#ecological updates

[bonefall]

the "strange place" could be a private wildlife collector? i know the buying and selling of wild animals as pets can be pretty bad in the uk (or at least it is w/ birds of prey? that's abt what i know)

OH that's a good idea, that's going to be one of my top choices for if I DO end up needing to change the "twoleg den" in the upcoming super edition. Private wildlife collectors are a HUGE problem because the laws on simply owning exotic animals (as long as they're not covered by the Dangerous Wild Animals Act) are suuuuper lax in the UK, and the Zoo Licensing Act only applies if you accept general admission.

(and even then, specifically, you can take admission a limited amount of times a year. James Wellington's Animal Welfare Nightmare Extravaganza, beloved winter tradition, £25 each, kiddies of edible height get in free)

Birds in particular are a huuuge issue because there's big oversights in the laws surrounding the keeping of birds of prey. You don't actually need a license to own any birds except ostriches and cassowaries, or one of the five destructive invasive birds. Your pet eagle just needs to be registered so they know you didn't snatch it from the wild. Licenses will only apply if you're breeding, selling, or using it for falconry.

Maybe I could even tie this hypothetical antagonist guy to Sharptooth/One Eye/The God of Summer's previous human incarnation, on some off-chance the series ends up using this villain again. That could be kinda neat.

[quicksilversquared]

So the "down" arrow hasn't worked on my computer since September, but I've been too busy to be able to spare my computer for several days while being fixed, so I've just been working around it. Until this morning, when I discovered that the program that I now need to use for my research (....because the old version of it relies on a program that's been discontinued) requires that I scroll through options with the arrow keys, and I can't just scroll up and loop around. Which... is lovely.

My advisor's solution, while I'm trying to find a place that will do a fast repair: connect an extra keyboard to my laptop. Pretty sure I can hear my remote sensing prof (who has already criticized my laptop for being old, my external hard drive for being outdated and slow technology, and my mouse for randomly turning off) screaming in the distance.

[mosswolf]

today we're going on a bat walk to a site where ive been told pipistrelle bats roost! they're one of a bunch of species of bat we have in wales, but they're both the smallest and the most common. theyre literally so tiny, between 3.5-4.5cm big.... babies.... and look. doggy!!!!

photo from the bat conservation trust

[mysticfoxdesigns]

Gotta love when TAs add memes

makes me wanna cry less

[dropsofsciencenews]

Between Refuge and Risk: The Avalanche Paradox for Mountain Ungulates

ESP version ITA version In the changing context of mountain environments, climate change manifests with rapid and significant transformations, profoundly influencing sensitive communities and ecological processes. A crucial element in this landscape is represented by the seasonal conditions of snow, which prove to be determinants for the dynamics of mountain ungulate populations. These variations directly affect vital ecological and physiological aspects, such as the energy costs of locomotion, vulnerability to predation, and the availability and quality of forage, both in summer and winter.

A recent study published in Nature explored how mountain goats, adapted to steep terrains to evade predators, paradoxically find themselves at risk due to the frequent instability of these slopes, which can generate avalanches. The research, conducted in southeastern Alaska on 421 goats monitored for 17 years, highlights that avalanches cause between 23% to 65% of annual deaths, primarily affecting the young and small. These steep areas, chosen to mitigate the risk of predation, turn out to be ecological traps due to their high risk of avalanches. This risk is variable, with peaks during the most unstable months for snow, especially at the beginning of winter and during the spring thaw.

The migratory and wintering strategies of ungulates further influence their exposure to the risk of avalanches. For example, mountain goats in Lynn Canal are extremely migratory, moving to low-altitude forested habitats during the winter, while other populations remain at higher altitudes, exposing themselves more to danger.

Climate change exacerbates this dynamic, modifying the frequency and intensity of avalanches, and consequently, the spatial and temporal distribution of these lethal events. Forecasts indicate an increase in wet avalanches compared to those of dry snow, with a potential increase in avalanche mortality rates.

The persistence of this risk in mountain systems, combined with the anticipated rise in the snowline elevation, may reduce the avalanche danger at lower altitudes, but the risk will continue to be a significant component in the ecology of mountain ungulates. However, the demographic influence of avalanches on ungulate populations is likely to persist in the future because both the avalanche danger and the ranges of mountain ungulates are expected to shift upward as the climate warms.

It is essential to emphasize that the growth rates of mountain goat populations are particularly low and can only sustain limited annual removals. Therefore, avalanche mortality, especially among young individuals, can have severe demographic impacts, leading to population decline. These data highlight the need to reconsider conservation and management strategies for these vulnerable populations.

The intensification of climate change and its extreme manifestations, such as avalanches, necessitates a rethinking of conservation policies to protect not only mountain ungulates but also the ecological integrity of mountain environments, which are crucial for global biodiversity.

Source: https://www.nature.com/articles/s42003-024-06073-0

Credits picture: NPS/Diane Renkin

[statecryptids]

A new page from my Field Guide to Saturn WIP.

The book consists of messages exchanged between two explorers, Hyacinth and Jess, as they study the life of the Saturnian system of moons and rings.

This message from Hya talks about her fondness for a flower on the moon Titan that resembles the Earth flower from which she took her new name when she came out as trans.

Here's the full text of her letter:

"To My Brave Explorer,

I found a flower today. Not very surprising, I know. But this flower- well, it feels like it was meant for me. I know that sounds silly. But let me explain.

I don’t think I’ve told you yet how I chose the name Hyacinth. It’s not the name I was given at birth, as you’ve probably guessed. I don’t want to write my birth name. I don’t hate it. I’ve made peace with that name and the time when I had to use it. But that wasn’t me.

I’ve always loved flowers. When I was a kid, I tried to help my mom in the garden, but my dad always pulled me away. “Boys don’t play with flowers,” he’d say. Soon he wouldn’t even let me get near mom’s garden ‘cause he said it’d make me “soft” (that’s the least nasty of the words he used). I used to cry until I fell asleep.

Eventually I decided I didn’t want to cry anymore, so I made the weeds in our lawn into my garden. My secret garden that dad wouldn’t notice. The dandelions, the white clovers, blue speed-wells, thistles, oxalis. The little tough, pink spurge that grew in the sidewalk cracks. But my favorites were the grape hyacinths. They were tough. Everything in my garden was tough. Even after I mowed the lawn, everything grew right back in just a few days. And everything in my garden was beautiful. But that blue-purple in the hyacinths became my favorite color. It was the color of the evening just after dusk.

 I used to lie on the grass in the morning watching tiny green wasps, striped bees, and fuzz-ball Bombylius flies drink from the tiny violet bells.

When I decided it was time to choose my own name, I knew right away what I wanted. I practiced writing it out for weeks   before I finally had the courage to say it out loud. I thought about using the scientific name at first- Muscaria. Kind of a nice ring to it, don’t you think? Except it means “musk” in Greek, so that wasn’t going to work. So I’m Hyacinth, then.

So why am I talking about my name? Because, Jess, the flowers I found today? They’re my grape hyacinths.

I mean, they’re not really hyacinths. They’re nothing like Earth plants. They don’t photosynthesize. They get their energy from kinetic energy given off by other organisms- that’s an explanation for another letter.

But the little violet bells are there. And when I laid down to watch them, I saw pollinators climbing up into them. I caught a couple for Dr. Salmonson to study. I’ll send you some drawings soon.

I know this’ll sound silly too, but seeing these flowers so much like my Muscaria, it makes me feel, well, please don’t laugh at me, Jess. It feels like Titan is welcoming me. Like it’s saying I belong here.

I don’t know- does that sound stupid? I have to think about this.

                                                      ***

Okay, I’m back. I thought about just throwing out that last part, but it’s a feeling I can’t shake. I know Titan isn’t alive. I just- I’ve never felt at home anywhere on Earth before. I didn’t even understand the idea of “home”.  But since we got to Titan, I’m starting to understand.

And, well, I think I feel the same way about you, Jess.

Love,

Hya"

[britishraptor]

im sorry for the sudden influx of dungeon meshi I am watching the anime and I’m a biology nerd and I fucking love food and also I want to marry that fucking blonde nerd

[quaranmine]

Can definitely confirm as a Canadian that this has been a scary summer for wildfires. I live in southern Ontario, and could barely go outside for a week because the smoke coming in on the wind was so bad, I can’t imagine how scary it is for people living in the affected areas. My cousin lives in BC and I’ve been worried about him.

I'm really sorry you have to deal with that. Whenever I open any wildfire maps or smoke maps, Canada is just covered by it. Depending on the scale the map is zoomed at, it looks like the entire province of BC is covered. It looks so scary. Do y'all typically get fires that bad in Ontario? I know that BC and Alberta have more of the typical fire-supported ecosystems (mountains, conifer forests, etc), although that still doesn't mean the amount/intensity of the fires are normal. I haven't put a lot of research into wildfire in Canada, since I was mostly focusing on the area where my story was set, but I was initially quite surprised at how bad it was in the eastern areas of the country too. I hope your cousin is safe.

This summer has been pretty rough for my family, with my Papa's health taking a steep decline, him being hospitalized and placed on hospice, and then dying last month. (I really wish I could say it was peaceful but it was awful to witness.) My aunt was supposed to go on a camping trip with some friends up in Canada, but had to cancel it because of everything happening here. It turned out to be a blessing in disguise I guess--a really weird thing to call a "blessing" I know-- because her friends who went to Canada had to emergecy evacuate the campground and flee because the wildfires were closing in. They left all their belongings. Fortunately, the fire was stopped right before it reached the campground, but it was scary. I'm glad my aunt was not there and was safely down here. These people were fortunate because they're just tourists and can go home--so many people who actually live in Canada right now are in such a scary situation. Many people are not so fortunate, either by losing their life or their homes or their livelihoods.

[drsueishaq]

MSE seminar this Friday, "Building multifunctional agricultural landscapes – from microbes to people"

Events will be hosted January – December, 2024, one a month on a Friday 12:00 – 14:00 pm ET. Presented over Zoom. After each talk, we will continue the discussions in an informal social meeting with MSE. All speakers and members of the audience are welcome to join the social meeting. Hosted by: Sue Ishaq, MSE, and finacially supported by the University of Maine Institute of Medicine and the…

[wigoutlet]

[theglassdragoncollective]

[ID: Art of the toki, their body a kintsugi piece (an artform where cracks and breaks are filled with a gold tinted lacquer for repair) looking to the side at the viewer as they stand in front of a bowl of gold dust with a taiki, a traditional kintsugi burnishing tool, laid across the top. The background is black. Art credit to Chantelle Chapman. End ID]

Two hundred years ago, the wetlands of Japan rustled with pink-tinged feathers. Tall, pale birds stepped carefully through reeds and iris, hunting small fish, crabs, and frogs. 

Nipponia nippon, it would be dubbed by the national ornithological society, a bird emblematic of its country. The Crested Ibis. The Toki. The Peach Flower Bird.

Marshes slowly changed to rice fields, with farmers who resented the toki for ruining crops; to kill the birds was outlawed, so children chased them from the fields, singing warnings.

The doors of the country were pried open. Laws changed. Farmers bought their first guns, their sights set on birds who were no longer protected. The toki, the red-crowned crane, and many others began to suffer. But the worst was yet to come.

Pesticides are indiscriminate killers. The poison sprayed to kill a beetle can travel up the foodchain, toppling a cascade of larger animals, or affecting their ability to reproduce. It was reckless pesticide use that nearly wiped out the Bald Eagle. In the rice fields, the peach-flower-bird had little chance. 

In 1981, Japan’s last five living toki were removed from a wild that had become too dangerous for them.

I tell a lot of sad stories here, about mistakes we’ve made and animals we’ve lost. This isn’t one of those. This is a story about one of those precious times when we were able to fix the things we’d broken. 

A joint effort between Japan & China, and the discovery of seven more birds in that country, led to a successful breeding program, which in 2008 saw the first ibises fly free again in Japan. Today, at least 5000 toki exist in the world.

The last wild-born toki, one of those captured in 1981, lived almost long enough to see her species’ return. Reaching the equivalent age of a centenarian human, she died in 2003—not of old age, but injury after throwing herself against her cage door. 

Her name was ‘Kin’. ‘Gold’. 

Mended things can never be as whole as they once were. There will always be cracks that show, weak spots that remain vulnerable. Yet, like the shining seams of a kintsugi piece, these scars speak an important truth: here is a thing that someone chose to save; handle with care.

The title of this painting is ‘Restoration’. It is gouache on 22x30 inch watercolor paper

[luncalxartwork]

Trying to make some vintage inspired propoganda posters for a conservation ecology zine I have in the works.

It's the first time in a long time I am going to being using what I spent 50k for from college.

I have the first issue's topic, and there are so many more ideas I have.

[becausegoodheroesdeservekidneys]

Hi. My wife referred me to you for your knowledge and enthusiasm for ecology. If I wanted my fictional fantasy world to have a saltwater river (my world is weird), how could I explain or justify that? Is it even possible, ecologically speaking? Anyway, love your posts and thank you!

I have been considering this with my colleague who is a physical geographer with a passion for riverine geomorphology and she wants to sit down with me and discuss the possibilities more fully. So I may yet update this post with more options.

But, the short answer is yes, there are options to make it possible.

The one we've best fleshed out so far basically comes down to groundwater contamination. Groundwater is contaminated with massive salt input (this would likely need to be anthropogenic - up to you whether that looks like Evil Factory Output, massive magical damage post-war, or any other consideration.) One or more of the river's main tributaries is fed primarily by this groundwater store, so it cannot flush through. Once it meets the sea, it would be brackish around the estuary anyway, but this would mean halophilic species - those tolerant of salt - would be able to spread backwards back up the river channel. Depending on what you want, for plants this could mean cordgrasses (saltmarsh formers), seagrasses along the riverbed in slower areas, or potentially long, linear stands of mangrove forest; in all of those cases, it's much more likely on a slower river than a faster one.

Now, a salt river will be far more erosional than a fresh one, so the river banks and bed would be eroding more. This means higher quantities of suspended sediment in the water, so the water colour would be murkier and browner than if it were fresh. However, if its a river with slow meanders, you might get little patches of saltmarshes establishing, where the erosion turns into deposition instead, so although the water would have a colour difference it would be extreme; on faster bits, though, it would.

There would be, either from the groundwater at the top of the catchment or along the river channel, a certain amount of salt incursion into land. This would basically make arable agriculture in those areas nigh-on impossible, but you could maybe try farming something like samphire along the banks. The exception would be areas that were away from the contaminated aquifer, that also got plenty of rainfall OR freshwater groundwater imputs from another part of the catchment. Even then, though, it couldn't go too close to the river.

Floodplains need considering, too! Floodplains only flood during wet weather events that cause the river to overtop the banks; the rest of the year, they're dry. In this case, that means you might have areas that are freshwater marshes, or maybe even normal grasslands/scrub for most of the year, which then suddenly get inundated with salt. That'll kill all those organisms quite rapidly. You wouldn't have any trees in those areas, and they'd look like mudbaths for the majority of the time, I'd imagine. Very ugly wastelands. These would then provide even more lost soil into the river, for even more browning of the water.

That much sediment would therefore mean the estuary would be a depositional one - new land forms at it. It would probably have a delta. This means lots of mudflats with lots of marine worms and other invertebrates, and consequently insane levels of wading bird diversity to feed on them (plus foodstuffs - oysters, cockles, octopus, smaller fishes, etc). Loot up Korean getbol for an idea of how impressive these things can get. Saltmarshes and/or mangrove forests, too! Depending on climate. Mangroves are a tropical species.

HOWEVER, this is just one idea we've explored so far, so I shall update you if we think of others

[april]

TVs and monitors are separate species with common features, but which features these are have drastically changed over time. the two used to be similar sizes with very similar behaviour, and were differentiated primarily by which connection ports they had.

over time, their courses of evolution brought them closer together in that regard, with both species' survival becoming contingent on how well they could digest HDMI. as their analogue prey, such as VGA and Component, died out, the two display species were faced with the same choice: adapt, or die.

despite this newfound similarity, though, the two species still fill different ecological niches, and the way they adapted to these new environmental situations resulted in further physical distinction in other areas. for example, it is now almost impossible to find a modern TV that is a comparable size to a monitor; while the modern monitor is still limited in dimensions by the desktops where it prefers to nest, the modern TV has an almost unbounded adult size.

another strange new differentiation is that the TV seems to have developed a dependence on internet connectivity and software updates. while this benefits them in the short term, having more selling points than a monitor at first glance, it is working against them in the long-term, with each one's effective lifespan being cut dramatically.

the "dumb TV" that, quite intelligently, does not have any big software features, is nearing extinction, with very few members still producing offspring. and while we may feel sorrow for these displays, it is only natural that they are dying off - they are simply being outcompeted by the once-humble monitor. at the same size, and without the advantage of a wider variety of ports, the dumb TV cannot keep up with the monitor's much more refined adaptations for the same niche.

however, one mystery remains: why did the dumb TV never grow to the same impressive dimensions as its smart siblings? some observations suggests that the larger smart TVs have become overly territorial as a result of their decreased longevity, to the point that they will kill an infant dumb TV if they feel that it could grow to compete with them. it seems cruel to us, but in the wild, it's all a matter of survival. if you win the evolutionary race - you fight to keep first place.

[bonefall]

Clan Culture Illustrations

So I've been mentioning this in passing, and I think now is a good time to start collecting info from people who are interested!

I'm seeking artists who want to draw stuff for my Clan Culture series.

I often write very large guides for things like tools, ecology, medicine and treatments, etc, which then get held up by the fact that they're big blocks of text without any fun pictures. I usually collaborate with friends and family, but I could put out more quicker if I had some artists on standby.

If you're an artist who would be interested in illustrating, here's the details;

Everything I make on this blog is tailored towards WC fans, but free for anyone to use and reference for their xenofiction worldbuilding projects. You do not have to be intimately familiar with the Warrior Cats books. This offer's open to anyone above 18.

Fans of Better Bones are preferred, because Clan Culture and BB often intersect. I might ask for help with some BB stuff at some point, too. (for example i have a guide on types of StarClan spirits that needs illustration)

To re-iterate, please only inquire if you're 18+

Price range is 20 - 50 USD and turnaround time can be up to 6 months if you just keep me updated. (I am sorry that I can't offer a higher price for these, but this is coming from my own pocket. In return, this is meant to be low pressure)

Half payment upfront, the rest after completion.

I will never "assign" you a surprise mystery topic (unless you ask for that I guess?), I'll either present you with a list of posts that need illustration (yes this means you get to read stuff early), OR float some ideas that play to your strengths and interests. (for example: if I'm approached by Spider-Enjoyer-9000 who's willing to draw a ridiculous number of spiders, I will draft, write, and research a Clanmew Expansion in the style of Deer and Co or Moths and Butterflies.)

Either way, there's usually a lot of creative freedom here unless I need a specific technical drawing, which I will discuss with you and provide references for. (As an example, if we were talking about a post on declawing, I might ask for you to illustrate the muscles within the paw.)

The nature of Clan Culture means you will probably be asked to draw plants, food, objects, and/or scenery

Still interested?

I'm hoping to make a personal "list" of people I can call on, so send me your commissions info or details in a DM, an ask, a reply to this post, or anything else you'd like. Tell me about stuff you like drawing, topics you're interested in, if you can draw backgrounds, etc

Also, please tell include in that message if you're comfortable with illustrating these particular sensitive topics. These are opt-in only;

Medical Gore (Woundcare, stitching, blood, vomit, urine, parasites and bug bites, etc.)

Reproductive Care (Abortion, birth, pyometria, inducing lactation, possible revamp of the HRT guide including simple surgeries, etc)

Hunting and Butchery (Humane killing of prey, skinning, disembowelment, cutting meat, making sausage and blood pudding, etc)

Funerals and Animal Death (Sad kitties, dead battle cats, scavengers and grave desecration, tombs and burial rituals, concealing decay, etc.)

The end art will always stay tasteful, but I might need to give you references in the form of real images or tutorials that might be upsetting if you're sensitive to these topics-- so it's important to me that I consider those four things "opt-in."

I have plenty of other posts that need illustration, it's just a huge plus if you're able to do these too.

(You should also mention any other specific triggers or phobias you have, so I don't unwittingly come at you with something else upsetting)

"I still have questions!"

Putting a big list of answers beneath the cut;

"Would everything have to be colored?"

Nope, as long as there's pictures to break up the text, you can do sketches, black and white, flat colors, only put color in the header, etc. We'll discuss expectations with the post in front of us, and then agree on price.

I have ONE requirement; it's gotta look good on Tumblr darkmode. Because I use Dark Reader.

"Do you have a Discord?"

I do, I just try to be exclusive with who I give it to! When we're discussing details, we'll probably move over there if you'd like. This is a reason why I only want to work with 18+ artists, I'm not always SFW on main.

"Can we do an entry together about (specific topic)?"

Probably yes, so feel free to ask! The worst that will happen is that I say no, or maybe later. For example, I've got a post on Sweetness Tolerance reserved for my partner (they like to draw sweets), so I would say no if you asked.

Just keep in mind that researching, outlining, and writing is unpaid labor I'm doing completely for free. I have posts mostly done that just need art, and topics I've done some research on. Please only ask for special collaborations from scratch if you're serious 🙏

"Does it have to be digital?"

You'd have to have a WILD idea for me to say yes to anything non-digital, but I am a queer of whimsy. If you can whimsify me with an idea, hell yeah.

"Will I be compensated if you need any changes?"

Yes. If I spring anything on you after the details we agree on, I will first ask you, then ask how much that change would cost, and then compensate you for it.

As fair warning though, I am trying to stay within a budget and writing the posts themselves is unpaid work I do (plus occasional helping hands during research stages, I consulted a friend who is an irl wetlands expert for ShadowClan's environment). I can't pay more than what we agree on.

"Can I link my info in the post?"

Yes. "Guest Artist" is going to be named in the opening paragraphs, along with any fundraiser, shop info, carrd, etc, you want there.

"Boosty?"

Yea I got Boosty. Paypal, too.

"I have some other question about pricing"

Feel free to ask, but my hard budget is 20$ - 50$ US. Please only inquire if you're willing to charge within that range.

"What if I'd do it free or I want to do this anonymously?"

I'll donate to a charity of your choice and link to it in the post. If you have no charity preference, I will link to RAINN, Anera, or The Trevor Project.

(Naturally this comes with an anti-ghoul caveat or two. If you try to get me to donate to something like Autism Speaks I will rotate every bone in your body by 45 degrees.)

"I like checklists, can you give me a checklist of info you want in a DM?"

Sure!

Your info; socials, carrd, shop, etc

General interests and strengths. Stuff you'd love to work on, or have insight to. If you like fishing or drawing bugs, I want to know that. If you particularly want to practice flowers, tell me. Be as detailed as you want so I can pair you with a relevant subject!

Your examples

General asking price (or charity)

Which, if any, of the four Opt-In Subjects you're opting in for.

Anything else I should know (triggers, phobias, things you dislike drawing, if schooling or disability means you need a particularly long turnaround time, etc)

[scottlynch78]

On the Cover of a Grimdark Magazine

Hey, Tumblr. Long time, no tumbl.

Just wanted to mention that the first-ever Gentlemen Bastards short story, "Locke Lamora and the Bottled Serpent," will be appearing as a two-part extravaganza in Grimdark Magazine's issues 40 and 41. Issue 40, GDM's tenth anniversary celebration, is available for you to grab right now:

bit.ly/GdM_Issue40

"Locke Lamora and the Bottled Serpent" returns us to Camorr some months after Locke's 13th birthday, which was described in the "Orphan's Moon" chapter of The Republic of Thieves. Locke, working as a bar-back in a rough-and-tumble Right People tavern, deals with some issues, including the fact that his only real friend on the premises is an aging mercenary named Mazoc Szaba who has an addiction to drinking poisonous wine for contests of chance. Since there are no flashbacks in Thorn, this story was the first time in quite a while I'd "gone back" to Camorr, and I found the experience pretty emotional. The good folks at GDM were lovely enough to give me this chance to play in their pages, so if you harbor any affection for Locke, give 'em a shot. The individual issue should be about $4, and also comes with a load of fiction and non-fiction from people including Anna Smith Spark, Mark Lawrence, Christopher Buehlman, Cat Rambo, and many others!

If you missed my August updates on novellas, signed bookplates, and other matters, check it all out at: http://www.scottlynch.us/updates.html

And hey, if you didn't see my short story "Selected Scenes From the Ecologies of the Labyrinth," published in the Sunday Morning Transport in July, give it a read! No charge.