#they want our destruction

[thatpunnyperson]

According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.

And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.

Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.

So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.

Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.

[uncanny-tranny]

I recall saying this before, but it bears repeating:

There could be a billion trans people in the world and it still wouldn't be a bad thing because being trans is not a bad thing. Even if the rate of people discovering they are trans is "disproportionate" to trends from decades ago, that is not a bad thing. In fact, it's a natural consequence for there being more trans people being able to stay alive, and, overall, being able to live in a slightly more tolerant world. You'd only see that as a bad thing if you actively didn't want trans people to either live or live a life that facilitates wellness.

[puppyeared]

(guy who has never played cotl) haha au time

[baddecisionsgoooo0]

Transformers X Haso

I need more transformers x Humans are space orcs.

I need these smol, delicate humans the autobots have to protect to pull out Molotov cocktails and destroy decipticon joints.

I need a teacher to mix up a swimming pool size batch of oobleck and trap a cybertronian in it to protect his students.

I need humans using acid, or throwing rocks in joints, or otherwise inconveniencing decepticons while the autobots get more and more concerned.

I need Optimus or Ratchet to morosely bring up something that happened in the war, and a human to be like, "Oh that. Yeah, we made that illegal, it wasn't considered sporting." or "Wait, you guys have been fighting for how long, and that's the most extreme thing you did?"

I need a bot or a con to get curious and open a history book, and the next morning be traumatized by the shit humanity has done.

I need Humans that get tired of the whole, "Humanity is smol and fragile" shtick, and decide to go kill decipticons so they stop attacking the autobots.

I need Optimus to slowly realize we are not cute, fluffy little creatures, but agents of chaos and destruction. Beings who will destroy anyone and anything that threatens our family, and we consider the bots family.

[stayjustone-morenight]

The God I know, who created asexual and aromantic people, who created polyamorous people and monogamous people, who created infinite diversity, is NOT a god who requires you to tie yourself to another person in order to have a stronger connection to Them. They are NOT a god who requires you to remain sealed to an abusive, neglectful, or narcissistic spouse in order to maintain a connection to the Divine.

Yes, marriage can be beautiful and wonderful and can teach people how to be better and grow closer to the Divine. But you can also learn that through friendships. Through community connections. Through family. Marriage for the sake of gaining access to the celestial kingdom (or for permission to have The Sex) is a recipe for failure. Connection to others, platonic or romantic, is what brings us into communication with the Divine. Stop limiting it to only heterosexual temple marriages (I would add monogamous but we all know the early church had different ideas about fidelity).

[bonefall]

the "strange place" could be a private wildlife collector? i know the buying and selling of wild animals as pets can be pretty bad in the uk (or at least it is w/ birds of prey? that's abt what i know)

OH that's a good idea, that's going to be one of my top choices for if I DO end up needing to change the "twoleg den" in the upcoming super edition. Private wildlife collectors are a HUGE problem because the laws on simply owning exotic animals (as long as they're not covered by the Dangerous Wild Animals Act) are suuuuper lax in the UK, and the Zoo Licensing Act only applies if you accept general admission.

(and even then, specifically, you can take admission a limited amount of times a year. James Wellington's Animal Welfare Nightmare Extravaganza, beloved winter tradition, £25 each, kiddies of edible height get in free)

Birds in particular are a huuuge issue because there's big oversights in the laws surrounding the keeping of birds of prey. You don't actually need a license to own any birds except ostriches and cassowaries, or one of the five destructive invasive birds. Your pet eagle just needs to be registered so they know you didn't snatch it from the wild. Licenses will only apply if you're breeding, selling, or using it for falconry.

Maybe I could even tie this hypothetical antagonist guy to Sharptooth/One Eye/The God of Summer's previous human incarnation, on some off-chance the series ends up using this villain again. That could be kinda neat.

[sysig]

They’re perfect for each other honestly (Patreon)

[therighthandofvengeance]

RIP Charles Dickens, you would’ve loved Babylon 5’s season four opening credits

[amandackles]

me when my entire life is kinda falling apart and all i want to do is to end my suffering and miserable life after 19 years trying and never got anything good that could help me but all i can do is stay here so my parents don't go crazy and k-word themselves too, and do everything my mom want and making my friends laugh about my shitty life because i am too guilty to vent and do a trauma bomb on them, and pretending that my older sister don't exist anymore because she left me here even tho she just went to live her own life.

[cherry-bomb-ships]

WOWWWW OMG I had a dream all about raising the Rowdyruff boys as OLDER kids!!!! 😭💖😭💖😭💖😭😭💖😭💖 They were about twelve or thirteen years old and they were actually not total little psycopaths (I think that was mostly thanks to me) and it was actually really fun being with them around the city and they clearly looked up to and respected me aaaaaaaah I LOVE THEM 🥺💖���💖🥺💖🥺💖🥺💖🥺💖

[il-predestinato]

At this point we might just well go to Christian’s office begging in our knees for him to hire Charles

I actually agree with Max that two number one drivers should not be on the same team... so I've always been anti Charles and Max as teammates.

But honestly at this point, I'm desperate and Ferrari is NOT the answer to anything but the punchline of every joke. I just can't bear the thought of Charles losing more of his prime years to that colossal joke of a team. My biggest fear is that he is going to let his loyalty to that team get in the way of getting the WDC that he deserves. He's talented enough to rival anyone, so yeah, fuck it:

[trekkiehood]

.

[bethanydelleman]

Unconsciously Done: An Examination of Misogyny in the Treatment of Caroline Bingley in Jane Austen Fan Fiction

This essay is not meant as an attack on any specific author who writes JAFF. It is a criticism of a trend that is very strong in the genre and I find extremely problematic.

It is my firm belief that Jane Austen felt deeply for the plight of women in her era and that her books examine the difficult decisions that women were forced to make because of their secondary position in society. Jane Austen presents women to us who have little power and whose only hope in future provision and comfort lies in the whims of men. Moreover, Jane Austen never in her collected works, asks us to delight in the downfall or destruction of a woman. Given this context, I find it highly distressing and untrue to Jane Austen’s legacy that so often in Jane Austen Fan Fiction (JAFF), authors invite readers to celebrate the degradation of Caroline Bingley. This is a repugnant practice that both goes against the intent of Jane Austen’s works and by attacking a woman in particular is an unconscious display of misogyny.

After the Netherfield Ball, where the Bennet family shocks Elizabeth, Darcy, and Caroline with their vulgar behaviour, Caroline and Darcy agree that it would be better for Charles, Caroline’s brother, not to marry into such a family. Together, they go to London and convince Charles to remain there, away from Jane. Caroline writes to Jane to inform her of this. Later, when Jane follows them to London, Caroline cuts off the friendship, which lasted, we should remember, for only a few weeks. She also works to conceal Jane’s presence in London from her brother. She is aided in this endeavour, again, by Mr. Darcy. Her final act of the book is attempting to embarrass Elizabeth in company at Pemberley and then insulting Elizabeth to Darcy in private.

For the purposes of this argument, I will first lay out what the original Caroline Bingley does in the novel Pride & Prejudice. Caroline dislikes the unmannered inhabitants of Hertfordshire, specifically the Bennet family, a sentiment she shares with Darcy. They make fun of the Bennets behind their backs together in the first section of the book, along with Caroline’s sister Louisa. When Jane Bennet is sick at Netherfield, Caroline is not as attentive to her as Jane’s sister would like, despite spending several hours with her multiple times.

It is important to note several things. Firstly, none of Caroline’s actions cause lasting harm to anyone. In the end, Jane and Charles do marry. Secondly, Caroline is drawn by Jane Austen as a social-climber who is not above using artifice to reach her goals, but her actions are entirely rational within that context. Every action that Caroline makes is a logical expression of her two motivations, a wish to marry Darcy and a wish to see her brother marry well. Thirdly, Caroline is aided in nearly everything she does by Darcy himself. One could speculate that without Darcy’s interference, Charles would have returned to Hertfordshire as he planned. Darcy’s own words imply this, “with a stronger dependence on my judgement than on his own.” (P&P, Ch 35.)

The position of women in Georgian society is made clear through Jane Austen’s works. Women are dependent on their parents or guardians until they marry at which point they are dependent upon their husbands. There are only two acceptable options for women of the gentry, marriage or becoming a governess. When Charlotte Lucas submits to a marriage with Mr. Collins, we are told marriage was the only provision for well-educated young women of small fortune (P&P, Ch 22). Jane Fairfax, in Emma, is so upset with her the profession of governess, that she compares it to slavery (V 2, Ch. 18). Jane Austen is clearly of the opinion that a woman should marry for affection rather than only for wealth, but she acknowledges how difficult this line is to draw when marriage is so vital to a woman's life. Caroline is set up as a representation of a mercenary worldview in Pride & Prejudice. Like many other Jane Austen women, Mary Crawford (Mansfield Park, specifically her early interest in Tom Bertram), Lucy Steele (S&S), and Charlotte Lucas (P&P) for example, Caroline is pursuing a man for wealth rather than love.

Lydia Bennet is another woman whom Jane Austen, in the social morays of the time, could have condemned and invited us to hate. In Mr. Collins letter we hear the morality that would delight in a woman’s downfall, “The death of your daughter would have been a blessing in comparison of this.” (P&P Ch. 48). Yet again, the narrator does not invite us to treat Lydia with scorn. We are reminded of Mrs. and Mr. Bennet’s faulty parenting and that he ignored Elizabeth’s advice, we are reminded of the character of Wickham, and we are assured of Lydia’s future provision. Lydia will not fall into poverty because her two wealthy sisters will protect her. Her sisters do this despite the fact that they had the most to lose from her rash actions. This demonstrates an acknowledgement that all women, despite their faults, deserve to be protected.

It is important to note that while Jane Austen invites the reader to disapprove of these women who marry for money, she does not outright condemn them. Charlotte Lucas’s decision to marry Collins is explained with some compassion. The narrator notes that, “the boys were relieved from their apprehension of Charlotte’s dying an old maid” (P&P, Ch. 22) which again reminds us of the importance of marriage for a woman’s future provision. Maria Bertram (Mansfield Park), who married for money and then committed adultery for love and whose actions are clearly condemned, is still allowed compassion. The narrator mourns that Maria must suffer more than her male counterpart for the offence, "In this world the penalty is less equal than could be wished” (MP, Ch. 48) and Sir Thomas spends a good deal of time blaming himself for not raising his daughter properly, “here had been grievous mismanagement” (MP, Ch 48).

Unlikely as it is for Jane Austen to desire further punishment for Caroline, it is more improbable that she would wish for men to exact that retribution. We are told in the history of Eliza Brandon, (S&S) how much power a man can exert over a woman in their guardianship. Eliza is confined to the house and allowed no pleasures until she submits to a marriage to a man who will treat her with cruelty and steal her fortune. This action is despicable and is presented as such. Yet, many authors write Charles Bingley exerting this same sort of control over his sister, or at least threatening it. They wish for him to cut off her allowance and thus financially constrain her behaviour. They have Charles threaten to disown his sister, who in such stories is under his guardianship, or sometimes even give her money away. Not only is this unnecessary, as Charles already can control his sister’s behaviour to an extent as we see during the visit from Mrs. Bennet when he “forced his younger sister to be civil also” (P&P, Ch 9), it is cruel.

It is unlikely therefore, that Jane Austen meant for us to hate Caroline or take pleasure in her imagined downfall. In the original novel, the ‘punishment’ Caroline receives is equal to her actions, she must endure seeing Elizabeth Bennet raised to the position of mistress of Pemberley. It is the same thing that happens to Lady Catherine de Bourgh, who like Caroline, wants Darcy to marry for wealth rather than affection.

More distressing are the words used by characters in works of JAFF, mostly by men who in Jane Austen’s original works treat women with respect, about how Charles might control this “deviant” sister. These terms are often far harsher than anything used for the correction of Lydia Bennet, whom we know to actually be unmannered and wild. Proposals that Charles, “bring Caroline to heel” are repugnant. Caroline is a human woman, not a dog. However one imagines speech in the Georgian era, these are not words used by Jane Austen. Suggestions that Charles cast her out of the family home or be obliged to lock her up, when not said in jest, are terrifying. In this society, these things could happen and would be catastrophic to Caroline.

Even the mere suggestion that Charles should control his sister’s speech in in a start contrast our exaltation of Elizabeth’s lively manner. Jane Austen allows us to find Mr. Collins distasteful for suggesting that Elizabeth controls her tongue, “and your wit and vivacity, I think, must be acceptable to her, especially when tempered with the silence and respect which her rank will inevitably excite” (P&P Ch. 19). Yet, JAFF authors want Charles to do this to his own sister! Would it be in keeping with the morality of the creator of Elizabeth Bennet to have a man force a woman into silence? Jane Austen gave women voices and ideas in a time when that was counter-cultural, yet 21st century authors, most of them women, want to send Caroline back to the dark ages.

Some authors have this same abuse performed by a husband that Caroline unfortunately marries for money or through "compromise" (a common but likely ahistorical trope), only to find out he is cruel. There are stories that present this outcome as just instead of horrifying. Again, these are 21st century authors, relegating a 19th century woman to a cruel marriage in which she has few rights and little chance of honourable escape. Occasionally Caroline is married to Wickham, and instead of Elizabeth Bennet pitying the match, as she does for her sister Lydia, she often finds it funny or just. The idea that any woman deserves to be trapped in an abusive situation, or have her wealth stolen from her by a deceitful suitor, is again, repulsive.

The final degradation that Caroline faces is also the most troubling: authors repeatedly deprive Caroline of her rationality. Jane Austen’s Caroline is a rational creature, as are all the women that are depicted in her works. Good or bad, Jane Austen’s women are carefully rendered images of real life and they have motivations that guide their actions. Caroline’s two motives were discussed above and her actions are entirely rational based on her goals Even if we dislike Caroline’s reasoning and acts, we ought to respect her humanity. Unfortunately, many works on JAFF, in an effort to create a more villainous character, twist Caroline into an evil, insane, psychopathic version of herself, bent only on cruelty and hatred, without any clear goals.

As for authors who relegate Caroline to a life of perpetual dependence, Jane Austen herself only consigns a single woman to this fate, Miss Bates in Emma. Jane Austen treats Miss Bates with respect and kindness, creating a town around her that takes care of both her physical and emotional needs. Emma is admonished by Mr. Knightley for ridiculing Miss Bates before other members of the community. To Jane Austen, a woman in perpetual dependence should excite pity, not disgust or laughter. Miss Bates also is granted a voice and we, along with Emma, are encouraged to listen to her and respect her value as a person.

The reason that all of this is so disturbing and repugnant is because these words are written by modern authors, people who should understand how oppressive and wrong the subjugation of women was in the Georgian era. For those authors, many of them women, to attack a fellow woman with the very tools of the patriarchy that we have ourselves struggle to throw off and fight against is horrid. Jane Austen does not resort to these methods; Caroline Bingley is not bent under the power of her male guardians in Pride & Prejudice. The only woman who is, Eliza Brandon, is an example we are supposed to pity, not scorn.

Worse, Mr. Darcy himself is an active participant in almost every bad action of Caroline. Yet, while Darcy is forgiven completely, and often given excuses like shyness for his actions, Caroline is again and again vilified. It is a double standard of the worst kind and one that especially female authors should recognize as unfair and unjust. Yes, we do not see Caroline’s apology or reformation in Pride & Prejudice, but she is also not a main character. Many JAFF works almost seem to forget Darcy’s interference or rudeness towards Jane and the rest of the Bennet family. He is excused and Caroline is hated and destroyed.

Instead of a human with rational motives, JAFF authors imagine Caroline as a demon. Caroline becomes a playhouse mirror imagine of Elizabeth, who is often turned into a “Mary-Sue” or a picture of perfection. This Carrie-Sue (credit to Amelia Marie Logan, who coined the term) acts in a way that Caroline of Pride & Prejudice never would. Carrie-Sue attacks and insults people in public without motive, including her own brother; she continues to pursue Darcy after he is married; she continually attempts to “compromise” him; and she will do anything no matter the cost. She is a grotesque in the worst sense of the word and she is not of Jane Austen.

If there is one overall thesis of Jane Austen’s works, it is that women are rational creatures. Elizabeth Bennet and Sophia Croft (Persuasion) actually use that term explicitly, but every heroine in Jane Austen demonstrates this same theme. We see inside their heads and we understand their humanity. Even the women we are meant to despise display rationality. Fanny Dashwood of Sense & Sensibility for example, talks her husband out of giving money to his sisters because she is greedy. Lucy Steele lashes out against Elinor Dashwood because she is fearful of losing her one chance at financial security: Edward Ferrars. Mrs. Norris (Mansfield Park), probably the cruellest woman in Jane Austen’s works, abuses her niece because she cannot bear her own inferiority to the Bertram family. She relieves her own feelings of dependence by pushing her niece further below herself. All of the actions of these women are despicable, but they also follow cogent motivations.

This is especially problematic because it is almost always Caroline who faces this treatment. Wickham, a character who actually deserves the term “villain”, is allowed rational motives, most often lust, revenge, and greed. He is allowed to retain his humanity and his mind; it is a woman who is deprived of hers. As I have stated, I believe this is done without malice on the part of the authors, but I would ask them to reflect on every instance, for I know there have been many i their own lives, where another person has deprived them of their humanity based on their gender. It is a pervasive problem that persists in our modern society and we ought not perpetuate it in our works of fiction.

To conclude, Jane Austen does not delight in the destruction, humiliation, or subjugation of women. If we wish as JAFF authors, and as women, to honour Jane Austen’s legacy, then we should refrain from doing those very things and from depriving a woman of her rational mind. The treatment of Caroline Bingley in JAFF is a form of misogyny and as such it should be stopped. This is important because while Caroline Bingley is of course fictional, the representation of women in fiction can perpetuate stereotypes and prejudices in real life. Jane Austen wanted to tell the world, through her fiction, that women are humans worth listening to and worth respecting. Let us leave Carrie-Sue behind and allow Caroline Bingley to finally live in peace.

[moeblob]

She's the right hand woman of a crime boss and then the little guy is the agent trying to take down the organization and she's like "oh my what a good little boy!" and watches him practically wag his tail and is like ....... wild.

So then she later is talking to her boss and gets a call the agent is back and she's like OH LOVELY. And tells their henchmen not to engage with the agent AT ALL she wants to deal with him and then winks to her boss and says he needs to get lost. So then she hurries to the agent and is like "IT'S THE CUTIE!" and he again flinches and blushes and is like "m-m-ma'am! hello!" and once again she just. Is like ..... wild.

[figmentof]

"i had a dream about you"

whether or not Ed actually had a dream about Izzy, he was down there to once again goad someone into killing him. it tracks

Ed dares Izzy to be the man he keeps claiming he is and actually deliver on his initial threat and kill him for real this time-- yet Izzy still couldn't do it

for all Izzy continues to call Ed a coward, he was calling Izzy a coward the entire fucking time without saying it

imo this scene is Ed's strategist mind at work. he knew Izzy wouldn't pull the trigger on him, but he knew putting a gun in Izzy's hand would make him turn it on himself

he doesn't kill people remember, Izzy always does the dirty work for him

so he can take his own life for him, then. one last mess Izzy says he wouldn't clean

[mstrchu]

can someone else please please look at this set of images before i go insane