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lunamugetsu · 11 months ago

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Danny is a house husband.

That's it, that's all it is.

As the years went on. Danny retired from being a superhero. There was no need for Phantom when the GIW were dealt with and all the ghosts were under control.

Now what's left for him to do but to just sit back, relax, and finally be able to live his life.

Sam and Tucker on the other hand....

Well, they had plenty of pent up rage, wits, and chaos inside their mind to become villains.

But they had one rule.

Never bring work home and to never involve Danny in any of their supervillain business.

Okay that's technically two rules, but they're kind of synonymous especially since Danny has been taking care of their house while also entertaining himself with trying new hobbies.

Tucker and Sam both make sure that they never bring any of their villainy home to Danny, because all they want is for Danny to enjoy his happy hero retirement.

And Danny in turn, doesn't bat an eye when watching the news and seeing that there were magical plants that were attacking sites that oil companies were digging or that somehow Lex Luthor had lost five hundred million dollars and had somehow leaked records showing he was building weapons of mass destruction.

He also doesn't bat an eye when he sees that Tucker had brought home a telescope that definitely looks like it came from some fancy lab because hey, Tucker was making him an observatory so he can look at the stars and planets. While also how they were able to make a great gaming pc with computer parts that are definitely not sold in stores, because hey at least the newest update of Doomed wasn't lagging.

Or that Sam comes home with various plants and animals that are definitely not from planet earth, but hey the three headed wolf-lizard-eagle- hybrid thing (that Danny has affectionately named Fluffy) is pretty great at keeping the pests away from his vegetable garden and likes to eat any of Danny's new food creations and is a great playmate for Cujo.

So you can imagine how the Justice League thinks when dealing with the pair of new villains: Upload (Tucker) and Sam (I could not think of a villain name that would suit her, so it's up to you what you think her villain name would be)

And how they were currently wreaking havoc in the city either by cyber warfare with robots or by magic plant monster or a Frankenstein of both approaches. The heroes had all evacuated the civilians from the battle zone and are currently fighting a losing battle. When they've been effectively captured and restrained by the two. Right before the villains could go into a monologue, they hear a person clearing their throat.

Everybody looks to see a 25 year old man wearing a sweater vest (he made it himself, thank you very much) currently holding onto the leash of a giant glowing green dog and some kind of giant animal hybrid. The man's arms were crossed and was currently not sporting a very happy look on his face.

Tucker and Sam (looking at Danny with hesitant smiles): Hi honey.

Danny (frowning): you missed our anniversary dinner.

Tucker and Sam both pale as they quickly realized what the date and time was.

The league all watch as Sam and Tucker immediately start apologizing to the man that just walked into a battle zone.

Danny (still frowning): Hmph! I guess since you two didn't want dinner you can go back to your little fight. Don't expect me to make you any lunches for the next month, and since you two are having so much fun here, you'll be sleeping by yourselves for the next couple weeks.

The league all watch as they were let go as Sam and Tucker yell as they run after Danny yelling apologies as he was walking away from them.

This is not the last they see of Danny.

When Danny is displeased with either of his partners, he'll invite a hero over to have lunch of afternoon tea.

#dp x dc #dp x dc au #dp x dc crossover #danny phantom x dc #dpxdc #I'd think that Flash would be the one that Danny has tea/lunch with the most because that guy wouldn't turn down good food #And Danny is a really good cook #especially since the food doesn't come to life and try to stab him #Sam and Tucker be entering their home and then they see Captain Marvel there eating cookies because Danny offered them to him #dpxjustice league #dp x justice league #dp x dc prompt

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mostlysignssomeportents · 1 month ago

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Bossware is unfair (in the legal sense, too)

You can get into a lot of trouble by assuming that rich people know what they're doing. For example, might assume that ad-tech works – bypassing peoples' critical faculties, reaching inside their minds and brainwashing them with Big Data insights, because if that's not what's happening, then why would rich people pour billions into those ads?

https://pluralistic.net/2020/12/06/surveillance-tulip-bulbs/#adtech-bubble

You might assume that private equity looters make their investors rich, because otherwise, why would rich people hand over trillions for them to play with?

https://thenextrecession.wordpress.com/2024/11/19/private-equity-vampire-capital/

The truth is, rich people are suckers like the rest of us. If anything, succeeding once or twice makes you an even bigger mark, with a sense of your own infallibility that inflates to fill the bubble your yes-men seal you inside of.

Rich people fall for scams just like you and me. Anyone can be a mark. I was:

https://pluralistic.net/2024/02/05/cyber-dunning-kruger/#swiss-cheese-security

But though rich people can fall for scams the same way you and I do, the way those scams play out is very different when the marks are wealthy. As Keynes had it, "The market can remain irrational longer than you can remain solvent." When the marks are rich (or worse, super-rich), they can be played for much longer before they go bust, creating the appearance of solidity.

Noted Keynesian John Kenneth Galbraith had his own thoughts on this. Galbraith coined the term "bezzle" to describe "the magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it." In that magic interval, everyone feels better off: the mark thinks he's up, and the con artist knows he's up.

Rich marks have looong bezzles. Empirically incorrect ideas grounded in the most outrageous superstition and junk science can take over whole sections of your life, simply because a rich person – or rich people – are convinced that they're good for you.

Take "scientific management." In the early 20th century, the con artist Frederick Taylor convinced rich industrialists that he could increase their workers' productivity through a kind of caliper-and-stopwatch driven choreographry:

https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust

Taylor and his army of labcoated sadists perched at the elbows of factory workers (whom Taylor referred to as "stupid," "mentally sluggish," and as "an ox") and scripted their motions to a fare-the-well, transforming their work into a kind of kabuki of obedience. They weren't more efficient, but they looked smart, like obedient robots, and this made their bosses happy. The bosses shelled out fortunes for Taylor's services, even though the workers who followed his prescriptions were less efficient and generated fewer profits. Bosses were so dazzled by the spectacle of a factory floor of crisply moving people interfacing with crisply working machines that they failed to understand that they were losing money on the whole business.

To the extent they noticed that their revenues were declining after implementing Taylorism, they assumed that this was because they needed more scientific management. Taylor had a sweet con: the worse his advice performed, the more reasons their were to pay him for more advice.

Taylorism is a perfect con to run on the wealthy and powerful. It feeds into their prejudice and mistrust of their workers, and into their misplaced confidence in their own ability to understand their workers' jobs better than their workers do. There's always a long dollar to be made playing the "scientific management" con.

Today, there's an app for that. "Bossware" is a class of technology that monitors and disciplines workers, and it was supercharged by the pandemic and the rise of work-from-home. Combine bossware with work-from-home and your boss gets to control your life even when in your own place – "work from home" becomes "live at work":

https://pluralistic.net/2021/02/24/gwb-rumsfeld-monsters/#bossware

Gig workers are at the white-hot center of bossware. Gig work promises "be your own boss," but bossware puts a Taylorist caliper wielder into your phone, monitoring and disciplining you as you drive your wn car around delivering parcels or picking up passengers.

In automation terms, a worker hitched to an app this way is a "reverse centaur." Automation theorists call a human augmented by a machine a "centaur" – a human head supported by a machine's tireless and strong body. A "reverse centaur" is a machine augmented by a human – like the Amazon delivery driver whose app goads them to make inhuman delivery quotas while punishing them for looking in the "wrong" direction or even singing along with the radio:

https://pluralistic.net/2024/08/02/despotism-on-demand/#virtual-whips

Bossware pre-dates the current AI bubble, but AI mania has supercharged it. AI pumpers insist that AI can do things it positively cannot do – rolling out an "autonomous robot" that turns out to be a guy in a robot suit, say – and rich people are groomed to buy the services of "AI-powered" bossware:

https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain

For an AI scammer like Elon Musk or Sam Altman, the fact that an AI can't do your job is irrelevant. From a business perspective, the only thing that matters is whether a salesperson can convince your boss that an AI can do your job – whether or not that's true:

https://pluralistic.net/2024/07/25/accountability-sinks/#work-harder-not-smarter

The fact that AI can't do your job, but that your boss can be convinced to fire you and replace you with the AI that can't do your job, is the central fact of the 21st century labor market. AI has created a world of "algorithmic management" where humans are demoted to reverse centaurs, monitored and bossed about by an app.

The techbro's overwhelming conceit is that nothing is a crime, so long as you do it with an app. Just as fintech is designed to be a bank that's exempt from banking regulations, the gig economy is meant to be a workplace that's exempt from labor law. But this wheeze is transparent, and easily pierced by enforcers, so long as those enforcers want to do their jobs. One such enforcer is Alvaro Bedoya, an FTC commissioner with a keen interest in antitrust's relationship to labor protection.

Bedoya understands that antitrust has a checkered history when it comes to labor. As he's written, the history of antitrust is a series of incidents in which Congress revised the law to make it clear that forming a union was not the same thing as forming a cartel, only to be ignored by boss-friendly judges:

https://pluralistic.net/2023/04/14/aiming-at-dollars/#not-men

Bedoya is no mere historian. He's an FTC Commissioner, one of the most powerful regulators in the world, and he's profoundly interested in using that power to help workers, especially gig workers, whose misery starts with systemic, wide-scale misclassification as contractors:

https://pluralistic.net/2024/02/02/upward-redistribution/

In a new speech to NYU's Wagner School of Public Service, Bedoya argues that the FTC's existing authority allows it to crack down on algorithmic management – that is, algorithmic management is illegal, even if you break the law with an app:

https://www.ftc.gov/system/files/ftc_gov/pdf/bedoya-remarks-unfairness-in-workplace-surveillance-and-automated-management.pdf

Bedoya starts with a delightful analogy to The Hawtch-Hawtch, a mythical town from a Dr Seuss poem. The Hawtch-Hawtch economy is based on beekeeping, and the Hawtchers develop an overwhelming obsession with their bee's laziness, and determine to wring more work (and more honey) out of him. So they appoint a "bee-watcher." But the bee doesn't produce any more honey, which leads the Hawtchers to suspect their bee-watcher might be sleeping on the job, so they hire a bee-watcher-watcher. When that doesn't work, they hire a bee-watcher-watcher-watcher, and so on and on.

For gig workers, it's bee-watchers all the way down. Call center workers are subjected to "AI" video monitoring, and "AI" voice monitoring that purports to measure their empathy. Another AI times their calls. Two more AIs analyze the "sentiment" of the calls and the success of workers in meeting arbitrary metrics. On average, a call-center worker is subjected to five forms of bossware, which stand at their shoulders, marking them down and brooking no debate.

For example, when an experienced call center operator fielded a call from a customer with a flooded house who wanted to know why no one from her boss's repair plan system had come out to address the flooding, the operator was punished by the AI for failing to try to sell the customer a repair plan. There was no way for the operator to protest that the customer had a repair plan already, and had called to complain about it.

Workers report being sickened by this kind of surveillance, literally – stressed to the point of nausea and insomnia. Ironically, one of the most pervasive sources of automation-driven sickness are the "AI wellness" apps that bosses are sold by AI hucksters:

https://pluralistic.net/2024/03/15/wellness-taylorism/#sick-of-spying

The FTC has broad authority to block "unfair trade practices," and Bedoya builds the case that this is an unfair trade practice. Proving an unfair trade practice is a three-part test: a practice is unfair if it causes "substantial injury," can't be "reasonably avoided," and isn't outweighed by a "countervailing benefit." In his speech, Bedoya makes the case that algorithmic management satisfies all three steps and is thus illegal.

On the question of "substantial injury," Bedoya describes the workday of warehouse workers working for ecommerce sites. He describes one worker who is monitored by an AI that requires him to pick and drop an object off a moving belt every 10 seconds, for ten hours per day. The worker's performance is tracked by a leaderboard, and supervisors punish and scold workers who don't make quota, and the algorithm auto-fires if you fail to meet it.

Under those conditions, it was only a matter of time until the worker experienced injuries to two of his discs and was permanently disabled, with the company being found 100% responsible for this injury. OSHA found a "direct connection" between the algorithm and the injury. No wonder warehouses sport vending machines that sell painkillers rather than sodas. It's clear that algorithmic management leads to "substantial injury."

What about "reasonably avoidable?" Can workers avoid the harms of algorithmic management? Bedoya describes the experience of NYC rideshare drivers who attended a round-table with him. The drivers describe logging tens of thousands of successful rides for the apps they work for, on promise of "being their own boss." But then the apps start randomly suspending them, telling them they aren't eligible to book a ride for hours at a time, sending them across town to serve an underserved area and still suspending them. Drivers who stop for coffee or a pee are locked out of the apps for hours as punishment, and so drive 12-hour shifts without a single break, in hopes of pleasing the inscrutable, high-handed app.

All this, as drivers' pay is falling and their credit card debts are mounting. No one will explain to drivers how their pay is determined, though the legal scholar Veena Dubal's work on "algorithmic wage discrimination" reveals that rideshare apps temporarily increase the pay of drivers who refuse rides, only to lower it again once they're back behind the wheel:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

This is like the pit boss who gives a losing gambler some freebies to lure them back to the table, over and over, until they're broke. No wonder they call this a "casino mechanic." There's only two major rideshare apps, and they both use the same high-handed tactics. For Bedoya, this satisfies the second test for an "unfair practice" – it can't be reasonably avoided. If you drive rideshare, you're trapped by the harmful conduct.

The final prong of the "unfair practice" test is whether the conduct has "countervailing value" that makes up for this harm.

To address this, Bedoya goes back to the call center, where operators' performance is assessed by "Speech Emotion Recognition" algorithms, a psuedoscientific hoax that purports to be able to determine your emotions from your voice. These SERs don't work – for example, they might interpret a customer's laughter as anger. But they fail differently for different kinds of workers: workers with accents – from the American south, or the Philippines – attract more disapprobation from the AI. Half of all call center workers are monitored by SERs, and a quarter of workers have SERs scoring them "constantly."

Bossware AIs also produce transcripts of these workers' calls, but workers with accents find them "riddled with errors." These are consequential errors, since their bosses assess their performance based on the transcripts, and yet another AI produces automated work scores based on them.

In other words, algorithmic management is a procession of bee-watchers, bee-watcher-watchers, and bee-watcher-watcher-watchers, stretching to infinity. It's junk science. It's not producing better call center workers. It's producing arbitrary punishments, often against the best workers in the call center.

There is no "countervailing benefit" to offset the unavoidable substantial injury of life under algorithmic management. In other words, algorithmic management fails all three prongs of the "unfair practice" test, and it's illegal.

What should we do about it? Bedoya builds the case for the FTC acting on workers' behalf under its "unfair practice" authority, but he also points out that the lack of worker privacy is at the root of this hellscape of algorithmic management.

He's right. The last major update Congress made to US privacy law was in 1988, when they banned video-store clerks from telling the newspapers which VHS cassettes you rented. The US is long overdue for a new privacy regime, and workers under algorithmic management are part of a broad coalition that's closer than ever to making that happen:

https://pluralistic.net/2023/12/06/privacy-first/#but-not-just-privacy

Workers should have the right to know which of their data is being collected, who it's being shared by, and how it's being used. We all should have that right. That's what the actors' strike was partly motivated by: actors who were being ordered to wear mocap suits to produce data that could be used to produce a digital double of them, "training their replacement," but the replacement was a deepfake.

With a Trump administration on the horizon, the future of the FTC is in doubt. But the coalition for a new privacy law includes many of Trumpland's most powerful blocs – like Jan 6 rioters whose location was swept up by Google and handed over to the FBI. A strong privacy law would protect their Fourth Amendment rights – but also the rights of BLM protesters who experienced this far more often, and with far worse consequences, than the insurrectionists.

The "we do it with an app, so it's not illegal" ruse is wearing thinner by the day. When you have a boss for an app, your real boss gets an accountability sink, a convenient scapegoat that can be blamed for your misery.

The fact that this makes you worse at your job, that it loses your boss money, is no guarantee that you will be spared. Rich people make great marks, and they can remain irrational longer than you can remain solvent. Markets won't solve this one – but worker power can.

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

#pluralistic #alvaro bedoya #ftc #workers #algorithmic management #veena dubal #bossware #taylorism #neotaylorism #snake oil #dr seuss #ai #sentiment analysis #digital phrenology #speech emotion recognition #shitty technology adoption curve

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pa-pa-plasma · 2 years ago

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zelda blasted moldugas in the gerudo assault scene, it was a group effort between her sonia and rauru. you can see the light coming from her hand. they just channeled it through rauru bc he was/is the chosen hero from that era

I saw that as them just giving him the power to preform such a massive attack rather than Zelda herself blasting them (probably supplied by the sage stone thing which i cant remember the name of). I'd have to rewatch the scene to check (the only one I rewatched was the one where Fi's theme played) but if she seems surprised I take it as more of a "oh shit i/we have that much power??" rather than a "holy shit my attack personally killed all those moldugas" kinda thing. it was Rauru's attack, Sonia & Zelda just supplied an extra power source.

#also when does it say Rauru is a chosen hero #Rauru is just. Rauru. he's just a guy. Link specifically is the chosen hero. he was chosen by Hylia. like. specifically #it isn't just any random guy who fights Ganon. it's Link. like. specifically.#if it was anyone who fought Ganondorf then Zelda would be the chosen hero. & the sages. & everyone & their mother & dog & goldfish #okay as much as i love TotK all i've seen in the fandom so far is Zelink shippers being weirdly rude & people making up information #also TotK fucks up the timeline so badly it makes me sooo mad #TotK has done irreversible damage to the LoZ timeline man #if Ganondorf has been sealed under Hyrule castle since before Minish Cap how the fuck did he reincarnate in OoT #who the fuck is the OoT Ganondorf? which btw is in 3 other games #that specific Ganondorf is in THREE OTHER GAMES! WHO IS THAT IF GANONDORF IS SEALED UNDER HYRULE CASTLE #as a fan of Skyward Sword too this is just. what the fuck. what the actual fuck #if i think about it for too long i start foaming at the mouth & growling & shit #only thing i can think of is this is an entirely new timeline #or the team just honestly doesn't give a shit & is just making games man #btw constructs/robots that are fuelled by magic blue power have existed since before Hyrule was created #they're in Skyward Sword. but their creators have vanished (presumably the Sheikah &/or the Skyloft people)#there's so much information & although a lot of it matches up so much of it conflicts with known accepted information #also people have different interpretations of the shit happening #i could say that actually Zelda wasn't a dragon. she just switched places with one. she was just possessed by one. you can't prove me wrong #it's the same shit with saying ''this facial expression means this thing specifically & i will die on this hill''#brooo stoppp--assuming everything in this series makes perfect sense & can be proven without a shadow of a doubt makes you look stupid

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gollancz · 1 month ago

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Guys. Christmas is coming. Consumerism is in the driver's seat and GAWD don't I know about the existential ennui of all these faceless corporations trying to schill you their wares. It's cold. Impersonal. Bleak.

So I, a fellow tumblr user, will instead try to schill you MY wares, so that when you purchase these items you can say "Hey, that person from tumblr worked on this", and feel the warmth of HUMAN CONNECTION in a way that is completely normal and not parasocial at all. We really are friends. I promise. Yes, you. Love you, bestie. Remember the boop war? Good times. Fond memories.

THIRTEEN STOREYS and FAMILY BUSINESS by Jonathan Sims

Tumblr's favourite Nightmare Factory @jonnywaistcoat has two novels out and they're phenomenal horror that also punch you in the throat with SOCIAL COMMENTARY and FEELINGS. He's so adept at tapping into the specific part of my brain that feels fear like a small child - not the adult creepy scared that I normally get around horror, but specifically the kind of fear that almost freezes your limbs and vocal chords with a terror you don't quite understand because there is so much in the world that you don't know, but you know that somehow this thing might be quick enough or smart enough or sneaky enough to get you before you can get to the safety of your parents sort of fear.

THIRTEEN STOREYS is a haunted house novel, but set in a refurbished block of flats. Each chapter follows a different resident being haunted in a different way, with a style to match the flavour of ghost. It's all tied together phenomenally and brutally.

FAMILY BUSINESS is a story about ghosts in a different way, following a woman who joins a post-mortem house cleaning service while grieving the death of her best friend. But as she removes the stains from the houses of the dead, she begins to suspect something else is removing even more.

Both of these titles are available from Gollancz worldwide!

THE LAST UNICORN, THE WAY HOME, THE INNKEEPER'S SONG and A FINE AND PRIVATE PLACE by Peter S. Beagle

Obviously Peter's work needs no introduction, and our editions aren't available in the US and Canada, but I've had a wonderful time working with Peter and his team to bring these beautiful books back to the UK. Meeting him at Worldcon this year was such a magical moment, and he was jet-lagged and I had gone through sleep deprived into hyper and was bringing an Extremely Weird Energy to every interaction I had that day, resulting in this photo:

THE LAST UNICORN and THE WAY HOME are a matched pair of wonderful fairy stories. THE WAY HOME has two novellettes in it, and the first - 'Two Hearts' - won the Hugo award. It will also destroy you.

A FINE AND PRIVATE PLACE was Peter's first ever novel, and it's wistful and romantic and so beautiful.

THE INNKEEPER'S SONG is his epic fantasy quest, it's an adventure story that reads almost lyrically. Also there's an orgy in the middle which caught me by surprise when I was reading it for the first time on the train into work.

HIGH VAULTAGE by Chris and Jen Sugden

It's possible that someone on this website doesn't know I was involved with this book but don't worry, I will HUNT THEM DOWN AND TELL THEM. This is the first book I took all the way through the editorial process from end to end and I am SO PROUD of it and Chris and Jen and their wonderful world of @victoriocity. Officially one of the seven funniest books published in the UK this year, shortlisted for the Wodehouse Prize for Comic Fiction. It's a chaotic, bonkers murder mystery set in an alternate Victorian London which is the most gleeful dystopia I have ever encountered.

Featuring:

Grumpy Sunshine besties

The Victorian Equivalent of the Chuck Norris Meme

A robot who undertook a course in People Management

An indefatigable beagle

This is another book that you can get from Gollancz all over the world, and you SHOULD because it's amazing. Go into your local bookshop and ask them to order it into stock. It's a great Christmas present. It's my firstborn book baby (like that's a completely normal thing to say when I didn't even write it). Also if you're a fan of the podcast, why not tell the Guardian how great it is, and make a nuisance of yourself until they review. (I would, but the form asks for your name and then they'd know I didn't suddenly discover Victoriocity this year. Either that or think I was a very careless editor.) If you've not listened to the podcast yet, you absolutely should. It pings all my Douglas Adams receptors in the best way. If you like HITCHHIKER'S GUIDE, if you like CABIN PRESSURE, VICTORIOCITY is the perfect addition.

HAMMAJANG LUCK by Makana Yamamoto

SLIGHTLY cheating because HAMMAJANG LUCK isn't out in North America until January (pre-orders make great Christmas presents guys), but it IS out in the UK and the rest of the world next week! This is my second big editorial project and it's a Big Gay Space Heist ft. disaster lesbians, trans characters, and a tech billionaire getting put in his place. It's joyous and energetic and crammed full of Hawaiian pidgin as a love letter to the diaspora. @makana-yama is a phenomenal writer and this is their love letter to their communities, families both born and found, while also a statement on the victims of gentrification (and how those are disproportionally BIPOC communities). PLUS:

friends to enemies to cautious allies to lovers

trans cyborgs

Suck It Space Elon

You know that One Scene in Charlie's Angels where Cameron Diaz is in the white body suit and breaking into the safe and has to stretch out to hit two buttons at once? Yeah. That's the vibe.

Being able to work with Makana is a delight, and HAMMAJANG tapped into all the feelings I got watching LEVERAGE for the first time, so I went to watch it again while I was editing. Also OCEAN'S 8.

DEEP BLACK by Miles Cameron

So, barring Branderson, Miles Cameron may be one of our most prolific authors. He writes a minimum two books a year, one SFF and one historical fiction (as Christian Cameron) and he is... An absolute phenomenon. He IS the Chuck Norris meme. I'm obsessed with him. He's former US military intelligence turned naturalised Canadian Hippy, has written over fifty novels, can turn his hand to any genre and write it fantastically, is a practical archaeologist - running large scale re-enactments from a variety of periods ranging from Bronze Age right the way up to the Victorian era, using traditional techniques to allow academics to study how the practicalities of weapons, clothes, food etc. would have worked in practice. Two years ago he won a medieval combat tournament in Verona, a clear ten years older at least than the next oldest competitor, he teaches Historical European Martial Arts, but ties it into the history of martial arts globally. He can make his own clothes, ink, leatherwork. He's a ballet dancer. I once took him for a day out and he ended it in a different shirt and shoes from the ones he'd started in. I asked him for an author photo and he sent me this:

DEEP BLACK is the sequel to his critically acclaimed SF debut ARTIFACT SPACE, where he has taken his research and experience of global historical cultures and extrapolated to create an interplanetary future where the best of all are celebrated. And then Aliens Happen. And then, in reaction, Capitalism Happens (which is covered in the short story collection BEYOND THE FRINGE).

He's such a thoughtful and erudite speaker, if you're curious about his work, I'd recommend listening to his episodes on the Friends Talking Fantasy podcast, and also his appearance on The Publishing Rodeo.

If SF isn't your bag, he's also got:

Arthurian fantasy

Bronze Age fantasy

Medieval Mages fantasy

A CURSE OF CROWS - Lauren Dedroog

I actually inherited Lauren when a colleague of mine departed for fresh pastures, which gave me the great opportunity to work on this series which is so vastly different from my usual fare. It's epic, sweeping, romantic and lush, with such detailed description and complex political machinations, while also being brutal, dark and heavy (tw: for sexual assault, torture etc, etc.). If you like Sarah J Maas and Cassandra Clare, this should hit the sweet spot. Lauren is an ICU nurse when not writing, and this was somehow created when she was putting in a million hours in hospitals during COVID. The feat boggles my mind.

A CURSE OF CROWS is out now in the UK, Australia and Europe, and it won the People's Choice for Standaard Boek's Book of the Year award in 2023, in her home country of Belgium. It will be hitting shelves in North America next September! A DANCE OF SERPENTS is where I get to pick up the editorial mantle, and that has just landed in my inbox this week so I am excited to dig in.

Featuring:

Harold, they're lesbians

Murder baby is actually a cinnamon roll

Sensitive wings are sexy

For serious, though, I'm lucky enough to work with a lot of authors I'm genuinely obsessed and astounded by. And yes, I do get to work on Joe Abercrombie, Brandon Sanderson and Andrzej Sapkowski, but they're not MY authors - they're led by the incredible Gillian and Marcus who I'm not 100% certain sleep. There are so many people on the Gollancz list who I could recommend for DAYS (and will, if you so request), but this is my stable of superstars.

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saetiate · 12 days ago

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love, pancakes & robots

sae x reader fluff (suggestive) for @pixelcafe-network 's challenge friday!

excerpt: "You," you stab him in the chest with a finger. "Are a robot whisperer."

"I read the instructions on the box like a normal person."

"I did too!"

"Oh really? You can read? That's surprising." He grips your wrist before you can smack him again, eyeing you playfully like he's just daring you to try, pulling you in until his arms are wrapped around you.

“What are you doing?”

Looking for you the moment he's up is rare for Sae. It's the weekend, you love to sleep in, and he's usually heavy enough to keep you tucked into him even if you rise first.

“I was trying to make pancakes." There's a set of ingredients to your left, a plate of half-baked and burnt ones to your right…

"Doesn't look like it's working."

He says the comment off-handedly, but you catch that almost-grin of his before he manages to turn away and you shove him, your hand meeting the hard muscle of his chest. He barely budges, but he presses a hand to himself like you knocked the wind out of him, eyes wide with faux-pain that finally has you out of your pancake-making stoop and laughing.

"It's a fancy pancake maker! The one we got gifted, remember? They're meant to pop out perfectly every time."

"Y'know, there's nothing wrong with making them the old fashioned way." He grabs the box to the side, casually flipping it in his hands.

"This is new tech, Sae! New tech! It's supposed to just spit a pancake out at you like a robot!"

"Like that dumpling maker that doesn't actually roll a dumpling together no matter how you put it in?"

You wave your hand. "That's just proof that dumplings need to be folded with hands and made with love."

"Hmm," Sae puts the box down, pours the pancake mix in along with some chocolate chips.

It pops out perfectly.

"You," you stab him in the chest with a finger. "Are a robot whisperer."

"I read the instructions on the box like a normal person."

"I did too!"

He dips his head to speak softly in your ear. "Maybe the robot just likes me better."

You pull away from him, tapping your hands on his cheeks. "Then the robot is misogynistic."

"A robot with skewed moral values? Governments might start using it for politics."

He spins you around in his arms so you're both facing the pancake maker, where he pours it in again and watches as it chucks out yet another perfect piece. The pure shock on your face has him chuckling into your shoulder, pressing a kiss to your cheek.

"It's alright. I love you enough for both me and the robot."

He squeezes your waist, and you miss his warmth immediately as he moves towards the doorway.

"Hey! Come back here and do the rest, magic robot man!"

"Mm," he makes an act of considering it, tilting his head. "What do I get in return?"

"Outside of chocolate pancakes?"

"You know I don't care about pancakes." He swoops towards you fast and lifts you up by your thighs, placing you on the countertop, hands on either side of you as he leans in. "So?"

"Well," you wrap your arms around his neck, bringing him in even closer, "what do you want?"

He grips the back of your calves, tipping you until you're lying flat on the counter, looming above you.

"I think it's clear," he tells you in a low tone, "what I want."

"Sae," Heat rushes through you, hyperaware of everything -- how warm his hands are, the cool countertop underneath you, the way his stature is the only thing that makes a position like this even possible.

"Pancakes first, you try to tell him, your heart beating fast in your chest, "or we'll never eat today."

"You sure?" He presses a kiss to the inside of your knee, then one higher up, and it has you gripping at his hand.

"We eat at this table."

"Who says that's not what I'm about to do?"

"You're cruel."

this is my first time doing a challenge!! the prompt i was given was: “What are you doing?” “I was trying to make pancakes but it didn’t exactly work” i hope i've done it justice!!

#sae x reader #sae x you #sae x y/n #itoshi sae x reader #sae itoshi x reader #sae itoshi x you #sae itoshi x y/n #itoshi sae x you #itoshi sae x y/n #bllk x reader #blue lock x reader #fragments of memories: drabble #x reader

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blujaydoodles · 5 months ago

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actually I'm also gonna go ahead and release these nearly four year old initial design sketches from the disney vault because I like em :3 I sketched these shortly after she hit the level to be able to make him, but about a year before she actually got a chance to do so (it took awhile to be able to afford the components). Inside his chest, the housing for his core is an arcane gyroscope with a gem at the center; when he's active, you can hear it very softly whirring. I've imagined she also gave him some means of stridulation so he can do little cricket chirps, mostly because he looks like he should (and I think it's cute hehe).

I can't remember whether I ever posted this guy? Drex 'Pooka' Berenockt is Melliwyk's homunculus servant, because she may already have two familiars and the tiny servant and unseen servant spells but none of those things have hands and an intelligence higher than 2. he has wings modeled after an earwig's origami'd into a back panel and he curls down into a sphere when he's deactivated. he is also A Leetol Guy and I love him 😌

#dnd #dungeons and dragons #artificer #homunculus servant #he's also got little teeth but they're too little to do any damage-- they're for aesthetic (and grip if he holds something in his mouth)#I THINK... he can chirp with his forewings exactly like a cricket I don't think those structures need to be moved elsewhere #did you know that technically by RAW an artificer's homunculus servant springs magically into being around the gem core?#uh anyway that's stupid lmao. artificer is full of weird disconnect between mechanics and flavor #if they're conjured from thin air by magic why do they always look like little robots??#melliwyk personally designed and built Drex because she has artisanal pride and standards thank you very much.#he chirps because she meticulously etched the physical mechanisms into his casing herself!!#if he's powered down he's still a little metal object that exists and if he drops to 0 she'd have to repair him before reactivating him #like aside from 'couldn't get a 100g gem for awhile' part of what took her so long to get him is that she had to design and build him first #starting well before she even GOT to 2nd level artificer tbh #my OCs #melliwyk #drex #vale walkers #dungeons and doodles

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whumpandothercomfort · 4 months ago

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There's a flavor of whump I'm always craving that I don't see very often, I think because the possibilities are so context-specific. You can do some things in some universes that you can't in others! You can do certain things with non-human characters that you can't with others!

But hear me out:

Whumper making physiological changes to Whumpee's body.

Could be through programming for robot characters, dedicated brainwashing for humans, magic for fantasy settings, weird biology for aliens...

A few examples off the top of my head:

Alien species that instinctively responds to neck squeezing by going limp like a scruffed kitten, because this helped them survive encounters with predators. Delicious all on its own -- now throw in a quick surgery to permanently clamp the nerve responsible. Whumpee wakes up in a permanent state of relaxed submission and can't even show how terrified they are.

Obedience programming/training that's wired directly into a character's brain. When the system detects unwanted thoughts, it applies pain. Even after rescue, Whumpee can't think of themselves as an autonomous being because their mind is desperately protecting itself.

Characters with magic having their magic corrupted or bound so it either hurts them to use, or it can only be used to serve Whumper's purposes. Bonus points if Whumper has full control over their magic AND the use of it hurts them.

Characters given a brain implant or parasite that stimulates the reward center of the brain, which would be great, except they can't turn it off. They're kept in a constant state of bleary euphoria... with just enough sense of self left to know they want it to stop.

Characters being spelled or programmed so they physically cannot function independently. Characters who very literally NEED to be given permission to do things like relax or take a walk or even use the bathroom. Not being given this permission leaves them in a state of locked stasis -- fully aware of the time passing. Bonus: Caretaker can't reverse it, so they just HAVE to navigate All Of This.

Alien species that will a develop chronic physical illness if deprived of touch for too long. Said illness can only be treated through regular physical touch. Defiant Whumpees will often be locked in solitary confinement and fed through a slot in the bars until symptoms start to manifest. Sometimes they'll be left even longer, to make sure they end up a severe case. And now, oopsie, the only way to ease this horrible pain is by letting your captors put their hands on you!

Just. Physiological whump. The horror of someone else controlling your body or your mind. Betrayal of body. Etc. Do you understand.

#whump #whumpee #whumper #pet whump #alien whumpee #robot whumpee #fantasy whump #whump prompts #whumplr #i was gonna queue this one but actually i think i'm too impatient.

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harunayuuka2060 · 2 months ago

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*The field trip is coming to an end, and everyone has been asked to pack up their things to be ready when it's time to leave.*

Idia: Ah... finally. I can return to the comfort of my room.

MC: Why, Idia? Didn't you have a good time here?

Idia: Huh, no, obviously not. I wanted to ditch the whole trip, but Ortho kept dragging me back.

MC: *chuckles*

MC: I'd say you couldn’t bear to make Ortho sad, being the caring older brother you are.

Idia: ...

Idia: Speaking of Ortho, what’s keeping him so long?

MC: Ah, now that you mention it, he should’ve been here by now.

Idia and MC: ...

MC: I'll go check on how he's doing.

Idia: K.

MC: *walks away*

Idia: ...

Malleus: Shroud, where is my child? It's already time to leave.

Idia: *looks like he's panicking* Th-They're gone... Even Ortho... I couldn't find them...

Malleus: ...

Malleus: *heads off to search for his child*

Idia: *still tries to contact Ortho but with no avail*

Idia: No, please... Tell me this is just a prank...

MC: *hiding from the arcane hunters, holding Ortho safely in their arms*

Arcane Hunter A: Damn that fae! They're good at hiding!

Arcane Hunter B: Don’t worry! They won’t get far from here!

Arcane Hunter A: Haha, yes! With a robot in their arms, there's no way they could escape!

MC: ...

MC: I should warn the others, but moving recklessly might give away our hiding spot. And with Ortho unconscious... what should I do—

MC: *remembers the necklace given by Maleficia*

MC: !!!

Riddle: We can't just abandon them!

Ruggie: Yeah! We can fight!

Professor Crewel: Silence!

Riddle and Ruggie: ...

Professor Crewel: MC managed to inform us through the Queen of Briar Valley. They're facing arcane hunters who can neutralize magic. If we were at an advantage, don’t you think MC would fight them on their own?

Professor Trein: We don't know how many there are or why they're here. We can't take the risk of an ambush that could put the students' lives in danger.

Leona: What about the lizard? He already went ahead to rescue his child.

Professor Crewel: What—

Leona: All Diasomnia students to be exact.

Professor Crewel and Professor Trein: ...

Professor Trein: Oh this is not going to end well...

Sebek: Let’s hurry! They can’t be far away!

Diasomnia students: Yes!

Silver: *receives news from the birds in the area*

Silver: Sebek! Enemies are ahead!

Sebek: Everyone! Ready your weapons—

Lilia: Stop!

Sebek: L-Lilia-sama!

Lilia: MC wants us to retreat.

Malleus: Yes. It's dangerous.

Silver: M-Malleus!

Malleus: We can't risk everyone's safety.

Sebek: B-But Waka-sama!

Malleus: Retreat.

Silver, Sebek, and the rest of Diasomnia students: ...

Arcane hunter A: See? Surrendering was the easy choice.

MC: Now that we're your hostages, may I ask who your real target is?

Arcane hunter B: Heh, do you think we'll answer that?

MC: Why not? I could be a valuable source of information.

Arcane hunter A: Only a fool would believe that!

Arcane hunter B: And if you insist, we'll leave that robot behind!

MC: I apologize for asking.

Arcane hunters: Hmph!

MC: ...

Ortho: MC—

MC: Shh.

Ortho: ...

MC: *smiles* We'll be fine.

Ortho: ...

Ortho: *nods slightly*

#twisted wonderland #twst mc #twst ortho #twst idia #twst malleus #twst riddle #twst ruggie #twst leona #twst crewel #twst trein #twst sebek #twst silver #twst lilia #twst a life reclaimed

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comicaurora · 23 days ago

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Just saw the announcement about Heartwood Coven, and I'm super excited!

I know that when you're exploring a genre, either for the first time, or just the first time in a while, sometimes inspirations for new Trope Talks emerge, and as a fan of spaces adjacent to Magical Girl media (Kamen Rider, mostly, but Ultraman, Super Sentai/Power Rangers, and Garo also exist, just to scratch the surface), I honestly find it kind of difficult to think of any tropes in the space that don't just devolve into little trivia factoids, or a 'Yup, that sure is a thing they do!', despite being in the space for decades. But I also know you have a keener eye for media tropes than I personally do.

So, all that is to ask, are there any tropes in that space that have caught your attention recently? This isn't even specifically asking about a potential future video, just in general.

The ingredients for a Sentai/Magical Girl story are very distinctive, especially when compared to other superhero genres!

Comes As A Set! Everyone in a thematic team has acquired their powers the same way, and the powers are very minor variants off of each other - one character might have The Specialest Version where their powers are strongest and their heart is Most Pure, but everyone else will be running at the same power level with almost no specialization. This sounds obvious, but almost no other superhero team does this. Even the X-Men, whose powers are all Being Mutants, come across as a seriously varied menagerie with wildly disparate power levels. Everyone being The Same Thing In A Different Color is pretty unique to this space!

Monster Of The Week: Not the only genre this appears in, but one of the only spaces where it's straight-up down to a science. The big bad of a series like this will only make a real appearance in the grand season finale. Until then, the team will be fighting their lieutenants' minions at a rate of one per episode. The big bad doesn't even usually deign to make the minions themselves, since they're much too busy standing in their recycled animation evil lair. The minions will have unique gimmicks, but will share similar levels of thematic and structural closeness with one another that the heroes do - they'll all be kaiju, or walking evil spells, or disgruntled citizens gifted thematically inconvenient superpowers. Where are these minions coming from? Sometimes the answer is "they cook em up at home" and sometimes it's "they corrupt innocent people so the heroes have to go nonlethal." It doesn't make much difference in the execution, so it's mostly dealer's choice.

So Many Wonderful Toys! These heroes aren't afraid to accessorize, and the merchandising department also says we have to. When the formula needs mixing up, just give someone a new weapon or vehicle or mech or powerup macguffin. And unless you're only giving the upgrade to the Designated Specialest Pure Of Heart one, make sure to bring enough for the rest of the team, because this is a good way to bring in a round of powerups for everyone and give them some new stock animations to reuse every episode!

There's Only One Way To Win And It's Teamwork. My personal gripe with a lot of these stories is that, by nature of the formula, the characters usually end up becoming largely interchangeable in a fight, because nobody is allowed to win before they do the Big Finisher they always use. And if the Big Finisher is "the most specialest pure of heart character remembers their job and blasts them with the Friendship Laser" that means the rest of the gang is basically on minion-punching duty and repeating "no way! my attack had no effect?!" Every fight has to run through everyone's big canned moves, usually one at a time, and since none of them will do any appreciable damage then they'll combine their giant robots or wait for the leader to bust out the Friendship Cannon and the fight will be over. I think this one's genuinely kind of a weakness of the format; it's pretty rare for a single non-leader character to get a day in the limelight or end up having the exact ability the week's bad guy is allergic to. Nobody gets an individual chance to shine unless the writers intentionally break the formula to make it happen.

The Sixth Ranger! You thought your team of five color-coordinated thematically linked cool guys was complete, but surprise! There are more colors/planets/dinosaurs than just the starting five, and some powerfull badass with unknown morals and a frightening reputation has just turned up wearing your team's matching outfit! Because the team comp is so ironclad compared to other superhero formats, this is always very disruptive and kind of a big shakeup that could restructure the whole status quo, unlike in typical superhero teams where individual attendance is optional and it's not a dealbreaker whether or not Wolverine is in this week.

And Your Friend Steve: someone's will they/won't they significant other is constantly hanging around the fights, in or out of a secret identity of their own, and their main contribution is to get kidnapped by the big bad, brainwashed by the big bad, or kidnapped and then brainwashed by the big bad. Outside of their busy schedule their main narrative role is to reinforce the Secret Identity concept that would otherwise risk slipping out of relevance. It's easier to remember your identity is supposed to be secret when Your Friend Steve keeps turning up at fights.

Bumbling Minions, Serious Boss - this is just an observation on my end, but it's quite common for the villain's crew of lieutenants to be somewhat more comedic than the main Big Bad - whether they're just a couple wacky minions or the comedy comes from how flustered they get when they inevitably lose, comedy is derived from them experiencing the wrath of their evil boss after the good guys win. But all this levity drains away as the lieutenants get whittled down and the finale approaches, and even if the villain has seemed clownish in the safe confines of their lair, when they actually go on the warpath and become the main present threat, they stop being funny entirely. Or, failing that, they get usurped by a new, worse villain, and they become the cartoonish lieutenant to the new guy. Villain chains of command get complicated.

The magical girl equivalent of the shonen anime Super Saiyan transformations is Pretty Dresses. The escalating ornate-ness of a magical girl's Pretty Dress corresponds one-to-one to the Bigness and Glowiness of a Super Saiyan's hair and reflects the reality-warping power contained within. Sailor Moon in a lacey bridal gown with gauzey diaphenous wings and a tiara is the kind of threat Goku would save in his contacts as "new sparring partner"

#asks #not aurora #trope stuff

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