#they probably fight a lot

[originalartblog]

Unforeseen learning opportunity!

(wikitionary to explain the scar)

(bonus)

[rileyclaw]

see you in 2023 🌠

[coffeeandtoastforbreakfast]

It’s all going up into flames…bright, white flames…

[terriblygrimm]

wolverine: you know what, you really are a fucking joke. no wonder the avengers didn’t take you, or the xmen, and they’ll take fucking anyone. i mean you are a ridiculous, immature, half-wit..moron. i have never met a sadder, more attention-starved, jabbering little prick in my entire life and that says a lot because i’ve been alive for more than 200 fucking years and ill tell ya - that bald chick was right about one thing: you will never save the world. you couldn’t even save a relationship with a goddamn stripper. motherfucker i wish i could say you’d die alone but it’s one of GOD’S BEST JOKES THAT YOU CAN’T DIE! EXCEPT THAT’S ON ALL OF US!

what, you got nothin to say, mouth?

deadpool: *rendered speechless for the first time in his life*

me:

[inkskinned]

one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.

in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.

disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.

desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.

in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?

we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.

except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?

and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.

to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."

this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.

in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.

the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.

and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.

some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.

the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.

we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?

"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.

there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.

[vaxxman]

> WARNING ! FILE CORRUPTION DETECTED. > PROCEED ? [Y / N] ---Please.

[dreadark]

so why is Luka obsessed with Hyuna anyway?

(mostly just trying to get my thoughts on Luka down before blink gone rewires my brain)

every pet human is extremely limited in freedom, but Luka's case is definitely the worst literally even his birth was by Heperu's design... he can't control any aspect of his own life, from his participation of ALNST (twice!) to what he eats on a daily basis

*translations all by whatafruit

humans have no power over segyein, and Luka doesn't even have any power over own his own body so what can he have power over, then?

other humans, of course

most obvious in round 5: Luka would've had an easy win even if he barely tried, but he goes out of his way to provoke Mizi anyway until she finally snaps... and he smiles as he's beaten

because this is his "power." he successfully manipulated Mizi into reacting, proving he has some control over the situation no matter how pointless it is in the grand scheme of things, this is all he can influence, so he makes the absolute most of it and this control is so important to him he doesn't care about his own physical injuries

it's Hyuna talking in this comic, but clearly reflecting Luka's own mentality

while for Hyuna it's likely just her love for singing and performing (whatever happens, they can't take this away from her) for Luka I imagine it's the ability to influence others from the stage (crushing his opponents, but also shaping his fanbase?)

...so back to Luka -> Hyuna

it’s mentioned more than a few times that Hyuna’s a really talented performer, but seeing their respective stat pages really drives it in

(think the “superiority test” Hyuna was put through relates to this also)

Hyuna doesn't seem to have been created in any special way like Luka was… she just has a natural affinity to performing. and that's enough that she’s considered a real rival to Luka—Luka, who was literally made for this, and put through constant hellish training on top (the pain of having your heart stopped...) to mold him into the perfect idol

to Luka… if he can’t dominate Hyuna, he can't even take pride in his own ability (that everything he's forced to go through amounts to something?). and power over other humans is all he has, so he needs to overpower Hyuna (also he likely admires Hyuna’s talents at the same time, which just adds to his twisted feelings)

so since his ability isn't enough... by making someone think of you, only you… that’s another way of having power over someone, isn’t it

“your life is mine” “I told you I only wanted one thing”

whatever exactly happened with Hyunwoo… well that certainly worked. both removing Hyuna's most important person and making Luka someone she can't not think of (oh and he doesn't seem particularly interested in Hyunwoo despite how similar the siblings are in personality? Hyunwoo was even the first to approach Luka, not Hyuna so it's likely because he doesn't have his sister's talents)

but you know how his intimacy(?) value for her is only 70% I figure that's because she escaped, so they could never actually face off onstage... maybe he's disappointed in her "wasting" her ability

what all this amounts to is that she did end up escaping his control, and he never even got to compete against her. so until he can somehow completely overpower her, he'll be obsessed with her

I wonder if this represents his final effort to that... ultimately, he values control over his own well-being, so if he can goad Hyuna into killing him, then doesn't that cement his power over her?

and maybe "saves" him from this hellish life too

kind of a tangent, but I really like how their designs contrast this dynamic Luka looks really angelic and androgynous, so from appearance he seems fragile and like someone to be protected (which even Hyuna seemed to be tricked by when they were younger) and Hyuna obviously looks the stronger one in comparison (very #girlboss (lol...))

but their relationship is one where Luka's trying to control her and Hyuna's trying to escape it... that "beautiful lady" line of ruler of my heart always felt somewhat uncomfortable, and then learning it's actually pitiful (가련한) instead of beautiful is... ...it's a very gendered dynamic, if you get what I mean. despite their surface-level appearances going against what's considered typical

[reds-skull]

Anatomy is one of the biggest thing I need to work on, so why not do it while drawing these two fuckers.

Tried to focus just on the sketch/lineart, so no shading on this one...

[lydiannettelizabeth]

Pjsekai magical girl au where all the leaders are recruited by miku to be magical girls send tweet

[darqx]

Upgrading the 'polaroid magnet' idea of 2019 for 2023's Xmas card trades, these ones are made from wood and use actual magnets! Luxurious! |D All the poses are also referenced from actual party photos i've taken of other people, to add to the candid vibe lol.

The dreamcatcher is kind of a gag gift (yes the craft project i reffed here) for some friends. Since they don't have the ability to fight their nightmares i have offered to [try and] do it for them XD

Made from: Wooden craft polaroid (plus some backing MDF pieces), magnet, misc decorating items (glitter, wooden shapes, gel pens, paint etc). The dreamcatcher is just a storebought one with laminated paper mes wired to it

[fairsweetlonging]

more peak lord preen abilties!! with inspiration from @sillygoofyqueer <3

yue qingyuan is the most thorough and gentle preener, having the experience to know what to do, but he never seeks out shen qingqiu for it and never asks because he's afraid to cross a line (also sometimes the hesitance makes shen qingqiu nervous and the barely-there touches can be a sensory nightmare)

liu qingge is a little harsh but he tries his best, definitely needs a lot of guiding, but is very good if there's a deep rooted itch and much needed shedding; also is hesitant to volunteer even though he will fight others for it; has taken shen qingqiu for flights on his sword so he can still feel the wind in his wings when without a cure acts up; has definitely had shen qingqiu sprawled out across his lap in bliss once and is still riding that high

mu qingfang is a gentle, diligent preener, always has tea and cakes at the ready, but he tends to go into long talks of wing disease and parasites and does without a cure need checking..? probably was the first one to notice shen qingqiu's feather picking behavior. is really good at freeing ripe pin feathers. is the third dog sneaking away with the bone when the other peak lords are fighting each other over whose turn it is to help out

shang qinghua isn't the best preener, he mostly runs his fingers through the feathers and pulls a little too hard, but he can yap shen qingqiu into next week and keep up conversation when shen qingqiu doesn't feel like talking; one time shen qingqiu tried to lean against him and tuck one leg, but shang qinghua misunderstood and stepped away and shen qingqiu fell over; has been given a wing-hug

qi qingqi is a good preener with an eye for detail, and her gossip is always fresh, but her combing is not for the weak! some of her disciples keep asking for feathers for personal projects (they're so pretty and shiny!); she's encouraging shen qingqiu to use his wings to fight

wei qingwei will pick shen qingqiu up and kidnap him to his peak to sit him down for tea and wingcare if he notices his wings are disheveled; is a total dad about it, casually reaching out to fix stray feathers or gently pull out a loose one whenever

|||

bonus binghe!

binghe has a collection of feathers he found while cleaning shizun's room

he can't get enough of the way shizun's wings flap and floof up when he's eating binghe's food

keeps trying to add stuff to shen qingqiu's nest (he tried his own robes once, but it didn't work), wants desperately to be invited in

is jealous of everyone who's been allowed to preen shizun's wings (he's the head disciple and shizun's favorite, cleaning the house and cooking food, it should be his job to do wingcare!!)

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[nonbinoclard]

JUDIT MINOT: guys stop it already

[serpentface]

Omg, is there any more about Odonii battlefield performance?

Faiza giving a full battlefield performance, which includes grimacing, sinister looks, letting out terrifying war cries, and banging on her shield with her dagger's pommel. She's wearing a full set of armor, which is functional but highly decorative. A squire will be present somewhere nearby to carry the rest of her weaponry.

As mentioned in the other post, Odonii generally do not actually Participate in fighting. Their perpetual armament and training to correctly Use this armament has predominantly symbolic functions, with their bodies as vessels for state and military empowerment and integrity.

Their normal role on the battlefield is:

a) Spiritual protection for their associated warriors and intimidation of enemies.

Their role is partially to be the ‘guardian lion’ figure in human form, their presence and performance in of itself is considered metaphysically protective. This guardian lion nature is played up and reinforced with their dress and behavior- they wear lion skins over their armor, paint their faces red to obscure human features, perform war cries tailored to sound inhuman (not like lions, just a very shrill and frightening sound). They perform ‘frenzied’ movements that intend to evoke an enraged animal- pacing, banging on their shields, biting their weapons/shields, baring teeth, exaggerated glances that emphasize the whites of their eyes, etc. This can be a disturbing sight- reassuring to their allies who know a frightening spiritual guardian figure is on their side, and demoralizing to an enemy (the latter especially in conjunction with common beliefs that Odonii are witches/shapeshifters)

b) A motivating factor to get the men to fight more bravely.

This is partly out of religious belief (you will probably be a little bolder if you feel reassurance that God is very much present and on your side, via Its priestesses), partly out of esteem for the order (you are highly motivated to perform for their recognition and protect them from harm). In a way, their role on the battlefield is the Least masculinized aspect of their performance- they are in part there to remind men of their mothers, wives, and daughters, who they are supposed to be the protectors of and whose benefit they are ultimately (at least deemed to be) fighting for.

In some cases, this is taken to a (cultural relative) extreme wherein they will expose their breasts towards their own men as a part of battlefield performance, in the form of a supplicatory gesture (bearing the breasts and thumping on the chest with a fist). (The Odomache’s nude body should never be publicly seen under any circumstances, limited and controlled exposure by Odonii Can be appropriate). Breasts are not sexualized in this cultural sphere, but are not treated as neutral body parts either, instead having values of motherly nurturing and feminine vulnerability projected onto them. Odonii showing tits will be a DISTINCT reminder of the ‘vulnerable female’ elements that the men should be protecting, and can be highly motivating (especially in the context of a figure who is otherwise behaviorally ‘masculinized’, it’s jarring and can have useful emotional impact).

c) General spiritual leadership (in connection to a & b).

Weapons dances are an aspect of military training and the kagnoma odo dance is always performed prior to conventional battles, Odonii lead these dances. This has multifacted functions- it is believed to spiritually bless the troops, it is a means of practicing with weaponry/limbering up, it is a psychological rallying point and good for morale, and it may intimidate your enemy who can see it happening from a distance (by displaying readiness/eagerness to battle, good discipline, unity, and physical might). Odonii also perform personalized blessings of soldiers, weapons, and armor.

c) Filling gaps in the command structure or acting as commanders

Odonii are involved in strategic meetings, and ones who receive battlefield roles are very well studied in military tactics. As a matter of technicality, their commands to the body of Imperial Wardi troops do not override those of generals or other ranking soldiers (though they will often be deferred to regardless), but they can fill in gaps in the command structure in case of death of high ranking soldiers or if lines become scattered and communication breaks down.

Additionally, there are two elite warrior orders presided over by the Odonii priesthood (the rest answer directly to the Usoma's court appointed general), with senior Odonii as their commanders and the Odomache as their general. (This is one of many political tension points between the priesthood and monarchy, given that the Odonii have managed to get themselves about 200 high skill, firearm'ed warriors that are separate from the normal military structure, only as loyal to the Usoma as their current general is, and Very beloved among the public so you can't just like, outright kill or disarm this very obvious threat.)

d) A strategic flexing of eastern seaway honorable combat norms

Conventions of honorable warfare have broad commonalities across the eastern seaway peoples, one of which is that noncombatants (by default- women, girls, prepubsecent boys, unarmed elderly men) are not legitimate targets in the normal process of open war (but are fair game in contexts like sieges when a foe has refused to surrender on behalf of their population). Odonii being armed throws a wrinkle into this - they are still effectively ‘noncombatants’ by virtue of being women, but if they actually Engage in fighting they do present a threat that could be justifiably neutralized.

If they do not actually Use their arms they are not legitimate targets, and an enemy concerned with honorable combat will have to work around their presence (or risk social/retaliatory consequences if he does not). They are thus effectively human shields- at the very least introducing an additional layer of difficulties for an opponent to navigate, and sometimes actively putting their bodies between their men and their opponents.

e) as a factor of D, potential mediator figures.

When in conventional battles, Odonii on losing sides are usually expected to allow themselves to be captured without resistance. They stand a very high chance of being taken alive and remaining unharmed due to a combination of factors- baseline honorable warfare practices (which are ABSOLUTELY not always followed, but at least Influence behavior), fears of material consequences in retribution for harming the priestess, fears of spiritual consequences for harming a potentially powerful witch, knowledge that releasing an Odonii unscathed may give the captors a better negotiating position down the line, or knowledge that an Odonii is a very valuable hostage and can make for a good bargaining chip.

Because of this element, captured Odonii are expected to perform mediation roles, negotiate the release of hostages, carry messages from their captors, or bravely tolerate hostage conditions (ideally while gaining intelligence on their captors)

---

Odonii very, very rarely actually participate in combat (and are in fact not Supposed To in the vast majority of circumstances).

They are, however, fairly well equipped for it. Their perpetual armament is symbolic in nature, but its intended function of empowering their bodies and the state by proxy additionally requires them to know how to Use It. They are trained and regularly drill and engage in mock battles in each of their key weapons/defensive combinations (sword, sword and shield, spear, spear and shield, longgun, handgun) and are expected to be adept at their use. Odonii who attend battlefields, while not being directly engaged, are still in very high-stress and dangerous environments and will have to learn to stay calm and collected under duress. All this doesn't mean every Odonii would be a skilled warrior in an actual combat situation (given that most will have no experience fighting someone who is actually trying to Kill Them), but it does mean they have enough technical skill and mental fortitude to stand a decent chance.

The only times where they are SUPPOSED to actively engage is when a battle is deemed as an existential struggle and is being lost (in practice, the main context for this is a siege), or losing against a foe deemed so thoroughly depraved that they won’t even slightly follow wartime conventions. The idea in these situations is that they are most likely already doomed, and that they should die protecting their people in battle.

Wardi history is filled with stories of Odonii fighting and dying in desperate conflicts (particularly against Imperial Bur), but this is at least Partly historical revisionism (there WERE some women in proto-Odonii roles involved in these conflicts, but these retellings project the modern Odonii order onto its multiple progenitor practices).

Odonii are frequently present on battlefields, but there are only two major instances of modern era Odonii participating in battle as full combatants, both involving conflict with Finnerich

---

The fully modern incarnation of the order can be defined as starting in the late period of Burri occupation, in which multiple Wardi city-states and kingdoms allied against a common foe, and the separate progenitors of the Odonii tradition began to coelesce into a single practice. These alliances were mostly dropped after Burri withdrawal, and the immediate post-withdrawal period was a chaotic scrambling to politically stabilize and assert old territorial claims- thus most Wardi states resumed hostile or indifferent relations with one another. (The one exception is that Wardin and Ephennos remained allied, which shortly would become a Big Deal). Forms of early Odonii now existed throughout most of these states, just not united under a single banner.

The city of Godsmouth was blockaded and besieged by Finnerich during this period (taking advantage of its historical rival’s weakness in the political chaos of de-occupation and hoping to capture or at least maim the city), and some of these early Odonii were involved in this conflict and are known to have engaged.

Godsmouth was a rival to its neighboring states more than anything else- there was little reason for others to send aid in the conflict, and it was left to fend for itself. It was and is a heavily fortified city, and thus the siege lasted for months, with the strategy turning to starving the population out rather than the risky maneuver of throwing troops at well-defended gates to force entry. The Finn forces never managed to breach the inner walls, but were very successful at starving the city's population, raiding its farmlands and villages, and destroying its ports and capturing or burning its ships, all with minimal casualties on their side.

The strategy of the siege finally turned to a risky push to breach and capture the city (due to Finnerich’s own dwindling resources and logistical difficulties in restocking due to storms at sea, and news that an allied Wardin and Ephennos had, in an unprecedented move, been persuaded to send reinforcements (in return for Godsmouth's sworn fealty and absorption into their alliance)), and Finn forces succeeded in breaking through the outer walls. This developed into a very dramatic standoff in which the remaining warriors and/or civilians of Godsmouth attempted to fend off the attack long enough for reinforcements to arrive (which would take days by sea).

Odonii are very famously known to have fully engaged in this stretch of the conflict on the front lines, as it represented an existential threat to the city-state (it’s a fortified settlement, if it was captured, reinforcements would not matter). Some of the recountings are distinctly fanciful (describing Odonii and noblemen leading Siege Of Helms Deep style khaitback charges into masses of enemies, or SWEARING that one of them actually did turn into a lion and ripped apart a hundred Finns before she succumbed to her wounds). An At Least Partially True Story With Exaggerated Elements of the final days of the siege describes the Odonii priestess Hibrides Odiboe rallying a group of elderly men into battle by baring her breasts and scratching deep, bleeding wounds into her chest, declaring herself as 'your mothers, your wives, your daughters, and look how I bleed while you hide behind your walls and wait to die.' While accounts have fantastical elements, it is factual that Odonii priestesses fought and died defending the city's inner walls, notably filling command positions left vacant by slain or starved leaders and rallying citizens to the front lines.

The end of the siege was ultimately a pyrrhic victory for Godsmouth- the city was never actually taken but its population was starved and riddled with disease, its farmlands were burned, and its ports were destroyed. Finnerich forces retreated before reinforcements arrived after failing to break through the inner walls in time, but had succeeded in most objectives of severely wounding their historical enemy. It has been a source of collective trauma in Godsmouth since that point (it is now out of living memory, but vivid stories remain of seeing the dead eaten by dogs and the starving eating the dogs that ate the dead, watching family members succumb to disease and starvation, all while hearing the sounds of fighting draw closer and closer with no reason to believe that any help would ever come), but ultimately recontextualized as a victory, a turning point in the arc of modern history. (The Wardin-Ephennos-Godsmouth alliance, which formed in full as a result of this conflict, would become the triple state that conquered the rest of the region and formed Imperial Wardin).

The direct participation of Odonii in this conflict is heavily played up in the narrative as the order in its purest form as sovereignty incarnate, the priestesses bravely fighting for (what would turn out to be) the beginnings of the Imperial Wardi state. The 11 Odonii who died fighting in the siege have been bestowed sainthood and are memorialized in a series of guardian lion statue-shrines overlooking Godsmouth’s ports (in which their ashes and bones are stored).

---

The other instance of modern era Odonii engaging in conflict is significantly less romantic, occurring in the context of the Extremely failed second invasion of Finnerich.

During and after the rout that resulted in the Odomache's capture and killing, it became exceptionally clear to the Imperial Wardi forces that They Were Fucked. The conflict veered with REMARKABLE speed from being an attempt end the state's civil war between the Imperial Wardi-loyalist provincial puppet government and its rebelling northwest population, to a desperate struggle for Wardi forces to get out of Finnerich Alive. At this point it was assumed (fairly accurately) that any defeated party would be summarily executed, so most Odonii present ended up directly engaging in battle. Two are known to have died leading soldiers in a bid to retrieve the Odomache's body, others fought and/or died while defending the retreat.

A few Finn Odonii (women appointed as a local sect of the priesthood after the initial takeover) remained in the capital after the Wardi forces fucked off overseas, and were executed along with the rest of the installed loyalist government and priests (though it's unlikely that they were involved in any fighting, as the provincial government surrendered after the withdrawal).

Odonii veterans of the invading force have not fared well in the aftermath. Most of those who survived the ambush in which the Odomache was captured have ended up committing honorable suicide due to breaking vows in abandoning their leader in retreat, failing to retrieve her body, and/or being assaulted in capture. More have committed (ostensibly ritual, probably emotionally driven) suicide in the years that followed, with the knowledge that their leader's death and defilement and this severing of God's spirit has brought doom upon their land in the form of an unbroken drought and famine, and that they failed to prevent this. The priestess who was captured alive to witness the Odomache's death and released unharmed to report it was the first.

All this has opened some vacancies in the order's leadership, and given things a very somber tone. It is currently in debate as to whether the ones who died on Finn soil (particularly those who died attempting to retrieve their leader's body) should be canonized as saints or if it's a little too soon for all that.

[itachanta]

"Don't cry, Meryl".

One of my favorite scenes from Trigun Maximum

Scans & translation by @trigun-manga-overhaul

[m1stl3t03]

oh no the girls are fighting