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jadeyarts · 3 months ago

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Separate from that other anon I for one would personally love to hear your Peri and Harbinger/Foxglove headcanons

OMG YAYYYYY. I HAVE QUITE A FEW ♥ (for my own convenience i'm referring to them by their og series names for reasons)

the events of timmy's secret wish are what first planted the seeds of genuine, fully positive feelings and fondness for poof in foop's mind and heart... maybe even a puppy love crush. he seriously thought "well, dying in poof's arms wouldn't be so bad" and hoped that wouldn't awaken something in him. it did.

in a lot of episodes they often have differently colored eyes - foop has a darker shade of purple. i think poof's noticed, and i think he even likes the look of those darker eyes.

given how foop would cry out for poof to protect or save him, i think that poof grows to be incredibly protective of foop… poof will square up for his square!!!

hes the one telling cashiers that foop asked for no pickles, imho ♥

at some point poof stopped intervening in foop's nefarious schemes so i've kind of interpreted poof as just... not caring anymore. he can't stay mad at foop for long, and he finds himself not even bothered by whatever damages he ends up causing anyways. i think he might even find his antics amusing.

after the events of certifiable super sitter, foop actually feels comfortable with admitting that poof is his best friend-

it'd take a few more years to admit it to poof's face, though, it's too embarrassing for him! he'll gush to chloe constantly, though - she knows he's in love with poof before either of them does.

foop's first boyfriend was actually their mutual friend sammy sweetsparkle in high school, while poof had kind of an on-and-off puppy love situationship with goldie... until he kind of flipped out on her about constantly getting foop's name wrong in the middle of a jealousy induced break-down. foop was actually thrilled to hear that poof let his dark side show over wanting to be with him.

sammy and foop ironically broke up on good terms because sammy's best attempt at understanding the fairy/antifairy situation is that they must be soulmates and he didn't want to stand in the way of true love. he's their second biggest supporter.

technically poof confessed first but his confession was literally just screaming IF I DONT SPEND THE REST OF MY LIFE WITH YOU I AM LITERALLY GOING TO BLOW SOMETHING UP!!!! at foop, which was a love confession that would only appeal to foop.

chloe TRIED to plan the "perfect" first date for them but it was horribly awkward and not to their tastes. so instead their first REAL date was poof taking foop to a kelly clarkson concert where they got matching "my life would suck without you" t-shirts.

poof actually buys - WITH HUMAN MONEY, IN A HUMAN DISGUISE - every kelly clarkson album as it releases for foop.

they nearly elope several times but got caught by wanda every time. wanda doesn't really like the fact that poof is with foop but doesn't wanna turn into mama cosma about it so she comes to terms with it. she doesnt want them to just run away and get married when she doesn't think they're ready yet either, though. timmy has to be the one to appeal to foop's desire for attention to convince them to have a big wedding after they graduate. poof doesnt care whether he has a big wedding or just elopes - as long as foop is his. if foop wants a big wedding, that's what they'll have.

whenever people ask how long they've been together they tend to go silent because their first instinct is to say "about 50 years" even though they're only about 22-24, and they've only officially been a couple for about 6 or 7 years. foop's second instinct is also to say "from the very first moment i drew breath" like the dramatic weirdo he is. which isn't even accurate and they both know it.

literally so specific to my own little homebrewed post-canon that you can't even pretend it works with anw:

in my elaborate fanon after AC and AW abandoned foop in season 10, poof begs wanda to find someone who would be willing to take foop in. luckily, wanda knew just the fairies for the job.

after getting adopted foop changes his name to foxglove thimbleplight - poof changed his last name to thimbleplight when they got married so he becomes periwinkle thimbleplight. :3

they still call each other poof and foop - usually in the form of embarrassingly cheesy affectionate nicknames. we're talking "smoopy-poo" level cheesy usage here.

(actually that one still works with anw but the art i drew is clearly my own designs and not the anw designs and it's exceedingly cheesy so)

poof convinced foop to go to the fairy academy with him - initially foop was hesitant because he… wants to… but… antifairies cant become godparents, right??? poof was willing to do literally anything it would take to keep foop by his side though. he initially considers manipulating some poor unsuspecting godparent to quit on their godkid just so he can hijack the ensuing fairy idol for foop to win and take their job… it's devious, and he knows foop would have loved that he did something so malicious just for him, but in the end he just gets into a fight with jorgen and the fairy council about it. he argues that technically foop is legally a fairy now since he was adopted by fairies, so he should be allowed to become a godparent. they end up agreeing.

their relationship was kind of a controversial issue in fairyworld for a few years because of poof's high profile status - while they're not the first fairy and anti-fairy couple, they're the first recorded instance of a fairy coupled with their own counterpart in eons. the media did get bored of them eventually though.

they already wanted to get married after high school but they agreed to postpone the wedding until after they graduated from the fairy academy so they had enough free time to make it as over the top as foop wanted it to be. poof actually proposed to foop AGAIN with a diamond ring after they graduated from the fairy academy, even though they were technically already engaged - with the intent of being as over-the-top dramatic and annoying to the rest of their classmates as possible.

^ which is similar to what cosmo and wanda did as teens though details differ. cosmo is literally the only one who seems to realize this and audibly goes "WOW, DEJA VU..." when this all happens.

while wanda had to get used to poof and foop together, cosmo accepted it pretty much immediately. mostly because sometimes they reminded him of himself and wanda. (<- actually canon)

#sketch #fairly oddparents #doomwinkle #spoopy godparents au #<- for. you know. the second half

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nwjws · 1 year ago

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while you were sleeping - pjs

; PAIRING - jay x gn!reader

; SYNOPSIS - in which you’ve had the same album on repeat, unable to get it out of your mind. just like how jay, your roommate, can’t seem to get you out of his.

; WC - 1.4k (minus the lyrics)

; TAGS - college roommates au, fluff, from jay's pov, based off laufey's 'while you were sleeping' ; WARNINGS - not proofread

i still can't believe that you noticed me

mindlessly scrolling on your phone, you patiently wait for your roommate, park jay, to finish cooking up some breakfast. a comfortable silence has settled between you two, with the only sounds being the sizzling oil on the pan and your humming.

"you've been listening to the same 14 songs for the past week."

"what?" you ask, looking up at him. you stare at his back, broad shoulders exposed by his tank top.

he turns his head to look back at you over his shoulder, raising a perfect eyebrow. you realise then what he's saying.

laufey had released a new album last week, and you literally haven't played any other song outside of it since it dropped. you can feel jay judging you, but you just shrug at him. you were definitely not stopping.

"so what if i've had bewitched on repeat? can you deny that they're good?" you challenged him.

"no, of course not," he chuckled to himself, turning back to the pan. "i'm just surprised you haven't gotten sick of it yet."

"i would never get sick of laufey," you say with mock offence.

"alright, then," he said with a teasing undertone.

you wanted to retort, but he placed a plate in front of you, making you forget what you were going to say.

"hey, you have a later clinical today, right?" he asked as you two dug in.

"mhm."

"take the box i left in the fridge with you before you go then. its some extra lunch i made so you'd have enough energy to get through the day."

"thank you," you say appreciatively. "you really don't have to do that every time i have a heavier day."

"well, if i have time to, then i don't see why i shouldn't."

"what about you? what are you doing today?"

"my professor cancelled class today, so i'll go check out if i can bother heeseung or jake."

"i'll pray for whichever victim you choose, then," you joke.

"maybe i won't make you extra lunch next time," he pouted playfully.

"no, no. those actually really help me. god knows if i didn't score you as my roommate, i would have passed out several times by now."

"grateful to be of service"

after breakfast, jay lounges around the apartment as you're getting ready. some show plays on the tv, but it doesn't drown out the sound of must be love playing from your speakers.

you shout your leaving when you exit the shared apartment, and jay wishes you a good day. he watches you close the door, leaving him completely alone.

i'll never forget the first time i saw you then

when he drives to the shopping centre with jake later that day, he pauses mid-sentence when he realises something.

"is everything good?" his friend asks.

"yeah, i just recognised the song playing."

"really? you listen to from the start by laufey?" jake asks. he had decided to connect his phone to jay's carplay, and had been in the one in control of the playlist.

"not really, but my roommate does."

"y/n? that's pretty cool. they've got good music taste," he replies.

"they've had her newest album on repeat since she dropped it," jay laughs, eyes on the road.

"do you find that annoying?"

"of course not, it's funny seeing them prance around the apartment, belting their heart out," he laughs at a memory of you singing at the top of your lungs. "i guess i'm more of a second-hand listener now? if that's even a thing."

"probably," jake shrugs.

a light pink bouquet, a promise you'll stay and i start to believe

the two had decided to eat out at wagamama's first, before anything else.

"i think i'll get the pad thai," tells the waitor, who nods and notes it on his ipad.

"hm, i'm feeling like trying the grilled chicken ramen," jay says. "oh, could i also get the miso mixed vegetable salad to-go?"

"sure," the waitor replies. he pockets the small device in his apron, and leaves for the kitchen.

"you ordered another meal?" the younger asks curiously.

"me and y/n go here often. of course, i had to get them something. usually, they'll go for the typical miso salad, or some curry, but they've decided they wanted to try being vegan recently. so i got the vegan one," jay explains nonchalantly.

"wow, you really care a lot about them, huh?"

"of course, we're sharing the rent, after all. have to be a good roommate, otherwise they'll leave and i'll have to pay the bills on my own."

"maybe i should get a roommate," jake chuckles. "but i don't think i'd be able to get someone like you."

"i'd feel sorry for whoever ends up with you," jay teases him. "and anyway, they're a good roommate. they do the laundry for the both of us, and we usually spend the weekends cleaning together."

"you guys are so lucky," is all jake says.

i don't recognise myself ; who've i become?

jake dragged jay into their third clothing shop that day, despite jay's protests. in self-defence, jake whines about needing some new shoes.

"don't you have like, thirty pairs? what could you possibly need another one for?"

"actually, i only have twenty-eight. and i need one for graduation, of course."

"right, because none of your almost-thirty pairs suffice," jay rolls his eyes.

"don't act like you dont have seventy pairs of the same polo shirt."

"i don't!"

"i've seen your closet, don't lie to me."

jay sighs and leaves jake to wander around the shop on his own.

"there you go again, buying another shirt," jake's voice sighs from behind jay fifteen minutes later.

"not for me," jay shakes his head. he turns to show the clothing piece to his friend. "for y/n. this is definitely their style, and it'll fit them so well. they have a pair of shoes that are this exact colour, so it would be good outfit if they sandwhich it with any bottom piece they choose."

"you think a lot about your roommate," jake raises his eyebrow at him.

"i see them all the time, why wouldn't i?" jay asks.

"no, like, you think too much about y/n considering you're 'only roommates'," he says with a quote gesture.

"stop suggesting weird things," jay walks ahead to the counter, leaving jake to follow behind.

"is it really so weird, though? if you like y/n like that?"

jay just ignores him, and pays for the shirt. it's not, he thinks to himself, because it's not a new thought either.

i trace it all back, 3:30 am that night something turned in my heart

"thank you, jay," you hug him when he shows you what he got. "you really need to stop buying me things."

"i can't help it," he smiles. "when i see something that reminds me of you, i just feel like i have to get it."

"with how often you buy me things, i'd say a lot of things remind you of me, huh?"

"seems like it..." he scratches his nape, awkwardly avoiding eye contact with you. thanks jake, he scowls in his mind. now he can't stop thinking about what he said earlier.

you and jay decide to watch a movie the next night, since it was a friday, and neither of you had to be up early the next day.

but jay couldn't focus on the tv when you two were basically cuddling under the shared blanket on the sofa. his skin prickled where his arm hung around your shoulder, and the weight of your head on his made him feel light and airy.

the warmth of your body seeped through your clothes, and brought him immense comfort. your sweet scent filled his nose, subconsciously recognising it to be one of the perfumes he'd bought you.

it was only when the movie ended he realised he hadn't been watching at all. and neither were you, if your light snores were any indication.

he huffed amusedly to himself, and shifted on the sofa to get you two in a more comfortable position, actually lying down. reaching for the remote, he carefully switched off the tv, leaving the only source of light to be a soft, warm yellow coming from a corner lamp.

jay stared at your features, illuminated by the dim light. he realised right then, in the comfort of your arms, far into the night, what he felt for you.

while you were sleeping, i fell in love.

; AUTHOR'S CORNER! do u guys ever feel like throwing up at your own work? ALSO THANK YOU FOR 200 this is my offer of thanks 🤭

; TAGLIST - @lovelovelovebts @miyseung @babyy-bambii

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jokeroutsubs · 3 months ago

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[ENG TRANSLATION] JOKER OUT: THE PRINCES OF ROCK'N'ROLL WITH THEIR OWN LIBRARY

Original article written by Anja Leskovar for Ljubljana.si. for their December 2021 issue. English translation by @varianestoroff and drumbeat, proofread by @flowerlotus8

Even if you don't know their names and faces (unlike many young people), you must have heard of Joker Out. Kris, Bojan, Jure, Martin and Jan proved with their fresh first album 'Umazane misli', released this autumn, that they're rightfully one of the hottest musicians at the moment. And it's worth listening to them, as, behind the handsome looks, there are interesting guys making good music with very juicy subjects. And they're only in their twenties!

It was difficult to arrange an appointment as you were quite ill. Did recording the album tire you?

Yes, it was an adrenaline rush. But we were driven by excitement, we really lived for the album this autumn, or else everything would've sunk. We wanted to perform really bad!

When they comissioned me this interview, I knew the band name, but I didn't know who you were. But when I played your music, I found out that I knew it well, I even know most of the lyrics by heart! Is it more important to you that people know your music than you?

Yes, that's something a musician can only wish for. It's important that you like music for music's sake, not for the musician. For us, music comes first, then showbiz.

How nice do you find it that your audience includes not only enthusiastic girls, but also boys, older people...? So is music the reason why someone goes to a concert?

It's very important to us that we're seen not only as pretty faces, but also as a good band. A very clear indicator that we're managing to do that is the diverse audience in front of our stage. But also the girls who come to the gig (also) to see us, they know how to recognise good music and they're quality audience. That can go hand in hand! For us, everything starts and ends with good music. That's the most important thing.

And this commitment is recognisable in your music. It's just interestingly fresh. I hear classic rock in some parts, indie pop in others, funk in others. Do I hear it right?

Yes, of course. When we were kids, we all listened to Big Foot Mama, Green Day and Siddharta, then we started to discover different genres. Now we all listen to very different music. But we don't deliberately take inspiration from any music.

And it shows. I find your music quite unique, it's hard to pigeonhole it.

Thank you, it seems the same to us. It's hard to find references to our music in other music. We say we play shagadelic rock. We're just big Austin Powers fans. His catchphrase is: "Shagadelic baby, yeah!" His 'mojo' (A/N charm, allure) is just cool to us. And in fact we feel like we have that 'mojo' too, we want to display it, we want the listeners to feel that we're comfortable in our own skin. Especially when there are concerts, the 'mojo' just bursts out of us. (everyone laughs loudly) Every time we have a concert, we feel like we're going to a party. That's also why it's really important to play live. Without this, we probably wouldn't be making music. It gives us energy.

With four guitars and drums, you are proving that rock'n'roll isn't dead. How alive is it on the Ljubljana scene?

Of course it isn't dead, it's still very alive. When we were teenagers going to clubs, they were playing anything but rock. But when people get used to it, music that sounds very different attracts them. Ljubljana has a very active rock scene, and Slovenia has excellent conditions for the growth of rock'n'roll. There are a lot of places to play, a lot of competitions for young musicians and alternative clubs with an audience to grow on.

Do you prefer intimate or big concerts?

We do great on big stages, although we've done a great gig in front of three people. But in Slovenia you reach the plateau too quickly. If you reach Stožice right away, then where do you go?

Abroad.

Yes, well, that's our goal, of course. But at the moment we're looking forward to the concert in Križanke. There's no distractions, you know you're going there for a good concert. Križanke has a special aesthetic and character that means a lot to us. And you can't just decide to do a concert in Križanke. They must accept you there. So that's a very great honor for us.

As the venue is important for a good concert, the rehearsal space is probably important too. For example, is rehearsing in a bunker more conducive to harder music than rehearsing in a sexy, neat space?

Yes, absolutely. Above all, it must be a relaxing space, one that you can spend a lot of time in and that the vibe there is good. We've rehearsed in a lot of places so far, and every time you walk in, you can see if it's working for you or not. But until you play, you don't know if it's close to you in terms of creativity or not.

Have you found your new rehearsal space yet?

We have, but we're not saying where. (they smile mysteriously) We found a place we like so much, that we decided to turn it into a second home. It'll have its own 'mojo' that matches ours. It'll be truly magical! There'll be lots of wood, and we'll also have a library.

Yes, that, books! 30 years ago, we teenagers followed boybands of all genres, and the boys were usually extremely cute, even to the extent of wrapping our school notebooks in their posters. But there's more behind your cuteness. You're into cool stuff, you read interesting literature, you study...

Jure: I don't read enough, I'm not very good with words, I don't even listen to our lyrics. I listen to the mix, to the musical melodies. I mean, I'm a cameraman, but for me, music comes first. Period.

Martin: I study Maths and Computer Science and also make a living from that knowledge. Lately I've been reading a lot, and I'm very interested in Stoic philosophy.

Kris: Well, I'm interested in German philosophers, like Hannah Arendt and Nietzsche. I'm finishing my degree in Chemical Engineering.

Bojan: I mainly study TikTok these days (laughs). It's quite banal and doesn't fit with our philosophy in general. But Jan started making really sick content that's suitable for this format and we'll start publishing it soon. Anyway, I'm finishing my degree in Sociology and I've been drawn to Haruki Murakami and Arto Paasilinna literary lately.

Jan: I'm an expert at half-reading books, the last one I read was Slaughterhouse-Five (by Kurt Vonnegut, A/N). I don't even know why I half-read them, probably because so many things steal my attention that I must try very hard to finish something. I have a problem with that, also for films.

What are you not half doing?

Jan: Music. I'm literally addicted to different types of music. I always listen to albums all the way through. I definitely listen to at least one every day. And I'm very happy learning to play new instruments. I love all things that make sound.

Let's say kitchen pots and lids?

Jan: (laughs) Also, indeed. I like cooking, I'm now exploring Thai and Chinese food.

Kris: And he makes superb onion and potato hash!

And do you like to explore the world?

Yes, everyone. We're in dire need. Our schedule is so unpredictable and events are so scattered throughout the year that most of us have not been anywhere for years, not even at sea. It's great when there are concerts, but we're missing going somewhere. Yes, to make an album also means a lot to sacrifice.

Where do you like to hang out in Ljubljana?

In many places. (they answer in harmony)

Kris: Metelkova is great. I think it's too underrated and has a wrongful negative reputation. That's also why it is the way it is.

Bojan: There's a really chill vibe in Gala Hala. I really like going unplanned to a gallery or museum. You don't go purposefully, you walk around, you observe. It's always cool. I meet people with a completely different background and you start thinking in a different way. Inspiring.

You are five in a bunch with very different characters. How do you manage to exist side by side?

Above all, there shouldn't be perfect democracy within the band. There's no need for one person to be the leader of everything. But someone must have the final say in a certain field; one in the creative one, one in the technical one, one in the financial one. And they have the last word and they're also accountable. Otherwise, we're good friends, we go everywhere together rather than forcibly apart.

How do you differ from the bands that were relevant 30 years ago?

They were much more put into boxes. They had to be already well-established to dare afford a musical journey into the unknown. We, on this album, already combined styles in a completely pressure-less way. Genres don't really exist anymore, everything is merged, mixed, everything is accepted. We live in a big melting pot. For us, energy is more important than a fixed image!

Joker Out are (from left to right) Kris Guštin - guitar, Martin Jurkovič - bass, Bojan Cvjetičanin - voice, Jan Peteh - guitar, Jure Maček - drums

December 2021

#joker out #jokeroutsubs #bojan cvjetićanin #jan peteh #kris guštin #jure maček #martin jurkovič

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vieshiftsx · 3 months ago

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talking about my drs (but i prefer calling them "lives") that are not based on movies/tv shows:

: ̗̀➛ cafe owner life

my name is blaire rosewood and i own a bakery cafe in a small town. on the ground floor, it's just like a normal cafe with tables and chairs. on the second floor, it's a blend of library and cafe, where people usually go to, to study or work. multiple bookshelves are also provided for anyone to borrow or read books in the cafe. while i work mainly as the barista, my (soon-to-be) s/o works as the baker. all his pastries and cakes he makes are really good and they always get sold out by the end of the day.

: ̗̀➛ singer/songwriter life

my name is phoebe webster and i'm 23 years old. my first EP, "dreamer" was released in 2018 and most of the songs were about my celebrity crush at the time: ruel (I LOVE HIS MUSIC AND I LOVE HIM). this first album had a fair amount of listeners, but it was the only album that i never got any award for. then, in 2021, i released my debut album, "goddess" and i won my first ever grammy. at the time, i was 2 years into my relationship with ruel (he was LITERALLY my celebrity crush and i ended up dating him AHHHH). ALSO, my artist besties are laufey, olivia rodrigo and gracie abrams!!! there's a lot of things that i scripted to happen in this life, but i'll refrain from explaining everything bcs i don't want it to be too long 😭

: ̗̀➛ fashion designer life

i'm genevieve estelle and i own a fashion brand, "estelle". all my designs are sustainable because they're mostly recycled from used materials. on top of that, 20% of the profit will be donated to organizations that contribute to taking care of the environment. there isn't much i can talk about for this life because i decided to just follow the flow and not script any major scenarios that could happen. this is one of the lives that i don't script an s/o in.

: ̗̀➛ youtuber life

my name is phoebe claire and i'm a youtuber who mainly posts vlogs on my channel. i live in nyc and i have an apartment of my own. in my current life, i've always loved watching vlogs (esp the alexander siblings, saranghoe, michelle choi, daiz, alex bondoc, etc.) but i know deep down i can't be a vlogger like them based on my current circumstances. at least i can do it in another reality. plus, vlogging looks so fun.

#shiftblr #reality shifting #shifting #shifting community #shifters #shifting stories #shifting motivation #shifting realities #reality shifter #shifter #dr ideas #vieshiftsx

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pineapplefulfillseveryneed · 1 month ago

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Annette (the original Sparks pre-movie 2013 version)

I've been waiting for this to be released since my early days as a fan! I've not seen enough hype about it out there and I think that is because there's not been a lot of info about this to put things into context for newer fans. So let me remedy this!! (I know they've added some more info in the newsletter but I don't know if everyone gets that.)

At the end of the THOM era Sparks started teasing us about "the new album", which would be in a similar format to Bergman as it was also a full story in audio format. They were fully intent on touring it as a 3-people live theatrical performance with them + Rebecca Sjöwall performing the roles. (They would've liked to tour Bergman as a live performance as well, but logistically that wouldn't work so they were excited about this.) … And then we stopped hearing about it. Until the first news about the film came out!

I've seen people refer to this as a demo or even a mockup album (?), but let me set the record straight: what we have here is the FINISHED Sparks album for Annette! This is what would have been the new album in 2013, the original story for Annette, exactly how Sparks themselves created it (before the film collaboration with Leos Carax). For the film some things were changed, for example I think Carax said that a lot of the irony and humour wouldn't work in a film so that aspect of it was mostly taken out. AND NOW WE GET THE VERSION WITH THAT IN IT! I kid you not I had to be one the phone with a friend to yell about it for 2 hours straight, this is one of the most exciting things to happen!!! (Also, Annette being a literal singing pram? R&R remain the funniest guys alive - this is SO GOOD! I'm so hyped about the beautiful art by Galen Johnson, too! (Who also did the art for the THOM era, and was one of the directors for some music videos over the last few years.))

What we get with this release is Russell as Henry McHenry (and believe me, YOU WANT TO HEAR RUSSELL PERFORM AS AN EVIL GUY), Ron as the conductor as well as some other voices (RON ON VOCALS, THIS IS NOT A DRILL!), and the wonderful vocal performances by Rebecca Sjöwall as Ann/Annette (she was the Hollywood starlet on Bergman and she also sang on Life With The Macbeths - a highly relevant song in reference to this release we're getting, I think, "each murder the ratings soar"). I am a huge fan of the Bergman album, but I'll be very honest and say that while I love their choice of accurate voices to tell the story - the most beautiful voices out there are Ron & Russell's and that's the only thing that might have made me love the sound of The Seduction Of Ingmar Bergman more. And now we're getting that! This is them taking on the roles of the characters they wrote! I love it when they're acting, because honestly they are really really great at it!

[SPOILERS IN THIS PARAGRAPH] Russell Mael - looks like a cinnamon, can actually kill you - will be committing murders, Ron - looks like he could kill you, actual cinnamon roll - will once again not get the girl as the guy portrayed by his brother takes her away from him in more ways than one. (Fuck I still so wish I could've seen this on a stage.)

Also there will be songs we've not heard at all, there will be songs that might sound very different than what we've heard in the film, the story ends differently (and I personally really like that). …I don't know what I'm most excited about, I JUST CAN NOT WAIT. While I'll forever be curious what their stage performances would have looked like, I'll not have to remain curious about what the album and their original version of Annette would have been like. Because here it is!!! :)

I say this without slandering the film, but this version of Annette is the one that's going to hit me hardest. (I am calling my 2013 self to tell them the good news, holy hell!)

As a final note, here's something they've shared in the newsletter:

"Writing in the sleevenotes of this boxset release Ron and Russell Mael have said "...we feel that this earlier version of Annette should be listened to not as the preparatory or demo step toward a filmed version, but rather as a complete and alternative version in itself. We are very proud of it.”

#i'll also upload the video from their instagram post in a second because I'll be so happy to always find that back with ease #(lmao the amount of typos in here that I only saw after posting - too hyped hahaha)#annette (2013)#annette #sparks #sparks (band)#ron mael #russell mael #NEWS #2024 #20's

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hokusu · 18 days ago

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Post-breakup dabihawks artist AU where they just release nasty songs about each other until they finally get back together..

'I hope you hate this song like I hate you too / when you hear my voice, I hope it makes you sick / next time you sing along, you can choke on it' (x)

. . . . .

They break up. And make it everyone's fucking problem. Tabloids can't keep up. They're on every front page of every celebrity magazine over the span of months. They air all their dirty laundry out into the public, not shying from the specifics or the too much information, not shying from all of the worst about each other. Because no one knows them better than the way they know each other.

And they know how to hit where it hurts, they know how to dig under each other's skin and there's so much bitter, resenting unresolved anger about everything between them, they can't just let it go. So they don't hold back and they get back into the studio, do the only thing they have left without each other, lyrics flying off the tip of their tongue as they sing about how much they hate each other on every song to their new album.

Because surprise surprise, they're competitive assholes both releasing new singles. New albums. Thirteen songs. Thirteen tracks solely about each other. To be released on the same date.

If they weren't so damn good at what they do, they'd surely be committing career suicide.

They're not subtle, they throw digs about each other on every interview and talkshow host they get invited to to promote their album. The inspiration to their songs, the meaning behind their lyrics, it's all painfully each other and they don't pretend it's not.

And their singles all sell off the charts, doing numbers they've never done before, taking turns beating each other off the number 1 spot with every week that goes on. No other artist even comes close. It's just... them. Tied for topping the charts. Weeks after weeks.

The public doesn't know if it's a blessing or a curse, but their music is on fire and their lyrics are downright nasty, but it's also some of the rawest and honest emotions they've heard and they can't get enough.

Their fans feud, but most of all, many of them overlap.

Like their lives. Their music. Their inevitable everything. They're attacking each other on every soundtrack but it's almost like... their albums compliment each other when listened to back to back.

Hidden behind every message of 'fuck you', like an unhinged love declaration.

On the day of their album release, they sell out through every store across the nation.

Months later, they are both nominated to win awards for album of the year, song of the year, best vocals, best lyrics, so on and so forth...

It's the first time they're cited to attend a public event together since they broke up and the whole country is watching.

And when they win, arms full of awards, in their final acceptance speech, Hawks calls Dabi to join him on the stage

Their eyes level, a careful raised brow and a taunting challenged smirk on their lips. The room is silent.

Hawks hold the mic up, but his eyes never leave Dabi's, has never really left his since the moment they walked away from each other, and he inhales a breath and then exhales, "I personally want to thank Dabi for all these awards. Because I wouldn't have done it if I didn't fucking hate you. So thanks, sweetheart."

And Dabi laughs, mean and just as amused as he raises his own awards from the evening up to Hawks and mouths, "Fucking hate you too, angel."

Everyone holds their breath, there's so much heat and intensity between that single moment, like they're all witnessing the most private moment to their lives, the chance of a fight not out of question.

No one expects Hawks to reach out and pull against Dabi's tie, fingers fisted against silk as he leans over and kisses him hard, right there right then.

And Dabi's free hand goes to tangle into Hawks', fingers tugged roughly into golden locks and kisses him back, just as hard.

In front of the audience and live streaming award show for the world to see, right as they just won best everything for the album on how much they hate each other.

The lights dim, the music starts and Hawks breaks into performing his song of the year– and Dabi sings right along with him. Because of course, every song that Hawks has released he knows by heart now.

He hates those fucking songs.

And he fucking love Hawks.

#Dabihawks #Todoroki Touya #Dabi #Hawks #Takami keigo #Dabihawks fanfic #boku no hero academia #Bnha #Mha #my hero academia #My writing #slowly crossposting all the ideas I want to turn into fics 😭

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propepsi · 4 months ago

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Okay. Listen up Weezer community. Why do you guys hate literally every Weezer album there is? This fanbase is so divided it's actually insane. If you say you like an album, somebody's gonna tell you how much they hate it. If you say you hate an album, somebody's gonna come after you and call it a masterpiece. I think the only exception to that is the blue album because how do you hate blue. That being said, here are my opinions:

I like Raditude. It's fun and silly and a real connection to youth. Plus, Put Me Back Together is a hidden gem and y'all are SLEEPING on it. (It's my favorite song so if you haven't heard it, please give it a listen.) Also, I hope you realize that Can't Stop Partying is SATIRE and that Rivers didn't even write those lyrics; they were given to him.

Pinkerton is fucking weird, but it's also a good album. Across The Sea is diabolical, but everything else on that album is pretty great, weird as it is. (Hell, even Across The Sea has a good sound if you ignore the premise and read a little deeper into it.) Pinkerton was an essential album. It reflects Rivers' depression at the time after the release of Blue, which was misinterpreted by the audience at the time. The whole album is about the deeper, darker, more honest parts of himself, and I appreciate that about this album.

Red is a fantastic album, and y'all need to give some love to The Spider. That song is wonderful. Red actually might be my favorite Weezer album of all time. Cold Dark World is kinda trashy, but it has a good sound. Plus: Scott Shriner has a kickass voice and I will be hearing nothing else. Also, Automatic isn't even close to being bad. Y'all are just weird.

Green is also a fantastic album. It is simple and somewhat pop-y, but goddammit it's a good album. The lyrics may be a little in-genuine, but they're still Rivers, and they're not devoid of feeling like every says. Emphasis on O' Girlfriend.

Blue is objectively fantastic, but that's not really controversial. I don't think I can name a time I've come across an avid hater of blue. It's their first album, so even if you don't like it, you just have to respect it. Also: Buddy Holly is a good song. Deal with it. Also, No One Else is a satire piece.

Make Believe is NOT as bad as y'all say it is. I've edited this post, and before I said that Beverly Hills was the only Weezer song I didn't like, but that the rest of the songs were really good. I've changed my mind. I don't know if it's bias or not, but after more listens, Beverly Hills has actually grown on me. I think this album is essential especially because of Pardon Me, a song in which Rivers gives his heartfelt apology for hurting those around him in order to be a 'better rockstar.' Also, Haunt You Every Day is a fantastic track.

Those are my strongest Weezer opinions laid out. I really wanted to voice some of my positive beliefs to spread around the joy of Weezer's music instead of trying to hate. But, all in all, we all have the right to our own opinion. Although this fanbase might not agree on everything, at the end of the day we all know what their best album is, and that is Christmas with Weezer.

#rivers cuomo #weezer #the blue album #the green album #raditude #pinkerton #make believe #the red album #let's be nice yall #i love weezer #edited

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drowninginredink · 7 months ago

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Favorite Albums: choose 9 and then tag 9 people!

For my own sanity, I didn't include musicals because I could fill up a whole other 3x3 grid with them, and comparing musicals to non-musical theater albums is weird.

Those last 4 that you definitely don't recognize are by Old Earth who you should definitely listen to if you want artsy ambient indie folk with really intricate guitar. My absolute favorite artist by far, and also the most obscure artist I listen to by far.

Electric by The Pet Shop Boys — I think this is my favorite album period. I am still pissed off that Tom Scott called it "not that great" in the old Technical Difficulties podcast. Maybe I'm biased because it was my favorite album when I was 14 and because it's where I really fell in love with the Pet Shop Boys. God I love them. So much. I'm way too excited for the new album and I worship geowayne's website where he analyzes all their songs. I probably should have put another PSB album on here, but there isn't another where I'm in love with every track. Plus honestly so many of my favorite tracks of theirs are B sides. They still release B sides with their singles, and this album cycle, the B sides are honestly better than the actual singles. Anyway electric is pure synthy electropop and I adore it in that way you can only love something you first heard at 14.

Pure Heroine by Lorde — I read a quote somewhere where Lorde said she tried to really put all of being a teenager into the album, so much so that once she became an adult, she probably wouldn't understand or like it anymore. I can definitely say that I'm not nearly as attached to it anymore now that I'm an adult, but God, it was my life when I was 13. She really did capture the unique ennui of being a teenager. I wrote a novel in eighth grade, and I wrote at least half of it to tracks from this album. Also, hot take: Royals is my least favorite track by a lot. Buzzcut Season is my favorite.

My Head is an Animal by Of Monsters and Men — God, this one was my life when I was like, 12. I fell in love with folk there, and I'm still in love nearly a decade later. Another album where I still love every track.

Strange Trails by Lord Huron — hey look, an album I actually discovered and came to love as an adult! The fact that I love Lord Huron's brand of folky horror/fantasy/western music that tell stories with characters should not surprise anyone. Also, if I had to describe my experience with schizophrenia in one song, I'd choose Meet Me in the Woods.

The Tragic Treasury by The Gothic Archies — Look. Hear me out. Is it a album based purely on A Series of Unfortunate Events? Yes. But. Is it also an album where I genuinely love every track and have genuinely been known to just throw it on shuffle? Yes. I mean I think of one lyric from this album, like, weekly. I swear it's not just ASOUE brainrot that makes me like it so much. If it'd ever gotten a vinyl release, I'd absolutely own it. I wish it had gotten one.

a low place at The Old Place by Old Earth — honestly this is probably only my favorite Old Earth album because it's the one that I was able to actually get on vinyl and being able to play that vinyl is so lovely. I mean, it's good, but so is everything by Old Earth. Then again, Less Words is my favorite single track by them and it is on this album. Look. All the Old Earth albums I've listed here are, at most, 20 minutes long. If you like ambient artsy indie folk with lyrics that are there more for the way they sound than their meaning, try one.

light shaped by Old Earth — god the lyrics to this one. Normally I don't like Old Earth for the lyrics but. "It gets old/then it's done" and "what if it's just some song that gets you home" and especially "I'm holding your arms/and you're holding my eyes/and I lie like the right thing to do" are all just so great. And so is the middle track with no lyrics.

... until they're called by Old Earth — have you ever heard an album so good that you a) just played the whole thing and danced to it in your basement nonstop for the full 12 minutes, and then b) wrote a poem about the experience? People talk about finding God, but dancing to that album was the moment I found athiesm. The beauty of us all being here for no reason, just feeling things and living and doing our best to make something beautiful out of it.

Two Torches, at a Place Where Three Roads Meet by Old Earth — I'll be honest, I don't have much to say about this one. They're just a really solid three tracks.

... Yeah okay I really like Old Earth. Don't judge me.

Thank you @cygninae and @thehistoryone for tagging me! I'll tag @ven10 (I'm surprised neither of the people who tagged me tagged you), @weirdthoughtsandideas (ditto), @70snasagay (hmmmm i wonder what you'll put), @cat-boy-tom, @thetreetzar, @buncoreclown, @notthatalex, @unfortunate-sapphic-disaster, and @roach-in-the-kitchen. No pressure, obviously!

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cherrylng · 3 months ago

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Green Day - Trilogy era Interview [INROCK (October 2012)]

First of three consecutive new releases in a row, "Uno!" Released on 26th September! Green Day’s latest hilarious interview

"If I get drunk, I'll start tweeting on Twitter and that can be quite dangerous!!" (Billie)

INTERVIEW: MIHO SUZUKI

"Green Day is the best!" The new Green Day album makes you want to run around with a whoop and a holler. Moreover, there are three new albums: "Uno!", "Dos!", and "Tre!" (which means one, two, three in Spanish). On 11th July, just before the interview, I listened to the three albums at a rental house in Huntington Beach, more than an hour away from the centre of Los Angeles. Huntington Beach is known as the birthplace of the Offspring, but it is also a popular place for surfers. Usually, interviews are conducted in a room in a well-known hotel or recording studio, but as it was the height of summer, the record company may have been thoughtful and chic enough to arrange it for us. The room has a window on one wall on the seaside, with a view of the bright blue sky and the sea, and we were able to listen to "Uno!, "Dos!" and "Tre!" all at once. All the albums were so much fun and full of songs that you couldn't help but move your body. Even though I listened to three albums in a row without a break, I didn't get tired of them, but rather I got energised and listened to them twice in a row. The seriousness of their previous album, 21st Century Breakdown, is largely absent here, and the sound and vibe is closer to the garage rock of the Foxboro Hot Tubs, the masked band that preceded their last album. But it's definitely different from Foxboro Hot Tubs, and after listening to the whole thing, I strongly felt that this was a work that had to be arrived at with all of Green Day's previous work up to this point. After listening, we moved to the interview room and greeted the three members, who had been interviewed all day the day before, and although they were smiling, they were clearly tired, but they said a lot of fun things to liven up the interview and we were impressed by their good nature as always.

"Uno!" is Billie, "Dos!" is Mike, "Tre!" is Tre (technically, the 3 in Spanish is 'tres,' but I guess it's a nod to his name), and the jackets with their faces on the artwork are really cute, and I hope you'll enjoy all three. Firstly, "Uno!" in September, followed by "Dos!" in November, and "Tre!" will be released in January next year.

"Writing a political song is like putting handcuffs on your own hands. This time I'd rather handcuff them to someone else!" (Billie)

How are you all feeling today? All: (in unison) Great!

It's not over yet, but it must have been a long day. Mike Dirnt (b.): Yeah, we've talked to a lot of people from a lot of places, haha.

The new albums are phenomenal, they're amazing. I'm incredibly excited. Billie Joe Armstrong (vo./g.): Thank you.

I'm in awe that there are three albums and all three are full of great songs. Why do you think you guys have so much creativity now? Mike: We made a secret drug. It's just for us. Billie: (laughs). I don't know, I just think we have years of experience that we've been able to use to our advantage. And we were able to draw inspiration from our own influences and just keep writing songs. Simply because we like making music. It's a pure thing for us. So, I don't know why, but we just wanted to keep writing. So when we came up with the idea of doing a trilogy, we were really excited.

How do you feel the three albums have turned out? Tre Cool (dr.): We're really proud of these albums. It's still hard to believe it's finished because it's still fresh and we've only played it to a limited number of people. It's very new and fresh and we feel like it's the start of a new era for us, the start of something big.

After two epic masterpieces, "American Idiot" and "21st Century Breakdown", does this trilogy feel like the start of a new era? Billie: Yeah, I think it's a new era for us. In a quirky way, "Uno!", "Dos", and "Tre!" are like reintroducing ourselves to people under different lights or in different colours. Each of our albums is different, but at the same time they are all connected to each other. "21st Century Breakdown" was a darker album, so this one is more fun, sexy, and danceable.

Yes, there are all sorts of songs in this trilogy that make you want to dance, but I particularly liked 'Kill the DJ'. I think it's probably the grooviest Green Day song ever, how did it come about? Billie: Mike asked me to write a song with a four beat. Something like Blondie's 'Heart of Glass'. I'd never done a song like that before. So I took an old disco beat and made it punk rock at the same time. Disco meets punk rock. We jammed over and over again on that idea and came up with this song. It's ironic that it's a dance song when the lyrics say '♪ Kill the DJ ♪' (laughs).

Is this actually a song for DJs? Billie: No, it's a song about a sad culture. The noise and the clamour of the world has always been a theme that occupies a certain part of my songwriting. I'm trying to clear my head of that stuff. I think there's a lot of parallels with "American Idiot", and I think there's a lot of parallels with "Know Your Enemy" as well. It just happened to be a more dance-oriented song.

I didn't find many of the songs in the trilogy's lyrics referring to political matters from what I've heard today, what do you actually think? Billie: Yeah, definitely, it's less political. We wanted to make songs that were more personal. And then there were a bit more sexual, more love songs, and we went into that kind of thing. And in doing that, we tried to have more freedom than before. Because, you know, when you write too many political songs, you feel like you're handcuffing yourself. So this time I decided to put the handcuffs on someone else (laughs). Well, I feel like I've spread my wings and had more fun than before.

"It's impossible to rid the world of nuclear weapons. It's really… It's a bigger problem than the earthquake." (Mike)

So writing the lyrics to these new songs was a lot more fun than the last one? Billie: Yeah. This time, instead of trying to make sense of every verse of the lyrics like before, I used my vocals as an instrument. Sometimes I get tired of listening to songs like "Last of the American Girls". I wrote the lyrics to that song so that every verse had a meaning. But this time around, like in "Nuclear Family", the lyrics are vague. So I poured my soul into writing something that didn't make much sense.

Can I ask you about "Nuclear Family"? I reacted to the word 'nuclear' because it has become a very serious issue in Japan since the Great East Japan Earthquake last year, but what is this song about? Billie: This song doesn't mean what you think it means. "Nuclear Family" is about a nuclear family - a husband and wife, two kids, living in a white fenced house in the suburbs of a city. So it has nothing to do with nuclear power stations. And of course it's not about the tragedy that happened in Japan.

Oh, it was literally about the nuclear family. I'm sorry, this has nothing to do with the song, but… how do you feel about the disaster? Billie: It was the biggest tragedy of the 21st century. That's… That's all I can say. Mike: I agree. Billie: I can't even imagine. I can't imagine the same thing happening to a nuclear power station here… I don't know. I really can't even imagine it. When I saw the disaster area on TV, I felt so much pain for the people living there and their families. Because there is no reason, no reason why such a terrible thing could happen, it's really crazy… I don't know what to say, I don't have the words to describe it. It's just really… It's a tragedy.

Personally, I was awakened by that disaster, or I thought that nuclear power wouldn't be that dangerous until that tragedy happened. Now I strongly want to get rid of nuclear weapons from the world, but it's not an easy situation to change. Billie: Yes, it is. Mike: It's really horrible, but it's impossible to get rid of. It's really… It's a bigger problem than the earthquake. Billie: Exactly. (All three of them slump down and look very sad)

But after what happened, you guys went online and asked your fans to donate, and not only that, you donated, and I'm very grateful for that. Thank you so much. Billie: Yeah.

So, back to your question about the new album. I think this is true for all of Green Day's work, but this one in particular is very much in the spirit of youth. So I think it's music that teenage kids can love. How do you think you have managed to keep such a young spirit in yourselves and your music? Billie: I don't know why. For some reason I think my voice will forever sound like a 13 year old (laughs). All: (laughs).

That's right!!! You don't age at all, I think it's phenomenal. Billie: I don't know why, but I always sound like I'm going through puberty. It always sounded like that, all the time. Simply, we've always had that kind of energy. And I'm grateful that we still have that. I think that energy probably comes from the desire to be a great rock 'n' roll band and the passion to write good songs and to always live life to the fullest. I draw energy from that passion and put it into the music. That's about the only reason I can think of. Mike: Also, we're constantly exercising as a band. We keep playing music without a break, and that's what allows us to keep going like this. Tre: But I think we keep getting smarter. I don't know. Mike: Yeah, I think so. I think I'm getting wiser as I get older. I've matured a lot in that respect. It just comes naturally. But I'll always be a kid. I still like eating cereal (laughs). Tre: Well, if I fell off a roof or something, it would take longer for my injuries to heal than it used to, but that's about it.

But you look the same as you did 10 years ago, or rather, I feel like you've gotten better as you've got older, but you don't make any particular effort to look younger? Mike: Apart from various plastic surgeries. Billie: Hahahahaha! Tre: It's got nothing to do with that oxygen tank you're breathing in while you sleep. Mike: Yes, it does. Tre: I hang upside down every day. Because I love Twilight. Mike: I try to take a shower every few days. Billie: That might help.

(laughs). You modelled for John Varvatos' spring/summer collection this year. I spotted you on the big billboard on Hollywood Road and was so excited because you were so cool. Billie: No, not at all! Mike: Haha.

You haven't modelled before, have you? Tre: But it's not that different from a magazine photo shoot.

I see. Billie: John Varvatos likes to use musicians as models for his clothes. And he likes Green Day, so when he asked us to do it, we said, "Sure". Mike: I think we were the only band that wasn't scared of filming on top of a skyscraper. It was about 500 (jokingly) storeys high.

Was it actually scary? Mike: It was crazy. We had these big boots on.

On a different note, I saw the musical production of 'American Idiot' in Los Angeles and was really impressed with how Green Day's work turned out to be such a great musical. I didn't get to see Billie's performance in New York, but how was it being on stage in the lead role? Billie: I was really nervous about it, but I said, "I'll do it." Saint Jimmy is me, but it's hard to play Saint Jimmy on stage. But it was a great experience. I was surrounded by a great cast, all great actors and singers, and I got to be friends with them, so it was a great experience in every way. I had to take my shirt off though (laughs).

Has that experience influenced your new albums? Billie: I think working with those great performers and becoming friends with them, and then living and performing in New York, definitely influenced the new music. When you're in New York, you discover something new every day. In addition to that experience, we've been writing on the West Coast near the beach, we've been writing at home in Oakland and in Austin, Texas, and we've been in studios in Europe while we've been on tour. So we got a little bit of something from every place we went. But I think the New York experience was the biggest influence on the album.

Mike and Tre, how did you feel about your music being turned into a musical? I think it proves that Green Day's music is truly timeless. Mike: I thought our music fitted into the musical really well. Tre: It makes me happy just to think that somewhere in the world today, this musical is being performed. It's like our songs are on tour. The performers are great, it's great. Not many bands can say they have their own musical production.

Yeah, it's true. I also heard that you're filming a documentary to accompany the new album. Could you tell me about that? Mike: Yeah, we've been filming it for the past 14 months or so. It's not a run-of-the-mill documentary, it's more like a surf documentary in approach. It's a peek into our lifestyle, and of course you get to see the process of making the new album, but it's also about what inspires us, what's going on in our lives and what's behind the scenes of this process. So it's a documentary that we're really looking forward to watching. The cameras were around us the whole time, but we didn't know what was being filmed. We know a few bits and pieces in places, but we don't know what it's going to end up being like. It's going to be great.

When do you plan to have it go out into the world? Billie: I think it will be out by the end of this year.

I'm looking forward to it. You have a total of 37 songs on these three albums, which is your favourite at the moment? Billie: I think "8th Avenue Serenade". I don't know why, but it was the first one that popped into my head. No, I'd have to say 'Stray Heart' (both included on 'Tre!')! It's very danceable, it's a different approach, it starts with a Motown-ish sound and then goes into a huge chorus. I like it because it's got so much heart and soul in it. Mike: There's two songs that I'm trying to decide which one to pick, both of which I've been listening to on repeat today: 'Fuck Time' and 'Nightlife' (from 'Dos!'). Tre: Yay.

I thought you were going to say that. I love it too (laughs). Billie: Hahahahaha. Mike: There's a really nice part to fire. Billie: Hahaha. Tre: At the moment, I'd have to say 'Oh Love' and 'Fell For You' ('Uno!').

It's a lovely love song, isn't it? Tre: Yeah, because I'm lonely.

(laughs). By the way, you're using the internet more than ever to promote this new album, what do you like about the internet and what do you often do with it? Mike: (grinning and touching his chin) Heh, heh.

I know what you mean Mike (laughs). Tre: I make computer viruses and destroy people's computers.

Again (laughs). Tre: Yeah, I haven't. Mike: I think now, rather than being afraid of the internet, you can value it as a tool. If you don't have a record shop in town, you can find artists online, and if you're an artist or musician, you can let people know online. When we were kids, we used to hand out flyers announcing shows. Now we can just put it on Facebook. Tre: Now, thanks to smartphones, we can carry more technology in our pockets than the rocket that landed man on the moon. It's suddenly irrelevant, but I just wanted to speak with two words in one sentence: mankind and rocket.

"I want to see what Lindsay Lohan's poop looks like so badly!" (Tre)

(laughs). Do you like Twitter? Billie: I have a Twitter account, but I leave it to other people. Because if I get drunk, I'll start tweeting on Twitter and that can be quite dangerous. So I leave it to other people and just tweet about what's going on in the band. But it's got to be my official tweets. Tre: You know what I love so much is when you can see when Lindsay Lohan is in line at Starbucks to get a coffee. I'd love to see what her poop looks like. Twitter is very useful. Some people tweet too much, though. Billie: I like Instagram. It's good. Tre: People take pictures of food all the time. Billie: Just take pictures of the booze. Tre: Yeah. Mike: Or body parts. Tre: Yeah, after a few drinks. Billie: Hahahaha. Tre: The tequila made me take my clothes off! (laughs).

(laughs). It's time to go, so what's your final message to our readers? Tre: Japan! I'll be over there soon! See you soon! Mike: We're really looking forward to meeting you guys. Tre: We miss you guys. Mike: We'll put on our best show for you. We love you guys. We can't wait to see you. Tre: Let's all have a great time! Billie: We're doing a club show in Japan. It's going to be great.

(Interview recorded before Summer Sonic on 11th July)

Translator's Note: Translating this interview made me notice something. Namely that back then, things felt loose and free. Like I know and am aware that that's not the case, but you just read these and can't help but feel as though it's a glimpse back to a time that was far more lax in ways that today doesn't feel like it. Or maybe that's just nostalgia speaking to me.

#Billie Joe Armstrong #Mike Dirnt #Tre Cool #Green Day #Trilogy era #my scan #translation #interview #INROCK #INROCK October 2012

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prettyboykatsuki · 1 year ago

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not enough trust to believe (not enough feeling to care) | a. shinonome

✮ tags ; fem!reader (usage of she/her towards reader + mentioned to wear make-up), established relationship, making-up, jealousy, hurt/comfort, light angst / happy ending, aged-up characters (this is sfw), single suggestive comment at the end.

✮ wc ; 4k (how.. literally what happened.)

✮ a/n ; the minute i touch that app a demon takes over and i end up daydreaming about this mf and toya . peace and love i feel insane. also for what its worth i do think adult akito is very good at communicating his emotions in comparison to now so if u find him ooc my apologies.

title from rental by brockhampton. shoutout if u know what manga this panel is from lol. also if ur a minor please do not follow me. u r welcome to read.

"Y'know, Akito - you're being a bit of a hypocrite right now."

"Shut up, Toya." Akito grumbles, forcing himself to tear his eyes away from the bastard you're currently giggling with "I'm not."

An laughs from the other side of the room.

"You so are being a hypocrite right now," An threads her fingers through Kohanes hair, the other currently seated on the floor while she styles it "What was it you said? It's nothing to get jealous over so don't worry."

"Akito-kun, it's not good to be dishonest."

"Kohane-san, you're being corrupted. I can't believe you'd join these two on this."

Kohane shakes her head.

"I'm not being anything. It's just not right."

An wraps her arms around Kohane's shoulders from above, chin resting on her head. Akito sighs, leaning his head back on the wall behind him with his eyes still closed - only bothering to open them again when another giggle falls from your lips. This time it turns into full blown heart eyes from that corny bass-playing bastard.

Akito Shinonome is not jealous alright? He isn't. So, this reaction is not by any means hypocrisy.

VIVID BAD SQUAD has officially been on tour for 6 months. This is their first international tour of their career, after releasing their first studio album. It was received well in Japan but surprisingly had more of an audience overseas. So, they'd been performing all over North America with another band.

You've been apart of the VIVD BAD SQUAD team for quite some time before then, working as a roadie for tours back home. Akito has been dating you for well-over a year, and so far - its been great. He gets to see you often and manages to sneak you onto the performers tour bus sometimes. He likes not having to be apart, even if he is incredible busy. A little is better than nothing at least.

A few months ago, the two of you got into a bit of a spat. You'd told Akito that you think he gets a little too friendly when girls come to meet him backstage. Went on a whole spiel about understanding his career and persona, that he doesn't need to be cold but that you wish he put a little more distance between them.

Akito had retaliated with the fact it's nothing to worry about. He's loyal to you and him being friendly isn't anything meaningful. You were upset about this reply and the two of you got pretty intense.

It took Kohane and An's intervention and plenty of convincing to get you two back on good terms - with An promising that she'd keep and eye out and scold Akito properly. You started talking again after that at least, and things went back to normal.

But nothing had really gotten resolved. You still seemed to feel upset every time he'd act too familiar with fans and Akito still didn't see it as a problem. To him it was just a fake part of the persona, and he didn't think it was like you to get so jealous about something like that.

Then, a few months ago - word got out that the bassist of the band they're traveling with has a crush on you.

FLASHBANG, a smaller indie rock band that everyone on tour is very fond of and a perfect addition to their set list. Both bands are friendly with one another. He'd assumed the news of their bassist having a crush on you was nothing more than some rumor. He just couldn't believe it having met them.

Sure, not everyone knew you two were dating but surely Akito would've noticed that before. He just wanted to double check.

It's been weeks now, and he's sure. Hiroaki Miura, bassist pretty boy, has a fucking crush on you. It's so obvious he has no idea how he didn't pick up on it before. He has no idea how you haven't picked up on it either.

He'd mentioned it to you just last week, just to see. You laughed a bit, but asked if he wanted you to stop hanging out with him as much or if there was anything you could do - all while assuring you didn't think that was the case.

"If it makes you uncomfortable, I can put some distance between us. Miura-kun isn't interested in me at all, though - I don't think. We're just good friends, we went to school together."

Ultimately he said that wasn't necessary. Akito stares at the two of you together now and scoffs. Haah. Good friends because you went to school together? He's practically making googly eyes at you.

"Looks like they're coming over here," Toya mumbles. Akito closes his eyes and pretends to be asleep, eye twitching when he hears Toya exhale.

"Hey, guys - great show! The duets today were just so vocally smooth and—oh shit, is he asleep?"

He hears An laugh and forces himself not to react. "Yeah. He was exhausted after today."

"Oh, really? Some sleep will be good then." The affection in your voice is so obvious he temporarily forgets whats happening until another, much more annoying voice comes through.

"You guys going straight back to the tour bus tonight?"

"Yeah, probably." Toya confirms.

"Ah, okay cool. We," He pauses, and Akito can only assume he's gesturing to you "Are gonna go check out a manga pop-up that's open here a few blocks down."

"Just the two of you?" An asks, very obviously barely holding in a laugh.

"Oh no, Eta-san is coming with us."

"Y'know, I wanted to go alone with you," Miura says, and Akito really thinks about waking up and hitting him "But Eta really wanted to come so I couldn't say no."

"I like how honest you are with your feelings, Miura-kun. Very refreshing."

"I don't have anything to hide," He insists, and Akito feels his hand clench "It was just nice we ended up tour together. We haven't seen each other since highschool so I thought I should make the most of our time together."

"I don't remember you being so sentimental. I actually remember you bullying me more than anything."

"Hey, quit it! I wasn't bullying you, i-it just came out wrong. I'm not good with my words and all."

"I know," You say completely good-naturedly. Akito knows objectively you're being friendly and thinking nothing of it. He knows that this is nothing to be bothered over and that you've been nothing but loyal. But god he’s annoyed."You would make fun of me then turn around and lend me your stuff. After I figured out you weren't a bad guy I wasn't scared of you."

"You guys have quite the history," Toya comments. You laugh.

"Yeah, I guess so. We lost touch after I moved for my internship so it feels like a big coincidence! Always good to see old friends."

Before any more conversation happens, another staff member calls Miura for whatever reason - leaving you alone. Akito keeps his eyes closed, hearing Toya sigh for a second time.

"Should I tell Akito where you went?"

"Oh, would you? That'd be great, thanks. I figure he wouldn't want to come, or else I'd invite him and go together."

"Why do you think that?" Kohane asks.

"I'm not blaming him or anything! I just don't think he'd be very enthusiastic about it, that's all. I don't want to force him. Me and Miura-kun bond over this stuff, Eta-san too."

"I'm sure he'd be happy to get to spend time with you," Toya assures. He can't see you but he can hear the insecurity seeping through your voice and something in him starts to bend.

"I know, but you know. It's weird lately with tour and all. I think getting my mind off it would help."

"Oh, no." An sighs. Akito's chest tightens "You poor thing."

"Oh stop that, I'm fine! Getting some air will be nice though, you know? For both of us maybe. I did want to tell him myself though."

"It'll be fine, I'll make sure."

"Thanks, Aoyagi-kun.

"And just so you know, Akito-kun really loves you!"

"Of course. I have no reason to feel stuffy about it. Just makes me wonder if I should still be apart of the picture if that's part of his career, no? Dating would hinder that."

"Don't think like that." Toya interjects. You laugh but even Akito can hear how sad you sound. He had no idea you'd even been thinking that.

"I'll try just for you. Now all of you, stop moping over my silly dating problems okay? It was an amazing show today!! Cheer up and I'll see you guys later."

"Where are you going now?"

"Gonna wait backstage for Miura-kun."

"Have fun," Kohane says last. You laugh brightly and assure you will before your footsteps trail off and get lost in the music. When you're gone, Toya punches him in the shoulder - hard enough to hurt a little.

"Ow, what the fuck?"

"You're such a jackass," An says seriously, shaking her head.

"I told you that it was gonna be a problem that you acted like that when we're a duo," Toya reprimands seriously. Akito can't do much to counter it "You should talk to her properly."

"About what," Akito grumbles "It is part of the gig. It doesn't mean anything to me."

"Oh my god, you're so clueless!" An says, exasperated, startling him "It bothers you this much that she's talking to Miura-kun but she should just deal with it when random girls act like to you all the time?"

"An-chan, don't get too mad."

"If I don't no one will! Did you see how sad she looked! She was even trying to be all understanding. That's not fair to her at all."

"...I also understand Akito-kuns view. But if that's the case, then that doesn't mean that she needs to tolerate it, right?"

"What are you saying, Kohane-san?"

She shakes her head.

"I just mean she doesn't have to continue if it's hard for her. If it's not something you can change, then she shouldn't endure it forever, right?"

“What the hell? Are you saying we should break-up?”

“Maybe. If it can’t be resolved, then isn’t unfair to expect her to always endure it?”

“That’s a mature way of looking at, Kohane-san.” Toya comments. Akito shoots him a dirty look. Toya shrugs, unbothered.

“Her and Miura-kun are a good match. They have a good atmosphere and Miura-kun doesn’t care about things like that,”

Akito sits up in frustration, nearly grabbing Toya by the collar.

“Don’t fuck with me.”

“Think about whats best for her in the long run.”

Akito stands to his feet, glare hardened but Toya doesn’t budge at all. He doesn’t have to listen to this shit.

"This and that isn't the same. It's work to me, that's it."

"Everything that she and Miura-kun do is strictly platonic to her. She's not flirting with him, and it's not her fault if he has a crush on her. She even offered to stop seeing him if it made you uncomfortable."

Akito stays silent at that.

"But what about you? You just immediately dismissed it because it's part of her job and didn't even apologize to her later. You seriously think that's fair?"

He sighs at that, and shakes his head.

"I'm leaving."

Toya shakes his head once Akito is out of ear shot.

"So stubborn."

___

It’s close to midnight and you haven’t returned to the tour bus.

Akito knows its stupid to worry but knowing you were out with that goon all day is grating on his nerves. So he’s been waiting. Pacing around and smoking cigarettes, going in and out - he even texted you couple times to check in. You responded with pictures of your items, and selfies.

You had a long day, you drank a bit, you'd be back to the bus soon, you miss him. All in a row.

The longer the time goes on, the dumber Akito feels.

He leans on the bus as he waits on his phone, fingers growing cold. He hears you before he sees you, the sound of quiet giggling followed by a loud laugh. Akito's head snaps up almost immediately.

He hasn't seen you since the afternoon, but you changed. You're wearing your going-out outfit and it looks like you've put on some makeup too, smudged and worn. Eta is between you both as you carry her - Miura just has lovesick as when Akito saw him last. His stomach drops a little.

But the feeling is washed away when you brighten, eyes landing on him. You wave with a bag in your hand and Akito waves back. He waves to Miura too, if only to be polite.

"Akito-kun," Miura is the first talk as all three of you approach "What are you doing here?"

"There was some stuff about tomorrow set we needed to talk about," Akito says, gesturing to you. You blink owlishly.

"Just for you guys? Not FLASHBANG?"

Akito nods. You hum, then look over at Miura.

"Will you be okay taking Eta-san?"

Miura nods.

"Of course. I can't believe she drank so much in the first place, but I oughta to walk her back to our bus." Miura says as you off-load the weight on your shoulder "I'll see you again for tomorrow. Had a lot of fun today."

You giggle, clearly a little tipsy as you give Miura a thumbs-up. "Me too. See you tomorrow!"

Miura laughs a little before turning the corner, mumbling some light reprimanding to the drunk Eta before going on his way. Akito waits until both parties have disappeared - all the way out of ear shot before he looks at you with clear eyes.

If he's come to any conclusion it's this one - Akito doesn't want to break up with you.

He can't give up his career either, and maybe that's selfish. Maybe that's the whole problem. He can't pick. He thought about it, whether or not breaking up would be the right solution. He landed on maybe. Rationally he understands it. But it makes him angry just to think about it.

Akito stares at you as you hold your bag in comfortable silence and look at him. Wide, honest eyes - so dazzling he can hardly breathe. He reaches forward and cups your cheek in the palm of his hand, smoothing his thumb underneath your eye.

"You're back late," He murmurs, though it's not accusatory "What were you doing?"

"Well, a new store opened up at the mall in Tokushima, a bookstore that had a little pop-up for an anime Miura-kun likes. So we shopped around for a while, then stopped to see a movie, then went to an izakaya to drink a bit."

"Did you drink a lot?" He says, gentle as he holds you "You're gonna get a migraine."

"I had 2 mixed drinks. They had shochu in them but it wasn't very strong. Some water will sober me up." You pause inbetween your words, brows furrowing "What happened with the set list?"

"I was lying," Akito admits without thinking twice. You look surprised and he laughs "I just wanted us to be alone."

You tug on the lapel of his jacket weakly "I said I'd put some distance between us if it made you uncomfortable."

"It's not that," And it's true. Akito just really, really needed to be with you alone for a while "I was getting grilled earlier."

"From who?'

Akito rolls his eyes "Who else but Toya?"

You giggle.

"What was he grilling you about?"

"...You," Akito answers after some time "Us."

A beat of silence passes.

"Were you really thinking about breaking up?"

You look a little startled before looking away and something in him is crushed.

"Is that what he told you?"

"It's what it sounded like," Akito replies back. He reaches for your hand and squeezes it "Do you?"

"It's not that I want to,"

"Then what is it?"

'We're gonna go around in circles again," You say through a wet-laugh, like you're already gonna cry again. Akito fucked up bad. He brings your free hand up to his lips, kissing your knuckles gently.

"We wont this time, swear."

"I know it's just work to you. It doesn't bother me all the time, either - like sometimes it doesn't bug me at all. But then, it's like, if I can't handle this much, maybe we should break up," You explain carefully and slowly, not trying to be too harsh at any point "I don't want to resent you or get in the way of your career, y'know. I know you're not gonna cheat on me. I'm a little insecure about it, but tough shit you know?"

"What do you mean?"

"It just...I dunno. It feels bad to watch you flirt with your fans, but if it's work for you than that makes it a me problem right?" You say thoughtfully, a sad but gentle look in your eyes "I don't know if I can handle that. So maybe, it's better to nip it in the bud now before things get serious."

"Aren't they serious already?"

"Yeah, but it's not like we're married. Or public. Like this, it's a normal break-up. It'll be awkward for a bit. But we get through it and things go back to how they were."

"It sounds like you don't take this seriously." Akito says, accusatory. You sigh and shake your head.

"That's not true at all. If you mattered to me in any less, it might be easier. Like if I loved you just a bit less, I could come up with a better solution," You hum. Akito believes it more than anything, that you love him. Even knowing doesn't make everything better "I love you and I know that your career is the most important thing to you. I would never want to make you choose."

"So what? You just cut yourself out of the equation so I don't have to?"

Where Akito expects you to disagree, you laugh and nod your head.

"Yeah. At least we'd be on good terms that way."

Akito stares at you in disbelief. He's partially angry, and partially devastated. He knows what you're saying, and it makes sense rationally. Logically at least. It's a problem with no good outcomes, like if there's already a stalemate - whose to say things will get better. It's in character for you to think like that. Where Akito is hard-headed and passionate, you're calm and analytical. To overthink to such an extent, to think so seriously about your futures. Both Akito's future and yours.

But it's not what he wants. His career is important, of course it is. What he's built is important. But does that mean he has to give up on you?

When Akito reflects on it, he doesn't think your original ask was that hard to fulfill. It hurts the worst to know that. Had he heard you out properly the first time, thought about it a little more - it'd be clear that it's nothing that serious.

Nothing worth making you worry over. Nothing worth making you question your entire relationship over.

But he didn't do that the first time, and now he's stuck listening to you think of all the ways things could go worse from here. It's his fault, really, for not thinking about it. He's always been this way about his career.

"You've been thinking about this a lot." He says first, almost paralyzed. You laugh humorlessly.

"I was going to wait until tour was over to talk about it."

"...Cause you were worried about how I'd perform."

"You're an important part of my salary," You joke, trying to lighten the mood.

"...Man this feels like shit,"

"Sorry."

"No, not it's not that. It's not your fault."

"It's not yours either."

"But it is," He says, exasperated with himself "If I would've just fucking... heard you out a few months ago. You wouldn't have been thinking about all this. If I had just done something then,"

"I don't see it like that, Akito."

"I know but it doesn't matter, cause it's my fucking fault anyway." He looks at you seriously. Shit, he almost wants to cry. "I don't want to break-up with you. I'm really sorry."

"A-akito?"

"I'll stop flirting with the girls who come to meet us. And I'll announce our relationship after I talk with the managers a bit,"

"A-akito, you really don't have to—"

"My career, music, everything we've built so far is important to me," Akito looks at you seriously, hoping it all comes out right. That everything comes through the way he intends "But shit, so are you. You're not...less important to me than any of that."

You stay silent, like you're in disbelief.

"Really?"

"Fuck—god, yes of course. I'm sorry. I really screwed up this time. I don't want to break up. I want to be with you, for a long time. Longer than this."

"I'm gonna cry." You say with a warbly laugh.

"Don't cry," Akito mumbles, pulling you into his arms. He hears you sniffle as he tucks your face against his chest, his arms around you tightly as he comforts you "I'm sorry for being an idiot. I love you,"

He presses a kiss to your head, looking at your tear-stained face with a sigh. He leans forward, knocking your foreheads together before littering kisses along your cheeks and face until you laugh again. He finds himself smiling too, before another somber wave of emotion washes over him.

"I'm sorry for being a shithead," He says with a sigh "An called me a jackass and I can't believe I have to agree with her."

You laugh "I don't think you're a jackass."

"You totally should though," Akito says back "I was pissed off the whole day."

"Really? Why?"

"Why do you think?

You look genuinely confused for a minute before something seems to click.

"Was it because of Miura-kun?"

"Yeah. Fucking walking around so lovey-dovey, making googly eyes at you."

You smile impishly "He confessed to me earlier today."

Akito stiffens immediately.

"What?!"

"Yeah. We were in an alley and waiting for Eta-san and he just... told me outright."

"...And then what?"

You roll your eyes "Of course I accepted and now we live together, happy ever after." Your sarcasm bleeds through your words as you flick Akito's forehead "Obviously I rejected him gently and said I was seeing someone."

"And then?"

"And then he asked who, and I said and then he was silent for a while before tearing up a little." You reply thoughtful, fond smile on your face "He said he wishes he did it in highschool and I comforted him for a bit. Guy cheered up really fast,"

"Seriously?"

"Congrats on being right," You lean into Akito, wrapping your arms around his waist "He bounced back after a drink or two and it hasn't been awkward at all. He can't hide his feelings for shit so I'm sure he's fine."

"Seriously? It's over just like that?"

"He's a positive guy and he doesn't dwell on things. Kind of dopey you know? Pure-hearted to a fault, the only thing he's really smart at is music and sports."

"So he's over it? There's no way."

"I wouldn't say he's over it," You say thoughtfully "More that he just accepts things as they are. I'm not into him so that's that. But we're still friends, and that won't change any time soon. I hope that's okay."

Akito widens his eyes.

"I mean, yeah it's fine - I guess I feel better about this way but. I mean, shit."

"I thought you'd be celebrating a little more."

Akito scoffs.

"He's still gonna make those stupid heart eyes at you, just not in front of me."

"He does not do anything of the sort!"

"Oh yes he definitely does. Ask Toya if you don't trust me."

"Maybe I will." You reply, sticking your tongue out.

"Ask him when we get to our bus."

"...Is that okay? Did you ask your manager?"

He laughs again, holding you close a second time. He tilts your chin up towards him, placing a kiss on your lips.

"Don't care," He says brazenly "I need you with me tonight."

"That sounds dirty, Akito."

"Oh, it is baby," He teases, turning his voice low "Try not to be too noisy. Kohane-sans a light sleeper."

#akito shinonome x reader #akito x reader #project sekai x reader #pjsekai x reader #writing tag

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peri-peri-sauce · 1 month ago

Note

hi sorry if this is random but i noticed your recent tags and some other peoples posts about Jeres behaviour recently, so i wanted to ask what exactly happened, how did he change? because he seems the same to me and i cant recall anything happening, other than the NFT situation. the poor jokes have been around a while, hes made them on previous euro tour and nobody seemed to mind.

Before I state my opinion on this subject, I want to make it clear that it's totally okay not to agree with me.

Everyone is entitled to their own opinion and I won't start any drama or arguments over this. Although you're free to leave your thoughts and opinions in my inbox or in this post's comments without any problems.

I don't really care much about the jokes. Yes, after hearing them a thousand times they do get tiring, and his limited knowledge of English is not an excuse to keep making the same jokes over and over. But they're just jokes, it's entertainment, and that's it. That's not what has been bothering me, and I wanted to make this clear from the start.

My issue is more with the other things he's done (or hasn't done) this year.

First the NFTs, which caused a lot of drama and divided the fandom between people who are against it and cancelled him and those who don't care. I'm not going to go into details because there's already been hundreds of posts about this.

On the other hand, there's the drama with the OF. Poor quality content for 40€, no schedule, no communication. Another mess I'm not going to get into, we've already discussed this.

Personally, I'm tired of everything being put behind a paywall. They do raffles, giveaways and post exclusive content only for people who can afford to pay. And what about the rest of us? Are those of us who don't want to pay just going to keep getting vacation photos and the occasional selfie? Mikke still hasn't uploaded anything about last year's Eurotour, and now they want to make this year's Eurotour paid content?

Also, what happened to the album? Why does he keep releasing songs without properly announcing or promoting anything? We wouldn't have even had a date for the Sex = Money release if someone hadn’t posted that on socials yesterday after he casually mentioned it at the gig! The album was supposed to come out in the spring, but there are barely three months left in the year and we still don't have any dates or anything.

Recently, I feel like I'm following an influencer who posts vacation photos rather than an artist who makes shows and music. I want K to live his life and do whatever he wants, but he shouldn't forget that he's an artist, and while we keep giving him our money to go to concerts, get boring merch and see exclusive content, I don't feel like he's giving us something new in return. As a fan who is in love with him as an artist and his music, I feel really disappointed.

I feel like he's not putting in as much effort as he did last year. He doesn't bother to give us dates, to make a schedule for the OF posts or communicate with us what to expect before we subscribe, to provide us with new content (without having to pay), and he doesn't even bother to create good designs for his merch that isn't just the same photo he's been using everywhere for months.

With this, I want to clarify that I'm not canceling him, I'm just mad and disappointed, and for now, I'm not leaving the fandom. But if he doesn't have anything to offer me, then I won't have anything to give him in return either.

#ask #käärijä

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folkwhore1998 · 2 months ago

Text

All I do is try try try

I will literally never forget the first time I listened to folklore. I went for a walk around the pond outside in my neighborhood and it was cold as hell. It was such a vibe you guys. I would do anything to be able to listen to this album again. Take me to the ponds where all the poets went to die.

It is so different than anything else Taylor Swift has ever done honestly. I feel it is the lyricism of Last Kiss and All Too Well but they were introduced to depression and anxiety. Am I wrong? It is hard for me to say it is an album that divided our fandom because it brought in so many fans, but i also feel there are a lot of fans who prefer other albums over folklore.

I can totally see why and how folklore brought in so many new fans. #1 It is a completely new sound from Taylor (which is how I can maybe see why some people were divided) #2 We were all depressed during COVID and this album was a really good friend to so many people during this time. #3 It took people by surprise because there was no promo for the album. She just said "Here!" I think that there was a lot of curiosity that came with the release which brought in new listeners.

There are two songs on this album I will ride at dawn for: hoax and peace

YOU KNEW THE PASSWORD SO I LET YOU IN THE DOOR. YOU KNEW YOU WON SO WHATS THE POINT OF KEEPING SCORE? I'll admit, I was not always a hoax truther. It just didn't click. But one day I had the album on shuffle and there was a switch that was flipped in my brain and wow it is just so good. Like hello? DID YOU HEAR WHAT SHE SAID?

Peace is such a vulnerable song and we don't talk about that enough. It is like asking am I going to be good enough? but so much more than that. Taylor is a well loved celebrity and it isn't something she cannot change about herself. It is a major part who she is. "Will you accept the intrusive parts of myself and my life that I will never ever be able to change? I would literally die for you and I love your family as my own and I would do anything for you, but is my love enough? I'd also like to talk about epiphany. I personally don't relate to it a lot and I don't listen to it a lot, but I recently saw a video of someone saying "it's the worst song she's ever written" which absolutely infuriated me. Did I rank it last? Yes. I rank everything on how I personally connect with the song, not in terms of "I think this is a bad song." Just because I don't connect, does not mean it is a bad song. It is actually an incredibly deep song that I think resonates with a lot of medical professionals as well as people who lost loved ones during COVID. It talks about a loss so unfathomable or event so traumatic that you literally can't speak about it. And for someone to say it's the worst song she's ever written is honestly senseless and offensive and infuriating. (Respectfully)

☆ Fun fact: Whenever I am showing folklore to someone for the first time, I always play the LPSS version. The vocals are so raw and I feel like you can really feel the lyrics differently, and you can really hear what she just- which I find to be extremely important with this album.

Here are my rankings of

folklore:

illicit affairs

the 1

my tears ricochet

this is me trying

august

peace

betty

hoax

cardigan

mirrorball

the lakes

mad woman

seven

exile (the live version is a different story...one of her best performances)

invisible string

the last great american dynasty

epiphany

Folklore era favs:

youtube

lol

youtube

MAGICAL

youtube

actually sobbing. everything about this. they're all so appreciative and proud. sidenote: one of her best looks ever. dare I say it's my favorite?

youtube

no notes.

if you know, you know.

Yes.. I know we need to get through Fall, but it's never too soon to start planning. Taylor said so!

☆ Here is the direct link to the folklore cardigan Christmas ornaments pictured above:

☆ Here is the direct link to the folklore stocking pictured above:

@taylornation @taylorswift

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swiftlyswan · 2 years ago

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my thoughts on the lovejoy merch

tldr: i'm disappointed in the lovejoy merch. it doesn't promote their band and should have at least included their logo somewhere. i think anvilcat needs to be pushed as a character of the band, and have mocked up some of my own designs that i think would work better.

lovejoy has gone about this merch drop like a cc would - trying to make subtle references and items that people wouldn't be 'embarrassed' about wearing in public. this is not how band merch works! not only a money maker, band merch is key for promotion and advertising.

think about nirvana, metallica, the rolling stones. their logos are SO iconic and recognisable because they were used fucking EVERYWHERE! it SCREAMS their name. the lovejoy merch doesn't say their name ANYWHERE, and instead only pushes the name of their record label, and i have absolutely no idea why they landed on this (i know it's are you alright themed but cmon, why are you pushing that motif more than your band name?)

before i get into what i think they should have done, let's talk about what they did:

fucking inconsistent long sleeve: anvil cat records logo is alright but the shape of the anvil isn't readable. i'm always a fan of sleeve details but the lyric choice feels a bit immature (?) overall pretty boring

anvil cat records short sleeve: this is a worse version of the previous logo. the cat has no detail and and makes the anvil even less readable. and again, why are they pushing the record label logo instead of the band's?

it's only available in black and white which is very basic and i think would have worked better with a red/maroon print to fit the are you alright theme.

jimjam pocket: really not a fan of this. from a distance it's a yellow long sleeve that you're paying £35.00 for. up close it's a tiny print of a dog character that honestly i don't think works well enough to printed (fine as album artwork but like this just looks like a black smudge lmao). movin on bc i don't want to think about this one anymore

socks: i like them. unique item to sell. designs look alright - not much else to say

pebblebrain jumper: this is BY FAR the best product and you can tell that they have put the most effort into this. it looks high quality and is quite impressive that they've been able to make it. this is the only item i was considering buying (the price put me off) i'm not mad that this isn't explicitly promoting the band bc you can tell they were making it from a fashion pov more than a 'listen to our band' pov

so overall, it's a disappointing merch drop. i understand what they were trying to do since it was promoted as a 'one year celebration' merch drop, and so making an item for each ep (and the knee deep cover?) makes sense to mark what they've released since forming as a band, but i think 90% of their focus (and budget) went into the design and logistics behind the pebblebrain jumper, leaving the other products to fall short.

so what should they have done?

lovejoy already have an incredibly designed logo, and i am beyond confused as to why they haven't used it anywhere - especially when they're celebrating their first year as a band! it's literally your name!

slap that on a t-shirt and you can call it a day - it makes so much sense and i really want to know what the thought process was behind not using it. not only is it literally the brand you're trying to promote - it's a good looking logo!

they also have this amazing cat skull logo (which i'm a huge fan of) this is a WAY BETTER representation of anvil cat, and helps to convey the genre and tone of their music. it relates perfectly to are you alright and is instantly recognisable. it will stay in people's minds, but the only way to do that is to USE IT.

speaking of anvil cat, i made my own designs for him. imo, he should be the (face? mascot? character?) of lovejoy. the bird is a bird. the dog is annoying to look at and was created for a cover. the anvil cat has a story and the possibility to have a personality for fans to know and love and associate the band with. he directly links to the lovejoy's biggest song that started their whole career. he has a huge potential to become an icon for the band as well as a marketing tool.

my mockups are messy but they get the point across. look at him! the crossed out eyes, tongue hanging out, and the exposed ribs from the anvil! it makes sense! but get this - lovejoy have already experimented with his design, here he is, a small icon used in the centre of the poster promoting their halloween show.

i think that's all my ramblings for now. sound off in tags or replies what u think. am i completely wrong and should be burned at the stake for insulting precious band? maybe. but i mean it in good faith. i wouldn't care this much if i didn't want them to succeed

#lovejoy #lvjy #long post #wilbur soot #ash kabosu #joe goldsmith #mark boardman #love joy #long long rambles about merch #nothing ever changes #i feel very passionate about merch designs #and marketing in general #especially when they charge a lot of money for products #that either dont look good #or dont serve their purpose

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mercurytrinemoon · 1 year ago

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Astro observations: celebrity edition part 2 aka latest news roundup

⭐️ Dua Lipa announced on her instagram that she's actually a Gemini rising as opposed to Libra. Now my Gemini detector told me that ages ago but I accepted the Libra rising just because it's my default token "plain good looking and polite" sign BUT it actually now makes much more sense in terms of house placements. Her Venus is now cazimi in the 3rd house - house associated with creative writing and thinking. The ever-changing and fast-moving Mercury is now in her 4th house of family and home situation and she's actually been always moving a lot between England and Albania. That healthy domicile Mercury as well as the Sun-Venus conjunction in the 3rd shows her close connection to family overall.

Funnily enough, her discovery took place during Mercury station in her 4th house. Talk about finding out your true roots (astrological, in that instance).

⭐️ We also now have the birth time of Elon Musk, who turns out to be a Cancer rising. Jupiter in his 5th house of children now makes perfect sense with his 11 kids (and probably counting).

⭐️ If you're wondering why Ariana Grande is the way she is, look no further than Moon conjunct Jupiter - aka her 7th house ruler multiply; as well as both being square to the Sun. Usually Sun square Jupiter can point to legal issues and excess while Sun square Moon often points to broken families. Now add that together and you have… a homewrecker, yaaay!

⭐️ I was thinking a lot about Blink 182 and Tom Delonge (his chart resembles mine a bit) due to him rejoining the band last year and now releasing a new Blink album. Natally, he has a retrograde Gemini Mars so I looked at his progressed chart to see the stationary period. Turns out his progressed Mars stationed direct early 2014, followed by progressed Sun entering Aquarius. Early following year the band announced that he left permanently. One of the things he focused on was research on the UFOs and work with the government. Of course, keep in mind progressed Mars stations for quite a while and his issues with the band lasted throughout the whole 2014 so it makes sense that the final split occured a year later. And why Mars? Well it can literally speak about our focus in life and our direction - where we put our energy. Not to mention Mars rules his MC so it brought him a massive turn in his career. So makes sense.

⭐️ Britney Spears just released a memoir book. Putting aside the questionable fact on who really wrote it, it stirred up a lot of drama. Her chart is one big mine but today I'm only focusing on current transits: she just had an eclipse in her first house of Libra. That eclipse landed right on her Pluto, which natally squares Venus (talking about toxic relationships and exposing them). Pluto itself is making last hits to those degrees as well as it's stationing direct in the late Capricorn. Interestingly I think Jupiter being in her 8th house can point to this as well - it lights up all the secrets and talks about working on past traumas. Now, you're also probably thinking, why was she involved with so many iffy people in her life? A lot of things in her chart point to that but what always struck me was her 7th house ruler - a malefic Mars - being in her 12th house of enemies. And it squares Neptune so they're also liars and exploiters.

⭐️ There's been A TON of celebrity breakups during this Venus retrograde season but I'm gonna quickly focus on Joe Jonas and Sophie Turner because their charts are an interesting example. Their synastry is mostly having planets in sister signs but this also means that if one of them gets hit with a transit, so is the other. Involve Saturn in that transit and you get trouble. Saturn is currently in early Pisces, where Sophie has some of her planets in the 12th house (loss, enemies). Her Mars (disputes, cutting) is at 4° of Pisces while Joe's Mars is at 7° Virgo - right opposite that. Saturn transit stirred up some proper drama: and Saturn is also coldness, being restrained and cut off. On top of that they also have their rising signs in the opposite signs of Aries and Libra and we just started having eclipses in those signs earlier this year.

Not to mention Joe's Leo Sun got hit by Venus retrograde and a Uranus square. Among other stuff.

FUN FACT: according to my research they met for the first time in October of 2016 when Jupiter was in Libra. So, interestingly, not only they had Jupiter going through their angles but Jupiter in their Davidson chart is in Libra.

⭐️ Taylor Swift is currently going through her 10th house profection year (Leo). It would make sense then that her career would take a turn this year considering that Venus was retrograding in Leo. Of course as it turned out she had a massive succes with her ongoing world tour, which is said to become the highest grossing tour of all time.

⭐️ A Vogue article popped up about Rita Ora's and Taika Waititi's wedding that took place a year earlier (they kept all the info and date private until now). Jupiter played a huge role in them getting married (as it often does, especially for a couple like them, who have it strong in their charts, which I wrote about HERE). At the time of their wedding Jupiter was at 8° Aries, which for Rita is that sweet spot between her Sagittarius Sun and Venus (4° and 10° respectively) and Leo Jupiter (13°) - as it completed a grand trine in her chart. Transiting Sun was also 12° of Leo, highlighting that trine even more.

Man I love astrology.

For Taika it was pretty prominent as well although his Jupiter aspects were more sign-based. He had a Jupiter return; his Moon is somewhere in the middle of Sagittarius so he received these fire trines as well. Interestingly, at the time of the wedding Saturn was at 22° Aquarius - exactly opposite his Leo Sun but also sextile his natal Jupiter. So for him it had a bit of a Saturnian flavour that called for stability and maturity.

⭐️ Similarly, I just read the other day that Frances Bean Cobain got married earlier this month. She has a Venus-Jupiter conjunction on top of her Virgo ascendant (interestingly Kurt had the trine between Venus and Jupiter - so seems like a family pattern). Also interestingly, transiting Jupiter is currently trining both her Venus and Jupiter (on the day of the wedding it was trining Venus exact), thereby her natal pattern got repeated. Jupiter is also her 7th house ruler.

Her now husband, Riley Hawk is having a nice transit of that Jupiter over his Taurus Moon - and remember, Moon rules the women in your family as well as your wife.

#astrology #random #astro notes #mercurytrinemoon #celebrity chart #astroblr #dua lipa #britney spears #tom delonge #sophie turner #joe jonas #rita ora #taika waititi #frances bean cobain #taylor swift

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