screwed. Out of everyone he has to most to complain about and he doesn't even go here.

Nick: Most likely to need actual therapy.

Climax: A big argument at the hotel surrounded by the ruins of their hard work

Likely scene: All of them at Yo's bar they used to go to as friends but this time ignoring each others existence.

Likely scene 2: Boston unleashing a load of suppressed resentment towards Mew, possibly to do with their different lifestyles/world views.

Best chance at romance: Chueam

Best chance at staying friends: Chueam and Mew

Key theme: The importance of friendship

Me: happy to be proven right or wrong with these predictions and here for the wild ride regardless.

And that's it! As I said, these predictions are completely pulled from the air around a single watch of episode 1 so they're not at all serious. If I'm right yay, if I'm wrong also yay, I'm just happy to be watching, I just thought it would be fun to test how well I can predict a narrative based on very little information indeed. If anyone wants to share their own crackpot predictions I am more than happy to hear them, let's clown together.

[james-stark-the-writer]

terrible news, i tried to watch the Friendly Space Ninja Riverdale finale video again and i think i've pinpointed my problem with his videos, specifically the Riverdale ones but also just his general approach to media criticism, it's just the terrible wave of "objective criticism" we had on youtube with shitheads like Mauler but framed as just a more subjective opinion and it tries to pretend like that makes it any better, which it doesn't, like it really doesn't, because the underlying assumption that there is only one way to tell any type of story is just such a terrible thing for art but also he just fundamentally doesn't understand what type of art Riverdale is and there's just such a sheer lack of even attempting to treat it as a serious piece of art because the assumption is already that because popular consensus is that it sucks (the critical consensus has actually been consistently fucking great, you could just go look at the Rotten Tomatoes scores or even check out the legacy section on Riverdale's Wikipedia page), that means it automatically is trash, it never gets the opportunity to fight for itself because it's never given the chance to be thought of as a piece of art. it's an insistence that writing is the only way to analyze an audio-visual medium and like sure, writing doesn't "age" the same way other elements might, but audiences do age and change and evolve, media criticism does too, there's a reason people appreciate the Star Wars prequels more now than they ever did at release because we understand different ways of appreciating art now beyond the base insistence that conventionally "good" writing is the only thing to aim for (the prequels are actually well written but let's not get into THAT rn), that doesn't make the prequels "bad," it just means the prequels are different. i find the whole good/bad paradigm pretty suffocating in the first place but this is just so exhausting and i cannot believe that I've just managed to articulate it bc it seems shockingly obvious in retrospect.

also the video in question is just like factually wrong multiple times, he flat out admits he skips a lot of the season but then complains that the season doesn't make sense when he's jumping in at a random point, he complains that the previous seasons are meaningless but it's like has he forgotten that the audience doesn't forget stuff even if the characters have (and they even get their memories back in a thematically important and resonant moment the defines who the characters want to be so it's not really even entirely sound criticism) and that the show is intentionally trying to do interesting parallels and reversals of the stuff we've seen before, it's like commenting on itself because season 7 is a nostalgic look back at what the comics have been and what the show started from, and about the nostalgic feelings of that time and their appeal contrasted with the brutal truths of the reality of the situation, like this is just basic art criticism, i'm not even like trying to defend the season, like i don't even like season 7 that much, i think it's one of the more boring seasons and it ranks towards the middle for me, but like this is not like deep criticism where you're thinking and analyzing a lot, this is just seeing what the plot of the episodes is and what they're trying to communicate, it's just really irritating how fucking exhausting the objective criticism shit is but it's actually even more grating when you don't pretend to be superior about it because it makes it seem like you're not even bold enough to stand by your opinions and actually embrace the implication present in the shit you are saying, like it's just cowardice, honestly. but anyway, glad i figured it out, because it was honestly irritating me that i couldn't articulate why i didn't like those videos beyond just them being wrong about Riverdale on like a factual level and him just not understanding what it's trying to say as a piece of art.

the point of this isn't to say that i think he's making these arguments in bad faith or anything, i do think these are genuinely opinions he holds, and they are valid opinions for him to hold, i'm not saying they're invalid, you can prefer one aspect of a piece of media over other aspects because it's more important to you, that's okay, i'm just saying they're misinformed takes and generally display a shocking lack of imagination and respect for art and no desire to broaden his horizons.

anyway, if you actually want to understand the appeal of Riverdale, go through the Riverdale tag on my blog for my own analysis (but here's somewhere to get started), or if you want videos, the Super Eyepatchwolf video is pretty good, i still disagree with it a lot but at least the man tries to understand why people like the show and he even gets some part of the appeal, and we are going to get 4 5-hour videos from Lily Simpson over the next few months so i'm looking forward to those, bc Lily generally tends to at least understand the appeal of the stuff she talks about, and the title of the first video ("the captivating madness of Riverdale" [though i don't love the use of "madness"]) is already enough to make me feel like somebody kinda gets it and hopefully it'll be more coherent actual art analysis.

[codelyokooutofcontext]

Today marks the one year anniversary of this blog's first post!

One year ago today, I acted on a whim and made a new blog to post moments from this show that, without context, look absolutely insane. I thought it was funny, my friends thought it was funny, but I didn't really have any big plans. I thought "I'll keep this around for a little bit and then probably drop it". Like I usually do with most projects of this nature.

If you'd told me I'd still be here a year later, I wouldn't have believed you. I especially wouldn't have believed you if you told me how many followers this account would amass in that time period. Honestly even being here now and seeing all of it, it's still a little hard to believe.

Thank you all for supporting this ridiculous little blog. It means a lot.

And after all this time, perhaps it's time for a proper introduction.

Hi, I'm YoshiStack! I've been utterly obsessed with this show since I was 4 years old and I've been involved in the fandom in some capacity since I was 13. Given that I'm about to turn 24 here in a little over a month, you could say I've been here for awhile!

Aside from this blog and the other few video edits I've done, my main contribution to fannish materials is fanfiction! I mostly write gen work about the friendship between the characters, as that's always been one of my favorite parts about the show and characters. You can find my CL work (and other oddities too if you're feeling adventurous) on Ao3 also under the name YoshiStack.

I'm also on YouTube! Right now I'm wrapping up a playthrough of the original Super Mario RPG before the remake releases and in the middle of a playthrough of a childhood game of mine, Thrillville: Off The Rails. I'm still a novice when it comes to recording stuff, but I'm having a lot of fun doing it and it'd mean the world to me if you checked it out.

(And as an aside: if you have audio or video editing you need done, hit me up either on here or the email I have listed on youtube! We'll see if we can work something out!)

Zero obligation to check out either of those ventures, but it'd mean a lot to me if you did!

Now here's some answers to some basic questions for CL and this blog that you may or may not have wondered about:

Favorite Character: Definitely Aelita! I love her arc! Her development from this character the others feel very protective over to ultimate sass master is so fun to watch

Favorite Episode: Oh that's so hard. But If I had to pick just a few...[REDACTED UNTIL POLLS CONCLUDE]

Spoilsport. Favorite season then?: Oh this one is easy! Season 2 for sure! It does a great job introducing all the new elements you need to know about in the beginning of it (Franz Hopper, William, Sector 5, etc) and has well done pay off at the end. And the stuff in the middle is just downright fun! A well executed season all around

Favorite Sector: Prooooobably forest? Something about all the trees is fun to me. Honestly I like most of the sector though. Minus desert. Too much desert in S1

Favorite Monster: I used to be all about the Bloks, but after running this blog for a year now I've gained an appreciation for the comedy that the Tarantulas often pull off. From well timed devirtualizations to killing one of its buddies with their own lasers, they're unintentionally really funny!

Favorite XANA Attack: I unironically love the food monster. Also the rat army. It's absolutely horrifying but pulled off so well

Favorite relationship: Ulrich and Aelita all the way man. Platonically I mean, their friendship is so underrated in the show itself but the few times they get to interact they're just gold (I am Jerlita trash too if you want to know more in that kind of relationship sense)

How do you pick out of context moments?: Honestly most of the time I just pick a random few episodes and skim through until I find something. Sometimes I'll have a particular moment in mind, but sometimes the funniest clips come from me just mindlessly looking through some episodes

Will you ever do Evolution out of context?: I considered using a clip from it for April Fools Day but I got lazy and never got around to it lol. Aside from that idea though, I don't know Evolution well enough to pulls clips from it, and I'm just not super interested in doing so at the moment. If anyone else reading this though has a burning desire though then you absolutely have my blessing (not that you need it obviously)

What do you think about the idea of the show possibly getting a continuation?: So I’ve always been pretty set in my thought that the show doesn’t really need a continuation. While more backstory on Project Carthage would be cool, it never really mattered to the Lyoko Warriors in the end, and the idea of bringing XANA back after they fought so hard to bring it down always felt cheap to me. They had their fight, they won, let them move on in peace.

That being said, the idea of the brains largely responsible for the original show having a genuine interest in continuing does have me at least a little intrigued. It’s way too soon to say whether or not anything will come from that interest of course—TV is a complicated thing and interest from creators alone isn’t enough to make it happen. But if nothing else, it’s nice to know that even all these years later, there’s still interest in the show and these characters from them.

How long will this blog be around?: Honestly I have no idea! I never thought I'd make it this far! I have no plans on stopping any time soon at least—there's tons of episodes I haven't even touched for out of context moments, so I'm not running out of material any time soon!

For now I’m just going to letting things run their course naturally and enjoy the ride.

That’s all I can think of to put here, but my askbox is always open for more questions!

Thank you all once again for your support for this year. I hope you'll join me going into our next one and beyond.

Here's to another year out of context!

[stitching-in-time]

Voyager rewatch s3 ep9: Future's End pt 2

Another episode where I sit there twirling my hair, kicking my feet, and grinning, having my happy Star Trek fun time. It's truly got it all: epic adventure, silly hijinks, time travel paradoxes, phaser shootouts, a cute romance subplot, heck, even a car chase! You could not ask for more.

It's also the ep that introduces the Doctor's moblie emitter, which is a huge deal for his character, and the show in general, now that he can leave sickbay like everyone else. It was honestly a genius move to have a villain use stolen 29th century holo technology to kidnap the Doctor, because not only do we have a workaround for how it can technically be accomplished, in spite of established limits of holodeck technology, we get to keep the emitter and use it forever without any temporal prime directive red tape. Slow clap for that one!

Also, what is up with Chakotay doing flirty flirt all the time in this story?! First with the Captain in the first part (typical, tbh), but then with B'Elanna in the second part! Was this a direction? Or just Beltran spicing things up for his own amusement? Idk, but it's a lot, and it feels weird with B'Elanna, especially when we straight up know he's down bad for Janeway.

And I gotta say, no alien on Star Trek has ever inspired me with visceral terror the way those flannel wearing white guys with guns in this one do. Even the Borg are pretend at the end of the day, but gun-toting rednecks are very real, and even though I know they're not going to kill off main characters, I still sit there thinking "get them out, get them out now!!" when they capture Chakotay and B'Elanna. Having the Doctor phaser those guys was a huge relief tbh!

This story feels more like a TV movie than a regular episode- being able to go to actual locations makes everything seem so much bigger. I mean, they drive past houses! They never just go down random streets on alien planets, because it's too expensive and time consuming to build just to be in the background, and here, we get all the little details of real places, atmosphere, sunshine! It's so great! All the colors look really saturated too, it's almost cartoonish, but not in a bad way. I honestly wonder if they used some kind of filters to make the trees greener and the sky bluer, or if LA really just looks like that. Star Trek tends to be very grey and beige, and I just love all the colors we see in this one.

There's so much here that's nostalgic- the flip phones! Rain Robinson's entire wardrobe! (Girl looks like she stepped out of the pages of Teen Vogue- every girl wanted to dress like her, she even had a VW van, which was very cool at the time.)

I really do like the little romantic subplot they gave to Tom and Rain. It was sweet that they bonded over being nerdy, and it was so lovely that they let Tom be genuine and not cheesy, finally. I love that they gave Rain a little speech recognizing how selfless and dutiful Tom actually is. (I think this episode is where little 10 year old me started to develop a crush on him- and here we are, 27 years later, and I'll still fight anyone who doesn't respect my cringefail nerd blorbo. I'm fine and normal, I promise!)

One thing I noticed on rewatching this, though, is that after the big car chase, when Tom and Rain have their little goodbye kiss, Tom walks away, and gets beamed back to Voyager, but, um... how is she supposed to get home?! Her van just got crashed into, and they're in the middle of the desert! You couldn't just get an Uber in those days! They left her stranded out on a desert road with no car, no food, no water! She's gonna die y'all! The least they can do after she helped them is beam her the hell back to town!! Lol wtf?!

This is one of those eps that's so much fun that you don't want it to end. But of course, our plucky Voyager crew stops Starling from taking the timeship back to the future, and prevents him from destroying the solar system. It's very satisfying knowing his greed is what gets him killed- if only billionaires always got what they deserved lol. And then they get to go back to their own time, but they have to go back to the Delta Quadrant- that pesky temporal prime directive! But we get treated to a final scene of all of the crew together in the mess hall, for the first time ever! I'm not sure if they're celebrating the Doctor's mobile emitter, or getting back to their own time, or what, but it's cute AF. Tom then calls Tuvok a freakasaurus (affectionate), and I'm just about to keel over from warm fuzzy feelings as the credits roll. I love this one so, so much!!

Tl;dr: A conclusion that lives up to the first part, this is an epic time travel story with all the fun, nostalgia, and excitement you could ask for. One of the series best, a true classic.

[lazyrants]

Sportacus on the Move! (prod 136)

Chris Crow (https://www.youtube.com/@handle6324) gave GetLazy an .iso of the ninth LazyTown DVD intended for promotional use only. To finally put the .iso to use, I decided to take all the screenshots in this episode myself. I also watched it using VLC.

Original airdate: May 18, 2006

Story by Magnus Scheving

Written by Noah Zachary, Cole Louie, Magnus Scheving

Directed by Magnus Scheving

Executive producers - Magnus Scheving, Ragnheidur Melsted, Raymond P. Le Gue, Mark Read, Brown Johnson, Kay Wilson Stallings

Starring Magnus Scheving, Stefan Karl Steffanson, Julianna Rose Mauriello

Puppeteers - Gudmondor Thor Karason, Jodi Eichelberger, David Matthew Feldman, Julie Westwood, Sarah Burgess

Sportacus is my favourite character, but this is a clip show AND in the style of an autobiographical documentary. So will I really even like it? Beware - I don't really explain most scenes good enough because they're mostly recycled from other episodes, so I keep it short.

The episode begins with a new cold open (good start!) where Sportacus is riding to town on his sky chaser. Once Stephanie sees him she puts in her letter. Sportacus checks on what she's doing, then she sends the letter. Sportacus rides back to his airship to get the letter, and he does.

We get some narration from Sportacus, who is thanking us for our letters. Some letters that were actually sent to LazyTown Entertainment pop up on the screen, with kids reading out their questions - and there's a big last group yell - 'can I be a superhero?' Sportacus says anyone can be a hero, then he walks through his morning.

Here is a recycled cold open from 'Zap It!' that I'll only explain as my Zap It review was rushed. Sportacus gets out of bed and flips into a pair of skating shoes. He grabs a hockey stick and skates over to his bed. He throws away a cushion then arranges the blanket.

He says that's how you make a bed, then skates over to his cupboard, spinning the hockey stick once more then putting it back in it's place, literally. He declares it breakfast time.

A recycled cold open from 'Dear Diary' - he slices up a banana with a ping pong racket, falls to the ground and tries to catch all the slices in his mouth. Still hungry, he calls for an apple but there are none left. So he decides to have some random watermelon that was on the floor.

Recycled cold open from 'Dr. Rottenstein' - he throws away the watermelon, does some cartwheels, jumps in the air, and now he's handstanding on the watermelon. Then he gets off, throws it in the air and catches it doing a power jump. He twirls it on his finger and it shatters to slices as he drops it on the table, then he eats it.

Now, it's teethy cleany time the Twenty Times way! Sportacus flips onto his aerobics bar, hangs on with his legs, and grabs his toothbrush. He jumps off and starts brushin!

The rest of the LazyTowners are brushing too to 'Twenty Times Time', but that all ends when Sportacus throws the toothbrush out of his accidentally-open door. He jumps out the airship and lands on the sky-chaser, and from then on, it's a mashup of 'Twenty Times Time' & 'Get it Together'. After the whole toothbrush thingy, Sportacus wants to play a little game with the sports spinner.

His first exercise is jumping jacks, and he adds a little Sportatwist to it - in the middle he starts flailing his arms around like those inflated people you see at car shops, then he starts kicking.

Then he just starts to fricking jump. That may just be some practice for his second move and my favourite one - Power jumping! So, he does a bunch of power jumps (no Sportatwists) before going on to a harder move - soccer. A recycled cold open from Soccer Sucker. Meanwhile, the kids are doing nothing!

They're probably bored because Sportacus isn't playing with them, but Milford tells them to do something fun like play basketball, and they all have fun doing so. After he throws back the ball, he says that he's now ready for anything, then something happens. He gets a letter, and reads it.

It's a question about why he moves so much. His answer is that he loves to move, and then he performs Get it Together. Once the song ends, he flips over to his water bottle and puts some water in his cup. Recycled cold open from Miss Roberta - he hits an ice cube using a baseball bat against the walls and it lands in his glass of water and he drinks it.

Then he gets a letter from an unknown person asking him to teach him one-arm pushups. This is my favourite part of the episode. So, he demonstrates normal pushups, triceps pushups, clapping, turning, then he tries ONE ARM!

Then jumping then clapping behind his back! Sure enough, he accomplishes it! Then he does his favourite - one arm, one leg. This is super cool. He calls for paper and a pen and he draws some pictures of his favourite pushups, and of course, a message. He sends his letter using air-mail, but he forgot to sign his name. He runs out, but the door isn't activated yet, so he has to turn the knob a bit. TWICE.

Finally, once it opens, he ties his feet to a white rope, then attaches the piece of metal to it on the magnet of his airship's door. He then dives off, catches the letter, and pulls himself back up. Then he signs his name.

Then he throws it back out. Now it's time for another energy boost. Meanwhile, a recycled scene from Ziggy's Alien - Robbie tries to sleep but is awaken by the sound of a kid yelling for help. In this case it's recycled from 'New Superhero' and Ziggy is falling. Then a recycled scene from 'Sports candy festival' where Sportacus' Club Special is consumed by Sportacus. I have complained about this so many times - but that is a plain lettuce and tomato sandwich.

The crystal beeps. Sportacus says before he saves someone he tries locating the problem, which he almost never does. Liar. So, he rides into the town and saves Ziggy with a skateboard and a comically long scarf.

The crystal beeps again - this time a recycled rescue from the VERY FIRST EPISODE involving Trixie being a moron, Stingy being a moron, Stingy flying in the air, and a seesaw.

Then a recycled rescue combining clips from both 'Sportscandy Festival' & the beginning of 'New superhero'. Milford is carrying a cake, he's about to walk onto a skateboard, but with the help of a carrot, he doesn't. Then a recycled scene from 'Sportscandy Festival' - Steph wants an apple, Sportacus throws a ball at the tree, Steph has an apple.

Then Energy is performed. Sportacus goes back to the airship using the sky-chaser. Robbie who has been looking through his periscope pushes it back of anger, then it comes rolling back and he makes a dive for it.

XD! So, Sportacus flips into his bed, day turns to night, and a recycled ending from the VERY FIRST EPISODE plays! Except this time there's an extra two seconds of Robbie's pained expression after lifting his arm.

3/10 - This episode was a bit boring as it was a lazy attempt to finish the season with recycled clips. The push-up and super spinner sequences really saved it for me, if those scenes were absent I wouldn't have liked this episode AT ALL.

[lenteur]

random thoughts about tell me that you love me, episode one

(the rest is under the cut because i'm worried about your eyes having to read ALL OF THAT and this post might contain spoilers)

First of all, I'd like to say that the scenery is gorgeous 💘 I'm in love with it 😍

The first thing I've noticed is how peaceful and slow this drama is. I really like that. I wonder if there will be a lot of moments of silence because cha jin woo has a hearing impairment.

The music ambiance in this episode is amazing. You can feel how the main character feels about the world around him.

I like that mo eun understood jin woo can't hear well and went back up the rooftop to save him.

Mo eun still taking the time to reassure jin woo that everything's going to be okay in the middle of a fire, how caring of her.

So now we know jin woo is triggered by fire because something happened when he was younger. It must have taken place during high school but we don't have the details yet.

I'm in the middle of this show and I'm already in love... I think it's cute how the more they meet the more they communicate with each other and find ways to do so because jin woo can't hear.

It's amazing that they're both thoughtful about each other: she came to rescue him during the fire, he's serving her the dish and even bringing her a towel when it started raining on them. It's those little gestures that mean a lot.

Mo eun even tried to cover her ears to understand how it feels to be in jin woo's shoes.

I noticed that the first time jin woo smiled is when he was with mo eun, the only person who seems to notice him. She's the first person who went to him and tried to understand him. She even went as far as saving him because she knew if she didn't chances are he'd have been caught in the fire.

And now mo eun is learning sign language for him? Oh take my heart while you're at it! I know they're not in a romantic relationship but it's just heartwarming to see them BOTH put effort into communicating with each other and no just jin woo. It proves that she is a thoughtful person. She's thankful for jin woo helping her and she wants to let him know in the language he understands the most.

The shift in jin woo's eyes when he saw her communicate with him in sign language 💖 followed by "I always thought I was the one who should make efforts" Kindness and understanding go a long way.

Jin woo has been rejected by others (ie the grandma who swiftly went back home when she learnt he can't hear) so it must have been a relief for him to see someone not be deterred by that and trying their best to communicate with him.

What I really liked the most about this episode was that it matched with jin woo, whether it be the pacing or the sounds, it helped us put ourselves in his shoes. I'm glad this decision was made because it's rare to find shows (didn't say it was impossible) that put a spotlight on a disability that well.

I'm going to give the episode a 9/10

ps: i was made aware this is a remake of a 1995 japanese drama Aishiteiru to Ittekure. I haven't watched the drama so I won't be making any comparisons between the two. So if my opinion differs from yours because of that, please know that i am aware the japanese drama exists but i won't be watching it (for now, who knows?)

[serendertothesquad]

Seren's Studies: Odd Squad UK -- "Oddtober the Thirteenth" Episode Followup, Part 1

LOOKIT HOW THEY MASSACRED M' BOI. LOOKIT HOW THEY MASSACRED 'IM. BARELY RECOGNIZABLE, THE LIL' SQUIRT.

Well...for those who have been in the fandom for a long time, we still have the memories. For those who haven't, I am so sorry. From the bottom of my heart.

Below the break for what I can only hope is an episode that delivers the same quality as "The Odd Ness Monster" before it, but probably won't.

I was going to make a genuine and honest comment about these two roleplaying as villains, but lemme set that aside for now to groan at who's writing this.

At this point, the only thing I'm in for is the obligatory sleeping agent. It's really the only way the man gets help with his taxes every year.

Now on to the roleplaying: this is, uh...huh. It's one thing to roleplay horror movie characters, but it's another to roleplay as criminals, even if they're harmless. Worse still is that these...at least appear to be Odd Squad agents, unless they're random kids from the street that wandered in here and started chasing each other. Do you really want two members of your employment body roleplaying as criminals?

...Changing my point. They prefer it so much that they include it IN AN ORGANIZATION-WIDE FUCKING HOLIDAY.

To be fair, Oddtober, in the meta sense, did include the premiere of "Undercover Olive", which had Olive dressing up as a villain. But at least there, it made more sense because it was part of a dangerous mission, and it allowed her to play off of Odd Todd as a bonus. Here, it's played for shits and giggles and can be replaced with any other festive event. There's not much sense to it.

So to put it bluntly: it's an ugly desecration of a beautifully-crafted episode.

"Because oddness is what brings us together!"

Well, yes, but also no. You two are on opposite sides of the spectrum. You want world peace. Villains want world domination, or at the very least, town domination.

"End of the Road" is a good example of this. The statement is posed of, "If the villains' powers are gone, then there's nothing for Odd Squad to do." Cue the rising of an avian alien creature from out of the water, which shows that, even if villains are gone, Odd Squad still has a job in protecting and subduing odd creatures.

Orli's specifically speaking of oddness fueled by villains, though. Odd Squad strives for normalcy, not for oddness. Combine that with the fact that villains are essentially criminals, and her comment doesn't exactly hold much weight. "Villains In Need Are Villains Indeed" brought a sense of mutuality between villains and agents, but it didn't exactly stick. Here, it seems like that would become the norm if the episode aired today.

Case in point: this is a flawed comment in a flawed episode in a very flawed season.

Ohhh...a time loop. Because we had that once before AND IT'S NOT FUNNY NO MATTER HOW MANY TIMES YOU REPEAT IT.

Some jokes are a one-and-done thing, Omar.

Oh sure, you can dress up as a criminal. Bring one into your place of work, though, and it's a whole 'nother ball game. One that goes on Extra Hard Mode.

One villain...to represent all villains?

WEEEEEEEELL FUNNY I MENTIONED "END OF THE ROAD" THEN HUH. Would have been perfect for The Shadow!

Yeah...yeah...Orli is absolutely in the right here. You know how much oddness could be caused in a day? How many lives would be lost?

And that's how you know this holiday is hella stupid.

(On top of that, I'm realizing this is just a more stupid version of "The Perfect Lunch", And at least that episode provided us with a sprinkle of lore and loads of funny bits.)

Parched Pact sounds more like an MLP name than an Odd Squad name. (Editing note: Revoking this comment because it's Pat, not Pact.)

We also have another villain who specializes in dryness in the form of Dr. Dry, and really, if he can be in the middle of bumfuck nowhere, he can come to the UK and join Goopy Gus in the Forced Old Villain References Club. I'll still scream about it, but at least it'll make sense.

See, when Oprah does it, it's charming.

When Captain O does it, it lacks bite.

If even the chef has the shared "popping up out of nowhere" ability, then you know there's something up.

(On a side note: toast. What the writers' obsession is with Season 2 gags, I will never know.)

"Hey, you. You're finally awake. You were trying to enter HQ, right? Walked right into that jubilee, same as us, and that villain over there."

Genuinely shocked how audible this whisper of "he's here" is. Normally it would just be incomprehensible and implied.

*slaps on the English hypercorrection glasses*

If you're addressing Orli and Ozzie by name, there is absolutely no need to use the catch-all term of "agents". You failed the test, Omar. See me after class.

Is...hold on, who's that kid dressed up as on the left? It's not one of the Terrible Three, surely?

Closest I can guess is maybe Villain X from "Agent Overhill's Day Off", and if that's actually correct, this is especially insulting because that episode isn't even part of this batch like it should be. It's foreshadowing, but it's insulting foreshadowing.

See, one of the things that's so flawed about this is that the dude could just as easily lie. He can eat the plain food and say he hates it when he actually likes it, for example. No one's stopping him. There's no lie detector. He's a villain. He cheats and he lies. 'S kinda what he does.

And he doesn't even have to eat, or enjoy himself, or like the gifts. He can declare he hates everything off the bat and take the W. There are no terms and conditions.

*claps four times* THAT'S IT!!! THAT'S IT. THAT'S THE BITCH.

Pure cartoony villain, right here. At least if the episode's going down, we still got the cartoony hammy villain.

Oh. Bro got a plus one.

I mean let's be honest, they should have prepared for that.

Huh. Apparently Pact- er, sorry, Pat was keeping Square Squire (the finest student of Professor Square's class, thank you) in his hammerspace spine. And the dude is taller than him.

Still not any more impressive than Lady Bread holding the Form-Changer up by brute strength, though.

Never have I wanted to give an Odd Squad character an advanced lobotomy more than THIS FUCKING GIRL RIGHT HERE, Jesus Christ. There's fun stupid like Olaf and Ohlm, and then there's just bland stupid.

Also, is...is that a Brand X Coca-Cola pillow she has there or am I tripping? Is Coca-Cola canon in the Oddverse? Is there air?! You don't know!

I take back my earlier comment. This is "It Takes Goo to Make a Feud Go Right", UK edition. Now with 100% less obvious innuendos!

(I do appreciate Orli's only reaction is to give a nervous gulp, though.)

Because if it's too cold for you to go into the pool, get on the kitchen table and get swimmin'!

Only thing he's missing is an Oculus Rift.

Oh, this is a rip rip. Like three goddamn quarters of a rip.

Omar, what the fuck are you doing, bro? I can watch the show, I can do rewrites, but I'm not copying plots straight from past episodes. It's sad that they have a whole world to explore across 10 years and resort to reusing plots like this.

...Now kiss.

*begins doing a Mr. Krabs walk straight through the gates of hell*

I'm sorry, I keep replaying this, I keep hearing "Waterless Wilf", and my mind goes to "Water I'd Like to Fuck." Which is inappropriate, biologically impossible, and a sin against the planet.

...Look, I said I was sorry. Bite me.

Look at that bitch in the background.

She knows.

She feels no remorse.

She set this shit up.

She knows.

Fluorescent...Florie?

I- are you all fuckin' high? Were you people fuckin' high when making up these villain names? At least Parched Pat and Square Squire somewhat made sense. This is just "hehe alliteration funy" and that's it!

Ozzie's getting close to an Olivepalm, and that's how you know you dun fucked up.

I...don't know what the fuck Orli's doing, but that ain't it.

Cross my heart and hope to fly, stick a piece of dry toast in my eye.

Or else someone's gonna die.

The man's got as many delusions of vacational grandeur as Obfusco.

The only difference is that Obfusco could reasonably accomplish a world trip in the span of a short time.

(On to Part 2!)

[w0lfinsheepscl0thing]

Writing Update #1 - 🜃

So! This has been on the back burner a while. I want to start post little logs whenever I can to keep myself accountable, and to kinda show a realistic way of writing. I, personally, struggle with perfectionism and have to force myself to work on things even if they're fun hobbies, so maybe this will reach someone who has the same experiences. We can procrastinate and scrutinize sentences together!

If I stick with this, this is just updates for my 1899 fic(s). Other stories will get their own thing. So, without further ado, here's log one:

So, I've been pretty much dead for a while! I've just been busy, mainly with trips, studies, acting, putting things off, and I haven't made any time to really enjoy 1899 or write. And by writing, I mean with my project that includes all the backstories as well as season 2-3... I'm starting to see how I got overwhelmed and put it off. I have other ideas for fics, too, but my mindset has been to keep working on the "1898" project till it's perfect and done, which is basically impossible. There's no way to make a continuation of a show that wasn't even done laying out all the clues perfect, not even the backstories that are at least partly explored! SO, I've got to let go of that. Which is not easy, but no one is expecting perfect, anyway.

Now, I don't think I'm even in a place to continue working on this thing. I'm in the middle of Twelfth Night, am trying to read 4 books, I may be writing and directing my own mini show, and I'm behind in classes. That schedule, while I'm incredibly grateful for it, is not ready to see the amount of time I want to spend on this project. I'm stuck on some parts (probably because I thought it would be a good idea to spread all my notes across multiple note apps), so until I figure out some big things, I'm not personally ready to "just write".

So... I want to post more writing, and it'll help me improve, so I'm resorting to just prompts for now. Whether it be writing a random scene from each episode for a week or just putting characters through every emotion just to see how they think, it's practice. And, it's closer to this "perfection" that isn't achievable, but I can get closer to. It's also stuff to put out there, and maybe I'll get the courage to work on this other mini series I want to do!

All in all, I'm probably going to stick to practicing for a while and working on pantsing, which is surprisingly difficult, but I'll try to update those interested on here. The more exciting stuff related to 1898 will come in the future, I just didn't want to put this off until then. Maybe it'll undergo big changes by then, because after all, my end goal is definitely... ambitious, to say the least.

If you have any projects you've been neglecting as well, I'd love to hear about them! Keep going; it'll be worth it in the end! Anywho, thanks for reading this rant and I'll hopefully come back after writing a scene. :)