#they want them to conform

[septemberlikeastorm]

*taps mic only to whisper Very Quietly* i'm new here & wondering has anyone already written the essay about the jedi order as a k-pop factory??

[uncanny-tranny]

Diversity win! All the male mannequins in the nursing class I was in had vaginas (literally all)!

Diversity loss! Everyone was Weird about it

[kastalani123]

There's something about the idea that gods change according to belief.

There's something about Aphrodite having to drop her sword and shield and pick up a makeup brush and mirror.

There's something about Zeus's Crown overtaking his hospitality.

There's something about Ares being scrubbed of his care with blood.

There's something about Hera's care being thrown in her face because of her cruelty.

There's something about Dionysus having his artistry and wildness ripped away from him due to his partying.

There's something about Hermes losing his chthonic connections in favour of his trickery.

There's something about Demeter surrendering her fierce, protective love and power over life and death to become a hysterical mother.

There's something about Athena's femininity and protectiveness fading to make her grip her spear and grasp her thoughts tighter.

There's something about Hephaestus forgetting his creations' finesse and intricacy to focus on pure function and efficiency.

There's something about Poseidon's earth-shaking rage that causes waves to rise above the tallest mountains being reduced to occasional vengefulness.

There's something about Apollo giving up his herds and truth and wisdom and plagues to speak the future and heal the wounded through song.

There's something about Artemis turning from children and childbirth to fixate on the wilderness.

There's something about the idea that gods change according to belief.

[fromtheseventhhell]

If we get a scene of Arya crowning Jon, it needs to parallel the scene of Jon gifting Needle to Arya for me. A personal scene between the two of them that's about their unconditional love for each other. It isn't about Jon becoming King but about Arya supporting him in the same way he supported her. "Girls get the arms but not the swords. Bastards get the swords but not the arms" come full circle with two outcasts supporting each other occupying spaces that society says they can't

[australet789]

The only good thing about Gabriel's "redemption" (bullshit) it's that EmiNath is canon, we won

[addicted-to-the-knife]

I finally had the chance to watch the Boston panel.

and I'm starting to think that a lot of you either haven't watched it yourselves, or were so set on specific opinions you personally have, while also having clear expectations of what their answers will be, that with their answers (or what are talked about as their answers) made you so unhappy that now you're just bashing them; especially Hugh.

why, though? none of the things I've seen people complain about were actually said like that or fully implied. so... what? doesn't make sense to me why some of you are so upset about this panel. it was so much fun and just lighthearted entertainment. panels like that are the reason these things exist and are usually so much fun in the first place.

[thesorcerersshadow]

“you have to show everyone that you were right and they were wrong.”

i’m so fascinated by what gwen says here because there are ways in which it feels almost antithetical to a more surface level reading of her character (that does, at times, feel like the one the show wants us to engage with.) she doesn’t say that exposing valiant is the Right Thing To Do or appeal to a sense of honor or justice in the broader sense, even though i’m sure she does think that and believe those values apply here.

what she says here is… so self-interested, on merlin’s behalf. she believes him pretty implicitly (she asks once if he’s telling the truth, he says yes, she doesn’t question it) and her main reaction is “you have to do something to prove you were right.”

and i think part of that comes from just, like, really liking merlin right away / seeing the good of humanity in him (something i will maintain forever is mutually a big part of what they see in each other) and being offended on his behalf, feeling that he’s been Wronged. so like, justice is at play in her mind here, but it’s on a far more personal, intimate level than just being about Doing What’s Right.

and i also don’t think it’s a reach to say gwen might be doing some projection here. it might not have been on the same level/with the same stakes, but how many times do you think gwen had to bite her tongue when she knew she was right about something? morgana is kind to her as an employer at this point—far kinder than many nobles would be to their servants. but there is still and uneven balance to their dynamic, and even if morgana is willing to hear her out about certain things, in front of other nobles, in front of court, in front of uther—gwen knows her word doesn’t count for much, either.

[ki1ldeer]

Ahh the escapism of drawing my silly guys

[dandelionjack]

i hope ruby gets a well-that’s-alright-then-style notdeath. on the one hand it will make haters mad because oh no not another companion with an impermanent end (and i like to see haters mad) on the other it would require creativity to depict this in a new way + i love all the implications i love the dark fairytale quality of these companion exits i love my un-undead schrodinger’s women

with the way the legend of ruby sunday is titled… legends aren’t usually told about living people. legends are stories of the bygone past, of an age long since over, fictionalised and overgrown with folklore like barnacles sticking to an abandoned shell. there is such a thing as a living legend, but they’re exceedingly rare. the unmistakeable raven’s call in the 73 yards teaser, the trailer’s cut to fifteen crying alone after promising to cherry he’d protect her daughter… the foreshadowing is clear as day…

and yet. there’s one massive HOWEVER. ruby appears in s15: millie’s been spotted on set filming it. which leads me to believe — the doctor isn’t one to take the time travel route and revisit companions that in his future are genuinely dead. that would hurt too much, it would cause unnecessary trauma and could break the timeline. that must mean ruby stays alive in some way. ish. she’s alive and a legend and a mystery. girl-ballad girl-song girl-paradox

here she is, fading out.

p.s.: thesis statement on moffatgirls from the tags i left on somebody else’s post about charley pollard.. well it belongs here since it’s basically the semiotic hurricane swirling around ruby at the moment :)

[average-transdalorian]

Y’know I think all of Char’s divorces could be explained by him being aroallo and trying his best to be alloallo because he doesn’t realize he’s aroallo. But also I’m not sure the world is ready for rep like that

[qiu-yan]

in MDZS the novel, the innkeeper in Yunping mentions that people are too scared to go petition Yunmeng Jiang for help because someone once walked in on Sect Leader Jiang whipping a guy in the main hall, supposedly because the guy was a demonic cultivator.

[contagious-watermelon]

tomboy trans girls ily <3 by the law of equivalent exchange, there's got to be a masculine trans woman out there that i switched places with gender-wise. hope she's doing well

[fromtheseventhhell]

One major factor missing from most debates on Arya and Lyanna's beauty is that they're being judged by their society's extremely patriarchal values. In both looks and personality, that context is essential to understanding how others perceive them. George explores the misogyny experienced by non-conforming women, especially with Arya, and it's interesting how he plays with that regarding their physical beauty.

Her mother used to say she could be pretty if she would just wash and brush her hair and take more care with her dress, the way her sister did. (The Blind Girl, ADWD) "You never knew Lyanna as I did, Robert," Ned told him. "You saw her beauty, but not the iron underneath. She would have told you that you have no business in the melee." (Eddard VII, AGOT)

These two quotes offer a nice summation of this idea. With Arya, her supposed lack of beauty is defined by her being a non-conforming wild child. Her hair is messy, her face is dirty, and she's often in "lower class" clothing while engaging in unladylike activities. None of this says anything about her physical beauty but it tells us everything about how she's perceived. Arya could be pretty...If she conforms to society's standards for a highborn Lady. With Lyanna, however, we get the opposite. Where Arya is judged based on her personality, Robert's romanticization of Lyanna is rooted solely in her looks. He doesn't know anything about the person she really was. There is an assumption that, because she looked a certain way, her personality must fit and Robert imagines her much softer and more passive than she actually was.

That Arya isn't pretty or Lyanna wasn't wild are two perceptions that George specifically pushes back against. This is where people miss the brilliance of them being linked as literary mirrors; it is largely about us learning more about Lyanna, but it touches on more than that. The significance of them being written as wild, willful, and with their own beauty is that George isn't writing his female characters around patriarchal expectations. When people debate their beauty, that's often the trapping they fall into. Beauty and non-conformity are treated as mutually exclusive factors when the story itself never makes that point; this is also the logic that leads people to the (incorrect) conclusion that Lyanna and Arya aren't meant to be similar. Arya's self-esteem issues around her looks and being a Lady make this a topic certain to be addressed in the future; George has made it a part of the story. The conclusion shouldn't be that "looks don't matter", but that looks aren't indicative of a character's value, personality, or morality.

[spidergvven]

thinking about colin saying he doesnt want to be a spokesperson in contrast with sam embracing the opportunity to be a spokesperson, how even though being closeted in an extremely heterosexual and homophobic environment is a painful experience colin can blend in but thats never been an option for sam or any other black athlete. sam is obviously the type of person to speak up about injustice whether he's obligated to or not but in many ways he doesnt really have a choice, not in the way colin does as a white guy.

even within the queer community a cis masc white guy like colin is not going to experience the kind of bigotry a gender non conforming or trans queer person would. and thats not to say that being closeted is a privilege (it is so very very not) or that the homophobia people like colin face isnt awful and painful but it's just. different. and we see this all the time in real life, there are so many white queer celebrities who feel the same way as colin about being a "spokesperson" but really no one wants to be a spokesperson, no one wants to have to fight just for their right to exist but we're not exactly given a choice.

[alexjcrowley]

Was just given a bit of attitude about being aromantic by the only people I've told I am aromantic really trying not to hyperventilate here

[8cfc00]

genuinely impressive how much (public) discord servers manage to replicate the feeling of sitting at a lunch table and fruitlessly trying to join in on a conversation everyone else is having while everything you say is irrelevant or ignored. can you tell i have autistic™️ social difficulties