#they thought it might do the damn thing

[pokimoko]

haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by

[tempestmothstorm]

crazy how the sanshee plush is one of the few actual direct confirmations on what a non-act 2 Natsuki’s home life is like because of how cagey she is on literally everything. Like this isn’t anything surprising or something you wouldn’t be able to extrapolate from the games but unlike everything else we know about her the implications are right there on the tin.

They literally did the character bio trope where where all the likes are normal but the dislikes are about their very specific trauma it’s just so funny they did that on the plushie card

[coolnonsenseworld]

Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰

linktr.ee/Mezzy

[little-mouse-adventures]

@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.

Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.

We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.

Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.

In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.

With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.

It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.

Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.

[hazbinhappy]

does no one ever wonder about like the children and family members of sinners? like i do A LOT

[britneyshakespeare]

Had the extremely upsetting experience of a mutual of like 6 years going off on me for occasionally making posts about supporting Harris because apparently that makes me a g n cide denier who refuses to learn and grow, with all of my views just being assumed not even from what I've told them I believe or what I've posted before, but just because I DON'T post particularly the kind of things they THINK I should be. When I pointed out how much they were just completely assuming about stuff I'd never talked to them about, I was told it doesn't matter what I do in real life or "care" about if I simply disagree with their conclusion and vote for her anyway. Like they were absolutely not sorry for the level of maliciousness they not just assumed of my character, but for some reason thought appropriate to bring directly to me before unfollowing me. No apology whatsoever for how discomforting or upsetting that might be and certainly no acknowledgment that I could disagree with them and still be a good person. I just got another even longer rant about how they fundamentally can't fuck with me because of this one thing, no matter WHAT else I do in my real life (which I pointed out that they do not know), and how I'm directly supporting fascism.

Like seriously what is it about Tumblr that makes people think they know someone based off of occasional posts? There were just such DEEP assumptions they were making of me and going off of very little or absolutely nothing. Around the time I first became mutuals with that person I used to express my personality and beliefs and talk about what was going on in my life a lot more openly, but I've significantly scaled back on doing that in many ways for many reasons. One of my major ones is privacy and the way I've had strangers outside my followers and following circles just find random things I say and dogpile me for it. I was fundamentally changed after some T Fs did that to me like 3 years ago. I also just didn't have many conversations w that person anymore (I message people in general on here like 10x less than I did circa 2018-2019, which I'm somewhat sorry about!). My point is to say I think this person felt comfortable assuming that they knew me, especially who I am in 2024 at the age of 25, much better than they actually did.

One of the specific things they accused me of was being afraid of learning and growing (because I don't perform social media activism on here like they think I should). Like AFRAID to take criticism. When again I've never received criticism from them or had to respond to any criticism on here before as pertaining to my views on... well, absolutely any of the issues they accused me of not caring about. They essentially treated it as if the only thing in the world I cared about was the US election and characterized me as the most out-of-touch liberal they could possibly imagine, because I'm not "pushing" Kamala Harris to be better (Oh?? Should I do that on here?? Does she read my blog??).

And most hypocritically what they said was that I only *sometimes* *vaguely* post pro-Harris things (I often post like 5 or fewer things in a day though?). But here's the kicker. "Because I know I'll get shit for it. And rightfully so."

Really????? Not a single person, anon or not, in my messages or in a tagged post or anything, has ever given me shit before for saying who I'm voting for. I'm actually NOT afraid of "getting shit" for that opinion, I just don't start fights with people who are anti-voting. And why should I??? I genuinely don't believe in trying to change the minds of strangers on the internet about that sort of thing. I'm just not confrontational about it; that is so not the same thing as being "afraid of getting shit." I'm not posting ENOUGH about my support for Harris, therefore I'm afraid. But therefore they can also make all these assumptions about me being their strawman for an ignorant Harris supporter.

I'm afraid of getting shit but I still post anyway? But if I weren't afraid of getting shit I'd be posting a lot more?? This is ALL based on their assumptions of what my blog *should* look like, based on what I really and truly believe. My level of posting every now and then is an accurate gauge of my feelings on complex, sensitive, global issues. Because I'm voting for the Democratic presidential candidate and I'm ok sharing pretty much just that little glimpse of myself.

I really don't think that person knows just how inappropriate and insulting that is to just say all of that to me. Like they really know what's going on in my head. Their first message began and ended with like "I'm sorry I love you I just can't take it anymore" but they clearly weren't sorry enough to try and be more respectful to me, and they didn't love me enough not to default to extremely ungenerous assumptions and attacking me based off of those instead of any actual words I've said that they take issue with.

Online radicalization is real and it's not necessarily bad because your political views can start to fall well out of the contemporary Overton window. The way you find it appropriate to treat people whose views, however common, seem to fundamentally misalign with yours... that does matter. You can't just assume the worst of everyone and then act on that in how you approach them as individuals. And then be shocked that you don't stay friends with them. You can't be confrontational with someone about an issue you've never had an honest conversation about, and then expect them to take your bad faith in them as reasonable well-meaning criticism.

I'm afraid of criticism??? I'm afraid of criticism. No I'm not. This person and I have never had an issue before where they criticized me and I got harshly defensive. It was ALL projection. The entire tone of their messages was as if all their anti-voting posts recently were somehow in communication with the occasional go-vote-for-Harris posts that I make. That's not a conversation. I don't post for your satisfaction. I don't post in "response" to my mutuals I disagree with. I just post what's on my mind, sometimes, about some things. I really again can't stress enough how baffled I am by this

[the-red-thread-that-strangles]

I was wondering what Akai is up to in the sweater weather AU, so here you go

I.

Akai Shuichi is a thrillseeker at heart, but even he has his limits.

So when his mother, conveniently pocket-sized but still as sharp as ever, threatens him with a gun and lays into him, not for faking his death, but, of all things, for not mentioning his partner to her, he privately questions her priorities but decides to tell her the truth. He certainly likes to live dangerously, but he wouldn't be alive today if he didn't know how to pick his battles.

While she seems initially confused, the conversation about Akemi quickly veers off-track when his mother asks him to repeat her family name. Miyano, as in, her sister's daughter Miyano Akemi. Shuichi didn't even know he had an aunt. Not that it matters much, since he knows Akemi's parents died years ago. Eventually his mother leaves him alone, both of them too caught up in their heads to continue the conversation.

Shuichi's not really sure what to feel about all of that. So he doesn't.

.

He's not always been good at managing his emotions, but it's pretty close. When his father taught him how to hunt, and the misery of seeing proud game succumb to his shots had almost swallowed him alive, something cracked under the pressure. And whatever that was, despite Shuichi's best efforts, it has never quite healed alright. It left him with a slight gap between his thoughts and feelings, giving him that bit of extra distance necessary to keep going instead of breaking down. He'd come to understand, then, with a clarity born from numbness, death as an integral part of life. It comes for all living things, sometimes too early, and there really is no way to escape it. There's no use in fighting. Better get used to it.

The FBI counsellor called it repression, many years later, and while it was not even close to immediate grounds for disqualification from the program, she tried to give Shuichi reading materials on mindfulness and self-reflection. He hasn't touched them; the ability has been too helpful so far. He would've shattered several times over without it; when his father disappeared and his world threatened to break apart; when he decided to leave his family, including an unborn sister, behind for the ghost of a chance to find his father; and most often since he went undercover for the FBI. There's no fooling himself, compartmentalization and repression are probably the only reasons he can talk about the years and years of dirty work, including everything from blackmail to torture and murder, without losing his sanity. People call him cold-blooded and emotionally unavailable, and mean it as an insult. Shuichi can't bring himself to care. Life is complicated enough without emotions thrown into the mix. He needs to control some factors and keep them simple. Himself, he can control - mostly. So he does.

And he's good at it, but some days, it's too much.

.

Dealing with Akemi's untimely demise has always been difficult. He made a mistake when he got attached to his target. He can't even claim that he didn't know better, at the time, because he did, he just chose to ignore his better judgement. Couldn't help it, really. She was so easy to get along with, gentle yet tough as nails in a way that gave him, too, the strength needed to make a name for himself as a hitman. Those first couple of months before he learned not to sleep too much, when he came back from his missions feeling stained in blood that never even touched him, when he maintained his cover throughout the day and threatened to break apart by night, she was there to steady him. And she allowed him to be gentle with her, to hold her and love her and promise her the world. He needed desperately to not just be a monster, and she managed to see the man in him.

Now he's left to wonder if the easy familiarity he settled into with Akemi was a result of their relation. Such a pointless question.

.

With the help of a few glasses of Maker's Mark, a pack of cigarettes, and a probably unhealthy amount of emotional distancing, he manages to lay the matter to rest, for now. Until the organisation is dealt with, he can't afford to let his emotions get in the way, so he buries them as deep as he can, and applies logic to the problem.

Ultimately, he reasons, rhythmically assembling and disassembling his IWI Jericho to give his hands something to do, it doesn't really change things. What matters is that he loved her and she died for it. Whatever he learned after can't tarnish that memory. It's a simple fact that he needs to keep going to avenge her; aside from that, all he can do right now is remember her, and honour her last request. That's the active parameter he can affect: he will see to it that Miyano Shiho is protected, or die trying.

Shuichi considers telling the girl they're cousins, and eventually, he will - if she doesn't figure it out before that, keen as she is. But for now, she still doesn't trust him, has too much to worry about, and honestly, for a supposedly dead man he has enough tetchy family connections already. Maybe, when all of this is over, he can tell Masumi - she's a bit too careless to be told now, and he hopes his mother shares this assessment. But his little sister is great at breaking the ice, and he's sure she would love to hear she has more family. It might do Shiho well, too, knowing she isn't as alone as she might think. Their family is odd enough that she'll fit right in.

He's not sure he'd wish it upon her, though. Dealing with his darling mother always involves a headache of some kind. He is reminded once again why he didn't join the MI6, and why he tries to keep contact with her to a minimum. Still, somewhere deep down and buried, he's glad she seems to be well enough to feel like going out and threatening him. It's almost cute, even if she's deadly.

.

Despite his best efforts not to let it affect him, emotional exhaustion sticks to him through the next couple of days, uneventful as they are. Sleeping would probably help, but he keeps himself awake with coffee where he can, only napping a couple hours a day. Shuichi's life is one of constant vigilance, of surveillance and planning and striking at precisely the right time. And it suits him just fine, patience is in his nature. But while he's not on a mission, it sometimes leaves him just a little bit bored. The Kudo library is extensive, but there's only so many mystery novels he can read before his mind starts to wander. Trying not to think of Akemi's death is like trying not to think about pink elephants once he has been reminded of them. The comparison is uncharitable, and he knows she wouldn't appreciate his brooding, but it's not like he has much else to occupy himself with. Yes, there are the preparations for a joint operation against the organization coming up in a little over a month, and there's a class Okiya Subaru has to attend Tuesday evenings, but it's not like they require his full attention. He still tries to give it to them.

II.

Shuichi's not sure whether it's a blessing or a curse that he's meeting with Furuya Rei a couple of days after the ill-fated encounter with his mother.

Their relationship is tumultuous at best, and murderous at worst, complicated in the way all interactions containing Furuya tend to be, as the man is dictated by exactly the kind of emotions Shuichi tries to avoid. Granted, it is a rather one-sided disagreement; as with most things, Shuichi has no strong feelings about Furuya. He respects the other agent's abilities, particularly the fact he is still undercover, and teasing him is surprisingly fun. That's about it. Shuichi's keenly aware of Furuya's flaws, but as long as they don't bother their operations, he's not going to do anything about them.

In fact, in the last weeks - months really, at this point - he's been enjoying going along with Furuya's whims, meeting him to exchange the sweaters he seems to be so obsessed with. When he's not trying to hound him, Furuya can be somewhat decent company, chattering away about the mundane things that irritate him. Until he realizes he's been too pleasant, at which point he gets a little volatile to make sure Shuichi understands they're not actually friends. It's nothing Shuichi can't handle, and to be completely honest, he appreciates a little less boredom in his life.

Today, though, doom and gloom and failure still on his mind, he's not really up for playing games with the PSB agent. They know each other better than anyone else alive, aside from maybe Morofushi. Furuya will understand.

So he prepares a bag, shoves the sweater Furuya requested in, double-checking it's the right one because he really doesn't need another lecture right now, and waits for the agent to break into the Kudo mansion so he can hand it over and be done with it. Considering he's an ally now, Shuichi would offer him a key, but he's got the distinct impression Furuya would somehow misconstruct it as an insult to his abilities.

.

Exactly five minutes ahead of schedule, there's the click of the first-story balcony door, and Shuichi pads down from the sniper nest in the attic to meet his guest. Wordlessly, he holds out the bag to Furuya in the hallway. "Not even a good evening? Lacking in manners as usual, Akai Shuichi." Shuichi shrugs, can't be bothered. Shakes the bag. "Here's what you came for." Furuya's eyes narrow, scan across his form, then his brows furrow. An expression Shuichi hasn't seen on him before crosses his face, and before he has time to interpret it, it's gone, replaced by a smirk. "Hey, Akai." He stretches, dangling his own bag overhead. "That takedown you performed on the serial killer two weeks ago. Teach it to me." Shuichi stares back, unimpressed. "Maybe next time, I'm not-" Two quick steps, and Furuya's in his space, eyes blazing blue, looking up at him so impossibly bright. "That wasn't a question, Akai." He grins, eyes shining. "Or you're not getting your sweater back."

Shuichi almost lets out a laugh. That's gotta be up there somewhere in the top five stupidest threats he's ever been issued. Which is really saying something, considering he spent his teenage years in a high school in the US, and then some more years with FBI trainees in Quantico. What is it with Furuya and his sweater fixation? Akai doesn't care, he can have them all if it gets him out of his hair.

Unfortunately, Shuichi's best death glare doesn't seem to have the desired effect. Determination is either Furuya's best or worst quality, depending on how much trouble his current agenda involves, and for the sake of Shuichi's time, it's probably quicker to go along with him than to try and forcibly relocate him, even if he's certain he could. With a quiet sigh he makes for the basement gym.

.

Where his temper shines through in conversations, Furuya's presence in a fight is that of a wildfire, contained in a person. When he fights, he burns, sucking the oxygen and attention out of his surroundings, doesn't allow for distractions or he'll singe and bite and sting whatever is in his path. He takes to Akai's instructions easily, and soon enough they're no longer practicing but engaged in a sparring match. Furuya doesn't leave him time to consider anything else, at all, and damnit, that fervour of his is contagious. The battlejoy kicks in, hard, and Shuichi finds himself mirroring the PSB agent's mad grin as they wrestle for dominance, toss each other into the mat, twist and turn and struggle on the fine line between play and serious fighting.

Once they're staying down on the mats, the battle is over quickly; one moment he has Rei in a full-body pin, sure of his surrender; only for the man to twist his legs, shift their positions, and straddle Shuichi, bending down to choke him. He's stunning like this, flushed and panting for breath, his scorching gaze focused intently on Shuichi and Shuichi alone, looking for an opportunity to make him yield. An effigy of life itself.

Shuichi can't help it; his heart soars, his blood sings, his body shivers. Rei is a pinpoint focus of light, and then everything goes dark.

.

Sweater weather AU masterpost

[blujayonthewing]

one problem with felix is that I keep going 'oh you know what would be a completely logical consequence of the life circumstances he's experienced which are completely different than mine' where the answer is something I almost immediately recognize as being devastatingly relatable to myself

[hunsa-jars]

Dread be dreading

[dailykugisaki]

Day twenty-two | Id in alt

Kugisaki's reasoning is that Gojo wouldn't listen to her asking and she didn't want to ask in the first place.

[regular-lord-reckoner]

i’m home !!

procedure went real well, everything was really smooth and almost as soon as they said, “you can count backwards if you want,” i don’t think i even said ten before i was suddenly in recovery and sipping some ginger ale.

honestly the worst part was the iv because they had to do it on the side of my wrist because apparently my veins are crooked ?? i just hate ivs anyway so that’s no surprise but other than that no complaints.

everyone was real nice and made sure i was well taken care of (my nurse even had me pee one more time before so she wouldn’t have to do a catheter which with my history…..thank you)

but yeah, i’ll have a follow up in about a month just to make sure everything’s good and the iud is doing its thing !!

i do have some cramping and bleeding but that’s normal, although a little funny because i literally just stopped my period yesterday but…oh well !! hopefully in a few months i won’t have hardly any so this we can handle and i hace some medicine (and my ~medicine) that’ll help so i’m all set.

mom had to go run some errands so my little recovery buddy is keeping me company. also, a moment of recognition for my new favorite shirt (thank you as always, Boss Dog Art; i’ve already got my eye on another one that says, “i think therefore i am against transphobia around the world” or something like that and it’s got a cool skeleton on it; this is my third shirt from them and they’re really comfy and good quality so not sponsored but check them out, they seem cool):

[bumblingbabooshka]

This is literally one of my favorite moments for both Harry Kim and B’Elanna characterization. I think a lot of people forget how soft hearted and altruistic B’Elanna specifically can be while Harry, of course a friendly and sweet individual, devotes himself most often to the mission, his friends and Starfleet’s ideals. Harry’s been shown to be much more down-to-earth and less fantastical in his thinking than either Tom or B’Elanna. The only time he gets in major trouble with Janeway and breaks protocol is because he wants to be with a woman. This is distinctly different to me than Tom’s (attempting to save an alien world) and B’Elanna’s (giving a robot race the ability to reproduce) transgressions. His other biggest infraction is begin a mutiny which he does in order to save Janeway & Chakotay. He doesn’t get in trouble for this which is why I put it last but again it seems different from Tom or B’Elanna to me because it’s For The Ship it’s For The Captain it’s a crime which displays his loyalty to Janeway instead of one which demonstrates him going against her ideologically (as shown by the lack of punishment). In that way I think B’Elanna and Harry balance each other well. B’Elanna is a person who seems very nervous and defensive when in conversation with others, who thinks of herself as a person who is ‘bad’ and doesn’t believe in herself much. Meanwhile Harry seems to be at ease with most anyone he speaks to, attempting to befriend even Seven of Nine right away. He’s confident in himself and his abilities and out of everyone (yes even Tom who seems most often to just become frustrated) would be the one to push B’Elanna and break through her defenses. That’s to say it makes perfect sense that B’Elanna would be absolutely enamored by this person who views her as inspiring, would be struck by that while Harry views it as just a weird question. 

[yo9urt]

applied for a job a while ago and wrote in my spreadsheet "i am not fucking getting this job" not because of the qualifications but because my application was honestly just not that good. today the lady called me and scheduled an interview. Ok

[catsafari25]

A/N: Hello again, and with this I think (?) I may have succeeded in writing enough bionicle fic to get it out of my system (unless another plot bunny hits me like a cannonball, but... eh, we'll see) and thus, here is the companion piece to the Vakama & Roodaka oneshot.

This time, exploring the scene where Vakama entered the Great Temple, from his side of things! This was also partially inspired by the scene in Challenge of the Hordika where Nokama is almost physically repulsed in trying to enter the Great Temple :)

x

In the tunnels beneath the temple, Vakama must stoop.

At first he shuffles, mutated arm tucked against him and his sole hand brushing only briefly along the floor to steady himself, but the passages are dark and deep and lined with creatures which seek out the weak. The eyes that watch him are not hungry. They keep their bellies too full for that.

In the end, it is easier quicker to drop to all fours, to share the weight between claw and tool that feet alone cannot. His altered form folds into the new stance with frightening familiarity. It's comfortable.

Natural.

The crown of his mask grazes the tunnel's ceiling, but only in passing. His gait is sure. Well. Surer than the ungainly slouch it had been before.

It was said – back when Matoran were awake to say such things – that even the strongest swimmers of Ga-Metru would hesitate before plunging into the depths of the protodermis sea. Not because the creatures there had any fondness for the taste of Matoran. In truth, it was thought that the rahi actively disliked the flavour. No, it was because the way Matoran swam was indistinguishable from the rahi's usual prey. Only when they had sunk tooth and jaw into their meal would they realise their mistake.

It was an annoying, if harmless mistake for the rahi.

Matoran couldn't say the same.

Vakama's early crawl through the passage had been like that of a Matoran swimmer: functional, but slow and indiscernible from wounded prey. Creatures drag themselves down into these depths to die, in hopes that they will be devoured only when they are too far gone to feel it. The eyes are patient. They will wait to see if this newcomer is similarly inclined.

And so when Vakama drops to his haunches, the eyes blink. Reassess. He moves less like the hunted and more like the hunter now, more predator than prey, and the eyes – and teeth – keep their distance after that.

The path Vakama stalks through was once a protodermis pipe, made obsolete even before the cataclysm. Newer conduits had been built, more efficient, more resilient, and this one had been disconnected but never dismantled. When he reaches its origin, it takes some effort – and his blazer claw – to break the seal across the hatchway, but when he does, one of the temple's protodermis purification chambers looms above him.

The room beyond is quiet.

Unmarked.

He doesn't realise he's stopped until the chittering of his audience draws closer. The snarl he throws back echoes off the pipe's walls, and the eyes retreat, but do not leave.

Vakama curls his hand around the lip of the hatch, and then falters.

Something is wrong.

It's not a pain, because the feeling does not hurt as it ought, but something is undeniably, fundamentally wrong. It causes his breath to catch, his hand to flinch, and it would be so easy, so easy, to turn and walk away, only...

Only he came here for a reason.

The wrongness flares, amplified for a moment, and then he pulls himself up. The eyes watch, but do not follow. Do they feel it too? Can even such base creatures sense the innate malice the temple exudes?

He clambers out of the purification chamber – empty and abandoned now – and stumbles upon his landing. He catches himself, but does not rise back to his feet.

Wrong.

This is wrong.

And at the edge of the wrongness there is a strange sort of terror. It dreads the same way the fire fears the sea, the same way the prey fears the predator; it is the meeting of two primally antithetical forces where only one can survive. It whispers turn back through his mind.

He moves into the next room.

It's one he knows well. Light filters down from the rot-stained windows, centering – as it had the day he'd first seen it – on the suva, and casting long sentinel shadows of the columns standing to attention around it. A crack mars the suva, its stone dome now split cleanly in two from the quakes, and – drawn by some desire he cannot identify (instinct, curiosity... nostalgia?) – he approaches.

It seems so small now. Even bowed and altered in his Hordika form, he looms over the Ta-Metru symbol he'd once had to stretch to reach.

Unbidden, his hand moves to the niche where once he'd placed a Toa Stone – where once he had though himself chosen, duty-bound, destiny-gifted – and falters a breath from the stone.

The wrongness spikes.

Screams.

And with a twist of something he will not call horror, he understands it is not originating from himself.

But from the temple.

It is repulsion. It's alienation. It's recognising him, but as other, as rahi.

It's disgust that a monster would dare enter its sanctuary.

In the Ta-Metru carving, stone once polished to the point of fragmented reflection, he sees a glimmer of his own face. Neither Toa nor Matoran. Nothing blessed by Mata Nui.

Vakama recoils.

And then a wave of his own disgust, propelled by that fury that runs so close to the surface now, rolls through him. If you didn't want us as the Toa, you should've stopped Makuta from choosing us, he thinks, and digs his claws into the stonework.

The wrongness sings.

But he knows it for what it is now, and his morphed, clawed hand gorges scars through the carving. The stone is soft. Its makers had never imagined someone would take a blade to it.

There comes a tapping from across the room, echoing brazenly off the ancient stone walls, and Vakama retreats instinctively into the shadows. A Rahaga enters.

Norik?

No, this Rahaga's armour is more akin to a Po-Matoran than a Ta-Matoran's, the colour of dust and stone. Vakama tries to recall the Rahaga's name – and then dismisses the attempt.

It won't matter, in the end.

The Rahaga walks as he always has, stooped and slow, but clearly unhindered by the temple. He passes by the suva and runs one gnarled hand across the stonework, his movements marred by curiosity rather than reverence.

The rage arrives a fully-formed creation. It drowns out the wrongness, floods the apprehension, and he is moving before he's decided that this is the path he wants.

It is not pain, for it does not hurt as it ought.

But it does still hurt.

x

Whatever the Rahaga might once have been, they are old and weak now. Four are captured before Vakama's rage has a chance to cool, but the ire is no less dangerous when it does.

(That's the thing about Ta-Metru; it's not a place of fire so much as it is of magma. And magma doesn't extinguish with the cold; it sets. It moors itself into place, an unmovable, burning force.)

The rage settles, solidifies around his heart and lungs and carves a home between his breaths.

(Magma is not fire. It does not leap blindly from one source to the next. Instead it advances. Slowly. Steadily. It finds a channel, a destination, and it engulfs all in its path until it reaches it.)

He finds the last two remaining Rahaga, pathetically ignorant to their brothers' fates and still scavenging the temple for answers. He hears the way Norik appraises his sister's translation, relief clear in his voice that they are one step further on this wild rahi chase. Relief, surely, that the Rahaga are one step closer to regaining their Toa form.

(And Vakama's anger has found its destination.)

He does not descend on the Rahaga's leader the way he has the others. No. Norik will know what's coming for him first. He gets to fear. Vakama waits until Gaaki has gone, until Norik is alone, and then he circles. The wrongness thrums in his veins, weighing him down and labouring his breaths. It doesn't matter. Let Norik hear his approach.

Norik doesn't try to run. Vakama will give him that much. (A wise choice. Vakama intends for this encounter to last, but if Norik runs, Vakama cannot be sure he won't chase.) Instead, the malformed once-Toa calls out and actually tries to approach him. Stupid. Doesn't he know that he won't win any fight, transformed as he is? As both of them are? No, instead, he tries to talk. As if they are equals, as if Norik has done anything to deserve his respect rather than his scorn. As if he has earned the temple's forgiveness for his trespassing.

Even when Vakama raises the fate of Norik's fellow Rahaga, Norik attempts to sway him with the illusion of reason, talking of duty and unity, as if he's not using the other Toa Hordika to chase after a rahi myth for his own desires. As if their roles are in any way comparable, both Toa of Fire once, both leaders, it's true, but Vakama hasn't forgone his duty to chase after selfish needs.

And it stops now.

Vakama circles closer, and Norik is still talking, unease in his voice, but not fear. Still searching for the right words to turn Vakama to his bidding as he has the other Toa Hordika. Ever the voice of two-faced logic.

Why won't he just shut up?

Does Norik think him to be as gullible as the others? As quick to desert his duty as them?

And Vakama knows he wants – needs – to shake that assurance, that arrogance out of Norik. Needs to see that facade of self-righteous wisdom crumble into the terror of his situation.

The growl begins deep in his chest and, unleashed, it becomes a roar. He rears out of the darkness, into the weak sphere of light surrounding Norik – and there, there he finally sees true fear fill the old fool's eyes.

Something slams into Vakama and he reels, his roar cut short. His hand reaches automatically, defensively, to his mask. He finds only water there. It clings to him, imbued with some sort of power – he can feel something other in it – but otherwise impotent.

"Leave my brother alone," Gaaki snarls. She stands in the doorway, small and hopelessly overpowered, but her shoulders are tensed with a stubborness Vakama recognises. Already, her spinner is powering up for another shot.

Well. Two can play at that game.

Vakama's rhotuka fires into motion, but the water has seeped into the mechanism, and dowses the fire before it has a chance to catch. He gives it a withering look, before turning the expression onto Gaaki. "Very clever."

Another water spinner hits him, but this time he is braced for it and all it does is wash harmlessly off him.

"Is that all you have?" he asks. His blazer claw splutters, but the claws on his hand flex. After all, there's more than one way to defang a muaka...

Gaaki steps back. Good. She knows she's outmatched. "It's a devastating attack underwater," she offers, and her words are strong but there is a cracked edge to them.

"Then you'd better start finding a puddle," Vakama growls, "before my claws find you," and he drops into a run, feet pounding and fangs bared and that ever-present wrongness humming about him.

She doesn't flee. Just like Norik, she stands her ground, gnarled fingers wrapped tight around her staff. Her eyes are hard, but he sees the way her hands shake.

How long will her resolve last, Vakama wonders. Before or after the claws find their mark?

He never finds out.

He's knocked off his feet before he reaches her, and when he hits the ground, ropes of energy pin him to the earth, like a water-bound rahi caught in a net.

What–

Norik.

He'd forgotten Norik.

He thrashes against the restraints, but they hold strong – for now. His blazer claw splutters again, but it does nothing to the energy that binds him.

He stills as he hears footsteps approach.

The two Rahaga hobble into his line of sight. Gaaki is breathing hard, as if only now is she allowing herself to feel the fear. "You left that late, Norik," she says, and even the breath that follows sounds more like a shaken wheeze than a nervous laugh. "Almost too late."

"I only had the one shot. I couldn't afford to miss," Norik replies. "He's got our brothers. Gaaki, go find–"

"I'm not leaving you alone with him," she retorts. "I only went for a moment before, and look what would have happened if I hadn't returned."

Vakama tilts his head as well as the energy net will allow. He grins at the Rahaga, anger curdling it into a sneer. "Yes, Gaaki, you're very good bait, congratulations." He shifts his gaze to Norik. "But you've always been so good at getting others to do your dirty work, haven't you, Norik?"

Norik doesn't even have the decency of guilt. Instead, he simply looks tired. "Whatever you think you know–"

"I know the truth! You don't care about the Matoran, you only care about yourselves!" He strains against the ropes, and although they do not break, there's a little more give in them than before. He slumps back to the ground, breathing hard. "You might have the other Toa fooled. You might even have the temple fooled, but not me," he growls, and the temple's hatred presses down on him, straining his last words.

Gaaki places a frail hand on her brother's arm. "Norik," she says, and there is such unbearable sorrow in her voice. "He looks in pain."

"It's not my doing," Norik assures her softly. "My snare spinner only binds."

Vakama snarls. "I don't need pity from the likes of you. I know what you are."

"We're allies, Vakama," Norik says, in that insufferably reasonable way of his. "Friends."

"You're frauds," Vakama snaps. He twists against his restraints. They slacken, just a touch. "Liars. You don't deserve to walk these floors."

And the Rahaga stand there, unburdened by the temple's hate, strangers to this land, to Metru Nui, and yet it is Vakama the temple repulses? After everything he has forgone, the life he's abandoned, the friendships he's lost, Mata Nui punishes him?

His rhotuka fires off a fire spinner, and it goes wide, cracks a wall. Norik and Gaaki stumble back, Norik preparing another snare shot, but the energy net holding Vakama snaps. Vakama lurches forward, suddenly free, and slams into Norik.

The snare spinner wraps itself around a column. It lights up the room with crackling energy.

A blast of water grazes past his shoulder, too shy of hitting Norik to commit to taking the easy shot, and Vakama reels towards Gaaki. He fires with a snarl, but hears the snare spinner coming again and ducks at the last moment.

Again his own attack misses and the shot cleaves clean through a wall. Something on the other side begins to smoulder.

Then it begins to rumble.

It's a low sound at first, as deep as the earth and just as vast. Almost like a distant growl. But then the cracks begin to spiral out across the roof, along the columns, and the room buckles.

The light flickers. The frames of the high windows above collapse.

The world becomes fragmented, filled with flickering images. Falling masonry and toppling pillars and dust – but the sounds never relent. Even in the depths of the passing darkness, the thunder continues.

And when the dust settles, so does an awful silence.

Vakama straightens, or does his best approximation of it. Fragments of cracked protodermis fall from his shoulders, his head, his back. He withdraws the hand which has somehow found itself raised above Gaaki, knocking aside the stone slab caught against his arm.

Where's Norik?

Both Hordika and Rahaga stand side by side, that quietness disturbed only by the skittering of stone shards settling. There is wrongness in his breath, his head, and it's impossible to separate where the temple's ends and his begins. But any moment now, Norik will reappear from the wreckage, bearing that ever-same holier-than-thou look, and the anger will rise anew in Vakama.

Any.

Moment.

Now.

"You've killed him," Gaaki says, and her voice breaks that terrible stillness. She draws in a half-breath that cracks into a sob. "You've... oh, Norik..."

No.

No, it was an accident. He hadn't meant to– Norik had simply been in the wrong place. It wasn't as if he'd taken a blazer claw to Norik, or hit him directly with a fire spinner. He'd only meant to... what? What had he only meant to do?

Something swings towards him and he grabs the staff before he even registers what it is.

"He's not dead," Vakama says, and maybe if he says it, he might even believe it. He snaps his gaze to Gaaki, as if her grief is bringing it to pass. "He's not. He's not as easy to kill as that. When the others– when the Toa find him, he'll be fine. Fools like him always find a way to survive."

Gaaki attempts to pull her staff free, but her strength is no match for Vakama's. He wretches it out of her grasp and tosses it aside.

"Stop that."

She doesn't listen to him, only steps back and charges up her rhotuka. The grief in her eyes fogs into hatred.

The water spinner hits him but does little more than rock him.

"Stop."

Gaaki screams, a sound of rage and anguish, and releases a volley of spinners as ineffectual as the first.

Vakama's patience – or whatever had held him in place until now – snaps. He lunges forward. His claws close around the joints of Gaaki's rhotuka and pins the mechanisms harmlessly into place, in the same manner one might pick up a baby ussal crab by the widest edge of its shell. She thrashes, but Vakama's grip holds.

"I said, stop," he snarls.

She's breathing hard, her gasps sharp-edged with agony. "You killed him," she says, voice hoarse and hateful.

His insides twist, and – Gaaki hauled by his side – he starts the ascent to where the rest of the Rahaga are trapped. He doesn't look back to the rubble. Doesn't glance for one last glimpse of Norik's resting place.

He's not dead. He's not dead he's not dead he's not

The wrongness, the hatred, has woven so deep into him, it's almost a part of him now.

Toa don't kill. Vakama can't remember who taught him that (he recalls, briefly, the flash of a gold mask, but it comes with pain – grief – and he pushes it aside before it can take root) but it gnaws at him like a trapped stone rat. Toa don't kill.

But he was never meant to be one.

And if the Great Temple – if Mata Nui – thinks a mistake was made in Vakama's destiny....

Well. That's somebody else's problem.

x

The Hordika that returns to Roodaka is different from the one she sent out. There's something new in his eyes... or perhaps something lost.

"How was the temple, Vakama?" she asks when it's just the two of them.

He looks to her. Beneath the anger, beneath the rahi, there's almost a haunted look to those eyes. It vanishes a moment later, but Roodaka never doubts her own eyes.

"Unwelcoming," he replies, and Roodaka smiles. She could have suggested Vakama pick the Rahaga off one by one in the chaos of Metru Nui, outside where her Visorak could have been an aid... but the temple had been too good an opportunity to miss.

"Good." She sets a hand on his shoulder. "You owe no loyalty to Mata Nui, Vakama. Not anymore."

He rolls his shoulder, but not sharp enough to dislodge Roodaka's hand.

"One thing I do not understand," she says. "What happened to the sixth Rahaga?"

The Toa growls. It is a gutteral sound, rooted deep in the chest and at home in a way it wasn't before. "You wanted a message left for the other Toa. I needed a messenger."

"Alive?"

Vakama shrugs his shoulder again, and this time she lets him roll her hand loose. "Does it matter, so long as they understand?" he growls.

No, Roodaka concedes as she surveys the remains of the Toa before her. She supposes not.

[skitskatdacat63]

Orb...

+ process kinda

[jamiethebeeart]

:D (I ramble in my tags about this)