#they're in a comedy
Explore tagged Tumblr posts
thanotaphobia · 1 year ago
Text
ménage à quatre
or, missa runs into tina on the way to see phil. and pac. and mariana. and-
CROSSPOSTED TO AO3
Missa thinks he’s decent at being sneaky.
He at least doesn’t knock things over. Their new and improved underground base is well-lit despite the dark stone that makes up its walls, and Missa skirts the farms and chairs and chests with ease. Getting out isn’t so simple, but he’s nearly there. It’s nighttime, and while most people don’t always sleep through the night in this place, it’s easier to hide under the cover of darkness. Easier to get away with things, to see people. Missa also knows if he runs into anyone who isn’t his team or Phil that he’s absolutely dying, so going out at night is a necessary risk. Risk, because mobs, but once he reaches the meeting spot in the woods he and Phil had talked about, then he’ll be okay.
He misses Phil. With every aching beat of his heart, he misses him.
Missa hadn’t known how strong his feelings had run until they’d been separated like this. It was physically painful, like love had wrapped tendrils around his heart and gut, squeezing every time Phil pops into his head. 
And so the occasional midnight rendezvous must happen. It has to happen, because otherwise Missa thinks he would die if he didn’t get to see his husband in a relatively safe, stress-free space.
Careful not to catch the attention of any of his teammates, Missa creeps through the base and watches every step. He doesn’t think they’d crucify him for it, but he doesn’t think they’d like it either. People have become different, and fast. Personalities have shifted and everyone, Missa thinks, has gotten a little more ruthless. Even Missa himself thinks it’s affecting him– although he tends to isolate instead of lash out. He’s frozen to death on beaches more than once, staring out at the ocean lost in thought until his eyes had clouded over and he’d woken up in their base with fingers stiff from cold. Others, though. BBH has a look in his eye every time Missa sees him, a look that makes him skirt around the man like he’s got the plague. 
It’s unsettling. He hates feeling uncomfortable in what’s supposed to be a safe place. He hates sneaking around like this when he should just be able to see his husband whenever he wants– he hates it. 
But it’s fine. He’s nearly out, anyway. He enters the darkest part of his exit, a long corridor, and hurries forward. Just another couple steps and–
“Oh!”
All the air is forced out of his lungs, half from terror and half from the collision. He bounces backwards into the cold stone wall and shrieks, then shoves a hand over his own mouth to stifle the sound. Across from him, there’s a thud and someone gasps. Missa blinks into the dark.
“Missa?” Tina says after a second of silence. He takes into stock what just happened– a warm body bumping into his, shorter but strong, and the strong scent of tea leaves and cool soil in the air. Tina. Just Tina.
“Sorry,” Missa says out loud after a second, lowering his hand from his mouth. Tina laughs, and Missa can’t see her very well in the dark as he pushes himself up off the wall. “I didn’t mean to–”
“No, it’s okay!” Tina says. They’re both whispering, but even then each word sounds like a gunshot in the tunnel. It reverbs, echoing around them and twisting in the air like smoke. “I didn’t expect you– oh, man, I fell down and dropped my bag, can you–”
“Yeah, one second,” Missa says, getting her intent instantly and dropping to his knees to feel around for the knapsack. “You okay?”
“Fine, thanks!” Tina giggles, high and breathy. Missa’s hand knocks against fabric and he grasps it triumphantly. 
“Got it!” he says, raising his clenched fist into the air– only for it to come into contact with skin and bone, the crack echoing around them louder than their words had been.
Missa is almost impressed by how Pac doesn’t swear. He hears a thump as someone sits down, a soft hiss of breath, and then a long exhale.
“Oh my god,” Missa breathes, before he knows it’s Pac, “I’m so so sorry–”
“All good,” Pac grits out, and Tina gasps.
“Hey!” she says. “It’s like a party in here!”
“Are you bleeding?” Missa asks, and Pac mumbles an affirmative. The next thirty seconds is spent looking for a piece of cloth to hold to his nose, and they end up having to improvise with one of Tina’s shirt sleeves. “I’m so sorry,” Missa apologizes again. “Bro, bro, I swear I didn’t know you were there, I didn’t mean to, I was just getting Tina’s bag. I’m so sorry, man.”
“It’s dark,” Pac says, his voice slightly muffled and sounding as though he’s got a bad cold. “All good! All good, my friend.”
“What were you even doing down here?” Tina asks. She’s kneeling by Pac on the other side, and Missa has finally gotten used to the dark. They’re all mostly on the floor, staring around at one another– Missa can see the whites of their eyes, and that’s about it. It’s the strangest situation he’s been in for a while, honestly. 
“Well, I was trying to leave,” Pac says, sniffling once and grunting in pain. “But, ah– you were here first.”
“Wait,” Missa says, blinking as he realizes something. “Tina, why were you here–”
And then someone lights a torch, the spark and resulting flame causing all three of them to cover their eyes or cry out. Missa blinks back tears from the sudden brightness and glances back– standing a few feet away is Mariana, torch held up as he stares at the three of them with an indignant expression.
“The fuck are you bitches doing?” he asks loudly, and despite their various states of distress, Missa, Tina, and Pac shush him quickly. Mariana goes quiet, pressing his lips together before stalking forward and crouching beside them. In the torchlight, Missa can see the blood on Pac’s nose now, and winces. “Why did none of you have a torch?” Mariana asks.
Tina hums. “That probably would’ve been a good idea.”
“Why are you here?” Pac asks. “Did you hear us?”
“No,” Mariana scoffs. “But I should’ve. I was going to see Slime–” He clearly didn’t mean to say it– his eyes widen a fraction and he snaps his mouth shut quickly, staring at the three of them before clearing his throat. “I meant, I was going to kill Slime.”
“We all know what you did in the fountain,” Pac says, his voice nasally but dry. “You know?”
Tina breaks out into big, bubbly laughter, heaving for air between gasps of breaths. She giggles, high-pitched and frantic, and Missa can’t help but snort either, covering his face with one hand. He can see Mariana between the bars of his fingers, and the way his face goes a bright, brilliant red.
“Yeah, well–” Mariana only stutters for a moment, composing himself and snapping. “What are you three doing anyway?”
“I was going to see Bagi,” Tina practically wails. She’s on her back on the floor, hair spread like a halo around her, and Missa thinks it’s a miracle she hasn’t passed out from laughing yet. Pac is laughing too, still pinching his nose but grinning and cackling. Missa bites his lip, then drags his hands down his face and comes out with the truth.
“Phil,” he says, cursing his husband’s name into his palms. “Phil and I–”
“I won’t say who I was going to see,” Pac says proudly, and Tina stops laughing at that. She sits up and points a finger at him. 
“We all know about Fit, Pac! We know! Nothing is a secret!” Between her words she hiccups giggles. “This is so dumb, we’re all so dumb!”
Missa leans back against the stone wall of the tunnel and slumps, his knees slowly giving out until he’s sitting fully on the cold floor and staring at the rest of them slowly losing it. Tina and Pac are holding onto each other, giggling and rocking back and forth slightly, while Mariana is trying his hardest to look disgusted with them and notably failing to hide a smile. Missa lets out a breath and knocks his head back, covering his eyes with his elbow and snickering.
“Well, I’m going,” Mariana finally says, stepping over Missa’s outstretched legs and past Pac and Tina. He’s still got the torch in hand– the shadows against the wall stretch and warp with his movement, making the whole tunnel feel unsteady. He turns back. “I have a date to keep.”
“Oh gosh, so do I,” Tina gasps, finally getting a hold of herself and scrambling for her bag. Missa nudges it closer to her with one foot and she grins at him. “Thanks! Don’t want Bagi to be waiting up for me.”
“Have fun on your date,” Missa says, mouth a little dry. “Dates.”
“You too,” Tina chirps, standing up and slinging her bag over her back.
“Wait, I need to get up too,” Pac says, and he and Missa stand together, gripping each other’s shoulders and arms as they do. His nose has, for the most part, stopped bleeding.
“Sorry again,” Missa says apologetically. 
Pac grins and shakes his head. “No biggie.”
“Are you coming?” Mariana calls. The shadows have gotten longer and the light dimmer as he’d started walking away, but he waits now near the end of the tunnel, looking back at the three of them with mild irritation. “Or can I ditch you all yet?”
“Oh be quiet Mariana,” Tina says, catching up with him easily. They both wait for Missa and Pac, which makes something warm blossom in his chest where the cold has sat so easily the past few days. “We can go together now, as long as we stay away from Bad!”
“That would be not good,” Pac mutters, glancing back. Missa winces. 
“We’ve gotten this far,” he says.
“This far without waking the guard dog,” Tina says, and they all make their way the last little bit out into the faint light of the stars. Around them the air is cold and crisp, and it takes Missa’s breath away. For a minute they all stand there, taking in the sight of the moon glistening across the oil-slick sea, light refracting off the ice and snow and making the whole world a soft, delicate shade of blue. Even the light from Mariana’s torch doesn’t last, barely casting out onto the pockmarked and scarred beach ahead of them.
“Well,” Missa says, equipping some gloves. He doesn’t want to stand here for too long. He wants to see Phil. The ache is back, something about the sight in front of him and the people beside him making his heart ultra aware of Phil’s absence. He thinks of Phil, worrying about him being late; he thinks of Phil laughing when he hears what delayed him. “See you in the morning, guys.”
“Hey, Missa?” He glances over at Mariana, who sticks his torch down into the sand and shoves his hands into his pockets, nonchalant. “Do you want to go together? Might be easier. Mobs and stuff.”
“Oh, that’s a good idea! Pac, let’s go together!” Tina chirps, and Pac nods with a smile. She grabs his hand and he lets her.
“Sure,” Missa says, a little startled. “That’s– yeah, yeah. Okay.”
“Okay,” Mariana says. “Bye, guys.”
Pac and Tina wave as they deploy their separate boats, hopping in beside one another and parting into the cold, choppy sea. Mariana drives, Missa sitting passenger, and he stares out over the ocean as they leave their team base behind them in the cold. When he looks over at Mariana, the other man is staring out across the horizon in front of them, hands gripping the wheel of the boat and a strange look on his face. When he notices Missa looking, he glances over and catches his eye.
“What’s the matter?” Missa asks.
“Bad Boy Halo totally was watching us leave,” Mariana says, dead serious, and that is finally what sends Missa into hysterical laughter.
173 notes · View notes
stump-not-found · 3 months ago
Text
Tumblr media Tumblr media
A Lifetime Served in a Little Cup
pt.1 / pt.2 / pt.3 / pt.4
---
bill, babygirl, the red flags get outta there
3K notes · View notes
finalfivecarts · 1 month ago
Text
Tumblr media
man this is the 5th time this year
1K notes · View notes
aethersea · 4 months ago
Text
I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.
it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"
plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.
anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.
1K notes · View notes
bluelicorfino · 5 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Jettwins lore, right?
Based on this:
youtube
1K notes · View notes
farshootergotme · 5 months ago
Text
I like imagining a scenario in which Jason, Tim and Damian are arguing about Dick and just keep trying to one-up one another:
Damian: I was his Robin and he clearly likes me best.
Tim: I mean, technically I was his Robin first. And that last statement is debatable (and wrong).
Damian: Tt. You were father's Robin, I was Grayson's only before the original Batman returned.
Jason: Oh, for fucks sake, why does that even matter? He accepted me as Robin first and gave me his old costume, try topping that.
Tim: Been there, done that.
Jason: Not first you haven't.
Tim: Irrelevant. I think being accepted as Robin and being his Robin first puts me above you both.
Damian: Richard made me Robin on his own accord, father's intervention was unrequired.
Tim: Do you think that maybe that was because, I don't know, Bruce was 'dead' at the time?
Damian: I don't see how that refutes my argument, Drake.
Tim: He didn't even want you as Robin, he did it so you didn't go running off to the league.
Jason: Face it, brat, Dick didn't have much of a choice on the matter. With me, on the other hand-
Tim: I can give you a list of reasons why what you're about to say is wrong.
Jason: Stop trying to be a smartass, you-
Damian: This discussion is getting sidetracked. I can win this argument with the simple fact that Richard planned to adopt me.
Jason: Get in line kid, he tried with me first.
Tim: Wait- what? Damian makes sense because Bruce... but you? Full offense, by the way.
Jason: I was a redhead and a circus kid, he had all the reasons to adopt me.
Damian: Todd, you're a brunette, you're spitting nonsense.
Tim: And you most definitely did not grow up in a circus. I've heard your backstory from Dick himself.
Jason: You had to be there.
1K notes · View notes
beif0ngs · 1 month ago
Photo
Tumblr media Tumblr media
#really living for this whole tired foster mom/aunt energy Sevika’s got going on with Jinx in this season
675 notes · View notes
pouletpourri · 1 year ago
Note
hope you do more things with non Abstracted Kaufmo
Tumblr media
you bet i am have a clown-jester communication wip
2K notes · View notes
hualian · 1 year ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
chaotic besties Xie Lian and Shi Qingxuan 😭🦋 | Heaven Official’s Blessing S2 Ep1
2K notes · View notes
ofswordsandpens · 10 months ago
Text
wait one more thing about Ember Island Players that's so funny is like... imagine creating a show and then becoming either frustrated/annoyed/bemused that a sizable part of your fandom ships two characters that you don't want them to. And instead of ignoring it or letting it lie, they decide to use this episode as a moment to show these fans how silly that ship is. And sure, maybe its all supposed to be in good fun but like if the goal, in-part, was to discourage people shipping them, I cannot emphasize enough how acknowledging the pairing in-universe, having people consistently mistake them for a couple, and having said characters constantly over-react to the very notion and get belligerently defensive because they are very much not dating why would you say that is extremely antithetical to that goal.
841 notes · View notes
dustykneed · 4 months ago
Text
so jim got bit by a space mushroom that takes away his impulse control... welcome to daycare on the bridge with his xo and cmo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
obviously the salad cat meme is still going strong in the 23rd century because these guys reenact it on a daily basis lmaoo
prompt fill for @mcspirkevents' mcspirk bingo prompt "mask off" 🩵💙💛
370 notes · View notes
high-voltage-rat · 9 months ago
Text
I think it's fascinating that the quotes:
"Have you forgotten sir, we were at war? A fight with an alien race for the very survival of our species. I feel I must remind you that it is an undeniable, and may I say fundamental quality of man, that when faced with extinction, every alternative is preferable."
"When you spend every day fighting a war, you to demonize your attackers. To you, they're evil, they're subhuman. Because if they weren't, what would that make you? What I'm trying to say... is I've been afraid to see you for what you really are. You're our brothers. Our sisters. And the things we've done to one another are unforgivable."
"These guys want to use us, take us away from our families, and send us all over the dad-gum galaxy just to test if their agents are ready for the big fight? Well... guess I'm interested in showin' em exactly what a big fight is all about! So I'm not ordering you to go. I ain't even asking. You do what you gotta do, Private."
came from the same series whose standard fare is lines like:
"What in the hell are you two doing?" / "We're being executed by our own men, sir." / "Cut it out."
"I only drink the blood of my enemies, and the occasional strawberry yoohoo."
"You always said I could sleep when I’m dead, Sarge, and guess what? I am dead. This purgatory is about to become purga-snore-y, yawn!"
...and both categories manage to be a poignant statement about the nature of war and what it does to the people in it.
1K notes · View notes
mvabank · 3 months ago
Text
Tumblr media
doodles of silly little guys
368 notes · View notes
gothamite-rambler · 2 months ago
Text
Tim for the love of God, kick them in the balls and run!
Kidnapper (going by K)(on the phone): I have one of your kids.
Bruce: Nope.
Bruce ended the call with a quickness.
K looked at the phone startled and offended. He placed a hand on his chest upset.
Kidnapper 2 (going by K2): What happened did the call drop?
K: HE HUNG UP ON ME!
K2: Shoot, call him back. He might've doubted you.
K: Oh I freaking am.
K dialed Bruce's number again, tapping his foot and waited for Bruce to pick up again.
K:I HAVE KIDNAPPED YOUR CHILD THIS ISN'T A JOKE!
Bruce (doubtful): My son is next to me.
K (loud): I kidnapped one of them! You have more than one!
Bruce: Which one? Because if Jason is next to me, it's not him. Damian is upstairs, Tim is... somewhere and Dick is in the kitchen... who did you take?
K:The loud, annoying, rowdy one who never shuts up!
Bruce: Damian! Oh my God!
Tim (distantly): For fuck sake it's TIM!
K2: He said his name is Tim.
K:Tim.
Bruce:Tim, I thought he went to the store. Oh God, again? Can you tell him he can fight back a little when a kidnapping happens?
K and K2 glanced at Tim, who had just realized the call was coming through the speaker. Bound to a chair, Tim trembled with fury.
Tim: I- Just send someone!
K: He said send someone, bring 5000 dollars.
Bruce (sardoically): I will definitely have the money sent over from a special friend of mine, don't you worry. Tell Tim to... do what he usually does when he gets kidnapped.
K: Kay, kay, let me give you the spot to drop the money off at and we'll be waiting in an unmarked van with Tim.
Bruce: Hold on let me grab a pen.
Meanwhile in the living room, Bruce punched Jason on the arm and motioned for him to write down the directions down. Jason groaned and pulled out his phone. After getting the instructions, Bruce ended the call after confirming the details and handed Jason his car keys.
Bruce: Can you go pick him up. I'm too tired.
Jason: On it.
Jason laughed while leaving. Bruce returned to watching Dateline, but wondering if this is the same three kidnappers that Tim kidnapped in the past and if one of them was sick today.
216 notes · View notes
lefaystrent · 3 months ago
Text
Virgil wanders into the living room looking for something to do. Or someone to terrorize. Eh, he's not really picky at the moment.
He finds Logan sitting on the couch with a paperback book and pencil in hand. So entranced is he that he doesn't stir at Virgil's entrance. He marks something on a page. His foot idly rotates where he's got it crossed at the knee.
"Whatchya up to?" Virgil asks.
Logan's eyes remain focused. "Sodoku."
"Bless you."
Virgil has the satisfaction of seeing Logan's eye twitch. "Virgil, I know that you know what Sodoku is."
"Yeah, but can you prove it?"
"Yes, but as you are being willfully obstinate, I feel no inclination to."
Virgil snorts good-naturedly. He ambles closer and kind of sways back and forth. He's in a good mood and doesn't feel inclined to take Logan's dismissiveness to heart. Besides, if he's being a true bother, Logan would plainly tell him.
"Willfully obstinate is a step up from anxious mess, so hey, I'll take it."
Logan frowns and glances up now, but when he sees Virgil's smirk, he levels an unamused stare that shows he clearly knows what Virgil is up to. He lowers the puzzle book. "Virgil, you seem to have an abundance of free time at the moment."
"I wouldn't say abundant, but yeah, I'm free."
"Fantastic. You should join me in my downtime. Perhaps you will glean the intricacies of Sodoku via observation."
Virgil rolls his eyes. "Yeah, L. I'll help you with your puzzle."
Virgil doesn't sit down so much as falls onto the cushion, letting his body drop against Logan's side. Logan bounces slightly and adjusts, but doesn't move away or discourage the closeness. He holds the book up so Virgil can see from where he leans his head against Logan's shoulder. There are some squares filled in with numbers, but overall there are only two rows completely filled in. Most of the other blank squares have tiny numbers penciled into the corners. Probably Logan's way of systematically ruling out possibilities.
After a moment of scanning, Virgil ticks his tongue. "I see where your problem is."
"What? What do you see?" Logan asks, way too invested at the thought he may have overlooked something or made a mistake.
Hiding a grin, Virgil points at a random square. "This one is supposed to be eleven."
There's a pause in which Virgil definitely does not cackle. His amusement is all inward, but he watches Logan like a hawk for the beautiful moment of realization.
Logan doesn't disappoint. He goes on an entire face journey that starts with, "Oh, maybe Virgil's right," and ends with, "how dare you." The last bit is directed straight at Virgil and Virgil merely gazes back innocently. It's not a look that comes across naturally on him and he knows it, but that's not the point.
Virgil shrugs. "Then again, what do I know about Sodoku?"
Logan bookmarks the page with his pencil, then reaches up to tap Virgil on the nose. "Ob-stin-ate." He punctuates each syllable with a gentle tap.
Virgil giggles afterwards, airy and care-free, but he'll deny it later.
162 notes · View notes
cakes-isat-blog · 3 months ago
Text
Loop (and I say this with the utmost love) spent 99% of the game being an absolute menace to Siffrin. Some of it was affectionate, much of it was malicious, but all of it was very much on purpose.
...Therefore, I think that in any post-ISAT setting where Loop and Siffrin are reunited, Siffrin should get to be an absolute menace to Loop. Just. The funkiest little terror gremlin.
As a treat.
168 notes · View notes