#they got to me. the Narratives got to me

[peskyavs]

you could be my bodyguard

Zijian Wang / Jordan Jimenez / The Athletic (x, x, x, x) / Chappell Roan, “California” / Jenny Slate, “Little Weirds” / Pierre Haessik

baby’s first bball web weave lol. is there anything more tragic than a sports husbands divorce? 🥲

p.s don’t know where at least half of these pics are from but saw some of them on @freethrows @unmanageably @its-always-silly-season and @8jib’s blogs so thank u all for ur service 🫡🫡

[ampleappleamble]

haven't seen this on here yet so:

in case you don't want to slog through the shitscape that is the bird/letter website, take a peek beneath the cut (shamelessly copied from the something awful forums dungeon meshi thread)

- Her first memory of video games was watching her father playing Wizardry on Famicom, also Dragon Quest, Ultima, and Fire Emblem among others.

- She was a difficult child so her parents didn't let her play. Wizardry is a boring game to watch, but the monster illustrations on the walkthrough evoked her imagination and made her keep watching.

- She only started becoming a serious gamer after the serialization of Dungeon Meshi was locked, for research purposes. Before that, she read fantasy novels such as The Neverending Story (Michael Ende) and The Lord of the Rings (JRR Tolkien).

- The international title for Dungeon Meshi: Delicious in Dungeons was decided by her editor.

- D&D popped up a lot when she researched the history of video games, so she read the rule books, replay novels, and games inspired by D&D.

- One of the first games she studied was the Legend of Grimrock (game's 80% off on Steam atm). Originally, she wanted Dungeon Master (FTL Games) which was famous for "RPG with meals" but hunting down the game and machine was too much.

- She didn't like games other than turn-based RPGs at first, but she decided to stop being picky and play anything that piqued her interest.

- She played Zelda: BotW and TotK on a borrowed Switch from her editor due to the console's scarcity at the time.

- She enjoyed Red Dead Redemption 2 and God of War for their stories. RDR2's incredible attention to detail had Kui engrossed so much that she asked her editor and other mangaka to play it so she could discuss it with them.

- Kui praised The Witcher 3 localization as something only possible with full support from the developer. Cyberpunk 2077 is one of her all-time favorites.

- Papers, Please was her first taste of indie games.

- Disco Elysium is the perfect game for her due to the lack of fighting, intriguing story, charming character interaction, and top-down perspective. She tried playing it in English at first due to an unlikely chance for JP loc, but it was out of her ability. Thus she is forever grateful to Spike Chunsoft for localizing it.

- Kui played Baldur's Gate 3 from the time it was in Early Access. Again, she's grateful for Spike Chunsoft's JP loc. She hoped BG3's success would bring the possibility of JP loc for other titles too, such as Pathfinder: wotr

- She likes games with top-down perspective because they have narration text for monologues and scenery description. Even if the graphic is lacking, the texts show the atmosphere and each character's behavior and psyche. Also, characters that react to your choices.

- She praised Unpacking and House Flipper for being able to tell what kind of person lives there only through their belongings, and that there's no right or wrong for the placements; she would make the best arrangement and then enjoy her hard work while sipping tea.

- The biggest inspiration for Dungeon Meshi was the Cosmic Forge pen from Wizardry VI. With improved graphics from its predecessor, now it could show broken farming tools in the background and many more details that made exploration so much fun.

- At the time of the interview (Dec '23) she still hadn't watched DunMeshi anime, but she attended the recording sessions. She's embarrassed that the dialog she wrote now acted passionately by professionals. Marcille's screaming was wonderful but also made her want to flee.

- Kui was anxious about the CP2077 anime adaptation, but she was relieved it was the Night City she knows and loves.

- Other than minor adjustments, she left it to TRIGGER as to how to adapt

- She's happy that Mitsuda Yasunori was chosen as the anime composer, as she used to play Chrono Cross and rewatched the opening many times.

- Her anticipated games in 2024 are Cloudpunk, Nivalis, and Avowed.

- DunMeshi would be hard to adapt into a game because in the first place, what Kui depicted in the manga are parts that are omitted in games for the sake of brevity.

- If DunMeshi game was Wizardry-like, it'd be told through Laios' perspective and eating was essential not to die

[hypertechnica]

happy 9th undertale anniversary, everyone. :)

[crescentfool]

reunion 🌸

[qiinamii]

You gave Xiao your heart.

He thought it was a spar invite.

[Next]

[nova-rpv]

"i have a sister now! thank you, granpa! we are going to do so much stuff together!"

(trans masc newborn shado btw. tag as ship and ill kill you)

[maxanor]

#bobby praying for buck + eddie praying for bobby

[krazieka2]

Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)

[drenched-in-sunlight]

Yesterday for the first time I saw a post in a public forum that actually points out Marika has every reason to be so cold & distant towards Maliketh... thanks God.

The Two Fingers/ EIden Beast stood aside & let her entire family die, then when it successfully entrapped her in a literal divine prison it said “here we gave you a brother lol” like istg WHAT are you even saying. Her entire real family is already in a ditch !!! No prayers to the Gods help them! And now these Godlike beings are like take this random guy as your bro???

It’s confirmed in the base game Shadowbeast is like sleeper agent that the Two Fingers put there to monitor their Empyrean & off them if they try to rebel, no matter how earnest the Shadowbeast sounds. Ranni and Blaid literally grew up together & we still have to get rid of him at the end of her questline 💀 Marika was a young woman who had lost everything then forced to recognize some stranger as family. To her that must be some fucked up joke.

And get this, I do believe Maliketh and Blaidd care for Marika & Ranni genuinely, it’s a tragedy that they were born to bring “nothing but bale” to the person they love. Just like how Messmer, the beloved son in the Shadow, also became a curse to the person he loves the most in the end. That’s the doomed narrative they are trying to portray.

[utilitycaster]

The thing about Ashton saying "WHAT DO YOU WANT" is that I really do understand that they are coming from a place of great pain and a genuinely awful life (and the Arch Heart doesn't really give a good answer either, which is similarly frustrating) but we keep getting this answer throughout the campaign, if not for the Arch Heart at least for other deities, and it's that most simple and also frustrating of answers: consistent effort.

Why did FCG catch the eye of the Changebringer? consistent, repeated prayer, even if it wasn't perfect and could get kind of silly or even annoying to others. Orym is not a worshiper of the Wildmother, but he still repeatedly has reached out and tried to talk to her in good faith (pun unintended). And looking back at others from past campaigns, we learn of their ongoing service - in the cases of those who are introduced as already faithful, often from a young age (Pike, Caduceus, Jester though her deity is not one of the Prime/Betrayer pantheons). Both Vax and Fjord made considerable sacrifices of their own without promises from the gods first, in addition to smaller, regular moments of worship in the course of their stories.

I've never loved the line about there being no atheists in foxholes, because frankly I think it's unfair to atheists and paints them as selfish, fickle, and spineless when many atheists are none of those things. But I do think that a lot of the anti-god arguments fit into that sort of philosophy, that the gods are only to be paid attention to in the moment of great and desperate need and neglected otherwise, and we've seen the attendants of temples repeatedly say that isn't how it works; it takes time. The gods don't necessarily answer a single yell off the cliffs of Zephrah or a single visit, but they do see the repetition and respond to that.

I think everyone in the fandom, regardless of how they feel about the gods, understands there's not going to be a quick easy painless fix to this mess once Ludinus set it in motion, but I do think a lot of people expect there to be a lot of quick fixes to other things (in the story, in fandom, and in real life). And yeah, it does suck that Ashton, having a terrible time, might have had more luck had they prayed or gone to the same temple regularly for a while without necessarily seeing results...but it's also very real. You do have to take your stupid mental health walks regularly for a while (let alone your meds) before there's a payoff. you do still need to do the dishes while you're depressed or sick lest they pile up and make things worse. consistent effort that doesn't always have immediate satisfying results is extremely unglamorous and also it's how you have to do basically everything in life. Even in a time of crisis you need to avert the crisis and then get back to the slow and consistent work of fixing it and improving things in the aftermath.

[dcxdpdabbles]

If you had to pick one of your stories to redo, either a portion or change the whole direction, which one would it be?

Ohhhhh, this is a good thought-inducing question. Ironically, some of my work results from thinking, "You know what? This would be hilarious if I didn't stick to plan and went off the deep end," and creating a new AU. (How Danny's grill came to be. It was based on The Bakery is a front with the same idea of Tim being undercover at Danny's food-based business, but instead of looking for proof of lawbreaking, he's looking for evidence that Danny is not human, and the bats freaking out about it)

But I would pick Freelance Inventor just to make it all through the Justice League's POV of Batman and his mysterious lover. They talk in the break room around the water cooler about how the Robins all at one point mentioned "B's Not-Boyfriend" and wonder what that means.

The League would see the Gotham heroes casually threaten Batman by telling on him to "Not-Boyfriend" and watch the Batman actually become the "Let's not be too hasty." meme.

They watch as the crazy, controlling Batman shake his head and sigh when he notices that his calendar was changed by "Not-Boyfried" to force him to stop going up to the Watchtower for meetings and instead go to "Photograph Award show, "Zoo day with youngest" "Cook for the father that raised you, you lazy city dweller who lacks respect."

Flash screenshot of the last one because the previous day, it was marked as "Speedster training and combat counters". Flash needed proof for those who would miss the massacre about to happen. He thought that he would witness Batman drag the poor unfortunate soul to dare mess with his Calander app down to hell, and instead saw him googling British recipes because he needs to have a meal plan out now.

It wouldn't just be the Justice League- though it starts with them from founding day to well over a decade- but all hero communities would begin to hear about Not-Boyfriend.

At different times, the Robins would grumble about doing class work on the extended space trips because Not-Boyfriend would be disappointed in them. They don't care if they piss off Batman, but Not-Boyfriend's sad, letdown eyes would haunt the Robins.

These are the same people who would swing themselves at monsters who were sometimes actually gods of myth with nothing but spandex and spite.

The Teen Titans witness Robin leave with his Not-Boyfriend during the Big Fight, which eventually leads to him becoming Nightwing. They start treating Robin like a Divorce Kid. Batman is the bum dad in that situation.

The Outsiders witness Robin go from anger to a protective, gleeful Redhood when Not-Boyfriend calls to check up on him. They are all welcome to stay in Not-Boyfriend's houses—he owns many properties worldwide for his travels—and he becomes the remarkable, safe adult house. They just never speak to him face to face.

Young Justice's Robin has some serious self-esteem issues. They all sort of do as the ones the older heroes forget about. This is why when Robin shows up one day asking if they would do a random fashion blog to trick Not-Boyfriend, they jump at the chance to make a more solid identity besides the clone, the time traveler, and the daughter of Zues. Then Not-Boyfriend, whom they never met and shouldn't care about, starts sending gifts, and I'm so proud of you kids through Robin up until he becomes Red Robin, they realize he's the cooler dad.

SuperSons Robin will respect no one- not even Batman or Nightwing- as he does Not-Boyfriend. They can get him to listen and calm down after noticing his siblings using the "I'm telling Not-Boyfriend on you" trick that worked on his father.

The heroes know so much about Not-Boyfriend but know nothing. He's like Big-Foot. Everyone knows who Big-Foot legend is, but no one can prove Big-Foot.

Of course, over the seventeen years of Justice Leauge's founding, heroes would assume Not-Boyfriend was helping Batman raise his children and, for some reason, couldn't be married (The rise in heroes demanding equal marriage helped legalize same-sex marriage after a bitter sixteen-year fight).

They accept he's Batman's husband, who may be a civilian, a hero, or even a villain.

They accept that Batman and Not-Boyfriend may be divorced and share custody of the children.

They accept that Batman may not be over his partner and is still, to this day, trying to win him back.

They accept that Not-Boyfriend forgave Batman years ago and are back together.

They accept that there was never a split, and the two just argued that Young-Robins blew out of proportion.

The hero community literally accepts any theory if presented well and backed enough with suitable examples. At one point, it was a tradition of trying to decipher what was going on with Batman and Not-Boyfriend.

It's even wilder when Batman reveals himself as Bruce Wayne because he is known for not having any dates despite the number of people who have tried to fling themselves at him. He's notorious for putting a lid on his playboy tendencies- showing growth, and his new persona changed to Ditzy Dad of Gotham- back when he took in Dick Grayson, but now they know it's because he had Not-Boyfriend?

Then finding out Not-Boyfriend is Danny Fenton, the Willy Wonka-esque of the inventing world???????

This man who disappears from the public eye only shows up somewhere in a jungle with an invention that low-key solves the issue of contaminated water? This man, who freelances to anyone and everyone, things that come straight out of sci-fi without a blink?

The same man who people years ago accused Bruce Wayne of sleeping with, only to be told point black by Bruce, "I wish I was sleeping with him. Have you seen him?," and people thought he was joking on live TV?

They lose their minds.

[bloodiedstar]

The love was there. It didn't change anything. It didn't save anyone. But it still matters that the love was there.

Lyrics from I'm your man-Mitski

[brother-emperors]

--or perhaps,' continues Octavian. 'You're angry that I've outplayed you at your own game because you were too busy fucking in your old master's house to notice anything that was going on around you.'

He smiles suddenly, bright and wide. 'Enjoy the party, Marcus.'

this scene takes place sometime after philippi, and was originally just some historical fiction I was writing last year for fun focusing on antony, octavian, and agrippa. then I got stressed out watching the new season of a show, started drawing while it played, and ended up turning it into a short comic lmao

the dialogue in this scene is referencing this bit out of Suetonius:

In early youth he incurred the reproach of sundry shameless acts. Sextus Pompey taunted him with effeminacy; Mark Antony with having earned adoption by his uncle through unnatural relations; and Lucius, brother of Mark Antony, that after sacrificing his honour to Caesar he had given himself to Aulus Hirtius in Spain for three hundred thousand sesterces, and that he used to singe his legs with red-hot nutshells, to make the hair grow softer. What is more, one day when there were plays in the theatre, all the people took as directed against him and loudly applauded the following line, spoken on the stage and referring to a priest of the Mother of the Gods, as he beat his timbrel: "See'st how a wanton's finger sways the world?"

Suetonius Augustus 68

what a fun group of people!! they should all eat each other

[bacchuschucklefuck]

one thing I really really appreciate abt riz gukgak as a character is that he is un-self-aware to the max. he inhabits his body so completely. the arc that would usually be run as "I'm different and unable to connect with my friends in this way that everyone seems to be able to do and so something's wrong with me and I don't like myself" when it comes to riz is actually like no! I have literally no problems or praises for myself personally. I don't stand outside of my own self and judge it. it's phrased as "other people will eventually find someone more important to them than you" rather than centering it on his self-perception. he doesn't know why he doesn't have the best social life on earth even though he's not afraid at all to talk to other people. every time he sees himself in someone else's actions or behaviour he gets startled by it. his latest epilogue is realizing seemingly for the first time that he's not just an agent of causes but an actual character. he's my hero and I want to be him when I grow up

[mothtral]

to you, the rain had not stopped rising since geshu lin disappeared. most would tell you at this point, to try and move on. that you'd planted a flower--the first flower--in the field jiyan made, so didn't that mean you'd accepted it, at least a little bit?

you hadn't. you won't accept he's gone until some trace of him was found. his necklace, the one you made for him before he left you behind the first time to head for the front lines. scraps of the armor that covered his arm.

jiyan used to approach you, in the beginning. though well-versed enough in consoling people in grief to not push you until you were ready. jiyan never told you, but it wasn't hard to figure you weren't the only one who would see geshu lin whenever it rained.

(though, you have a feeling what he sees is a different geshu lin to yours.)

you weren't part of the midnight rangers, or work for the magistrate. you meeting geshu lin was by chance, or fate, as yangyang used to say. you were a small seller, taking up crafting jewelry or fashioning clothing from scraps of fabric and yarn. it was during a large market that the midnight rangers returned home to, years ago.

that was the night you met geshu lin. you didn't know who he was at first, apart from clearly being a member of the military. it was something geshu lin would tease you about, unaware that the big bad general was haunting your doorstep. he was heavily bandaged, with scars covering the slips of skin you could see.

you crafted him a set of earrings after urging him to choose the beads he liked best, and sent him on his way, refusing to take his money. you said it was thanks for protecting the city. the next day there was a welcoming ceremony, and you nearly fainted once you discovered just who you met the night before.

and somehow, it carried on from there. little meetings and small gifts between you two. one late night you showed geshu lin how you made your jewelry, and woke up the next day to him sliding a ring onto your finger, something he spent the entire night on. the crown jewel was from the original earrings you made him.

you hadn't taken it off. the only change was that you wear it on a chain now, scared it might slip off your finger when you weren't paying attention one day and it's lost forever. just like--

today was the anniversary of geshu lin disappearing, and no one has done anything. you knew popular opinion these days is that he got what he deserved, refusing to fall back. as if these people knew what the midnight rangers went through everyday, with the limited knowledge on retroact rain back then.

the celebrations today are for the other rangers that fell that day, and it planted a bitter root in your heart. you hid in your home that day, waiting until the flower field was deserted to visit. you won't pay your respects, as everyone else did. instead, you will sit with the flower you planted and watch the stars, something you did every time geshu lin came home.

(something else jiyan never said, biy you knew once a certain time hit, he would usher people away from the field to give you a moment alone. whatever you did to gain a friend like that, you'd never know.)

there's a watering can set to the side, and you take it to gently trickle water onto geshu lin's flower. you were about to start with your ramblings of the day, when soft footsteps crept toward you.

"come to finally join me?" you asked over your shoulder, assuming it was jiyan making his way to you.

"yes," an achingly familiar voice said, low and rough, like it hasn't been used in years, like it's been torn apart from screaming.

your head snaps up as your body twisted around, almost falling over into the grass. there, standing at the edge of the field, was the man that stole your heart and disappeared into the rain with it. but... something is wrong.

maybe it was the strange light in his eyes, or the heavy air that surrounded him like a second skin. his clothes traded from the standard black with accents to gain red and white, and his arm almost tucked behind him, like he was a child trying to hide the vase he broke. this was not the same man that left for battle and never returned. "i'm sorry it took so long for me to come home," geshu lin said. he took a step closer, and it was then that you saw what became of his arm. it had turned to blacken scales, glimmering in the starlight. purple glowed from the cracks, like his ability couldn't turn off. "i never meant to leave you alone. i'm home."

[emblazons]

forewarning: this is the longest "this is mike's arc and I'm tired of denying it" breakdown i've done in a min (it's def about gay mike bar none so. skip if you want)

I keep reading posts about "where Mike is with his feelings for Will" all across the dash now, and...while I get the idea of wanting a Mike as devastated by not hearing from Will as Will was because Mike's aware he has romantic feelings, *Arya Stark Voice* that's not him?

In the show, Mike Wheeler wears his heart on his sleeve. He is prone to emotionality and doesn't really track his feelings within himself the way Will does—is "less interior," for a lack of a better phrase, which both plays dramatically into how things are playing out with both El and Will and makes it (dare I say it) out of character to believe he's as "hurt by his own hope" as Will is when it comes to mutual feelings.

Let me see if I can explain.

First: I think it's important to keep in mind that, at least with Mike, you get someone who will subconsciously act on "inner truths" before he even realizes they're true about him—and someone who will behave according to whatever external reality deems "correct" until he realizes 1) its bullshit or 2) its not true for him personally. We see this season over season:

First with how he willfully breaks rank with authority (his parents, the police, even the community) first to find Will and then again breaks rank with even his friends to protect Eleven in season 1

Then in S2 when he throws "proper" behavior to the wind (which is even slightly acknowledged in Will's 'don't tell the others' / 'crazy together) to be there for + lowkey confess the depth of his feelings to Will (everyone say thank you shed scene)

Again (though slightly different) in S3, with how there's this bubbling thing being gay he doesn't realize has started to manifest itself—cue that comment the duffer's made forever ago about S3 being about "the monster of puberty," aka when people start to understand their own attractions—until the very end of the season with how he realizes he's not attracted to El

And finally in S4, when he consciouslly knows for a fact he's not into El and tries to hide it—quite poorly, because, as I said, he can only abide a "lie" when he doesn't realize it is one—but hasn't yet realized that the thing bubbling up inside him THIS season (that keeps slipping out without him realizing it) is his attraction to/romantic feelings for Will.

In Season 4 especially, its easy to track how this "I can lie...until I know it is one" affects Mike's romantic prospects; we see plainly that his lying about his feelings to El during the monologue was a failure because the power of Mike's whole character is rooted in the importance of him being true to himself and his heart. Season over season, we've seen that Mike has to be honest with people once he knows what he feels in order for his leadership to be effective—and by S4, he knows he doesn't love El romantically (+ has known for a HOT minute, aka since his little S3 post-kiss revelation)—which is why he tries to skirt around the issue with that "I care for you so much" rather than lie to El's face about his lack of romantic feelings.

Basically: once Mike consciously knows something is not right in either the world or inside himself, he has to act on it...or suffer the consequences of his lack of honesty. But then....what does that have to do with him not being the one "not trying to be in love" with Will?

Despite the fandom urge to deny it even in the wake of The Duffers and Finn Wolfhard themselves telling them it's true: Mike being oblivious to his own feelings, or at least consciously unaware, of his own romantic feelings for Will is a solid amount of what's driving his character's growth right now. Mike "friends don't lie" Wheeler has spent the entirety of this show trying to be as honest as possible with the people around him, and we've clearly seen as of S4 what happens when he isn't honest—the world (quite literally) falls apart.

When it comes to his romantic arc especially, it's important to remember this is true, because it means, through logical deduction, that Mike isn't hiding the fact that he has feelings for Will throughout season 4—he's hiding the fact that he's not in love with his girlfriend the way he's supposed to be, which both plays into the whole forced conforming through-line of the season and explains the crux of his narrative even as we are primarily shown that experience through Will's eyes—unreliable as they are. The thing leaking out of Mike without his knowledge is the fact that he likes boys—but the thing he's consciously hiding and lying about is the fact that he doesn't like girls the way he knows he's supposed to.

Now: does that mean he doesn't have a million subconscious responses to things regarding Will—one's rooted both in his attraction to men and his friendly/romantic/evolving feelings for him? Absolutely not. Half of what drives Mike's S4 narrative was built into his wordless/subconscious actions throughout S3, from the way we see him look disgusted with girls when they're mentioned, the way he take's El's hands off him when she tries to kiss him, and even the way he looks conflicted by her kiss at the very end of the season. Just because Mike is consciously unaware that something is happening to him doesn't mean the thing isn't happening—it just means that Mike himself is oblivious to it.

Even so: Mike being oblivious to the fact that he's attracted to men/in love with Will means he isn't consciously trying to keep himself away from Will—which is clear, if you pay attention to every moment before he gets guilted into remembering he has a GF by Argyle.

Basically, the crux of Mike's own experience with his problems is—

"I don't love El the way I'm supposed to, and it's going to cause problems if I can't do that for everyone I care for,"

not

"I am trying to hide my feelings for boys/Will and have to pretend they aren't there to be normal."

—which is a subtle but critical distinction in understanding both where he is by the end of S4 and where he's headed moving into S5.

Now: I get that it's more fun to imagine a Mike fighting his feelings for Will consciously throughout S4, but....that's Will's story and experience of his feelings, not Mike's. Mike is fighting with his lack of attraction to women more than his attraction to men/Will—which is also why you see it slip out so much despite the time/era/what he knows of what happens to gay men in Hawkins.

If Mike knew he loved Will/boys consciously, he'd be much more afraid of himself and Will than he is even as of the last shot of S4—but he's not, which is shockingly telling if you consider how he already knows what he doesn't feel for Eleven. Once he does know what he feels—his "a-ha" moment about liking Will, the same as his consciously realizing he didn't love El "like that" as of end of S3—it will be impossible for him not to address it in himself...and finally be honest/undo the damage of The Lie he told El (he loved her) during the monologue.

That's the (canonical) trajectory of Mike "The Heart" Wheeler—and why him being oblivious to his feelings for Will, not just "secretly longing without wanting to indulge hope he might have the boy he loves" the way Will is experiencing moving into S5. 🤷🏽‍♀️