#they're around the same length

[butchcarmy]

ALEXITHYMIA CH 1: onions, weed, and pizza

Roommate AU: Carmy Berzatto x Reader (R18)

ao3 link ch 2 ch 3 ch 4

Summary: Carmy can’t put into words how he feels about his roommate. It’s only been a couple months, but here he is looking forward to going home and sharing a smoke with them. That’s all it is, though. There are no underlying feelings, none at all, even if everyone around him has something to say about it. 

Or: Carmy is repressed as ever, but through the combined power of vulnerability, weed, and the horny, Carmy too can find love. 

Tags: hurt/comfort, friends to lovers, mutual pining, slow burn, cursing, yearning, repression, SO MUCH REPRESSION, angst, mental illness, canon-typical imagery, unresolved tension, for now, virgin carmy, use of weed, alcohol, all that good stuff, carmy character study, eventual smut, gender neutral reader, nonbinary reader, up to you

A/N: HI I've never posted fic on tumblr before but i deeply love Carmy...please enjoy!!!

CHAPTER 1: onions, weed, and pizza

It always stays the same. 

This is the thought that Carmy has when he wakes up, gasping for a chance to just catch his breath and keep it. It’s a kitchen knife twisting like a lock and key in his chest. It fits just right, as all awful and familiar things seem to do.

No matter how many times he wakes up, he’s never anywhere different. That drowning feeling suffocates him in his sleep and follows dutifully into his waking hours. He can’t remember when that haunting started, only that it’s always been with him.

He hates feeling like a drifter, like he’s lost (even though he is both of those things), so he picks a goal and runs after it like a monster. He’s an animal, hunting and working and bleeding until he fucking makes it work , because that’s who he is, and that’s who he’s always been. He can’t not make it work. Because if he can’t do it, then…then what was it all for? 

What is he even for?

These are the thrilling thoughts that serve as the background music to the swirl of his cheap morning coffee, oils rotating in a slow circle. He thinks about getting a nicer brand next time he goes grocery shopping. But that would mean change. That would mean less money on the restaurant, too.

Yeah, so it tastes like shit, but it doesn’t matter. Even if it mattered once. Less and less matters to him these days.

Mornings in Chicago are not technically quiet by definition, but when compared to other times of day, they are. Especially when most of his day is spent in the kitchen wringing out his throat. It isn’t bad to have a quiet morning by normal means, but for him…

The quiet is dangerous.

It’s not silent, but it’s not enough. There’s distant beeping of impatient cars. The whirring sound of the old AC unit. He tries to listen to them, but his rampant thoughts nonetheless rise above them all, buzzing everywhere with nowhere to land. 

A brief analysis of his thoughts reads as such:

Beef sandwiches eggs flour shipment Michael cigarettes smoking sore throat late shipment so tired not sleeping Michael Sugar Mom coffee tastes bad it’s too early my stomach hurts Michael fucking hates you Michael Michael Michael Michael Michael you piece of shit you fucking ki—

“Mornin’, Carmy.”

Until his roommate wakes up, that is. 

When he moved back to Chicago, there was a fact, plain, simple, and unchanging. He wasn’t gonna make rent on his own, not with the restaurant. Not with everything. So maybe he didn’t need to deal with a new roommate, but it’s not like there was a choice. It seemed bearable, survivable enough.

He keeps waiting for the thing that’ll make him grit his teeth, make him regret not getting a place on his own, but it never comes. They’re easy to live with. It’s so easy, as a matter of fact, that it feels strange. The difficulty that he was so certainly expecting just isn’t there. 

If anything, he looks forward to being at home. For someone who lives at work, that feeling is completely foreign.  

They don’t steal his food (not that there’s much). Instead, they cook him food, leaving heated leftovers on the stove on late nights. In Carmy’s case, that’s most nights. They don’t bring over obnoxious company and keep him up with the noise. Rather, he basks in their company, and they make a ruckus between their laughter. Their presence doesn’t stifle him, it soothes him, just like the candle they leave lit in the kitchen for him when he comes home.  They’re not just easy to live with, they’re good to live with, and that’s…

That’s been a hard adjustment, Carmy would say. It’s too much of a good thing that he’s not sure what to do with himself.

On those late nights, they’re usually fast asleep by the time he’s home. But as he sits and eats the leftovers they’ve kept for him, he wants to say something. Something about how a long time ago, there was once a Carmy who cooked for himself, who looked after himself, but that he’s not that Carmy anymore. That it doesn’t matter that he’s a five star chef and they’re just some guy in the kitchen, as they would put it, because he’s…

He’s grateful. Incredibly so.

And yet, the words will never come out. He feels the words tingling on his lips, but it feels scary. He can thank them as many times as he likes (which he does) but it will never capture what he’s really trying to say when he says thank you . There’s too many words, and it just can’t…it just can’t—

It always stays the same. 

“You’re up early,” he says to them when they enter the room. It’s a rare sight to see them up at the early hours he frequents. He sees the morning drowsiness in their mussed hair and big t-shirt stained with hair dye. They yawn back at him, nose scrunching.

Cute , he thinks, and he stamps it down as soon as it flashes through his mind. 

“Randomly woke up.” They fall into the empty seat next to him on the couch, and they rub at the crust around their eyes. “About to head off to work?”

“Unfortunately, yeah,” he replies. There’s a certain sentiment that lies on the tip of his tongue, something about how he wishes he could have a slow morning with them instead. Of course, he can’t voice it. He can’t even come close.

“The plague of the working man,” they sigh. “Well, I got an idea that might cheer you up.”

“...And that would be?”

“Let me paint you a beautiful picture,” they start. They clear their throat and gesture widely with their hands. He notices their chipped nail polish, the writing callus on their middle finger. “Imagine this—you come home from work, tired. You need to relax —something you need to do more often,” they add with a pointed look.  No comment. “And I have dinner ready. Some sort of soup, pasta maybe. I need to check the fridge.” They pause with a yawn. “And before we eat, we smoke a big, fat joint.”

He snorts as they finish, unable to hold back a laugh. 

“That’s a nice picture,” he admits. He doesn’t remember when he started smiling. “Y’know, I was wondering when the joint was gonna pop in.” 

“You fucking know me, man,” they reply, blooming with his interest, his smile. Not that he can perceive that. “So? Thoughts? Haven’t done that in a while, right?”

“Right, right,” he echoes faintly. His mind is already sorting through the pile of tasks on the schedule. “Well, I gotta go over this new recipe with Marcus, today,” he mutters, partially under his breath. “But before that, ingredient orders. And those invoices before the end of the day—and that, that toilet guy was supposed to come today…I think?”

“Dude, I do like, one task, and the day’s over for me,” they say sympathetically, and the look on their face is so serious that Carmy struggles to hide his smile. “You’re crazy.”

“I, I’ve seen you do tasks,” he argues. 

“Name one,” they argue back.

“You did two loads of laundry and did the dishes all before lunch time once,” he says, the memory clear and instant. “And when I woke up, you were vacuuming the whole place.” The immediacy surprises him, and it seems to surprise them, too. 

“Damn, I said name one , but I guess I’m just that good!” They laugh, a breathy, exasperated sort of thing. “Well, point taken. Anyway, it sounds like you’re not gonna be home early tonight.” 

“It is a Friday,” he says, “but…”

“But.”

“Can’t make promises I can’t keep,” he sighs, and shame melts over him like butter on a stainless steel pain. This isn’t anything new. 

“I know, I know,” they say, gracious as ever. “It’s okay. Such is the life of a business owner, yeah?” He searches for some thinly veiled shred of disappointment, frustration in their expression, but he doesn’t. No matter how many times he lets them down, the explosion he’s waiting for never comes. They remain patient, collected through it all. 

Says more about him than them, he supposes. 

“Yeah,” he mutters, “such is the life.” 

“C’est la fucking vie,” they say, and he laughs with a shake of his head. 

It can feel strange to laugh. He worries that the lightness in his chest will expand like a balloon, and he’ll float away. It’s uncontrollable, foreign. It should be scary, how his emotions lead him when he’s around them, not the other way around, but it’s not. 

It’s not scary to loosen up around them, and that’s the scary part. There are no words to describe why. All he can see is that the fear exists, stubborn and persistent. That fear is what makes him snap out of it, makes him look at the clock. He holds back a sigh. 

“Time to go,” he mutters, and they nod.

“And time for me to go back to bed.” They salute him. “Best of luck with your day, brave soldier. And just shoot me a text if you do end up coming back early, ok?”

“Yeah, sure. I’ll try. And, thanks. You, you too,” he gets out. He stands up, readjusting the waistband of his pants. “I’ll, uh, see you later.”

“See you,” they say through a yawn, waving at him from where they’re lying down. They’ve taken his spot, sprawled across the couch, tangled hair flayed out on the pillows. 

Cute , he thinks again, and hearing the thought in his brain makes him wanna panic. 

He doesn’t wanna panic, doesn’t wanna think about it at all, so he nods, shuts the door, and heads out to work with a cigarette hastily lit in his mouth. 

By the time it’s Carmy’s lunch break, he swears his vocal cords must have snapped by how tight he was wringing them. 

The soreness has never stopped him from lighting a cig, though. As he stands outside in the back, finally forced to go on his 30, he smokes rather than eating. There’s a sandwich in his pocket, one that was bearing the brunt of test ingredients. He can feel the aluminum wrapping at his fingertips. 

Eventually, he does eat, though, because he sees the way his hands are shaking when he flicks his lighter. He doesn’t wanna shake when he uses a knife, so he eats. He tastes it, but he doesn’t really taste it.

In truth, he wasn’t even planning on taking his lunch break at all. Most days, he forgets about it. The kitchen’s always busy, there’s always something missing, there’s always something that hasn’t been prepped that’s ruining everything, the lights in the hallways keep flickering because they need to fixed, Fak’s supposed to fix them, but he can’t, because Richie’s still out getting the replacement bulbs, the pile of papers on his desk are bigger than he remembers, he doesn’t have enough fucking time—

But then he’s in the middle of chopping an onion, and the cutting board slips. The half-chopped onion and its sliced offspring scatter on the floor with the cutting board. The sound of its fall draws Sydney in like a whip. 

“You okay? Need a bandaid?” Sydney’s already kneeling by him, helping him pick the onions off the floor. 

“I, I’m fine, didn’t drop the knife,” he explains, and it feels like an ocean current is rushing by his ears. “Fucking, I just—such a stupid fucking—” He sucks in a breath and goes silent. 

His entire body feels tight, wound like a spring. He can barely fucking breathe. 

“Hey.” Carmy turns his intense stare from the onions to Sydney, and when he sees her searching expression, he remembers himself. “Maybe you should go take your lunch break.”

“No, I’m fine, really,” he repeats, and he feels like he’s heard this before. From someone else. He can’t remember. Who was it? “The onions—we’re behind on onions—”

“I can handle onions for 30 minutes,” she interrupts, decisive and firm. “Seriously.”

Carmy’s about to say something, but then he’s looking at the onion half in his hand. His hand is shaking. 

“Okay,” he sighs after a beat. “Okay, yeah. Sorry. For fucking up.”

“It happens. We all have our moments.” She shrugs. When he keeps standing there, she makes this shoo-ing motion with her hand. “Go on. Take your 30!”

So here he is, taking his lunch break a whole hour later than he’s supposed to. Although it’s better than most days where he doesn’t take it at all.

She wouldn’t have had to tell you to take a break if you didn’t fuck it all up, he thinks to himself, eyebrows knitted together. When the last time I’ve fucked up something so fucking easy?

He thinks about his dream from last night. A familiar sight of red fire and flames up to the ceiling, crackling so loud it sounded like screaming. The only good part is that when he woke up, he wasn’t at the stove burning his place down. It hasn’t happened at this apartment yet. Carmy hopes it never happens. 

Just get it together, he thinks. He aggressively taps the ash out onto the decrepit ash tray they have in the back. It’s full. You’re supposed to be at this shit. So just be good.

“Cousin.” Carmy snaps his head up, and Richie’s at the door, stepping out. His presence yanks him out of his inner whirlpool, a quickly descending spiral. “Gimme one.”

Wordlessly, Carmy hands him a cigarette. Richie plucks it out of his hand like a flower.

“You had a lighter, but no cigarette?” Carmy comments, squinting at Richie pulling a busted up red lighter from his jean pocket. 

“Shut up,” Richie mutters, but there’s no heat behind it. “Got the wrong damn light bulbs,” he explains unprompted. 

“Alright,” Carmy sighs. He has so little energy that the frustration bypasses him completely, diving instantly into deflated acceptance. “Just return ‘em.”

“Can’t,” Richie says, and when Carmy gives him a look, he elaborates, “no receipt.” 

“ Dude .” Carmy opens his mouth, but then he shuts it again. It’s just not worth it. “Thanks anyway, cousin. We’ll get it done.”

“Don’t fuckin’ thank me, you asshole. I didn’t do shit.” Richie nudges him, but like before, it’s not an angry thing. “Also, toilet guy’s not comin’ today.”

“The fuck? Why ?”

“Canceled,” he replies simply. 

“Fucking hell,” Carmy mutters under his breath. “Did he say when he could reschedule?”

“Not yet.”

“Great.”

“Yep.” Richie tilts his head up, blowing out a slow stream of gray cigarette smoke. “Might as well wait for Fak to get his ass back in town at this rate.”

“I guess.” Carmy sighs. He thinks about all the things he still needs to do. “I dropped this onion I was chopping, earlier,” he mentions out of nowhere. 

“Okay.” Richie gives him a look. “And? You bitches chop those things up faster than I could cut one in half.” 

“I dropped it on the floor,” Carmy tries again, but Richie’s expression remains unchanged. “I never do shit like that.”

“Well, cousin, you did.” Carmy feels something in him deflate. “What’s the big deal?”

“Nevermind,” he replies, because he’s a coward. “Just—just forget it.”

Silence. The spark of a lighter. 

“I’m gonna leave early,” Richie says, like he can just do that. Which…he can, Carmy supposes. “If no one’s gonna show up, what’s the point?” He slaps Carmy’s back, and Carmy doesn’t watch him as he heads back inside. 

Guess all I need to do later is get rid of those papers on the desk , Carmy thinks to himself, idly moving the shortening cigarette between his lips. Then that’ll be it, I guess.

He doesn’t remember the last time he’s gone home early. It’s hard to even imagine what he does on days like those. Sleeping, probably.  There’s nothing much else for him to do, not with how tired he is—

Shoot me a text, okay?  

He hears them in the back of his head all of a sudden, and he remembers. 

Oh, he remembers, hands moving to take out his phone. Almost forgot.

“Sorry to bother you, chef.” Carmy’s not sure how he didn’t hear the door opening. Marcus’ head pops out, nose covered in flour. “Just wanted to let you know that we’re gonna need more flour for tomorrow.”

“Order’s not gonna come for a couple days. I thought we had an extra bag left,” Carmy tries, but the guilty look on Marcus’ face explains it all. 

“Dropped it,” Marcus grimaces, and Carmy’s already fucking over it. 

“We’re all fucking up today, chef,” Carmy replies, and the day goes on. 

. . . . .

It’s a strange, delightful miracle, but he manages to get out of the restaurant before the sun sets.

Considering their collective track record, the fact everyone was able to leave early was cosmic intervention. It helps that the toilet guy didn’t come, in an unfortunate way, but still. Standing outside of the restaurant in the evening like this feels…weird. 

It’s not that Carmy’s complaining about a nice thing, it’s just that he wasn’t prepared to have anything good today.

Shower, dinner, and weed, he thinks absentmindedly on the way home. He juggles the three around in his brain. Just the thought of it feels like relaxing. A little.

With company , his brain helpfully adds, and his stomach squirms. 

Self control, he thinks. He needs more self-control. He can’t just keep thinking of them so indulgently. He’s not allowed to think of them that way, because it’s not fair to them. Even if no matter how many times he chastises himself, it never works. Even if they remain in his brain like sun-spots in his vision. Even if it’s not his fault that he just can’t help it.

The thing is, though, it always is. Even when it’s not his fault, it actually is. Always.

You dropped that fucking onion , his brain helpfully adds for no particular reason. Fucking loser.

Fuck off , he thinks back as he approaches his front door. Predictably, it does not stop.

Just as his fingers search for his keys in all of his pockets, he hears something that makes him pause, hands stopped on his waist. It’s music, distant and muffled. They’re probably listening to music in the kitchen. He stands, trying to place the song, but he doesn’t recognize it. 

He does recognize the voice that’s singing over the music, though.

Oh, he realizes. That’s them.

The way their voice clumsily layers over the music shouldn’t make him pause like this. He shouldn’t be doing this, standing in the doorway and listening rather than opening the door. The keys are in his hand. This, this is a breach of privacy, he tells himself, feeling a little dizzy with distress, he just needs to just—

There’s an abrupt, loud clang, and he shoves the door open.

Concern is on the tip of his tongue, but it dies there. The source of the noise lays face-down on the floor—a pan sitting in what seems to be tomato sauce. The matter next to it is what makes the words evaporate from his lips, like they were never there at all. 

They’re kneeled down next to the pan, paper towels in hand, but all they’re wearing is an apron. 

His mind blanks. He thinks he stops breathing. He’s never seen so much of their skin at once. He needs to look away, he thinks, but his eyes keep traveling, traveling, and traveling. It just happens so quickly. He doesn’t mean to look, he doesn’t, but they’re right there and he can see right down their—

“No, I—I’m sorry! I didn’t know you were coming back early!” They exclaim, quickly crossing their arms over their chest, and that’s what makes him tear his eyes away. 

“I—I thought I texted you,” he says quickly, hot face turned to the side, “on my lunch—...“ He stops there, the memory reconstructing itself. 

He forgot.

“It’s fine, I just feel bad about dinner, and, uh—okay, I’m just gonna change real quick, and then I’ll clean this up,” they reply, words rushing out. In the corner of his vision, he sees their bare legs dart to their room.

It seems wrong to just stand here staring at the tomato sauce slowly expand outwards on the floor, so he cleans it up. A couple paper towels later, he’s gotten most of it, and they’ve returned with a change of clothes.

“Sorry,” Carmy starts right as they also go “I’m sorry”. He pauses, meeting their eyes. It’s a lot easier now that they’re wearing leggings and a t-shirt as opposed to, well, nothing. Not to say he doesn’t appreciate the leggings. 

“Sorry you had to see me like that,” they sigh. “I don’t—I don’t usually walk around the place naked, I just—I didn’t think you’d be back—“

“I should’ve texted,” he interrupts. He struggles to not think about them walking around the living room naked. “I forgot. But it, it’s fine. You’re fine. Really. Sorry for not texting.”

“Okay. Cool.” They exhale, a tired noise. “And it’s okay. It happens.” They look at the floor and make a sound of surprise. “Did you clean this up?” The look they give him has far too much gratitude, and it feels like a searing hot iron.

“Yeah, uh.” His hands are moving like he’s trying to explain something, but no words crop up. “Felt weird not to.”

“Well.” They smile, grateful. “Thank you. That was gonna be dinner, but…” They trail off, looking at the floor with a sour expression. “I fucked up.”

“It’s just that sort of day today,” Carmy mutters.

“Shitty day for you, too?” 

“Yeah. Lots of shit went wrong.” Especially me, he thinks, but he doesn’t say it. “You?”

“Gotcha.” They shrug. “As for me—yeah. Really not my best day. It was just, uh, some family shit. You know how it is.”

Carmy makes a sound of acknowledgement. “That sucks.” He doesn’t know much about their family other than that they’re fairly shitty. It’s the same the other way around, too. 

“It’s whatever,” they say, even though it really isn’t, and he knows it. They look at the floor one more time before looking up at him. “Do you just wanna order pizza or something?”

“Yeah, I do,” Carmy replies, his words coming out much more despondent than expected. 

They settle on some pepperoni pizza from a place down the street. It’s a tried and true method—they deliver, it’s cheap, it’s oily, it’s cheesy, it’s good. Just talking about it makes Carmy taste it on the tip of his tongue. 

“You can go and shower if you want. I’ll get the door when pizza comes,” they offer. They’re standing at the sink, sleeves rolled up. 

“Okay, thanks.” Carmy pauses then, gears turning. He’s vaguely worried his memory is going to shit. “Did—did I just say I was gonna shower?” 

“Oh, no, you didn’t, you just always shower when you get home from work, right?” They say it like it’s the weather, like it’s familiar, and that’s when Carmy realizes because it is. After several months of living together, of course they’ve picked up on his habits. It doesn’t need to be a thing. There’s no reason for it to be a thing.

“I do,” Carmy replies faintly, and for some reason, that’s all he can say. 

“Thought so.” They look at him for just a moment, but it makes him feel like his body’s gone transparent. “I notice these things, you know.”

“Yeah.” Carmy looks at them when they turn back to the dishes, back facing him. “You do.” 

He tells himself he’s not gonna think any harder about any of it. He’s not gonna think about the singing, the apron, the way they just notice these things, but then he does. 

He’s in the shower, and he thinks about everything.

The water pressure is pathetic, but the warmth still feels nice. Between that and the sound of the running shower, it’s usually enough to quiet his thoughts. This time, though, it doesn’t. To his credit, he does try to think about anything else. 

He thinks about work, because he always does. He thinks about flour, about onions, about knives. He thinks about the shampoo lathered in his hair. He thinks about those lightbulbs they still need to get. He thinks about food. He thinks about them. He thinks about pizza. He thinks about the way they sing when no one’s around. He thinks about the way they know him. 

He thinks about them, knees on the floor only in a—

He thinks of bashing his head into the tile wall until he explodes.

“Shut the fuck up,” he whispers to himself, rivulets of hot water trailing down his forehead and dripping off his lips. “Shut the fuck up.”

The soreness is still present in his body, but that never quite goes away. He does feel a bit better now that he doesn’t have sweaty, sticky skin, though. It gets even better when he puts on a clean white t-shirt and his favorite sweatpants. It’s a nice surprise from his past self who did his laundry for him. 

This amount of niceness is okay. This is what he’s used to—a shower and comfortable clothes when he’s home from work. That’s enough.

He steps out into the kitchen with a damp towel on his head. He finds them sitting by their one shitty window that opens, pizza box in front of them and joint lit. It casts an orange glow to mix with the golden light from the window. 

“Hey, pizza’s here!” They slap their hand on the greasy cardboard box. “Just got this joint started for us, too.”

“So you weren’t gonna smoke it all on your own?” He doesn’t mean to tease, but he does. He slips into the seat across them, arms resting on the table they placed by the window. 

“I couldn’t smoke this whole thing even if I wanted to,” they protest. “Besides, joints are made for sharing. Here—now you get to take it. Isn’t that nice?” With their elbow propped up on the pizza box, they hold up the joint to him. The lit end of it sizzles a bright orange, emitting a thin trail of smoke up to the ceiling. 

“That is very, very nice,” Carmy agrees, taking it carefully from their fingers. Their face spreads into that contagious grin of theirs, and he’s far from immune. Sometimes he smiles so much around them that his face hurts, rusty and unused. 

Sure, he can blame that on the weed, but if he’s being honest with himself (a rare occasion), that’s a complete lie. Obviously the weed lessens the tension, the stress that winds him up tight. It’s not just the weed that gets him to relax, though. 

It’s them. There’s something disarming about their presence, something that makes him loose-lipped around them. Even when he’s sober, he finds himself feeling comfortable. He’s not quite sure how that happened, or if that’s ever happened. He supposes that isn’t a bad thing. Just something he’s noticed. 

He wonders if they’ve noticed. 

“You like the new rolling papers?” They tuck their knees under their chin, propping their feet up on the chair. 

“Hm.” Carmy lowers the joint from his mouth to give it a good look. He rotates it around in his fingers. “Strawberry?”

“Yeah, it’s strawberry,” they confirm, poorly hiding the excitement in their demeanor. Not that they were trying to. “Can you taste it?” 

He pulls from the joint, the edges of the paper sizzling red with the weed. It’s an even burn this time. He rolls his tongue around in his mouth after he exhales a cloud of smoke. 

“Still no,” he decides after a beat, and they sigh. 

“I don’t know why I ever get my hopes up.”

“I do taste something else in this, though.” He takes another hit, stews on it. “Lavender?”

“Shoulda known you would’ve gotten it on your first tray. Yeah, it’s lavender. I found some lying around.”

“You made this one pretty nice,” he observes, eyes tracing the shape of the joint. “Between the lavender and the new papers, I mean.”

“Well, y’know.” The smile on their face is small and shy. “I don’t smoke joints often, so I wanted to make it nice, and I, uh…”

They’re paused for so long that Carmy interjects. 

“And?”

“And I—want that joint,” they finally say, outstretching their hand. Carmy has a strong feeling that they weren’t originally going to say that, but he hands over the joint nonetheless.

“Strain?” He asks curiously. He can feel the body high creeping up his shoulders, fluid and light.

“The strain that gets you high,” they reply with a grin.

“Oh, thank god,” Carmy sighs in relief, and the way that makes them laugh… It makes his chest tight. 

“To actually answer your question, though—I dunno.” He likes watching the smoke drift from the tip of the joint as they talk, thin gray wisps in the air. “I think it’s a hybrid? Not sure if it’s more one way or not, though…”

“As long as it’s not the weed that puts you to bed.”

“Um…well, if you smoke enough of it, it can.”

They sit together like this for a while, just sitting and taking turns with the joint. It’s an easy, fluid exchange, flowing between them like smoke. No matter how much they both try to blow it out the window, it always comes back in. The smell of weed is strong in the air, earthy and pungent.  

Although he would never describe himself as a talkative person, sitting stoned across from them makes the words come out. Sometimes, he thinks he likes himself better when he’s high—his mind isn’t running circles around itself, and the soreness of his body just floats away. He feels more like a human than a poor imitation of one like he usually does. 

This weed smells kinda good, he thinks, and when they laugh, nose scrunched up, he realizes he said that out loud. 

“That’s literally what I’ve been saying,” they agree, a bright grin lingering on their face. “That’s how you know you’re a fuckin’ stoner!” 

“Feels weird to call myself a stoner,” he muses. He plucks the joint from their outstretched hand. It definitely looks shorter from when they started a moment ago. “But I guess…”

“If you like the smell of weed, you’re too far gone,” they say with a grave expression. “It’s so fucking over for you.”

“Fuck,” he whispers, equally as serious, and then they’re both bursting out into laughter. He likes the sound of their laugh—it’s unabashed, fills up the space. 

“Dude, I’m high,” they whisper after they both calm down, like it’s some sort of secret, and Carmy can’t stop himself from laughing all over again. “Oh my god. Are you high?”

“I—I think I might fucking be,” he gets out between laughs, and that sparks them straight into another cackle of laughter. He’s not supposed to be able to make others laugh, he doesn’t even make himself laugh—but then he’ll say something, and they’re lit up with laughter. 

“We need to eat this pizza now, ” they yell, projecting over their combined noise. They flip the pizza box open, and it smacks Carmy right in the face. 

“Oh,” he reacts mildly.

“Shit, I’m so sorry—”

“It’s fine, it’s not like you punched me in the face,” he reasons, but their guilty expression persists. “It didn’t hurt, it’s just cardboard.”

“I’m sorry, I’m high,” they sigh apologetically. 

“I know,” he replies with a little smile. His eyes drift down to the pepperoni pizza sitting before them, glorious in its perverse amount of oil. “So, we’re gonna eat this, right?”

“Oh my god, yes we are,” they gasp, and the moment is forgotten. 

When he tears off a pizza slice, the cheese stretches in thin, gooey strings. They grab the slice adjacent to it to snap the strings in half, but they’re both leaned back in their chairs, pizzas in hand, and the cheese is still connected. 

“This doesn’t seem right,” Carmy mutters, eyebrows furrowed in confusion. “We should’ve just cut it.”

“How could we have predicted this?” They pull their pizza further back, and the string still doesn’t break. “Wow. I’m honestly impressed. I don’t think it’s ever been this insane before.”

“I think we’d remember.” He’s not sure why he’s still talking and not just running his finger across the string to break it. 

“I think we would, too.” They snort, shaking their head. “This—this is some spaghetti type shit.”

“What? Spaghetti?” He’s genuinely perplexed.

“I—I mean like—that fucking disney movie. With the dogs.” They pause for a moment, mouth silently moving. “Fucking—lady and the, the truck—”

“Uh.” He has to hold back a laugh. “...The lady and the tramp?”

“ Holyshittheladyandthetramp ,” they blurt out in a rush, and the cheese string finally snaps in half. “…Well, I guess it’s not exactly like the lady and the tramp, then.” They take a large bite of their pizza, and it reminds Carmy exactly how hungry he is. 

“You mean lady and the truck,” he corrects, and he can’t stop himself from smiling. Especially not with how good this hot pizza is, delightfully salty and greasy in his mouth. 

“Shut up, I was trying,” they grunt through a mouthful of food. 

“How exactly is this like the lady and the tramp, again? Or, uh, not like it?” 

“Well, it was just like it, but then the string broke.” Somehow, they’re already halfway through their slice. “Could’ve been a beautiful spaghetti moment.”

“Spaghetti moment,” he echoes under his breath, holding back a laugh. “Remind me how that scene goes?”

They go quiet for a moment. It’s like he can see the gears turning in his head. If he’s being honest, he already remembers how that scene goes, but…he wants to hear them say it. He needs to hear them say it. 

“Uh, well, they’re…eating spaghetti. The titular lady and tramp.”  Their eyes are fidgety, flickering back and forth between their pizza and the window. “And they’re sharing the plate, the two of them. They’re eating together, and, um…” 

“...And?” 

They meet his eyes, mouth hanging open, and then they close it. 

“Um, I don’t remember, actually,” they say, shaking their head and blinking. He sees it for the blatant lie that it is, and yet. “Do, do you remember?”

As he stares back at them, unable to look away, he wonders. He wonders about what this really means. About if this really means anything at all, about if he’s going to find out if it does. 

“I don’t remember,” he answers quietly, cowardly, and neither of them say anything else.

Out of the two of them, they’ve always been better with recovering from awkward moments, so they do. They start talking about something else, and the world keeps turning. But in the back of his head, Carmy remains in that moment, unwilling to let it go. 

Why did you say that you didn’t remember? He wants to say. Why didn’t I say that I remembered how it went? Because I remember. They kiss—they fucking kiss. Is that what you wanted to hear? Is that what I wanted to hear?

But because he’s Carmy, he doesn’t say anything. He just eats.

He’s so hungry that the pizza disappears in minutes. It’s delicious, but he’s so high he’s not completely sure he can taste it. Somehow, it remains the best thing he’s ever eaten. 

The rest of the night is a blur. He remembers getting onto the couch at some point. They both decide on a random movie he doesn’t catch the name of. They finish off the joint on the couch together, sinking into its cushions. It burns hot in his throat as it reaches the end. 

And as it turns out, the weed he smoked is the one that puts him to bed. 

“...Ca…Car…” Someone’s calling him. “...Carmy, c’mon. You’re gonna complain about your neck tomorrow if you keep sleeping here.”

“Mhm,” he replies helpfully. He turns his head into the cushion. His body feels like an abstract blob, perfectly molded into the couch cushions.

“Okay, you made a good point. But. ” They laugh quietly, under their breath. “Movie’s been over for like 20 minutes now.”

“Mhm,” he repeats, nearly inaudible. He doesn’t wanna get up. Whenever he falls asleep, it always feels like he’s never gotten an hour of sleep in his life. There’s nothing he needs to think about, worry about. He’s warm and comfortable, and he doesn’t feel like letting that go just yet.

Everything goes silent again for a moment, save for the cars on the road. He begins to drift away again, slipping back into his dreamless sleep. 

But then there’s a hand on his shoulder, and it’s like a smoking brand on his skin. His eyes fly open and he jolts awake, jerking upright. 

“I’m sorry, I didn’t mean to startle you,” they apologize, fretful. Between the dark of night and haze of sleep, they look pretty different. The blue light from the television is streaked across the blurry planes of their face.

“It’s fine,” he replies, drowsy. Speaking feels…heavy. Begrudgingly, he adjusts to sit up. “Didn’t mean to fall asleep.”

“Weed,” they say with a shrug. 

“How, how long was I—?” He cuts himself off with a yawn, wide with condensation in the corners of his eyes. 

“Only like, 30 minutes.” They yawn back. Typical infectious yawning. “End of the movie sucked anyway.”

“Oh.” Pause. “What was the ending?”

“Love interest died,” they state plainly. “He told her about how he felt, got rejected, and then she died in a car accident. Pretty tragic.”

“Huh.” Carmy makes a face. “That does suck.”

“Yeah, a bit.” They’re idly fiddling with the remote, scrolling through Netflix without reading anything. “I feel like the movie was trying to say something profound about the unpredictability of life or something, but the writing was shit.”

“I guess it’d be too perfect if they got together,” he muses.

“I guess,” they echo. They turn off the tv, and the room goes dark. The only light is from the yellow street lamp right outside their window, wonderful in its inconvenient placement. It illuminates the shape of the back and leaves their face in shadow. “I think I remember how that scene went,” they say suddenly. 

“Oh.” Carmy’s heart feels stuck in his throat. “And how does it go?”

“Well, they’re—both eating spaghetti. Like I said.” They’re not facing him, leaving their face shrouded in shadow. He’s not sure if he’s imagining the shake in their voice or not. It’s beyond him why there would be any shakiness at all. “They somehow get the same noodle, so they, uh, kiss.”

“They kiss,” he repeats for some unknown reason.

“Yeah.” They let out a quick laugh, but it doesn’t sound like they actually find this funny. He wishes he could see the look on their face. 

“I don’t think pasta works like that,” he hears himself murmur faintly. For some reason, he can’t help but think that was the wrong thing to say. But he’s already said it. Maybe it’s the same reason as to why his heart is beating so urgently. 

“No, I, I don’t think so either,” they mumble. He refuses to place the way they’re feeling. 

I can’t fucking do this.

The thought resounds like a gong, hit with a mallet right next to his ear. 

“It’s late, I gotta head to bed.” It feels like someone else is speaking for him, moving his body for him. He can’t stop them. When he stands up, he avoids their face.

What the fuck are you doing?

Another thought resounds. He doesn’t respond.

“Right, I—didn’t even notice the time.” He pretends he doesn’t hear the strain in their voice. No, he didn’t word that right—there is no strain in their voice. “G’night.”

"Night,” he murmurs back.

This is enough, he tells himself as he falls into bed. His sheets are tangled. This is enough , he repeats, and it’s not because he’s scared, afraid, anxious, or any other stupid synonym. It’s because he believes it, needs to believe it. 

He tells himself, this is enough , even though he wonders, what is supposed to be enough? He doesn’t listen. He stamps down the protests, the thoughts that are out of line. The high usually helps with that, but it’s worn off, now just leaving him in a weary, sleepy state of things. 

This is enough, he thinks, and he falls asleep looking at their shrouded face behind his eyelids.

[punctuation-completionist]

. ? : – '

5/21

people with blue eyes:

🧿_🧿

I don't look like that.

[treesareredinautumn]

Enderbois

Aimsey is wearing Ranboo's old clothes, despite being the older sibling and I love that for them

[skrunksthatwunk]

leaving home

[for-those-who-wait]

I've been listening to the Electric Light Orchestra's album Discovery and honestly it's probably my favorite out of the six I've listened to

AKA The Diary of Horace Wimp has been stuck in my head for several days now and I can't get it out help me help me help

[strawberrysniffer]

She's done :)

[pinktinselmonstrosity]

GOOD NEWS the expensive pair of jeans i impulse-bought last week (bc my current jeans make me actually angry to wear) don't fit me, so i can return them and get a refund 😊

[bitchfitch]

a lot of the comments on that stained glass post are really funny because they assume the horse was like, a serious attempt and not me going "ok I've never used these tools before, I'm going in with no plan and just fucking up half sqft of glass while i learn how the cutter and pliers work" and then assembling the resulting shards into something vaguely resembling a horse to get the rest of the process down in my pre research fuck around and find out phase of learning a new skill.

Also the soldering looks like shit because the articles i found in the 20 minutes i was buying the stuff to start all said "flux makes the soldering better" in really vague terms without actually like, explaining that it lowers the flow point of the solder and makes the copper foil more receptive to it. so i assumed it wasn't necessary and was just used for vague betterness reasons and didn't buy any until a few days later when I started properly researching how to do things and found out it's actual job and that it's absolutely vital to the process.

So the solder isn't actually fully bound to the tape on the horse and is just like, melted overtop it following the lines of the tape. there's a distinct oval shape where the sides of the bead are up and off the tape instead of the domed shape it's actually supposed to be.

I also hadn't bought a grinder at that point bc I'm cheap and wanted to find one lightly used on ebay and also i wanted to wait for my pay check so I'd have a Little extra wiggle room with the whole shebang before i dropped 70 bucks on a tool i might not enjoy using too much.

which is to say, the whale is the first actual attempt and not the horse.

[stop-breaking-my-heart-telltale]

I loved your ranking of Jane! She gets way too much hat. Tbh I like her way more than Kenny

Thanks anon, glad you enjoyed the post!

But yes, I agree. I think Jane gets too much hate and I believe it comes from a misunderstanding of her character, as well as a lot of bias set in Kenny's favor.

Believe me, I understand a lot of the criticism with her character and I don't fault anyone for disliking her. To each their own, y'know?

I find her compelling and way more likeable than Kenny, and while I stand by the Wellington ending being the best outcome for Clementine and AJ, I loathe that you only get it by going with Kenny. Personally, if forced to throw out the Wellington ending, Jane is Clementine's best option as far as S2's ending goes...

...We don't talk about ANF Jane. ANF is forever on my shitlist for what it did to Jane. You ever want to study a great example of writers fully misunderstanding a character then writing a total character assassination? Then look at Jane in ANF.

But anyway, Jane isn't heartless and she actually listens to Clementine when she chews her out and tries to improve, something Kenny just... doesn't do, no matter how many times he says he will be better. Actions speak louder than words, my guy.

One example I can give comes with Arvo. Jane will threaten him with a gun and suggest they take his stuff, that she doesn't care about his supposed sick sister, all that... no matter the outcome, Jane shows remorse for her actions and questions how she got to the point of threatening a kid like Arvo, someone clearly powerless against her and in a position to be taken advantage of.

Then you have Kenny who treats Arvo as a personal punching bag and never once does he feel remorse. Kenny just treats him as an outlet for his rage, nothing more. Arvo isn't even a person to him. Hell, he cares more about going after Arvo and beating his ass than he does if Clementine falls through the ice while trying to save Luke.

You know who pulls Clementine out of the icy water? Not Kenny. Jane does, and she's the only one in a huge panic about her freezing to death, running around looking for a way to start a fire and what is Kenny doing? Right, beating Arvo again.

That's just one example. Also, to touch on the topic of Sarah, because I know that's a big thing for people who dislike Jane which fair enough, I get that. I don't have time to give a full analysis, but Jane's backstory is a huge part of why she tells Clementine that Sarah's going to bring her down. Sarah isn't in good shape after Carlos is killed, and you can't just pretend that she didn't endanger them when she refused to move. It makes sense why she doesn't, and it's incredibly tragic, but Jane can see as an outside observer with no attachment to Sarah that if they stay here, they're all going to die. So, either Clementine forces her to move, abandons her, or dies with her.

There are plenty of flaws with how Sarah is portrayed and handled in S2, again I don't have the time to give a full analysis, but Jane is gentle no matter what Clementine decides to do, save her or leave her. She doesn't chew Clementine out, she doesn't say, "I told you so." Jane explains her story with her sister, and the Sarah situation clearly triggered that trauma for her.

Again, soooo easy for people who hate Jane to be like "see?? she left her sister to die?? Jane bad, she want Sarah dead too," but that's just purposely ignoring the nuance and grey of the situation so you can think easy. And no, Jane doesn't want Sarah to die, that's just a straight up lie.

When Sarah is trapped, Jane will put aside her beliefs and safety to help Sarah when Clementine asks her to. It's not Jane's fault Sarah died. Maybe if she hadn't been hit with that plank of wood, she could've gotten to her faster. Maybe she would've died because Sarah was such in a state of panic that she would've brought her down, too. Y'know that drowning metaphor-- a drowning person will almost always pull you down, is it worth sinking with them? all that.

I want to make it clear that this isn't Sarah's fault. She's a victim here, both in the situation and in the games writing. Jane knows this, too. She's sincere in her apology to Clementine, and seeing Sarah die is yet another trigger that causes her to leave.

There's so much about Jane's character that I could get into, and I plan on it at some point. Like I said in my tier list, Jane is a great character and I'm tired of pretending she's not.

[magentagalaxies]

was thinking about another observation i want to put into my hypothetical mouth congress video essay whenever i get around to actually making it and i had to take a step back like "jess you already have so much you want to cover how long is this video essay going to be"

and then i remembered that interview where paul bellini said the original cut of the mouth congress documentary was over three hours and "nobody wants to watch that, even those of us in the band couldn't watch it!" (side note i would watch that. release the bellini cut lmao)

anyway idk exactly how long this imaginary video essay is going to be but if it's even one minute over the length of the mouth congress documentary (which i believe is an hour and sixteen minutes?) i'm putting that interview clip as the opening bc of the irony

[webism]

prt one, prt three

pornstar!satoru who pays for a month of your onlyfans—for research purposes. he needs to find out who this boyfriend of yours is, and figure out a way to get rid of him.

pornstar!satoru who knew it was a long shot, that you might not even show him on your page at all. and of course he got distracted a few times whilst scrolling through your posts, dick rock solid and at attention with each new angle of you of his screen.

pornstar!satoru who, when he finds the more homemade stuff, he’s pathetically jealous of the man that frequents your bed so often. how big his hands look as they lay lovingly over your skin, how in love you look as you suck his cock, how well his tip hits your g-spot over and over and—of course he fucking knows him. a video of you on your back piques his attention, your man in between your legs and lapping at your needy pussy like he’s starved. satoru knows that long hair, that cheeky sexdrunk smile that pulls at his lips while he eats you out, he knows those purple fucking eyes that turn to glance at the camera.

of course it’s pornstar!suguru.

pornstar!satoru who suddenly has his cock out, languid strokes of his fist over his length is nothing to the memories of pornstar!suguru's lips wrapped around his length. who is so enthralled by the knowledge that both him and his former co-star have gotten to feel the flutter of your pussy around their cocks.

pornstar!satoru whos fingers are frantic as he searches for more of you together, and ends up spending way too much money on subscriptions just to watch you get fucked stupid on the same cock that he once did for a film a few years back. who wonders if you feel the same stretch with suguru as you did with him. if you were forced to choose, relationships be damned, who you'd say made you cum harder.

pornstar!satoru whos dick gets impossibly harder at the thought of you not choosing at all. who lets himself picture it, you spread out for both him and pornstar!suguru, your eyes wide at the prospect of taking both of them at once. how he'd take your mouth first, how with each thrust of suguru into your pussy would push you forward onto his cock. how he'd kiss your boyfriend breathless while they're both balls-deep inside of you.

pornstar!satoru who strokes himself along to a video of you riding pornstar!suguru. who times his orgasm just right with your shared one, who goes fucking blind for a moment with the way his climax washes over him. your noises, suguru's noises, the imagined smell of sweat in the air. he moans, a dirty mixture of your name and his, something embarrassing and still he remains steadfast in his lust.

pornstar!satoru who, because he respects himself at least a little, gives himself fifteen minutes for post nut clarity to set in. and when it doesn't, he's texting his agent in the dead of night and very firmly requesting to be booked again

with both of you.

pornstar!suguru who, upon having you home from a particularly tiring shoot, is doting on you with heart-shaped pupils. He's got you laying down with him on the couch, big hands working magic on your sore muscles.

pornstar!suguru who doesn't always ask for details about your shoots. he knows it's just work, hell, he's a pornstar himself, he doesn't need the raunchy details of your jobs to keep himself from spiralling. but something about today feels different. today, you seem uncharacteristically fucked out.

pornstar!suguru who is more than surprised when you're still rearing to get fucked silly that night. you groan about your shoot with a new pornstar, and how his touch is still lingering on your mind. and suguru laughs, because jealousy doesn't come easy to him-- if anything, knowing you're still in his bed at the end of the day just gets him even more worked up.

its when pornstar!suguru bottoms out inside of you, that shared gasp of ecstasy leaving both your lips that you mention how he asked you out for drinks after the shoot. you add on, of course, that you turned him down, but the comment still has your boyfriends interest piqued.

pornstar!suguru who, with a kiss to the corner of your lips and a gentle thrust into you, asks who this admirer of yours is. and just as the names about to leave your lips, his phone chimes on the bed with an email.

an offer. a threesome shoot: him, you, and a second male. it's the best paying shoot he's gotten in a long time. he hasnt quite scrolled down to see who the other talent was, so when you snatch his phone, legs still wrapped around his waist, he catches that smile on your lips. he catches the way you clench around him.

"that's him," you speak, such pretty words from your lips as you turn the screen to show him the name and headshot of pornstar!satoru.

and pornstar!suguru's dick gets impossibly harder.

tags: @meowforluv @p1xlesk1nn @ch3rryistheg @miizuzu @okayiamkassandra

PART THREE HERE!

[bmpmp3]

and you will listen to my halfway unmixed vocal synth covers. you will. my final message (dies in your arms)

all the virvox guys in voicevox humming! yume no tobira piano ver vsqx by leah ocarina and the instrumental is by 友紀!

[theinfinitedivides]

being slightly religious on main for a sec but i was just in the shower and i started humming the bridge run for Guilty and somehow went into the run for Jonathan McReynolds' All True?????? help??????? those two songs could not be furthest from each other what the f*ck is going on here

[nkogneatho]

𝐉𝐉𝐊 𝐃𝐈𝐂𝐊𝐓𝐎𝐋𝐎𝐆𝐘

—a/n: ngl i cooked. overcooked even, so imagine some of the nastiest shit, this has it all. if i studied this much in my exams i would have a higher CGPA. anyways. hex codes are given. hope you like it.

—cw: dick+pubes+balls+cum analysis (kill me pls), monsterfucking in sukunas, creampie and breeding, never heard phrases from my dicktionary, not proofread plus it's 4 am i am half asleep

𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔

code: length: #ffe8d6 , tip: #f2aab7

We all know it. King of long dick. okay but no fr he has the longest dick in jjk. but let's get to the details. so size?? a whopping 7 inches. but you know his dick does this thing that when it gets hard, it curves slightly so hey!! maybe the true size is 7.2 or something. about color...his cock has the same color as his normal skin tone but as it approaches to the tip, it falls under a blushing pink gradient. and god his tip is so pink when he's hard, it feels likes all the blood in his body is settling there. his pubes hmm? white bush. he does trim it tho. but c'mon man!! it's gojo satoru we're talking about. he gets off seeing your nose rubbing against his white trim when you deepthroat him. also it's very rare for people to deepthroat him because as i said, longest dick. which is why when you actually manage to take him all the way in, the rare feeling of the throat sucking in has him shooting his translucent load down your throat. how does his cum taste? slightly sweet. duh. he's a sweet tooth and the reason he doesn't get diabetes is because all the sugar goes into his semen.

𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎 𝐓𝐎𝐉𝐈

code: length: #ad8272 , tip: #875f54

*long inhale* bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock. incase i wasn't clear. he has a BIG FAT FUCKING COCK. he has the cock of our dreams. his size is long and girth is thick asf. length would be about 6.8 or 6.7. well about the girth...3.5 inches. yeah. good luck sucking that in your hole lmao. let's get to the tone. his cock has much darker color than his body. he has one of those milktea brown cocks. and the cockhead is even darker like coffee. oh wait! the cockhead. right. so hear me out. DID YOU KNOW HE HAS A FAT MUSHROOM TIP? the kind that is so thick that it gets lowkey stuck in your hole when he pulls out. my man has to tell you to breathe and relax so he can get it out. about his balls, bitch they're as the same size as big lemons. like you know why he wears those baggy bottoms otherwise everyone would see those nuts easily. they're not even nuts. nuts are dry. his have so much cum inside that if he doesn't shoot his load in you or on you once a day, they'll actually explode. cum taste? i said it before here but incase you're new here, it tastes like if someone put a little lemon and msg in thick and creamy alfredo sauce. bye.

𝐆𝐄𝐓𝐎 𝐒𝐔𝐆𝐔𝐑𝐔

code: length: #c99a89 , tip: #fcd7ca

*evil laugh* i am not holding back on him but hear me out. HORSE COCK. have you seen it?? it's like curvy girthy cock. me thinks he has long hair and broad shoulders. and have you seen his hands??? it all sums up. isn't as long as gojo but god that meat is fat as fuck. his size has to be around 6 inches and the girth from a 2d angle is about 2 so i found the pythagorean theorem of his cock which is like 6.324 inches. so his tip starts at like 5.324 inches. about the tone...his dick starts darker—or maybe it's cuz of his pubes—at the base but as it reaches towards the head, it blends into the color of his skin tone. geto likes to clean shave sometimes but you know when he saw you drooling over his happy trail when he came out of the shower with a flimsy towel wrapped around his body, yeah he couldn't get that drooling expression of yours out of his head. so he trims it to the length that wouldn't get in the way and is easy to keep it clean but also enough to make you salivate. his balls are very similar to a fig in shape. aren't really fat but they grow hella tight when he is close to cumming. the taste of his cum is sour. i am telling you. like not too sour but it sorta has the acidic taste to it. but nonetheless it tastes good on your tongue. on his too, when he kisses you after shooting a load in your mouth

𝐍𝐀𝐍𝐀𝐌𝐈 𝐊𝐄𝐍𝐓𝐎

code: length: #e8cca9 , tip: #b59267

chooo choo mfs. i am about to go off. dw i won't slander him, he has already suffered enough. #justicefornanami but anyways back with my girthy cock agenda. now listen. he is not long. i mean he has an average size but the girth??? sheesh! that makes up for it. his length has to be like 5.8 or max to max 6 though gotta love that 4 inches girth, big fat meat, exceeeding half the size of his length. now if you don't understand this concept in numericals, let me indulge you in a scenario that might help. imagine him coming home frustrated from work and all he needs is a warm shower. but there you are all slutty in your outfit and all he wants to do is blow your back out. so he gets hard...like really hard. and it's so painful for his cock to stay put under all those layers of cloth that if he doesn't free it, it will tear it's fat way out. so when he finally decides to unbuckle the belt, pull his undies down with the waistband, his cock jumps out and slaps against his shaved pelvis. so loud that you can hear it over the noise of the tv. now you get it? no? okay hear this one. when he wears an underwear coming fresh out of the shower, his dick takes up about the area similar to a size of a bowl. about his tip, he has a fat tip bruh. not too fat because the base is much thick but yeah. now time for the taste, mixture of citrusy and salty. like when he cums in your tongue it has that salty flavor but the after taste is sweeter and falls more of the citrusy side. maybe like a tangerine. wow i really went off. apologies everyone.

𝐑𝐘𝐎𝐌𝐄𝐍 𝐒𝐔𝐊𝐔𝐍𝐀

code: base: #805149 , length: #f5d7c6 , tip: #edc8bb

i am in my monsterfucking era so this is gonna be monster kuna. so we all know four arms, two dicks yada yada yada but did you know sukuna has a special ability?? like we all know he can summon his mouth anywhere but did you know he can summon his dick too? anywhere on his body. he does this thing where if you act too bratty, he'd throw his palm your mouth and you'd think he's just blocking your voice but this mf pops out a whole ass 8 inch monster cock in your mouth that has you gagging and choking, eyes rolling back. *728 dead. 263 injured* there's no size for kuna since he can adjust the size but if we're talking tones, the base of his cocks (wow. plural. would you look at that) have reddish undertone. like tomato red but the actual dickbod has like peachy pink color. his cockhead is long and kinda blends into the length. his cum tastes bitter and sour. not repellent but the taste is still strong. don't underestimate this man though. he'll rip your holes apart yet have you begging him for more. that's what simply is the power of the king of curses. he has you compelled. but i gotta give it to sukuna fuckers. y'all have some of the strongest pussy/ass.

𝐊𝐀𝐌𝐎 𝐂𝐇𝐎𝐒𝐎

code: length: #f2e7c4 , tip: #d6b596

chosito's cock represents a shampoo bottle. now you might ask which one. the retail shampoo bottle that you use as your mic in the shower. he has a pretty and perfect dick. his girth is thick enough for you to wrap your fingers around you and his length enough to fill you up. whenever you stroke his cock, you can't stop looking at it. it just fits right. like it was made for you. so perfect. his size falls under 5.6 to 5.9 inches and the girth is 2.5 inches, so it's like a good ratio. he has an olive undertone and a darker mushroom tip. his pubes aren't trimmed but he keeps them extra clean. you know it because whenever you give him a blowjob and you take him all the way in, there is a floral smell lingering around the area. he doesn't naturally sweat a lot plus he has a very bouncy skin with slightly soft texture so his cock is always pleasant to suck. choso also has very visible veins. and when i mean very...i mean very. like i mentioned his skin has a soft texture so the skin on his length is flimsy and kinda see through. so when you are settled between his legs, stroking him, your eyes are so indulged in watching the blood rush through them and when he cums, his veins start slightly moving and his balls tightens. Oh! Balls. can i say it?? okay i'll say it. Breeder balls. i told you he has a 5.6 inch cock, y'all would have been disappointed. but see the creator of this universe took a few mass off his dick only for it to be filled in them breeder balls. which is why, he cums a lot. when he shoots a load, he almost gives you a facial. his cum is sweet with a metallic taste. but hey! it's a pleasure to swallow his cum. but you know why i compared his cock to a shampoo bottle? it because when he is so horny and hard and you give his base a few big squeezes, he'll spurt out a thick load of cum like your shampoo.

Tags: @bluberrimuffintop @anxious-chick @yuujispinkhair @osamwah @arisaturn @multistan-247 @sensitive-neuvi-enthusiast @mrskokushibo @desi-the-blue-eyed-kakushi @crescentmoontsuki @dianagracesworld @ariachaos @pu-re-love @trueformsukuna @loyal-to-my-dilf @baizzhu @w0nderbeluga @splatmastr   @vuggevise @makisslut @moonish-en @lufemia @jeanboyjean @marshadowstea @frustrated-kitten @katsukichu @sir-kuroo @aleks-chan @dreadsuitsamus @justiceforquentin @kitashousewife @jiaspoon @sintiva @dawn-bunni @mostlyhornyandsad @dilfslayer3000 @shadowy--night @palebananafury @shutyourwhoremouthbecky @figlia-della-luna @marenalee @aoitoge @lahniu @kayjayxx @seraphinaivy @megumistoehair

[why-animals-do-the-thing]

I promised you some lions! Let's talk about manes, males, and management.

This is Tandie, the current male lion at the Woodland Park Zoo.

Notice anything odd about him? He's got one of those hilarious awkward teenager manes. Except... this cat is nine years old.

I was, of course, immediately curious.

Manes serve a lot of purposes for male lions, including being an indicator of health and fitness - it's actually a sexually selected trait and a social signal. Mane texture / hair quality / length is dependent on nutrition and the body having energy to grow (and carry around!) that much hair! The color is also a signal: males with darker manes have been found to have higher testosterone levels.

In one research report, wild males were much more likely to avoid a lion decoy when it had a longer or darker mane - but the girls really loved a dark mane. It's thought this is because a long, dark mane is an indicator of mate quality. Males with longer, darker manes have higher testosterone and were pretty healthy: meaning they had more energy for fighting, had a better chance of recovering if they got injured, and generally had a higher rate of offspring survival. Manes matter!

So, back to Tandie. He was actually born at the Woodland Park Zoo in 2014 alongside two brothers, to dad Xerxes and mother Adia.

This was Xerxes (rip).

Obviously, a very large, dark, lush mane on Xerxes here. So where did these blond muttonchops come from on his son?

I asked the zoo docents and got an answer that didn't make a lot of sense. They told me that after the three cubs grew into adolescents, they were moved to the Oakland Zoo together. But living together suppressed his testosterone, and he never grew a mane.

Hmmmm.

Here's a photo from 2016, when the brothers debuted at Oakland. They're a year and a half old in this photo.

(Photo Credit: Oakland Zoo)

And here's from an announcement for their third birthday.

(Photo credit: Oakland Zoo)

Okay, so these dudes obviously all were growing manes as of 2017. I think Tandie is the one on the left in the first photo, and laying down in the middle on the second. What happened?

I was just in the Bay Area for a zoo road trip, of course I went to Oakland and tracked down a docent to ask some questions.

It turns out that shortly after the brothers turned three, they started acting like adult male lions: they started scuffling regularly. It's a normal social thing for male lions to live in groups, called coalitions, but according to my lion experts there's generally a baseline level of some social jostling within them. It wasn't quite clear from what the docent said if they couldn't manage the boys together, or if they just wanted to avoid the scratches and small wounds that result from normal lion behavior. Regardless, they put all three of the boys on testosterone blockers in order to be able to keep them together as a social group.

Now, I don't know a lot about the use of hormone alteration as a form of captive animal management, except in the case of birth control. I don't think it's something that's unethical - there was just a webinar on it that I saw go by - but I don't think it's commonly done with big cats. Lions have kind of complicated reproductive cycles, and for instance, we've been learning that female lions can take much longer to come into estrus again than expected after coming off hormonal birth control.

In males, testosterone blockers (or being neutered) means they lose their manes. This is why a lot of rescues will do a vasectomy on their males instead of a neuter - it allows them to keep their mane and the social signals that accompany it.

Tandie returned home to Woodland Park Zoo after Xerxes passed in early 2022, and the docent told me all of the lions had been off their blockers "for while." I'd guess those things happened around the same time, since bringing the trio down to a duo at Oakland would reduce some of the social tensions.

Hormones are such interesting things, though. One of Tandie's brothers has a full mane again, and the other is still totally mane-less.

As for Tandie, his mane is growing back in, and it looks like he might rival his dad for length and coloration.

He started here, in February:

Yesterday:

What a difference four months (and maybe proximity to a girl) makes!

[icouldbemoreclever]

I get really hung up with worrying about if my fic chapters are relatively the same length as one another but like. Do people really care how long or short a chapter is, if in the end all the content is still there?