#they're messed up in two very different ways

[weirdly-specific-but-ok]

hot take about silco x vander that no one asked for

okay so it's 3:25 am and i spent too much time in pinterest comment sections so now i have Thoughts and y'all are gonna hear it (this is mostly spoiler free even for s1 but it won't make much sense unless you've watched arcane so go wATCH IT if you haven't). so there were a bunch of posts shipping Silco and Vander and in the comments people were really pissed coz they're said to think of each other as brothers.

TLDR: They did not grow up as brothers, they think of each other as such, and those thoughts can change over time or evolve without it being incestuous (with nuance), and of course it could stay the same too.

and I have a bunch of things to say, starting with for one, some folks were legitimately confused because they thought silco and vander were biological siblings. so, first off, let's get that clarified, they're definitely not. they weren't adopted or step siblings either. they met in their early adulthood, i believe, in the mines.

i'm gonna continue below the cut coz this is gonna be looooong.

now, the thing is, silco and vander explicitly state that they were each other's brothers and/or call each other brother. why? there could be multiple reasons for that. one, that's how they saw each other. they were as close as brothers and they saw each other as family. two, in the sense of being brothers in arms, fighting together against a common cause that brought them closer. three, they felt affection for each other and that was the closest term they knew to describe it. or something else.

and like, i do not mess with found family, that shit is sacred. if someone told me my brother isn't actually my brother because we didn't grow up together or share blood, i would happily punch them in the throat.

HOWEVER, Silco and Vander are fictional characters. so if someone headcanons that their relationship changed, and evolved, that's not disrespectful or incestuous. it just means the person believes that how they saw each other changed. or maybe they didn't realise how it was that they felt for each other. or any number of other things.

and hey listen when i was a teenager in two of my long-term relationships, i thought at the start that what i felt was platonic love. i'd literally call them my brother. because that was the way i knew to describe the intensity of my affection. i was figuring shit out, and then i realised that what i felt was romantic, and not platonic or familial.

does that make it incestuous? well i fucking hope not. i was a queer greyace teen trying to figure out what the fuck i was feeling.

and that's not even toUCHING the surface of queerplatonic feelings. like i had no vocabulary to describe that for most of my life. it was clearcut in my head--romantic, or platonic. and if platonic was very intense, then sibling. that was the only way i knew how to describe it.

and that's changed over the years and now i know a little bit better how i feel, and i have platonic feelings that aren't siblingy, platonic feelings that are very much siblingy, platonic feelings that aren't siblingy but familial anyway like that for a parent, and romantic feelings also of various shades.

but back then, i didn't have that vocabulary and distinctions and self-awareness. and it's entirely plausible for someone to headcanon that maybe Silco and Vander didn't either. maybe people ship them and hc that they had feelings for each other and didn't understand them, that could be romantic or queerplatonic. or had feelings for each other that were familial, but that evolved in a different way later (or in the AU). both of which ARE LEGITIMATE INTERPRETATIONS OF A FICTIONAL RELATIONSHIP WITHOUT IT BEING INCESTUOUS.

anyway so it's entirely chill if you don't ship them but it's also entirely chill if you do. the issue is when you attack people for interpreting a fictional relationship in their own entirely valid way and call it weird or incestuous and attack them as people for their ship. just let people be sigh.

so that's my unnecessarily intense take at--jesus christ it's nearly 4 am. :)

[airenyah]

A LOOK AT STYLE'S JOURNEY | Ep 5

(Overview | Ep1+2 | Ep3 | Ep4)

Airenyah is back, bringing you even more rambles about Style Sattawat Chayakorn than ever before. This meta series might just end up becoming my magnum opus.

Alright, here we go. So, in episode 3 we saw Style starting to develop positive feelings for Fadel. He tries to bond with Fadel, tries to engage him in amiable conversations, and also starts to get suspicious of as well as curious about Fadel and his life and develops an interest in learning more about this man and all he's made up of, an interest that is entirely separately from Kant's mission and the deal with the car.

In episode 4 this trend continues and we follow Style as these positive feelings slowly develop into actual, genuine romantic feelings. Style goes from simply just liking Fadel to like liking Fadel.

Now in episode 5 we get to watch Style slowly, yet rapidly fall in love with Fadel as he grapples with the fact that the man he's falling in love with regularly kills people.

And ohhhh boy, what a ride it is. I've written over 12k words for this meta and yet I still feel like there are so many aspects that I still didn't manage to get into or that I only barely scratched the surface of. Not to mention that there are some scenes (especially the first sauna scene) where I feel like every time I watch it, every time I replay the scene I'm getting something else out of it. I swear, the amount of times I've written and rewritten whole sections... No, truly, at this point I feel like I hate more or less everything that I wrote. I apologize in advance for the mess you are about to read. And let me tell you, no matter how detailed you think this meta is? It in no way reflects all my thoughts and feelings that I have about this episode and about my boy Style Sattawat.

Either way, enjoy!

Pronoun Situation: Just assume Fadel and Style use the rude guu/mueng pronouns with each other unless I explicitly state otherwise.

To recap: Style has started to develop genuine feelings for Fadel and is over the moon that Fadel actually agreed to be his boyfriend. His joy is soon punched out of him as he learns of Fadel's real profession. Style unexpectedly meets Fadel at the gym and runs off in a panic, unable to deal with the situation and absolutely terrified.

No. 1: Sauna The Sequel

Let me just say straight away that I'm gonna be looking at this scene running on the assumption that this is happening on the same day as when Style ran away from Fadel at the work-out bench last episode, because Fadel says: "You seem strange today." If the scene from last episode had happened on a different day, I think he would have said "recently" or "these days" or something along those lines instead. Anyway, let's start.

They're at the gym and apparently they both like going to the sauna after a good work-out, because just like in episode 2 they have their next run-in in the sauna after parting at the weightlifting bench. This time it's Style, though, who arrives at the sauna first and he sits there, still in distress, but already a lot calmer than he was at the work-out bench.

When I first watched this scene I was thinking to myself how fun it was to watch Style be very scared of Fadel after we got multiple explicit references of Style decidedly not being scared of Fadel. Now on second look, though, I don't think he's actually as scared as I had first thought. In their last scene together, the scene by the work-out bench, yeah, Style was absolutely terrified and fighting for his life. But instead of a ruthless killer, Style experienced kindness and care, experienced Fadel being a sweet boyfriend. Unable to reconcile these two conflicting perspectives on Fadel, Style made an escape. Now he's sitting in the sauna contemplating everything, trying to figure out how to deal with and/or get out of this mess. Fadel enters the sauna and while Style still looks a little surprised and startled, it doesn't put him into a panic again. As has been pointed out by @secriden and I have also already discussed in my ep4 meta, in episode 4 Style went to the gym during day time, likely in order to avoid Fadel who explicitly mentioned in episode 2 that he prefers to go to the gym at night. But then Fadel shows up anyway and Style, who hadn't been expecting that and as a result hadn't been mentally prepared for a run-in with Fadel, panics completely. Now, however, sitting in the sauna he is well aware that Fadel is around. This might also be a reason as to why Style's heart isn't stopping the way it did back at the work-out bench.

Fadel sits down next to Style and Style moves away, putting more distance between them. What's funny, though, is that despite Style's apparent discomfort at touching Fadel or being anywhere close to him, he still keeps his hand near Fadel, touching him anyway.

[pls scroll back up to the title pic if you wanna see it, i've reached image limit 😭😭😭]

Now we could call that unclean acting, because if Style really is that uncomfortable with the thought of being close to or touching Fadel aka a Known Killer, then he should be making sure to keep each and every single body part away from Fadel, including his hands. Meaning, he should really be yanking that hand away from Fadel. Or what we could do instead, what's even more fun actually, is that we could interpret this as Style not actually being that uncomfortable with the thought of touching Fadel despite his rational mind telling him he should be. His rational mind might be telling him that he should keep his distance from Fadel if he wants to stay alive, but his hand betrays him, exposes his true desire of wanting Fadel anyway. Style is conflicted, but he is not disgusted by Fadel and now after Fadel has been nothing but a sweet boyfriend to him and Style has calmed down a bit from his earlier panic, he also no longer feels as threatened by Fadel's presence and his touch.

Style is still extremely nervous, though, because the knowledge of Fadel killing people is still at the forefront of his mind, but Fadel's presence and Fadel himself don't terrify him as much anymore. This emotional change also shows in his voice: Earlier at the work-out bench he was hesitating to answer every time Fadel said something to him only to hurriedly blurt out his replies a moment later. Now in the sauna, while Style still hesitates and blurts out his answers, they're not as rushed anymore and he's also more talkative again, engages in the conversation more than he did earlier. What's more, at the work-out bench Style barely dared to look at Fadel and when he did look at him, he only threw quick glances at him before turning his eyes away again. In the sauna Style starts out avoiding eye contact with Fadel at first, but as soon as Fadel opens the conversation, Style can (mostly) look him in the eye again.

Fadel calls out Style's uncharacteristic behavior and Style quickly comes up with excuses. Unlike back at the work-out bench, where his voice was full of panic and terror, he now sounds more appeasing, in an attempt to calm Fadel's worries and suspicions. There is a lot of awkwardness when Style claims "I’m fine. I’m just not used to this", there's even a sort of urgency to it like please believe me, please believe me, please stop asking. Fadel stares at him skeptically, so Style elaborates: "It’s usually me running after you, but now you’re with me."

By the way, since I know so many people are liking the Thai language tidbits, this line here:

It’s usually me running after you, but now you’re with me.

More literally is:

Usually I'm after you, but now you're after me. ปกติกูก็ตามมึงแล้วมึงตามกูบ้างแล้วอ่ะ [bpòk-gà-dtì - guu - gôr - dtaam - mueng - láew - mueng - dtaam - guu - bâang - láew - àh] usually - I - follow - you - and - you - follow - I/me - some - already - [particle]

Style actually manages to find his sincerity for this specific lie, but Fadel is already onto him and asks if Style has suddenly changed his mind after all. Style looks away awkwardly, but also lost in thought a little as he thinks about how this is exactly what happened after he found out the truth. It's not like he can just say this, though. Imagine that. Sorry, I don't want you as my boyfriend after all because I don't feel comfortable dating someone who could potentially murder me. And as I mentioned in my ep4 meta, I do think Style is lowkey terrified that Fadel will kill him if Style breaks up with him right after Fadel finally started opening up to him which he knows was a big step for Fadel. But then Fadel says "I don’t mind [breaking up], you know? I don’t like you that much. I’ll get over it." Style looks away, sighs and gets lost in thought. It's a messy situation to be in, even if Fadel won't immediately be killing him over a break-up after all.

When Style fails to answer Fadel stands up in order to leave. This brings life back to Style and he hurriedly holds Fadel back, asking him to wait with the most puppy eyes:

Yeah, I just had to spend one of the only 30 images per post on the puppy eyes, I mean just look at him!!

Anyway, Style looks at Fadel with puppy eyes, and there is so much uncertainty and hesitation and doubt in them. There is also fear, but to me it doesn't look like he's afraid of Fadel specifically, it looks more like he's anxious and worried about the whole situation in general. It looks like Style wants something, but hasn't quite figured out what exactly it is that he wants. He is feeling many emotions at once, has many conflicting feelings at once. When Fadel asks Style if he's sure, I'm struggling so hard to pinpoint/name the many different emotions that Style is feeling in that moment. All I can think of looking at Style's face is: help.

The boy is overwhelmed. He wants to be far away from Fadel, but he also doesn't want him to leave, wants to dump him, but he can't and also kind of maybe deep down perhaps doesn't even really want to, has something on his mind that desperately wants out, but that he must keep inside under any circumstance.

Fadel asks Style if he's intimidated by him and I just wish the English subs had kept the word "scared" just like the Thai lines kept the word กลัว [gluua], because it's such a nice callback to episode 4 where Style enters the greenhouse, yelling "You think I'm scared of you?" (or "But I ain't scared of you!", as the English subs put it). Now Style is getting thrown that question right back at himself. Style has proven time and time again that he isn't scared of Fadel, but this time when he says "I'm not scared of you" it's a lie. Fadel skeptically raises an eyebrow at him. Style comes up with another excuse. "I just can’t believe my persistence actually worked." It definitely is an excuse, but I think that Style is telling the truth here, that he really is surprised that he managed to actually get Fadel to open up to him. I think he truly wasn't expecting it. Now there is also little bit of amusement as he finishes the sentence. As much as he does not want to be around a killer, it doesn't change the fact that he really did enjoy getting on Fadel's nerves. But that little smile fades very quickly as he looks at Fadel in anxious anticipation. And Fadel? Fadel goes with it and throws him a challenge. Style's persistence didn't work. They're on trial. Style still has to put more effort in. Style raises his eyebrows at Fadel like Bitch what did you just say to me????

Fadel did it. He's awakened Style's competitive side. Style completely forgets any qualms he initially had about getting close to Fadel and starts getting handsy with him. But Fadel interrupts Style's seduction and asks to go to Style's garage. However, Style hasn't forgotten about Fadel's secret job enough to happily welcome him home, so he declines. He's definitely horny now, though, and suggests staying in the sauna instead to do the deed and get it over with. As I said in my ep4 meta, Style only gets handsy with Fadel when he's genuinely trying to get into Fadel's pants or under his towel. This is why I think that despite Style's initial apprehensions surrounding Fadel and his secret job, Style absolutely would have hooked-up with Fadel right there and then if Fadel had let him. But Fadel doesn't, he insists on going to the garage instead. Fadel's secret job is fully back on Style's mind again. Style sits back again, sighing as he tenses up again a little. He's clearly not as uncomfortable and nervous around Fadel anymore as he was at the beginning of the scene, but he certainly doesn't feel great about letting a killer into his home. He throws Fadel a look, and I do think Style is a little scared again, but I feel like Style is less scared of Fadel himself and more scared about what might happen if he lets a hitman in, scared not just of what might happen to himself but scared of potentially also putting his dad in danger or giving away any information that could be useful to Fadel in the future in case Fadel does decide to murder him if Style gets too annoying or if Fadel finds out all the secrets Style's been keeping.

Now, guys, let me tell you I spent a whole day writing and thinking about this scene and honestly, I struggled sooo so much. Even as I've finished writing this part I'm still not happy at all with what I put down. There is just so much going on inside of Style and it turned out to be extremely difficult to name and to pinpoint every single emotion because I felt like any time I replayed a shot I was seeing a new aspect and there were so many times where I was feeling an emotion but I just couldn't find the right word to describe it no matter how much I clicked my way through different words and synonyms on Google. But maybe that's kind of the point. Style is feeling many different things, a lot of the emotions that are also contradicting each other, his rational mind is fighting against his heart and it's all so overwhelming in a way you can't really put into words.

No. 2: Date Night

They're on their little go-kart date and Style is having so much fun that he's completely forgotten to be uncomfortable around Fadel, laughing the brightest laughter as he zooms around the track with Fadel. Ever since Style found out that Fadel kills people professionally, Fadel has never once made him feel threatened and unsafe in his actions apart from what was in Style's head at the time. Fadel isn't a ruthless murderer, not to him, not towards Style, and it has Style relax again, has him laugh without any apprehensions. Style is finally able to let go of his worries again and to simply just enjoy the time with his new boyfriend.

A little language note here, this:

It’s just a fluke.

More literally is:

You beat me just this one time. ชนะกูแค่ครั้งเดียวเนี่ย [chá-ná - guu - kaê - kráng - diiao - nîia] beat, defeat - I/me - just, only - time - only, sole - [particle]

Style has let down his defenses so much that he immediately engages in a personal conversation when Fadel starts asking questions and shares without any hesitations. Both we, the audience, as well as Fadel learn that Style lost his mother. This makes me especially happy, because I wrote this in my ep3 meta about the conversation when Fadel drags Style into the storage room:

I do think there's some truth to it when Style says "I have my own problems. You’re not the only one" but whatever problems in life Style currently has (especially if there's anything connected to loss and grief), these problem's really aren't at the forefront of his mind right now.

I had a feeling these lines would come back and that they might be connected to loss, since that's the theme of the support group and at the time of writing I even contemplated the fact there might even be something in Style's past. I almost added a little sentence or two about how if Style also lost someone it has probably been long enough since then that now he's able to be unserious at a group meeting for grief without thinking about it even for a second.

Style brags about winning a competition and Fadel says he knows. The pleased smile is wiped off of Style's face as he suddenly remembers Fadel's real job. Style is starting to feel a little threatened again, a little scared. When he asks "How'd you know that?" it's almost an attack. Fadel shouldn't know this. Why does he know this? Did he do some snooping around? Why would Fadel need to snoop around? Is Style the next target? Does Fadel have a reason to kill him? But Fadel explains he saw it online. Yeah, okay. That makes sense in this day and age. Style lets it go but is still on guard. He doesn't quite trust Fadel.

Fadel continues asking questions. "You said you liked me from the moment you saw me. What did you like about me?" But the thing is, that was a lie. Style did not, in fact, like Fadel from the first time they met. He needs to come up with a believable reason. "I liked the feeling of chasing after you." I do think he genuinely did have fun chasing Fadel, bugging him, which is why he manages to say it with enough sincerity for Fadel to believe it. Style can't fool me, though, because while his words aren't exactly performative like other times when he's being insincere (as discussed in my ep4 meta), his demeanor is still a bit too "loud" for me to fully believe it. Just that one sentence, though, because I absolutely do believe him when he says he likes to win. We literally just saw his behavior when he won their race. Or back in the sauna when he immediately tried to seduce Fadel after Fadel reminded him that they were on trial. Besides, Style likes attention and I'm sure coming out first place in a competition gives him plenty of attention. And as he says, it gives him adrenaline so he's also just having plain fun with it. Fadel is amused and asks "So you only hit on me for the thrill of it?" Style feels called out, because he did hit on Fadel for ulterior motives. Style can't exactly admit that, though, so he quickly deflects: "It's not like that. I like how you look, too." Style then lists more reasons why he's interested in Fadel and I think that what he says next is 100% true: "I like that you’re so different from me. It’s an opportunity to learn, and it’s an experience, you know?" I think this is something he started appreciating about Fadel at the latest over the course of episode 3 where he started to get more interested about Fadel and his lore.

One thing I want to point out: There is less space between them by the end of the scene than there was by the end of the scene. They got closer throughout the scene, not just in the literal sense as in closer with their bodies but also figuratively they got closer in their relationship. It's as Style said: they can get to know each other when they are boyfriends. And getting to know each other is exactly what they're doing here, and they will get to know each other even more as the episode progresses.

Style might be a competitive guy, but the thing is, so is Fadel. Which we, of course, are already well aware of. After all, we did just watch these two have stand-offs with neither of them willing to back down for 4 episodes straight gay. But Fadel lets him know anyway: "The game isn’t over. A guy like me doesn’t know how to accept defeat." It's a threat, but not a dangerous one, no, it's more of a flirty challenge. At the same time, Fadel is being 100% serious when he warns that he won't accept defeat. It's like he's saying No matter how hard you try to fully win me over, I'll never open up to you completely. They'll come back to this topic again later in the episode, when Fadel tells Style he's at 80%.

Fadel drives off and Style watches him pensively. I think by now he's really lost his (immediate) fear about Fadel working as a hitman. I find his expression in this shot here especially interesting:

He look sad more than anything. He was already starting to like Fadel in the previous episode (here are the receipts), but now that he's starting to spend more time with Fadel where Fadel is not just constantly pushing him away and putting him down but is actively engaging with him and they're having serious conversations, now Style is really starting to like him. But unfortunately the situation had to get super messed up and there doesn't seem a way to get out of it that doesn't end in hurt or pain. And unfortunately, he can't exactly talk about his problems with his new boyfriend either. But the show must go on. Life must go on. Because life never stops. So Style gets on his feet, hypes himself up a little, and gets into his go-kart to follow Fadel.

No. 3: Choices Were Made

Where earlier in the sauna Style tensed up at the thought of taking Fadel to his place, after their happy little go-kart date all those fears and worries that Style had had initially went right out of the window. Fadel has been nothing but nice and sweet to him and Style has by now realized he's got nothing to be afraid of. Fadel is not a danger to him specifically (yet?).

Fadel starts asking more questions and we, together with Fadel learn more about Style's relationship with his dad. We also learn that Style likes to choose his own partners himself. This is in line with what I said in my ep3 meta:

For Style, sex isn't just sex and I think as impulsive as he can be he still makes very deliberate decisions about who he actually sleeps with.

Now I'm thinking this extends to who he actually dates, too. Style wants to make the choice of who he is with himself. Which is kinda ironic, considering he himself didn't actually choose Fadel. Unless you count Style's choice to agree to Kant's deal. But Fadel has no idea about any of this. So he walks up to Style, hugs him and asks "And you chose me?" Ah, well, no. Not exactly. Style doesn't answer Fadel's question but instead goes "You wanna do it here?"

Honestly, even though Style's question was probably a convenient way of getting out of having to answer Fadel's question, I think Style's had this question on his mind from the second he felt Fadel's arms around him. After all Fadel did suggest going to the garage instead when Style tried to seduce him in the sauna and I'm sure Style had a flashback to that when Fadel went and hugged him.

Pronoun side note: Fadel changes from the rude guu pronoun to the polite phom pronoun in their little role play when he says "My car broke down." They don't use any pronouns for the rest of their exchange.

Now this is the first time they're having sex as official boyfriends and while in a way the scene is similar to the scene in the storage room, it's also very different. Just like in the storage room, Fadel is the one to initiate the kissing and Fadel is the one taking off Style's shirt (or at least one layer of it, that we see). While the tempo in the storage room was fast and rushed, Fadel now takes his time and everything he does is much more deliberate. Fadel is now actively enjoying what he is doing, lets himself enjoy it. And just like in the storage room, Style lets Fadel control the situation while he waits to see where this is going (it leads to role play, apparently). And yet, Style isn't passive the way he was in the storage room, no, this time they are on a much more equal level. This time it's much more of a mutual conversation. We see this in their little role play where Style actively engages (a dialogue requires two people or else it'd be a monologue) and the way Style also initiates a kiss instead of letting Fadel do all the work himself. Style is no longer a passive part in this. He actively teases Fadel from the start by not properly kissing him back right away and also actively seeks out Fadel's vicinity and physical touch. We see it in the way he actively nuzzle's into Fadel's shoulder:

They are both enjoying this, and they are also actively letting themselves enjoy it. Together.

The lighting is also starting to change: in the storage room, everything was blue and cold. In the greenhouse, there is less light in the scene in general, and while the light that is there is still blue, the darkness gives off a feeling of protection. They can confess to their mutual budding feelings in the safety of the shadows, hidden away where no one can see them. Now in the garage, there is still so much blue going on in addition to bright white lights from inside the shelves. They are still surrounded by the cold, but they themselves are bathed in yellow and red light.

They are slowly making progress, slowly coming out of the cold, distant lighting, slowly stepping into the warmth. However, they still have a way to go.

No. 4: Sharing Is Caring

Side note, since I was just talking about the lighting: I can't help but notice how the cold white light that was inside the shelves earlier is now much less prominent right next to Fadel. Instead we get yellow and red car parts. Fadel is sitting right by the warmth (the warmth that Style was giving him in this scene, perhaps?).

Where in the go-kart date scene Fadel was the one asking all the personal questions, here in the garage it's now Style's turn. And Style finally asks about the scar and I'm glad we're starting to talk about it because I've been dying to know. Fadel says it was an accident and Style wants to know the details. Fadel says it's an occupational hazard, which, gee thanks I could have guessed as much. And I'm sure so could Style. Fadel in addition also asks why Style would want to know that and Style says "I want to know more about you." Style was already starting to care last episode, but back then what he cared about was mostly Fadel's actions and how they affected him himself and his feelings. We could even go as far back as episode 3 and say that Style was starting to get curious about Fadel and his story all the way back then, even. This time it's different, though. This time it's not that he wants to know just to satisfy his curiosity about this strange, closed-off man or because he doesn't like "being kept in the dark". This time it's not that he cares because of how Fadel and his words/actions directly affect Style himself. No, this time he genuinely wants to get to know Fadel better. He cares because he is starting to worry about him. This time it's not all about Style himself, but this time it's all about Fadel instead.

Style is starting to care, is starting to care so much about Fadel himself now. But unlike Style, Fadel doesn't voluntarily give up information about himself, which Style notes and then asks more questions: "Why do you go [to the Rise Up group]?" Fadel doesn't say a word and Style doesn't pressure him any further. He stays quiet, watches Fadel, and patiently waits for him to come to a decision. A full 10 seconds later Fadel does share: "I lost my parents." Style stares at him in shock. He hadn't been expecting that. But this is something he can relate to, even if he lost just one parent and not both of them. Style offers Fadel a metaphorical shoulder to cry on, creates a safe space for Fadel in which he invites him to share more details. Once again Style doesn't pressure Fadel, he just looks at Fadel encouragingly but leaves the choice to share entirely up to him. This time it takes Fadel 13 seconds to respond, but respond he does: "My parents were murdered."

Fun fact, Style is actually fully aware that Fadel's parents were murdered by gunshot specifically because Fadel explicitly tells him:

พ่อแม่กูโดนยิงตายเนี่ย [pôr-mâe - guu - dohn ying dtaai - niîa] parents - I/my - be shot to death - [particle]

When Style hears this he realizes two things:

Fadel has fucked up trauma.

This is a conversation he probably shouldn't have started, a topic he probably shouldn't have brought up.

The conversation took an unexpected dark turn and Style doesn't want to pressure Fadel any further, so he is quick to change the topic to something more bright. "You had any lovers before?" Love can't be too heavy of a topic, right? Right?? But we saw the flashbacks of Fadel dancing with someone in episode 3. And we heard Keen make a reference to someone important in Fadel's life who suddenly disappeared. Speaking of...

Remember how in my ep3 meta I was wondering if Style had heard that specific comment since we weren't shown the exact point of Style walking in on them? I guess now have confirmation that Style did not in fact hear that comment. Unless of course Style asked that specific question to subtly try and find out more backstory on that too (Oh god, Style, how I am begging you keep asking! I too need to know!!). Although, the way he was rushing to change the topic to something happier didn't seem like he was thinking too hard about his question. But then again, he did also tilt his head a little when Fadel said no, he doesn't have an ex, and I can't tell if Style tilts his head because he really has no idea and simply just doesn't believe that a guy like Fadel has never dated anyone or if he tilts his head because he knows Fadel is lying. Aghhh, gdi, I'm still none the wiser.

Anyway, so Fadel says no (bro. my dude. who was that man in the flashback, then 🤨) and explains "My life isn’t exactly easy. I don’t want to drag anyone along with me."

Actually, for the second sentence he really says:

And besides, I also don't want to cause trouble to anyone. แล้วอีกอย่างกูไม่อยากทำให้ใครเดือดร้อนด้วย [láew - ìig yàang - guu - mâi - yâak - tam hâi - krai - dèuuat rón - dûuay] and - one more thing - i - not - want - to cause - anyone - be in trouble - also

Style blinks. He cracks just the tiniest and briefest smile.

(In case you don't see it, here have a slowed down version of just the grin. Check the corner of his mouth: )

Hah. Got him. "Is owning a burger joint so difficult that you can’t date?"

I wasn't sure before if Style knew what he was doing when he asked the ex-lover question, but with this question now he definitely knows exactly what he's doing. Fadel comes up with a reply, but his word choice is still sus, so Style asks a follow-up question. Personally, I think that Style started asking question in the hopes of Fadel accidentally spilling the truth himself. Because if that happened, then that would be at least one secret off Style's back. He wouldn't have to pretend to Not Know and it would probably also lessen his anxieties about Fadel's occupation because at least he would also be able to openly talk about it and his fears with him. I think at this point Style has fully realized that Fadel isn't killing him any time soon, that his own life isn't in immediate danger just because he hangs out with Fadel and does things that boyfriends do with him. He is back to being as fearless as he was before The Reveal.

So Style asks a follow-up question, hoping that maybe Fadel will slip-up even more. But Fadel comes up with a bullshit story and Style just listens to it, nodding like yeah sure whatever you say baby. It quickly becomes clear to him that he won't be getting the truth out of Fadel's mouth for now. I feel like I haven't seen enough of the story yet to really confirm this for myself, but I wonder if during this conversation Style also realizes (or at least starts to suspect) that deep down Fadel isn't actually too fond of his killer job. Because when Style says "Maybe you just need to find something else to do. Do something that allows you to love without risking your loved ones." it just sounds too much like what he's ACTUALLY saying is:

Well, if you don't like being a "burger joint owner" (assassin), if being a "burger joint owner" (assassin) is making your life THAT difficult and depressing, then why don't you just quit being a "burger joint owner" (assassin) and find a new job that makes you happier and your life easier? Perhaps even a job where you don't have to worry about me your loved ones being safe?

After this deep talk where Fadel finally opens up to him about personal things, Style's panic has vanished completely. Instead, it has all been replaced with worry, worry about Fadel and his well-being specifically. And Style is also well aware of this development as we'll see later in the episode when Style tells Kant "I'm beginning to worry about him now." Style is still scared for his own life, but now it's not because he's terrified about Fadel killing him but more so because he doesn't want to become collateral damage if (when) he stays in a relationship with Fadel. I think this is another subtext of when Style says "Do something that allows you to love without risking your loved ones". He's not just making it about Fadel and his loved ones but he's also specifically referring to his own safety, too. Do something that allows you to be with me specifically where I don't have to worry about my own safety and potential death.

Style smiles innocently and cutely at Fadel (and I cry bc that exact smile is Dunk's inner Daonuea coming out) but before the conversation can go any further or they can get any cuter, Kant interrupts. Fadel is irritated and Kant's unexpected visit is an inconvenience to Style too, but Kant has some pressing matters to discuss, so they walk off to discuss them in private.

No. 5: Conflicted

Kant is in panic because Bison seems to be going ballistic on Kant's old hook-up with murder being a potential outcome. This has Style very concerned. He doesn't really care about Kant's old hook-up but he is very worried about his best friend. As much as Style likes helping people and as loyal of a friend he is, he really doesn't wanna help if helping Kant means Kant's potential death. Kant tries to talk Style into helping anyway, but Style is done: "I had nothing to do with this. You dragged me along." Style is very much not cool with having been involved in this without his consent. And now he's got another problem that makes the whole situation even more tricky for him:

By the way, I have a bad feeling about Fadel. He scares me. But I like his rough romantic side.

And at this point I really need to share Style's actual words:

And another thing, I don't know how I feel about Fadel. แล้วอีกอย่าง��ะกูรู้สึกยังไงกับไอ้ฟาเดลก็ไม่รู้ว่ะ [láew - ìig yàang - ná - guu - rúu-sèuk - yang-ngai - gàp - âi - Fadel - gôr - mâi - rúu - wâ] and - one more thing - [particle] - I - feel - how - with - [rude prefix] - Fadel - not - know - [particle]

He makes me feel scared. มันทำให้กูรู้สึกกลัว [man - tam hâi - guu - rúu-sèuk - gluua] he - to cause - I - feel - scared, fear

But I like his rough romantic side. แต่กูชอบมุมโรแมนติกเถื่อนๆของมันเว้ย [dtàe - guu - chôp - mum - roh-maen-dtìk - tèuuan tèuuan - kŏng man - wóiie] but - I - like - angle - romantic - rough - (of) his - [particle]

I put all of Style's lines mostly for completion, but really the language note is mostly about the very first line. Style doesn't say he has a bad feeling about Fadel, no, he says he feels conflicted about Fadel. Because on the one hand he's scared and on the other hand he really also likes him. When Style says Fadel makes him feel scared, I don't quite believe him, because apart from the sauna and that one short moment at the go-kart track absolutely nothing in his behavior has screamed I am scared, on the contrary. I think this is his rational mind telling him that logically he should be scared because Fadel fucking kills people fighting against his heart that is slowly getting to know the Fadel that's behind those thick high walls and that realizes that Fadel isn't that bad of a person after all. What's more, ever since they started dating, none of Fadel's actions or behaviors have put Style into immediate danger. In fact, Fadel has been nothing but a sweet, hot boyfriend to him. Style doesn't know how to feel about Fadel, because he's getting conflicting messages and can't figure out whether he should best follow his mind or his heart.

But Kant currently doesn't have time for Style's love life. Someone else's life is potentially at stake. So Kant responds: "This ain’t no time to confess your weird feelings." Or what he actually says is:

This is not the time to confess your love. ไม่ใช่เวลามาสารภาพรักไงล่ะ [mâi châi - weh-la - ma - săa-rá-pâap - rák - ngai - lâ] not - time - come - confess - love - [particle] - [particle]

I just wanted to note that Kant says nothing about "weird": Kant is not being judgy about Style's feelings specifically, he's only judgy about Style's sense of timing. Okay, carry on.

Anyway, Kant suggests asking Fadel for help.

No. 6: Boyfriend Card

Fadel, predictably, is not happy about this turn of events. But Style is now helping his friend after all, and so he pulls the boyfriend card: "You’re my boyfriend, you know? If you like me at all, you have to help my friend." It works. Fadel agrees to help. Kant calls him "Brother-in-Law". Style is very hyped at Kant's sass and praises him. Fadel chats with Bison on the phone and learns enough info for Kant to know exactly where Bison is at. Kant runs off. Style watches him leave wide-eyed, then turns to Fadel and excitedly goes "Wow. I hope you’re not the jealous type like your brother is." Fadel tells him "If you mean well, then you have nothing to worry about." But then he also speaks out a warning:

But if you’re just leading me on, or trying to get something out of me, you’re in for some serious bruises.

Dare I say this is foreshadowing for when Fadel finds out about the real reason why Style was hitting on him? And I have a feeling Style gets that memo too. Uncharacteristically, he stays quiet.

Pronoun side note: Kant uses the polite phom/khun pronouns for Fadel while Fadel uses the rude guu/mueng pronouns for Kant and I think that's hilarious, actually.

No. 7: Falling

Kant updates Style on the James situation but Style stays optimistic. Kant really doesn't share this view and reminds him that Bison is a hitman. Style gets stressed and also a bit irritated at Kant and shoots a reminder back: "I was sleeping with his brother last night all because you asked me to, didn’t I?" (he says, as if Kant ordered him to hook up with Fadel in the garage 🤭) Style hates that he is in this mess when he never even asked to be in this mess in the first place.

Kant says he doesn't want anyone else risking their lives (bro. maybe you should have thought of that before you got your bestie involved or at least asked him for his consent, don't you think 🤨) and that he has to get this job done. Style looks downwards, troubled and in thought. He sits down and it's time for another confession:

Come to think of it. How would I even get through this? I compromised my whole body, and if we’re being honest, I’ve already compromised half of my heart, too. I’m beginning to worry about him now.

This has Kant alarmed. "Don’t fall in love with him at all costs." But it's already too late. Style is already falling, and he's falling fast. And deep down he knows it, too.

Style points out that Kant isn't exactly doing any better either. Kant sighs and says he wants to end things quickly and then foretells what their happy ending is going to be: "Once those two get arrested, we walk free."

But Style stares gloomily into the air and gives a near invisible head shake, almost as if he disagrees with Kant's words, as if to say But that's not what MY happy ending looks like.

Then he stands up swearing and says: "Hope it ends before either one of us kicks the bucket. I shouldn’t have put my heart on the line for this." He wants to get out of that mess asap and preferably alive (and with his heart fully intact). Kant has another mission for him.

No. 8: Can I Have This Dance

Yeah no I don't have anything to say about this scene except: this is a boy in love.

And also, not to brag but @titkos--sideblog and I called the butt grab(s) before the show had even started airing, including the exact episode number (episode 4 counts too because we did get the one wide shot in the greenhouse with Fadel's hands on Style's ass!!):

Okay, no, I lied. Now that I'm done awww-ing about how fucking cute this whole scene is, I do have something to say after all:

Once again, there is not a single ounce of fear anywhere to be found in Style, no matter how stressed he gets whenever Kant brings up that Fadel and Bison are hitmen. On the contrary, Style is completely at ease. He's shamelessly teasing Fadel, shamelessly flirting with him, and also being silly without a second thought. I was actually talking to @secriden in our DMs and I just wanted to share something she said to me because she really hit the nail on the head:

[Style] makes it clear that he wants Fadel to participate and frames his case as being about his need for an "F" for his "S" so the 'embarrassing cheesiness' is all on Style's behest. When he makes Fadel dance with him, he reminds Fadel that he's already seen a far more embarrassing dance and found it incredibly hot and then starts being overthetop and ridiculous so that even if Fadel starts dancing with him its not going to be more embarrassing and silly than what Style is doing.

I absolutely agree. This whole scene is Style trying his best to get Fadel out of his shell, to get Fadel to loosen up a little. We've already seen Style attempting to do this in episode 2 when he shows up in Fadel's kitchen with an order and pretends to be a commentator on a cooking competition or in episode 3 at the heavy metal bar when he invites Fadel to dance with him, to scream and to basically let loose with him. Except back then Fadel stubbornly refused to engage. Where Style failed in episode 3, he now as Fadel's official boyfriend succeeds. This time around Fadel does dance with Style, albeit tentatively, and even ends up having a little bit of fun.

No. 9: Percentages

They're sitting at the table watching Kant and Bison be cute and Style makes a comment about how they look good together. Fadel informs him that even if he tolerates Kant now, he still doesn't trust him and Style squints his eyes a little at him in a way that I can't find the proper words to describe.

It's almost inquisitive. Style knows full well that Kant absolutely has ulterior motives, more ulterior motives even than Style himself has. Style knows full well that Fadel absolutely has legitimate reasons to distrust Kant, knows exactly that Fadel's bad feeling about Kant is entirely on point. The way Style squints at him looks as though he's curious about why Fadel doesn't trust Kant. What is Kant doing, what in Kant's behavior is giving it away that Kant's not exactly trustworthy?

Fadel elaborates that a guy like him doesn’t go trusting someone 100%. Style looks almost a little guilty when he looks down at table for a moment as he goes "Oh?" Then he asks "Not even me?" and it's just a little bit too "loud" again to be entirely genuine. Style knows exactly that he doesn't really deserve Fadel's full trust because he, too, is hiding secrets from Fadel. And I think he tries to play it off and deflect from it in an Whaaat, you don't even fully trust ME, your very own BOYFRIEND? When CLEARLY as your boyfriend I am entitled to 100% of your trust? sort of way. But Fadel didn't come to play around. He retaliates with "You’re at 80% at best." Which, by the way, in Thai goes something like:

Someone like you? Only gets 80. อย่างมึงนะได้แค่80 [yàang - mueng - ná - dâai - kâe - bpàet sìp] like - you - [particle] - receive - only - 80

Style throws him a look that again I find really hard to describe:

He looks a bit judgmental that Fadel really dared to be this harsh to his very own boyfriend, but at the same time he knows that Fadel is absolutely spot on with that judgment. And I think he is also kind of disappointed, because he does very much want those full 100%.

More serious now, Fadel continues: "I feel like you’re hiding something from me in the rest 20%". From the tone of Style's voice when he says "What are you talking about?" I feel like this isn't at all about him deflecting Fadel's completely spot on statement but more about Style complaining that Fadel won't play along properly. Style is frustrated, but almost in a pouty way. When he asks "What do I have to do to gain your complete trust?" I think it's still part of the little game that he's started, but now there is a sort of urgency to his voice that exposes him. Style needs an answer to this question, because it's important for him to get those 100%. Style really wants Fadel to be able to fully trust him. Style might still be keeping secrets from Fadel but nevertheless he wants to do everything he can to "be worthy of Fadel's trust" (words stolen from @secriden's meta), despite the lies he has to keep up for now. What's more, Style went all in the moment he and Fadel became official and the "all in" includes trust as well. It's either all or nothing for Style.

Fadel doesn't answer immediately. Similarly to their deep talk in the garage, Style patiently waits for Fadel to speak rather than to press him for an answer. And 7 seconds later Fadel drops: "It'll never happen."

So far this conversation has been mostly lighthearted but at this point the mood suddenly changes. Fadel announces there will never be a day where he'll fully trust Style and Style sighs, a little dejected.

No matter how hard Style tries, there will never be a day where he'll be able to make up for all the secrets he's been keeping and for all the lies he has to tell, all the lies he's already told, and all the lies he'll be forced to tell in the future. Because let's be real, at this point? Style is keeping up the charades mostly for the sake of Kant (and maybe a little bit for the sake of his own safety). As many people have already pointed out, Style is the type of person where what you see is what you get. And I think Style struggles with the fact that he can't be fully honest with Fadel. And he knows it's going to hurt both of them when Fadel finds out that he was right in not fully trusting Style. And there is nothing he can do about it, no matter how much he tries to be as open and transparent with Fadel as possible to soften the blow.

Fadel elaborates and as Style listens to Fadel's explanation, the good mood that was there on Style's face earlier is replaced by a very serious expression.

I think he's probably wondering where Fadel got this outlook on life from. By now Style has learned that Fadel has gone through quite some shit in his time. I think he realizes that there's a chance that Fadel's distrust in people is connected to another "My parents were shot" story or that it could also be connected to Fadel's scar. This interpretation gets pretty much confirmed at the end of the episode, when Style tells Fadel that he'll be his 100% one day and goes to kiss Fadel's scar immediately after, as if to say I know whatever scarred you took away your ability to trust people but I'll be the one to do you right.

The conversation is taking a heavy turn, but the bar is no place to discuss such topics, so Style dismisses Fadel's words and changes the topic like he did back at the garage. He invites Fadel to come on stage and sing. Fadel refuses. Style reminds him that there is absolutely nothing to be embarrassed about since there's only drunk people here, but Fadel still doesn't want to. Style pulls him on stage anyway and whipped boyfriend that he is, Fadel follows him after all and engages in the social interaction.

But then Kant gets a phone call and suddenly has to run. I absolutely cannot tell if Style is fully aware of what Kant is planning to do or not. In their last one on one scene, Kant announced that he had a plan, but didn't exactly elaborate on it, just told Style to make sure Fadel stayed by his side the entire time. Of course Kant might have told him off-screen, but there is also a chance that Style only knows as much as the audience knows. Either way, Style doesn't feel great about it. When Style asks if he should come too, his voice might just be the most serious and worried we've ever heard it throughout the series so far. But Kant refuses and runs off by himself. Fadel walks over to Bison to make a comment to him while Style stands behind them, looking worried. When he sits at the table with Fadel and Bison later waiting for Kant he is uncharacteristically quiet and still, except for that one time where he tries to get Bison to stay a little longer. But when that doesn't work he just sits there and stares at Bison wordlessly. Even Style's aura is suddenly very quiet.

Pronoun side note: When they met in episode 2, Style and Bison where using the polite khun/phom with each other. In this scene all three of them were using only the rude guu/mueng pronouns when talking to each other.

No. 10: Look They've Made It Onto A Bed

Okay, so this is gonna mess with my usual formatting of going chronologically, but please bear with me as I take a look at the actual sex before I get into the dialogue.

Everything about this is warm, so warm and soft with the red/yellow/orange tones and they've finally made it onto a bed. I've seen posts joking about getting them a bed for the sake of their backs, but I think it was a very deliberate choice that up until now they were never anywhere near a bed. Your bed is one of the most intimate places you have, it's where you sleep and are at your most vulnerable to outside danger. Up until now, Fadel and Style couldn't be on a bed yet, their relationship wasn't ready for that yet. And I think it's so significant that the first time they are sleeping with each other on an actual bed happens after Style knows the truth about Fadel. It's such a stark contrast to the beginning of the episode where Style asked to hook up in a public sauna and get it over with because he was just so very uncomfortable about bringing Fadel home. But now at the end of the episode Fadel is right here in Style's bed. Style knows the truth, knows Fadel kills people and he still brought him into his home, his own room, his very own bed. Style knows the truth and yet Style has fully let Fadel into his life. (Like, 100% you could say...)

This scene also parallels the storage room hook-up, but now the places are switched. In fact, this scene is the complete opposite of everything that happened in the storage room. Let's take a look.

As many people pointed out after episode 3, Fadel was more or less worshiping Style's body back then. Now it's Style's turn to worship Fadel's body. Back in the storage room, everything was rushed because Fadel was running on anger and sexual frustration. Style now in turn moves very slowly and everything he does, he does very deliberately and with intention. There is so much tenderness and care in every single one of Style's touches. Where the storage room sex was first and foremost led by anger, mutual annoyance, and physical attraction, instead it is now led by love and the emotional bond that they've started to build up over the episode. Actually, @secriden has written a beautiful post comparing these two scenes with each other.

If you remember, @clemelntine noted what we can learn about Style's and Fadel's desires in their respective fantasies. In my ep3 and my ep4 meta I added on to this thought and discussed at length how in Style's fantasy he barely stopped searching for eye contact and how the emotional component was very important to Style and how he was getting next to no eye contact in the storage room scene (where emotionally they weren't on the same page at all) and how he was slowly getting more of it in the greenhouse (where they were finally starting to come together emotionally). Now in Style's bed? Style finally gets what he desires. Fadel barely stops looking at him, hardly ever takes his eyes off of him. He even lifts his head to watch Style as he moves to kiss Fadel's scar or to kiss his upper body a little later on.

Of course, for Fadel specifically part of that is also because he is still on guard around Style, can't fully let go yet, can't fully trust Style yet (more on the topic of trust in a bit). Which is why it's so beautiful that when Fadel does take his eyes off of Style it's when he finally lets himself fall into it a little. Fadel may break eye contact, but it's not because he's avoiding Style's eyes and closing himself off again, no, it's because Fadel is finally starting to let go a little, is giving up just a little bit of control to Style, letting him do as he pleases the way Style has let Fadel do as he pleased back in the storage room.

I also find it interesting that there is no background music at all throughout the entire scene (that is from the moment Style takes his shirt off right at the beginning before the dialogue even starts) because it makes the scene feel even more intimate and raw, almost as if we, the audience, shouldn't even be here. In the storage room, in the woods, and in the garage, every single time there was music playing while they were going at it. This here in the bedroom is the most intimate sex they've had so far, and it is stripped bare of any background music (remember the word "bare", it will come back later). There are no distractions, that is no music to hide behind, it's just them and their feelings on full display. Here in Style's own room, Style is laying himself bare for Fadel completely and this is underlined by the lack of music. The music won't come back until the end to lead us into the end credits, and when the music does come back, it's none other than Style's, I mean Dunk's OST song for the show.

No. 11: Bare Bodies and Open Hearts

Now that we've looked at the sex itself, let's take examine the dialogue and the context in which the sex scene is happening in.

The double date night is over and I'm assuming Kant probably texted Style telling him he was all good, because considering how concerned we left Style last time we saw him, I think he would have had his mind somewhere else most of the time during this scene rather than focusing entirely on Fadel if he didn't know his best friend was safe. Anyway. I'm just gonna run with that this is what happened and that's why Style is all relaxed and without worries again.

Actually, before I get into anything else I wanna talk about these specific lines because both the English translation as well as the original Thai lines have me insane for different reasons:

F: Like I said, no one can truly lay themselves bare for someone. [...] S: Will you lay yourself bare for me?

Let's start with what has me insane about the Thai lines first. But first a little recap: In my ep3 meta and my ep4 meta I mentioned the word เปิดใจ [bpèrt jai]. If you're new here or simply just forgot, this is a word that means something like "open up to something/someone" or "giving something a chance". This word consists of the words "(to) open" (เปิด [bpèrt]) and "heart, mind" (ใจ [jai]), so literally translated it makes "to open one's heart".

Now, Style was using this word in episode 3 after Fadel presented him with a burger when he asked "Are you finally folding?" (literally: "You've opened your heart to me now, right?"). If we remember, the burger was the first time Fadel reached out to Style first and did something nice for him (unless we count Fadel dropping off the car at Style's garage in ep1, although that only came about as a consequence of the crash, or there was also that time Fadel ambushed Style in the locker room, but he didn't exactly have nice intentions about it). Anyway, that was the first time Fadel was properly connecting with Style in a friendly way and of his own accord, a significant moment.

In episode 4 we get this word again during the "be my boyfriend" conversation when Style says "I’m 100% in. It’s your turn to let me in a little bit" (literally: "I've opened my heart to you 100% already. Only you remain. How much will you open your heart to me?") Again, this is a significant moment, because right after those lines is when Fadel finally agrees to be Style's boyfriend.

And in both scenes I just really really liked the image of Fadel, who has closed off his heart so deeply and securely behind thick high walls, being asked to open up the way to his heart.

Right now you're probably assuming that in Thai they're using the word เปิดใจ [bpèrt jai] again. No. Actually, they are not. But!! They are using the word เปิด [bpèrt] and I think it works enough for a callback to that imagery and specifically to those lines from the "be my boyfriend" scene:

F: Like I said, we aren't 100% open with others. อย่างที่กูบอกอ่ะ คนเราไม่เปิดกับคนอื่น 100% หรอก [yàang - tîi - guu - bòk - àh • kon rao - mâi - bpèrt - gàp - kon èun - rói bper-sen -ròk] way - that - I - say - [particle] • people, we - not - open - with - others - 100% - [particle] [...] S: Can you open up for me? มึงเปิดให้กู้ได้มั้ยล่ะ [mueng - bpèrt - hâi - guu - dâai - mái - lâ] you - open - for - I/me - be able to - ? - [particle]

And it just makes me a little bit insane for multiple reasons: first of all, we continue with that imagery, that theme of Fadel opening up to Style. And second of all, there's also been a running theme about percentages. The theme of opening up and the theme of percentages are tightly connected:

It starts in the "be my boyfriend" scene where Style tells Fadel "I've opened my heart to you 100% already." All the doors to Style's heart are wide open for Fadel to enter as he pleases. But at the time Fadel's heart is still closed to Style. So Style tells him that it's Fadel's turn now and asks him: "How much will you open your heart to me?" How many doors to his heart will Fadel open for Style? What is the percentage of his heart that Fadel is willing to grant Style access to?

And then earlier in the scene at the bar Fadel says "Someone like you only gets 80%". Somehow this feels kind of like an answer to Style's question of "How much will you open your heart to me?" And yes, the conversation at the bar is about trust and not their hearts, but Style made it about their relationship when he asked "Not even me? (Not even your boyfriend?)" and Fadel also brings up love later when he says "No matter how much you love someone". The heart is also involved in a relationship. And what kind of relationship is it when your heart isn't fully in it or you don't fully trust your partner? And I think this is also part of the reason why it's so important for Style to reach those 100%. He wants both of them to put 100% of their hearts and 100% of their trust in this relationship. He wants this to be an equal relationship.

And here and now in the bedroom Style asks again: "Can you open up to me?" But Fadel can't just yet. Because Fadel doesn't believe he can. So Style declares: "One day, I’ll be your 100%." One day he will show Fadel that it is possible for him to trust someone completely. One day he will have 100% of Fadel's trust. One day he will have 100% of Fadel's heart. And he will get there. Because he is persistent. And because Fadel already has 100% of Style's heart and Style's trust. It's only fair for Style to get 100% in return.

So. This is the reason why the Thai lines make me feel insane. Now on to the English translation which adds additional imagery, which as a whole makes me feel even more insane.

Let me just start out with a reminder that at the bowling alley Fadel vehemently refused to wear the stupid shirt and then announced that he was taking it off as soon as they were done when he did agree to wear it after all. And now let me just point out that Fadel is still wearing that very same stupid shirt in during this scene in Style's bedroom. In fact, it's Style who loses the shirt first. Anyway.

In English Fadel says "No one can truly lay themselves bare for someone." But Style already has. For Fadel's whole entire line we linger on a shot of Style's bare body:

Fadel says "No one can truly lay themselves bare for someone" to Style who is literally bare before him. Style is living proof of the contrary of Fadel's beliefs. They continue their conversation and then Style asks "Will you lay yourself bare for me?" to Fadel, who is still fully clothed and very much not bare. And again, their conversation continues until Style declares "One day, I’ll be your 100%." And right after that Style pulls up Fadel's shirt. And how much does he pull it up?

That's right. He lays bare roughly 80% of Fadel's upper body (if we don't count the back of the shirt that didn't go up bc Joong is lying on it). He lays bare those 80% that Fadel told Style that he had. A little later Style pulls up the shirt even more for better access to the nipples but Fadel never fully loses his shirt the way Style has (who literally starts out the scene by immediately taking his shirt off, baring himself to Fadel first thing with no inhibitions). Until the end of the episode Fadel never loses the shirt 100% because he is not yet ready for that, not yet ready to lay himself bare for Style. Not yet ready for Style to uncover 100% of him. And Style respects that, no matter how much he might have complained at the bar. He never tries to remove more of the shirt than those 80% that he was granted.

Sorry. I need a moment.

Okay, now that we have this imagery and those themes out of the way, let's go through the scene the way I usually do. So this episode we started their story with Style feeling very uncomfortable at the thought of bringing Fadel, a Known Killer, to his home and we end the episode with Fadel right there in Style's room, in Style's bed. Style and Fadel have spent the entire episode sharing personal things and getting to know each other better and also on a bit of a deeper level and now that they're in private away from the others, Style opens up about something that has been on his mind all episode: "It feels so weird every time I’m with you. Sometimes you make me feel so scared, and sometimes you make me feel so safe."

Style is very much not scared of Fadel in this moment. In fact, most of his behavior and his actions surrounding Fadel this episode weren't the behavior and the actions of a scared man, especially when he was interacting with Fadel directly (apart from the very first scene in the sauna when the initial shock hadn't worn off yet). I think Style is still thinking of his mind vs. heart conflict when he says "sometimes you make me feel scared and sometimes you make me feel safe", but deep down he has already decided.

But Fadel doesn't know any of this. Fadel has no idea of the internal battle that Style has been fighting all episode, trying to reconcile the image of the ruthless killer with the man he's falling in love with. So Fadel tells him that it would be good for Style to be a little scared of him and repeats his point from back at the bar about (in)complete trust. And then he speaks out a warning: "The real me might be scarier than you think." But Style isn't scared. Because Style already knows that. Style already knows the truth.

However, Style mostly knows it in theory. He did get to see some of Fadel's real him in action when he took on 3 men by himself and also got to experience some of Fadel's violence on his own body. But the thing is, no matter how much he isn't scared of Fadel despite Knowing the Truth in theory, now matter how lowkey (highkey) hot he found Fadel take out three whole men, actually witnessing Fadel actively kill someone in practice might still be traumatizing no matter how much he thinks he is mentally prepared for it, so I do think Fadel kinda has a point with his warning. But I'm not sure Style has thought this far ahead already. I think in this episode he was mostly preoccupied with worrying about his own life, his own safety and with coming to terms that he was falling in love with a murderer in the first place.

Throughout the entire episode Fadel has never really given Style a reason to be scared of him. Instead, Fadel has spent quality time with Style, has engaged in conversation more than ever before, has asked him personal questions about his life and has even shared a little bit about his own life, which wasn't much but it was a start. They've had serious talks, sexy talks, fun talks, they were silly together and laughed together and they sat on the floor and shared pain together. Fadel didn't even get murderous over a potential break-up in the very beginning when Style was still nervous around him. Style spent the entire episode falling in love with Fadel, despite knowing about his occupation. "Can you open up for me? / Will you lay yourself bare for me?" Style responds to Fadel's warning. It's encouragement in several ways. It's encouragement for Fadel to try to learn that he can in fact trust someone (Style) 100%, that he can in fact be fully open with someone (Style). And it's encouragement for Fadel to tell Style his secret. Style needs Fadel to open up, to admit the truth himself first. Style needs it, so that they can openly talk about it without having to dance around the subject and talk in metaphors. He needs it so that there will be one less thing that he is lying about, so that he'll be one step closer to being able to be 100% honest with Fadel. And it has to be Fadel specifically who says it first so that Style can just run with it, because if Fadel finds out that Style was already in the know then both Kant and his mission as well as the 80% trust that Fadel has granted Style are on the line.

"I promise that no matter who you are, I’ll still like you." And there it is. Style's decision. His mind and his heart were fighting a battle and his heart won. Rationally he knows Fadel is dangerous and that he should stay away from him if he values his own life, but the heart wants what the heart wants. And even though it's not exactly like he can just say I know what you are and I fell in love anyway, I want to be with you despite it all, he still tries to get the message across.

Fadel doesn't believe his promise, though. "Words are cheap. I’ll do that when you’re ready. You can judge, then." Again, I think Fadel has a point. Fadel's response works whether Fadel is aware that Style knows or not. Because yes, Style may say he'll like Fadel no matter his occupation, but Style still hasn't seen the killer in action. Fadel's words mean Decide whether you still like me or not only when you find out my real occupation before you promise anything as much as they mean Decide whether you still like me or not once you've actually seen me murder someone in front of you before you promise anything. Style has already made a decision about the former, but he is yet to make a decision about the latter.

But in reality he has already made a choice and he is set on it: "One day, I’ll be your 100%." He wants Fadel's full trust and he wants Fadel's full heart. He will show Fadel that he will stay by his side and that Fadel's trust in him will be worth it. He will show Fadel that the mortifying ordeal of Being Known™ is not as scary as it seems. He means it when he says he'll like Fadel no matter what. Because now he already cares and worries about him much more deeply than he could ever have anticipated. Assassin be damned. He can get over it. And also, Fadel being dangerous is really fucking hot. "I just hope you don’t get any new scars."

I've already made a post about it, but I just want to point out: Fadel's scar is positioned right above his heart. I do very much wonder if the scar is related to the guy Fadel danced with in the flashback. Is he the reason why Fadel doesn't trust anyone 100%? Did whatever happened with that guy not just metaphorically leave a scar on Fadel's heart but also physically? Either way, we know how it's going to end:

Style's love is going to heal Fadel's scarred heart.

[starscream-is-my-wife]

In your nature documentary AU, just how wildly would Soundwave make the humans speculate on what is going On there? Depending on which cassette is seen first, several misunderstandings could arise.

Laserbeak gets seen first and it’s assumed that him and Soundwave are symbiotic because the bird can nest in that chest compartment and probably provides something they need to study further to find. Sure, but is that a CAT? Was it waiting to lure the bird? No, they seem to be getting along! Are those- are those straight up children? Between these two and Lil’ Yellow, are THEIR babies also smaller? Also if those two are being carried because they’re the big guy’s kids, then what’s the deal with the bird and cat?

But if they see the twins first then the animals and all of them “hunting��� together, there’s the question of how animalistic the species is.

Haha I love those ideas! I'd like to think that Soundwave would probably be forced to be more diplomatic because of how much he and his cassettes are outnumbered with no backup, so while the cassettes won't harm the humans, Ravage and Laserbeak seem to be more competent at hiding themselves and following soundwaves orders of keeping peace then Frenzy and Rumble, who can't help themselves from messing with humans and getting caught first

Personally how I would have them appear is that strange fissures have been spotted in the forests even though these weren't the signs of a normal earthquake, the mystery was solved when Rumble got careless and was rumbling too close to the roads and the two of them got spotted.

They were so much smaller then Bee and must be younger so they didn't want to hurt them, alot were thinking 'damn these kids are causing alot of damage but they are kids' and 'if these kids also have giant robot parents who found out we hurt them we are dead'

Humans set a trap for them using energon borrowed from the 'good' bots and the twins got caught in a drop down cage, when the humans returned with Ratchet to show him, Laserbeak and Ravage had activated the back up traps trying to free them. Not only were there kids there were pets too?? This is when they hear footsteps and Soundwave appears from the forests. The humans take note on how Ratchet is very obviously on edge and putting himself in between them and the other robo family (?) when Soundwave recalls all of the cassettes into his chest. They transform through the bars and fly into his chest??

Z: 'They transform into cassettes??? I thought they can only transform into vehicles'

P: 'That means that the big one must be something that can play them... how strange, maybe its a different species that comes from the same family as our bots'

Ratchet talks to the other Robot the humans can only hear his Siren tuned rant about keeping his cassettes under control, the other bot speaks, it's the popular hit song barbie girl.

To Ratchet, Soundwave says that he will keep an closer eye on them and that they should work together to get off this planet. Ratchet says that they can talk about it later, Soundwave nods and walks off. The humans are like ??? Are you guys both moms???

Soundwave does have a more boxy figure then Ratchet but he's around the same size if not a little taller (Their only reference to a "male" is Orion who is just larger then average) so now they're theorizing if this new species reproduces asexually or doesn't have a family structure, the resemblance the twin cassettes have is way more noticeable then Bee and Angel, also the animals.. are they children? If they can transform into not just vehicles can they transform into other things? What if that tree is a robot? A small group of people are now paranoid of any technology. The main two humans want to see if the animals have a human form too and just choose to be animals. Are they pets? Are they also intelligent? How old are they? Can they speak? Is the dad an animal bot? Are they just a part of the bigger bot he's controlling wirelessly?? Is Bluebie (Blue Barbie) even female??

Soundwave does bring a wave of uncertainty about the all of bots to some the humans... like yeah they could be animalistic and dangerous! Where's the line! And if those things can cause THAT much damage to the town when they're that young, how much damage can a robot like Truck King do? Is their backup plan of using another truck to defeat him not enough? (It definitely isn't even the main two know that before but now the rest of the town does)

[thepuppeteer-andthetrashmob]

i wasn’t entirely sure what that free space meant so blank

Uh so I made a character bingo if anyone wants to try it (:

[fala-alfredo-pasta]

Just imagine the in-universe forums for who the winner of the "Nagitobowl" will be.

"It's SO obviously Komamiki. The two just have so much in common."

"Nagito's not into girls, lol."

"He has gone on the record in interviews as being pan!"

"Oh please. They put him in an awkward on-the-spot situation. All he said was he admires the hope in people, regardless of gender."

"Sounded pretty fucking pan to me, dude. And we all saw the look on his face when she fell over in that position..."

"Nah. Soumaeda all the way! Our boy REALLY likes to hang around him a lot."

"He's just excited to have guy pals for once. Anyway, Kazuichi isn't into dudes."

"Shark boy is in denial!"

"Seriously guys? This matter was settled ages ago. We all heard that cry he let out* when Chiaki died."

"Our boy can't stay stuck in the past."

"Fuck off. They'll be reunited one day. Komanami 4ever!"

"If there was any of the deceased classmates he had something going on with, it would have been Fuyuhiko. RIP Short King."

"I dunno. That day when Nekomaru cheered Nagito up by helping build up his strength in the gym was pretty wholesome."

"If you ask me, I think there was potential for something with Imposter. When the two opened up about their pasts to each other they really seemed to relate to each other."

"Come on! Sonagito all the way. Nagito still likes to confide with her an awful lot."

"They're just good friends, and it's pretty obvious she already has something going on with Gundham. Besides, rumors are going around that Nagito might be a long lost second-cousin."

"Pfft! That's tame by royal standards. And no reason they couldn't have some poly love going on."

"You're all wrong. Komazumi is endgame all the fucking way. There was clearly SOMETHING going on there in the last two trials. And she's the one beside him the most in post-game Nagito sightings."

"I still think that pining for the Reserve Course boy from before the game was cute."

"What, Hajime Hinata? There's not much to go off of from what little information survived the Tragedy. And if he survived, wouldn't he have come forward by now?"

"Hold the fucking phone, guys. A video just got uploaded showing Nagito confronting that one short Despair. The other Ultimate Lucky Student. There's some serious Foe Yay shit going on."

"Oh great, the Junkomaeda stan's found a new ship."

"No seriously. They're doing a literal fucking tango."

"...What?"

"The Despair planted bombs or some shit and threatened to detonate them if Nagito didn't dance with him."

"Link. Now."

*= See "Spider-Man's Blood-curdling Scream" on YouTube.

absolutely losing my shit just picturing makoto forcing asking nagito to dance like:

Makoto: "Dance with me Nagito or I'll seriously cry! Fr fr! Also I'll blow up this entire building full of people. But mostly I'll cry!!!"

Nagito reluctantly dipping Makoto: *for the sake of hope ಠ╭╮ಠ*

Makoto: *wow I didn't think he'd actually do it lmao*

[soulsxng]

One relationship that I should talk about while I'm thinking of this kind of thing, is Felesio and Jinnea's. Because it's one of my favorites, and because it's going to be important to any threads that happen with either of them.

They are each other's soulmates, though they didn't know this until some time after they were married. They tend to keep this fact to themselves though, so that it isn't exploited in some manner.

Despite that fact, and despite what they say/how they act in public, their love for each other isn't romantic in nature. They love and trust each other very much-- more than they likely ever could anyone else-- but it's strictly a platonic thing.

Why did they get married, then? Because it would look better to the people for there to be two Paragons than just one, pretty much. If something happens to one, the other is still around to keep things from completely falling apart.

The vast majority of people think that the two are romantically involved, however, to prevent anyone from trying to come between them. They don't want to deal with that, so they just act very couple-y to avoid it.

They are known to occasionally invite other people into their bed, though that's usually just one of them pretty much going "Mm. Horny.", and the other going "Alright cool, let's get you laid." lmao. Sometimes they'll sleep with the same person, though typically it's just one of them.

Extremely co-dependent with each other. Though they're capable of being apart for short periods of time, once it starts getting to be around a day that they haven't seen each other, they start getting weird. Very much a package deal-- can't have one without the other being involved in one way or another.

That also means that you really can't tell one something without the other hearing about it, too, because they talk to each other about everything.

What does "they start getting weird" entail? Felesio: Paranoid, Prone to violent rages. Distrusting and cynical. Jinnea: Anxious, Prone to verbal rages. Reckless and apathetic. All to slowly increasing extremes once they haven't seen each other/haven't spoken in a day or so.

Jinnie is more outwardly protective of Fele, but don't let that fool you. She's just generally more bold than he is. Fele is the type that will have a knife at your throat the second he thinks you even have a chance of being a threat to Jinnie.

[starcrossedmusings]

Pretty Hands

Pairing: best friend!Yunho x f!reader WC: 3.2k Warnings: eventual smut, reader has a thing for Yunho's hands (who doesn't??), swearing, fingering, choking, a little bit of degradation (he compares her to a whore literally once), PRAISE so much praise, Yunho talks reader through it (you're welcome), pov is kinda all over the place just let it be, Yunho is absolutely WHIPPED for reader teehee, probably some other things that I missed (let me know)

Summary: You and Yunho have been friends for years, and you tell each other everything. He suddenly takes a much more vested interest in your love life when you can't stop mentioning your newest interest.

A/N: This is entirely self indulgent and also I just wanted to get something full posted. The Phantom fic is turning out to be much longer than I originally anticipated (and so did this one once I started writing it). Let me know what you think♡

Stepping into Yunho's apartment had always felt like coming home, and today was no exception. You take your shoes off in the tiled entryway and pad your way through the main living area, calling out to him as you walk.

"Yun? I'm here!"

His muffled response flows down from the end of the hall, "Bedroom!"

You make your way through the back hallway and enter his room, finding him exactly where you thought he would be, focused in on his computer. There's a selection of empty drink cans and snack wrappers scattered around his desk, which tells you that whatever he's currently building on Minecraft has probably occupied the majority of his day so far. He pauses the game and turns his chair to face you.

"Whats up?"

"Got bored at home and my roommate isn't even trying to muffle her pornstar moans for her new boy toy."

Yunho barks out a laugh, "Does she seriously sound--"

"Just like it Yun I can't make this shit up. I'm starting to think maybe they're recording themselves in there."

Yunho wiggles his eyebrows as he stretches his arms up and over his head, leaning back in his chair. "Well, if I ever see your living room on Pornhub I'll be sure to let you know"

You crinkle your nose. "Ew. I do NOT need to know that."

"Whatever, don't act like you haven't been talking to me for weeks about how horny you are. If I have to hear about your vibrator dying one more time I'm gonna buy you a new one myself."

"You try getting unintentionally edged three nights in a row with a full charge, it's some bullshit Yun. Besides, I'm allowed to complain about my dry spell."

Yunho scoffs, tone playful and lighthearted. "Dry spell? It's been what? Two months?"

"It's been three thank you very much." You move to sit on his bed.

"Well some of us haven't had sex in much longer."

"Oh, please, that girl that San was messing around with was all over you at his birthday party last month, don't tell me you didn't take that opportunity."

Yunho raises his eyebrows in shock, leaning forward in his chair. "Wait, really?"

"Oh my GOD Yun you are so oblivious. Yes really. She was all giggly and twirling her hair and shit. That's like...girl flirting basics."

"I am not oblivious, I am actually quite observant. I could tell you things about yourself you don't even know. I just have my sights set on someone and that someone is not her."

You shoot him an incredulous look and snort out a laugh, leaning back to lay down completely on his bed, legs dangling off the edge. "Sure Yun, whatever makes you feel better."

You hear Yunho stand from his chair and feel his weight shift onto the mattress. He appears in your vision, a challenging playful sparkle in his eyes as he peers down at you. "Okay, fine. I can tell that you're trying out a new perfume, you just went shopping because your leggings are a different brand than you usually wear, and I know that you washed your hair last night because you're wearing it all the way down today."

You do your best to ignore the way your stomach summersaults at his attention to detail about you and your routines. You roll onto your side and prop your head up on your elbow, matching his challenging gaze. "Okay Sherlock Holmes. What kind of underwear am I wearing then?"

Yunho pauses to consider before responding "a thong, probably black." You grin triumphantly and lean in just a bit closer.

"Wrong. I'm not wearing any. You lose!" You stick your tongue out playfully at him and he swats your shoulder, falling back onto his mattress.

"You set me up!"

"Face it Yun, I'm just better than you."

"Yeah yeah, whatever" Yunho pouts, voice hightening slightly from surprise. He can feel a slight redness creeping up his ears and prays his hair has grown long enough to cover it. 'I'm not wearing any.' He clears his throat. "So why go commando? You finally planning to seduce your new conquest?"

"He is not a new conquest, he doesn't even know I like him."

"He will once he knows you aren't wearing any underwear for him" Yunho jokes, smiling cheekily. You smack at his chest.

"I didn't want to do laundry last night, asshole. Get your mind out of the gutter!"

"You're one to talk" he mutters under his breath.

You sit up fully and reach for one of the pillows at the top of his bed, slamming it down on his face. "Jeong Yunho I swear to god!" On your second swing, he manages to catch the pillow with one hand and pry it from your grasp, but not before giving you an entirely unhelpful image of his long fingers gripping the plush material.

"What?? All I ever hear you talk about lately is how tall and handsome this dude is and how much his hands make you drool."

"You sound jealous."

"I'm not jealous, I'm pissed that I have to hear all about him and don't even get to know what the dude's name is."

"I told you, I'm gatekeeping this time. You run your mouth too much."

"I do not!"

"Do too."

"Ugh FINE whatever," Yunho chucks the pillow back towards you and you dodge it, leaving both pillows on one side of the headboard, "You're so agitating."

"You know you love me Yun. But just for the attitude," You adjust both pillows and shuffle your way back until you're leaned against both of them, "no pillow for you for tonights doomscrolling session."

He huffs a laugh and scoots up to meet you, pulling out his phone and settling in against the headboard.

An hour later you get up to go to the bathroom, and when you get back Yunho has stolen both of his pillows. You frown and cross your arms. "Hey, asshole, those were mine!"

"Yeah?" He taunts playfully, "Well they were mine to begin with, and my back is killing me. So deal." You roll your eyes and cross back over to the bed, crawling over the side you've been sitting on and curling yourself into Yunho's side to rest your head against his chest. You feel him tense slightly underneath you before he moves one of his arms around your shoulders to let you lay more comfortably.

"There's no way in hell I'm sitting up against that cold ass metal frame you call a headboard." You mutter as you begin scrolling. Yunho's chuckle rumbles through his chest and tickles your cheek. You both sit in silence for a while, content to scroll on your phones. Eventually, you turn to look up at him from his chest.

"I meant to ask how your new project has been going. Whatever you were building when I came in looked pretty intense." You can see the faint tinge of red trail up his ears and neck--a telltale sign that whatever you caught him building makes him embarrassed. You sit up, propping your weight on your elbow and placing a hand on his chest to shove him slightly. "Ooooo now you have to tell me what it is!"

"It's embarrassing..."

"Tell me tell me tell me tell me--"

"Okay fine, fuck. I'll tell you if you promise not to laugh--"

"I won't I swear!"

"Pinky promise?" He holds his pinky out to you, and you raise a hand from his chest. Before you can lace your pinky in his, he pulls his hand up above his head. "I'm serious, Y/N, if you laugh I'll have no choice but to tickle you to death."

He's definitely not stalling because he has to come up with a reply, because he certainly hasn't been building a treehouse for you in what he hopes will one day be a shared server. Yunho thinks to himself that he would rather die than let you find out.

You scoff, "I won't laugh...and even if I did I'm not ticklish so your threat is a moot point."

Yunho drops his hand down onto the mattress. "Bullshit."

"It's not. I don't have a ticklish bone in my body."

"Liar."

You shake your head, and Yunho takes the opportunity to gently press the pads of his fingers into the sides of your ribs. The sensation hits you almost immediately, and you feel the tight feeling in your chest as he begins tickling you. You squeal and thrash around in his grasp, trying desperately to get away from his assault.

"Yun stop it--"

"Not until you admit you're a liar!" You begin to giggle and manage to roll away from him, but Yunho is quick to follow. He swings a long leg over your hips and pins you beneath him, a single large hand trapping both of your wrists above your head while the other dances across your ribs. "Admit it," He sings out.

"Okay! Okay fine I'm a liar!" You gasp out between laughter. Yunho beams down at you and immediately stops tickling your sides, leaving you panting underneath him--

Oh fuck...you're panting underneath him.

He can almost feel the shift in the air as he stares down at you. He knows he should move, just roll off of you and make up some bullshit lie about what he was building. You like someone else, and he clearly wasn't getting out of the friend zone any time soon. He's just making a fool of himself...and yet he just can't bring himself to stop memorizing the way you look splayed out beneath his hips. Eventually he forces himself to stop staring at the way your chest rises and falls or the sliver of your tummy that's poking out from underneath your shirt that's riding up. He locks eyes with you.

Your voice comes out softer than he's ever heard you speak before. "Hey Yun?"

"Yeah?"

"You know that mystery guy I've been telling you about? The one with the pretty hands?"

A twinge of annoyance flairs in his stomach and he can't help but grumble out his reply. "Yeah?"

"I'll give you a hint. He's got me pinned to the mattress right now."

Yunho feels his heart drop deep into the pit of his stomach.

"Like...like right now he does?"

You laugh lightly. "Yeah, right now, Yun."

Yunho swallows thickly as his head starts spinning. He leans down much slower than he would have liked to, giving you plenty of time to take it back--to laugh at him and tell him you got him good. He feels like his whole body lights ablaze when you close the final gap between your lips, and suddenly he is kissing you.

In almost any circumstance that you had seen Yunho kissing someone, he was always fast-paced--hot and heavy petting in the corner of a darkened bar, dares in drunken party circles--which is why you were floored at the reverence he was kissing you with now. His mouth was steady and intense against yours, his hands roaming slowly across the expanse of your torso like he was memorizing the feel of something priceless. You gently pull your hands from his grasp and tangle them in his hair, pulling him closer and matching his intensity with your fervor. You feel his hands make their way to the lower hem of your shirt, and your skin erupts in goosebumps as you feel his fingers ghost along the sliver of skin there. He breaks the kiss and you feel his breath fan across your face as he pants. His hands gently make their way to rest just under your shirt, not quite pushing the fabric up. He locks eyes with you.

"Is this okay?"

You chuckle gently. "Yes, Yun, you can touch me. I want you to touch me." You watch his eyes darken and his hands start running up your torso, pulling your shirt up with them.

"Where do you want me to touch you, baby?"

You exhale heavily and arch your back into his touch. "Anywhere...everywhere...I don't care."

Yunho smirks and feels his ego inflate. "You don't care? Hmm..." He starts planting kisses along your jaw and down the side of your neck. Slow. Teasing. "If I remember correctly, you seemed pretty keen about having my hands in some specific places baby. Can you refresh my memory?"

The low whine that escapes your throat nearly sends him spiraling. "You know where...don't make me say it."

He does know, but there's nothing he wants to hear more right now than to hear you say it. He brings one hand up to your chest, cupping one of your boobs and squeezing gently as he continues peppering your neck with kisses. "Was it here? Or..." His hand trails back down and grips your hip possessively, "Here, maybe?" He hears you huff and feels your hand wrap around his wrist. You try to tug it up, and he chuckles softly but allows you to move his hand. He nips your earlobe and asks lowly, "Where do you need my hands baby?" He feels his cock twitch in his sweats when you wrap his fingers around your throat, guiding him to squeeze the sides gently. Your hands run down his chest and drop to your sides as he squeezes a little harder. "Fuck, look at you. So pretty with my hand around your neck."

You whine and buck your hips up, desperately looking for friction. Yunho coos as he looks down at you, wanting to have the image burned into his memory. He adjusts his position so he's sat on one side of you and brings his free hand to your thighs, squeezing the flesh there and watching the way you spread your legs for him. "Pretty girl, I need you to use your words. Spreading your legs like a whore isn't gonna get you what you want." He revels in the way you throw your head back onto the mattress and close your eyes, frustration evident already on your face.

"Need your fingers, Yun. Please."

Holy shit, he could combust right then and there. He smiles and traces his hands along the inside of your clothed thighs. "Good girl. So polite for me." He hooks his fingers in the waistband of your leggings and pulls them down and off, leaving you bare from the waist down. "Sit up for me baby. I want you between my legs."

Yunho sits on the edge of the mattress and allows you time to sit up, moving to sit in between his thighs. He hooks your legs over his, leaving you spread and completely at his mercy. A shiver runs down your spine as the pads of his fingers run across your thighs and you gasp as they brush against your core. He presses kisses into your neck and chuckles, "You're already soaking wet, what's got you all bothered hmm? I've barely touched you..." Yunho hums and teases your entrance with this middle finger. He can feel you clenching. "Do you like my hands that much baby? All it takes is a little choking and you're putty for me." He pushes two fingers inside, pumping slowly and curling back to find your sweet spot. He feels pride flare through his chest at the noise you make, a mix between a whine and a moan that eggs him on.

Your toes curl as Yunho almost immediately finds your g-spot. The pace he sets is almost perfect, and when he begins rubbing tight circles on your clit your eyes roll back into your head. The pleasure is a building wave, and it's all you can do to keep yourself remotely still as he continues pumping his thick fingers in and out. "Oh my god, Yun, please don't stop!" You clench helplessly around his fingers and let your head roll back to rest on his shoulder.

"Awe baby I'm not gonna stop. Not until I see how pretty you look cumming all over me. Will you do that for me, sweetheart?" he coos, bringing his other hand back up to your throat and squeezing lightly. "Will you cum all over my fingers? I bet you want to right? Wanna come on my fingers while I squeeze this pretty neck of yours?"

You whine and preen at his words and arch your back. Your legs begin to shake as Yunho's circling on your clit quickens pace just slightly, the thrusts of his fingers audible from the squelching between your thighs. Your breath quickens.

"My pretty girl, you're such a mess for me, aren't you? Can you hear how wet you are? All soaked for me? I bet your hands don't feel as good as mine hmm?"

You shake your head no violently, whining as he continues to talk lowly into your ear. Your orgasm builds quickly, and at this point you have no faith in your ability to speak coherently.

"No, they don't do they? I want you to show me how good my hands feel baby. Let go for me, sweetheart."

Your breath catches in your throat as you tip over the edge, and the feeling of your release washes over you. Your whole body jolts in his grasp as he continues pumping his fingers. You feel him squeeze your throat gently, just enough pressure to remind you that he's got you.

"Atta girl, look at you! Doing so good for me." You whine and buck your hips, orgasm still riding through your body. Yunho nips at your neck lightly and slows his pumping to a stop as you continue to shake. "That's it baby, just grind on them for me." The final aftershock of your orgasm finishes, and you go limp in his arms, leaning all of your weight back into his chest and breathing heavily.

Yunho pulls his fingers out and admires the mess you made on them before popping them into his mouth. He's still rock hard, and the taste of you on his fingers makes him twitch again. He'll definitely need your help with that later. He uses the hand around your neck to brush a stray hair from out of your face. "How are you feeling?"

You huff out a breathless laugh and turn your face to nuzzle into his neck. "How do you think I feel? That was...wow."

He can't help the goofy smile that crosses his face. "Oh really? Tell me more, I'd like a full report." He jokes, pulling the two of you down to snuggle on his bed. He grabs a throw blanket from your side and pulls it over the two of you and nearly melts when you curl closer to him, burying your face into his chest.

"Give me a few minutes to recover and I'll show you exactly how I'm feeling right now." Yunho rubs a hand up and down your back.

"I look forward to that."

"And then afterwards you're going to show me what you've been building."

Yunho chuckles and kisses the top of your head. No way in hell.

[luveline]

𝐡𝐞𝐚𝐫𝐭 𝐬𝐡𝐚𝐩𝐞𝐝 𝐢𝐦𝐚𝐠𝐢𝐧𝐞 —send me a shy!reader request for any character (with a plot) and I'll write a >1k drabble

sirius/james introducing shy!reader to remus. and shes just like quiet and in awe, but remus loves it.

luveline's 40k party ☆ tysm for requesting! remus x shy fem!reader

James is used to your personality after months of being your lecture neighbour, unperturbed by your quiet. "It's going to be fun," he promises, handing you a cold glass of cranberry vodka. "They're nice, okay? I won't let anyone irritate you." 

He's hosting a party and had the generosity to invite you round early. He's easing you in, so to speak. It took him two weeks of steady Hellos for you to work up the courage to say Hi back, another two weeks for small talk, a month before you felt comfortable speaking to him first. If you're that shy, a party is basically torture.

"It's not about irritating me," you say. 

"I know, I'm messing." James lists his head to the left. A second later, there's a knock at the door. "Aha. Wait here, shortcake, there's someone I want you to meet." 

"James," you say after him, wet from your glass leaking down to your sleeve, "what?" 

"I asked him to come early and say hello! He's quiet and handsome and you'll love him, just don't stare at his nose." 

What's wrong with his nose? you think, alarmed. 

James opens the door. Two new voices emerge, one scratchy and a little high, the other smoother. "I need to pee so bad," the scratchy one declares, followed by bounding footsteps up the stairs. 

"You alright?" the smoother asks.

You think there's patting, a hug, "I'm brilliant! You smell really nice, Remus, like a garden." 

"Lovely."

"In a good way! Come and meet my Y/N, you remember I told you about her nice gel pens?" 

James leads the smooth-voiced Remus into the living room. You hurriedly put down your drink and stand, wiping your wet hands in your shirt. You cringe at the darkening fabric but hide your grimace as they stop in front of you. 

"Remus, Y/N. Y/N, Remus," James introduces you both. 

Remus has a scar across his nose that seems cruelly cut. There's another beside it that starts in his upper lip, both of which end in his eyebrow. You know how self-conscious it feels to be looked at, so you manage to smile and offer your hand without too much of it. He's handsome with his scars, a nice nose with a ridge and brown eyes the colour of caramelised sugar.

"Hello," Remus says, shaking your hand. His is big enough to make yours feel small. 

"I invited her early because she's more fun than the rest of our lot," James says, throwing himself down on the sofa and kicking his legs out on the coffee table. 

Remus taps your elbow very gently as if to usher you to sit and sits down beside you, enough space to be casual but too little to stop the rampant nerves that blossom in your stomach. 

Remus asks about your life. What you're studying, where you're from, if James is being nice to you. While James is touchy in the rough older brother way, scrunching your shoulder and shaking you when you're not expecting it. Remus is touchy in a different way, you find, almost as if he doesn't know he's doing it. His shoe bumps your shoe, his hand falls down between his outer thigh and your own, his knuckles touching your jeans very lightly. He spins in his seat to talk to you. 

You don't notice other people arriving, nor the scratchy-voiced friends return. All you can do is look up at Remus with wide eyes. Your nerves meld to something warmer. 

"And what do you do?" you ask him. 

He smiles like you've wandered into a secret. "I'm trying to write a book." 

"He's being a bit much," Sirius says to James, the two now loitering in the doorway with matching beers. You and Remus chatter on, unaware of their running commentary.

"It's a very strong reaction. I knew she'd like him, but I didn't think she'd like him like that." James takes a sip of his drink. Remus asks you a quiet question. You duck your head, playing with your sleeves, and Remus, the bastard, ducks his head to follow your gaze, smiling at you all the while. 

James almost chokes, pointing his bottle toward you both as though Sirius isn't already looking. "He's eating it up. I forgot how flirty he is."

"She'll be nice to him, won't she?" Sirius asks, like it's a done deal. To be fair, Remus seems enthralled with you. 

"Definitely. She's very nice. Oh, look, that's sick, she's gonna pass out." James winces as Remus takes your arm into his hand. 

Remus wouldn't do anything cruel, but James wasn't joking when he told Remus that you were exceedingly, achingly shy. He's about to step in and rescue you, but you turn into Remus' touch and pull your leg up on the sofa to make yourself comfortable. Your voice is animated, if quieter than the average person's.

"Woah," James says, beaming.  

Remus flirts almost as a defence, like he wants to get the rejection over and done with so he can move on. You've yet to reject; you're looking up at him in moderate awe, your lips quirked into an easy smile. 

"Boo!" James calls, flicking his bottle cap at Remus, who brushes it away. "Took me three weeks to get a smile out of her," he mutters. "What a dick." 

[feyascorner]

Okay perhaps this sounds odd but imagine Astarion starts to disassociate while intimate with Tav and so he uses their established safe word, only to be bewildered when Tav actually listens to him and stops and asks if he’s okay and tries to comfort him because nobody has cared that much before 😢

OH GODS WHY WOULD YOU DO THIS TO ME (i love it) warning for suggestive content :)

For as long as Astarion's been genuinely intimate with you, for no other reasons but simply because of the affection the two of you hold for one another, he has always been in control.

It soothes him, in a way, to be on top. And as much as he enjoys watching you come undone beneath him, there's a more frustrating reason behind why he always feels the need to be the one to push you down onto whatever surface he deems decent enough at the time. From above you, he can see every little twitch in your body, every shift in your expression, and most of all, he can control what's happening, unlike his centuries spent as a seductive tool for Cazador's own needs.

He knows you're not like those fools. He knows you're different, and you're special to him. But the gnawing voice in the back of his head always forces him to pull you in, to hold you closer, to make love to you.

It's fucked up in so many ways.

"I want to make you feel as good as you make me feel."

But when you look up at him with those imploring, loving eyes, the voice seems to go quiet. He swallows the dryness of his throat, unable to think of anything but how wonderful your touch feels on his skin, and he thinks he could drown in this forever. He's putty in your hands, whether he wants to admit it or not.

"Well? Don't be a tease just standing there, darling."

In what feels like minutes, he's a mess. He's making sounds he shouldn't be making, fingertips digging into your hips as if they're the anchors keeping him from finishing too early. He breathes heavily into the crook of your neck, groaning when you caress the sharp tip of his ear between your fingers.

The only thing keeping him from spilling is the impending embarrassment he'd feel for doing so this early on in the night.

Then, everything stops.

"You're so beautiful," you whisper.

They're only words. They're not ones he's heard little of---in fact, he's heard it too much in the past two hundred years. In an instant, memories of the nights he spent under strangers, forced to shove his mind into its darkest corners just to get through their own pleasures, flood his consciousness. The sickening taste in his mouth afterward, and the need to rub his skin till it goes raw were not uncommon. It was routine. A sick part of his life that he'd rather forget.

You don't mean it the same way they did. They only said things like that because that's all they could say. They didn't know him as anything but the husk of a body he resided in. He knows you are saying the words to him. Not to his body but to the very person he is.

But the word comes spilling out his mouth, and immediately, you freeze.

You actually stopped.

Of course, you would. You're you.

"Are you okay? Did I do something?" you reach to cup either of his cheeks, and he stares at you as if you're a star that's fallen from the sky. He blinks, slowly.

"I don't know, I just---" he searches for words. "--you haven't done anything wrong, darling."

You wait for him to finish patiently. Gods, he doesn't deserve this. He doesn't deserve you.

"I only remembered something I'd rather not," he plasters a crooked grin on his face. "It's quite alright. We can continue now if I haven't ruined the mood."

You pull away from him, and he fears you'll leave.

Moments later, you return with a glass of water. Wordlessly, you hand it to him, and he only stares at it, confused beyond belief. Only once he notices the way you gesture to the glass does he drink it, and you finally climb back into bed, lying down beside him.

"Come here," you open your arm, motioning him to come closer.

"Darling, as much as I'm all for experimenting, that's a strange position to have sex in."

You smile, shaking your head. You don't explain any further, only continuing to hold out your arm.

Hesitant though curious, he slowly lies down beside you, his head just above your chest and slotted between the space below your chin. With gentle hands, you pull him closer and toss the blanket over both of your bodies.

It's warm. Strange, but warm.

"You don't have to wear a mask with me," you whisper.

His eyes grow wide, and his chest stills. He doesn't have many tears left after 239 years, but there's an unfamiliar squeeze in his chest that tells him if he were still 39 and alive, he might have. Astarion wraps his arms around your waist, burying his face into where he can hear the steady beating of your heart.

Later, when your eyes begin to droop, he mumbles.

"Tell me I'm beautiful again."

"You're beautiful," you say softly. "With or without your pretty face."

You might be imagining it, but you feel him smile against your skin.

[loganlermanstanaccount]

Hello! Could you please write a stubborn, jealous hc for Miguel o'hara? Thank you!!

I had the brainworms, so I hope this is what you were looking for! Thanks for the ask <3

Jealous!Miguel O'Hara Headcanons

(AO3 Mirror), Main Masterlist

pairing: jealous!Miguel O'Hara x reader

summary: stubborn HCs for jealous!Miguel O'Hara. 

a/n: this was meant to be a drabble and i basically wrote a full fic. i have zero self control lmfao

warnings: smut (fingering, f receiving oral, slight brat taming, etc) right at the very end, 18+ from then onwards, the rest is more pg-13

wc: 3.5k ish

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Long story short: he's a stubborn little shit.

Pig-headed as fuck and it shows up in little things. 

Let's say you first met as coworkers, and you were a lab technician at Alchemax. 

Think: unstoppable force meets immovable object. He likes his labs just so, with very specific equipment in a very specific configuration. 

It drives you crazy, regularly having tiffs outside the labs; much to the chagrin of your coworkers. 

"Jesus." Your coworker mutters, wincing at the seemingly heated argument by the water cooler. 

"Ignore it, Maeve." Another coworker rolls their eyes, nudging Mave with a snort. "They're at it again . S'pose they'll tire each other out by the end of the day."

Not that they were wrong. But this time, it wasn't your fault: dealing with O'Hara's bullshit had really taken it's toll. He was insufferable, prone to nitpicking and just plain mean. You could hardly be blamed if you gave him some of your own choice words. 

"My notes were basically paint-by-fucking-numbers!  How could you mess up a simple distillation? When I specify precision glassware , you don't think that's fucking important?" 

"Your notes ," You draw air quotes pointedly at him. "-are illegible, you fucking cretin! Maybe if you didn't write like a goddamn pre-schooler-"

"- preschooler? Oh , fuck you!" 

"Get your nose out of that highschool Chem textbook, O'Hara, this is a fucking job."

"Yeah? Stop using it to wipe your ass and you might learn a thing or two."

"Oh , so that's what we're doing?" You laugh in his face, so angry your hand curls into tight fists. You get close, staring him down as you look upwards through your lashes. His own face is contorted into a grimace; bushy eyebrows furrowed into deep shadows around his eyes. You can feel his steady breathing before he speaks, low and rumbling. 

"I could do this all day, princesa. " 

You scoff, ignoring the way his words weaken your knees. The one time you asked for a break during a long lab and he won't stop calling you a spoilt princess. His laughter then stings in your ears now, the ghost of a smirk on his face as you storm off. Miguel O'Hara: smug bastard. He would be the death of you, you're sure. 

~~~

You spend many a late night with him, unwittingly, and find out he's more than a stubborn little shit. 

You find out he's funny, and shares the same anti-Alchemax tendencies you do: both preyed upon by the company immediately after graduation, young and naive. 

He's kind, even though he'd never admit it, often finishing up the lab notes and doing more than his fair share of work so you can go home at a reasonable time. 

You both still butt heads, but it turns into a tentative friendship - coffees in the morning hidden as blaise convenience, covering for each other at work, and defending the other when office gossip goes too far. 

That's why when he comes back to work after a week-long stint away - something about a blow up with the boss, an issue described as 'miscommunication, promptly smoothed over' by anyone official - you notice… something's different about him. 

You first noticed something was off when he walked in without a snide remark. You left a mug overnight at the counter, something that would usually draw a sarcastic comment at the least , but he gives you… nothing. Blank, glassy eyes as he opens up his workstation - clicking away at the keys without so much as a glance.

"O'Hara?" You call, but he doesn't even look up. You walk to his workstation and knock at the desk. He jumps. God, he looks worse for the wear. Heavy bags under his eyes and a bruise blossoming under his collar. 

"You okay?" 

He rubs his temples, eyes flitting up at you.  "Yeah, just…. just a long week, s'all." 

You put a hand on his shoulder, and you swear he leans into your touch. "We can reschedule, tonight. The calculations can wait, Miguel."

He gives you a weak smile, but a smile nevertheless. "S'okay. Need to make sure you don't fuck it up."

"Don't push your luck, O'Hara."

~~~

As you get closer, you notice just how stubborn he is to admit the growing tension between you two. 

Late nights at the lab turn into takeout at your place, morning coffee turns into a pleasant 20 minutes on the rooftop away from the hustle and bustle - just you and Miguel, talking and joking with a cup of shitty coffee in hand. 

Wholly, he seems more assertive at work, not as quick to roll over. 

It's hot, you have to admit; watching him fight with someone else other than you. 

You're at work drinks with the other technicians and engineers, nursing a watery beer when another colleague makes small talk with you at the bar.

You’ve never been that close to him, and the conversation is amicable enough, but you’re almost bowled over when you see Miguel, in the corner, staring straight at you with a stormy look.

You suppose it's a little pathetic, getting all dressed up for a casual drink. Lips shiny with gloss and gently powdered with makeup, you feel a little out of place. For all your talk at work, actually being here was another thing. Suddenly, your blouse is too tight and your skirt too short. With a manicured finger, you trace the lip of your glass filled with watery beer. You sigh. You don't want to admit it, but you were only here because of Miguel. He said he would come, and now you're sitting on a barstool counting the chips in your glass. 

It was probably for the best. You sink into the absentminded chatter of your colleagues around you, until there's a tap at your shoulder. 

"Is someone-" He clears his throat; a tall man dressed in a sharp suit nodding gracefully towards the empty chair. "-is this seat taken?" 

You shake your head, grateful for the company. He's handsome, sharp features curving into a wry grin as he calls for a drink. 

"...and something other than shitty beer for the pretty girl, too." It makes you laugh, light and lilting in the bustle of the bar. 

He stretches out his hand, and you take it. 

"Eddie Crouch. I work in marketing."

Eddie…. as in… head of the most profitable division of Alchemax? Your eyes widen involuntarily and you try to clamp down your immediate shock, somewhat unsuccessfully. He narrows his eyes as you tumble over your words. 

"Y-Yeah, same! I mean, not same , I just work in the l-labs and I thought it was just for us guys, working behind the curtain, y'know? Not that we're not thrilled to have you here, because we a-are." You spill out, wincing. "....Is this about the performance reviews? Because I know output was down this quarter but our projections are-"

"I'm not here to talk about work." He chuckles. You squint, not convinced. As if to alleviate your concerns, he loosens his tie and undoes his top buttons with a flourish. 

"Can I tell you a secret?" He leans in, and the air becomes thick with expensive perfume. He twirls the signet ring on his finger, a ring probably worth more than your monthly paycheck. 

"Your boss invited me," Discreetly, he stretches a finger at your boss; a man ruddy cheeked and red-faced with alcohol. "Guess he thought it would boost morale. He's a fucking idiot if he thinks having me, the one guy that could fire your entire department without recourse, exchange empty platitudes would boost morale. But, I digress. So here I am, dragging my feet to this bar, thinking I'm gonna get in, read the lines and get out. But then, " He pauses with dramatic effect. "I see the most beautiful person I've ever had the pleasure of laying my eyes on, just sitting by the bar. Like everyone isn't already falling over themselves to talk to you."

The irony is palpable. It's sickly sweet, and a line that wouldn't usually work on you. But usually, you weren't pining over a man so prickly and stubborn, you shouldn't have feelings for. Here you were, bright cocktail in front of you and a moderately attractive man by your side. He wasn't quite Miguel, but in the words of one of the greatest thinkers of the past age: country girls make do. 

And so you make lazy conversation with the man. So lost in a tipsy haze, you barely notice Miguel walk in; dark jacket on his shoulders and deliciously loose slacks. You're drawn to him, his eyes seemingly searching the room, and you sigh into your drink. Technically, he looks like shit: eyes dark-rimmed and sunken, a cut at his brow. You think he is gorgeous, eyes tracing the slope of his nose and plush lips. Like he can sense it, he glances over in your direction and you look away hastily. He's watching , you can feel its burn as you turn, pretending to listen to the man besides you. A little cruelly, you lean into him, not breaking eye contact and curling a hand around his arm to laugh at a stupid joke. Eddie laughs with you, oblivious, as you glance behind him. 

Miguel stands with a drink thrust into his hands, looking straight through him, eyes low and gazing at you. 

~~~

He insists on walking you home, a steady hand on the small of your back as you stumble through the streets of Nueva York.

You make light conversation, tipsy and giggly from the alcohol. Miguel seems a little more put together, but his chest still creaks with rumbling laughter.

He definitely walks on the side of the pavement nearest the street, because he thinks it keeps you safer. 

He walks you up the stairs and by the door of your apartment, like a gentleman. You watch him get nervous suddenly, and he hesitates, stubbornly digging in his heels and pausing you from opening the door and coming in. 

You don't want it to end, opting to take the walk up the stairs as opposed to the lift. It's one of your more questionable decisions as you stumble up the stairs, almost tripping over your own feet. Miguel is quick to catch you even though he was just as drunk. Arm around your waist, he leaves searing touches to your hip. You giggle despite yourself, and he can't help but smile at your clumsiness. 

"If you break your legs I won't carry you, princesa ." A lie and you both know it. He would carry you to the ends of the earth like a blushing bride, if you asked him. 

You both stagger to up the stairs and through the corridor until you reach your front door. You rummage around your bag for your keycard, it's contents click-clacking in the quiet of the hallway. Miguel watches, quieter than he was in the journey. If you looked up now, you would see something else behind his eyes - a storm of apprehension and tension. 

You find your keycard, and look up to find Miguel placing a careful palm on the door. He's surprisingly still, eyes on your lips as he steps closer. You look everywhere but to meet his eyes, tracing the curve of his collarbone, the slope of his exposed forearm, and the tempting juncture of his strong jaw. You watch it tense, as he brings a gentle hand to your chin. His thumb swipes over the fat of your lip. 

"Got somethin' right… there." He mumbles, before tucking his hand away. You can barely breathe. Without thinking you take his hand in yours, lacing your fingers together like a gentle hug. You bring his hand to your waist, and he squeezes, ever so gently. Your hand drops and he moves his slowly, knuckles dragging along the smooth silk of your blouse, and then sending shivers when he reaches your bare neck. 

He has to bite down the plethora of things running through his head - his drunken brain threatening to spill all his thoughts. You are so beautiful and soft it makes him short-circuit, desperate to pull you close. Instead, you do: hand inching up his chest and laying to rest on his shoulders. 

He kisses you, finally ; a little messy and impossibly soft. Like his lips on yours would shatter you both. You deepen the kiss and wrap his arm tighter around you, angling your chin to drink up even more of you. You both come up for air, panting in the heat of one another. Miguel's eyes are full of lust and blown out. 

"Do…do you want to come in?" You whisper. 

Something catches in his throat and his expression changes, like he just woke up from a dream. Do you just want to sleep with him? He's not built for one night stands, can't do just sex, especially if it's you. No matter how much he wants to, he can't, he won't, "....I shouldn't."

The disappointment on your face is palpable. You want to ask why - after he kissed you like that - why doesn't he want you? Instead you nod dejectedly. He gives you a chaste kiss on the forehead, lingering, and a shaky smile. 

You open your door with a buzz, and slam it in his face. 

~~~

It takes Miguel some time to properly put a name to what you two have: not knowing if the kiss was a drunken mistake, animal attraction or something more. 

He's not a grand gestures kind of person, he believes in action rather than words. 

Which is why it takes so long for him to admit just how in love with you he is. 

He steals glances at you all the time at the office, and tries to anticipate  all your needs. 

When you stretch and yawn in the morning, he happens to pass by your favourite coffee place and happens to buy one too many cups of your go-to order. 

So imagine his shock when he arrives from his lunch break, churros and coffee in hand, and there's one of the top brass from the night at the bar perched on your desk - 2 polystyrene cupfuls of something half drunk on the desk. 

He's never been insecure, but he can't help but feel possessive, something tense and tight growing at the base of his stomach. 

"What was it you wanted to talk about?" You step into the equipment cupboard, Miguel close behind you. You rub your temples, anticipating an argument. "O'Hara, if this is about my calibration tests this morning, I swear to God -" 

"No, no , nothing like that." He's quick to say. "They were… okay." He strains. 

You raise an eyebrow. Okay? Since when did Miguel pass up an opportunity for a mindless fight? Your mind races with his actions of the past few days. He has been different since the night at the bar, a little nicer, sure, but nothing this out of the ordinary. 

"That guy you were talking to. I saw him at the bar, and now here. Who is he?" 

Your eyebrows shoot up. "You do not have the right to ask me th-" 

"Are you fucking him?" A pause, and you study his expression, deducing that he is completely fucking serious . 

"Are you insane? You definitely don't have the right to ask me that." You make for the door, and he steps in front of it, blocking it with his body. 

"I need to know. Tell me and then I'll leave you alone, I promise." His voice is low and thick with something. 

You step closer and he wraps his hands around your waist absentmindedly. The pressure feels good, and makes your brain fog up. 

He repeats himself, softer. "Are you fucking him?" 

You look at him for a moment, before shaking your head. His facial expression  is steady, just as unreadable. 

"Do you want to?" 

You hesitate, wanting to be cruel and say yes, just to see his reaction. Perceptive, he sees your hesitance and says something that almost knocks you over. 

"I could fuck you better than he ever could," He kneads your thigh now, lips close to the shell of your ear in the tight space of the cupboard. " Princesa , look at me." 

You look at him, almost whimpering and putty in his hands. He's like a siren and you are lost in the pull of his gaze. It may be the proximity, but you swear you see a tinge of red in his eyes, like deep pools of lust. 

"Will you let me fuck you?" He pulls you closer so the meat of his thigh presses against your clothed cunt. Your stretchy pencil skirt rides up suggestively, and you rock your clit against him, searching for sweet pressure. You nod. 

Miguel titters softly, a hand on your chin pulling your lips to his. You moan into his kiss, body aching. It's hot and heavy like the kiss outside your door, but he swirls his tongue around yours and expertly nips at your lower lip. He guides your hips to rock against his thigh, tensing to make sure it's corded muscle hits the right places. He wants to break you apart, leave you so cock-drunk, you wouldn't think of even glancing at another man. 

You separate and he dips a hand under your skirt. He pulls it up and places a big palm at your pussy, with a well timed slap. You bite into his neck with the pressure. You definitely don't expect it when he rips open your stockings like they were paper. 

"Fuck, Miguel." 

"It's okay, baby, I'll get you new ones." Your eyes roll back as he slips aside the gusset to run a finger through your lower lips. Shamelessly, he slips a finger in, then two, basking in the wet squelch of your heat. You claw at his forearm, as he curls them into that sweet spot. 

You press your forehead to his shoulder, chasing his fingers with your hips. His sharp eyes watch every movement, every stutter and start that his fingers pull from you. He's practical, a man of action, and he is desperate to show you how much he cares. 

"I've thought about you… about this." He hisses as you cover your mouth to dampen your moans. 

"Wanted you for so long, princesa. Want to know how you taste, what this beautiful pussy feels like. What you look like when you cum."

His wrist aches with the back and forth motion but his pace barely faulters. 

" M-Miguel …"

He applies pressure to your clit, and watches in awe as you spasm, nails digging into his forearm. 

" Oh, there it is. Right there, hmm? Does that feel good?" 

You nod frantically with a stifled sob. 

"Not quite, baby. Need to hear you say it. Or I won't let you cum."

"...fuuck you."

" Oh, you'd like that. Still not what I want to hear. Tell me how much you like it when I fuck you with my fingers."

"F-Feels good." You stutter. He stops, wrenching his hand out of your pussy to leave you clenching around nothing.You almost scream.

"You're being a brat, not my princesa , hmm? Only good girls get to cum."

" Miguel , please. I'll do anything." He guides you along his thigh, still lodged between your legs, and licks up your wetness on his other hand. "You m-make me feel so good. So good. And I want you so much it hurts, sometimes. I just want to cum, don't even need your cock. Fuck me with something , please." 

"Miguel? Not asshole? Or fucking idiot, this time?" 

"Please, Miguel ." Your pleas go straight to his cock. He throbs with need, cock rock hard under his slacks. 

He relents, not able to bear your dopey puppy-dog eyes for much longer. He slips three fingers in, without bothering to prep you. He hisses at the tightness of your heat, pounding into you and knuckle deep with his fingers. Shamelessly, you fuck yourself back on them, hips rolling over his thigh. He can't tear himself away from the sight, palming himself through tented trousers. 

You kiss and nip at his neck, as he whispers obscenities at you under his breath. 

"Can you cum for me, princesa? Cum f'me, and I'll take care of you, I promise."

You clamp down on his fingers and moan into a kiss as you ride out your orgasm. It's intense: leg-shaking and leaves you shuddering in the aftermath. You were rusty, sure, hadn't had sex with someone in a while. But Miguel made you cum so hard you saw stars, with only his fingers. Your chest heaves with the thought. 

You thought he would leave you, torn stockings and all, in the little cupboard. But he stays, to sink down to his knees and lap at your folds. You rest a hand on a shelf for purchase, head back in bliss. You cunt is still sensitive, throbbing at the orgasm he's just given you, as you licks you clean. He's taking care of you. You card your hands into his hair, tugging gently as he moans into your pussy. 

He gives your clit a gentle kiss, and swipes up a trailing tear that rolls down your inner thigh. You watch as he pops his fingers into your mouth, cleaning off the cum. Your cum. 

Miguel gives you a lazy grin in the bare bulb of the equipment closet. He seems completely unfazed by the fact his fingers were in you not a moment ago. 

"Are you free after work?" He asks, and it takes a moment for you to process. 

"Uhhh… s-sure. Probably?" 

"Let me take you for dinner, somewhere nice."

All you can do is nod, dumbly, ripped stockings still around your ankles. 

"And then I can fuck you properly, princesa." 

_

_

_

[dedalvs]

My brother and I absolutely cackled after that Aemond and Aegon Valyrian exchange!

I wanted to ask (and I'm terrible at conlangs, so forgive me) what grammar/syntax Aegon is stumbling over here and how to properly say what he intended to? Any why is he making thise mistakes (simply lacking the vocabulary, or rules of the language he hasn’t grasped)?

Let's take a look at it. This is what he said:

Nyke koston... Bēvilus... Sētegon bīlīvāzmi?

The subtitles say this:

"I can... Have to... Make a war?"

Prior to this Aemond is, essentially, showing off. He knows that Aegon has simply not put any time into studying Valyrian (or studying anything). At this stage, Valyrian is no longer spoken by the family on a day-to-day basis—especially as Alicent probably never learned it at all (or if she did, only in a few scattered lessons here and there; not to actually use). In order for either of the boys to gain any kind of fluency in the language, they have to study constantly and find ways to use it. There's simply no daily need for the language—and plenty of reasons not to use it, as very, very few people they'll encounter on a daily basis speak the language.

Now, if we were talking about two random people in Westeros, this wouldn't mean anything. But these are the children of Viserys Targaryen, himself a descendant of Aegon the Conqueror. They brought their family line and their culture with them to Westeros—and, of course, their language. If someone like Alicent Hightower doesn't speak High Valyrian it means nothing. If a Targaryen doesn't speak High Valyrian, though… See, they're supposed to be able to speak Valyrian. Failing to do so carries with it a sense of shame that isn't present for a random person who doesn't speak Valyrian. Aemond knows this. Aegon is annoying him, so he goes poking at that wound.

Aemond could have fed him a short line with an obvious answer to help Aegon out, but instead he threw a whole mess of Valyrian at him. The longer it goes on, the more lost Aegon gets, desperately trying to catch up and figure out what was just said and thereby missing what is being said at that instant. From the whole speech, Aegon probably only figured out that he was being asked a question, and it was something having to do with planning.

So, back to what he says. The beginning student of a language is quite adept at doing a single verb in a present tense sentence. In a discussion like this, though, you're typically saying things like "I think that" or "We should" or "I suggest" or "Perhaps we might", etc. All that stuff that we need to offer opinions, make suggestions, hedge, etc. Much more than simple narration.

Aegon is attempting to do this without a sufficient command of the language. He knows some vocabulary, he knows some grammar, but he simply did not put in the work to actually speak this language. Thus, he has to overcome a lot of Common Tongue (i.e. English) interference.

There are many differences between Valyrian and English, but the biggest one by far is the major word order. In English, the verbs come before the rest of the junk; in Valyrian, they come at the end. And this is how things get all messed up.

In English, you start the sentence saying things like "I think" or "We should" or "It seems". In Valyrian, those things come at the end. If you start with the Valyrian equivalent of "I think", you will quickly realize (presuming you know enough of the grammar) that you're sunk, because once you've said it, the sentence should be done. Thus you get Aegon's false starts.

Starting at the beginning, Aegon says Nyke koston, which is kind of like saying, "I could". But there's nowhere to go. This is how a sentence ends. For example, if he wanted to say, "I could fly to Harrenhal", he would say Harenhalot sōvegon koston—literally "To Harrenhal fly I could". If you're thinking English-ly, you're essentially thinking backwards, and if you simply translate what you're thinking, you'll immediately have nowhere to go. You'll have to take a pause and think about how to get started again. And that's exactly what happens here.

Now, leaving aside that Valyrian is a pro-drop language and starting it off with nyke "I" is unnecessary and makes you look like a beginner, koston isn't bad (I mean, if used sentence-finally). Once he realizes he can't start there, though, he loses confidence. It's those old High Valyrian lessons all over again, and some maester suggesting he hasn't studied. That self-doubt makes his facility with Valyrian worse. This means his chances of recovery are severely hampered.

But onward he presses, and he decides to say "We have to" or "I have to". Now, the problem here is in Valyrian that requires the verb bēvilagon. This verb isn't used in the usual way. Literally it means "to lie on". If you wanted to say "We must mobilize our dragons", you'd say Īlvī zaldrīzī mazannagon īlo bēvilza. That's literally "Our dragons to mobilize us it lies upon". The one who must do something is placed in the genitive and put directly before the verb. If you start with the verb, well, you missed your chance to say who it is that must be doing something—let alone what they must do. Another false start.

It's also worth noting that he says bēvilus as opposed to bēvilza. Let's ignore that it's the aorist and focus on the fact that it's the subjunctive (just like koston). You use the subjunctive with your main verb when you're hedging—when you're suggesting. Not when you're commanding. Kind of an odd thing to say "We must do this" with the subjunctive. Kind of like saying "Maybe we might considering having to do this".

At this point, his confidence has completely evaporated. Everybody's staring at him like he has no idea what he's talking about; Aemond's eating it up. He knows he's cooked. He's got to say something, though, so he says sētegon which isn't even conjugated. It means "to make" or "to create", which might make sense in English (e.g. "to make war"), but doesn't make sense in Valyrian (a bit like saying "to construct a war" or even "to bake a war") and then tries to pronounce vīlībāzmi "war" (wrong case/number, wrong order) and fails, saying bīlīvāzmi, which means nothing (also he wanted vīlībāzme. Vīlībāzmi is "wars").

Long story short, he doesn't present himself very well—and we didn't even talk about his general pronunciation or intonation. It's kind of a great big mess in only five words. A true disaster.

But if there were no expectation that he should be able to speak Valyrian, none of this would matter! If there were no shame associated with him specifically not being able to speak Valyrian no one would expect it of him, and this challenge would mean as little as someone challenging him to speak the Old Tongue or Asshai'i. It'd be meaningless.

In short, this small portion of this scene is about being a heritage speaker of a language. It's the exact nightmare scenario all heritage speakers fear: To be put on stage and made to perform despite being unequal to the task while simultaneously feeling that they should be equal to it.

It'd be so cool if it was okay to be kind of good with a language—if that level of mastery was acceptable. In the real world, anyway.

[dreamsteddie]

Nancy knows what people think when they see her and Steve together these days. People mostly include Robin Buckley who, despite what they both say, Nancy doesn't completely believe isn't carrying some kind of torch for the man.

They aren't dating, but it's obvious to anyone who knows them that's what Nancy is angling for. She's not subtle, and she's not trying to be. Doesn't see any reason why she should be. But she knows what it looks like. Nancy Wheeler, fresh off an amicable but heartbreaking end to her relationship with Johnathan Byers has turned tail for a rebound with former boyfriend Steve Harrington. She's using him. She's leading him on. She's going to break his heart, again.

The truth is that Nancy has always liked Steve, was in love with Steve for a fleeting moment when they were both young and stupid and full of mistakes waiting to be made and in the end they had hurt each other, misunderstood each other, too many times to last through their tumultuous teenage years.

The Nancy and Steve of 1984 couldn't have loved each other right, but Nancy knows in her heart that the Nancy and Steve of 1987 could make something beautiful.

Steve is so different from who he used to be. There's a steadiness in him that he always tried to emulate but never fully embodied until the summer of 1985. He always knew how to make her laugh, how to get her to tap into that adventurous spirit within her and live life, but now he also makes her feel safe.

She wants to hold him the way he used to hold her. Wants to whisk him away to New York and build a life perfectly balanced between her ambition and his steadfastness. So she's putting everything she has into rekindling those embers that have always smoldered between them into a steady fire.

She just has to convince Robin that she's in it for the long haul this time.

------

Robin thinks that before she met Steve Harrington her life was never so much like a soap opera.

Her best friend seems to attract danger, betrayal, and romance to him like the world is full of moths and he's the only flame for miles. It would be funnier if it wasn't so god damn annoying sometimes.

Steve doesn't know it, despite how much he insists on being some kind of love expert, but he's got two very eligible bachelors vying for his hand at the moment. She's pretty sure they both see themselves as tragic heroes in this tale of romance, but from her vantage point, it's more like two ornery cats fighting for the prized spot of their owner's lap.

Nancy and Eddie have made themselves both near-permanent fixtures at the Family Video. Ostensibly, they come in because Hawkins is still in the process of rebuilding and there isn't much to do at the moment outside of wandering the woods, loitering at the convenience store, and watching movies at home. In actuality they're both trying to monopolize as much of Steve's time as possible, each trying to lock down his weekend plans before the other.

The first couple of weeks it was funny just to watch, now the only enjoyment she gets out of the whole circus is ruining their plans. She relishes the pissed-off-priss look she gets from Nancy when she asks Steve to go to the drive-in the next town over and Robin turns it into a group outing instead. It's equally funny to watch Eddie's puffed-up shoulders droop when he can't figure out a way to say no to Robin enthusiastically asking if she can join them at the trailer to smoke up on a Saturday night.

In truth, as much as she enjoys messing with them, Robin knows who she wants to win this war. She knows too much about Steve and Nancy's past and all the ways they weren't good for each other to trust her deceptively fragile best friend in Nancy's capable hands.

Eddie, on the other hand...well she's still going to make him work for it before she throws him a bone.

------

Eddie's never been one to fall in love.

He's had crushes, shared a few kisses with girls and boys alike, and lost his virginity in the same fumbling but meaningful way most teens do.

But love? He's never had that before, wasn't sure what it would even feel like.

It turns out that for Eddie, being in love feels a lot like being an overgrown house plant that's finally been moved into suitably a larger pot.

You see, Eddie knows a lot about growing up on his own. Raising himself and finding ways to survive, if not thrive, with a distinct lack of nurturing. He knows how to grow under someone, to grow under the clumsy guidance of his uncle Wayne who never intended to become a parent. And most of all he knows a hell of a lot about growing despite. Growing under the harsh boot forever trying to push him back into the hard dirt he came from.

It's something else entirely to grow with someone in the way he's been growing with Steve.

Steve who was there when he woke up, almost equally as injured as Eddie himself after a second, world saving round with Vecna. Steve who let Eddie lean on him in the difficult month of physical and emotional recovery that came next. Who helped Eddie come to terms with the new reality he was living under the way Steve wished someone had been there for him after his first encounter with the Upsidedown. Steve, who on paper should have been one of the people pushing him down, always gave Eddie the space to be himself and never tried to force either of them into a box they didn't fit.

Eddie knows he's not The Girl. He's not the one who got away, he's not the stalwart princess in one of his campaigns who saves the day herself but still gets the guy. He's not Nancy Wheeler.

But he's also not a quitter, and even if everything about the world and the narrative arc of their lives says that Steve will never end up with him, Eddie knows he would regret it for the rest of his life if he didn't put his hat in the ring for the hand of the fair Sir Steve.

------

Steve's not stupid.

He knows that there's something happening between Nancy, Eddie, and himself. Knows that if he chooses to look a little closer, to examine why exactly all his weekends are suddenly booked up and Robin has taken to stealing the Recese's Pieces off the shelf whenever either one of them comes into the store like she's settling in for a show, he would come to the conclusion that two of his best friends are essentially courting him in competition with each other.

But Steve isn't looking closer.

His mom always said that he was just like his father, too stubborn for his own good.

Robin says he's a control freak, pushing non-life-threatening problems off until he knows how to deal with them on his own terms.

The truth is Steve already knows how this will end, and he knows how this should end.

Because in the eyes of society, in the arc of the narrative, Steve and Nancy should already be making plans to move out to New York and start a life together. Steve should be looking at apartments while Nancy finalizes her class schedule. He should be looking into getting a job at his dad's New York office to support his future wife through her college education where they both know she'll breeze through her classes and move onto the world-changing career she was always meant to have, while Steve stays home with their children like a perfect little modern family.

And the thing is, if the story had gone like it was supposed to, if the world had been saved the fourth time around and Eddie Munson had died on the cold, hard ground of the Upsidown, that's probably exactly the future that would have happened and Steve would have never known to not be content with it. But Eddie did make it, and while Steve mourns the future he could have had, he knows it's not the one he's going to choose in the end.

Even though Steve knows exactly what will happen when he allows himself to face the ever-mounting tension between the three of them, it's scary to take that plunge.

Everything about Steve's world up until Robin has told him that what he's going to choose will damn him forever, and even if he's never put much stock into God and the church, he knows that the future in front of them will never be easy. There's a part of him that wants to take the easy way out. He's never been attracted to a man before Eddie, never had to imagine himself loving someone discreetly, and the thought of it makes his heart hurt prematurely. It would be simpler, he knows, to choose the path most taken.

But Steve has always thought more with his heart than his brain, and he knows that after everything they've been through, after all the time they've spent healing together and growing as one that he could never choose anyone but Eddie.

The time is coming for him to make his final decision, he can feel it, but for now he'll let them sit in this liminal space a little longer.

[justdiptych]

There's a scene in Fallout: New Vegas that I find really interesting in how it uses skill checks in dialogue. A merchant company, the Crimson Caravan, want to buy out one of their rivals, Cassidy Caravans, and they hire the player character to negotiate the deal. The player has likely already met the rival company's owner, Rose of Sharon Cassidy, by this point - in fact, it's entirely possible that she suggested they ask the Crimson Caravan for work in the first place.

Cass is propping up the bar at a truck stop on the border near the game's opening area. She's heard that her caravan has been destroyed in her absence - her employees killed and their wagons burned in an attack on the road - but she can't investigate because of a bureaucratic hold-up. The man in charge of the border post, Ranger Jackson, has halted all commercial traffic across the border because of dangers on the roads - wild animals, bandits, and enemy soldiers - that the authorities are struggling to get under control.

When the player brings the Crimson Caravan's offer to Cass, she refuses on principle. Her business may have effectively been destroyed, but she's too proud and too stubborn to sell her surname for any number of messes of pottage. Convincing her requires that the player employs one of either their Speech or Barter skills - there are two options for each, requiring either moderate or high investments of skill points. Skill and Barter are the game's two Charisma-based skills, and it's not uncommon for them to appear side-by-side like this, but here, they diverge in application.

The easier Speech option is simple - the player just reminds Cass that, if she sells the business, she won't be commercial traffic anymore, so she'll be able to get across the border. She's itching to get on the road again, so this convinces her. (She will ask the player to help Jackson clear the roads for the benefit of her fellow merchants, but this is a very simple quest that they likely already completed hours ago.)

The more challenging Speech check is to tell Cass that there's no way her business can survive, so it's her duty to do the merciful thing - shoot it in the head, bury it, and move on with her life. This, naturally, brings her close to socking the player in the jaw, but she sees the truth in it. She's been holding onto the forlorn hope that there might be something left to save, but she really has lost everything. This bypasses Jackson's quest - she just wants to walk out and not look back.

The Barter options approach things differently - from the Speech options, and from each other. The more challenging one involves making some sport of the offer, challenging Cass to a drinking contest. The player has to supply the booze, and they run the risk of getting embarrassingly drunk if their Endurance stat is too low, but, either way, this will impress Cass enough that she'll sign the contract.

The easier Barter option, though, is, I think, the most interesting. It requires the player to sweeten the deal with their own money - a not insubstantial amount of it, in fact. Cass is still hesitant, though, which allows the player to make a very interesting point. With the money from the Crimson Caravan plus the player's contribution, she'd have enough to restart her business - buy new animals and equipment, hire a new crew, start trading again.

Further, the player can point out that the Crimson Caravan are unlikely to continue using the 'Cassidy Caravans' name after buying it. They're only buying her out to try to monopolise local trade, after all. If they don't use the name, they'll forfeit their rights to it - meaning that Cass can, as she puts it, take their money, give them nothing, and go back to running her business as if the attack never happened.

Cass, naturally, accepts this offer, though she's staggered that the player is so willing to sell out their employers to help her like this. (The player needn't feel any moral misgivings about doing so. A little investigation reveals that the attack on Cass's business was actually engineered by the Crimson Caravan themselves, in collusion with a crime family, in a conspiracy to wipe out their competition.)

I think this entire interaction represents how well New Vegas uses skill checks. Barter, in RPGs, is often a very barebones skill. Its use is letting the player earn more and spend less - as part of an equation determining shop prices, or in dialogue options that boil down to asking for money. It's not uncommon for Speech to be the skill of the peaceful, benevolent diplomat, while Barter is for common mercenaries.

Here, though, the Barter options actually cost more than their Speech equivalents. The player ends up out of pocket for a sizable chunk of change or at least a lot of booze. Instead, the Barter skill represents the character's understanding of common business practices and relevant laws. It allows them to convince Cass to accept a deal by finding a loophole that benefits her more than if she refused.

The equivalent Speech options, meanwhile, are effectively free, but do involve making Cass feel that little bit worse. They emphasise what she's lost, how trapped she is by her circumstances, and convince her to give up and let the Crimson Caravan win. In the long run, this doesn't make a real difference - once she leaves the outpost, she and the player can discover the conspiracy and get their revenge either way - but I think the choice does let the player say something about their character.

Part of the brilliance of this game is how little details, like Cass being stuck at the outpost, tie into other details all across the story. Caravan traffic is halted, in part, because deathclaws have nested near the roads to the north. They've nested there because the local quarry has ceased operations - the noise caused by the digging and blasting had previously scared them off.

The quarry closed down because escaped convicts raided it and stole the workers' stash of mining explosives. The convicts escaped because the government was using them for forced labour on the railroads, and foolishly entrusted them with enough dynamite to stage an uprising, seize control of the prison, and turn it into a fortress and a base of operations for banditry.

Similarly, the threads of Cass's story spread outwards, ultimately affecting the entire future of New California. When she learns that the Crimson Caravan and their allies killed her friends, Cass is furious. She wants to march over there and beat the snot out of the people responsible. The player can convince her to instead settle things legally - get proof of their crimes, pass them on to Ranger Jackson, and hope the justice system gets revenge for her.

If Cass does things her way, the criminals pay with their lives, but their bosses end up better off for it. With their regional execs murdered, the trading companies can claim that the government isn't doing enough to protect them - so, they don't have to support the government's interests, either. They withdraw trade, demand special treatment, and end up making their shortfall everyone's problem.

If the legal option is pursued, though, the evidence becomes blackmail material. The government has the trading companies over a barrel, and that lets them pass stricter trade laws. Given the choice of accepting regulation or facing criminal investigation, the crooked execs choose to stay out of jail. Those responsible for the murders technically avoid justice, but their hopes of a monopoly are dashed - and their superiors are unlikely to be pleased with them having hurt long-term profits so badly.

Cass's story is political and economical all the way through. It's about the influence of wealth on government, and the fundamental injustices of the carceral system. It's about revenge, and reform, and how to hit people where it hurts - their bottom line. And it's about how, sometimes, skills in an RPG aren't about making numbers go up - they're about how a character understands the world around them, and how they can apply that understanding to help someone out of a jam, or help reshape the trade lines of a whole nation.

[a-hazbin-reader]

Alastor X Reader Headcanons

✅️Romantic

❌️Platonic

TW: Violence, Kidnapping, Alastor eating bitches

Description: Alastor's X Wife!Reader who gets kidnapped and how he deals with that

Alastor's relationship with you is a strong one, the two of of you drawn to each other in an almost supernatural way

But you also trust each other's strengths and aren't prone to stepping in each other's fights

Regardless of how powerful you are

I got your pinkie fingers bby go kick his ass

Holds your shopping bags for you while you go kick ass

Unless of course you ask him to

He likes it when you fix his hair afterwards, preening like a giant rooster as you do

THE POINT IS-

It's not like Alastor spends all his time glued to your hip or sending you out with bodyguards

You can take a damn walk by yourself

You do have a target on back though, if not because of your own strength/actions, then because of your husband

So it's not unusual when someone tries to pick a fight with you

But when you're suddenly ambushed and kidnapped, against the fact that you fought hard to avoid it

Fucking holy weapons

That's new

Well I suppose you'll just have to wait for your husband to come and get you out of this mess

*spits out blood*

Not you bragging about how fucked your kidnappers are once Alastor gets there

He's already going to be mad that they kidnapped his wife, but the fact that they've now put hands on you??? Made you bleed???

Oh they're so fucked

So just sit back and look pretty while you wait for your boo to come and rescue you

And you do look pretty

Keep your damn hands off

Alastor knows something is up when you don't come home, knows that someone must've gotten to you

If the old geezer watched tv maybe he would've known a little sooner

Maybe he would've known that your little fight made the news

Tf was he gonna do?? Wait for it to show up in the papers??

BREAKING NEWS!! RADIO DEMON'S BABE WIFE GETS KIDNAPPED AFTER EPIC BATTLE!

But when Angel shows him that you've been kidnapped Alastor literally just-

Makes this face:

Oh he's getting his wife back

RIP Angel's phone 😭

He's visibly very calm about the whole thing though, which makes the others even more worried

"Well then! I suppose I'll have to get Y/N back myself, won't I? You all wait here, I won't be long now~"

Alastor does give them a chance to give you back before he comes and hunts them down

It's one of the most terrifying radio broadcasts people have listened to but this is his WIFE we're talking about

On the inside he is VERY ANGRY

Even if they do bring you back he still eats them

Fuck them he never promised them anything

They took and HURT HIS WIFE

If they don't bring you back then they're going to be subjected to slaughter like they've never known before being eaten

Not him using his massive demonic form to rip apart their safe house

Anyone who doesn't know Alastor like you do will think he's being surprisingly playful about it all

But as his wifers you know he's raging by the look in his eyes 👀 not merely playing with his food

Not wifey just sitting back and admiring Alastor while he works 💅✨️

Damn this is really doing it for me

Admires how elegantly you stretch and rub your wrists after your bindings are undone, so graceful even after taking a beating

"Thank you, Alastor~ Right on time as always~"

He begs to differ

"Anything for you, my dear."

Won't really look at you until you grab his chin and force him to, Alastor giving you a guilty smile

Le kiss

Leans in to touch foreheads with you, the two of relaxing in each other's arms amongst the carnage

Casually licks the blood off your face to ruin the moment before taking your arm

"Now let's get you home, my darling~"

Doesn't leave you alone for the rest of the night, trying to hide the fact that he's fretting over you

You want to take a bath and get cleaned up? He'll help you!

You want to lay down and rest after a stressful day? He's actually pretty tired too so you two should go to bed together

Will 100% broadcast their screaming souls as a warning to anyone else who wants to try that little stunt again

Falls asleep to it actually, one arm wrapped around you as he drifts off so that when he wakes up, he'll know you're right there with him

He doesn't think any less of you, he's been beat before too

Don't remind him

Will absolutely call himself your hero for like a week straight and land himself in the doghouse by the end of it

[traegorn]

Girl you can rant and rave all day but we all know for a fact you can't vote your way out of this mess so your "genuinely, what else can we do?" sounds like pure cucked defeatism. This downward spiral of American fascism has proven stable, so no, voting isn't going to stop it. The democrats will never be pushed left - as proven by blatant history. I know this is your cue to list a bunch of social services or civil rights concessions a la #bidenwins but the drip violence of homophobia and abortion restrictions under republicans does not come close to the bipartisan armed tyranny that murders people in broad daylight.

Voting isn't going to solve any of this, and no voting isn't going to "clear the way" or make it easier to resist. Democrats have proven over and over and over again they will use the full force of violence to stop anything that truly threatens them and the ONLY WAY to stop American fascism is to threaten them, to threaten the very foundations of the system itself.

You exert all this effort, have all this pained frustration, over the weakest political action you can take. You are not challenging fascism or tyranny or helping any of the people harmed under bipartisan violence. You ignore these people and focus on "harm reduction" for the few who do benefit from the pitiful social safety nets democrats eke out only to be undermined in the next four or eight years as republicans INEVITABLY take back power. Such is the case of a two party system, as history proves. You're staving off the inevitable by exerting all this energy into electoralism, and the people you "save" by electing democrats are inevitably hurt anyways when republicans INEVITABLY take back power - because that's what the system guarantees.

You exist in a cycle of abuse with the American government, a punishment-reward system under the 2 parties that keeps you afraid of punishment and too desperate for reward that you ignore how the hand that feeds you is also putting kids in cages and blowing up babies overseas. You, and everyone who thinks like you, will never be the ones to save anybody.

Idk I was pissed and now got all sad again after writing this. Just so you know my being sad at the state of your ideology isn't a representation of my passivity that people like you like to construe - I am painfully politically active. But it's just...sick. You're stuck in an abusive cult and now I just feel bad for you

I'm usually a lot nicer when I reply to folks, but you brought a certain energy that deserves a different response. I want to be clear to any passersby who I'd normally be polite to in this kind of conversation: This energy is reserved only for chucklefucks who bring this kind of shit to me. Please do not take this as a reflection as to how I'd treat people willing to engage honestly and civilly with me. This anon came to me unprovoked, so they're getting a rather unique response.

So here we go.

Oi, shit head. This was the stupidest thing I've read all day.

Democrats 100% have moved left in the last 40 years. Are we still recovering from when they got dragged right by Reagan in the 80s? Yes. But we've made headway getting things back on track. You claim a lot of stuff here, but don't cite a single example. Likely because you just repeat what someone else told you on TikTok that one time. You couldn't find your way through actual theory if it smacked you in the face with its dick. But you don't want me to actually justify it.

Because your own words told me you'd dismiss any evidence I provided:

I know this is your cue to list a bunch of social services or civil rights concessions a la #bidenwins but the drip violence of homophobia and abortion restrictions under republicans does not come close to the bipartisan armed tyranny that murders people in broad daylight.

Bitch, this shit is a sliding scale. Trump authorized more drone strikes than Obama did in eight years. Are they bad? Yes. But if you're telling me you want more murders, Trump's your guy. Guess what, living in America means dealing with the fact that you've been complicit in genocide this whole time. Look at the land you stand on -- it is soaked in blood. Look at the smart phone you're reading this on, it literally came out of a genocide.

You bathe in blood every day, fucking figure it out.

We do our best to minimize harm. And if you'd ACTUALLY read or watched anything I've said, your two half dead braincells would have noticed the part where I constantly say "voting is not the end of your activism." It's the fucking start.

Either Harris or Trump will be the next President. Trump will be worse. If you aren't doing everything you can to stop him, you're not a leftist, you're a grandstanding piece of shit who doesn't care about anything other than the smell of your own farts.

You want to fuck up the two parties? Great. Put in the fucking work -- because the Presidential election ain't it, shithead. Build a real movement from the ground up. Build community, build a party system, run local candidates. When's the last time your ass went to a city council meeting or a school board meeting? Do you even know when they're held where you live?

But let's face it, you couldn't coalition build if you tried because you're so far up your own ass you kiss your small intestine goodnight.

Daddy Revolution ain't coming, shithead. There's work to do, so get your head out of your ass and do it.

You want Trump to win? Netanyahu would kiss you on the lips for it. Fuck off.

[cozycottagetarot]

The First Time They Realise They Love You

🎞️ Reading Contents: 

The Setting

Initial Feelings

Deeper Thoughts (Available in Extended)

Actions Afterwards (Available in Extended)

How This Affects Your Relationship (Available in Extended)

This reading is for entertainment purposes only! Take only what resonates, be it all, some or none! ✨

LINKS: Reading Masterlist | Dividers | Ko-Fi | Patreon | Paid Readings (General) | Paid Readings - $10 and Under - Open 🥂 (Use the code birthday for 24% off your reading through 10/31!)

PILE 1 📚

The Setting

Cards: The Miser, The Tailor, Twelfth House | Introspection, Chiron | Heal, Virgo | Digest

Your person is so cute. The setting in which your person first realizes they love you is one that is a bit solitary and introspective. There are a couple of different ways this could happen depending on your person's personality.

The first initial impression I got was that they’re alone and I think they’re a bit broody because that’s naturally who they are. They could be nitpicking at their life or having a self-reflection session and generally taking stock of moments in their life that have shaped their perspective recently. This could be with a therapist/professional or otherwise. A key part of it though feels like while trying to make sense of their life up to a certain point, they realize how much of a part you've played in making them feel better or helping them heal. It's through this that your person has that realization that they love you. It feels even— it could be a very profound realisation or a very subtle one. Either “WAIT A MINUTE— I love pile one!” or a quiet, “I think I love them”. Overall though, there's a theme of thoughtfulness and reflection and then it clicks that they love you.

Initial Feelings 

Cards: Death, Ten of Cups, Four of Wands, Page of Cups, The Hermit, Ace of Pentacles (Love Messages Cards also)

When your person realises they love you, it may take them by surprise initially. For your love messages cards, the vibe I’m getting here is relief, but also a bit of fear. Initially there may be a feeling of wanting to run. It seems like they’re saying “I’m not where I want to be” or they feel like they’re a mess on some level and unready. Yet simultaneously it’s like “I love this person. They’re my dream person. I’m single. Why not?”. I’m just noticing the card I’m Single, actually. So when they realise this, you two may not be in an official relationship yet or maybe haven’t even expressed interest for something more yet. But I think they’ll want to try to be open to actively pursuing you. This could also be someone who you’ve separated from at some point, as in life took you separate ways before you could get together.

When it comes to your tarot cards and how they feel immediately after, there's this sense of happiness and wanting... They kind of jump ahead in their head and start thinking about the future stability and home they want to create with you. There's this sense of wanting to celebrate and rush to you with a promise of everlasting support. However, they're definitely still in their head about this, so there’s the questions of: What do I do next? What seeds of intentions do I plant so that they can grow and bloom from here on out? It's a transformation happening inside and it's very quick. It goes back and forth a little bit. Overall, there’s this immediate realization inside. It marks the end of one thing and the beginning of something else. But again, there's still this deep introspection that they have to finish navigate before they can fully understand what they're feeling and before they can act from there on out.

I also want to say this section was ridiculously hard to focus on. Everything felt very rapid and restless.

Thank you for reading! 🤗 Want to explore their deeper thoughts 🕯️, actions after 🧸, and how it all shapes your relationship? 🎞️✨ Find out over on Patreon, available from the 'Extended Access' tier ($1.50 USD) ! Check it out here. 🍂☕

PILE 2

The Setting

Cards: The Hunter, Champion, Opposition | Confrontation, First House | Arrival, Solar Calm | Clarify

To be quite literal (and of course if you're into it), the setting could be while hunting, camping or anything outdoorsy (and a bit rugged). That aside— the main thing I'm getting is that your person comes to this realization that they love you in a situation where there's some type of confrontation or they feel jealous about something or someone. Someone could be either hitting on you or getting a bit aggressive with you when a person steps in. And I want to say they’re you knight in shining armor, but I know that's not going to sit well for everyone. What I’m saying though is they could step in and stand up for you. I think this interaction brings a lot of clarity. In standing up for you, they realize they love you and there are more feelings that than what they’ve acknowledged for you.

I will say though, looking at all of your cards in advance, this pile feels a bit dramatic, so buckle up.

It does kind of feel also like your person may be hanging back a bit when they realize they love you. It could be either in the moment or afterwards where they just hang back observing you. I don't know why, but I keep getting images of a club or some kind of social event. I did have to redo this pile, and one of the things I got was the gambler and the masqueri (? can’t remember the spelling)— so think ‘lavish’ events. Whether it's at a theater, a casino, something where you're dressed up nicely, if you're in demand— that's the image that I'm getting the most strongly. But I do feel like there's a good chance this is some place where alcohol could be involved, even if you personally don’t drink. It reminds me a bit of Pile 2 from Your First Kiss With Your Person. So if that pile/reading resonates with you, then I would say that this could be related to that instance because it doesn't feel like you two are ‘together’ yet either. It feels like the before. It could also be during an argument with you that your person realizes they love you. There’s also this energy of it being very loud internally, and then all of a sudden it gets quiet afterwards, so they may actually distance themselves from you (physically or emotionally) after that moment after realizing that they love you.

Initial Feelings 

Cards: Six of Wands, Six of Cups, Knight of Swords, The Sun, Knight of Cups, Knight of Wands, Queen of Pentacles

Starting with your love messages cards— It feels like your person's aware that they've had these deep feelings for you, but it feels like they've never allowed themselves to feel them. Their mother could have a big influence in everything as well. Not directly but something from the past has stuck with them. I don't know what specifically it is, but there's something in their past that causes why they might be distant even though they have feelings for you. They also don't want to see you with anyone else. I think their jealousy and not wanting to see you with anyone else is what acts as the catalyst for realizing that they love you. But they might also feel a little bit lost and unsure. They don't know what to do with the feeling. I don't know why but I also want to say they have an avoidant attachment? I don’t really go into subjects like that so take it as you will. Finally I think they are be a very attractive person. Not just physically, but they have a lot of people who are attracted to them… so it feels like they're accustomed to the single life. I think that's kind of what I got in the first section as well with all the deer. I thought of stags, some person who's like enjoying the single life. But then these cards and this realization it's like not really maybe I do want something more but I don't know why or how to go and have something more.

Now, with your tarot cards— you could have known each other from like childhood or for a while. At the very least they feel a very carefree sense of happiness with you and they probably feel like they could have a shot of being successful with offering you something more. There are so many energies I pick up on here, it's hard to say definitely, but a proper relationship is on the table after this realization. Your person will find that drive to pursue you then if they aren't already. If they are, it will become more of a priority for your person.

Thank you for reading! 🤗 Want to explore their deeper thoughts 🕯️, actions after 🧸, and how it all shapes your relationship? 🎞️✨ Find out over on Patreon, available from the 'Extended Access' tier ($1.50 USD) ! Check it out here. 🍂☕

PILE 3

The Setting

Cards: The Sailor, The Pilgrim, Opposition | Confrontation, Venus | Beloved, Taurus | Cultivate

It looks like the realisation comes during a new beginning of some kind or in uncharted territory… travel or somewhere new maybe? You guys could get in a bit of an argument or your differences start to clash when your person realizes that they love you. You guys tend to be good one minute and not good the next. To be honest, this relationship feels like in the beginning stages it has the possibility of being ‘toxic’ if not care, so I'd be very aware that you don't entertain toxic relationships because you think it's your person. There's a lot of passion involved when your person realizes that they love you, but again, there's a sense of stubbornness at the same time. Whatever happens is supposed to be something that's gonna go into the future… this event is the catalyst for long-term improvements and stability between you two.

Initial Feelings 

Your person’s kind of annoying tbh. 😔 Sorry, I had to say it… BUT, hear me out. I don't know if you guys are on the younger side, but I do think that might be the case here.If not young in age, then there's a little bit of... immaturity. I don't know. Just make sure that your person is treating you right, or I’ll fight them for you. I'm just kidding. Love you. 😘

Cards: The Magician, The Devil, Knight of Wands, Ace of Wands, King of Wands, Eight of Pentacles

Starting with your love messages, I feel like when your person realizes, they'll want to tell you right away. At the same time, I feel like you guys might be separated on some level. It could be a temporary split or an actual breakup. And I think this is kind of where it feels like you're on the younger side. Maybe even like college age of college somewhere, like in your early to mid-twenties. Or they could be in their early to mid-twenties when this happens. They just kind of… act out because you guys are not getting along. Yet simultaneously they do miss you and they realize that they love you, so they might want to reach out and apologize for their actions. There’s a very immature energy here that's bothering me. Their mindset seems like one of “I don't need them, I'm good on my own”. There’s an internal clash and pull.

Going on to your tarot cards, I kind of feel the same way here again. On one hand it’s like, oh my gosh, I love pike three and I want to fix my relationship with them. I know it will take work, but I'm willing to put in that work.

Then it switches and it just makes me feel like self-sabotage. Your person will then think, hmm, but we're not together. I don't know, it's just this very contradictory energy for your person of realizing that they love you. They're very conflicted about what to do initially. There's a slight sense of not wanting to be tied down. That could even potentially be what your dispute was about. You might want something more long-term and your person is like, nah, I'm good something short-term. But in reality, they're not.

Thank you for reading! 🤗 Want to explore their deeper thoughts 🕯️, actions after 🧸, and how it all shapes your relationship? 🎞️✨ Find out over on Patreon, available from the 'Extended Access' tier ($1.50 USD) ! Check it out here. 🍂☕