#i sketch and it goes very well and i am very happy and i feel very creative!!!

[skitskatdacat63]

Orb...

+ process kinda

[twost3ps]

This boy has been in the drafts for like a month

I'm feeling like I want an Adam sandwich with two slices of Morningstar brothers so you guys are going to hear me out on my LucifurxAdamxMicheal au (and I mean it in a they both share Adam in the end :3 ) In general I'm calling the ship ✨️GuitarStars✨️ boooyaaa I feel like there might be a better name for it but idk

(Also I’ve noticed there is complaint for guitarhero in the adamsapple tag. I'm tagging this post as adamsapple this once of it but post related to this with both brothers will be counted as #guitarstars.

I also completely agree with the complaints. There is a problem with the tagging so this is a very quick reminder to please tag properly!!! Ik it's not meant to be harmful bcz most guitarhero shippers are also adamsapple as well. But i will admit there has been a lot of unecessary tagging (i am guilty of this im so sorry qwq) so please be mindful!!!! Ik this post might go agaisnt that but its just this post i swear sorrryyyy)

ANYWAYS The actual au:

For now I'm calling the au- Angels on My Shoulder (I can't think of a good title rn grrr)

quick sketchs so you get the idea

General prompt:

Adam respawns as a human with all his memories. He lives a normal happy life until he turns 21 when two angels (Micheal and Lucifer) appear on his shoulders with a mission: try convince him into making certain decisions so that he ensures a spot in heaven or hell.

That doesn’t work out very well because adam hates how theyre forcing their ideals onto him one way or another. He doesnt really want to think about heaven or hell anytime soon. Heaven or hell seems like complete torture to him. The fact that he didn't like either of them before he respawned doesn't help.

A revelation happens and both brothers realize it's not gonna work on their terms so they're gonna have to earn his favor first before trying anything. One of the ways is talking it out beacuse adam had expressed several times over that, while at first it was funny, their bickering needs to die because it's getting annoying.

They talk it out. They make up. It takes a whole but they become close again. They try to earn adams favor in the meantime and between time. Everything is at peace. As time goes on though, the wooing is no longer for just adams favor, its now romantic. Both develop feelings for Adam. And since now they made up both made up they are very willing to share him.

The og goal is completely lost. Gone with the dirt and dust. And now what was once a competition to get Adam into heaven or hell has spiraled into heaven and hell trying to get into Adam. If you catch my drift.

Do they get in there?

God bless they do

(Ps they start off as small little mascots but then later grow into their normal form and an added human form. Adam Prefers the small mascots though)

My in-depth of the au that is very subject to change I just wanted to rant is under the cut o3o

So when Adam had died, he respawned onto earth. Born into a normal family and all that jazz. He lives life as normal and has comes to terms with it. He actually loves his life. He doesn’t have to walk on eggshells anymore and lives as normal. He’s not insanely good or insanely bad, he’s just a guy.

A guy who is very happy with himself. After graduating he becomes a national park ranger.

Heaven and hell both know of adams soul, but contant cant be initiated till he turns 21 (It was recognized because I wanna say 21 would be the age Adam technically was in his creation during Eden, and thats when he can process divinity without his body tweaking as if he were any other mortal. Souls grow along with age and all that drama, adams soul in eden was strong enough to stand the sheer power of a seraphims presence) both sides made it their immediate duty to guide him to their path.

Sera wanted Adam in heaven to clear her mind- to have heaven back to perfection with the original perfection creation (also to have her son back, but she's not ready to unpack that for herself.)

Lucifur wanted adam as he could punish him directly for hurting Charlie and her friends. A little tiny part of him also really wants Adam all for himself grrryrvgrvsgrs

So both heaven and hell spawn a representative guide for Adam to follow once his soul is ready to guide. Lucifur nominated himself and Sera nominated Micheal who agreed.

For some reason (probably amix of earth and god or sumn), Adam's presence nulls the powers of both angels and devils. So the first time they appear, Micheal and lucifur appear as small tiny mascots on Adam’s shoulder.

(Adam has flicked both of them away several times and they can't really do anything about it other than fly back and try again)

Both sides had the same idea and Adam connects the dots very fast on why they are here without them telling him. And he's pissed.

His normal life is now ruined.

Adam actually really hates both Lucifur and Micheal. Lucifur for obvious reasons and Micheal because he's just so nitpickey. Micheal had trained Adam in the past and that guy was brutal. Adam understood part of it was with Lucifurs falling and their brother thing and whatever but god daymn bro needed to chill. If Sera was on him like a hawk Micheal had been on him like a spy camera from space monitored by the secret service. In a way, both devalued adams emotions to some capacity so Adam hated both of them equally. Nothing Adam could do about it though because he was human.

In the beginning, both micheal and lucifur kept it really formal between them. Its strained but neither brother imposes on what the other one advises. That doesn’t stay for too long. The formalities between Lucifur and Micheal die pretty quickly. Under 2 months tops. While both are very old and very much adults, they are, first and foremost, SIBLINGS.

Both begin talking over eachother, butting in, shoving eachother. It's like pre eden all over again between the two on who is better. Most of the time they argue about the most random topics forgetting their og purpose.

After one year of enduring both of their bs, Adam feels like he has a dog and a cat rather than two otherworldly gaurdians monitoring his every move.

He doesn't complain though. After a while he's learned to tune them out. He also finds it incredibly entertaining watching the literal devil fight with the a high angel while being incredibly small. And with no powers it resorts to petty slapping. He's gotten pretty used to it....

Except when it comes to them making him choose what actions he takes.

They're always on him about everything. It sucks so much ass. Everything Adam tries to do something good, Lucifur tells him that it's stupid, that he should be more selfish and blocks Adam. He keeps on telling him that deep down adam really isnt all that, and why should he try and do good when everyone knows that hes not really that. Micheal does the same thing in reverse. When Adam does something considered bad, Micheal raves on how he'll go to hell. That Adam was made in perfection and must reach that perfection. That heaven is waiting for him and is available only if he keeps on doing good.

It makes Adam so mad when they remember what they're trying to do.

Adam doesn’t listen to either angel because after living part of his life as just a normal person, he’s come to realize he doesn’t want to think about living life wondering if he’s going to heaven or hell. Adam does not want to face eternal punishment or be in hell. He still really hates sinners, and while the blood hungry killer part of him died with his second life, he still thinks that the majority of those sinners are disgusting to say the least. But he doesn’t want to walk eggshells to be virtuous enough to enter heaven. Heaven, for all its greatness got tiring after 1000s of years. He's grown tired- already hated hell and grew to hate heaven. He doesn’t want to think about either, he doesn’t want those ideas to deter him from choosing what he wants to do. He wants to make both good and bad decisions without an angel watching over him. He wants to be able to make both good and bad decisions. He makes this very clear after a breakdown.

It becomes less of a competition over making Adam choose and more of getting into Adam’s favor after that because their first tactic is clearly not working.

So both agree that they will have to earn adams favor before making him do anything.

But in order to get adams favor both have to learn to get along because it had become one of Adam's biggest gripes. Funny at first, but the bickering and arguments got tiring after the course of a few years.

So they do attempt to make up. Genuinely. It's hard and its tough. Theres a lot there to unpack. But both jnkw that if they don't do this Adam is not going to listen to either of them because getting along has go go both ways.

And they do make up.

By the time Adam is in his early 30s, the close proximity and a lot of Adam yelling to sort it out, allowed for some slow but needed time to talk it out. They would do it infront of Adam who was the mediator, but they mostly would talk when Adam falls asleep as both watch over his dreams (creepos imo). They begin talking about their decision and their lives. Both brothers do acknowledge that they miss each other and that they have committed several wrongs with each other. And soon the fighting turns to light banter and life is good. They still try to earn adams favor but it's a lot more calmer. Everything's more calm.

Atleast that's what adam thought at first.

While bonding and stuff, they both come to the mutual agreement that they could share Adam. So they both freak it and try to woo Adam together.

And then now it's a matter of Adam freaking out because while before, both his little shoulder angels used to argue, they their bickering distracted them enough that Adam could chill and leave.

Now they're both bothering him and helping eachother try to get in adams pants. They're tag teaming him now.

It doesn't take long for their combined forces to make Adam cave.

The og goal is kinda gone. They still put their input but adams become more open it because they're less demanding and he feels like their goals are more aligned to his wants than theirs. Lucifur and Micheal also come to kinda realize that where Adam ends is where Adam ends. They're going to have to just suck it up when the time comes but they'll enjoy sharing while it lasts.

It gets pretty domestic and slice of life here. So the years following is a mix of sibling bonding and having ✨️the rizz✨️ on Adam.

Lucifur talks about hell and Charlie. Micheal talks about heaven and lucifur and his siblings. (Both Micheal and Lucifur arent permannt shoulder angels, they can actually pop away if they wanted to) Adam talks about his life and stuff.

When Adam eventually dies, his soul is neither here or there (because getting absolutely boned by twin morningstars does not make you virtuous or sinful it just makes you a bad bitch) his soul spawns in limbo. He’s deprived from salvation but doesn’t endure the horrors of hell. It’s basically a decent sided garden with a basic house in the middle where the garden ends is white space. On opposite ends of the garden are two doors, one goes to hell and the other to heaven. Turns out, the doors are connected to Micheal and Lucifer’s homes, but only appeared in them once Adam died. He’s allowed outside limbo into heaven or hell of his choosing for a limited amount of time and visites Micheal and Lucifer when he can. On the flip side Micheal and Lucifer can freely walk in and out of the place. I don’t want Adam to be lonely once he enters limbo so Cain and Abel are there because they died before heaven was ready and when he’ll just started.

So that’s pretty much it :3 kinda

incomplete but doesn't have everything I wanna say

Also

I will reiterate what I said at the beginning. I love you my guitarhero ppl but they are right in the tagging. It comes from a place of love so just be mindful!! Also, this is from me, sometimes the adamsapple vs guitarhero thing gets repetitive. It's a very common post ive seen. And I mean in general not just leaking into the adamsapple tag. That might just be me, but I do see it pretty often. Love it but that with the tagging does get a bit old. Really, the problem is a mix of incorrect tagging and the same trope. There's a lot more to the ship, especially with Micheal being free reign rn, so there is a lot of opportunity to show their relationship besides comparing it to Adamsapple.

I feel like somone who ships guitarhero also had to say something so yeyeye

Again, no offense to anyone guitarhero isbmy love but just please be mindful guys o3o

If you read all that thank you lol

[raviosrupees]

My parent rates LU Link's based on first impressions

[warning foul language, mention of alcohol, and my parents very negative impression of Wars !!! note this is my parents impression based off of the LU concept sketches + descriptions. a lot of em aren't accurate]

TIME

Very God of War, Kratos. PTSD Link.

when all the others are hanging out he's in the cups. He fought the moon? Sounds about right. Everyone else is talking and goofing off and he's got the thousand yard stare.

No one talks about how he cant get a full nights sleep. Please let him nap. Maybe let the owl take a nap too.

*stares at him for a very long time, before taking a sip of mimosa*

TWILIGHT

blond hiccup [httyd] very viking. Humble? Hiccup. Animal whisperer? Does he have a dragon? he turns in to a wolf? good for hiccup. getting over a complicated relationship? ...... h-

OH HE HAS GOATS? I love goats! Love this guy.

WARRIORS

Ah, douchy paladin! Yeah he's got the hip flex, he knows he's the shit. Very prideful? Of course you are. Leader type? Women problems? Not surprised. [said they most wanted to punch this one]

"This one writes himself. On Reddit forums"

FOUR [their 3rd fav]

"eeny meeny hippy genie" They've got the weird flowy scarf hat, they're super tiny! Dwarf.. chaos gremlin-- No that's a changeling! I don't think that's actually a Link, I think they faked their way in. Not that I blame them, its a pretty cool crew to be a part of. Spy for the fae realm.

WILD

5th grade school photo link. He's really excited for his first day of school and has a planner for all of his classes.

Good at navigation? Kudos for being a good boy scout.

Her 2nd favorite.

WILD

"Legolas Link" he likes to run on snow, flip his hair back + forth and shit talk dwarves [changeling doesn't like that]

"takes any questioning of his princess too personally? Why are they questioning his princess in the first place? *squints* Why is he so upset? Feel like maybe we need some codependency therapy-

IDENTITY CRISIS DUE TO MEMORY LOSS???? oh no, there we go, the therapy- INSECURE? THE ONLY ONE THAT FAILED? Dude, I think douchy paladin needs to take him to therapy-, maybe it'll convince him to get some too.

Proceeds to go into a rant about his sheikah tech being called weird magic: "Why are they calling his magic weird? That's rude ! They need to have more open minds, no wonder he's insecure! He just needs to feel confident and supported in his new environment and they're not being very supportive right now!"

*orders another mimosa*

LEGEND [their favorite]

"We've got stoner wizard link..." "Which one?" "He's wearing red, and like a fancy staff with a ball at the end for walloping on people who say he's not a real wizard" He just smacks em and says duh yes I am, but usually he doesn't bother with it bc he's too chill.

He's the Millenial of the linked universe. "Chooses not to be a leader type? 'Nope, Im good, just here for a paycheck not a promotion. Some PTO would be nice. Another adventure? He'd rather start a commune"

"Seems unaffected by his adventures?" Uhh he is though. He's just delusional about it now.

HYRULE

Classic link [true] silent generation, nobody acknowledges him. "just happy to be included," mistaken as a hobbit.

"He's actually a traveler, never stays in one place" "Ah so post adventure Bilbo baggins, who wants to see mountains again."

*starts singing "the road goes ever on and on"*

SKY

Foppy link. Fabulous haircut, cape swooped over one shoulder with the gorgeous coloring, contrasting belt-- he knows color schemes way too well, he could be in project runway.

"Not the leader type? Sure he's too busy worrying about fabric swatches. Views the master sword as a blessing? Yeah, I bet he does."

Very confidently decided his Zelda is a beard.

[netherfeildren]

Someone's Wife in the Boat of Someone's Husband .5

Series Masterlist : Moodboard

(Joel Miller x F!Reader)

Content Warnings: Possessive behavior; Jealousy; Size difference; Size kink; One sad horny old man; Angst!!!! that will continue just FYI no abusing poor little vic for enjoying the suffering of others :) it’s not my fault :)

Rating: Explicit 18+

A/N: peep the cameo!!!!!! :) 

Word Count: 6.1K

Read on AO3

.5

Vanish. Pass into nothingness: the Keats line that frightened her. Fade as the blue nights fade, go as the brightness goes. Go back into the blue. I myself placed her ashes in the wall. I myself saw the cathedral doors locked at six. I know what it is I am now experiencing. I know what the frailty is, I know what the fear is. The fear is not for what is lost. What is lost is already in the wall. What is lost is already behind the locked doors. The fear is for what is still to be lost. You may see nothing still to be lost. Yet there is no day in her life on which I do not see her.

Joan Didion, Blue Nights

Weeks pass after that night in his truck. He calls, many times, but you never answer. And it makes you feel like the worst sort of liar, but you can’t. You can’t hear the sound of his voice, it’ll ruin you, destroy your resolve, force you to your knees at his feet, which is, if you’re being honest, the only place you really want to be. It is, perhaps, the greatest struggle of your entire life, to hold on by the skin of your teeth to this idea you have of what it is he and his marriage should remain as, and what you and he should be and should not be. 

It’s Gerri’s birthday, and Tommy and her sister had decided to throw her a party at her house. Big surgeon money makes for a big fancy house, and Gerri was over the moon, filled with happiness and laughter and that wonderful brand of Gerri specific infectious glee that forces even your miserable, morose self to pull your butt out of bed and get ready to go celebrate her. She knows you’re sad, missing him, even if she doesn’t know it’s him specifically. Although, you suspect she might have an idea of it. 

She’d begged you to come during class at the start of the week, planting her stubborn butt on a stool to stare you down while the rest of your students finished up their work and then put away their materials. Please’s and threats of tears and bodily harm and promises of copious amounts of alcohol, and if you’re feeling up to it, I could even hook you up with someone – an accompanying waggle of her eyebrows. What about a surgeon? My sister knows the perfect, sexy doctor for you. You’d profusely, profusely refused that. You could not even consider another man right now, the idea was almost repulsive to you. As she begged and pleaded and whined, another one of your students had come up, eavesdropping on the pathetic display of supplication, “Come on, teach. Don’t be a sour puss, put her outta her misery, and go to the fucking party with her,” she’d laughed. One of your best students – she had the most gorgeous tattoo on the inside of her forearm of two overlapping ferns with an intricately detailed moth at the head. She’d told you once she’d sketched it herself. You’d rolled your eyes at them, sour puss, my ass. But you knew you had to get out of this hole you’d dug yourself into, and so, their teasing had gotten to you in the end – forced you to agree to the party out of sheer preservation for your reputation. Gerri’d taken to calling you the boring barnacle… yeah, and she’d never stop if you didn’t agree – would probably force all your other students into making fun of you for the rest of the semester, as well. Annoying little shit, it was very aggravating that you loved her so much. 

-

The house is stunning – big surgeon money indeed. All shining glass, sleek wood and modern edges. A huge infinity pool in the backyard, flanked by an impressively sized guest house that Gerri said she and Tommy stayed in sometimes when they got too drunk to drive home. 

There was, after all, a doctor from Andrea’s work waiting for you at their undesired and annoyingly meddlesome behest. He was nice, handsome, boring. Not tall enough, not broad enough, hair blonde and straight and kind of straw-like – no dark, silver streaked curls and deep, warm eyes. He kind of reminds you of a shiny scarecrow, if you’re being honest and not very kind. Not Joel enough. But he was nice, and seemingly interested and he’d gotten you a drink and stayed by your side all night, attentive and polite. 

You feel miserable and made out of plastic. Your smile, fake, forced, terrible. Something has to be done about this. Perhaps, electrotherapy, a lobotomy, an exorcism. Anything to get him out of your head. 

The shiny, blonde scarecrow – doctor – is telling you about his shiny, blonde family and their fancy skiing trips now, and oh, do you ski? No? I bet you’d love it – maybe I can take you one day? Never mind that you’d been born without a single athletic bone in your entire body, when, suddenly, you hear your name being barked, rough and angry, from behind you, and then a large, searing hot palm circling your bicep on one side while his other palm slides along the span of the small of your back to grip you at the bend of your waist. Fuck. 

“Joel–”

“Hi, sweetheart.” He does not look at you as he says it, but his grip on your waist tightens for one second. He’s staring down the shiny scarecrow, murder in his eyes. Oh, that look is very scary. 

“What are you doing here?” He turns the scary look on you at that, and nope, nope, it’s even scarier pointed in your direction.

“Tommy told me you were here.”

“Wh– what? Why would he tell you?” He gives you a pointed look, and you glance at the scarecrow, nervous. “You told Tommy?” you whisper back at Joel. 

Poor doctor man looks at a loss, gaze swinging back and forth between the two of you. “I’m so sorry, can you give us a minute?” you say, embarrassed. He takes one look at Joel’s terrifying face and scampers away.

-

Moron, he thinks, sour gaze following the fucker as he tucks tail and runs. He turns back to you, answering your question, “Didn’t have to, baby. He figured it out on his own. Don’t think we’ve been what one could call discreet if you’re really paying attention.”

You shut your eyes tight, bring up a shaky hand up to rub at the delicate wing of your brow. He desperately wants to smooth out the tiny frown marring the space between your eyes. 

“N– no– but,” you stutter. 

He takes the drink you’re holding out of your hand, takes a sip of it – something sweet and way too strong for your light-weight little butt. “Mm, he get that for you?”

You scrunch your nose up at him, and he knows he’s meant to take it as a sign of your annoyance, but all he can think is that you’re too adorable for your own good. “Wh– I– you overbearing, ridiculous – give that back!” you frown up at him as he holds it out of your reach. He sets the glass on a table behind you.

“Hmm–” His big hands span the width of your waist, can’t help himself, you’re so small compared to him. It makes his cock so hard. “Let me talk to you, please. Let’s go somewhere quiet.” He doesn’t care that he’s not supposed to be here, that he shouldn’t be bothering you, he’s reached the end of his rope. 

“No – go away. It’s– it’s Gerri’s birthday.” You try to wiggle out of his grasp, but he pulls you further into his chest. “I’m supposed to be having fun. She said she’d be mad if I didn’t have fun.” There are already overwhelmed tears in your eyes, and if he wasn’t so fucking desperate to see you, to talk to you after all these weeks of you ignoring him, he’d run away. Far, far away, where he can never make you cry again. 

“Just for a little bit, please,” he whispers into the shell of your ear, causing the little wisps of hair there to flutter. 

You shiver. “Where– where’s Sarah?” You bring your small hand up to clutch at his beard, cup his jaw, and scratch your nails gently down the side of his cheek, and fuck, he’s ready to burst, just with that, even as your other hand feebly tries to push at his chest. He slides a hand low on your back to press your pelvis into his. 

“Baby-sitter.” Hearing you ask after his daughter has that soft spot behind his ribs where you live now, burn and pinch painfully. 

“And–” 

He cuts you off, doesn’t want to hear you talking about her. “Gone for the weekend – work conference.” Not that he believed that.

You open your eyes again, the tears lining your lashes make them almost glow in your skull. He can’t help himself, he bends to press a soft kiss over your eye, feels the whispering, wet flutter of your long lashes against his mouth. You let out a broken mewl for him – full of all your matched wanting. “F– fine. We’ll– we’ll just talk.”

Just talk, just talk, just talk. 

He can feel the pulse of his blood beat through the line of his erection against his thigh. He wraps his hand around yours and starts leading you through the house, spots Tommy at the back of the kitchen, leaning against the counter talking to someone. His brother takes in the two of you together, gives him a subtle nod, inclines his head towards the backyard – the guest house where Joel was headed. Tommy had known, since that day so long ago when Joel had tried to discreetly tag along to the college – hoping to get a glimpse of you, he’d known there was something. Nothing discreet about your half assed excuses, reeked’a desperation, he’d said. His brother wanted him to be happy, to have a good, fulfilling relationship. He’d been telling Joel to get a lawyer for months, had been the first to tell him to not get married. He’d help him now, give the two of you time to sort this out. He knows just how insane Joel had been these past few weeks, like a caged animal, pacing and hissing at not being able to get at you. 

He steps out the back door and pulls you towards the guest house. He’d been here once, months ago, helping Gerri’s sister out with a repair she’d needed. The two of you would have privacy there to talk, for you to finally stop avoiding him. He needs to speak to you, touch you, smell you. He was going out of his goddamn mind thinking about you, dreaming about you. His cock, constantly at half mast and leaking, at all hours of the day, just at your memory. Desperate, that’s what he is, he’s desperate for you. 

“Who was that guy?”

“Who?” Your voice is anxious, breath hitching. He knows you’re twisting yourself up in knots, and he turns to pull you into his arms now, in the privacy of the dark room, lit only by the light of the moon spilling through the large bay windows. 

“The one you were talking to.” He draws his palm slowly up and down the line of your spine, feelings the little bumps and jitters of your trembling form. Skittish little rabbit. He rubs his mouth over the line of your hair, baby soft wisps tickling his nose and mouth. You smell so good, he wants to rub himself all over you like some sort of animal – mark his territory.

“Wh– I– You cannot be serious right now.” You push at him, turn to move away, but he catches you around the bend of your elbow, tugging you back forcefully into his chest. He presses his front along the line of your back, grips your hip to bring your ass into the hard line of his cock. 

“Does this feel serious to you?” He’s hard as stone, throbbing beneath his jeans. 

“Oh God, Joel–”

“Don’t want you talkin’ to other men, thinking about any other men. I know it sounds insane – can’t help it, I’m sorry.”

“I– I don’t think about anyone else but you,” you whimper. 

He wraps his arms around your waist, brings one large hand up to cradle the weight of your breast and squeeze. He can feel the stiff little furl of your nipple through your dress. He feels a little unhinged right now, overwhelmed by the feel and scent of you. “I miss you,” he whispers. “Have you missed me?” He presses a soft kiss to the shell of your ear that has a violent shiver jerking down your vertebrae, you grind your ass harder into him, give him the sweetest little moan. “All I do is think about you.”

“I did, I did– I miss you so much. I wanted to talk to you, I did,” you whimper, “But– but we shouldn’t, Joel,” you say at the same time as your hand comes up and around to twist into the curls at the back of his head. He turns your head with his hand wrapped around your jaw, his entire palm cups around your neck to your cheek, thumb pressing harshly into the corner of your mouth to angle you exactly how he wants you, and then he’s tasting behind your teeth, the wet lick of his tongue into yours sends a bolt of lust straight through him, almost bringing him to his knees. He moans, deep and rumbling into your panting mouth, and your answering keen has the dribble of his precum sliding down his thigh. He needs to be closer, he needs to be inside. Fuck, he’s in danger of coming just from this, just from the sweet taste of you, your little moans, all for him. 

“Did you like that boy? Think he was nice, hmm?”

“Wha– No– no, Joel. I don’t even know him.” Brow scrunching into the most adorable little frown he’s ever seen. You blink your lashes at him, eyes glassy and slightly dazed. 

He snakes his other hand down the front of your dress and under the lace of your panties, cupping the entirety of your mound in his palm. Fuck, you’re soaked and he’s touching you, finally, finally, he’s touching you here. 

“Is all this wet for him or for me?” he says softly, dipping a single finger into your seam, a ghost of a touch over the bud of your clit. Fuck, you’re soft. Soft and swollen and soaking wet. He never wants to see you near another man again, it’s unreasonable, insane, he knows this. But the dilemma of having seen you, tasted you, felt you, but only by half measures, not really having you, well… it sets the stage for insanity. This he cannot help. 

“For you, for you– please, Joel. Just–”

“She’s drooling for me, baby.”

“Don’t be mean,” you cry.

“Will you let me make you feel good, sweet girl? Please, I just want to make you feel good.” He presses wet kisses over your cheek, down your neck to lick into the hollow of your collarbone. Your hips hitch in little grinds trying to gain more purchase against his palm, and he circles your clit slowly. You’re fucking dripping, and he moves down to press over your entrance, gives you the slightest hint of everything else he’d like to give you. 

“Oh, please–” He slides two of his fingers into the last knuckle then, to the hilt. You’re so wet, there’s no resistance at all. Your cunt swallows his fingers whole, and the both of you let out ragged moans in tandem. You’re fucking tight, and he needs to feel you around his cock, he has to. He’ll die if he doesn’t. He’ll die.

“We– we were supposed t– to talk,” you stutter, little cunt grinding down as hard as you can on his thrusting fingers. The wet squelch is deafening and obscene in the quiet of the guest house, and he can almost feel the steam of your lust and embarrassment at the sound rolling off of your skin like heat waves. 

“Yeah, yeah, baby. We’ll talk in a second.” He licks a long wet swipe along the edge of your jaw, bites down harshly, and he can feel the tight clench of your cunt at the small hurt. He pulls his fingers from you, and you let out a protesting mewl, but then he’s spinning you in his arms and kissing you. Something savage and uncontrolled rising up inside of him. He half carries, half drags you down the hall to the bedroom he knows is at the back of the house, pulls the neckline of your dress down to get at your tits, sucking and nipping as much of the soft flesh he can get at. All the previous moments of restraint, of not touching, of just watching, have turned him into this uncontrolled beast. He can feel your little feel dangling off the ground, over his boots. He almost stumbles as you lose one of your sandals, stepping over your shoe, and gripping the back of your thigh to hoist you up higher, grinding you against his length. 

He sets you down on the bed, pushing you back to lay across it as he tugs the soft cups of your bra down to get at your bare tits, sucking one peaked nipple into his mouth and pulling hard on the tip. So fucking beautiful. He swirls his tongue around your softness, kisses the underside of it, nips at the full, round side, switches to give the other one the same attention. You’re whining and crying out for him, almost sobbing. So sensitive, so sensitive – little fingers twisted in his hair to pull him closer, but he’s moving down, pulling away from your searching mouth and lifting the hem of your dress. He bends to bury his face in the soft apex of your thighs and breathes deep – satisfaction, hunger, rumbling through his chest. You smell so fucking good. He sticks his tongue out to lick at your slit over the lace of your soft, pink panties, sweet, little bow adorning the front of them. 

“Hush, lemme kiss your pussy for a little bit,” he soothes, “Don’t cry,” and you’re spreading your legs immediately at that. Good girl. 

He hooks his fingers under the soaking wet center plaque of your panties to pull it aside and drags the flat of his tongue right through your seam. Fuck, fuck. He shuts your legs to rip the fabric down your legs and then rips them open again to get at your cunt. Your back arches, curved tight like a bow string, and you spread your legs wider for him, tug on his hair to urge him closer. He settles between the space you’ve made for him – thinks that he just might like to live here for the rest of his life. He sucks your clit into his mouth and starts to press a single finger inside, giving you something to bear down on.

“God, Joel–” your gasps are wet, on the verge of overwhelmed tears, or already there, perhaps, “Feels so– so good.”

“Taste so fucking good–” He starts to fuck you with his finger, adding another, giving you more to stretch around. You’re so wet, leaking down to pool in his palm, and he focuses on your sensitive little nub, licking and sucking and kissing it, all while he watches the heave and tremble of your breasts, back arched so that you can rock into his ministrations. 

“Oh, I’m– I’m gonna come.” Yes, already, “I’m gonna–” He can feel the ripple and throb of your inner muscles working around his thrusting fingers, he hooks them against the deep, spongy spot at the front of your walls and sucks on your clit. Everything goes tight and liquid inside of you. The rapid flutter of your muscles trying to suck his fingers deeper, as you gush into his mouth, has all the blood rushing from his head to his dick so quickly he feels slightly faint. He licks you through it, gentling the thrust of his fingers but not stopping. Your restless legs shift around him, too much, and then he’s shifting back up to you, a bite to your nipple, a kiss pressed to the underside of your jaw, and he’s pulling you down the bed so your ass is right at the edge and tugging at his zipper, pulling his boxers down to free his aching cock and heavy balls. Fist clenched tight around himself, he jacks it once, twice and then presses the angry, red head to your clit, slides the underside of it through your cleft to feel the heat and wetness. Shit, your skin is scorching hot, soaked, and he can see the slight clench of your hole, begging to be filled. 

“Joel, please I– I want–”

“Fuck – will you let me– will you let me put it in? Just a little bit?” He’s thrusting against the slick red of you, palm pressed against the shaft to create friction on either side. On every pull back his head catches the smallest bit at your entrance, and fuck, fuck, it would be so easy, so good, “Just– just for a second, baby, please? Just the tip?”

“I – I don’t– I–” The head catches more fully, the wide tip of it giving you just the first slight stretch of it. “Oh, please–” Please, please, please. 

He feeds you the first inch – eyes glued to the way your little hole stretches obscenely around his fat girth, “Shit,” he snarls. He fucks you just like that, with just the tip and you try and arch even more, impossible, you’re already pulled tight as an arc, trying to take him deeper, and then your knee is hitching against his hip and pressing him in closer. He slides all the way inside, to the very end of you, in one smooth, devastating go. He feels his tip bump against the mouth of your womb, and your shared moan is pained and ragged. Your fluttering lids springing all the way open, eyes wide, almost shocked. The look shared between the two of you – incredulous, as if neither of you knew – had ever occurred to you – that something in this world could ever feel this good. 

He buries his face in your neck, shuts his eyes tight. Fuck, he’s gonna come, he’s gonna come. Your gasping moans, the lush press of your breasts to his chest, the fluttering of your cunt around him – nothing in all his life has ever felt like this. There’s a pain, deep in his chest, in a place he didn’t even know existed. This is like nothing else that has ever existed in this world. He’ll never be able to let you go after this, never, never. 

He wraps his hand around your throat, tries to settle you. “Don’t– don’t move, don’t make a sound–”

“I can’t– I can’t– You’re so deep.” Your legs kick restlessly around him.

“Baby, shut up, please,” he begs, he cannot come yet, he cannot. This is the first time in over three years he’s been inside of a woman, the first time he’s been inside of you. He cannot ruin it with a happy trigger finger. You’re clawing at his back, gasping and crying for him to move, to fuck you, please, please, please, fuck me. He slides a hand under your butt and lifts you slightly off the bed to bring you closer to him, grinds his cock deep, deep, right at your cervix so that you’re crying for real now. 

“Too much, too much,” you clutch tightly at his bicep, going back and forth between trying to push him away and pull him closer. He can feel the wet press of your tears sliding along his cheek, over his mouth, and he licks his lips to taste them, has his eyes rolling to the back of his head at their saltiness. He hitches you more firmly in his grasp and starts to fuck you. His thrusts, deep and devastating, punching all air, voice, thought out of you, heavy balls slapping wetly against your ass.

“You can take it, you can take it. You can take anything I give you. You’re my pretty, perfect girl,” he grits, pulls himself up so he can stare at the place where you’re taking him, puffy, red cunt stretched obscenely around his slick base. 

“You feel so good– I can’t, I can’t– What are we going to do? What are we going to do? It feels so good.” You’re crying, incoherent, fucked out look in your eyes as you claw at his shirt, little nails scraping over his belly and chest. He grips you under one knee to pull your leg up, hooking your ankle over his shoulder to deepen the angle. You come again, instantly, just at the change, the deepening of the angle, the head of his cock battering savagely against that deep, soft spot inside you.

“Fuck, yeah. Let me feel that cunt get wet, little girl.” Your mewls are high pitched, supplicant, and you gush around him. He feels it soak his pelvis, drip down his balls.

No one’s ever been this deep, nothing’s ever felt like this, you say, over and over again. 

He plants one knee on the bed and hunches over you, ankle still dangling limply over his shoulder and pounds into you. The feel of your cunt rippling around him, sucking him deeper is too much. He wishes he could last longer, feel you come around him again. What if you never let him do this again? What if you never want him again after this? What if it’s just a one time thing? He’ll never get over this, he’ll never be able to move on from this. He can’t hold back, he starts to fill you, hot thick spurts coating your insides, and you moan again at the searing heat of him, right at the mouth of your womb, grinds deep, deeper, as deep as he can, the contractions of your inner muscles pulling him in. He wishes he could crawl beneath your skin, live inside of you, make a home for himself behind the safe cage of your ribs, and he thinks that you’re right, nothing has ever felt like this, nothing will ever feel like this again. 

He’s ruined now. You’ve ruined him

He collapses on top of you, wants to crush you with his heavy weight, meld your chests together so that you’ll have to be with him forever after this. He presses wet, breathless kisses to the vulnerable underside of your jaw, behind your ear where your scent is the most concentrated, breathes you in deeply. You wrap your arms and legs around him, and he can feel the clench of your inner muscles around his softening cock. He hasn’t done this in a long time, he wonders what his refractory period is now, if he’ll be able to go again soon, if you’ll let him. 

“I wanted that so badly,” you whisper, nuzzle your nose into his hair. 

“Me too, sweetheart.” 

“I’m scared.”

“You have nothing to be scared of. I would never hurt you,” he promises because it’s the truth. He’d never do anything to purposely hurt you. 

“I’m scared of what I feel for you,” you say quietly, “I– I don’t–”

He slides his hand under you to press you closer. “I know, sweet girl. Me too.” He angles your head to give himself access to your mouth, starts his kiss out soft and gentle, slotting your full upper lip between both of his to pepper soft little pecks and sucks to it, then tilts his head to get a deeper angle and lick into you. 

You’re completely relaxed beneath him. Soft and warm and wet, entirely pliant. So sweet. It’s one of the things he loves most about you, how sweet you are. Sweet and kind and earnest – tenderhearted. You’re right, in a way, this is something to be afraid of. The things he feels for you – the depth of it, it’s not something he was expecting, not prepared for, but he’s certain there isn’t a way of stopping it now. This is what it is, will go where it was always going to go, from the first moment he saw you, touched you, tasted you. 

“What are we going to do?”

“I want to tell her.” It’s the only truth, the only road he wants to go down. He wants to be with you, he wants this out in the open. “You aren’t a secret to be kept or hidden. You deserve to be cherished out in the open.”

Your tears spill harder at that, “Joel–”

“Baby,” he lifts up slightly to look at you, “This is it.”

You turn to look away and he feels dread coil in his gut. If you pull away from him now he’ll lose his mind. He isn’t prepared for this, he isn’t the type of man who’s ever had to deal with this type of feeling. “I – I don’t think that’s such a good idea. I– I don’t want–”

“You don’t want what?” he brushes a loose strand of hair away from your face, runs the tip of his finger along the arch of your brow, down the slope of your nose. “Tell me what you want, and I’ll give it to you,” he says, because it’s the truth. In this moment, he thinks he’d do anything at all you’d ask of him. Open his very veins for you. You have him speared by the heart, eating out of the palm of your small hand. 

“I don’t want to be the reason your marriage ends,” your brow crumples, “I told you. I– I can’t be. I couldn’t live with that.”

“My marriage never really began to start with. I told you that.” He moves to pull out, both of you groaning softly at the sensitive slide of his cock slipping out of you, the slick gush that follows. He sits back on his heels, grips both of your knees to keep you spread and enjoy the sight of the viscous drip of his spend out of your messy hole. He wants to bend to eat his own come out of you. You’ve turned him into some sort of beast, subjugated to the scent and sound and feel of your body. But instead he turns to sit at the edge of the bed, tucks himself back into his jeans. He leans forward, elbows resting against his spread knees, and drags his palm over his face, rubs the scruff of his beard. He feels you turn to curve around him, your hand snaking up the back of his shirt to press your palm against his hot skin, your knees curling into his lap around his waist. “It was never – it was never– I don’t even know. Never a real marriage, I suppose. Or never something either of us wanted for the right reasons. I – I felt like it was the right thing to do, at the time, for Sarah. I told you this. But– but it was never how it should’ve been. I worry now, sometimes, if we haven’t just done more damage to her, built a foundation that’s so rotten, so broken, that she’ll be able to feel it for the rest of her life.”

“Joel,” you whisper, dragging your fingers softly up and down his back. 

“She was born into a broken home – how can I ever– how can I ever make that up to her?” He turns back to look at you then, “A home where her parents never loved each other – barely even tolerated each other. What is that gonna do to her? What will that teach her about love and relationships?” He grips you around the bend of your knee, anchors himself with the feel of your soft skin beneath his rough palm. 

“I think that, from– from experience, that it will be enough for her to know that she has you, that you love her, that you’ll always be there for her. You’re a good father, Joel. A– a wonderful father. She’s so, so lucky to have you.” And the look in your eyes as you say this to him is so earnest, so sincere and kind that he knows, in that very instant, that he’s falling in love with you, that he is already in love with you. He folds over to press his face into your belly, hug you tight to himself. “Your love for her will teach her what love is supposed to be. Honest, forgiving, patient. She doesn’t need any other example than that. That’s enough for a little girl, trust me.” You drag your nails gently along his scalp. 

He presses a kiss to your belly, another to your still bared breast. He rests his cheek on your chest to look up at you. “Thank you. Thank you for that.” What he really wants to say is, thank you for existing, thank you for finding me, thank you for being magic, thank you for letting me touch you. Please, let me keep even one small piece of you, I’ll take such good care of it for the rest of my life, I promise.

“But you– you can’t tell your wife about this, can’t– can’t leave her for me. That isn’t– that isn’t ever what I wanted, or– or set out to do. I told you why, I explained this to you.” He watches a bright flush flood your cheeks, brow folding into a frown as you stutter out the words. “I don’t want you to do that.”

“What’s left of this marriage is going to end either way. It’s only a matter of time.”

“But not for me. Not because of me, or for you to run straight to me. I can’t– I couldn’t live knowing I’d done that.”

“You haven’t done anything. This was done a long time ago, the foundation was damaged from the start.”

“N– no, still. I can’t.” You shift away from him, sit up to right your clothes. There is a part of you that hums the sounds of uncertainty, he can hear it in your voice, but it is so quiet in the face of everything else. The echo of your screeching guilt and fear so loud, it overwhelms everything else. 

“So, then what? This was just a one time thing? You want nothing more from this? From me?” He spits, hurt. He knows he should be gentle, not get angry, but the thought of you taking yourself away from him now makes panic climb like fire up his chest and throat. 

“I don’t know,” you say quietly, face still turned away from him. “I– I can’t tell you that right now. But I do know that I don’t want you to tell your wife, or to leave her for me.”

“So you think I should stay with her? Even though we’re both miserable. Even though all I want is to be with you. That’s what you want me to do?”

You let out a hoarse, anguished little sound at that, but then: “That’s not for me to say.” Your voice sounds broken, jagged, lacerating. “That isn’t my business,” you say so quietly, almost like you’re afraid to utter the words out loud, know what a lie they are. But he hears it. Loud and clear, like a slap to the face. 

“Not your business?”

“I should get back.” You stand to right your dress, he watches your shaking knees knock together, and he reaches out to catch you if you need him, but you steady yourself on your own. When you finally turn back to look at him, there are tears streaming down your face. In some sick, twisted way, the sight of them is a comfort. They tell him that this isn’t what you really want, that your words hurt you too. In a way, they help him understand you better, as well. You’re trying to do what you think is the right thing, as wrong as it is for all of you involved. “I’m sorry,” you whisper, wringing your hands together. He only nods. You go to clean yourself up in the restroom, shutting the door quietly behind you.

-

When you step back out into the bedroom, he’s already gone, but there’s a glass of water left waiting for you on the bedside table. 

Chapter .6

Netherfeildren's Masterlist

[writin-with-the-blues]

can you please write more of the blu medic x red mercs but the rest of red team finds out?? Like the red merc walks into base and the rest of the team is like "um hey what the HELL you have a crush on a BLU!?!?!?" (If you can't do this scenario for all the mercs can you do it for pyro, engineer, and scout please) thank you!!! Sorry If this request is alot.

Oh absolutely I can do this! Sorry if updates have been slow, finals has been killing me and this seemed the easiest to post. (I feel like I am always writing Pyro wrong LMAO).

OG Post Here

Right person, Wrong side

Pyro, Engineer, and Scout x Male!Blue Medic! Reader (Romantic)

Pyro:

They are probably the most interesting when it comes to you.

They tried to talk about you to the rest of the Mercenaries actually. However, since most of them can’t here them, they brush it off as utter nonsense. Except for one particular person.

Miss Pauling.

It was over a phone call, since pyro was in their room, they didn’t feel the need to put on a mask. It had to do with a contract killing you in particular and they rejected it. Miss Pauling inquired further about it, she was simply told, “Oh they didn’t tell you? I love him.”

“You can fall in love?”

Okay, ow, that hurt. But that one conversation with Miss Pauling somehow got spread around the entirety of Red Team. Though, it isn’t really a case of, ‘They are in love with blue team’ but a case of, ‘They can love?!’

Overall, it went alright. Though it did show how people felt about their cognitive abilities.

Engineer:

Ah yes, Dell, the man with more PHD’s than fingers of the Mercs have after a fight. He got caught because of an invention.

I am a firm believer that Dell’s love languages are Gift Giving and Acts of Service. He adores the moments when you just look so happy and excited, so keeping the stressful moments to a minimum with his inventions or hell just giving you a cup of coffee is something he thinks about a little too much.

So when he finds out that your medigun isn’t working as well as it should be, he immediately gets to solutions for you. It wasn’t like you asked though, since you didn’t even know something was wrong with your medigun in the first place but the nozzle doesn’t have the same range as it used to.

Though, his teams medic assumed it was for him until the very quick realization that it did absolutely nothing for his medigun. Which immediately was brought with accusations of being a spy and betraying the team.

To tell you it was ugly would be an understatement. To the point where his only defense is that he loved you. So he just simply said that. Did it resolve his issues with spy accusations? Yes. But it created a whole new problem.

Now there’s a bit of pressure from the rest of the team to just, ‘Snap out of it’ but he doesn’t. As much as he lies through his teeth, and as much as he tries to ignore it, he can’t. I mean, he’s a full grown man dammit, who cares?

Scout:

If you were to ask me how he even gotten himself in this situation, I’d say the many doodles he has of you.

He has a somewhat (very) crass way of expressing his feelings when using his sketchbook. Everything he feels about you just drawn out, kissing, hugging, other things a 20 year old with art abilities draws.

The first person to find these sketches of you is Spy. His first thoughts follow the beat of, ‘This is really good anatomy.’ To ‘Is that the enemy medic?’

Spy tried to use it as leverage against Scout. Once Scout realized what had happened, he almost immediately decided to tell every red merc on his own terms.

It’s the most Jeremy thing he could do, but I genuinely believe he’d do it. Though it goes as well as you expect it to. Which is not great.

To sum it up, there were so many argument over it. Whether it is justified or not, but most were in agreement that they knew they can’t change his feelings about you.

Masterlist

[crescencestudio]

๋࣭⭑ Devlog #42 | 6.25.24 ๋࣭⭑

tis the season of Kayn

HAPPY SUMMER!!

Hope you're all doing well and keeping cool <3 I know for me it's started getting to.... the Hot Season. To celebrate the start of Hot Girl Summer (and the beta route going live), I of course had to draw the hottest girl, Kayn.

we must stay cool brothers

Now that we've paid respect to The Hot Girl, let's get into the devlog!

Writing has been fun this month. A lot of it has been dedicated to Etza edits and writing Kuna'a's route. We're getting to about the halfway mark with Etza edits, so we are definitely chugging along!

Sneaky peeky of a recent edit

For Kuna'a's route, I said I wanted to have his first draft complete or almost complete by the next devlog, and I'm VERY PLEASED AND PROUD to say their first draft is In Fact almost complete! This is, of course, the very, very first draft so I'll be going back in to flesh some scenes out here and there and rizz him up even more. But I'm happy with the fact that at least the very base draft is done ^^

This month, I did quite a bit of drawing actually! I finished rendering two of Kayn's CGs, meaning 8 out of their total 9 CGs are finished YYYEEEAAAHHHH!!!!!

it feels so good to see the ending cg titles ouuggHHHH

Because Fenir's beta will be going out soon, I wanted to make some headway on his CGs. This month, I ended up finishing 3 of his CGs and sketching two. I'd really like to get 5-6 of his CGs finished so that it's a similar amount to Kayn's beta, so here's to praying!

baby girl

I also finished Senja's (they/he) sprite and base expressions. His outfit was designed by very talented bestie @saffein-e so please thank them for doing god's work o7

Finally, this past month we worked mostly on Kayn's beta route and getting Fenir's beta route ready for Patreon access!

If you'd like to try out Kayn's beta, you can get access to it if you subscribe to my Patreon (tier Hydra). Beta access to Kayn's route will close as soon as Fenir's beta goes up which will be early July, so if you want to experience Kayn's beta, definitely make sure you subscribe before it ends!

Player feedback for Kayn's route so far has been really positive, which has been a relief, especially since Kayn's route is the first one I wrote so is arguably the roughest (I have a big soft spot for it and like it, but I'm obviously Biased). So I hope you're all looking forward to it!! <4

beta feedback: so real

I also have started the voice acting sessions for the characters, which is EXTREMELY EXCITING!! That's the last asset I need basically, so the fact we have finally entered a stage where we can start recording is crazy. Our current session is for Kayn's route, but in the coming months we'll be moving to the next routes similar to how beta-testing is going :')

Aside from Kayn's route, I've also been working on coding Fenir's beta route. Rereading his script and he's... a cutie, I'll admit. So I hope the Fenir fans are excited for his route to enter the beta phase!

LET'S.......... GOOOOOOOOOOOOOOOOOOOO

Last thing, but I also ran a poll on Alaris's release, basically asking whether you all would prefer a full or segmented release. The results were basically 50/50 LMFAO and that's the vibe I've been getting in general. So while I don't want to solidify anything yet, just let it be known that Alaris may end up having a segmented release, where the first four Central routes are released first, and the Fae routes a bit later. I'll see how I start feeling as the year goes on and where Alaris stands, but thank you all for the support and understanding for the poll <3

I was pretty busy this month, so I didn't have too much time to do market research :cries:

But............

I did see the new Haikyuu movie..................... And I am the biggest Haikyuu fan. Quite literally if you want to know everything about who I am as a person and creator, watch Haikyuu and you will understand who I am to my deepest depths.

obviously I had to draw baby

But aside from that, I want to give one last shoutout to our Hot Girl Summer cross-promo! If there are any games you haven't tried out in this little set, I highly recommend giving at least 1 or 2 of them a peek! All of the games are so charming and have some similarity to Alaris, whether it's a personality mechanic, hot Fae, or a fantasy/ adventure story :')

Links to each game can be found on the Alaris Game page under the magic and mystery otome section!

I'm pretty happy with the progress we made this month. While there's still a lot to do, it's satisfying to see Alaris come more and more to life with each month. See you all next month with hopefully more exciting progress!

[prof-peach]

Bit ooc but I have a question. How you do go about planing out your PLA comic? Like how do you actually turn your ideas/ storyline into comic form? Is it chapter to chapter or do you have the whole idea already planned out? Trying to find my own way in comic making so I’m just wondering if you could give any advice. Feel free to ignore if you don’t feel comfortable answering

So, at first this was al i could think to send.

because its incredibly accurate to my process.

Jokes aside, a lot of how i work is back and forth chaos, fighting with ideas until im happy with them. I will start with a list (usually not written down because im unhinged and keep a ot of it in my brain) and organise it in a way that makes sense to the situation, in this case workign with a game with an established plot...not that its a very strong one.

with a set of ideas, and a game to work around i will ramble and rant to a few choice people who i bounce well off, and also stare into space for hours on end building the ideas. This process can be days, it can be years. For context, i have some notes from 2019 about things i wanted to include that are still relevant. I have been scheming how to break and rebuild this OC for ages. Theres no correct time frame, so long as you simply do the work.

Once i have a fairly loose plan, i start to solidify the benning and the end. What is required to make a character compelling, what makes them believable, what makes them human in a way that we recognise. this isnt always a positive thing, people like to call characters who do bad things problematic, but its human nature to make mistakes and be damaged or difficult, the process of the story is not always rainbows and sunshine. For me, this hits even harder, as im trying to tell a story from the perspective of someone fundamentally broken, so showing those breaks and cracks has to be done wisely.

This is the point where i make notes about things that need to change from the start to the end. And ill say one thing, this story in particular, I have not solidly planned the middle. I am allowing space for me to come up with new ideas at points. Being locked into a dead set of ideas can be quite limiting, and as creators we consume and process things constantly to generate new stories. Id be a fool to make a plan and stick to it. everything i do is vague guidelines.

However, I know exactly how the story ends in Hisui, and where it goes to from there. And i think me personally knowing the end goal makes it easier to plot steps towards that, and some of those steps are anything but progressive.

If nothing else, the end was the only thing i saw clearly, and it has only become more complex and loaded and emotional as the rest of this has fallen into place. If you can see the goal, you can work out how to get there with time.

Regarding the chapters, i tend to draft plan up like 3-4 of them at a time, and then go in order to sketch out one after the other, so i have plenty of time to change things while i adjust. its constantly a process of seeing what you make, seeing issues, and scrapping whole parts just to redraw something better or new, unique even. I dont think a single page ive posted has resembled the very VERY first draft thumbnail ive made, and thats just how i do. Every panel, how big they are, the angle you hand the viewer, the way you light things, the expressions, this all dictates SO SO much.

Taking time over it is kind of the job, and let me stress, this is normally a job done by a team, especially the highly popular comics. one inks, one colours, one shades, one handles text, one edits, theres so many people behind it, so dont be bothered by the pace at which things are made if youre working alone like i am. One person means longer production times, if you can, spread the workload out, but its not required. Its why i always say it doesnt matter how long it takes to make, so long as youre still making.

I think its also worth noting, comics are consumed quickly, the bakcgournds and small details can be lost in the ace of the storytelling, pick and choosing your battles is wise, save your time on panels where you want the reader to shift along quicker, keep that pace high, and add in more detail and depth to panels you want to champion or get the viewers to hang around on more. its ok to let go of a "perfect" image in favour of getting content out, if youre being driven nuts by it. Again, time be damned, be happy with it. And if you can let go of petty details, id suggest doing it when possible, so long as it doesnt effect the storytelling.

I mean what else can i even say. This work is a passion project, I love it, more than i can even put into words, and i think you kind of have to, to make comics without monetary motivation. sure you can get lucky and find ways to make it big, but for most of us, its the love of the story. So maybe try not to be your biggest hater, its easy to slip into the behaviour, so try be gentle on yourself and the process. I should take that advice myself haha! but i really do mean it. This is HARD work, so be kind to yourself over it.

anyway, with a rough idea, a bunch of sketches, and time, they get inked and fussed over, i make a billion changes to layout and story, and eventually posting can happen but not after fighting with the monster that is creating. Idk what else i can say. This is not work for the feint of heart, but anyone can learn to do it.

Good luck, comic artists can always use it!

[genericpuff]

Absolutely love the rendition to the panel of Hades holding Persephone. Lovely to see it rendered as a more mutual act with Perse holding onto Hades instead of just letting Hades hold her, and ofc seeing Persephone actually look like an adult woman. (Not to even mention the colors and rendering because whoaa those were lovely)

And I have a question about this new rendition if I’m allowed to make it! The original had very dramatic and sharp composition with the angles and being off centered which conveyed much of the emotions and style that made early LO very striking. In adapting it, was it a conscious choice to change the composition or what were the deciding factors that made you and banshriek decide centering Perse and Hades worked better in this situation? :0

Ahhh thank you ;w; It took a few rounds of sketching to get the pose just right, the flats thankfully weren't as difficult as I was worried they'd be, but the challenge was definitely in trying to get the pose right while maintaining the height difference that's there.

As for your question, a lot of the posing and sketch composition is something I do, and then Banshriek typically goes wild with the backgrounds while making adjustments to those compositions if necessary, often times I leave the backgrounds up to their discretion as they're 10x more skilled at that sort of thing than I am and they often bring new perspectives to the table. This means that it often ends up being a game of give and take between what we contribute, sometimes I'll have sketches that they feel need to be adjusted, other times I'll have to add little tweaks to their backgrounds if it's missing something. We're both working off a base rough sketch, but we both get to contribute to the final scene in our own ways; splitting it between background and character flats has been a happy middle that's worked well for us :)

Depending on the scene, sketches can range from minimal to more detailed. Here's the original base sketch for that scene:

So originally there was a larger tree working over the side but I didn't really know how detailed we wanted to be in the actual full background, much of it depended on how complex Banshriek wanted to get. You can also tell that Persephone's face was originally buried into Hades' chest in the original panel, which I originally flatted in, but then wound up changing because I wanted her eyes to be visible to reflect both of their expressions of relief at the same time.

That said, with the pose changing from what it was in the original (from Persephone almost laying on Hades vs. him holding her and lifting her up) the composition had to change with it so I decided to just make them a bit more centered, that way the focus would be fully on them and the balance of the scene wouldn't feel "off" due to the pose change. I tend to follow the Rule of 3 here !

So yeah! That's pretty much why centering it felt a little better in this case. Though part me of does wish I was able to keep the original pose, when breaking that scene down into its bones I found it had to take a lot of liberties with its anatomy and proportions, as many LO scenes do. You can't really tell just on a surface level but Persephone's head is huge and the rest of her body is tiny (her hips literally come up to Hades' sternum and her feet meet at his knees). With the character design changes made in Rekindled to make Persephone a little less tiny and more consistent in her body type (while still maintaining the size difference between them) and to reflect their character arcs at this point (as I'm not rushing them into intimacy quite like the original comic did) certain things have to change to balance it out and accommodate. If you're a math person, think of it like solving algebra equations - what you do to one side of the equation needs to be reflected and adjusted on the other side.

And of course Banshriek did a lot more to really exemplify the mood shift in the almost labrynth-like forest Persephone grew within Tower 4. There are still trees and plant life everywhere, but instead of feeling like an endless maze with its tones of deep red that we saw Hades navigate, it now feels like a soft and gentle meeting point for the two. Like the original scene, the color change is used to change the mood of the scene and reflect the calmness of Hades and Persephone as they've found one another.

At the end of the day we did what we ultimately thought would work best for the way Rekindled is drawn, giving both Banshriek and I the freedom to fully utilize our respective skillsets. That way we were able to pay tribute to that original scene while also creating something new out of it <3

That said, I'm sure @banshriek can also chime in with their own design notes on this episode, if they have a minute to spare! I'm sure they'll have lots to say about the fun they had working with those new brushesヽ(・∀・)ﾉ

[miracles-and-butterflies]

The second wip of the Reincarnation AU series; Isabela’s death.

Featuring another sketch at the end.

Time skip of fourteen years. What happened between Mirabel and Isabela’s deaths? You’ll never know.

Comments are always appreciated.

Warning, sensitive topics below: murder and character death.

~~~~~~

So Much Hides Behind My Smile

“Knock, knock? Mi flor? Are you in there?” Someone asks, opening the door.

Isabela is sat at her vanity, carefully taking out the flowers she’d woven into her hair that morning. From the mirror’s reflection, she can see Milagro stood in the doorway, her family going about minding their own business just behind.

It had been a busy day, of course. Her perfect, albeit long awaited, wedding.

“Of course, mi vida. Did you need something?”

“I just came to see you,” he answered, shutting the door behind him. He laughed, walking over to her, just about to set a hand on her shoulder. “Well, it’s been a long day but we’ve finally made it to the wedding night—”

“Get the fuck out of my room.” Isabela snarls.

Milagro blanks for a minute. “Um… where else am I meant to sleep?”

“I don’t care. It’s not my problem.” She seethes, turning back to the mirror.

“In case the rest of the day didn’t clue you in, mi flor, we are unfortunately husband and wife now. It very much is your problem. And from what I understand, the sooner you have a baby, the happier your Abuela will be. Which you’ll have a hard time achieving if you don’t want me here.”

“If you so much as touch my shoulder, I will rip your penis off and feed it to my carnivorous plants.”

Neither says anything more.

But it takes exactly two seconds for them to act.

Milagro goes to charge his entire body into hers but is yanked onto the floor by throned vines, as Isabela throws herself straight onto him.

“How dare you treat me like this!?”

“How dare you!? This is my room and don’t you forget it!”

“Just because you’re a Madrigal doesn’t mean you can get away with everything, princesa!”

They scratch and hiss and hit like wild jaguars, fighting over the last scrap of meat.

It just keeps going.

Not only does he deserve it and worse, she can let out all the steam that’s been building inside her.

~~~~~~

“A perfect match,” Alma hummed, as Bruno poured them all another round of wine. “Isabela deserves the best and that is what she has. They will both bring so much good to the Encanto.”

“I can’t believe it. Where has the time gone?” Bruno added.

Pepa nodded, still drying her hair. “It feels like just yesterday Isabela was born and now she’s married and going to have babies of her own.”

“That will be our Lolita soon,” Félix smiled.

“I’m too young to have grandchildren! We’re too young to have grandchildren! No offence, Mama.”

Alma was in too good a mood to even remotely care.

“Is it really Dolores’ wedding next?” Bruno asked, teasing. “Because I had a little peek into the future and I saw—”

“NO! DON’T YOU DARE RUIN IT! I DON’T WANT TO KNOW!” Pepa shrieked.

Bruno held his hands up in surrender as his sister began a play fight with him, Félix laughed riotously.

“Hey, I was only kidding!”

“Well, I don’t believe you!”

Alma chuckled too, before getting up. “I am going to check on Julieta and Agustín.”

“You do that,” Félix said. “I’ll keep an eye on these two.”

The rest of the grandkids, all of whom were drunk, were out in the courtyard, hyper as anything.

Camilo, Antonio and a variety of animals were dancing while Dolores played some lively tune on her bandola; Luisa singing a completely different song over the top.

Honestly, you wouldn’t know they were adults.

On any other day, she would probably have scolded them and sent them to bed. For now though, she is happy enough to just leave them. They aren’t hurting anyone or causing any trouble, to be fair.

Agustín and Julieta were sat quietly in another room, without the wine. Julieta has been in an odd state for the past few years with seemingly new cure, and Agustín has always preferred to keep some distance from his mother-in-law when he can help it.

But they should be together right now. This is Isabela’s day and they have all been her biggest supporters.

“They certainly make the happy couple,” Alma said, taking a seat beside them.

“Indeed.” Agustín agrees. “I had my doubts about this match, but I’m glad that I’ve been proved wrong.”

“So long as my girls are happy, then I’m happy.” Julieta declares.

“Well, mija, I can attest that Luisa is definitely happy.” She paused, trying to get the pair to hear the carryon happening outside. “And trying to make herself a soprano, apparently.”

After some wonky, forced long note from Luisa, they broke into laughter.

“It’s nice to see the kids are still enjoying life and spending time together,” Agustín remarked, smiling fondly.

Julieta’s smile drops.

“Not all of them.”

~~~~~~

Long after Milagro is gone and her temper has cooled, Isabela heads downstairs.

It’s late now.

The rest of the family is in bed. Or at least in their rooms.

She doesn’t know where Milagro went after she kicked him out, probably the guest bedroom, but she doesn’t care enough to check. He can sleep outside for all she cares.

She heard some footsteps on the way to the kitchen, but brushed them off.

One of Antonio’s animals, no doubt.

In the kitchen, she makes her way over to the coffee pot. It’s half full, just needs to be reheated - no doubt Luisa has beaten her to their usual midnight drinks.

Casita takes over, sliding her signature cup along to her.

“What do you think of all this, Casita?”

A few tiles clink.

“Mirabel? I’d be lectured for at least two hours about failed marriages in history or something if she was still alive.” Isabela glanced to the side. “Can’t imagine how she’d take this… knowing I just went back.”

More clinking.

“Well, what was I meant to do? I couldn’t say no.”

A cupboard smacks her shoulder, lightly.

She chuckled. Taking off the wedding ring.

“Haha, good point. You know, I always thought getting out of the Guzmán engagement would make me happy, and now I’m about two seconds away from committing murder.”

The beams squeak supportively.

“It’s nice to know someone’s got my back.”

The coffee pot, ready, is tilted over Isabela’s cup, filling it to the brim.

“Maybe I’ll let it happen. Let the family see he’s awful and then I’ll be free.”

It smells as good as usual, there’s an underlying hint of something that isn’t coffee though. She shrugs, and drinks it anyways.

Luisa’s been drunk since the ceremony ended, who knows what she’s put in here since. It’s probably alcohol - that she’s added in some spark of creativity. And Isabela isn’t too against the idea of alcohol in her coffee at all - it’s an idea she’ll try later, when she isn’t about to go to bed.

It doesn’t taste any different though.

She lets Casita dispose of the ring.

She returns to her room steadily, not paying much attention to the beautiful decorations that have been hanging since this morning.

It’s one of the odd times where she wasn’t the one to decorate Casita in her flora - it was her day. Abuela had made it very clear that she didn’t want Isabela to lift a finger.

She never really got a chance to admire them this morning either. She’s spent most of the day outside of Casita and when they have been home, she was in her room, getting ready with Dolores, her maid of honour.

Ah well.

They will still be there tomorrow.

All that matters now is that she’s alone, out of that hideous wedding dress and can sleep off her frustration with a drink.

She doesn’t bother switching on the light, just clambers into bed and setting the cup on her bedside table.

The café con leche is as inviting as always.

[Note reads, not in Isabela’s handwriting:

Dear family,

This is not about you, this is about me. I can’t cope with the pressure of being the perfect Madrigal any longer. I was not made to be a wife and mother - my most sincere apologies to Milagro, mi vida. I tried. You should not blame yourselves. I hope whatever is is next is better than this.

— Isabela]

[lovecanbesostrange]

Please know that since yesterday I am mentally trapped in these two panels. There is actually a lot I will miss Krakoa for, but I also felt a bit of resentment throughout the era and this family is a big reason why. NOW that we are in the last stretch of burning it all down and the new X-launch is in reach, we'll get this wedding special. And we finally have all four together in a panel. NOW?! I bought X-Men Unlimited #4 in either fall of '94 or spring '95, solely because of the cover. 30 years of waiting. Let me live in this moment for a bit.

Look at what they are doing with the art! Oh sure, Mystique and Nightcrawler are the blue ones. Pair up Destiny and Rogue next to that to make them look similar enough as well. Only for my brain to scream "but the personalities are the other way around!!!!!!!!". Irene and Kurt work on faith and believe in possibilities and reaching out to be better. Raven and Anna Marie typing this out makes me feel weird are the ones who will kill a bitch and say they will darken their soul so others don't have to. Plus there is the element that they both have lived more than one life and their sense of self is distorted .

They've come a long way, okay?!

Yes this is exactly what it looks like. For plot reasons Nightcrawler was too weak to teleport and dangling off a cliff next to Mystique. And of course Rogue could only save one and before she made a decision Mystique said "I make this for you" and let go. I still like to believe she flipped them the bird when she fell. Because she is Mystique. "HaHa! Take this, you think I'm the worst mother ever, but you will have to live with a moment of nobility from me!" (Also Destiny knew this would come, and she fucking knows there is something good inside of Mystique. It just comes out... different. And needs very specific circumstances.)

Apart from X-Men Evolution (and the X-Men Forever alternate history comic with its very special vibes), we have never gotten any bigger acknowledgement of this family. And Irene has been cut out. Either conveniently on account of being dead, or because she's an old lady and clearly just a gal pal, ahem. (It's also very funny to me to go back to their first appearances, where the Brotherhood of Evil Mutants has the biggest Three Stooges energy ever. I needed Mystique, Destiny, Rogue, Pyro, Blob and Avalanche to have a drinking contest on Krakoa. That is what Krakoa was supposed to be about!! You needed to give us 200% domestic nonsense, fun and games. So it would hurt everybody when it was inevitably taken away. EVERYBODY needed to find happiness in that place in unconventional ways.)

Sadly not my original thought (I don't have those), but recently I read some comment where somebody said that with Irene being his bio-mother, Kurt should have inherited a type of precog-sense, a sorta spidey-sense for teleportation. A natural ability that he won't teleport into an obstacle. And I would be so on board with that. (Also funny, because Ms Marvel had that type of sense and I could pull up panels where Nightcrawler tried to trigger that in Rogue.) Would it be weird to add that now? Sure. But also super cute and helpful.

My deepest gratitude goes out to the fanartists who have doodled and sketched and painted cute family moments for them out of time. Now canon can catch up. Imagine their dinner conversations. N: "Logan is my best friend." M: "Oh, that reminds me there is this blue furball running around with his and my powers. I don't even remember if we ever had sex or not, we're so close in age and have these memory gaps." N: "Mutter, nein!" D: "You should ask him out, you two would make a cute couple. Trust me." R: "You're setting up Nightcrawler with Wolverine and keep giving me grief over Gambit?" M: "He speaks too much French! Wolverine might be Canadian, but at least he's not a Franco-Canadian!" N: "So I couldn't date Northstar?"

Do not get me wrong though. Mystique and Destiny are horrible people and they will stab others in the back. They have worked for the government, they have plotted assassinations of government people. They have fought alongside and against the X-Men. I don't want them tamed or be reasonable. I want their mess. I want them as anti-villains. Because they don't do heinous things for nothing. They like to create less horrible murder events than what could be... some writers just liked to go overboard with the scheming and forgot the sympathic undertones, which I want to cling to. And we deserved a time of peace on Krakoa. Truly imagine a Mystique who was happy on Krakoa. And the absolut batshit villainous energy when it's burned down against her will... now THAT would have been something. Instead of baking resentment into the foundation.

[ryuichirou]

Replies

As many as I can write in 30 minutes let’s go!

Starting with a couple of asks about our post from yesterday.

Anonymous asked:

I'm guessing the bunny is because of Deuce's hometown event and the fox is because of Ace dealing with Fellow.

Yes and no! It’s one of the reasons, but these two also have pretty strong vibes of these animals, especially Ace. He is such a sly little fox pup sometimes lol

Anonymous asked:

That recent Ace/Deuce post had my mind absolutely working overtime with ideas.

But they all just kept coming back to the White Rabbit Fest, even when it didn't really fit a fox Ace kinda thing.

Anyway, besides that, I really love Ace/Deuce ship stuff, so seeing you do art of them is an absolute treat!

Thank you so much, Anon! <3 I am very happy that you like it!

They couldn’t allow Ace-the-fox to enter the rabbit arena lol poor foxy.

I really like this theme for these two. Should draw it again at some point…

Anonymous asked:

Hi! Have any of you considered posting fanfics (novels)? 👀 Love your work as always btw, take care

Hi, Anon! Thank you for your kind words :)

I am not really a writer, so I haven’t considered it. I love coming up with headcanons and I think I am pretty good with dialogues for our comics, but writing a proper story (even a very short one) is just way too difficult for me. I can’t even write these replies fast enough… so I’ll stick to what I do best and keep drawing <3 Out of the two of us, Katsu is the writer, but Katsu’s main focus right now is Nebula. To be completely honest, fanfics in general aren’t our cup of tea… (That being said, Katsu did write a couple of fanfics before, albeit not twst-related)

eh-nonnie-mouse asked:

Do you have a Cara account or is it only bluesky?

Only bluesky for now :(

It seems like Cara is mainly a portfolio app, which is good (especially if it’s AI free), but right now we don’t really see the point in posting there – it’s not for art of yaoi boys kissing, which is the majority of things I draw. Things could change of course, but right now we’re sticking to bsky.

unofficialwheatdog asked:

The the way you draw Fellow Honest

My husband

it makes him so much more handsome like I have to kiss him the second he's on screen

How dare you worsen my obsession/j

(jkjk I love your art and if it's ok with you, I very much want to save the fellow honest image just so I can stare at it for five hours pls and thank you)

I am so happy you like how he looks in my style!! Especially if it worsens your obsession lol

Of course, feel free to save it and look at it; enjoy your fluffy husband lol

blackbutlerfandomnerddomain asked:

FELLOW AND GIDEL ARE HERE!!! They look so good in your style!!

Thank you so much!

Anonymous asked:

Just saw your recent replies and IT MAKES ME SOOO HAPPY!

Let's GOOOOO fellow (heh) Top!Gidel x Bottom!Fellow likers!!!

And reading your replies about their ship! UGH👌👌👌 Ryu such good taste you have! Oh dear.. I love it all!

I am honestly (..heh) looking forward if you have more art of them specially the shippy ones 👀 I'll be on the lookout. Also thank you for the food! 🙏

Hehe I am happy you’re happy Anon!!

Thank you so much for being so excited, I hope we’ll post a lot of stuff with these two in the nearest future…! <3

Anonymous asked:

OOOOH I SAW MOBS BOSSES X FELLOW ADDED TO THE LIST.... I do rly like the idea of fellow & gidel, but mob bosses x fellow is soooo juicy for art and hcs...... thoughts? plans?? plz plz plz this is living in my head RENT FREE... 😍

Thank you so much, Anon!! <3

Well we do have a lot of sketches with Fellow and his bosses (nsfw ones)… and we do have an ask with hcs about them, so if everything goes well, you’ll get more juicy stuff soon. Let’s hope! 💪

[ssiggss]

Hello! I've always loved your Trollhunters content, and I really love your characters and storyline for the Arcane Order.

I just wanted to share my own design for Skrael, who I reworked a lot for my own rewrite of the Trollhunters series, as you'll see in the paragraphs to come, and the sketch itself.

(Sorry it's so messy!)

He's actually one of the first human-like figures I've been able to draw in a way I'm happy with. I based him more off of Inuit culture, and Inuit / Scandinavian viking clothing. (He has Scandinavian-style braids under that hood and skull)

This is just a sketch, but he's wearing a Walrus skull instead of that weird deer-thing.

I turned his shawl into a traditional Inuit garb that goes over his shoulders (since he can't freeze to death, it's not needed, and shows off his tats).

Speaking of his tattoos, since he's a god and doesn't really need a gender, I gave him both face and chest/arm markings. Traditional Inuit tattoos are usually given to women for events like childbirth or reaching maturity, and are located on the face. Male tattoos are not usually on the face, instead primarily on the arms and chest, to stand for a big whale they killed.

His pants are the same as traditional male Scandinavian pants, along with the boots, that cut off at the ankles so he can be barefoot. (Ignore the feet, I don't like drawing feet so it's just blocks).

I love Skrael. 🥰

I haven't answered an ask for this blog in a VERY long time, I'm pretty inactive, but I really like this!!

It is clear you put a lot of thought and work into this redesign, I really like it!! It's drawn very well, you did a good job!!

I love the Inuit inspiration, I've always held the conception that the Arcane Order is coded in many Native cultures, and I always recommend doing the most extensive and in depth research into the culture you're drawing inspiration from so you maintain a good respect and understanding in your creations!!

There's so much to learn and it's all absolutely fascinating and fun to study, I wish you luck and enjoyment in your research!!!

Deers are known to hold great significance in many Native cultures, and that's more than likely the reason his headdress is designed after one!!

I do love the walrus skull, it makes sense for the alterations you made to his character!!

I am so attached to Skrael being bald LMFAO but I like the idea of braids for him! Overall, I love this reworking you did!

I've always wanted better for the Arcane Order, I feel like all of them deserved to be redeemed and they have so much potential as gaurdians of the earth and stewards of the balance, and as powerful allies to Jim and everyone else, so seeing people adore them as much as I do is wonderful!!

After watching the last movie (we do Not talk abt that movie It Did Not Happen) I kinda immediately ignored pretty much all of it and did my own thing, because they could NEVER make me hate the Arcane Order.

I loved this take on Skrael, thank you so much for sharing!!

[thebottomfromhell]

If requests are open how would the upper moons and enmu feel about a demon s/o whose blood demon art is all about plants like she can create poisonous ivy, long vines, grow trees to shield self from attacks etc.

What if y/n accidentally spawns a blue spiderlily after a near-death experience from an fight with a hashira?

I'm very sorry for how long it took me to do this one. For starters I didn't know well how to so it. First, it was a long ask for the number of characters it included but I am glad we finally include Enmu. Also, I couldn't dicede whenever I should make reader have Poison Ivy's personality or not, but to make it more relatable in the end I decided not to.

Also at first I was making the Hantengu clones separated but I wasn't convinced about how was going, so I erased those sketches and put them together in a way thag lets to the readers' interpretation who they are in a relationship with (the main body doesn't fight, so he isn't there). Also, I really tried to add Nakime, but it was inpossible to get her S/O in a near-death situation with her around.

Uppermoons + Enmu reaction to GN Demon Reader with Poison Ivy's power s/o fighting Hashira (and basically yeeting themselves into Muzan's favorites, also no canon fights).

Warnings: Slight manga spoiler (Akaza), Mentioned cannibalism, Near death experience, Implied recreational drug use, Some uppermoons being condescending towards reader(most are mostly worried, though, but are aggresive and rude at showing it), Death of unamed Hashira, Open endings

Enmu:

Enmu really admires your Blood Demon Art, he views it as a wonder, he adores everything you can do with it, and it has saved his life several times. He is not like the Uppermoons, after all, a fight with a Hashira is not something he can just call "my next meal", but something he would fear if it was not for his... passion towards death and suffering. This time the fight is become a lot more difficult than expected, and so he appreciates how you shield him with trees and vines, also the poisonous flowers... When they arrive. "Y/N, darling? It's not that I want to tell you how to use your demon art but, and the flowers?"

His demon blood is stronger, but not as fun as yours. He adores listening the slayers choking in your poison, crushed in your plants, burriend alive in your roots. Killing then while they sleep is not as fun as watching them squirm in pain and fear, and he loves you for it. "There is a weird plant in this area, it feels asleep. I want to wake it up. I can sense it, it's important." Your passion for plants is also amusing, but this is not the moment. But it all happens in a seconds, only by a few inches Enmu manages to save his neck to be cut completely as he falls into the floor, half-faking his death, trying to regenerate as the slayer goes to yours while you are distracted.

You trust Enmu, you know he can deal with the situation, but it didn't stop you to be afraid when you are face to face with a Hashira. Out of fear both your heartbeat and power rises as you feel everything in slow motion as the katana reaches your neck and your partner raises his hand "Sleep." And the slayer does, falling over some glowing blue flowers. You kneel to move the Hashira and see what type of flower might be.... a spider lily? But those are not blue, those are- "Y/N, you did a very good job." Suddenly his voice sounds in your head before doors upen on the floor you step in, making you fall as Enmu watches confused. "You have given me exactly what I wanted."

Gyutaro:

Daki likes your Demon Blood Art more than he does, she always asks you to make some pretty flowers so she can use them for decorations or to make crown flowers. Gyutaro, as always, as long as his sister is happy, he doesn't care. Where he and Daki live, though, it's not a handy ability, since the intention is to keep a low profile, and a tree suddenly growing in middle of a house is not... it would draw the attention of the slayers. "Oi, ne! I have already told you, stay out of the fight! Ne!" It's not like he can't fight them off alone, but no more than 21 Hashira in more than 100 years managed to find them, and you could easily raise that number to one Hashira per year. You still try to fight when Gyutaro tries to shove you to his sister, for you to keep each other safe. "Damn it, Gyutaro! Let me help!"

Daki complains as well, but unlike you, she actually does what her brother says. "Y/N! Are you an idiot?! What can you do to help onii-chan? He can beat any Hashira alone!" You already know this, by your knowledge there has been no Hashira able to defeat an Uppermoon, only other demons wanting to take said place. Gyutaro is the youngest Uppermoon with his sister, so he doesn't need you. That annoys you, you want to prove your worth to be with one of his favorites.

But again, you must also understand where he is coming from, you can't use anything bigger than flowers here, so you try to use poisonous small plants with spores to cut their breathing and kill them when they can't, but if other people inhale it and also die... it will also draw more attention. Here a woman dying or going missing once a week is not suspicious, here everyone competes for the job, clients dying do. There is no way around it, so you always trie to get something new. You can feel the next thing, it's something you have been trying to build, you know it's a flower, that it's not poisonous, and that it's powerful. You can sense that. "Y/N MOVE!" Too late, the blade of the Hashira's sword is already pressing against your neck. You close your eyes as it digs and bring up that flower, only to feel the blade stopping moving once it's halfway in, with the slayer sounding as if he choked.

"Are you ok?" Gyutaro asks, closer than he was before, and you open your eyes to see him with one of his sickle stabbing through the neck of the slayer. You can't help but feel a bit dissapointed, specially as you look at your feet and see only spider lilies, but... these one have something weird. Spider lilies tend to be red, there are some white ones, others pink... but these are blue. And not the pink with blue stricks that is very weird, but completely blue and glowing. "Y/N." You hear his voice in your head as the biwa cord resonates, changing your setting as Gyutaro calls you, being left behind. "You have done something wonderful." He seems pleased, but... what is going on? Why do you feel intimidated by that? "You have given me the blue spider lily."

Gyokko:

Hashira are easy to deal with... for Gyokko, not for you. And while he likes your Blood Demon Art, he prefers to deal with the slayers by his own. Uppermoon Five, why would he need you to help him? Even now, it's not the case, so he is mostly amused of how you try to step into the fight and make yourself useful. "I'm not going to protect you, darling! So don't go dying on me!" He is joking... maybe. If he gets in the mood he will help you, if not, you're on your own. (And part of him wonders how a dying you would look that.) "I don't need you to protect me, Gyokko."

That was mostly out of pride, Gyokko has already faced 14 Hashira by his own, you have at most being able to interrupt their breathings styles. Still, you want to try something new today, there is a plant, a flower you have felt but haven't been able to summon. You can sense it, it's powerful, it's rare, it's something Gyokko will love. After all, even if you won't be feeding his ego by admitimg it, you are aware of the class difference between you two, and it makes you want to impress him. That is the only reason you are using trees to shield yourself of attacks to the neck, wood being cut like papers by the nichirin blade. "It's almost here..." you close your eyes to concentrate on the summoning, having already put distance and a barrier between the slayer and you.... it was a mistake. "Love, don't fall asleep! The Hashira is-"

You stop hearing Gyokko, even though you know he is still talking, everything has bacome slow as the slayer is suddenly right in front of you, katana going forward to your neck. You can basically feel the flowers blooming under your feet but you won't get to finish with them before you are decapitated. Then you feel a big hit that starts taking pieces of both yours and the Hashira's flesh. Ten Thousand Gliding Slime-Fish.... by the time you get put the attack range you are missing a forearm, bites of your legs and side of your face, the poison is painful and slows you down, but you'll live. You lament that you didn't even got to see the plants. "Didn't you say you would not protect me?" And before Gyokko can answer, a voice in your head does. "Y/N. I want you right here, right now. I think you have something I need." That... doesn't sounds good.

Hantengu Clones:

You really get the field messy, "Wow, that tree was so tall it almost hit me! So impressive, Y/N! Do it again!" Urogi and Karaku love it "C'mon Y/N! Give us something bigger! How about some drugs and poison to choke everyone here?", Sekido and Qizetsu would rather not have to deal with that when swords are pointed to their necks, even if they will survive it. "WHY AREN'T YOU TAKING CARE OF THE MAIN BODY?! AND YOU PAIR OF FREAKS STOP FOOLING AROUND!" Their opinions of your Demons Blood Art is as different as each other.

Sekido thinks it's useless, dislikes whenever you use it, whenever it's battle (it gets in his way and it's harder for him to act in a field that is constantly changing) or for fun. Karaku, on the other hand, always defends it, he likes the plants you can make and he is not going to deny abusing of certain leaves or flowers every once in a while. Urogi thinks it's fun, he loves how you can make the highests trees and the prettiest flowers, he likes to play with you using your powers (but it won't let him concentrate in battle). And Aizetsu... "How sad that we can't coordinate our abilities. But it would make me sadder if anything happened to you, so you should just do as Sekido says." .... is Aizetsu....

This is a pair of Hashira, each one with those sidekicks of them, something that surprised every demon in the battle, since they usually don't work in teams. The tsugukos have proven to take advantage of their masterd and play sneaky, managing to decapitate the clones several times while the Hashira attack by face and distract them. This has left Aizetsu and Sekido specially nervious, hence why the anger clone wants you and the main body as far away as possible. Karaku and Urogi trust that you will be fine with them around, and trust the use of your powers.... but.... "Y/N! Whatch out!" Thiscis getting out of control, they can't keep an eye on you, exposed as they try to locate their enemies between the trees. The pleasure clones decides to just destroy the damn area when he sees a tsuguko behind you, you also fly with the hit as trees beging to fall. "DAMN YOU KARAKU! HOW DARE YOU ATTACK US AS WELL?!" "Y/N! I've lost Y/N!" He sceams before a Hashira cut his wings as he was looking for you. "... Sekido... I think we have to...." Aizetsu looks as if he was about to cry and Sekido instantly knows what he means. And he agrees.

It's all too messy, you got trapped under the leftovers with the tsuguko who was about to attackt you. Because of their contusion you managed to pierce a branch in their chest as you summoned something else by the fear of having them so close in a so closed space. The ground is glowing in blue, spider lilies blossoming below you as the slayer's blood falls over them. You watch confused the plant as the rocks, soil and wood over you is retired softly by a giant dragon-shaped entity. "You should have stayed away. Safe." Oh no, you are not going to be scolded by the kid.

And you really are not going to, because a door instantly appears in front of you as Zohakuten's bloos demon art finishes the slayers and shields the main body. "Muzan-sama?" He exists thrugh there with the appereance of a child younger feom what Zohakuten looks. You barely recognized, and you are grateful the kid did before you said something suicidal. "I came to speak to you, Y/N. I think you just did something great." Should you be scared? Because... you think you are.

Akaza:

Akaza totally thinks you can protect yourself, of course some trees, vines and poison can save you from the strengh of mystical nature through breathing excercises. There is no way he is afraid the weak, the human, the slayers, will kill you and take you away from him when he promised to protect you and you promised a life with him but he will have to hold her in his arms with blood coming from her mouth, so fragile and cold when she was always so warm because of her fevers and he had to take care of her but he left and she died ..... Ok, he can't trust you to protect yourself but that is not your fault. He genuinely thinks your Blood Demon Art it's amazing, just as everything you have, but.... you know.... he is overprotective.

"I CAN HANDLE THIS ALONE, GO SOMEWHERE SAFE!" He gives another kick to the Hashira, sending the slayer to crash against a tree, the sound of the bones breaking being easy to hear even from the almost 100 feet away. "You get out of here!" He takes your shoulder and pushes you on the opposite side the slayer is, guiding you forcefully to safety, but with your resistance it's only a few steps he manages to make before the Hashira comes back fighting. When Akaza faces the human, he gets even more scared. "GO SO I CAN FINISH THIS SAFELY! THE SU-" he doesn't get to finish the sentence as his neck is cut while distracted, not enough to take his head of as he breaks the sword before, but...

The slayer jumps to grab you, not even breathing, as the sun starts to come out. The. Sun. Is. Coming. Out. Akaza is having an attack, not knowing what to do to kill the slayer without hurting you as the light starts to reflect against the soil. The sun is coming out and you can't think straight. You are going to die. You are going to die. You feel a powerful, weird new plant growing under your feet but you can't care because you are going to die. You were both going to die until the Biwa sounds, and you are safe inside the Infinity Castle. It takes Akaza, unlike you, some few deep breaths to calm down and slam his fist through the Hashira's face, killing the human. You are still in shock when you hear his voice. "Well Akaza, it seems like you did find the blue spider lily. Y/N, I think you have something I want."

Douma:

Douma thinks your Demon Blood Art is quite handy, very useful and a marvel at that. Really, who could rival you with that beautiful ability? You can create the most impressive decoration, easily destroy the place with the beauty of nature and kill some humans, what else does he need for someone to fix his home? Oh, you meant in a fight? Nah, Douma thinks it's of it as a burden whenever you try to help. But you are trying your hardest and it's quiete endearing (or maybe the word is "fun"?), so he can't bring himself to stop you. "You are losing badly, Y/N, dear. Maybe you should let me handle it for you. I am always here to help others."

"Shut up, Douma! This is my fight!" It's impossible to say if that is a tease or it just sounds like he is actively trying to annoy you, but you don't want his help. "Okeeey! Still here if you need me!" You have been working on something and now it's the time to try it out, if only you had a few seconds to concentrate without risking losing your head. The space inside the cult is too small for that, but the sun is already up outside, so it would be suicide to ruin the structure and the last thing you want is to accidently kill Douma's followers. You wrap the slayer body with some vines before closing your eyes. Concentrate! Concentra! The Hashira has already cut the vines and the katana is inches against your neck... you hurry the summon the flower sonething when you feel a sharp edge before your head rols in the floor.

Your dead! Your dead, even like this you can feel your heart beat like crazy and you can only see blue petals as your ears go numb before Douma picks up your head and "I'm sorry for killing the Hashira for you, but you stoped moving after I cut your neck so the nichirin blade wouldn't! So I dedided to finish the job!" ... fuck Douma! He scared you! You are about to complain when you hear his voice in your head "Y/N. We need to talk. You have something that I have been looking for. Also, don't bring Douma." Ok, now what? Your body falls when a door opens in the floor with the Biwa, your head still in Douma's hands.... this is akward.... "It seems Muzan-sama is calling for us, huh?" .... who should tell him that he doesn't want Douma breathing the same air as him? .... yes, you.

Kokushibou:

Kokushibou finds your Demon Blood Art peaceful, and he likes how passionate you are with it. Even as a demon he can appreciate a good looking garden, and he finds it intriguing how it can create life, that is something rare for demons. Still, compared to him... it's not that he doesn't like you around or that he doesn't appreciate that you try to help, but... he doesn't want you to fight by his side. He fights alone and is not interested in changing that, no matter how much he loves you. "Y/N, you are not needed here. Leave." He is direct, not worrying about sparing your feelings, but genuinely wanting you to do as he says.

You are not obeying, and that annoys him, so in his pettiness he stays still as you face the Hashira more willing to attack you than to attack the Uppermoon One, probably trying to delay his end that a fight with his most powerful demon would mean. You move in the open space, using vines and trees to cover up, but the slayer cuts them like paper. There is something you want to try, a flower you have been meaning to call, but for some reason it doesn't come out. It's like a leyend, it exist and is very powerful, but... but maybe a fight with a Hashira will help. Somehow, you can feel it's important, and what is more important than killing Hashira? It grows, you can feel it grows, but-

Kokushibou got bored of waiting and took out his sword and "Third Form: Loathsome Moon, Chains" he attacks the slayer, and you take part of the damage. The breathing style cuts your neck and you fall into the floor with the dead human body, coughing as you choke in your own blood as your head lands against blue petals. "Kokushibou. Y/N. Come to me as soon as you finish." He is respectful to Kokushibou, and it takes you a while to realize you are regenerating from an inch of what was left of the conection with your neck and body. "We will go once you have healed." You don't understand anything, but why can't Kokushibou be a bit softer to you? You almost died! "Sometimes I hate you."

[kitty-av]

Alright Phandom, I am finally vibing and ready to get into character design with a very loose idea of characters basically all connected by Pariah Dark.

So far I have his bodyguard alongside Fright Knight, who is his sister-in-law, and is design wise based on a shark/sea theme, and who I think I will call Thalassa.

I have his advisor, who is a sneaky gremlin with a heart of gold, whom is going to be based on a candle/ parchment, and who I think I'll call 'The Archivist' because it's ominous and I can't come up with a name for him.

I don't have anything else, I might design the ghost queen because I already know she's there because Thalassa is her sister, but I don't have a particular theme for her.

I kind of want ideas, if anybody can pitch in? I might go the elemental route and have air and earth characters to complete the roster, but that seems a bit too obvious, so I'd like some ideas.

I'll put in some designs here so people know what I have so far.

This is Thalassa (for certain/generally what she's going to look like)

I haven't come up with a full colour scheme for her yet, so feel free to suggest that as well.

As for The Archivist, his story is a bit more convoluted, because really I wanted to recycle him from a 'skin' I made for an Identity V OC I made back when I played the game. Funnily enough, the OC was a cinnamon roll (his name was Ethan) and that's not what I'm going for with The Archivist.

Here's the skin in question (which I'm still very proud of UwU)

I've decided to keep the colour scheme (though I might make his skin green for contrast again)

But here's my sketches in the dp style so far:

Right away I knew I wanted him to have floating hands and a scroll as a forearm because I made sketches where I could play with that in my own style.

In this sketch I hadn't made the decision to add asymmetry in his design, but I knew I liked the scroll arm. It's just been awkward fitting it in the DP style, and I hope I can figure out how to make it look better.

But basically, the idea is that he looks like a big candle but also he's parchment-like in his clothing. Something about candles and old burnt paper goes together well aesthetically, I think the vibes are correct.

The only thing I'm worried about is his face, because even though I tried to modify it a little it looks like Danny (he's my comfort zone character so that might be why).

Either way, going with specific things as inspirations for characters is working because I like what I've made •^•

(Also if any artist who can do the DP style sees this, please tell me how to force the scroll arm into looking more natural, as much as I know I have to kill my darlings, as it were, this darling looks really really cool when I do it in my style-)

Soo... Yes! That's it for now. I would also be happy if anybody suggested a discord dp server I can hang out in. I remember I was in a really big one but I lurked because I'm just not used to big servers and I didn't know what to do lol

(I really want to share my designs and ideas with fanfic writers btw, because I know I'm too perfectionist to write the stories myself, so maybe communicating with writers can help me kinda maybe do that-)

So... Yeah! If you've read this far, thank you! I hope your day or night goes great! ฅ⁠^⁠•⁠ﻌ⁠•⁠^⁠ฅ

[meimeikyu]

Giving sans AUs kpop solo songs,,, an extremely self indulgent post

this is based on both the tone/lyrics of the song, my interpretation of the lyrics, and the music videos. also just songs i like

also!! a lot of these will be focused on my interpretations of both the song and the characters, as well as specific parts of them

(this will be slightly long and full of links so it goes under the cut)

Cross: Lilac - IU

this song makes me so aggressively happy and sad at the same time and its so hgksghkshgksghs i feel like itd fit him so much,,,, for one lilac being the song name bcs i associate cross heavily with lilacy purple but also just the whole theme of the song being losing a person but it being like a perfect goodbye and etc and. idk i see it in him

"Will you forget me someday?

Will you forget our faces and the scent of today?

While having a good nap

Like a faded mid-spring’s dream"

Blue: Bam Yang Gang - BIBI

okay so this is mostly based on the lyrics, and the concept of blue working with the stars but kinda being lesser than them? since hes 'only' mortal and cant keep up and yet hes expected to and. yeah i love this concept n i love this song so

"As you were leaving you turned around and said to me

"You always want far too much"

No what I’ve always wanted was one thing

Just one thing sweet chestnut red bean jelly"

Dream: INVU - Taeyeon

god so its like a sad song about forbidden love in my mind but like. some of the lyrics hit so hard n i feel like theyd work for dream so well and the mvs so pretty (and also has a bow!) but like. dream and forbidden things work so well together in my mind bcs shes the one trying to keep everything together and yet also be the perfect guardian of positivity and can never be sad or angry and never get tired or stop and. she cant even love someone because shes supposed to be a guardian and thats not part of her job </3 (also trans fem dream canon to me)

"I think I lost my mind

But it's my kind of love

Without leaving anything

Pour everything out and flop

Suddenly at one point

I see myself exhausted

Even though I'm trying my best"

Ink: water color - Whee In

okay one i adore this song two the whole song being art/painting themed!!! literally ink!!!!!! and the theme of a lot of the lyrics being about becoming/embracing yourself (in my mind) i feel like fits him bcs like, hes out of the normal hes weird but hes HIM!! he has an identity he has a life he has friends hes not just that sketch anymore!!! hes a full person :D

"Gonna make it colored

I'll pick my brush

Just dye my everything, yeah, deep in my mind

Then I will follow my heart

Draw the things that only I have

Gonna do it my way

I don't wanna stay here"

Nightmare: Animal Farm - BIBI

(warning for fake blood/gore in the mv, as well as violence and guns)

so i actually had a few ideas for nightmare tbh but idk they didnt feel quite right to be 'the' song i put as nightmare, but oh boy this song did! the whole royalty vibes of the music video plus the apple in the beginning, and just the whole tone of the song and mv felt so right. whats more fitting than the one video thats age restricted lmfao

this is meant to be a more fanon nightmare but not quite the whole 'only doing it for the balance would never do violence otherwise' nightmare but also not 'fully evil an corrupted and the real nightmare is dead' just,, some combination of the two that i like to do nightmare as. definitely bad but not cruel to those close to them, would do violence or manipulation for purposes other than the balance and for her own gain, but doesnt intend to tip the scales all the way and destroy every positive instance. also very much fancy and royal aesthetics :3

"Welcome, well done

Shameless friends of mine

Who's next?

Hang my pretty head in your room

Where is love? Where is my sympathy?

What have we lost?

Is it a farm? Is it society?

Am I a tiger or a gazelle?"

Killer: Heart Attack - Chuu

oh wow the song i drew killer with like a week ago,,, shockinggggg (silly)

tone wise does this song seem like killer? meh debatable but i associate it with him so fucking hard!! one i feel like if we go off popular like fanon-ish killer i think hed like this song <-projecting probably but TWO!!! all the lyrics about like giving his heart an the apple themes in the mv??? consider: its him about nightmare, giving his whole heart sould and purpose to nightmare and how nightmare is obviously tied to apples canon wise, and the mv uses apples to represent freedom or sin (imo) and killer 'eating the apple' or agreeing to work with nightmare for some form of freedom. also non toxic killermare has my heart and soul and this is so killermare to me btw <33333 (also the other girl in the mv is yves and for the sake of this idea she is nightmare in this context <3)

btw have i mentioned how much i fucking LOVE this song bcs i fucking adore this song i love it so much im so insane about it

"Pounding more and more

I’ll give it all, take my heart

Surely you’re my destiny

It shines fully in my heart"

Dust: 28 Reasons - Seulgi

ok lyric wise maybe less fitting than the other songs but like,, the whole mvs theme of 'good and evil exist together in a person' is like. so how i feel about dust how do i word this. what he did is bad or 'evil' killing everyone is objectively bad but in his mind hes freeing them from a worse fate (the constant resets) and doing it for the greater 'good'. it doesnt matter if thats true or not, the fact is he believes it to be,,,, combine with the idea of him sometimes feeling horribly guilty about what hes done versus comforting himself with what he does because its better for him... i feel like both dust and killer have this very skewed view of their past vs present, and where killer barely remembers his past dust VERY MUCH does, and has a massive line in his head of where sans ended and he started. idk if this makes sense to anyone else but alone those lines, picture the chorus as if its him talking to himself,,,, also this songs amazing i love it

"28 reasons that ruined you, you don't have to know

I have no bad intentions

You know all 28 reasons to run away

So, why are you leaning into me again?"

Error: Glitch - Kwon Eunbi

This ones also kinda less directly connected but i couldnt not do the glitchy song for error (i also had minimal other ideas shhh)!! The whole glitchy theme and a lot of the lyrics being based around that is perfect for our glitchy man,,,, also this song is just really good n i love eunbi!!

"I make a touch, t-t-touch the limit After crashing the steep wall again The shaking caught my eyes, wait a minute"

---

so originally this was gonna have more guys but ive run out of proper ideas for it and if i don't post it as is its gonna live in my drafts forevr n i dont want that bcs im actually really happy with what i have so far so end for now!! i may do more another time but yeah!

i do offer this bonus tho!!

Festivalverse: Apple - Gfriend

in general i adore this song but also i just associate it with my au, specifically the gods!! also the apple theme in general fitting with dreamtale, the final bit, and just how gorgeous the whole mv is! its so my au to me :3

silly thing but if ur curious about which member would be who in festivalverse: Sowon - Ink, Umji - Error, Eunha - Geno, Yuju - Reaper, Yerin - Dream, SinB - Nightmare

"There’s no turning back when the night turns restless Let the festival I dared to imagine come alive"

[eshbaal]

Character Sketching Basics (for total beginners)

I've never really made art tutorials, but I do actually semi-routinely teach digital art classes to local kids in my area. As a result of this, I have also now signed up for a volunteer character sketching workshop for such kids that I am hosting tomorrow.

I figured that since I will have 15 kids there and I can't possibly introduce them to the base concepts one by one, I should make some easy to understand slides that try and teach them the basic thoughts that go behind a good character sketch. Aaaand I figured I would share them here. They are in danish, but I will translate underneath each pic. And before any other of the amazing artists on here start pointing out that this is possibly a bit too simplsitic to be a "proper" tutorial - the workshop is for the 11-14 crowd that may have never heard these things before. That's why it's kept as completely simple as possible. Anyway, here we go:

When we draw characters, we usually talk about three pimary stages - Sketch, Inking and Colors/Shading. That's a lot of stuff to learn, but we'll focus on sketching for today, alright?

A good way to learn how to draw characters is by learning to understand two great tools - the STICK FIGURE and the BASIC SHAPES.

The Stick Figure helps you understand what a body looks like and how it fits together (anatomy), and makes it easier to portray a body in motion. (This also goes for nonhuman creatures - consider the stick figure their "skeleton")

Once you have your skeleton, you can use basic shapes (triangles, squares and circles of all kinds) to build the rest of the body. Your choice of shapes and their sizes can make a massive difference! Notice, how blocky Superman looks compared to the skinny Anne here, even though their skeletons are built basically the same way.

You can also use basic shapes to create some really unique characters, and maybe even tell us something about their personality at the same time. This is called "shape language". Take a look at how some famous characters use very simple shapes. The always friendly and happy Mickey Mouse is round and friendly-looking. With just three circles, he became famous worldwide. The skinny, refined Pearl's body consists primarilly of triangles and long circles - this works really well for a dancer, who is also a bit of a perfectionist. She even carries a spear, which is a pointy weapon that really needs the one wielding it to be precise! Almost every character in "Phineas and Ferb" consists of simple shapes that make them easy to recognize. Phineas and Ferbs' heads consist of just a big triangle and two squares respectively. And with Isabelle and Candace, you can even spot a couple of half-circles!

If you learn how to see these shapes and where they are hiding, you can learn to draw almost any character you can imagine - even the ones that look super difficult and complicated. Shredder here looks almost impossible to draw, but even he has a lot of squares and triangles you can find if you look close enough - and if you drew a solid enough skeleton to start with, so you can tell where certain things are supposed to go on his body. You also use these techniques to draw harder parts of the body, such as hands. It's really difficult, but it'll come to you with practice.

Okay - let's use what we've learned! Pick a character or make something up yourself. Figure out the characters' skeleton. Go ahead and draw them in a different pose, if you want and if you feel you can. Find and add the characters' basic shapes and add them on top of the skeleton to make a body. Add details and start erasing the lines you no longer need.

A FEW LAST PIECES OF ADVICE - Draw softly and loosely. It's hard to erase your lines if you pressed down hard on your paper. - Try not to choose a character that's too complicated to start with. We all gotta start somewhere. - Don't worry about your sketch looking a little messy. After all, it's just a sketch. All it needs to be is a good starting point for when you ink it later. - Your sketch does NOT need to look 100% like the original. The important part is that you can spot how their bodies are constructed, and find all their most important traits. - If there's a part you are having a hard time drawing, take a break and work on something else. Sometimes your brain just needs a little break. - Ask for help! That's why I'm here! - Remember to take breaks now and then. It's good for your hands and for your backs. ----

Soooo yeah. That's my tutorial for ABSOLUTE beginner kids. I hope this will land well tomorrow.