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trans-leek-cookie · 22 days ago

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listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

#Mouthwashing spoilers #Rape ment #Suicide ment #SA ment #Yeah. Pronouns were kicking m fucking ass in this post. Names also bc I once called curly jimmy #if I write to much my brain stops cooperating with words #Idk. The way she brings up the locks in my mind sounds a little less like #Singular Incident and more. The lack of locks is a Very Important Boundary That's Missing #That feels like it often leads to the erosion of other important boundaries especially when someone abusive #Is specifically pushing those boundaries. Idk again. My take on it #And while Anya says ''i told you'' a part of me thinks she told him like. Y'know vaguely about the situation but probably didn't #Characterize it as assault (bc even if he didn't believe her I don't think he would ask ''who'' if he remembered her telling him #That his friend assaulted her) and was maybe not interpreting it as assault herself bc she was trying to rationalize it #Bc she's in a very isolated situation for over a year in a place where Two Whole Rooms Have Locks.#Realizing she was in the cockpit (has a lock) when Curly is assuming she's suicidal (or at least going to hurt herself)#And then she's in the medbay (has a lock) when she actually. Y'know #Idk I'm fully up to debate this. If someone has good reasoning why curly is actually worse than I think he is I'm all for it #I'm just trying to like. In the context of my beliefs understand the actions he takes and how they fit in within the timeframe #But legit watching a chronological playthrough helps A LOT bc like. Game is super impactful nonlinear #But like. That's not how the characters experienced it and it really fucks with the timeline of events intuitively #Anyway again. If u hate curly that's entirely understandable I just want to try and organize my thoughts while keeping #The timeline and my view of events relatively straight. Feel like there's sometimes a lil too much focus on how the men failed Anya #When we should focus on what Anya's needs and wants are. Which ofc from our POV characters are Hard bc. It's curly and jimmy #But still it's worth trying to understand her better than they do #Game that makes you think so much your brain becomes mouthwash

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invinciblerodent · 11 months ago

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Another case of the "I'm not done"-s seems to have possessed me, because the immortality and rebirth of elven souls and this fucking elf/vampire!elf romance I'm doing right now is kind of ruining me.

Because, well... look.

This shit is ripe for angst.

For so long, there is no real reason to think much about the passage of time. Death, it's but an abstract far in the future- a bridge to be burned when they get to it. It's easy enough to practically forget that mortality is a thing to account for: with both the endless stretch of centuries they have and her body as unchanging as his, that thought can be kicked further down the road for what feels like it might even be an indefinite amount of time. Their lives just inch along, endlessly, and twine together like the roots of an ancient forest, building around- and with one another. Friends come and go, live and die, and yet, every moment, every day, is permeated by the other's presence: even in their "sleep", they're reliving shared memories (there is scarcely another kind, by now) while holding one another.

Talking about which of their adventures they chose to remember in Reverie is one of his favorite parts of the night.

Until one evening, as she opens her eyes to greet both him and the nightfall with a smile, he catches... just the faintest opaque, silvery glint in her pupils. It's barely a flash, gone in an instant, as if it was merely a trick of the light, but the thought, like a pesky insect, begins buzzing in his head. It will not let him rest.

With this new thought gnawing at him, he can't not see that there's almost a... strange distance, to her now. Even with this hazy half-awareness, it would have slipped his note if he hadn't come to know her quite so intimately over the past half millenium, if he hadn't memorized her cadence and heard her every loving thought as if it was his own. But he's attuned to her: even as her fingers glide through his hair, and her lips speak her words of love like they have so many times before, the same words, they... ring slightly hollow, robotic, automatic in their sweetness now, and once the dreaded Sun begins inching over the horizon and he's forced back into the shadows once more, her kiss goodbye lingers just one second longer, she holds him just a touch tighter before she'd be out the door.

All day, he circles the darkened room like a trapped animal, mind flush with thoughts of robotic words, silver glints, and a creeping dread. Surely, it cannot be what he thinks. It cannot. It wasn't a half-moon, it's not the Transendence, it was merely a... a reflection off something, moonlight bouncing off a silvered picture frame, or the twinkle of a magelight lighting the street glancing through an improperly closed curtain, a... a stomach bug that she's toughing out and is too stubborn to say anything about, something. It cannot be what he thinks, fears that it was.

The day drags on, the hour he'd expect her back comes and then passes, and when she returns, it is closer to sundown than it normally would be. Usually when she must leave for the day, she tries to time her return so that they can rest together, and then emerge from their chambers at the exact moment of nightfall to maximize the amount of time shared, the time he can walk free with her on his arm, but today, she returns with darkness on her heels, and bittersweet sorrow marring her face.

"Arael, we need to talk," she says, and the beloved endearment in their shared native tongue, 'heart' and 'hearth', 'center' and 'lover' in a single word, turns to acid in his ears. Instantly, he knows what she's going to say.

"How long have you known." It's not a question in tone, only phrasing- the hiss of his own voice feels alien in his throat. "When were you planning on telling me."

"It's been... a few days."

A few days. A few days, she's been...! He can't bring himself to think the word 'dying'. He can't. His knees give way under the weight of her words, and he crumples onto the nearest chair.

"You.... should have told me right away." He wants so dearly to be furious. His hands itch to rip, to tear, to destroy everything, his tongue aches to spit bile that'd make her feel exactly the pain he does in this moment... Gods, it was so easy to grow complacent and start believing in forever, to stop counting the hours, the days, the years, and still, it's her godsdamned near-forgotten mortality that's come knocking-- now, that his life is inexorably intertwined with hers, that she's been the other half of his soul for long enough to see the birth and death of friends and enemies, the rise and fall of monarchs, nations. And yet, her life's thread is soon to be clipped, while his must stretch on, infinite.

He buries his face in itching palms and swallows the bile to make room for the flood of grief. "I could have prevented this," he whispers now, "We could have had the chance, at forever... forever, if I could have turned you, if only I had-- if I--"

A soft hand on his shoulder stills him now. "Arael," she repeats, and traces a line to his chin, gently urging him to look at her. "I could not have dreamed of a more blissful, blessed life, than the one I shared with you. But--"

"Don't say it!" She winces as he snaps, and his hand is now grasping her wrist, insistent, hard enough to almost hurt, as he presses her palm against his cheek. "Don't, it's not over yet-- she may be calling, but you don't have to answer, you can stay--"

"I can't, my love."

"But--!"

"Arvandor is calling my soul, Astarion. The Gate is open. Sehanine has shown me; I must answer."

"But not yet, there's still time, you--!"

Her thumb gliding feather-light over his lips cuts off his desperate shout. "I have time enough to get my affairs in order," she says, her voice barely above a whisper, "but I can delay it no longer than maybe another tenday. For now, please... simply be with me."

That night, they make love. Tender, aching love that leaves them both tearful in one another's arms- his whole body shakes, racked with heavy sobs as he buries his face in her chest, as if that way he could melt into her, to keep her here, keep her safe, keep her for himself, or... or follow her, anchor his soul to hers, stow away and smuggle himself into the afterlife that rejected him, so they can be reborn together, find one another again, have another six hundred years, and another, and another...

Hopeless. A fool's desperation, no more. There's no tricking the Seldarine: he had rejected rebirth in favor of this wretched, eternal half-life the moment Cazador's fangs sunk into his flesh so long ago now, and his soul was rent from Arvandor. There's no changing that now, no fighting it, and no putting it off longer either. So he kisses her through the sobs once more, makes love to her once more, and drinks deep from her once more, willing his tongue to carve this memory of her taste, her essence, her love as deep into his mind as it may.

She takes the promised tenday to get her affairs in order, and to set up all that may only be done during sunlit hours: she organizes herself a nighttime funeral, arranges for her assets to be dealt with as she may, and makes sure to hold him tight, to mourn with him as if she herself wasn't the one dying. And each night, she speaks sweet, reassuring nonsense of the permanence of memory, of rebirth, and the aching, heartrending beauty of gentle endings.

And once no more minutiae is left to handle, there is no more delaying the inevitable.

She is laid to rest in a modest ceremony, in a small circle of trusted friends, under the light of a waning moon.

He mourns, bitter and alone, for years- barely leaving his chambers out of necessity, flitting through the nights as a ghost not entirely unlike the one he was so long ago, until one evening he wakes to find the pain... bearable. There will quite possibly never not be a wound on his soul now, but even the deepest wounds, they scar over: there's new, tender flesh, pink and gnarled, stretching over the void of her absence now. And life, it continues as it does, relentless.

Decades pass. The new flesh, it toughens, thickens, until it can scarcely be seen, unless you know where to look for it: the loss now lives only in the absent-minded seeking of her warmth in his cold slumber, in the automatic gesture of taking two wine glasses from the cabinet only to set one back down; it lives behind the locked door of her untouched workshop and in the slip of parchment left between the yellowed pages of the book she had never finished reading.

Until one evening, shortly after nightfall, there is a knock, hard and insistent, on the door.

His body redies itself for a fight, as if a hunter might be so bold as to announce their arrival- but curiosity, it's too hard to resist, and he scarcely makes an effort.

It's... an elf. But not any elf- a woman, younger, taller, and fuller in figure than she was, and her hair, it's a tightly curled warm chestnut rather than her blood-red waves, but it's unmistakable: her features, they are exactly the same. The same fire amber eyes, the same freckles dotting her cheekbones, even the same raised mark at the edge of her jaw that sits there like an insect had folded its wings and chosen to make its home on her skin. And the stranger speaks, with her voice, before he could find his own.

"So you do live!" she says, equal parts disbelieving and relieved, "Or, well, something like that. I could tell that you were a vampire, from the-" she gestures vaguely to his face, "-fangs and all, but I still wasn't sure I'd ever actually find you."

There's... a prickle of understanding. It's her, but... not quite. Her soul. Her, but born anew. And she returned in a way, to reminisce, to meet him once more- and his mouth opens, but the words, wary and elated and tender at the same time, get lost on their way to his lips.

It's an imperfect replica of her laugh that leaves the woman's mouth. "Gods, don't gape at me like a beached carp like that! I've been seeing nothing but your damn face in my trance for decades now; I was looking for you, hoping you could answer some questions I have." The familiar stranger flashes her mischievous smile. "Can I come in? I feel we have a lot to talk about."

There is no love in this. But, there's nevertheless something... bolstering, in the unique opportunity he can present to the new owner of her soul: the opportunity to get to know, truly know, who she once was. Halting and strange as it may be, they do talk quite a long time, and when she leaves, it's with gratitude, and a short, awkward, one-armed hug that she bids her farewell.

And time stretches, infinite yet again.

As long as he may live, her soul, it continues seeking his across however many lifetimes, until one day, the strange elf finds the door in their hazy memories hanging off its hinges, and the home, collapsed and empty, maybe for decades now.

Occasionally, it is still said that in each generation, there may very well be an elf born whose soul feels an irresistible need to make a curious, solitary pilgrimage to the ruins of a city once known as Baldur's Gate, and hope against hope to find a pale man with red eyes wandering the empty streets.

And maybe, a woman who had once lived there so many centuries ago was right: there's an aching, heartrending kind of beauty in that.

#squirrel plays bg3 #squirrel writes #astarion #astarion x tav #baldur's gate 3 #look it's the closest thing to actual fic that I've written in like 6 years #there needs to be a Cool Internet Slang Abbreviation for 'head in my hands'#i've decided right this second that i'm going to make it happen and just use 'himh'#himh take this away from me #i feel a weird urge to add just one or two more words because this is 2022 words it seems #but even though it's def not perfect i kinda don't want ot keep touching it #ANYWAY have quick and dirty and hastily written angsty fluff sometime far far far into the future

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