#they're so different sometimes and yet similar in other things

[writinginthestars]

My Men 💖

[yume-no-miya]

look i love making sae be the one who's so in love and showering hajun with so much love and affection but it's much more fun to think that HE fell harder than her

[harmoonix]

🪄Hocus Pocus🧹

🎃 Halloween - Astro Observations 🎃

~In life there are bitches, there are snitches,

but there is nothing as good as WITCHES~

🎃 Libra Moon/Venus/Mercury have a soft love language. They often like to share the same love language as other people

☠️ Scorpio Rising in your solar return chart can indicate a year where you will experience rebirth/death themes in your life, something is leaving, and something new is coming

👻 Placements in the 9th house deserve the 'witch' title since it is the house of magic and occult, moon/pluto, or venus in the 9th house can give witch vibes

🖤 10th or 6th hosue ruler in the 9th hosue can make a job out of magic/spirituality even occult, tarot readers, astrologers and spiritual gurus can share these placements

💚 Earth Moons and Rising fit the 'green witch' archetype, healing witch, herbal witch, using plants and nature in your power

❤️ To fire risings, how they look plays a big role in their personality and the way they show themselves to the world. Fire Risings always love to present themselves

💜 For Air Risings and Mercury, their personality can be enchanting, air rules over communication and expression. They're the ones with a cool personality

💯 Pluto aspecting Sun or Ascendant can give you the aura or vibe of a villain. Even if that's not what you are, people can perceive it that way

🧹 I love it when people associate Capricorn with endings because that's what Saturn is all about. Where you have Capricorn in your chart is something you need to end

🪄 Sometimes, the 4th house ruler in the 9th house or 8th house can indicate that family members were also practicing witchcraft but also losing family members (if it is connected with the 8th house)

🐈‍⬛ Pluto Dominants have the luck of a black cat, always perceived the wrong way, always in the negative yet powerful energy

🕸 I observed Scorpio Moons really love to keep it all for themselves, which is so common among the Scorpio Placements, so secretive

🫶🏼 Mercury in the 12th house can be a very spooky placement manifesting as hearing, seeing, or sensing entities/ghosts, etc. It's a haunted house placement

🤎 Mercury in the 8th house or Mercury in Scorpio can be recognized by their deep/ gloomy voices, can posses a raspy voice

🌓 Those born on the last quarter of the moon (moon phase) nay have the tendency to cling up the past, especially when they're afraid to change for the better

🫦 Sun in the 10th house natives make sure to always be seen in a good light, and thats how they gain attention. Those people who never do wrong, to an extent they don't want ppl to see that

👻 Sun in the 3rd, 5th, or 11th house natives love to do crafts or creative things such as DIY because they always find something creative to do

🩶 Mercury aspecting Venus natives can be into finding other people's voice attractive/sensual/magnetic

💀 Pluto x Mercury aspects possess a very dark and deep humor. Making jokes not everyone gets/ understands

👹 Aries Placements, but especially Risings and Mars love to play the dominant card even though deep down they like when they're more soft with others

👾 Juno in the 5th spouse can share the same talents as you, sharing similar childhoods, similar view of a relationship

🩵 Sagittarius Juno all the way up standing there beside Aquarius Juno for having different relationships rather than a traditional one (my fav Juno placements)

🤬 Malefics in the 3rd house like Saturn, Pluto, or Mars can influence the native to be more harsh in their talk, communication, and self - expression

🎃 Moon in the 1st house can make your face, especially the cheeks, more prominent and overall a very shiny skin

🐈‍⬛ Pluto in your 11th house can give a dark energy in the way ppl see you. You can affect them deeply, they will not get you out of their heads

🩶 Saturn in the 7th house [If it's retrogade] can indicate more lessons in the area of relationships, spouse, the downfall of a slow relationship (you can't stop the tears from falling down..lol)

🪄 Saturn aspecting the Venus natives sometimes expects the worst in a relationship/situationship to happen. Overthinking if they're good enough

💙 Water Risings and Moons, telling their feelings early in a relationship matters a lot. They want their partners to feel the same things as them

🌙 You can find a comfort place in people who have their 4th house sign in the same sign as your 1st house

🎃 If both partners share the same Chiron Sign, they'll share the same wounds, pain, and suffering, but at the same time, they will heal the same wound

💢 Natives who will have their 9th house sign in the same sign as your Sun will want to teach you. They will want to share the same values with you

╰╮🎃╭╯🪄╰╮🎃╭╯

Halloween in my opinion will always have its magic, It doesn't matter how you celebrate, whether with horror movies, sweets or decorations, it's important to keep it in the heart.

I hope you had an amazing October month from the first to the last day!! 🎃🎃🪄

By: @harmoonix 🎃🪄 October 2024!!!

[inkskinned]

she's three years younger than i am, and i put on cascada as a throwback, cackling - before your time! i've been borrowing my brother's car, and it's older than dirt, so the trunk is like, maybe permanently locked. when the sun comes through the window to frame her cheekbones, i feel like i'm 16 again. i shake when i'm kissing her, worried i won't get it right.

in 2003, my state made gay marriage legal. where she grew up, it wasn't legal until 11 years later - 10 years ago. if legal protections for gay marriage were a person, that person would be entering 5th grade. online, a white gay man calls the fight for legal marriage boring, which isn't kind of him but it is a common enough opinion.

it has only been 9 years since gay marriage was nationally official. it is already boring to have gay people in your tv. it is already boring to mention being gay - "why make it your entire personality?" i know siblings that have a larger age gap than the amount of time it's been legally protected. i recently saw a grown man record himself crying about how evil gay people are. he was begging us, red in the face - just do better.

i am absolutely ruined any time my girlfriend talks about being 27 (i know!! a child!), but we actually attended undergrad at the same time since i had taken off time to work between high school and college. while walking through the city, we drop our hands, try not to look too often at each other. the other day i went to an open mic in a basement. the headlining comedian said being lesbian isn't interesting, but i am a lesbian, if you care. as a joke, she had any lesbian raise their hand if present. i raised mine, weirdly embarrassed at being the single hand in a sea of other faces. she had everyone give me a round of applause. i felt something between pride and also throwing up.

sometimes one thing is also another thing. i keep thinking about my uncle. he died in the hospital without his husband of 35 years - they were not legally wed, so his husband could not enter. this sounds like it should be from 1950. it happened in 2007. harassment and abuse and financial hardship still follow any person who is trying to get married while disabled. marriage equality isn't really equal yet.

and i don't know that i can ever put a name to what i'm experiencing. sometimes it just feels... so odd to watch the balance. people are fundamentally uninterested in your identity, but also - like, there's a whole fucking bastion of rabid men and women who want to kill you. your friends roll their eyes you're gay we get it and that is funny but like. when you asked your father do you still love me? he just said go to your room. you haven't told your grandmother. disney is on their 390th "first" gay representation, but also cancelled owl house and censored the fuck out of gravity falls. you actively got bullied for being gay, but your advisor told you to find a different gimmick for your college essay - everyone says they're gay these days.

once while you were having a hard day you cried about the fact that the reason our story is so fucking boring to so many people is that it is so similar. that it is rare for one of us to just, like, have a good experience across the board. that our stories often have very parallel bends - the dehumanization, the trauma, the trouble with trusting again. these become rote instead of disgusting. how bad could it be if it is happening to so many people?

i kiss my girlfriend when nobody is looking. i like her jawline and how her hands splay when she's making a joke. there is nothing new about this story, sappho. i love her like opening up the sun. like folding peace between the layers of my life, a buttercream of euphoria, freckles and laughter and wonder.

my dad knows about her. i've been out to him since i was 18 - roughly four years before the supreme court would protect us. the other day he flipped down the sun visor while driving me to the eye doctor. "you need to accept that your body was made for a husband. you want to be a mother because you were made for men, not women." he wants me to date my old high school boyfriend. i gagged about it, and he shook his head. he said - "don't be so dramatic. you can get used to anything."

the other day a straight friend of mine snorted down her nose about it, accidentally echoing him - she said there are bigger problems in this world than planning a wedding.

[mogamuncher]

Heeey I'm back! It's finally time for the full Cakeverse analysis gang!

Ok, so, for a refresher:

There's the Forks, the Cakes and the Plates (normal people), and it goes like this:

Plates are just normal people, the majority of the world population, nothing new here.

Forks: Can't taste and sometimes can't smell either, sometimes they used be able to taste but lost it with age; either way, they can only ever taste cakes.

Cakes: Basically normal people except that they're delicious, everything from them (flesh, tears, saliva, etc) tastes like cake (or other foods if you want). You can't tell who's a cake or not unless you're a Fork that's tasting them in some way.

Now, I have to add some stuff that's really interesting and that the og author said, that we'll be getting into today.

• Forks go absolutely bat shit insane when they taste the Cakes most of the time, that can lead to a lot of things, cannibalism, sex, or (if you're cultured) both.

• Both Cakes and Forks suffer from their own societal plights. Cakes die a lot, and Forks when discovered are instantly pinned as murderers, criminals and perverts, even if they haven't done anything wrong yet.

• Cakes can derail a Fork's entire life, and Forks are like sin and temptation to Cakes.

Now, I want to talk about these because they absolutely fucking vexed me and now I want to make this all of y'all's problem.

「The First Taste」

It's essentially a common rule as said by the author that the Forks go insane after feeling the taste of a Cake, now, let's talk about: Why?

See, Cakeverse is technically an Au based from the likes of Omegaverse, which you can see by the structure being similar to Alpha/Beta/Omega with the three types of people out there. But, in ABO the Alphas going insane is due to a specific event, heats, which are there specifically for reproduction and are said to bring out animal instincts out of people's control, while Forks are based on simply taste, food, and not something as biological.

Of course it's up to the individual writer to an extent, but my interpretation of why Forks lose it when they taste Cakes is more psychological when compared to Alphas in the Omegaverse.

Imagine that you are completely unable to see color, never once have you seen one, you grew up hearing all about how wonderful colors are, you saw others compliment the colors of several works of art, you heard all about the colors of the world around you, but all that you see is beige and grey. Now, imagine that one day you bump into someone, and suddenly you're able to see all the colors, for the first time ever in your life, you can finally experience blue skies and green grass, you can see the same way the rest of the world sees, something that was fundamentally missing from you is finally gifted to you by this stranger on a silver tray.

You're finally complete.

That's the reality of what Forks go through, years of eating tasteless food, seeing people enjoy food wholeheartedly and rant about the tastes, hearing about the differences between expensive food and cheap food, and then suddenly finally tasting cake. Of course they go insane and fixate on it, it's like the final puzzle piece finally sliding into place, something that they've been missing this whole time being manifested with only a taste.

Before, eating was a chore, something simply to survive there was no joy in it, no fun to be found in desserts or snacks, but with only a single kiss the Fork finally feels what it is like to crave food, to want food for the taste.

Cakeverse in nature is oddly psychological, playing with the concept of taking away something extremely core to the human experience, taste. It's inherent and everyone has it, you'd probably feel like a freak of nature if you didn't have something while everyone else has, right?

That's what Cakes bring Forks; normalcy, joy and purpose, it's basically like a shot of endorphins all at once straight into your bloodstream, there's a good chance it'd hit like a truck and fuck you up majorly.

Forks acting rashly probably looks different than when Alphas do the same, because the motive is inherently different, but the desperation is arguably more raw.

A lot can be written on what that reaction would be:

Immediately trying to taste the Cake (kissing, licking, biting), trying to play cool only to strike later (potential kidnapping, manipulation, planning and scheming in general), the Fork can try to resist temptation or maybe the Cake can notice the extreme reaction and run away, maybe the Cake can instigate and bait the Fork to take a bite.

It could lead to fluff, to relationships starting, relationships ending, it could smut, it could be gory cannibalism, hell, it could be both.

Either way, the sheer amount of character study that could be made out of this tidbit alone is insane, and the story concepts don't stop there!

「We Do, In Fact, Live In a Society」

Cakes don't know who they are until it's too late, but I can imagine that in society they'd be treated with a lot of extra care if they are known beforehand, as they are constantly in risk of dying.

Imagine that they'd also be majorly babyfied, the "nooo poor babies that can't do anything wrong, poor helpless and weak Cakes, they clearly can't take care of themselves, they're so vulnerable, don't worry I'll speak for you to protect your honor" would be insane. Any Cake that consensually and willingly gets with a Fork will be doubted if they truly wanted to do it, think nosy people pulling them aside to ask if they're ok and pressing to see if they're abused, think people immediately thinking that Cakes can't consent to anything with a Fork on principle despite them being grown adults.

Online discourse would definitely have people saying "Cakes are minor coded" or some shit, mark my words.

While Forks would be instantly persecuted for everything. Because of something they didn't choose, that was inherited at birth, they now are fully seem as murderers, kidnappers, rapists and just the lowest of the low. People will gossip, people will get defensive, people will cower any time you slightly raise your voice, you're seen as a predator, treated no different than a wild bear. To society at large, you're an unruly dog, and all eyes will be on you forever, watching, waiting for the day that you take a bite.

In a sense, it's almost like any Forks that do commit crimes instantly have a justification to do so, it's expected, really, you're a Fork, of course you'd snap one day. It's both maligned and normalized, everyone expects it and it almost gives Forks a reason to do so. Forever a self fulfilling prophecy.

Now I'm sorry that I'll keep bringing the Omegaverse up, it's just that it's really handy for comparison, but I find it fascinating that in a way, the societal effects of this are a mish mesh of the societal views seen in ABO, but like, in a way that doesn't make me want to vomit.

Can I be so fr with you guys right now? I don't like the societal parts of the Omegaverse, ever since I was a kid in the early hay days of the internet, that always made me uncomfortable, and it's also a bit lazy in a way. The problems in society with the Omegaverse are basically just Sexism, it's misogyny with mpreg, and a lot of fics end up feeling like a Handmaiden's Tale with mpreg. Replace Alphas with men and Omegas with Women and you get the Omegaverse, though it gets a bit interesting since there technically is a built-in "fuck or die" and aphrodisiac system with heats/ruts, but very few writers do something interesting with it.

My problem is that it's always either uncomfortable or outright boring, very little fics do it well and most of the time authors simply choose to side step it altogether, which I completely understand and actually prefer at this point.

I bring all this up because Cakeverse actually brings a lot of interesting concepts up in it's consequences on the world at large, the nature of Forks and Cakes mirrors a lot of real life concepts, but leaves enough fantastical elements that there's still intrigue in what could be explored and seem from authors writing certain details of it.

Would there be Cake support groups? Would there be Fork rights activists? Would there be people who are both Forks and Cakes, like a hybrid type? What are different relationship types seen as in the eyes of society as a whole?

It's all so complicated and the problems are different between the both of them, also, they're evenly split, which is a breath of fresh air.

Now, it's time to get even deeper into this, what are exactly Forks and Cakes relationship with each other like?

「Would You Still Love Me If I Was Cake?」

According to the author, Cakes can derail a Fork's life and Forks are temptation to Cakes. Now, why is that?

Imagine you're a Fork, living your life trying to do what you can with what's been handed to you, probably being discriminated against if you haven't been able to hide it well, when suddenly you taste someone (kiss or by accident, like a shared water bottle), and next thing you know you lose your mind. Your entire world falls apart, thoughts of dreams, future, your own sense of morality, it all melts away like sugar in water because you just experienced heaven and now it's all you can think about.

Someone completely normal beforehand, suddenly driven to obsession with just one moment, an entire life detailed into the unknown because they just had a taste of cake, thoughts being all about one person and their taste, the inability to stop even you're desperate to do so. It's madness, and almost like a tragedy, doomed by their own personal narrative of Fork meets Cake, the Forks turns into a starving beast whether they want to or not.

But Cakes? Imagine you have someone you love, and they want you so badly it drives them mad, imagine kissing the same lips that want to be stained with your taste, imagine putting yourself in the way of jaws that any of these days can close down on you and swallow you whole. You're constantly in contact with someone that could just straight up eat you, consume you whole and leave nothing behind, but your heart aches for them, you present yourself in a silver platter again and again.

Maybe you want to be eaten, to be consumed. Maybe you like being wanted, maybe you enjoy providing something to to others, you made them so happy that it doesn't even matter to you that they are taking chunks out of you, you'll gladly let yourself be torn apart if it means someone else is satisfied.

It's all about the usage of "Cannibalism as a Metaphor for Love™", it's all about loving someone but constantly wanting to eat them into non-existence, it's about to struggle between your brain heart and stomach.

It's about having your cake and eating it too.

The themes, the metaphors, the opportunities are endless and frankly I'm driving myself insane just imagining all of it, the angst also would be utterly fucking insane, imagine you live someone and you eat them, wouldn't you be upset? You loved them and you killed them yourself, with your own hands, their taste is on your lips and you licked your plate clean.

I'm screaming and crying and throwing up as we speak, the number of things you can do here are endless, soooo. . . Let's talk about some of my ideas!

「All My Fanfiction Titles Are Just Songs」

Last post I basically tagged a bunch of fandoms that I wish would use this trope (I'll also be doing that with this post), so now I'm going to showing some of the ideas I had for this AU that I might or might not write in the future, all of which you guys are totally free to use as prompts as well (just tag me on them lmao)

So, going ship by ship:

「Loveit」: Dead Plate fanfic, Vincent x Rody, Fork!Vincent and Cake!Rody. I imagine that the moment Vincent finds out is during the Best Served Hot ending, after biting Rody's ear, his reaction would show instantly on his face and Rody would notice right away. After that it can lead to a lot of things, fighting, smut and cannibalism galore, their relationship would only get more complicated after such a discovery. Hell, you can even have Vincent find out earlier, if you truly want more juicy drama, maybe Vincent will attempt to make Rody into the meal instead of Mason this time? For funsies you could even reverse it, Rody as a Fork would be fascinating to see, him bonding with Vincent that he also can't taste anything, only for him to find out later that he can taste Vincent himself, holy shit the intrigue.

「Eat You」: Death Note, Lawlight, Fork!Light and Cake!L. Imagine Light both having to hide the fact that he's Kira, but also having to hide the fact that he's a Fork, imagine the never leaving stain that being a Fork would be on his own self-perception of perfection, imagine the so called god that punishes criminals also being considered a criminal by default in society's eyes if he's ever found out. Kira selling out his own kind because most criminals would likely be Forks (whether they were rightfully convicted or not), and then comes in L, a detective, a nuisance, Light's equal and a Cake. Maybe Light would find that out later on, maybe while they're playing as friends in college or while chained together, and now L had effortlessly thrown another wrench in his life yet again by default, like they're meant to be opposed by fate itself, where Kira is a Fork L is a Cake. L would likely goad Light on, trying to bait Kira out, by any means necessary, even if it means being eaten.

「Eat You Piece by Piece」: Hear me out, Batjokes. Fork!Bruce having to hold himself back from breaking his own morals due to finding out Joker is a Cake, Fork!Joker only getting deeper into his Batman obsession after tasting a Cake!Batman, Both Forks bonded by not having taste, maybe both are Forks that differ on how they react to Cakes (Joker regularly eating them while Bruce retains his morals and chooses to not hurt them), maybe both Cakes that got here because they were almost eaten (different Batman and Joker origin stories?). The opportunities are all intriguing and promptly end in bloodshed, expect angst and discussions of what is moral, also just so much angst holy shit this shit hurts.

「I Eat Boys Up」: Dungeon Meshi, Labru, Fork!Laios and Cake!Labru. I'm thinking post canon by accident, maybe something like sharing utensils, and I'm going to be so fr with you right now, this story coming from me would be a lot of romanticism through food metaphors and unending smut, feral Laios is my equivalent of heroin and I could imagine him describing Kabru's taste in detail to him while eating him out. But if smut isn't your jam, exploring how Laios and his monster obsession, especially in the form of food, as someone who can't taste would be intriguing, in a story so closely tied to food, you have to wonder how it would all change if the main character couldn't even taste. Also, I doubt Kabru would take the knowledge of him being essentially prey well, so there's that bag of worms to go into if you want.

「Blame Gluttony」: This one is purely self indulgent but like, Re:Zero with any ship, Cake! Subaru and Fork!anyone else. Imagine Subaru's world doesn't have this Cakeverse nonsense at all, but the world he's transported to has, imagine how scary it would be that one loop he suddenly finds out that he's essentially universal prey here (maybe in the second loop with Elsa), imagine the weight of all the things that already are trying to kill him along with the fact that he's also got a new thing to worry about? Maybe instead of just the rabbit loop, there's now multiple loops where Subaru is eaten alive, maybe there's loops where his dear friends themselves are eating him. Can you imagine if Emilia was a Fork? If he found out after the kiss of death and she commented on the taste of his lips as he was dying, if it came up again after their kiss, Subaru having to tackle with his love and heart belonging to someone that would one day eat him whole. Imagine the witch not longer just wants to touch his heart or kiss him, but she also bites him when he tries to tell the secret. Imagine maybe Rem is also a Fork, imagine that his death by her hands also involved her tearing into him chunk by chunk. What if Otto was a Fork, what if Reinhard was one? Seriously all the opportunities are equally traumatizing and I'm living for it!

Honorable mentions include: Persona Shuake and Shuada (Fork!Protags and Cake!Detectives) for the optimal mutual murder extravaganza, Okegom DSP Satanivlis (Fork!Ivlis and Cake!Satanick) for a rare case of role swapping, South Park Kyman (any way works tbh) for mutually assured destruction, Slay the Princess (Fork!Princess and Cake!Birb) because themes, Soukouku (Fork!Dazai and Cake!Chuuya) for making canon even worse than it already is, frankly any investigrave game would be peak here, Hannigram for obvious reasons.

But that's all I have for now, so, what have we learned here?

We learned that: I'm mentally ill and you need to write about the Cakeverse NOW.

[yeostars]

hii :)) I saw your post about ateez with an older s/o, and I was wondering if you were willing to do one about ateez with a younger s/o (not too much just like 1-2 years)

you don’t have to if you’re uncomfortable or if you just don’t want to though, I was just curious about this kind of dynamic

𓆩♡𓆪 dynamics study: ateez members dating someone younger than them / having a younger s/o <3

𓆩♡𓆪 hongjoong, yunho

• would be protective over you 100%. They are originally the kind of people who get jealous naturally, even if they can't help it. Might be slightly more possessive and protective over you than usual and you freaking love it. Would give you head pats every single time they find you endearing or adorable. Would warn you to be extra careful if you're driving late at night/ walking alone at night, going to the lengths of texting you and checking in with you every ten minutes to make sure you're safe and coming home soon. Would give you loooots of forehead kisses <3 would sincerely teach you about new things & hobbies if you ever mention about getting interested in them.

• always your no.1 supporter, no matter what. Whether you've accomplished a small achievement or a big one, they would never fail to show you how proud they are of you, would show off about your smallest achievements to their friends and family members, always leaving you slightly embarrassed but they assure you that you deserve to be appreciated about every single thing you do ><

• they're always the one taking initiatives- whether it's planning a date or helping you take the random-est of decisions, they're somehow always taking the lead. Them being older than you naturally leads them to be the ones taking the lead. Most importantly, they always make sure your needs and preferences are ahead of theirs. Basically they don't mind sacrificing something they like if it means putting ahead something you would love- all of that just to see that cute smile on your face. Would let you win in small and playful arguments, just to see that happy sparkle in your eyes upon winning.

𓆩♡𓆪 seonghwa, san

• they always, ALWAYS make sure you're comfortable. in literally any situation - could be when you're having a movie night at home, they arrange the pillows & blankets just right so that you're always cozy. they even go to the extent of you leaning against their shoulder for HOURS, using their arm as your pillow, even if it means that their shoulder is going to be SORE the next day- they don't care as long as you're sleeping peacefully.

• would LOVE stroking your smooth, soft hair. it's literally their favourite thing to do, and just like yunho and joong, they'd also give you lots of head pats because they're always endeared by whatever you do. They're always gentle with you, would treat you like you're a delicate doll for real. Especially because of you being younger than them, although there's barely 1-2 years age difference between the both of you, taking utmost care of you would be their responsibility. No matter the situation, they'd lend you their jacket even if you're a little cold, sometimes even draping it over your shoulder before you can even ask.

• they're ALSO quite protective over you. Would show their protectiveness in the form of quietly wrapping an arm around your waist, pulling you closer to them when you're talking with a stranger who's making you uncomfortable, as if showing them who you belong to, and proving to you that they're always there for you. Would also naturally shield you in crowds, keeping you close to them to make sure no one bumps into you. Would call you nicknames like "baby" "my love" "sweetheart" which you swoon over everytime.

𓆩♡𓆪 wooyoung, mingi

• not gonna lie, your dynamics would be quite similar to that of an older brother and a younger sister. Even though your age difference is barely 1-2 years, the both of you would be teasing the hell outta each other, annoy each other every chance you get, yet care the most for each other and show your love in the tiniest, most random ways. Their nature is like that- they're quite unserious and so are you. Dating mingi and wooyoung with them being older than you would be like having a best friend, older brother & boyfriend all in one.

• similarly, like an older brother would be naturally protective of their younger sister, they'd be protective of you. Considering how dramatic these two can get sometimes, they'd throw tantrums when you ask them to pick you up late at night but would always be there to pick you up the fastest. They'd keep an eye around you in front of others, when you're out in public or around new people, you're always in their eyesight, making sure no one's making you uncomfortable.

• Would slightly mess up your hair after giving you head pats, and you'd scold them for it, but they just do it to annoy you and to be endeared by that pout on your face. Your kisses would always last longer than necessary because they just don't want to let go of you so soon. They can get quite clingy sometimes, requesting you to stay the night and cuddle at their place to spend more time with you, making you question who's the younger one between the both of you, lol. They'd also be the type to tuck you in safely in bed after coming home exhausted from a date, and stare at your peaceful resting face for hours, carefully fixing the hair on your eyes so that it doesn't bother you. These two would show their love in hidden ways like these, admiring you even more when you don't notice.

𓆩♡𓆪 yeosang, jongho

• would be extremely gentle and caring with you. Sometimes maybe even more than necessary- they'd be the type to hold your hand at literally any chance they get. Although these two don't like showing their physical affection often- when they're in a relationship with a younger s/o, they would love to interlock their fingers with yours, gently swaying it from side to side. Would help you out with the smallest of tasks- such as holding your shopping bag/ purse which is heavier than usual for you without question. Would try to help you out in all ways possible, as their way of showing their love towards you.

• they would be especially protective over your health and well-being. If you're a student, they'd make sure taking breaks in between studying, would always text you to remind you to have your regular meals and make sure you're eating well. During exam times they'd come over and make sure you're not staying up too late revising, would get you to study during daytime itself so you get enough sleep at night & make sure you don't procrastinate.

• They would also stand up for you & firmly defend you- be it someone talking harshly to you, or you disagreeing with someone, they'd calmly step in but would stay there by your side until everything gets resolved. They're quite mature like that & you admire that side of theirs a lot. When you're walking alone late at night, they'd either accompany you or stay with you at all times on the phone, talking about random stuff until you've reached home safely. Would surprise you with little gifts (your favourite chocolate, snacks, some book you wished to have) even if it's not a special occasion because they know that you love surprises & would spoil you with them from time to time.

[genderqueerpositivity]

I absolutely cannot wait for this election cycle to be over because genuinely what the fuck. I keep drawing parallels to the 2016 election because there are just so many similarities, but what I haven't said much about yet are the ways in which things are worse.

Having the majority of people I know or randomly encounter be Trump supporting Republicans is absolutely wild now, because sometimes they will just drop the most unhinged comments you could possibly imagine into casual conversation as if they're simply commenting that the grass is green or the weather is nice today, and every time it gives me this bizarre sensation like I am somehow the one living in a different plane of reality.

The Democrats are intentionally bringing undocumented people into the country and giving them drivers licenses so they can vote in the upcoming November election, and unless Donald Trump wins and is allowed to carry out his mass deportation plan the United States will never again have a Republican Christian president.

Joe Biden has been using the US military to release chemicals into the atmosphere for the past four years which have the ability to affect the weather in order to trick the American public into believing that climate change is real.

The attack on Donald Trump at his rally was rally a plot enacted by The Deep State, a secret group of powerful liberals who are running the country behind the scenes, and they don't want Trump to win in November because he is too powerful for them to control.

Joe Biden was replaced by a secret identical body double when he allegedly had Covid several weeks ago, and the double is the one who really dropped out of the election, gives all of his speeches, and does all of his interviews now for him.

Those are just the ones I heard last week.

And the reactions I get when contradicting these wild takes range from rage to mocking to a bizarre persecution complex. In 2016 and even in 2020 I was able to have a lot of productive conversations with many people who disagreed with me greatly on major issues, and that is largely not happening this time. If I dare to disagree, they turn to anger, attack me personally, or cry immediately that I'm denying their right to free speech. When bringing up my actual lived experiences with certain issues, I've been dismissed immediately as emotional and brainwashed. There is no room for discourse or discussion anymore, it has broken down.

I know that we've been going out of our way to call them weird, but we're not really talking about fringe weirdo conspiracy theorists anymore, we're talking about your neighbors and my coworkers and your aunt and the guy behind me in line at Aldi. These people are everywhere, they're 100% serious about believing in this shit, and they're voting Republican in November come hell or high water, truth be goddamed.

You know, the lives of millions and millions of women, LGBTQ+ people, undocumented people, and other marginalized peoples are at stake in this election but it feels increasingly like reality is at stake too.

"Alternative facts" sounded outrageous seven years ago...now they've made it a way of life. Unless we can correct course, and rapidly, it isn't going to get better.

[triflesandparsnips]

So I understand that there are Good Omens show fans who have never read Good Omens the book, and that makes me deeply sad because--

Like, there's so much depth to the story being told about humans and humanity and the choice between good and evil -- and how that's actually a false dichotomy whoooops -- WHILE ALSO not really being about Aziraphale and Crowley at all (who are, imo, basically there as embodiments of "Impressive Failures" for the purposes of Theme and also Plot).

BUT IF you want to know why I've shipped them since the book-- here's the moment it happened for wee teenage me:

Wednesday (before the end of the world)

So it's Warlock's birthday party. And there are all these children and security guards and also an angel doing magic tricks while a demon is disguised as a caterer. This bit is basically the same as the show, so hooray.

But as wee me understood the characters up to this point, they were still basically enemies who had been in the field together for way too long and knew each other's moves well enough for the same tempting/thwarting of one another to become kind of boring and repetitive and generally pointless-- particularly once they realized that they could, for instance, just live their (separate!) lives watching humans being weird (Crowley) and seeking various sensory stuff (Aziraphale) while doing the least work necessary to keep their respective bosses off their backs.

The Arrangement was borne not out of hiding a friendship or anything, but instead the realization that sometimes covering for one another would just... cut down on their total overall workload. They were, at best, employees of two different, competitive companies-- though in same kind of department, doing the same kind of work-- who discovered they liked to have lunch at the same deli and that their jobs were sometimes distressingly more similar than either was comfortable with.

SO ANYWAY. BACK TO THAT WEDNESDAY. They're not covering for one another with this whole Antichrist thing-- they're now actively collaborating, and they've acknowledged (mostly) that it's not to cut down on their individual workloads, but rather to preserve their identical-- but not shared (not yet)-- goals of Getting To Continue The Lives On Earth They've Grown To Enjoy.

But like-- still not friends. Not really.

Until Aziraphale fucks up a bit, Warlock accidentally gets hold of a security guard's weapon and starts waving it around, and:

Then someone threw some jelly at Warlock. The boy squeaked, and pulled the trigger of the gun. It was a Magnum .32, CIA issue, gray, mean, heavy, capable of blowing a man away at thirty paces, and leaving nothing more than a red mist, a ghastly mess, and a certain amount of paperwork. Aziraphale blinked. A thin stream of water squirted from the nozzle and soaked Crowley, who had been looking out the window, trying to see if there was a huge black dog in the garden. Aziraphale looked embarrassed. Then a cream cake hit him in the face.

My teenage brain exploded at this moment.

BECAUSE: there is no reason for Aziraphale to do that.

Work-wise: If he got shot, Crowley would get discorporated, but not die-- and anyway, it would happen in such a way that both of them could explain it away easily to their respective sides (and possibly even be commended for it!).

Collaboration-wise: If Crowley had been watching Aziraphale, and if he'd seen Aziraphale have the chance to change the gun but not do it-- then yeah, probably that would've been annoying enough to have warranted some chilly conversations once he came back topside, and therefore, Aziraphale choosing to save Crowley could've been a reasonable, logical choice to keep their working relationship on an even keel until they'd sorted out this Doomsday thing.

But Crowley was looking the other way.

Work-wise, it doesn't make sense-- and secret-collaboration-wise, it doesn't make sense-- and so it is, overall, really weird that Aziraphale saved him.

But his automatic reaction-- in a blink-- is to stop Crowley from getting shot. And he knows it's weird-- he feels embarrassed that his sudden, unthinking reaction is to save his "enemy".

And the final bit is just a couple paragraphs later:

With a gesture, Aziraphale turned the rest of the guns into water pistols as well, and walked out.

SO LOOK: He changed only the pistol about to shoot Crowley. His automatic reaction had nothing to do with saving a party full of humans, many of them children-- nothing to do with Heaven or Hell-- nothing to do with preserving the coworker he needs to stop Armageddon--

It was all to do with saving Crowley. Who may be the enemy, but he's Aziraphale's enemy. And another part of his life on Earth that he's doing all of this just to preserve.

Which may also be, for the first time, the moment he lets himself realize how important Crowley in particular is to him.

...and so anyway, that's how I started shipping these two immortal idiots, and one of many reasons why everyone should read the book.

[jesncin]

Caped Crusader, "Safe Diversity", and Catwoman

We're at a point where it's expected that a new incarnation of any story previously with a white-dominated cast would be reimagined with a "more diverse" cast. This can mean racebending them, genderbending them or making them queer, but for the purposes of this analysis we'll be focusing on racebends. Most of the time, executives will take the "safer" routes with diversifying their cast- pick a couple of unproblematic supporting characters to be incidentally "diverse this time". Other times, there might be "braver" takes where more prominent characters (perhaps even the main character) are racebent. This doesn't necessarily mean racebending prominent characters is an inherently better thing to do.

I've been more than critical of MAWS' portrayal of BIPOC characters but especially their Asian Lois before. Sometimes BIPOC representation is just a decorative palette-swap change for these shows. Caped Crusader however, is different. It's more complicated- but it's rooted in very similar problems. Unlike MAWS (though I can only speak for S1), CC is far more willing to take on political topics: classism, sexism, police corruption and brutality, even beauty standards in the entertainment industry! Yet, in choosing to portray these topics in their stylistically anachronistic 30s-40s set piece- it makes it so the show's reluctance to discuss race intersecting with any of these topics far more apparent.

(spoilers for all of Caped Crusader)

Take for instance, episode 2: "...And Be A Villain". The story is about Basil Karlo, a less than handsome actor who wishes his appearance wasn't holding him back from both love and playing roles saved for better looking people. He makes a deal with Jack Ellman, an experimental makeup artist who turns him into Clayface. This story is set in motion when Miss Yvonne Francis, a beautiful actress, goes missing. Miss Francis is a woman of color (brown skinned, unspecified) played by Lacey Chabert: a white actress. CC goes for a generally colorblind casting what with Stephie (a white girl) being voiced by Amari McCoy (a Black actress) but it always feels icky when a white actor voices a character of color. Prominent characters of color in CC are more accurately casted. However I do think animation should be wary of using their medium to get away with their show appearing more diverse than the actual talent behind it.

The episode's theme is pretty clear on how unfair the entertainment industry is in regards to who it prioritizes in leading roles. Basil is constantly emphasized as a tragically talented actor whose appearance is holding him back. "With your talent you should be a leading man, Basil." Yvonne says to Basil in a flashback. Meanwhile as Alfred is watching through movie clips featuring Yvonne and Basil together, he comments "while lovely to look at, Miss Francis is no Gloria Swanson." So Yvonne has the looks, but not the talent and still gets prestigious roles because that's showbiz. The only time this is weirdly inconsistent is when Yvonne calls out Basil/Clayface in the finale, saying:

"I don't believe your performance. You're chewing on scenery. Relying on makeup effects to enhance weak characterization. It's insincere, Basil. It's not real."

I honestly feel like this scene was just meant to quickly "subvert" Yvonne being a damsel in distress by having her call out Basil's acting. It's a moment that isn't reinforced by anything the episode set up. After all, according to Alfred, she's not as good an actor compared to Basil. That's supposed to be how they foil each other, so this moment feels unmotivated. Again, I get what they're going for, that Basil's performance ironically relies on his newfound appearance so much that even a bad actress like Yvonne can spot his meager acting. But it doesn't work when our protagonists were actually convinced by his imitation of others. She's still a damsel in distress character regardless of her having a bit of attitude when calling her captor out.

What I don't understand is: why make Yvonne a woman of color if this was the story you wanted to tell? It's not like they're paying homage to how her voice actress looks, after all. Why, in your story set in purposely anachronistic 30s-40s era noir, did the character who was meant to represent the epitome of "not talented but gets by the industry because of her conventional beauty and pretty privilege" a woman of color? We're missing the very obvious conversation here where Tinsel Town is a white industry with white biases to what it considers attractive. It doesn't matter how many attractive actors of color exist, they're still pigeon holed into stereotyped and often racist roles (especially back then), and have to work twice as hard to get the opportunities their white colleagues get. Why is Basil, a white man, the only one afforded a marginalized narrative when Yvonne is quite literally a woman of color right next to him? The episode is especially painful to sit through when Basil is afforded so much sympathy compared to Yvonne.

"He didn't have the right look. He didn't have the right face."

"The camera is kind to some, but cruel to others."

This is transparently a colorblind narrative. Yvonne is written and even casted as a white woman. The CC crew just decided she should be a WOC likely because "wouldn't it be neat if the beautiful actress in this story is POC" without thinking about how that would drastically change a narrative already critical of the showbiz industry based on appearances. It's not intersectional and flattens the narrative to being selective of the prejudices Tinsel Town has. This episode is a great example to what CC generally does with diversity. It's not afraid to be critical of society, but it gets oddly squeamish with discussing how race intersects with these topics- opting mostly for a palette-change type of representation.

It's not entirely fair to say CC doesn't ever touch on the topic of racism. It sort of does: if you read between the lines for why the mayor gives Jim Gordon his commissioner role, and more prominently with the Gentleman Ghost (a rich aristocrat ghost that steals from the poor, believing wealth is his right) being offended that his mansion is sold to Lucius Fox (saying "and you would sell it to rabble like this?")- racism is somewhat present in the world of CC. We see the women in this show experience misogyny, but it's ambiguous if any of their struggles are intersectional with that of race. But that's... just about it. Racism isn't discussed more than it is alluded to, whenever the writers decide it's relevant. Because of this, CC has a spectrum of hits and misses when it comes to integrating characters of color in their reimagined cast.

Here's how I would visualize that spectrum using canonized instances of Asian Lois Lane. I should emphasize that representation of people of color doesn't entail the narrative owing us "a racism arc" or what have you. This spectrum is more used to measure how much racial identity was integrated in the characterization of the character: whether that be cultural identity or history. Being a person of color isn't just "person who goes through racism".

This is how I'd personally place the prominent characters of color in CC on my "spectrum of racebends" chart. Generally most of the characters of color (whether reimagined that way or were originally POC already) are fairly harmless in how they were integrated into CC's world, but none of the characters feel bespoke as a reimagining of the character and are interchangeable with their white counterparts. To quote cartoonist Juni Ba (in a discussion on CC):

"...stripping characters of color in these time period stories of any cultural, [a]esthetic or social signifiers that’d make them true to the groups being represented. Instead they dress, act and speak very western."

In my opinion, the only character that is an exception to this is Linton Midnite (or as he's popularly known as: "Papa Midnite"). Midnite is a character so interlinked with Haitian culture and mysticism that even CC couldn't erase that aspect of his identity (important note: historically, the portrayal of Midnite since his creation is riddled in racism, but that's not my place to discuss here). Midnite at most speaks with an accent, dresses more nonconformingly compared to the western standard dress of all the other characters, and practices occultish stuff (though I don't think there was anything culturally specific in that episode, please correct me otherwise if someone has more insight!). That's a lot more cultural representation than just about any other character of color in CC. Midnite can't be changed to a white character, his African identity is too interlinked with who he is.

There are a few characters I consider in poor taste to be POC- that being Arnold Flass, Yvonne Francis (who we've covered already), and Harley Quinn (who will be getting her own post, as her case is complicated). So let's talk about cops, then.

I tend to be indifferent about media choosing to diversify cop characters because it feels like choosing the most "respectable to society" role for a marginalized character to play. Cops uphold bigoted systems of power at the end of the day, so that's a very comfortable place to represent your marginalized characters. It's why we keep getting gay or lesbian cops, which Batman media absolutely perpetuates as well with Renee Montoya. It's hard to cheer for two women of color being allowed to date and kiss in public when one of them is a cop, y'know? But this doesn't mean re-imagining cop characters doesn't have narrative merit.

In regards to Jim Gordon being reimagined as a Black cop, I'm gonna refer to La'Ron Readus' video on "Fixing the Batman's Copaganda problem" where he goes into detail about the missed potential of Black!Jim Gordon from Reeves' The Batman (2022). Generally, I felt that opportunity was missed in CC as well. While I love that Barbara Gordon is in CC, nothing about her being a WOC is integrated into this version of her. It felt like if either character was white, the story wouldn't be that different. The bigger issue here is the choice to racebend Arnold Flass- a previously white, blonde, cunningly smart, and brutally corrupt cop.

CC follows some of this in their version of Arnold Flass- he's paired with Harvey Bullock (also a corrupt cop). While Bullock is the brawns of the duo, Flass is the smarts. He's cunning and even implied to be willing to frame Bullock if the worse comes to it. It isn't an inherently bad idea to racebend a corrupt white cop into a Black cop. If the writers want to tell a story about how the police force assimilates people of color into the system and forces them to be just as if not more brutal than their white counterparts, then by all means tell that story.

But that's not what CC gave us. By rarely acknowledging race, we don't get to have a conversation or themes surrounding that delicate intersection of identities. We just have "diverse Flass". Look at these panels from Year One for example, can you imagine how Flass' casual disrespect for Gordon by constantly calling him "Jimmy" could be re-contextualized with a race change? Unlike other characters who just feel like missed opportunities for not integrating race into their characterization, Flass is an elephant in the room. To not acknowledge his race in themes of police corruption and brutality is to white wash the narrative with diverse paint.

I personally think the stronger narrative decision would have been to racebend Bullock as Black instead of Flass. Flass could still be the conniving cop, but he encourages Black!Bullock to be the more "violent brute" who does the dirty work for him. It would put a newfound racial layer to how Flass considers Bullock disposable. Then we could have some kind of commentary on how the police force encourages a system of abuse that makes even fellow POC turn on each other. It'd also make it so a certain scene would be better in optics.

I have many criticisms for the scene where Batman holds a gun to Flass in the finale of CC. It's a narratively unmotivated (see my criticisms for CC's Two Face here for elaboration) and weak moment that relies on metatextual shock value to cover up how underdeveloped this take on Batman is. But it's also just very uncomfortable optics-wise. It's a common and valid criticism that Batman as a character can very easily fall into copaganda, with his status, goals, and collaboration with the police force. In many ways, Batman is often written to be committing his own kind of vigilante police brutality.

Caped Crusader wants to be a deconstruction of a Batman tied to power and hellbent on his mission to eliminate crime. But because CC occasionally omits race from its narrative, the scene where Batman holds a gun to a Black cop-a man stripped of his ability to fight back-just falls flat for me. There's no acknowledgement in this scene that Batman basically gets to be an anonymous cop, "warning shots" and all. Batman shoots at an unarmed Black man several times. It's meant to be shocking to us how Bruce is willing to stoop to such a level and indulge in gratuitous gun violence, but it honestly hits too close to real incidents where this is racially the case for me to enjoy the narrative point of this scene.

You know a character who would be perfect for calling out Batman's many privileges? Selina Kyle. Let's talk about Caped Crusader's biggest downgrade.

I've heard just about all the arguments in favor for CC's reimagining of Catwoman and none have convinced me that this was in any way a good take on the character. I see people saying that this Catwoman is a return to her golden age roots, and there's a lot of misconception surrounding that assumption. So bear with me as looking at Catwoman's history is necessary to discuss race and how a character evolves.

Catwoman debuted in the 1940s as a jewel thief who disguised herself as an old lady. She was just called "The Cat" and would not don her more feline appearance until later. True to the mystery woman femme fatale trope she was inspired by, her backstory was left unknown for a long time. 10 years later, in Batman #62 it is revealed that after a plane accident bonked her head, the now named Selina Kyle got amnesia and went on a crime spree. Giving her leeway to reform and be an ally to Batman. This would historically inform how Selina Kyle toed the line between good and evil as an anti-hero.

Her origin would be revisited in 1983, in the Brave and the Bold #197. Although not canon to the mainline universe, it is still a crucial development for her character's history. In this story, Selina reveals that she lied about having amnesia to get out of facing punishment. Her true story was that she entered a life of crime to escape an abusive relationship with a rich man. The only loss her husband understood was material loss, loss of property, so stealing was how Selina fought back.

This crucial re-examination of her character transformed her from shenanigans inducing femme fatale, to a marginalized fighter. Shortly later in 1987 in Batman Year One, Catwoman is reimagined as a street-hardened sex worker in poverty. She is inspired by the Batman to become a vigilante for her own goals and gets annoyed that she's assumed to be his sidekick.

The moment Catwoman became marginalized by power, was the point where she became worthy of solo-character status. She was not only a compelling foil to Batman-capable of going toe to toe with him and make him question his motives even though she did not share his privilege-she could lead her own adventures reflecting a side of Gotham Bruce Wayne's perspective doesn't. She actively makes the setting of Gotham stronger because of how she's evolved as a character.

Catwoman's character would continue to evolve, with some iterations reimagining her as a latina woman and others where she's canonically bisexual.

While Catwoman has been portrayed by Black actresses before, I want to focus on the most recent and prominent iteration of a race-swapped Catwoman. When Matt Reeves' The Batman (2022) featured Zoe Kravitz as Selina Kyle, an explicitly biracial character within the text of the story, we see another step this character evolves. I think La'Ron Readus' video on "Why Race-Swapped Characters Are Not The Full Story" does a fantastic job of explaining why this is a narratively great race swap. To summarize (though I do encourage watching his video as he goes into depth about 2022 Batman's Jim Gordon as well among many other examples) and add analysis of my own: Selina being the byproduct of an Italian crime lord and a Black sex worker is a brilliant marriage of her original backstory (being connected to and abused by powerful men) and her modern backstory where she's poverty stricken (and tangentially related to a sex worker if we're talking about Batman Year One).

We understand why someone of her background would have an affinity for stray cats because of how she lost her mom at a young age, she is sympathetic to fellow people from the lower class, and explicitly calls out privileged white people- including Batman who attempted to over moralize Selina's partner as a sex worker.

"All anyone cares about in this place, are these white privileged assholes."

It's especially that last line that makes it so Selina's character isn't interchangeable with her white counterpart. She's a textually rich character to contrast Bruce in Batman 2022, and we can see how years of history and evolution has brought such an empathetic character to the screen. Interestingly, Readus feels that while 2022 Selina was an example of a race-swap that works, he believes it was great by coincidence, because of the miss that was Gordon's characterization in the same movie. I think with Reeves as a collaborator on Caped Crusader, that assumption was correct.

Selina in CC is back to being a rich socialite, but (unlike her Golden Age counterpart) she's not married into wealth- she's got generational wealth (with a dad serving jail time for tax evasion). Worse yet, she's taking what little remains of her money and spending it on superficially imitating the Batman to create her Catwoman persona. She even has her own reluctant Alfred, a Catmobile, the works. Selina steals things because. She likes shiny things. And is something of a kleptomaniac. Catwoman is instantly discovered to be Selina because of course she's not as good as Batman is with keeping a secret identity (another key difference from her Golden Age counterpart, whose backstory was shrouded in mystery for a decade).

It is laughable to me that CC touts that their version of Harley Quinn has an origin of her own outside of the Joker, only to turn around and make a Catwoman that is completely tied to copying a man as her origin (did they decide Harley's goofyness as a character needed to be replicated in Selina for some reason? In their supposed dark and edgy show?). What a strange choice to fixate on the part in Year One where Selina didn't like being mistaken for Batman's assistant despite being inspired by him and turn it into a quirky bit. It feels like such a regressive take that frames Selina as a sillier, whimsical version of Bruce that just spends money on a whim because women just aren't smart enough to know how to keep track of their money. They're too busy looking for shiny things to steal. The fact that both 2022 Batman and CC have a scene where Selina is looking through her many bills she's yet to pay is wild to me. How am I supposed to care for a Selina that has the expendable wealth to create a Catwoman costume, car, and gadgets, but delay paying her maid? One of these versions of Selina is far more sympathetic than the other.

Again, I get what CC is going for. Batman is characterized to be hellbent on catching criminals, Catwoman is supposed to serve as some kind of reflection of his obsession. They're both self destructive in their goals, but one is vengeance and the other is chasing thrills. But is that really as interesting a foil as having Catwoman be marginalized, just as skilled, and making Batman second guess himself? Is it a take that strengthens Gotham as a setting by shedding light on its lower class characters? Is it a take that makes her worth revisiting as a perpetual rogue and not a one off episode where's she's basically a shenanigans-inducing nuisance to Batman? Evolved takes on Catwoman have talked about her desire to seek thrills and paired it with how she dismantles power. So it's not like CC's take is particularly unique, it just lacks all the depth that usually surrounds Selina's thrill seeking.

In a show that is frankly desperate to make it so Bruce doesn't have a personal relationship to his rogues gallery because he's too busy being "A cold, remorseless avenger of evil, seemingly more machine than man. Forged in the fire of tragedy, every fiber of his being is dedicated to the eradication of crime." (according to promo) that's how we end up with Barbara as the foil and humanity to both Harvey Dent and Harley Quinn. How the show focuses on the police force more than Bruce. It feels especially pointed that Catwoman is characterized this way. When she doesn't contrast Bruce, she becomes less personal to him as a character that is poverty stricken but still matches up to him in skill. She can't challenge him or his worldview, he can't find her fascinating as an equal, all of their chemistry and intrigue is erased.

All this to say that of the characters revealed for CC, I was honestly surprised that Selina wasn't one of the many characters racebent. CC followed up on a Black Jim and Barbara Gordon, two characters that have been race swapped before in previous media. Most prominently! Harley is Asian in this iteration, something never done before. So why is it that Selina doesn't follow up on the many times she's been portrayed by Black actresses?

It's because it's an actual good racebend if written well. It wouldn't be a "safe" racebend because writing Selina this way means you'd have to acknowledge racism, and it would be much more noticeable if you didn't. There is no canonized version of Asian Lois Lane that parallels her relationship to Superman as an immigrant. But there is a version of Selina as a Black woman who directly calls out white people and is aware of systemic power. It's in something as prominent and mainstream as Matt Reeves' 2022 Batman. So instead it just reads as cowardice to me that CC couldn't follow up on this evolution of Selina.

Not only does it weaken Catwoman and Batman's relationship to regress Selina this way, but it actively weakens Gotham as a setting and the very themes of Caped Crusader. I personally think all the energy that went into Harley Quinn should have been shared with (or straight up gone to) Selina Kyle. Because unlike CC's take on Harley, the way Selina Kyle's marginalization intersects with race and queerness would have actually critiqued Gotham's class corruption effectively. As a Black queer woman, Selina would be among the most vulnerable people in Gotham. We don't have prominent characters in CC that truly reflect the lower class, there are these unnamed characters Harvey Dent sits next to on a train. There are some orphans with Batfam names. A proper Catwoman reimagining that takes advantage of her evolution would have filled this gap in their narrative.

But that's not how "safe diversity" works. CC would rather racebend and canonize the queerness of a character like their take on Harley Quinn. A WOC who gets to kiss a cop and call out powerful men, but not in a way that makes white people uncomfortable.

If I could edit the Sandman quote that "The great stories will always return to their original forms" for Superheroes, I'd say "The great stories will always return to their most resonant forms" because without iterations we don't get characters like the Kents, Alfred or Catwoman as we know her today. Classics are good to look to, but we like these characters because they evolve. In my opinion, none of CC's takes on these characters of color feel resonant. They're not definitive to the level of Mister Freeze's tragic love story in BTAS, among many standout narrative choices in BTAS that continue across media iterations.

In my opinion, CC isn't as thoroughly clumsy as MAWS is in regards to POC representation and race-swaps (all characters of color in MAWS get put in the left side of that chart I made. In the Sunken Place. Where they all Missed The Movement). However, I can't help but see Caped Crusader's take on the world of Gotham as nothing more than an anecdote in the evolution of Batman's story for the modern era. "It's BTAS but superficially more diverse and with less compelling narrative choices."

[botanyshitposts]

Hey! I'm not a botanist, but I'm in circles where it's a bigger thing and I'm kind of curious about something.

So, from an outsider's perspective, the genus Garcinia has a lot of weird and messy classifications. For example, common species like G. intermedia and G. gardneriana are really similar to Garcinia brasiliensis, to the point that it's pretty controversial if they're actually separate species. The Garcinia species colloquially known as "achachairú" also appears to bear a lot of similarities to that trio (although much less than they share with each other), HOWEVER it's almost exclusively referred to (in cultivation and in studies) as G. humilis, a Carribean species with small oval-shaped leaves, despite actually having very long lanceolate leaves and being exclusively found in the Andean foothills of Bolivia. Also, multiple frequently cultivated species like Luc's garcinia and Russell's sweet garcinia haven't actually been described yet, despite for example the former having a decent amount of scientific interest and frequent genetic testing done on it.

All of these odd classification things and even more others have been pretty well known in my circles for the past 15 years-ish, but still nobody seems anywhere close to a conclusion for them. How long does it usually take for a genus to get organized when it has as many species as Garcinia does? And how do they do it? Do they go around testing every single species or only a few at a time? If a species is currently not named, do the same people usually describe them as part this endeavor, or just leave them for somebody else? I saw Plinia and Artocarpus recently got reshuffled a lot because of some prominent genetic studies on them, and several new species and even genera were added, but it just seems alien to me how stuff like that even ends up happening. There are so many plants out there!

Sorry if I'm asking the wrong person here, but I've been wondering about how this stuff will eventually be resolved for yeeeearrs

There are so many plants out there!

ok im kind of surprised i can offer a few possible answers to this question despite having never heard of this but i think i can. if the question is 'why aren't some plants actually described', this is the primary reason why.

when i was in plant anatomy class in college, the person teaching us was a plant anatomist who assigned us different plants from the greenhouse to dissect and describe in a paper for her, and she told us that we might find something that hadn't been described before, which was pretty shocking to me. what do you mean i could potentially find a new-to-science thing? has nobody in history looked at this plant that's just growing in the greenhouse upstairs??

what she said was that no, sometimes not. there are so many plants out there that it's difficult to do one exact in-depth description and published examination of each species, so what botanists end up doing is doing or finding one in-depth examination of one species in a specific group and assuming that all the others in the group are at least similar, if not the same. which is good because it saves time and works as a shorthand, especially if there's not much funding, but also sometimes it has the potential to overlook more nuanced differences that can go undiscovered for a long time. but that's just botanical species in the conventional sense, which i don't think is as straightforward in what you're describing.

another answer to this question that's more specific to the species you're talking about here is that plants are having sex. they have so so so soooo much sex. few things they enjoy more to be honest. and given that the most conventional (but not only) definition for different species is 'can't have sex with other species because it's too different from them', the lines get blurrier to deal with, and one thing botanists do when the lines between species get too blurry (because of all the sex) is to just assume that they're all part of some kind of hard-to-describe genetic soup with individual plants falling along gradients or spectrums of similarities or differences, and in this case you'll see botanists just name the most prominent species among them and call it the '[most common suspect] complex', which groups together all the ones that happen to be having sex with each other at the same time, just to make them easier to talk about. this typically doesn't mean that they're species-less, but more that they can be thought of as a group with a few distinct points where they can look very distinct, and those points are the species, if that makes sense; see the citrus sex graph at the end for an example.

i also see from a cursory google search that people seem to be planting and eating these in a more widespread way, and people are talking about them on forums and stuff. this is one of the cases in botany where things get tricky, because a person looking for traits in a fruit that's having tons of sex might not actually be looking for the same things botanists are looking for when describing a species-- it might seem easiest to just find which species or few species are the tastiest and grow those, but if it's a genetic soup then all you can really do is do it the old fashioned way and breed individual plants for the traits you want. which, who knows, could end up being a hybrid between all of them.

case in point: again i am not completely up to date with the lore here but i found a forum thread where people were debating which species to plant and the consensus was just to plant multiple species at once, which is fine but is also really funny given that it DOES facilitate even more sex, thus blurring the lines even further and-- if the posters decide to plant the resulting seeds from the fruits-- will create even MORE hybrid plants of no discernible concrete species in the plant soup. the hybrid of a hybrid of a hybrid of a hybrid or whatnot. when does one stop calling it a hybrid between two species and start calling it 'the tree in grandma's backyard that's the tastiest of the berries i've tried'? that is the question, truly, one humanity has had for millennia in the search for the tastiest berry, and at that point it might just be easier to call it a variety or cultivar, which are horticultural terms for just that-- a distinct 'kind' among the same species that taste good subjectively and can be reliably rebred and harvested, like all the apple varieties people debate about.

another reason is that plant phylogenies are hard and brain-twisting and plant taxonomists and systemisists are among our strongest warriors. it's not uncommon at all in botany to be researching something and to find out it's been reshuffled because of a new breakthrough on the case a bunch of people more qualified on the subject decided made more sense like a decades later. sometimes species themselves will even change names multiple times if it turns out that it was described earlier by someone else considering the new circumstances. if you're a really unlucky or just controversial plant all this can happen over and over again until, finally, the trees of math have been resolved in a way that makes sense. how long will it take? surely there is a concrete end to the madness? nah. lol

finally, if you're looking into studies on this, you should know that some phylogeny stuff is opinion-based or subjective, especially at first. what counts as a new group for one group of researchers might not count as one for another. so when you see stuff where people are inventing new categorizations or genuses or whatnot or merging multiple ones together spontaneously, it'll depend on how well supported their reasoning is and what the evidence seems to show, and the larger community of plant taxonomists will, overtime, decide what they want to do with that information-- which may include verifying it or refuting it with more evidence. what researchers are proposing when they split stuff off or merge it together is a new or updated model for thinking about existing information, and that model may be more or less useful than the existing one for the means of actually learning more about the plants.

anyway in short there are lots of reasons why this might not be sorted out and the more sex these plants have the longer it's gonna take. i'm strongly reminded of that one citrus sex graph (its this one) (screenshotted to see it on night mode):

[meo-eiru]

I kinda like the small yet big detail in the game, like I'm sure myself and some other people were expecting a wholesome dating sim that would also get quite spicy (FROM HOW WE KNOW MERU)

And we all just kinda got kicked in the butt, like Starling being too hot to be true yet so terrifying at the same time, but not the terrifying kind that we know, like Micah or Silas etc

More like the type that makes you forget that he still is more a siren than a merman, like he successfully managed to lure in the whole community with his hot ass😭😭and then we get backstabbed by him munching our fingers off as if they're some carrots, like as a simple lunch snack-💀💀

Or in the other ending where it's basically simply Mae dying and getting turned into a possession and probably just another body to fill up with tongues

From my interpretation, Starling doesn't really have that kind of romantic interest in Mae, but she kinda thought it could go into that direction, but then got stabbed in the back like that😭😭(probs everyone who played it, thought like Mae there too kinda💀so we all got the betrayal🙁)

And you guys did a really good job in simply catching us all off guard in most scenes, it's it's beautifully written and drawn, I love that game so much!!!

Spoilers for the game

Honestly maybe Sel would give a different answer but I do think Starling likes Maelyn. Due to his past and what he has now become his way of showing it is probably different, but for Starling I don't think Maelyn is just another body for storing tongues. If that was the case he wouldn't have went out of his way to clean her body up, find a wedding dress and "marry" her in his own makeshift way.

He probably didn't even view it as a betrayal. Because until the very end Starling was making sure the no longer breathing Maelyn could be comfortable in her pearl necklace.

For the writing style, probably Sel writing the story played a big part in this.

Sel and I have very similar tastes in a lot of things, on levels I myself can't believe sometimes. But we do have a different style at how we depict similar concepts.

I love presenting dark stories on a silver platter. Prettied up with the most delicious icings and shiniest sprinkles. I like my stories and characters to look beautiful. Enjoy them while thinking you're just having whimsy adventures only to realize you're done for once you truly look. Like Silas. It's easy to make fun of him, forget the things he is capable of doing as you're too busy enjoying his silliness. He feels safe, a gentle giant who loves and takes care of you.

But he's still a man who has forced himself on you not only physically but also mentally. Trapped and limited you beyond belief. No electricity, no internet, no contact with anyone other than him. Only talking to him, only feeling him, only knowing him, only consuming him. A beautiful and sweet man no human mind can handle for more than a few weeks.

But Sel, from what I've seen, is a bit different. She doesn't shy away from showing the darkness and scariness of the stories she makes. Before you even know it you'll be facing concepts you didn't think could be possible.

And not only that, she hides so much under every word she uses. Often times the things she places in front of you are not even the scariest parts. The more you read and the more you decipher they get deeper.

I'm frankly a big fan of the things she writes. They often leave me flabbergasted (and mortified, she knows what I mean) but they are also so so fun. So scary yet beautifully poetic.

I know she doesn't like being under the spotlight that much. But ever since I met her and saw her stories I wanted more people to get the chance to see and appreciate them the way they deserved. I think they are truly special, and they make me want to do my best to illustrate them in the perfect way possible.

Honestly I'm not sure if I'm good enough at it, but if it helps the stories reach more people I'm happy with it.

I don't know if she'll read this post so that's why I'm being sappy like this but I genuinely hope you guys like her stories like I do. And I hope both you and I can see more and more of it.

[felassan]

John Epler in the BioWare Discord (August 7th, again) -

User: "Since the dialogue wheel is coming back, will our choices set our Rook as diplomatic/humorous/aggressive with varying tone and voice lines similar to Hawke being able to be blue/purple/red?" John: "Not to the same degree - we want to give you the freedom to play your Rook differently depending on who they're talking to (you might be kinder to your companions and brusque with authority figures, for example), but your tone choices will have an impact within a conversation and, sometimes, with specific characters across multiple conversations." --- User: "I have to ask: how muscular can we make the elves?" John: "Reasonably so. You won't be making any massive bodybuilders but like... Timothy Olyphant?" User: "As a follow up what about humans and qunari? Quite muscular a la arnold or big viking type? Or not so much that lvl?" John: "Larger lineages (Qunari, esp) are bigger by default so the upper bounds are going to be bigger, but for modeling and animation we did want to put some limits on it. But your Rook can look pretty reasonably muscled, regardless of lineage choice." --- User: "Are there any time-sensitive quests (in terms of gameplay time, that will fail automatically if not addressed in a timely manner), and if there are please tell me they're at least indicated as such in some way?" John: "There are quests that can go away and technically 'fail' if you don't address them - but, to be VERY clear, this is not an in-game timer, but rather as you progress the game's story forward. That said, we do try to sign post them as much as possible." --- User: "Does Rook ever get the choice to cuss?" John: "Yes. You'll know when you're doing it, and we leave it up to you to make the choice, but sometimes, cursing is exactly what the situation demands."

[character limit text break!]

User: "Does the bioware team read the other channels and if so do they think we're unhinged or endearing?" John: "Little of column A, little of column B. But I mean, I've been online for 27 years, the internet has ruined me as much as anyone." --- User: "all the Rooks we've seen so far are wearing purple, please tell me we dont have to wear purple" John: "Everyone else can wear whatever colour they want but you, specifically, must always wear purple." --- User: "All the games have had unique faction symbols for our protagonist (Warden, Champion of Kirkwall, Inquisition) I assume there will be one for the Veilguard Will the symbol for it get released before the game or is this something that will be revealed in-game/after it’s launched?" John: "Every faction has their own symbol - including the Veilguard themselves! You may have noticed it in some of the art out there." --- John: "As a general comment - one thing I want to be super clear on - even as creative director there are things I can say, and things we're not ready to talk about. I'd rather spend my time answering what I can instead of a dozen 'sorry I can't talk about that yet' - especially since this channel is on slow mode." --- User: "There are blood effects in combat after Rook hits an enemy. And I think a developer shared images of the blood effects on hit after the reveal. Will characters be covered in blood or other environmental effects? Like getting wet from walking in puddles or muddy from running on dirt?" John: "There are environmental effects that persist on characters, depending on the environment you're traversing. They're subtle, but they're there!" --- User: "how many tattoos can we choose from? are there also full bodied ones too?" John: "I don't know the exact number, but there are quite a few. Some are full body as well, though you have control over colours and opacity on a more granular basis."

[character limit text break!]

User: "Of the zones/areas revealed what was the most challenging to design?" John: "Each has its own unique challenges. Arlathan seems simple because - well, it's a forest, right? But what about Arlathan makes it different than places you've been before? How does it fit into the established lore? Minrathous is a different kettle of fish because we've talked about it extensively and in a way that meant it HAD to be grander and more impressive than anything we've built before, which can be a tall order. The team did a fantastic job on all the areas, though." --- User: "which faction has the best fashion, in your opinion?" John: "Crows. Largely because 'black leather and feathers' isn't a look I could pull off in the real world but I am glad my Rook can." --- John: "Alright folks. I've gotta head back to work, but please keep asking questions and I'll answer what I can as soon as I can!"

[source: the official BioWare Discord]

There was also this question and answer:

User: "Can we name our saves like in Origins?" John: "I had to double check because I was about 95% sure on the answer, but also, I've been on this project for its entirety and sometimes I remember features that we had to cut (or never actually built) - yes. You can name your saves to reduce confusion."

but the answer may have now been deleted.

[envy-of-the-apple]

Okay,, you have to let us know are the eggs any characters Specifically like megumi or itadori? I bet they would be clingy mommas boys.

Love you crumbs you give us and happy late birthday 🫶🏻

awww ty bestie okay okay okay holdonholdon

You'd name the hatchlings. Idk if I mentioned this or not but in the excerpt, the reader names Suguru and Satoru cuz they didn't have a concept of language yet. I think once they had a general concept of human language, they'd use their human names for each other just like you do.

When Nobara, Yuji and Megumi hatch, they'd definitely hang onto you the most. It's mostly because you are the most caring out of the throuple you were forced into. It makes sense for you to care about them, right? After all, human babies are pretty helpless and that's how far your knowledge extends. And they're adorable, with big round eyes, making cute little chitters. You get a tiny bit protective of them, especially considering the other two nagas don't carry the same sentiment. Suguru is clearly a believer of tough love and you've caught Satoru trying to put one of the eggs in his mouth (you're pretty sure he was joking...but you arent risking it when they're this tiny). They're small right now, but naga hatchlings grow up fast. They're practically your height in just a couple of years.

I feel personally, Yuji would be the (most outwardly) clingiest. He's affectionate, more dog than snake, sometimes. He's the largest of his siblings. When he was smaller, his favorite thing to do was wrap himself around your shoulders and you'd carry him around. He can't do that now, but he has other ways of spending time with you. He 'hunts' with you the most, assisting you with collecting berries and fruit. Apart from you, he'd bond with Satoru more. They share a similar personality, both are easily amused.

Megumi would be the shyest, but he loves you just as much as his siblings do. Much like his fathers, he enjoys the warmth you provide and would love cuddling with you in the languid hours of the evening. He doesn't do that much when he's older, but he's still interested in spending time with you! He likes quality time, the most. Eventually, during your time on the island, you'd have set up a tiny garden. He'd help with that. He and Suguru would have lots of similarities, so you'd often catch them together. They'd both help with your garden, helping cultivate the seeds and soil. It's not natural for them, but they understand you're different from nagafolk

But I think Nobara would be the one you're the closest to. She hatched the first. She's also different from her brothers. Again, in the naga species, the females become something akin to sirens. Slowly, you'd notice how different she is compared to her brothers, how much she enjoys the water, how dry her skin gets when she stays on land for too long. She'd evolve differently. Webbed hands, her tail would be more lithe, finned.

Because she's so different, Satoru and Suguru don't have much of an interest in her. Again, much like reptiles, nagas are fairly independent at a young age. Satoru and Suguru allow the hatchlings to stick around because you'd pitch a fit otherwise and they try to keep their mate happy. Once it becomes clear Nobara is aquatically gifted, you'd be terrified of the thought of her being out alone at sea, so you'd often go out with her, not caring how pruny your fingers get. Because of how much time you spend with her, I think she'd be the most interested in humans. She'd ask you about human culture, human customs. Every once in a while, she'd go out and collect remnants of humanity, clothes, trinkets, jewelry, anything she can find off the ocean floor. She'd sit on the rocky shore, holding out each one, demanding you to explain them to her.

You wouldn't dare mention how much you fear her fathers, but I feel Nobara would be the first to realize that you don't want to be here. She can see it in your eyes, the longing whenever you're explaining another human trinket. She wants you to be happy, but if you go back to the humans....would you still have time for her? Would you still braid her hair? Take care of her? Love her?

In the end, Nobara is the most similar to her fathers. She'd keep you on the island too.

ughhhhhh i should just write that chaptered naga fic already this is getting ridiculous.

[in1-nutshell]

Hello and is it okay to request TF with this idea?

Fem Buddy as a cybertronian (or Terran) and has a twin bot. They've been raised on earth and by humans, since they were babies and They don't know anything about Cybertron, they still loves/cares Earth and anything on it

They're famous or celebrity twins on earth. (like being genius, performer, artist, model, YouTuber, actor, or others, you choose). They do love it, the fame, the happy faces that humans get when seeing them, but They sometimes wondered where they came from.

Fem Buddy and Male! Twin are both inseparable, caring for each other, they sometimes speak/act in unison, having same and/or sharing thoughts, and had great teamwork/synchronization, and yet had teasings/sassiness in a mild way

Yet Fem Buddy and Twin have differences

Fem Bot looks like a Decepticon, has an reclusive yet timid and good-hearted, yet sometimes expressive with closed lip, also being supportive (and somewhat child-like or oblivious/innocent) twin.

M! Twin, he looks similar to an Autobot, known for being a leading/leader twin, having energetic, bold, and pompous yet somewhat mature, or something like spoiled prince yet mature and has smart personality, often showing his sharp teeth, whether he's smiling, frowning, etc., also being very protective/ aggressive for his twin.

You can add this idea if you want:

Autobots' human friend/kid(s) have been a fan of the twins (and probably had a celebrity crush/es on them), before the cybertronian thing, and they introduce the Autobots to these Celebrity twins via media of sort?

I apologize if this is complicated or I've been requested a lot. Thank you so much and also take care of yourself.

(also Happy Decepticon Day!)

Finally! I got to this one before it got erased! Again!

Hope you enjoy!

Bot Buddy Twin's who live on Earth

SFW, Platonic, Familial, Cybertronian reader

TFA

The name Issac Sumdac was one well known throughout the city of Detroit.

It was also a little-known fact of his daughter, Sari Sumdac, who was almost always accompanied by two of his most astounding looking robots.

A tall one and a small one.

Affectionally given the names Sonia and Syrus.

Sonia was the larger bot that was often seen walking the grounds of the Tower, presumably as a guard bot.

It seemed like the bot fit the job having such a large, and sharp framework.

Perfect for intimidating any trespassers.

As intimidating as the bot looked, Sonia’s family knew that she was a shy bot who just so happened to look like she could end someone with her pinkie.

A couple of tourist are looking at the big bot from a distance. Tourist 1: “Do you think it can think?” Tourist: “No way, its just a machine.” Tourist 1: “But if it could…” Tourist 2: “Probably thinking on how to annihilate human kind. I mean have you seen the size of those fists!” Meanwhile with Sonia… Sonia: “I think I’ll go visit the red birds nest before lunch time.”

Around her family, Sonia was a bit of a pushover for her younger siblings.

She couldn’t help it!

They had a mastery of the puppy dog eyes she had yet to conquer.

But make no mistake, if there is even the notice of a threat to Sonia’s family, she is making sure to get them to safety before dealing with the situation.

Sari loves hanging around Sonia’s shoulder and loves doing random trust falls with her.

The Professor has lost count of the number of times he has had to buff out dents in his eldest daughter’s frame.

Sonia loves her younger sister to death but she needs to stop giving her near death experiences.

Sonia is with the Professor watching Syrus playing with Sari play. Professor Sumdac: “You know you could always join them, Sonia.” Sonia looks at him. Sonia: “But what if I hurt them? I’m too sharp and big” Professor Sumdac: “It would be on accident. We both know you would never actively harm them.” Sonia still looks a bit conflicted but ends up joining the pair in ‘Mega trust fall’. Professor Sumdac winces a bit as both Syrus and Sari fall from a ledge and Sonia cushions their fall. Professor Sumdac: “Maybe I should have talked to them about taking it easier on their sister…”

Syrus was the smaller bot.

Often seen giving some tours around the Tower for guests and tourists.

His energetic and charismatic personality fit well for the tours.

He is the closest with Sari.

Don’t get him wrong, he loves Sonia, but his baby sister is way more fun to hang out than Sonia the worry wart.

Both love playing around the Tower’s private grounds, letting their imagination run wild.

On the occasion they do decide to make the day an adventure, they both know that if things get too hairy, Sonia was always one call away.

No one in their right mind would DARE mess with them when Sonia was in her protective mode.

Sonia is just minding her business when she gets a call. Sonia: “Syrus? What—” Syrus: “Can you come get us? We might have gotten in a bit of trouble…” Sonia is already tracking down Syrus location. Sonia: “What happened? Are you and Sari okay?” Syrus: “Well… we might be hiding from Fanzone’s new rookie cop.” Sonia: “And why?” Syrus: “To be fair, he started calling Sari a brat… and we might have put a virus on his phone… and currently hiding in the park.” Sonia: “… Give me 5 minutes.” Syrus: “Yes!” Sonia: “But you two are explaining to Dad why your in this mess.” Syrus: “…Hey big sis—” Sonia: “Don’t even think about it.”

That being said, Syrus is almost, if not more protective of his family than Sonia is.

While Sonia can handle certain things being thrown at them, she has a hard time standing up for herself.

That’s where Syrus usually comes in and stands up for her.

Syrus has no problem chewing out anyone who goes after her.

Both robotic siblings are ready to choose violence if someone decides to go after their squishier family members.

The topic of the bots creation has been a hot topic for years, mainly kept up by Syrus constantly pestering Professor Sumdac about it.

Sonia stopped asking a long time ago, but that doesn’t mean she doesn’t think about it from time to time.

Especially looking at other, less emotional robots.

She is simply content with her life keeping her father and siblings safe.

Now, to the day the Autobots wake up…

Sonia was away on a nearby island trying to help Sari with her project on bird nesting sites.

Syrus is beside Sari’s side the entire time the Autobots are going around.

Absolutely blown away when the bots reveal that he is a Cybertornian like them.

Even gets a vehicle mode from them!

Every single one of the Sumdac’s remember at the last second that they had forgotten to mention the whole incident to Sonia.

The Professor swears he can hear Sonia’s ‘blood pressure rise in less than a couple seconds when he talks to her over the phone.

Syrus and Sari are in charge of telling the bots about their older sister.

Sari: “You guys are gonna love Sonia!” Optimus: “Sonia?” Syrus: “That’s our big sister.” Bumblebee: “Like human or bot?” Syrus: “Bot—Sari! She is going to flip when she finds out she’s an alien too!” Sari: “I bet she’s gonna watch all those alien movies with us now!” Ratchet turns Prowl. Ratchet: “I swear if this ‘Sonia’ is like Syrus…” They both share a look of slight dread. BOOM! The ground starts to tremble a bit. Bulkhead: “What is that!?” Bumblebee: “You think it could be the Decepticons?” Sonia appears at the front door venting heavy with panic in her optics. All the Autobots are ready to attack when Syrus and Sari run to the bot. Bumblebee: “Sari! Syrus!” Both jump up as the larger bot kneels and holds them both to her chassis. Sonia: “Your okay! Wait are you?” Sonia looks at both of them from head to toe trying to see any signs of harm. The bots are just stunned. Syrus: “We’re fine Sonia, but guess what! We’re aliens! Just like the Autobots!” Sonia finally looks up at the bots and looks just as surprised as Syrus had when he first met them. She shyly goes over and takes her servo out. Sonia: “Its nice to meet you all. I take it you helped keep Syrus and Sari safe?” Optimus blinked a bit before slowly shaking her servo. To his surprise, she was very gently in handling it. Optimus: “Yes, and you are Sonia?” Sonia smiles a bit while placing both her sibling on her shoulders. Syrus stops her. Syrus: “Wait! Sonia look what we can do!” He proceeds to transform into a car and drives a bit around the Plant. Sonia: “Wait we can do that!”

[cinnamonest]

In desperate need of older reader content

:(((

//Big age gap with ambiguously aged teenage boys, cheating on NPC husband, dubcon (reader is kinda consenting for once lmao but the first time is questionable in how it begins)

I've had this modern AU idea rotting in my brain for AGES anon, I hesitated to make it but you’ve given me courage, bless you anon

Consider Xingqiu + Chongyun and the sweet older lady that lives in the neighborhood… a neglected housewife with a husband who’s always absent, always on “work trips” and being generally suspicious and never pays you any attention…

You have the typical boys-next-door of the neighborhood — well, they're not actually right next door, one lives a few houses down, the other in that fancy rich neighborhood adjacent to yours — but the two come around your house quite a lot. It's kind of sweet how you've gotten to watch them grow up, you remember when they were very little, running by your house with bikes or kites or whatever they were playing with, and watch them slowly get bigger and older, hear their distant voices chattering get deeper and lower over time.

Sometimes you wave, they wave back.

They come to recognize you. They pass by when you're doing yardwork. You exchange a hey, boys! with a mutually enthusiastic hi miss!, and occasionally, you tell them to be safe because it's supposed to rain soon or because it's getting dark, met with a don't worry, we will! reassurance of some kind.

They're so cute, so endearing. You go out of your way to say hi each time you see them.

Eventually, you finally have a direct, up-close interaction — it's a particularly hot day, you call out to them to ask if they want something cold to drink, and they gladly take you up on the offer.

They're so cute, you think. Teenagers now, bright-eyed and full of that youthful sort of excitement and bliss, not yet old enough to be worn down by the difficulties or mundaneness of life nor have a damper put on their overly-positive outlook on life and the world. You find yourself smiling as you ask them questions about school and what they like to do and their plans for the future and they respond gushing with visible excitement and energy.

And then, they swing by the next day, sheepishly making their way up to you to ask if you have any more. You laugh and smile and tell them of course.

The same thing happens the next day, and the next day. You go out of your way to get some teen-boy-approved type of snacks the next time you go grocery shopping, which end up rapidly disappearing from your fridge and pantry.

You learn them, their similarities and differences, their interests and strengths. Xingqiu is more the academic type, Chongyun is more involved in athletics. You listen to them excitedly ramble about the “important” things going on in their lives, high-school level drama and such, the sort that seems to be of a much greater significance and weight to kids their age, who have no frame of reference for anything more serious than that. You give exaggerated reactions of awe and pride when they boast about their achievements, and it does warm your heart to see that that always makes them more excited to keep going on about it.

With that, you develop a very… wholesome sort of relationship. They start coming by more often.

And more and more often. Nearly each day. It's a very strange situation, yet it just feels natural because you get accustomed to it — instead of going back to their own homes, they head to your place right after they're let out from school. You feed them (they're teenage boys, they're eating more in one sitting than you do in an entire day), talk to them, you've even helped with homework every now and then, for subjects you're knowledgeable in. They seem to really love coming over to your house, and, well, you're often very lonely, and you appreciate them as well.

The neighbors have all seen them going to your place each day, some of them jokingly ask how “your boys” are doing. It’s endearing, really, and always makes you smile.

You know it's not exactly normal, but at the same time, if they trust you and depend on you and cling to you so much, they must not have another source for that — from what they've said, both have very busy and/or somewhat emotionally distant parents, which makes you feel bad for them, tugs at your heart, makes you feel like you should be sure to be there for them and be available when they need you. Like you have a responsibility to be there.

Which leads to you taking on perhaps an even greater role of keeping tabs on them, being responsible for them. You even get a call from the school once when one gets sick, asking you to come pick him up, which he thanks you for repeatedly, but still doesn't seem to treat the matter as quite as unusual as you feel it is. Regardless, you find yourself taking him to your house to recover rather than his own, at his own request.

They're almost a little too comfortable, but it's more comical to you than anything — they reach a point where now, they just come sauntering into your house after school, backpacks dumped onto the floor and flopping onto your couch as if it were their own house. One time when you were home alone, you went out to get groceries, only to nearly have a heart attack when greeted with a hello! as soon as you stepped through your front door when you came back. Turns out they figured out you keep a spare key under the welcome mat… they help you put the groceries away, though. Such sweet boys.

Yes, they’re sweet, helpful, bright-eyed, energetic… even if sometimes, they get a little strange.

Nothing that isn't standard teen boy stuff, though, you tell yourself. You find evidence of their presence in oddly private areas of your home — your bedroom door hanging open when you're pretty sure you shut it earlier, an open drawer, missing clothes, so on and so on.

It's odd, but you don't exactly know how to really go about confronting them, the idea feels awkward and uncomfortable. Not to mention, doubt and paranoia cloud your reasoning — what if there's a perfectly legitimate reason, and then you ruin things by making false accusations? What if you're imagining it? You ultimately decide to try and shake off the creeping feeling of something being wrong.

Worst case scenario, they're being… weird. But teenage boys are like that, aren't they? Raging hormones and all. It's a little unpleasant, but you're sure they'll mature out of such behaviors, if that really is the case. It's nothing too serious.

And then they start getting touchy.

When they help you carry things in (so sweet of them, isn’t it?), you notice that over time, they grow comfortable with your arms and hands brushing against each other. They stand closer to you when leaning over to see what you’re making whenever you’re running around in the kitchen (of course, usually accompanied by asking if it's for them or if they can have some), shoulders bumping against yours. They scoot their chair much closer to yours when you’re helping them with their homework, eventually to where your thighs touch.

Waving goodbye when they go home at the end of the day turns into big hugs. Both of them do so in a way that you just can't shake the feeling of being somehow wrong. Xingqiu pulls your chest against his perhaps just a bit too firmly. Chongyun holds his hands lower down on your back than you feel comfortable with. But then they both flash you such sweet smiles and promise to see you later, and your momentary concerns feel trivial.

Your naive belief in their innocence begins to fall apart, though, because Chongyun is significantly less skilled at keeping up feigned ignorance.

The idea that you were being paranoid, or imagining things, quickly begins to fade from your mind when you notice how blatantly sheepish he begins to become as time goes by. He stops looking you in the eye, stammers and fidgets and squirms when trying to speak to you. As if feeling guilty, as if having done something wrong.

Xingqiu is much better at it — almost scarily so. If it were just him, you'd never notice a thing, and you’re not sure how to feel about that realization. You’re pretty sure he could do something right in front of you and then convince you you did it instead, with how flawlessly he can change his tone and expressions and answer questions in ways that not only fail to answer, but give the impression of an answer, then distract away to another topic before you can even think enough to realize what a non-answer the response he gives is.

You only caught onto it one time, and then when you started to think back, you realized how many times he’s done the exact same thing in the past, all without you ever realizing… those rich business families must have some kind of genetic predisposition to conversation manipulation. Still, it’s nothing malicious, he didn’t do anything wrong, you’re pretty sure at least… he just seems to steer away from anything having to do with the odd occurrences of things that go missing or were different from how you left them.

Still, it reaches a point where you really can’t delude yourself.

But it's nothing serious. It's not enough to warrant saying anything. That’s what you tell yourself.

Because if it were that serious, you’d have to say something. And if you say something, well, that’s… hard. Awkward. Difficult to summon the gall for, especially towards two young, innocent boys who have never done anything really bad to you, who have always been so helpful and sweet, who are just being the way boys that age are, right? It’s ultimately harmless.

You’d ruin things between you all, you’d hurt them. You can’t have that. They’re too precious. They keep you company, they help you out, you’ve gotten so used to their presence in your life, you can’t have that ruined. Thus, you say nothing. Yes, it’s all just normal, it’s no big deal. Soon enough they’ll start getting involved with girls their age anyway, and stop messing with you so much.

Except there's one more issue... that thing where they seem to really not like your husband.

The moment he comes up, they both take a negative attitude. Granted, one day you do end up more or less breaking down as you find yourself venting and lamenting your miserable marriage — how he’s never home, how he’s always doing suspicious things that hurt your heart, how he never treats you to anything, never remembers anniversaries or birthdays, never says anything nice to you… you only pause and start stammering apologies when you notice how quiet they both get, but they insist it’s fine, and follow up by muttering about how you deserve better… you smile and pat their heads.

You really meant the whole thing as mere venting, so it makes you feel bad when, seeing as your birthday falls very shortly after that conversation, they both get you things on said birthday. Chongyun’s is something he made himself, albeit on a very low budget, Xingqiu’s is the inverse, some piece of jewelry that’s the most expensive thing you’ve ever owned… and they remembered even when your husband didn’t. It makes you feel guilty, like maybe you baited them by inducing their pity, but they both seem so happy to give you something, and even when you say they didn’t have to do that, they insist they wanted to… maybe it’s alright, then. They were already sweet to you too, of course, but you notice that they give you compliments and such more frequently too.

Regardless, you notice that even before your complaining, they both sort of scowl when your husband is mentioned, even more so after you reveal the rocky state of your marriage. There’s an unmistakable resentment in some comments they make — you start talking about how you’re worried that you spent too much on groceries and will make him mad, to which you get a scoff and a ‘well who cares what he thinks?’, or, when you’re worried the house isn’t presentable enough for your husband coming home, you get a shrug and mutter, ‘he can just deal with it…’

Your husband doesn’t exactly care for them either. You mention it to him because you feel you should, although apparently neighbors already informed him of the matter. You get a few gruff comments about how bizarre and inappropriate it is that you’re letting two teen boys just sit around in your house. Every now and then, you get snapped at in irritation about a piece of a wrapper left on the sofa or a pencil left on the table, how it’s because you let those damn teenagers stay in your house, how you’re draining his hard-earned money on feeding them, so on and so on.

They only actually interact once, seeing as the man gets home so late each day that it’s usually long after both boys have left for the day, but one time their presence does overlap — it’s very awkward. You didn’t hear the car pull up to the house, so when he comes walking in, the two boys quickly get their things together and scurry out the door, all without exchanging a word, although the tension and glaring is palpable. You’re reminded that he tolerates you having them there, and that he had better not come home to find them in his house so late again. You nod your head — but you still let them stay fairly long each day… now they make no attempt to hide their disgust each time you mention your spouse.

Their increasing negativity towards him, their increasing affection towards you — there’s a sort of tension that builds over time. Every party involved feels it, you’re certain, one of those things where everyone knows what’s happening and no one acknowledges it out loud.

By the time it happens, they're so comfortable that it's practically nonchalant, and for you, well, somehow you don’t feel particularly surprised. It feels more like something you knew was going to happen, but maybe pretended in the forefront of your mind that you didn’t know, that it wasn’t inevitable.

Likewise, it happens so quickly that you barely register anything as it happens, it doesn’t sink in as real until it’s too late and you’re already too far into it.

You don’t remember, afterwards, exactly what you were doing — were you helping them with homework at the kitchen table, or were you all watching a movie on your couch beforehand? You’re not sure. You only remember feeling an unusual palpable energy in the air, them looking back and forth at each other as if to confirm to move ahead with some premeditated plan. You remember that it was Chongyun that initiated it, to some extent—

I— I mean, we wanted to, uh, talk to you about something, and, ah…

He seems to lose his words halfway through, and sort of pathetically looks over at the other, as if silently begging for help, which is met with a sigh and a few back and forth comments as you stare on in bewilderment — that ‘no, you were supposed to do that part,’ or ‘no, YOU were supposed to do that,’ so on and so forth, until they both seem to just give up on whatever the plan was and go for it instead.

That’s where it becomes a bit of a blur. You don’t remember which one grabbed you first, which one’s mouth met yours first.

You think you said a few things to deter them, obligatory statements of how I can’t, I’m married and the other standard lines you’re supposed to say because you have some sense of guilt and honor, don't you? You have to deny them the first time, it's only right.

And yet, you’re pretty sure your resistance didn’t last long.

The reality of it all doesn’t sink in until you’re at the point where you can no longer bring yourself to care, too lost in excitement and ecstasy and basking in the feeling of being so intensely desired, until you’re on your knees with one in your mouth and one from behind (although later, you can’t recall which was which at first — they switched up a few times, you’re pretty sure). You don’t even remember how many times they came inside you, only that you felt some vague alarm the first time, but stopped caring soon after, letting yourself be bent over your couch and put on your knees on the floor, letting your mind melt away, focusing only on pleasure and longing and, in the back of your mind, a twinge of guilt knowing that maybe you knew this was what they wanted all along.

Good thing your husband was on another one of his business trips. You’re pretty sure he’d be furious to know you took them upstairs and continued all night long on his own bed thereafter, eventually all falling asleep there too, with you sandwiched in between… only to wake up and go at it again the next morning. It’s Saturday, after all, they have to fill their time with something other than school.

You have different sets of issues, after that day. You’re not worried about their affections being inappropriate — you’ve long since accepted that, now you’re just a little worried about how they keep pressuring you to divorce and move in with one of them (Xingqiu reminds you his family is very very wealthy, this in turn upsets Chongyun, who insists he’s trying to ‘win you over’ which is ‘unfair’ to him). You don’t worry about your missing clothes or their touches, those are no longer an issue… now your biggest concern is keeping their voracious sex drives at bay, which it turns out you severely underestimated, and you have TWO to deal with on top of that, practically getting pounded and plowed at every opportunity.

Then you have to worry about how virile they probably are… you’re not on birth control, seeing as your husband has demanded you have a kid. He might get one, even if not how he expected… and then you have to worry about giving both boys equal affection, lest you hurt one’s feelings or make them jealous… and then you have to worry about your poor weary body, which can barely keep up with them…

And, of course, you worry about the inevitable, knowing that it’s only a matter of time before things fall apart, one way or another. A matter of time before they decide to ‘deal with’ your husband — you heard them use that exact verbiage muttering to themselves, only for them to go silent once they saw you. A matter of time before they do something, and you get the feeling that you're not going to like whatever something is.

Yes, you know things can’t stay in this limbo forever… and that worries you, no matter how much you try to put it off and pretend things are fine and tell yourself you’ll cross that bridge when you get to it, only to find the bridge is growing closer with each day. After-school threesomes on a limited schedule can only keep them content for so long, especially when they've already started to push the limits of how long they can stay, how many times they can go, insisting you can get one more round in before your husband comes home.

At least you’re pretty sure no one else knows. The neighbors still ask you how “your boys” are, and seem to do so with endearment, with no trace of any concern or outrage or disgust.

You haven’t changed your answer in all the time they’ve asked — you always smile and say they’re doing just great. Perhaps that’s even more true now than it was before.

[little-annie]

Thanks to the @strangerthingswritersguild for the prompt and @eyesofshinigami for the brain worm 🪱 our conversation created.

Did you know in fan fic writing the term Rubber Ducking refers to bouncing ideas off of each other/ brainstorming with friends? Well I didn't. I thought it was a sex thing.

From that, this idea was born.

Rubber Ducking | M | 873 WC | Steddie | Buckingham

It was a cold February night when the first sighting occurred. The air in the apartment had felt different. Charged with an electricity Robin couldn't explain.

Something was happening. And at first she had thought it was an anomaly, then maybe a coincidence. 

But then it kept happening. 

Those black empty eyes met hers and mere hours later the sound of the city was lost to the wails of the night.

It sounded like torture.

Like the stripping of flesh and bones.

But even more horrifically, Robin learned it was anything but.

Sure, there was flesh and bone, but how Steve apparently getting absolutely railed by Eddie in the next room over had any connection to the rubber ducky that ended up on the living room coffee table every so often, Robin hadn't the slightest clue.

She just knew that unfortunately there had to be one.

A few weeks later, sitting at the breakfast bar and trying to ignore the low hanging neckline of Chrissy's already frankly obscene tank top, Robin notices the presence of yet another rubber ducky.

This one donning a Sailor's hat and suit. Similar to the one she remembers her and Steve wearing in their days at Scoops Ahoy. 

Not twenty minutes later she's met with Eddie asking if she knows where Steve hid his old uniform. Regrettably she tells him, and that night goes to bed taking precautionary measures with foam plugs in her ears.

The following week there's a light blue ducky on the coffee table instead, then a grey ducky the week after. Then after a few more weeks there's what appears to be a leather daddy ducky. 

Sometimes in between there's a plain normal rubber ducky.

“You figure it out yet?” Chrissy asks one evening, plopping down onto the couch next to Robin and setting her feet in her lap.

God what she wouldn't do for this girl and her polka dot pink fuzzy socks.

Looking over at the boys who are now apparently disgustingly in love, and currently trading lazy kisses and giggles back and forth in the loveseat, Robin sighs, “Unfortunately.”

She nearly had the code cracked before a drunken Steve had told her what it all meant.

Original Ducky = Someone is horny.

Sailor Ducky (Sir Butterscotch) = Someone wears the Scoops uniform. 

Light Blue (Richard) = Someone wants to give / receive head.

Grey (Bari) = Someone wants to be tied up/do the tying up.

Leather Daddy = "You really don't want to know Robin.”

So essentially flagging, she figures, but with various types of rubber duckys, which is horrific in its own way.

Now when one of them is feeling it, they pick a rubber ducky of their choosing and leave it out on the coffee table as a subtle way of asking for the represented attention.

“Sex Duck,” Robin sighs, leaning her head against the back of the couch, turning to look at Chrissy, “They have a fucking sex duck.”

“Like that show with the sex mug?”

“Like the show with the sex mug.” She answers flatly 

Sure seeing the ducks at home was bad enough, but when they started appearing in the wild it was so much worse.

First in Steve's car on the dash, then Eddie's van, then one day at work when Eddie came sauntering in and pulled a light blue ducky from his pocket, tossing it in Steve's direction before walking off towards the employees only bathroom.

They think they're subtle, but really they're not.

It's just another Tuesday evening when a new ducky makes its way onto the coffee table in the living room. Traditional like the first, but donning a pink bow and black painted on lashes. Feminine. Cute.

Like a game, Robin's began trying to decipher the meaning behind every duck before Steve inevitably tells her. It helps her cope with the trauma. 

This one though, makes her wonder. 

Sitting on the couch staring probably a little too intensely at the newest addition to the boys collection, Robin hardly notices when Steve plops down beside her.

She startles when she notices him, his voice catching her off guard. “Whatcha doing?”

“Trying to figure out what kink of yours this little lady represents.”

Steve hums and Eddie joins them shortly after, settling in the rocking chair across from them, giving the ducky the same odd look Robin had been moments ago.

“Whatcha doing, Buck?”

She gestures to the duck, “Figuring out her deal.”

Feminization maybe?

“Chrissy?” Eddie asks

“What?” Robin looks up from those cute long lashed eyes, “No. Your duck.”

Next to her Steve huffs a laugh, crossing his arms and leaning back against the couch. “Not our ducky, Rob.”

What?

“Course it is.”

“Not our ducky, Babe.” Eddie repeats Steve's words.

It has to be. “Well it's not mine.” Robin grumbles.

“No, no Rob it's not.” Steve nudges Robin's knee with his, “Maybe it's meant for you though.”

No.

No?

Looking far too excited, Eddie smirks, “Chris is in her room isn't she?”

Well… it… it wouldn't hurt to check would it? Maybe the boys are just teasing her, playing a game. But on the off chance they're not…

“You gonna go get your girl, Rob?”

Jesus Christ, she's going to, isn't she?