#they won’t allow it

[pinata-candy]

Y’all really loved the last silly post about these guys so I bring more gifts <3 I went through 3 years worth of RP messages and picked out a handful of favorite moments between these knuckleheads, probably expect more of these, bc there is a lot more of this kind of shit between them all

[wolfythewitch]

Jon sketch

[odetojupiter]

the fact that kevin day also witnessed a man being chopped up in the tower at evermore after neil’s audition is mad, and it’s something that is very much not addressed ever. like, maybe part of kevin was so accepting of how things were in the nest because he knew that this is the second branch, and if he were to leave, he’d become the main branch’s problem because he knows too much, and the main branch casually chops men up as a warning to literal children. and then he’s still called a coward for leaving ?? but also a coward for wanting to go back to make the inevitable less painful for him ??? and that’s not even considering what riko and tetusji did to him specifically, before even jean arrived at the nest. and his mother’s death would’ve been quite recent at that point. just insane.

[milksockets]

rob halford of judas priest, 1985 in getting it on: the clothing of rock + roll - mablen jones (1987)

[blue-mood-blue]

I can pinpoint the moment that destroyed my life today:

It’s been a handful of weeks since Murderbot came within inches of having a new, organic governor module implanted in its head via infection - do you think, maybe, that’s also been hiding behind the redacted? Not the way everything else is, just as a deep-seated reminder of what it can’t afford to lose?

What a way to be told “I love you” - to be told “I will not lose you, I will not let go, I will do the hard part of holding on even if you don’t want me to”

[imnotditzy]

Since Fawcett takes place in the fifties (in my AU), and the Second World War ended in nineteen thirty nine, it’s not unreasonable for a good chunk of the population of Fawcett to be war veterans as their state had a large amount of survivors. But imagine the amount of traumatized young residents coming back from the war and just not being fazed by anything. Fawcett was so numb to all the weirdness showing up in their hometown, the veterans going numb from war, members of the community too busy or traumatized to care from the whole experience. The emotions families must’ve felt watching their people come back shells of themselves. Cracked in ways they can’t fix, with no way to make them the people they used to be. And then having to go back to regular life, Fawcett most definitely was struggling.

Maybe that’s why they like Captain Marvel so much, he’s a symbol of optimism after the lives they’ve lived.

[ekingston]

What do you think would be lena's courage gaunlet test

therapy

[cloverkingsmith]

I have NOT been keeping up with posting on tumblr. but I hear y’all like tadc over here so have some halloween skins

[dnpbeats]

saw an anti post from 7 years ago and i was gonna reblog it bc i thought it was funny but then i went to the blog and they’ve actively posted anti stuff THIS YEAR 🫥

[shorthaltsjester]

it is quite funny to me as someone who studies philosophy and has had to have the conversations that bh and ludinus have been having many times over and often with people who like ludinus do not have any reading comprehension and truly like. the notion of “this shouldn’t exist” is almost always one that comes up regardless of whether it’s a discussion on the metaphysics of a potential God(s) or divinity, high political powers, or vehicles of systemic oppression. and what anyone who cares about people more than their ideals (even, sometimes, ideals that started out being about people but quickly come to be about the ideals themselves) realizes very quickly in a philosophical discussion about what should and shouldn’t exist is that it does not matter if what you’ve decided ‘shouldn’t’ exist does in fact already exist. like that tends to be the difference between sociopolitical philosophy that actually has teeth and substance in the world — a willingness to engage with the world as it is, not as it should be. because you can have the perfect image of a just and wonderful future world, but if you do not at every step reckon with the unjust world from which you are aiming at that future, you’re doing nothing. ideals are helpful because they aim us toward goals and hopes, but they’re nothing without a reality that grounds them.

and so people like ludinus, who in the real world would play the role of a graduate student with critical thinking skills that make every professor he comes across question how he arrived at his level of study, they don’t have Wrong ideals, there’s obviously plenty of reasons why an exandria without gods might in fact be a better place for mortals (there are also many Many reasons why it would not). but ludinus has also chosen his ideals to weigh heavier than the mortals he claims to uphold them with. i think ashton is also interesting, because i think a lot of their positions have a fun fluctuation between being ideal focused and person focused, where sometimes they’re focused on how unfair life is in a very nihilistic position, and at other times they seem quite clear about how much ideals help no one if they’re not second to the desire to help others. and i think that made their role in the convo with ludinus in 102 especially interesting and irritating (but in a narratively fulfilling way). anyway, truly so fun watching ludinus argue with the amount of fallacies and undeserved confidence of like right wing first year students in an ethics class explaining how actually the ends justify the means and thanos had the right idea actually if it means no more starvation. get a grip old man.

[ricky-mortis]

Curtwen Week Day 5: Disguise

[tornado1992]

Babyfied Tails not crying no matter how hungry or sick he’d be because when he was an actual toddler he learned that if he cried no one would come to help him, his cries would only attract the people who wanted to hurt him.

[awzominator]

Leo Vs Donnie’s unhelpful bitterness smh

[amyrosedaily]

Day 66: Dream (Silver Week day 1)

It’s Silver week!! (Thanks again to @speeding-fox for finding the prompts for me!! That was so nice of you!!) Silver and Amy are my two fav Sonic characters so I’m just gonna take Silver week to draw my fav two charas together for a week.

Uh…if that’s ok? The point is to appreciate Silver so maybe this isn’t fair to Silver?? If you guys think I shouldn’t let me know.

Anyway fusion au again today haha. I promise I won’t just fusion au all the time though.

PLEASE! Donate to help save Safaa and her family! | Main post | Gofundme

[starryluminary]

If Noco were a canon couple’s stereotypes: The Arch Villain and The Queen Bee Schemer

[likealittleheartbeat]

I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.

The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.

So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.

So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.