#they literally have nothing on her

[redspacewriter]

you know those moments in reality tv, when production has nothing on a person so they exploit the little stuff. that’s fusebox with natasha.

[puppppppppy]

who is your favorite AA character? 👁️👁️

ziska… I hope capcom brings her back someday

[astralpenguin]

self care is writing a fic that you’re literally the sole target audience for

[tefmiles]

thinking of this

[genericpuff]

new genre of LO comedy unlocked: watch the LO wiki editors fight for their lives to justify entire articles for characters who only showed up once and then disappeared forever

"well, themis is pregnant so that must mean SOMEONE knocked her up, right??? put that in relationships, that counts"

"charon's abilities... ferryman... boat... he ferries a boat! therefore he must be very good at ferrying boats! write that down!"

"now hold on, let's not completely discount the idea of artemis' pet wolf having some kind of relationship with someone later on, i'm sure rachel will answer that soon"

[doctorsiren]

gives them hands so they can hold them and also wheatley is there too

[somepinkthing]

tim and damian are the exact same level of annoying-know-it-all.

Tim is definitely an 🤓umactually type BUT he can concede a point once proven wrong.

Damian is far less likely to 🤓👆 BUT he has a big ol' superiority complex and would rather start a physical fight than concede a point.

Together, they r a whole menace. The most annoying entity in your college class. Truly powerful stuff. They can clear a room just by holding a civil (well they think it's civil) conversation.

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[raining-its-pouring]

A little tired of people saying Moon can’t stand up for herself. Like yeah I think one of the flaws she has is she is too lenient and forgiving, but also in her situation it’s VERY HARD not to be. And it’s very situational, usually manifesting with Five Pebbles.

She stops talking to you if you annoy her enough, and only starts again if you win her back over. You have to put in the work. She isn’t “rolling over” and letting things happen to her, despite the fact that she is in absolutely no position to bargain. As stated by her, her kindness and her words are the ONLY thing she has. So her taking those away from you, the player, is absolutely her standing up for herself.

Everyone brings up how she handles Five Pebbles (esp the comms thing) and it is incredible to me just how many people lay this entirely at her feet when the game states over and over again that even despite Moon’s intentional feather-light influence over him, he still resents her for being his superior. He seeks out a mentor who is her opposite.

He wants to be something more than what he is, wants to be detached from her, and she can’t do anything about that but do the best she can to exert as little influence over him as possible.

She is stuck between a rock and a hard place here, and was betting on her kindness to have fostered enough mutual respect that she wouldn’t have to resort to forced communications. She was wrong. He was driven by fierce desperation, something that she wasn’t privy to. And she paid for it.

Yes, this is a flaw of hers. But it’s not a universal one. (the rest of the iterators look to her for help- she’s the group senior for gods sake- and people act like she can’t take a stand) I genuinely doubt Moon would’ve waited so long to used forced comms if it were happening to anyone else. If it were being committed by anyone else. And that just makes the tragedy even sweeter.

[idontmindifuforgetme]

I genuinely love not having a crush like I’m not over here feeling physically sick over some mid guy being dry to me I’m literally chilling

[tackykachowch]

How it feels to not like timebomb after s2

[ganondoodle]

did a little sketch yesterday that i really liked and tried to get it done today just so i got literally anything to post- but i fell into the trap of 'making sketches to elaborate and thus really stiff and non fun' (for me), ... soooooo .. im redoing the whole thing

but the idea was a mummy ganondorf for my (yes still existing) totk rewrite; i wanted to make him more scary looking and also emphasize just how horrid it must be to be kept in between life and death by having your heart grabbed by a cold and vengeful magical hand for thousands of years (in this case the ancient queen .. which i also tried to sketch despite not showing up aside from her dissolving hand)

the spell starting to fail and his body being more damaged in some parts (jaw being only the bones left for example) and his chest open from being slowly eaten up by the queens magic, the ribs contorting around it like its a gravitational pull- sounds cooler than it looks bc this sketch did not work out, so im saving the details for the .. hopefully, better version

[space-sheep08]

Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.

What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?

[unriding]

me n moze say good morning to the world !!! ᕙ( •̀ ᗜ •́ )ᕗ

art by @rabbbitseason of course <3

[fictionadventurer]

Maybe Jane Austen's real genius was that, unlike other authors at the time, she didn't have long sections where characters share their backstory. Or rather, when she did it, she set it up like a mystery so we'd want to know the backstory.

Instead of having a character be like, "Here's three chapters about my life," soon after showing up in the novel, she'd sprinkle little clues through the story that make us wonder, "What's Colonel Brandon's deal?" and then closer to the end of the story, Colonel Brandon would tell us what his deal was. We'd wonder "Why does Mr. Darcy do all those horrible things?" and then he'd give an explanation that includes a lot of backstory.

And these infodumps always come in response to significant moments of the story. She'd engage our minds and our emotions and then give us the infodump at a point when we care about the information it contains. Compared to some other authors (even some that came long after) it seems like a significant innovation.

[degenerateshinji]

aaand more freminet