#they're my fantastic four

[fruityvermint]

I think we should let underfell join Dream, Blue, and Ink for lols.

[raging-barbarian]

One of my favorite things about rei, trained from childhood to be the perfect assassin, immediately folding like wet tissue paper when it comes to kazuki and miri. He's just a big awkward softie and it's SO tragic that he had to grow up like his father expected him to.

[batsplat]

i mean yes that's how it works

[wanderingmind867]

Stan Lee's female heroes are all pretty good. Say what you want about Sue Storm, but I think I like her power most. Invisibility and Force Fields, that's a cool set of skills. Very defensive, but that's fine by me. I like more defensive powers, especially since I'm a notorious coward irl. Also, going invisible is a great power. Don't anyone say otherwise.

Also, Jean Grey is great. I'm not talking The Phoenix, because I don't care about the Phoenix. I'm talking about Marvel Girl, Jean Grey. Telekinesis. The power to move stuff with your mind. That's also a cool power. Very cool. Very cool indeed.

The Wasp didn't do as much, I'll admit. I feel she's the weakest of their first three female heroes, but I still like her. Even though she mostly just served to distract the enemies by buzzing around them initially, sometimes that's enough. She was sometimes key to the team's victory with her limited power set, after all.

[midwestlakemonster]

begging the j*seph quinn stans to get off my dash I don’t want to hear about how you don’t care about the f4 but guess you’ll see it cause he’s hot

[snaret]

darkseid: FOOL, WITNESS THE ANTI-LIFE EQUATION, MATHEMATICALLY PROVING LIFE IS WORTHLESS AND HOPE IS A LIE. ALL WHO SEE IT SHALL LOSE THEMSELVES TO THE WILL OF DARKSEID!

impulse, looking directly at it: but thats not true.

darkseid: what are you. it proves it.

impulse: proves what?

darkseid: THAT LIFE IS MEANINGLESS AND HOPE IS NOTHING.

impulse: ohhhhhhhh! *looks at it harder*

impulse: yeah it's wrong though. cuz thats not true.

darkseid: YES IT DOES-

[jennaflare]

So Disco Elysium is the only game you've ever really liked

I get it! It's a phenomenal game with superb art and writing, and its themes are consistent and deeply explored. It sets a high bar for video games. But there are other really, really fantastic games out there. This is a list that is 100% my own taste of things that aren't necessarily similar, other than the fact that they're really fucking good. (A lot of these are on sale for the Steam Summer Sale until July 11 2024!)

In Stars and Time

In Stars and Time is a time loop game where you play as Siffrin, the rogue of a party at the end of their quest to save the day by defeating the King, who is freezing everybody in time! But something is wrong: every time you die, you loop back to the day before you fight the King. You're the only one who remembers the loops, so it's up to you to figure out why it's happening, and how to break out.

In Stars and Time is a heart-wrenching dive into mental health, friendship, and love. It's about feeling alone, and how awful it is when the people who love you don't notice (and how awful it is when they do). It's about falling deeper and deeper into your worst self and your worst tendencies, and how to come back from it.

The creator also did one of my favorite Disco Elysium comics ever, which is only tangentially relevant but worth mentioning.

Roadwarden

In Roadwarden, you play as the titular Roadwarden for an undeveloped and "wild" part of the kingdom. Monsters roam the forests and roads, and it's your job to keep people safe. On paper, anyway. Your real mission is to find out what is of value in the area, and how to take it from its people. How well you perform this task is up to you. It's an oldschool text-based RPG, and I take a lot of notes by hand when I play.

Roadwarden explores exploitation and industrialization by making you look in the face of your potential victims. You can only learn what your bosses want you to report on by getting close to the residents, after all. There are mysteries to be solved, secrets to be gathered, and hearts to win.

The Longing

The Longing is an adventure-idle game where you play as the solitary servant of a sleeping king. Your task is to wait for him, for four hundred days. Time in the game passes in realtime (for the most part). There are caves to explore, books to be read, and drawings to make.

The Longing is about loneliness and depression. It's about whether or not you decide to stay in that hole, and if you do, what you do with yourself while you're there. Maybe you'll wander. Maybe you'll stare at a wall. Maybe you'll just sleep until it's all over.

Papers, Please

Papers, Please casts you as a newly hired customs officer in a country that is rapidly tightening its borders as its fascist government tightens its fist. This game is stressful. Sometimes you intend to help out the revolutionaries when they asked, but then you got so stressed out trying to make your quota so you can feed your family and pay your bills that you didn't notice the name of the person they were hoping to contact while going through their papers. Sometimes someone puts a bomb in front of you and expects you to defuse it. Sometimes someone suggests you steal people's passports so you can get your family out, and with the horror you see daily, the idea tempts you more than you'd like.

Papers, Please is all about hard choices and testing your moral fortitude. Everything you do has consequences. Being a good person in this game is hardly ever rewarded, but not in a way that feels overly cynical. Papers, Please asks you what kind of person you want to be and what you're willing to sacrifice to get there.

The Return of the Obra Dinn

From the creator of Papers, Please, The Return of the Obra Dinn is a game where you play as an insurance investigator for the East India Trading Company. The ship the Obra Dinn has just floated back into port, its entire crew missing or dead. It's your job to figure out what happened aboard the vessel. For insurance reasons.

I don't know how to go into the themes of this too deeply without giving away too much, but the mechanics of the game itself make the game worth playing. You have a magic stopwatch that allows you to go back to the moment of a person's death, allowing you to try and figure out who (or what) killed them, and how. And the soundtrack is extremely good.

Outer Wilds

In Outer Wilds you play as an unnamed alien, and it's your first day going to space! Your planet's space program is pretty new still, so there's still lots to explore and discover on the planets within your system. There are ancient ruins from a mysterious race that once lived in your system, long before your species began to record history. Why were they here? Where did they go? How are they connected to the weird thing that keeps happening to you?

The fun of Outer Wilds is in the discovery and answering your own questions. The game never tells you where to go, and it never outright tells you anything. There are clues scattered through the system, and it's up to you to put them together and figure out your next steps. It's about the way that life always goes on, no matter what, even when it seems like the end of everything, forever. I'd recommend NOT reading anything else about this game. Just go play it. Seriously, the less you know, the more fun this is.

If on a Winter's Night, Four Travelers

In If on a Winter's Night, Four Travelers, you explore the circumstances of the deaths of four individuals.

This is a short one that took me about two and a half hours to play. If for no other reason, play it for the stunning pixel art. The game explores sexism, racism, and homophobia in the Victorian era and leans heavily into horror themes. Best of all: it's completely free!

Pentiment

Pentiment takes you to the 16th century, where you take the role of Andreas Maler, a journeyman artist working on his masterwork in the scriptorium of an abbey. When someone is murdered, Andreas takes responsibility for finding the culprit.

The game is set over 20~ years and you get to watch how Andreas' actions affect the village in various ways (who's alive the next time you come by, have people gotten married and had children...). It's an exploration of how the past affects the future, and what parts of that past we choose to keep or discard. It has beautiful art, and fans of both Disco and Pentiment often compare them.

Other games you might wanna check out

Night in the Woods, Dredge, Oxenfree, A House of Many Doors, Inscryption, Slay the Princess, Citizen Sleeper, Chants of Sennar, Loop Hero, The Cosmic Wheel Sisterhood, The Pale Beyond, Where the Water Tastes Like Wine, Elsinore, Her Story, Before Your Eyes, Pathologic (not delved into above because the venn diagram of Pathologic fans and Disco fans is basically a circle)

[liedownquisition]

My mother made a cake for my birthday and I have to assume she got her recipe off of tumblr.

[mostlysignssomeportents]

Return to office and dying on the job

Denise Prudhomme's bosses at Wells Fargo insisted that the in-person camaraderie of their offices warranted a mandatory return-to-office policy, but when she died at her desk in her Tempe, AZ office, no one noticed for four days.

That was in August. Now, Wells Fargo United has published a statement on her death, one that vibrates with anger at the callously selective surveillance that Wells Fargo inflicts on its workforce:

https://www.reddit.com/r/WellsFargoUnited/comments/1fnp9fa/please_print_and_take_to_your_managersite_leader/

The union points out that Wells Fargo workers are subjected to continuous, fine-grained on-the-job surveillance from a variety of bossware tools that count their keystrokes and create tables of the distancess their mice cross each day:

https://pluralistic.net/2021/02/24/gwb-rumsfeld-monsters/#bossware

Wells Fargo's message to its workforce is, "You can't be trusted," a policy that Wells Fargo doubled down on with its Return to Office mandate. Return to Office is often pitched as a chance to improve teamwork, communication, and human connection with your co-workers, and there's no arguing with the idea that spending some time in person with people can help improve working relationships (I attended a week-long, all-hands, staff retreat for EFF earlier this month and it was fantastic, primarily due to its in-person nature).

But our bosses don't want us back in the office because they enjoy our company, nor because they're so excited about having hired such a swell bunch of folks and can't wait to see how we all get along together. As John Quiggin writes, the biggest reason to force us back to the office is to get a bunch of us to quit:

https://www.theguardian.com/commentisfree/2024/sep/26/in-their-plaintive-call-for-a-return-to-the-office-ceos-reveal-how-little-they-are-needed

As one of Musk's toadies put it in a private message before the Twitter takeover, "Sharpen your blades boys. 2 day a week Office requirement = 20% voluntary departures":

https://techcrunch.com/2022/09/29/elon-musk-texts-discovery-twitter/

The other reason to spy on us is because they don't trust us. Remember all the panic about "quiet quitting" and "no one wants to work"? Bosses' hypothesis was that eking out a bare minimum living on from a couple of small-dollar covid stimulus checks was preferable to working for them for a full paycheck.

Every accusation is a a confession. When your boss tells you that he thinks that you can't be trusted to do a good job without total, constant surveillance, he's really saying, "I only bother to do my CEO job when I'm afraid of getting fired':

https://pluralistic.net/2024/04/19/make-them-afraid/#fear-is-their-mind-killer

As Wells Fargo United notes, Wells Fargo employees like Denise Prudhomme are spied on from the moment they set foot in the building until the moment they clock out (and sometimes the spying continues when you're off the clock):

Wells Fargo monitors our every move and keystroke using remote, electronic technologies—purportedly to evaluate our productivity—and will fire us if we are caught not making enough keystrokes on our computers.

The Arizona Republic coverage notes further that Prudhomme had to log her comings and goings from the Wells Fargo offices with a badge, so Wells Fargo could see that Prudhomme had entered the premises four days before, but hadn't left:

https://www.azcentral.com/story/news/local/tempe-breaking/2024/09/23/wells-fargo-employees-union-responds-death-tempe-woman/75352015007/

Wells Fargo has mandated in-person working, even when that means crossing a state line to be closer to the office. They've created "hub cities" where workers are supposed to turn up. This may sound convivial, but Prudhomme was the only member of her team working out of the Tempe hub, so she was being asked to leave her home, travel long distances, and spend her days in a distant corner of the building where no one ventured for periods of (at least) four days at a time.

Bosses are so convinced that they themselves would goof off if they could that they fixate on forcing employees to spend their days in the office, no matter what the cost. Back in March 2020, Charter CEO Tom Rutledge – then the highest-paid CEO in America – instituted a policy that every back office staffer had to work in person at his call centers. This was the most deadly phase of the pandemic, there was no PPE to speak of, we didn't understand transmission very well, and vaccines didn't exist yet. Charter is a telecommunications company and it was booming as workers across America upgraded their broadband so they could work from home, and the CEO's response was to ban remote work. His customer service centers were superspreading charnel houses:

https://pluralistic.net/2020/03/18/diy-tp/#sociopathy

That Wells Fargo would leave a dead employee at her desk for four days is par for the course for the third-largest commercial bank in America. This is Wells Fargo, remember, the company that forced its low-level bank staff to open two million fake accounts in order to steal from their customers and defraud their shareholders, then fired and blackballed staff who complained:

https://www.npr.org/sections/thetwo-way/2016/09/26/495454165/ex-wells-fargo-employees-sue-allege-they-were-punished-for-not-breaking-law

The executive who ran that swindle got a $125 million bonus:

https://www.nakedcapitalism.com/2016/09/wells-fargo-ceos-teflon-don-act-backfires-at-senate-hearing-i-take-full-responsibility-means-anything-but.html

And the CEO got $200 million:

https://money.cnn.com/2016/09/21/investing/wells-fargo-fired-workers-retaliation-fake-accounts/index.html

It's not like Wells Fargo treats its workers badly but does well by everyone else. Remember, those fake accounts existed as part of a fraud on the company's investors. The company went on to steal $76m from its customers on currency conversions. They also foreclosed on customers who were up to date on their mortgages, seizing and selling off all their possessions. They argued that when bosses pressured tellers into forging customers on fraudulent account-opening paperwork, that those customers had lost their right to sue, since the fraudulent paperwork had a binding arbitration clause. When they finally agreed to pay restitution to their victims, they made the payments opt-in, ensuring that most of the millions of people they stole from would never get their money back.

They stole millions with fraudulent "home warranties." They stole millions from small businesses with fake credit-card fees. They defrauded 800,000 customers through an insurance scam, and stole 25,000 customers' cars with illegal repos. They led the pre-2008 pack on mis-selling deceptive mortgages that blew up and triggered the foreclosure epidemic. They loaned vast sums to Trump, who slashed their taxes, and then they fired 26.000 workers and did a $40.6B stock buyback. They stole 525 homes from mortgage borrowers and blamed it on a "computer glitch":

https://pluralistic.net/2021/09/29/jubilance/#too-big-to-jail

Given all this, two things are obvious: first, if anyone is going to be monitored for crimes, fraud and scams, it should be Wells Fargo, not its workers. Second, Wells Fargo's surveillance system exists solely to terrorize workers, not to help them. As Wells Fargo United writes:

We demand improved safety precautions that are not punitive or cause further stress for employees. The solution is not more monitoring, but ensuring that we are all connected to a supportive work environment instead of warehoused away in a back office.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/27/sharpen-your-blades-boys/#disciplinary-technology

[enkays-den]

Enkay Watches the Imp and Skizz Podcast #127 (featuring @joehills)

First of all, if you are not watching Joe Hills on either youtube or twitch, DO IT!!!! He's streaming pretty much every day and the conversations are always so interesting and he has the best little windows into the workings of Hermitcraft. Folks will pop by and have super interesting conversations with him! He's one of my favorite hermits and I think his unique way of experiencing minecraft, life, and hermitcraft is something that deserves more eyes on it, because I know people are sleeping on him.

First off, THIS is how you show up to the Imp and Skizz Podcast! Classy, on brand, and unique!

I love Impulse's little nest of pillows, he's so cozy nestled in there, holding his mandated amount of water like a security blanket

I love that the reason they wanted Joe on was to talk about the coup SPOILERS: they never even touch on it

joe's dad being a logician makes so much sense tbh

"a creationist universe where god wants you dead and i play minecraft like a greek hero idiot" is such an amazing way to talk about super hostile maps

HOW IS IT THAT JOE AND SKIZZ BOTH HAVE EDGAR ALLEN POE ANECDOTES OFF THE DOME

Joe having his wedding taking place during the recess of a vehicular manslaughter trial feels so strange and yet so Joe

JOE HILLS FULL NAME DROP?????

"YOU'VE GOTTA BE JOE KING" okay he mentioned on stream that there was a joke that maybe two people would get and I will proudly claim to be one of the two.

"fighting to become an artist" is so validating to Skizz's journey so far. It's gonna be his year anniversary of being a hermit soon and im gonna get emotional about his path this last year

Joe WOULD put on the Scottish Parliament sessions as background noise, love that

"I don't trust any platform with my art. I'm the one that makes the art and the audience is the one that appreciates my art" "I need to be as platform/brand agnostic as possible" "next time Amazon does something terrible to the unions" 👏👏👏

CHEERS REFERENCE, SKIZZ'S SITCOM BRAIN IS ACTIVATED

talking about his streams like a bar and like,,,,, he's so smart about the role of creators and fandom and i just appreciate joe so much

it's funny that they're shocked about the relationships can be formed within fandoms when like,,,,, that's how they met tango

((also if we talk regularly and read this i love you guys <3))

skizz, the worst chat reader ever i love you

i need hermitcraft standup. please. custom texture snowballs as tomatoes or flowers to throw

thinking about a younger skizz using a tape recorder to record his 'genius ideas' and quotes he likes and annoying the crap out of his friends

YES JOE AND SKIZZ TALKING ABOUT THE SCIENCE OF COMEDY AND THE STRUCTURE, THEY'RE SUCH AN INTELLECTUAL DUO

I'm glad that we got to hear Joe's JFK impression

COURT CASE TALK!!!!!!!!!!!!

"Bdubs will only let Doc win if it's funnier for doc to win, because that's how guilty doc was"

Joe quoting Sun Tsu and then going on the stand and said "Your Honor, Your Highness, my client is a baby" in an asymetric star trek dress, that's the Joe Hills Difference

"DELICIOUS" skizz i love how schadenfreude you are

"FIVE DIAMONDS PER F TIER BOOK???" impulse my favorite wet cat

"I'll make one sale every two months" and also implying that the shopping district has property taxes

the delivery on "two. some people say four" was SLICK

TUMBLR MCYT SEXYMAN POLL MENTION

"tumblr defines sexyman to mean 'most bizarre, cryptid, creepy thing' " not wrong there.

"well scar is obviously going to win the sexyman competition"

"once i found out that it's for weird, cryptid energy, I knew "oh nevermind I'm gonna win this"

joe hills is my favorite weird guy and he deserved to win

cleo as our nonbinary icon placing third place in the tumblr sexyman poll

All in all, fantastic podcast, and not long enough imo. I hope Joe gets to be there in person one day like he originally envisioned, and there's just an untapped well of information that could go into future podcasts

Reminder that you should subscribe and follow Joe!

BONUS, edited by me, please credit if you use it, I HIGHLY ENCOURAGE you to use it (original screencap under cut):

[ddejavvu]

Deadpool likes annoying you

this post is 18+, minors dni. (fem!reader)

Deadpool is absolutely fantastic at sex. He's just the right blend of high-energy, low-inhibitions that makes for a night of screaming, writhing, and melting into the sheets. After you've melted though, that's when he takes one last little bit of pleasure for himself.

"Open up," He pats roughly against your cheeks as he's fucking your limp body, milking any last orgasm he can get for himself. You're moaning, more sounds than coherent words, gripping the sheets like they'll tamp down the burning in your abdomen.

You don't comprehend what he's said until he's already wrestling your mouth open for himself, too lost in your own mind-numbing pleasure to obey. But Wade's strong hand bullies its way into your mouth, wrenching it open wide so that he can inspect its contents.

"Look at that throat, baby. All red and swollen, shit, that was me?"

He pokes at your tongue, watching it twitch, then prods at your teeth, "You gonna bite me with these, killer? Yeah?"

You're pitifully non-threatening when you close your mouth around his finger and suck instead of biting.

"Wimp," He teases, pulling his finger easily out of your mouth and tugging on your earlobe instead, "Jesus, it's like you give a woman four orgasms and all of a sudden she doesn't know what to do with herself."

--

There's barely room inside of your gaped mouth for Wade's fingers, but they're mean and insistent, and they stretch your lips out until they burn. They're pressed flush against his cock, but perhaps that's why he does it. Doubly for pleasure and annoyance.

"Lemme see your tongue." He demands, and pulls your lips back until he can watch your tongue bob against his hard cock.

"Oh, that was a good suck." He comments, watching the innerworkings of your mouth as his fingers pry open your lips, "Or- it would have been, if I wasn't sticking my fingers in your mouth. Kinda hard to get a grip now, isn't it? Ah- don't stop," He flicks your earlobe when you make to pull away from him, "Don't be so sensitive, I'm just teasing. You want your mouth back?"

You nod, and it's a drooly, slurping mess around both his cock and his fingers. But he lets go, and his slick fingers quickly find your nipples in their desperate search for something else to tug on. He pinches and yanks and rolls and pokes, his cock twitching when you try squirming away, visibly annoyed by his mercilessness.

"Oh, little miss princess can't handle a little teasing. You know you're gonna have to be better than that with me, right? I'm not a nice guy; you gotta toughen up."

[huggywuggysuppy]

once you finish Empires S1 i'd like to hear your thoughts about esmp1!gem. she's genuinely one of my favorite characters to analyse because she is so nuanced and interesting in so many ways anywhere you look at her. her twisted determination to achieve peace at ANY cost, her rigid thinking and neurodivergency, her relation with symbols like her tower or the end and the moon, or her genuine wish to be a good person and so many other things. there's so much that is impossible to grasp at first (<- <- me, lesbian who is really normal about her favorite gem)

She's right.

Essentially, Gem understands the role a wizard PLAYS in a story. She's never the cause of something, but she sure amplifies both the problems and the solutions. She's morally gray, she's playing both sides, but nobody ever challenges her on that because of course Gem's helping the heroes too -- they need artifacts! She's a plot device, a questgiver, a weapon. She's the voice of reason, the straight man in any comedy duo, yet makes the same questionable decisions as anyone. She's experimenting, she's out of her comfort zone, she's having the time of her life. Wizard Gem is, ultimately, a real wizard.

That's the short answer anyhow. Longer analysis, well, I'm so glad you asked. I can't talk about character without diving into the content creator metanarrative (feature not a bug) so let's get into the noodles! What about Wizard Gem makes her so fantastic?

Wizard Gem is a catalyst.

From the beginning, Gem is mixing up dynamics and forcing new inspiration by opposing what's static. The way the rest of the Wither Rose Alliance sort of? Molds? Around her. How Sausage and fWhip are beefing until the day she alliances with Pearl and suddenly the four are besties. How she adds moral nuance to the villain side, both by mixing relations with the hero side, and just by insisting the Wither Rose are seeking peace, really, they're trying their best! This stops things from being so cut and dry and basic. Instead of Xornoth's vain forces against the heroic bumbling fish people (with the plant and animal empires in between), there's all sorts of messiness and drama. And Gem's aware of this, of how she's changing things, and so the effect is amplified.

On a CC level, even her origins are experimental. Gem was originally planning a more naturey plant wizard, but since Shubble, Katherine, AND Pearl, were plant based (& arguably Joey too) she adapted into amethyst and rocks. And it turned out amazing! That foundation of experimenting made it easier to take larger risks both content and character wise. All the empires folk enjoyed the lore centric storytelling: only getting deeper into it through the season, but Gem especially paved the way for embracing rp and outfits and items and fun.

But back to C! As the Wither Rose alliance progresses, terrorizing the server included, Gem maintains her peace loving stance. Taking on the role as fWhip's (and later Sausage)'s PR managers is genuinely so important to me. She never really stops them from doing bad things, but she's always discouraging them and talking them down one or two degrees. Ultimately loyal to her alliance, she's also taking responsibility for the consequences. Helping out Jimmy behind the scenes to lessen the blow, both for him but also herself.

At her core, Wizard Gem wants peace.

For herself and friends at least. Unfortunately, the Crystal Cliffs aren't in a bubble, so she keeps having to save the world anyway. She dreads conflict at best and fears it at worst. Her concerns are her kingdom, her neighbors, whatever magic / building she's invested in right now, and maybe a light shenanigan here or there. She'll help fWhip get out of trouble because they really do love each other, he's always helping her out too in his own ways (ex: making her stuff,) and she'll protect the realm so the problems stay far away from their doorsteps. When things do eventually fall into her lap, she definitely deals with them. Just... not 100%. Enough that they stop breaking the peace for now.

Let's be honest, Wizard Gem is firmly in denial. She's down for burying the corruption and letting it claim whole towers of her base. Often she'll just accept whatever another player brings to her: buying Scott and Katherines plush, whatever weird scams Lizzie tries on her, etc. When Scott gives her the Elsa curse, she hangs out in the nether, takes Shrub’s dodgy Xornoth cure, and stubbornly "it's fine"-s her way through avoiding a real solution until fWhip drags her to Katherine. It's telling that her (short-lived) corrupted evil version is more confident, while others become hyper or angry. This isn't laziness: it's fear. She doesn't want to step on any toes and start any conflicts. You can see it in how she talks to Jimmy and fWhip: giving them what they need not to win, but to end things.

This is how Gem maintains the story role of a wizard: she's always trying to stop things, so she's never starting new things, only making them better or worse. But how does Gem get away with it? She's simultaneously one of the most invested players in the lore, yet playing a character who'd rather be anywhere else. That dichotomy is entertaining, sure, but there's something else here.

Wizard Gem is loyal, curious, and moral. Just... not obviously.

Gem is unfathomably loyal. While she plays both sides, she's always standing alongside her allies in battle and all her actions are ensuring they're safe. She may be exasperated, yet treats her immediate alliance members with kindness. How fWhip drags her into things, but he never asks her to, it's always Gem CHOOSING to follow him because what else is she gonna do? Let him do it himself? How Sausage makes her laugh with his absurdity, even when they're fighting. How she's always a little uncomfortable, even in her great empire, except in the quiet simple moments with her allies between schemes.

(Still can’t believe roseblings isn’t canon. Like fWhip’s line about how he blew up relations with Scott because he messed with Gem, "it's okay fWhip I'm fine now," their tones, ohhhh devious work. They don't need to be canon, nonfamilial platonic relationships and all that, but STILL. I'm only human.)

Gem's also invested in magic and learning more about it, and she learns to trust and share that with others. The Crystal Cliffs Academy demonstrates growth: from solving problems herself when they’re too big to ignore, to actually addressing things at the source. Explicitly, the goal is to strengthen other empires magic knowledge so less crises happen. That’s preventative instead of reactionary. Even choosing the Ocean Queen as her first student is intentional: not an ally, causes a lot of medium scale ruckuses, in text Gem sensed her using transformation magic that wasn’t hers and wanted to guide Lizzie towards at least controlling it. Start of season Gem would’ve just kept handling any crises herself.

Essentially, Gem is trying SO HARD to be good. As anon said, she has a sort of rigid thinking (again, fun contrast between CC experimental and C rigidity) that creates this fantastic mix where she's staying true to the Wither Rose because she loves them and wants to keep them safe as their friend, but also trying to act for the greater good as a wizard, even though she'd rather focus on her own things. It's not a stable point of view, and is constantly challenged, creating the amazing series of events that we get to see unfold.

Also, Wizard Gem is straight up cool.

Regarding imagery, Wizard Gem has a distinct style that’s so fun to build and draw and write about. She's magical and otherworldly (dragons, the end) but also ethereal and magnificent on a human scale (towers, the moon.) Amethyst itself is inherently unique: something about forming deep under pressure, growing slow and beautiful, sought after as thrones and paths alike. These aesthetics have infinite storytelling potential, and look cute doing it.

And all these things are carried into Gem’s imagery as a whole! Losing her eye to and getting corrupted by the end portal in Life Series, building dragons and towers and villages all across her mc worlds, often using the moon in builds like her hc10 lighthouse. She’s solidly the moon in shinyduo sun/moon dynamic (while they both employ sun/moon all the time, Pearl builds and lores solidly more sun, let alone their comedy dynamic.) Even the struggle between embracing/chasing excellence versus holding herself back out of fear: that's Gem in every world! Emp1 is combining a lot of Gem's themes into one single character. And turns out she's really awesome!

This character wholeness lets Gem maintain her signature exasperated excellence over the other players. Like PVP prowess and building skill, she's an expert here too, and delightful to watch and interact with. Wizard Gem is amplifying everything, trying to keep her loved ones safe, learning that she needs to make peace herself, all while staying true to her beautiful masterful self.

Finally, CC!Gem is delighted to roleplay like this.

Every time she turns to the camera to give disclaimers and talk about her character, there's an infectious joy and "I can't believe this is my job." She often compares it to D&D, which ohh the parasocial brainrot is taking so normally, but also there's an unapologeticness to it. If you don't like her character / the roleplay / etc, stop watching, whatever, this is fun for the rest of us. Her and other CCs have talked about the crippling pushback from playing antagonistic characters -- and there's no shortage of that in emp1, she has to put disclaimers on the RP portions! But unlike Life Series where she's constantly fighting demons (it's own post, really) Wizard Gem is having too much fun to care. I think that's why emp1 hits different, at least for us Gem girlies. She's taking this seriously, and she's having the time of her life.

I originally posted about Worldhopper/Watcher Gem because that adds an extra layer of spice to her in all series, but it's still really awesome by itself. Summoning the dragons from ANOTHER WORLD? Hello?? Don't think I missed her using the nether portal to change skins either. Giggling during convos with Xornoth, undaunted by the Empires Crown, the list goes on. One day someone will assemble all her characters into the same room to compare notes and that someone will either be me or Geminitay herself.

In short, Empires S1 Gem is a Wizard. She's a catalyst, she ultimately wants peace, she's loyal curious and moral, she's straight up cool, and she's having fun. And isn't that just the most magical joy of all?

Anyway, accepting empires fic recommendations in reblogs / directly into my inbox. What a privilege to get to watch so much great art. Thank you for reading!

[sanguineterrain]

I am FERAL over your knight Jason thought. FERAL!!! Okay check this out: so Jason's ignoring reader because he feels guilty right? Maybe he tried to give them back but the king wouldn't allow it. But maybe the reader misunderstands and thinks they're not doing their "duties" so they make dinner and breakfast and wash his clothes and basically act like a perfect spouse. How would Jason react? 👀

Dear god... I feel another series coming on...

Idkidk, their dynamic is just really interesting to me! it's probably gonna be a bit of a slow burn here. Feel free to send more thoughts about them. I am rotating these two like a rotisserie chicken in my brain.

knight!jason todd x gn!reader. ambiguous time period but just assume it's olden times *gestures vaguely*. tw arranged marriage/forced relationship but it's complicated! jason is full of angst and self-loathing but he's a sweetie as per usual. original post for context.

****

The soldier—Jason—has said four words since you've arrived.

The first was "here," which he said whilst handing you a mug of milk. He didn't look at you as he said it, and that morning, he left for a five-day long station. You only know that because he said, after handing you the milk, "I've been stationed."

You realized it was five days when you heard his horse galloping towards the house... five days later.

You haven't initiated conversation because though you're a commoner, and no one ever had much hope for you to become anything but an old spinster, you know not to challenge knights.

But this is fucking ridiculous.

"Do you like veal?" you ask on your fourteenth day here.

Jason is about to leave, his boots half laced. He freezes at your question and looks up.

You stand tall, chin up. This is a normal question. A question a wife would ask her husband, except you're not a wife, and you're pretty sure this soldier isn't a husband either.

"I like veal," he says carefully, slowly. "Would you like me to fetch some from the market?"

Now, this is where it gets tricky. When the king summoned you, he made it clear that you were expected to care for Jason under his rules. You don't know how to navigate this world. You know what couples in your village do, but you don't know what's expected of you here.

"Actually, I..." Jason looks at you. His eyes are very green. He has a surprisingly sweet face under his helmet. "Actually, I was wondering if I could go. On my own."

"Oh."

You brace yourself for arguing or yelling. True, he hasn't raised his voice once, but he also hasn't said much at all. It's like living with a ghost.

"Yes, of course. Of course you can go." He fishes out a pouch of coins and gives them to you. You take it slowly, waiting for him to realize his mistake. He doesn't.

"Thank you," you say.

He nods and watches you walk.

"Wait."

You stop. Here it comes.

"There's a cargo ship in port today. The guards rotate at noon."

He leaves before you can form a thought. You hold the coins, watching blankly as the door shuts behind him. His horse whinnies, and then he's gone.

The market isn't far from the cottage. It's fantastic to be outside again. No one's noticed your absence, clearly, but that's alright. You've never expected more.

You buy a good cut of veal and potatoes and carrots and apples. Jason gave you more money than any cut of meat would cost, so surely he assumed you would buy other food. Why else would he give you so much?

A ship's horn drones in the distance. You're feeling some oranges when you remember his words. A cargo ship.

The sun is almost at its highest point.

"Oi! Either buy 'em or stop feelin' 'em!" the seller snaps.

You roll your eyes and move on from the orange stand. You can see the horizon of where the sky meets the sea from here. Any moment, the guards will change, and the ship will be...

You stop. Was Jason hinting at your escape?

No, he couldn't have been! That's preposterous. Why would he want you gone? The king took you for a reason.

And where would you go anyway? Once you leave, you'd be a criminal forever. You couldn't make a home on your own. And who knows what could happen in between? Pirates, enemy soldiers, anybody could snatch you up.

This must've been a test. A test to see if you would run. That's why he agreed to you going so easily.

No, your escape can't be planned now. Not when you're so obviously uncomfortable, and Jason knows it.

You ignore the ship and go home with your purchases. You spend the rest of the afternoon preparing veal stew. You warm leftover bread over the fire and set a pot of butter on the table.

Jason comes in louder than he has before, humming quietly. You perk up at the sound, happy for the lack of silence.

You set a bowl of stew at his chair and wait by the fire. As soon as he enters the kitchen, the humming stops.

"Welcome home," you say, wringing your hands. "I made supper."

Jason glances at the table, then back at you.

"You came back," he says.

"Why wouldn't I?" you ask, face neutral as you cut the bread into chunks.

"That—did the ship come?"

"Yes."

Jason sits. His face is dirty from training.

"I bought more than veal," you say, and hand him the pouch. "I hope that's alright. We—there were no more potatoes."

He takes the pouch, rubbing the string tied around the top. "You went to the marketplace... and came back."

It's not a question, but it sounds like there might be one behind it.

"Certainly," you say. "I'm loyal to you, Jason. I serve you."

He looks up, blinking rapidly. Then he looks back at his stew.

Oh, right. He's waiting for you to ask permission to sit.

"May I join you?" you ask.

Jason flinches. "You don't... you don't have to ask. I would never stop you from eating."

The words hang in the air. It's like neither one of you can speak right.

You watch him, and he watches you as you serve yourself and sit on the opposite side of the table. Jason takes the first bite, and you eat right after.

"Is the supper satisfactory? Have I done well?" you ask.

Jason stops chewing and sets his spoon down. You're struck by his shift in demeanor. You worry for a moment you've screwed up something as dim-wittingly simple as stew.

His eyes are sad as they fall on you. It's akin to grief, the pain he wears, but you don't know why he's grieving. You silently offer him more bread, pushing it toward him. He takes it.

"Yes," he says quietly and eats another spoonful. "You did. Thank you for supper."

Jason cleans his bowl three times. You have no stew leftover, which pleases you.

But as soon as Jason finishes eating, he gets up, rinses his bowl, and wordlessly leaves.

You don't see him for the rest of the night.

Somehow, you feel lonelier than when you weren't speaking.

[gardenwalrus]

David Ash, ‘Our Kind of Girl - By The Beatles’, Daily Express (21 Nov. 1963)

After the show, after the applause, what kind of girl do the Beatles think about in the loneliness of hotel rooms locked against the fans? [...] So I went and asked them: What is your kind of girl? [...] Paul McCartney, 21, told me: “It would be great to have the sort of girl who would darn my socks and cook apple pies and things.” Now that may sound like Platitude 1 (a) from the pop-star's handbook of ready-made quotes. But this McCartney I think says what he means. He continued: “She'd be attractive, but not the big show-biz personality type of girl, or one who's affected, or a dizzy dumb blonde. “She'd be intelligent - but not fantastically brainy, because I'm not - and interested in all kinds of music. Including mine.  “And she'd have to have the right sense of humour. Because we do have what someone called a sense of self-irony. And we laugh at all sorts of off-beat things.”

And physically…?  “I like girls to have long hair (it rhymes with 'her'), interesting eyes, and rather high cheekbones. But not turned-up noses. I have one myself, and it's put me right off them.  “I don't like Elizabeth Taylor-type looks. And I don't like exaggerated hour-glass figures. The figure doesn't matter all that much.  “I like girls in with-it clothes. But some girls look fantastic in just a dirty old sack. Indian girls look great in saris.”

John Lennon was looking around for a scotch. And his face, in serious moments like this, has the fear-neither-God-nor-man quality of a Renaissance painter's aristocrat. At 23, he seems the group's elder statesman. For he is married, with one baby. He talked. Huskily, cryptically. “My kind of girl is, of course, Cynthia. My wife. “I like her looks (she's fair-haired), her cooking; everything about her. I'm an extrovert, and she's the opposite.  “We are both indoor types - that's why I don't mind this life, being locked away behind doors. We live at our mum's or our auntie's or hotels. But wherever I'm with her is home. “People have said that every time she comes down to London to see me she is just trying to patch up our marriage. They say, 'You know what they're like in show business.'  “But that's not true of us. I don't happen to be showbusiness. I married before I was in it. And I haven't changed my mind since."  He added: “Of course, I notice other girls.”

George Harrison - at 20 he's the youngest and (some say) the handsomest - thought he preferred blondes. Smallish ones. Then he decided: "I don't go looking for any special sort of girl. She could be any age from 17 to 40. “I wouldn't like one who was soft (unintelligent). Or one who was terribly intellectual - I wouldn't know what she was on about half the time.  “I wouldn't mind if she were arty, hated pop and loved classical music  “Oh, yes, and I don't like girls with too much make-up.”

Ringo Starr’s sad eyes gazed thoughtful down at his drumstick-balancing fingers and the four rings on them - none of them with any marital significance.  “My girl would be just an ordinary sort of girl, but with just that something different for me,” he said.  “I wouldn’t care if she couldn’t cook very well. She could learn. But I don’t like sitting at home, so I’d want a sociable girl who’d come out every time I wanted to go out.”

Not one Beatle mentioned old-fashioned considerations like social status and family connections.  In their kinds of girl they all looked for a sense of humour, interest in their work, reasonable dress sense, and a complete lack of pretentiousness. 

[fuckyeahgoodomens]

ABSOLUTELY DELICIOUS S2 BTS VIDEO! :)❤ 🐍😊

David: Good Omens 2 will be once more unto the breach...

Michael: The kind of world that Neil and Terry Pratchett created here. It's... it seems to be expanding out into the world in all kinds of unexpected and and truly joyful ways.

Douglas Mackinnon (the directior): If Season one was a comedy about the End of the World, Season Two is a comedy about the beginning of everything else.

Miranda Richardson (demon Shax): The Bromance is continuing.

Doon Mackichan (Archangel Michael): What a cast, is all I can say, incredible, incredible cast.

Liz Carr (angel Saraqael): But of course a script of Good Omens is a whole different thing because anything can happen.

Shelley Con (Prince of Hell Beelzebub): There's always a smirk somewhere around the corner in a Good Omens script.

Quelin Sepulveda (angel Muriel): I had no idea what to expect, where this character was gonna go...

Liz: I feel quite honored that when they were thinking of the realms of sarcasm they thought of me.

Gloria Obianyo (angel Uriel): Seven-year-old me is like, 'Oh my God! This is the stuff of dreams!'

Maggie Service (human Maggie): A whole Fantastical Universe of joy that we just get to playing and you'll get to watch.

Tim Downie (Mr Brown): I am immeasurably, immeasurably excited.

Jon Hamm (Archangel Gabriel / Jim): You know I was very pleased when when I was brought back to be a part of that story.

Neil Gaiman: Ppeople are excited and I'm working so hard to tell them absolutely nothing. I'm very lucky because Michael Sheen and David Tennant love Crowley and Aziraphale. I think the first moment that I saw David and Michael acting together... all of a sudden there was Crowley and there was Aziraphale, it was like seeing two friends who I hadn't seen for years.

David: There's something about the way Neil sees the mundane that is extraordinary and there's something about the way things filter through his imagination and of course in this world it also sprinkled with the imagination of Terry Pratchett and those two together created this cocktail that is it's unlike anything you've seen anywhere else and yet it feels utterly familiar.

Michael: And they both have a sense of the absurdity of what it is to be a human.

Rob Wilkins: When you've got David and Michael in front of the camera David and Michael evaporate and you have Crowley in Aziraphale and that relationship it needed it needed interrogating more and of course we all know that Terry and Neil had conversations about what the sequel would be and Neil has taken that and he's blown it up in a way that the viewers are just going to love so what would Terry think? Terry would pat Neil on the back and he would push Good Omens forward, he would break a bottle of champagne over its bows and be absolutely delighted and I know that, I'm the one person on Earth who's been entrusted to know that for certain and I promise you Terry would be absolutely delighted.

David: We've got some cast members coming back, returning but playing different parts which is a lovely little addition to things isn't it, so Miranda Richardson is back not playing the same role as Season One, she's now Shax, my replacement - Crowley's replacement on Earth.

Neil: Shelley Conn came in as Beelzebub and it feels in a weird way kind of like a Doctor Who Regeneration. We have a new demon called Furfur played by Rheece Shearsmith who was our Shakespeare in Season One.

David: Nina and Maggie were two of the Sisters in Season One, The nunnery of Doom, and now they are two characters imaginatively called Nina and Maggie.

Maggie: In season one really it was just me and the nuns, it was the nun gang, so to actually get to meet Aziraphale and Crowley... I hadn't been prepared for how delightful Aziraphale is.

Neil: Season Two begins about threem four years after the events of Season One.

Michael: Aziraphale and Crowley now are, you know, out on their own, they're.. they're a team to themselves.

Neil: Everything changes when Aziraphale gets an unexpected visitor.

Michael: A familiar face comes along with a mystery that needs solving and as Aziraphale and Crowley attempt to solve that mystery they realize that there are much more terrifying things ahead than they've had to deal with in the past. That involves having to go back through history as well to get clues as to what might be going on.

David: When we go back into these stories set within Aziraphale and Crowley's personal history there are moments within those stories where where their relationships sort of pivots or develops in some way. Himself and Aziraphale I think rely on each other even more in season two than they did in Season One because they are by necessity and by circumstance they're a they're a double act that nobody else can join.

Michael: It's extraordinary to see how important these characters and this story have become to a lot of people and how much people enjoy expressing themselves through art, through fan fiction.

David: I went to a Comic-Con and the amount of Crowleys and Aziraphales that I saw everywhere, the cosplaying just took off, and always in twos, which was joyous because of course the characters in my mind only exist in relation to each other. They are the Ying and the Yang.

Michael: It's such a... I think it's such a compliment and I think Neil feels the same way as well.

Maggie: Always clever Neil Gaiman, isn't he?

Nina: Yeah yeah, you'd have to sort of admit that at some point, yeah-

Maggie: He's quite good at his job.

[leclercsluvs]

MV1 | Songs of a Healing Heart | smau

part 2 | masterlist

an: very sorry that it took like close to 3 months for me to finally do this, just got a bit busy with school and internships and life tbh, but i think i might be back soon to a more often posting schedule. hopefully. very sorry this is so late compared to the other part. more to come! like before, don't mind the time stamps too much, they're not important, unless stated otherwise. fc: sabrina carpenter pairing: max verstappen x fem!reader warnings: swearing inspired by: i can do it with a broken heart - taylor swift

yourusername

liked by maxverstappen1, redbullracing & 2.621.294 others yourusername it's good to see you back where you belong

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maxverstappen1 trying to rub salt in the wound? i didn't win the main race🙁

yourusername but you beat lando🎉 landonorris ???

user1 shes been posting max a lot lately???

user2 and? they're friends??

maxverstappen1

liked by yourusername, landonorris & 1.482.294 others maxverstappen1 unfortunately, we could not go out for qualifying today 🌧 thank you all for sticking with us 🙏 the positive takeaway is our good pace in the sprint. bring on sunday 💪

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yourusername glad to see you back in top 3, i feel like it's been too long

maxverstappen1 how dare you remind me of my winless streak? yourusername you'll get a win soon. i can feel it. charles_leclerc 10 races. 10 winless races. ha.

charles_leclerc also ha, you actually got a penalty, sucker. so i'm actually p3, not you

maxverstappen1 fuck you charles_leclerc please 🤷‍♂️ maxverstappen1 alexandrasaintmleux control your man danielricciardo careful, don't want to get more community service now, do you? maxverstappen1 fuck you too

maxverstappen1

liked by yourusername, jensonbutton & 3.213.392 others maxverstappen1 unbelievable!!!🏆what a roller coaster… SIMPLY LOVELY 🙌 thank you everyone redbullracing

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yourusername congrats! i knew you could do it

maxvertsappen1 i believe you now owe me something 🙃 yourusername i'm aware. and i intend on keeping that promise.

lewishamilton amazing drive, congrats 👊

maxverstappen1 thank you man. appreciate it 💪

hulkhulkenberg 🐐🐐🐐🐐🐐🐐

redbullracing SIMPLY LOVELY 🔥

fernandoalo_oficial fantastic drive 👏 congrats 👏

maxverstappen1 thank you legend 💪

landonorris congrats on the impressive win, as you say "simply lovely" 😉😃

user3 WHAT. A. DRIVE. 🩵

user4 P17 to P1 with almost 20 second lead? max verstappen YOU ARE THE MAN!!!

user5 and no drs either user6 and fastest lap for every lap until the end? he was HUNGRY user4 real, how many times did he do it in a row? like 17 times?

gossipaccount

liked by user1, user4 & 2.381 others gossipaccount seems like max went out to celebrate his win with a blonde woman, any guesses as to who it might be?

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user6 i’m guessing yn. they were both hinting at her owing max something after his win, could be a date?

user7 hmm, it could also be a coincidence? I mean not every blonde woman he hangs out with has to be her. user6 true, however they have been spending lots of time together lately.

user8 i hope it's yn they would be so cute together, and it could just be a friendly get together. not everything has to be romantic.

yourusername

liked by alexandrasaintmleux, maxverstappen1 & 3.291.349 others yourusername new little song i wrote for you all. just a little treat before my tour. i hope you like it. music video will be out in a few days. 'on purpose' out everywhere now!

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alexandrasaintmleux new favorite song

yourusername thank queen

maxverstappen1 like it? no.

yourusername rude >:( maxverstappen1 you already know what i think of the song 😶

user9 idc this is my new favorite song, i will shout it from the rooftops!

user10 real like how does she continue to make bangers?

user11 the real popstar

maxverstappen1

liked by yourusername, charles_leclerc & 5.429.382 others maxverstappen1 ⭐⭐⭐⭐

four time world champion!!!! the season had a lot of ups and downs, but being able to achive a fourth title is amazing. thank you to all the fans, and thanks to everyone at redbullracing it's been a wild year!

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yourusername can't believe i got to witness it!

maxverstappen1 happy i dragged your lazy ass out? yourusername how dare you? 😓💔

landonorris good number to be fair! congrats mofo!!

danielricciardo congrats mate! on to the fifth?

maxverstappen1 you know it!

(please pretend it says what, not why, i already deleted the pics and i don't want to have to find it again 😭)