#they only come to me in visions

[crimsonkenjii-writes]

Taking my brain out and beating it up bc it won’t think of anything creative to make

[couch-house]

little comic for disability pride month! HoH rouge is a headcanon i've had for a while but I never do anything with it... tragic... well now I've changed that :)

[mipexch]

comic about v2 and the goal they'll never fully reach alongside a dissatisfying conclusion. intimate rivalry and all (alternative ending comic. V1 dies instead of V2 during 4-4. V2 is narrating. V1 is dead.)

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[lotus-pear]

rewatched madoka magica again today bc i fucking hate myself and to absolutely no one’s surprise i went through all five stages of grief in a single evening

[jet-teeth]

A bit late, but I hope that those who celebrate Halloween had a good time! Have some goofy goobers

(I sure had fun, it's the first time I hadn't celebrated that one alone in...many years, I don't think I want to count LOL) It's been over a decade since I carved any pumpkins too, so that was fun to do again! Ofc I had to attempt a Creature hehe

[momowoah]

I could write an essay on Doctor Odyssey and how the fantastical aspect of the ship isn't due to it being the purgatory or a dream but rather linked to the metatextual plot of the show and how the Odyssey is meant to be an in-universe representation of what the show aims to be in our reality, a direct answer to the effects of the COVID pandemic on our world that aims to create an atmosphere of escapism in a medical environment to create hope and happiness while still acknowledging current events. The weekly themes, along with the very goal of the show, are the strongest indicator of a meta narrative, very clearly designed with the show's weekly nature in mind. They wouldn't work as well in a show designed for streaming. Captain Massey himself says the ship is carefully built to show itself as a heaven to its guests, explaining the unrealistic scenarios and vibe of the show, but by focusing on the emergencies that happen on board the show allows the viewers to explore the cracks in that illusion and creates a place in which both serious themes and mindless fun can be equally approached. We see that contrast in 1x06 when the screen cuts from a threesome straight to the suicidal hotline screen; the episode successfully indulges in the hedonism of the cruise ship established early on without detriment to its more serious storyline, which includes one of the best portrayals of panic attacks I've ever seen on tv. Although both concepts are more clearly separated throughout the episode, the cut-off from one to another at the end is jarring, reminding the viewer of how both concepts coexist both in the Odyssey and in real life. As silly as it might be at times, the show isn't mindless, but rather a well-executed reminder that there is light at the end of every tunnel, and that maybe that light comes in the form of a Ryan Murphy network tv show about a throuple solving medical emergencies on a cruise ship.

[sersfandomthings]

wanderer

(referenced from that one shot in the 3.3 interlude quest)

[puppetmaster13u]

Prompt 299

Hear me out- Ghosts have wings. They have wings, which are affected by their cores, and can make them disappear from sight if they want or need to. You got that? Good. 

Ecto-contaminated people? Don’t have wings. Liminals and Halfas, who have developed cores? Do have wings, and they can’t hide said wings, because unlike ghosts? Their bodies are physical living flesh. 

Now Gotham? Ecto-contaminated, there’s no doubt about it. The amount of portals that have been opened there and death pits and death cults… yeah it’d be surprising if it wasn’t. But again, no one really notices, because at most? Most just get a bit of eyeshine. 

The Bats however? Oh man are they freaking out when they wake up with aches in their back and feathers starting to poke through their skin. Curse? Nope! Welcome to Liminality, enjoy the second puberty of wings, emotion-sharing, fangs, claws, and whatever else you might develop- also enjoy the whole eating fear thing. (Wait, the what-)

[skunkes]

[idontmindifuforgetme]

Had a seismic moment today where I completely reframed my outlook on ambition & started looking at it (in the context of seeing it in other people) as admirable rather than opportunistic to a fault

[towards-toramunda]

Hey do you ever think about Orym being a self proclaimed romantic who is “super lonely all the time, especially at night” and how guilty he feels about wanting romantic connection because he still loves his husband, and sees Will’s face every night before going to bed, but he’s starting to realize his deeper attraction to Ashton as something real and realize his pining for Dorian as something he shouldn’t ignore, but he was supposed to be with Will and he’s come to terms with Will dying, but sometimes it hurts so much, and yes he wants romantic connection and he’s so lonely, but he still hasn’t gotten revenge for Will’s death, and he may die soon so why pursue anything if he’s gonna be with Will again in the afterlife, BUT he may die soon and why hold off on admitting how he feels when he knows that despite losing Will the time they had was real good and he wouldn’t trade it for anything, and what if he doesn’t die what if it all turns out okay and maybe he now really has a reason to want and hope for not just *the* future, but HIS future because that future could include Dorian or Ashton and is it bad to not want to be with Will sooner or is it better to want to live and be with someone who cares for him because thats what Will would want and he wants romantic connection and he is so lonely all the time, especially at night, and what if I started chewing the drywall huh?

[squiddlysq]

Finished System Collapse the other day & Murderbot has never been more relatable

First image based on this post by @murderbot-moodboard

[902186]

thinking about kurapika and chrollo and parallels and this circle of horrors where they are the victims AND the tools of their fates.

they both think they are neither or more like they don't care about it at all. they don't see themselves as victims, and they see absolutely no other way to live other than this role they took upon themselves. kurapika had such a strong sense of identity and what he wanted to do with his life and understands himself perfectly at all times. he was a part of his clan, but he was more an individual than anything else. kuroro, on the other hand, never knowing, never thinking what his motives are, deliberately not understanding himself and desperately holding on to the spider. he can't be an individual but with others, he can be the spider.

and for both of them, it all started on vengeance. kurapika abandoned himself in order to become a tool, a weapon, to avenge his clan, and to collect scarlet eyes. he stopped being himself and became his people. kuroro didn't know his family, didn't know where he actually came from, didn't know who he was or what he was supposed to be. so growing up in meteor city, he held on to his people strongly. and in order to avenge and protect his people, he would become a tool, a weapon, he would give himself to them. he started being himself as he became his people.

kuroro could be something for his people. and kurapika could be nothing for his people.

kurapika took on the role of judgement for vengeance. kuroro took on the role of villain for vengeance. kurapika acted his part by diminishing everything he was, and kuroro acted his part by filling up his identity with it.

but one thing stays clear and fixed with them throughout it all. they would do anything for their people. for whomever they consider their people. "he'll put his friends before his mission." a weakness kuroro sees in kurapika so quickly and so easily. but the same thing he considers a strength in himself. "i am not your top priority. it is the spider that must be kept alive." as long as his people are alive, his identity will live on. and as long as kurapika is alive, his people’s identity will live on.

"now you will get to experience the pain of losing your home." kuroro (and the spiders) killing the kurta clan set this parallel in motion for himself as the circle began for kurapika. and (speculatively) kurta clan hurting his people was what set the circle in motion for kuroro, too. now thinking about where they are in the story and how their end could be, it is very clear that they are finally ending up in a place where they mirror each other (as they have from the beginning) and they can recognise it in each other and themselves. kurapika ending up empty after his mission and kuroro ending up empty after losing spiders. both of them purposeless and with no self left outside of it. in a way, this is how the circle ends. "i can hear that he accepted death." they walk with death every day with no fear and full acceptance and after losing the only thing they live for, not even something they hold on to because they don't see a point in being alive outside of the fact that they must keep going for their people, for their purpose, and if not then there's no reason to exist, they are meaningless.

kuroro's vengeance left kurapika all alone, with everyone he knew dead, and feeling hollow at the end. by fate, he ended up all alone, with everyone he knew dead and feeling hollow at the end.

and at that point, they will have to start a new page and build a new self for themselves.

[nerdypowerdemandsefforts-blog]

i-

i had an idea-

now i really want to redraw scenes from the movie

god help me

[whispered-harmony]

oh to be a Billy Maximoff fan and NOT be an MCU!Wanda ass kisser...I mean apologist. 😞

It's hard.