#they do say less is more

[haven-flare]

No hate to the person critiquing the wuwa designs as I understand where they are coming from. But I will say calling you white knighting wuwa seems like TO ME that they didn't like how you gave them you counterargument about how the characters have a story to tell them. And that you need details to tell a person story.

To me designs don't have to be overdetailed to tell a story it can be something simple. I'll take the person who used the KH and Nier Automata example (just a heads up this is morr about KH. Im not familiarwith Nier)

KH hearts designs are simple but tell you what you need to know. First glance at Sora we know he a kid who has a big heart with warm a bright color tones with a a simple and clean (lol song joke) keyblade design. When we look at the standard Heartless they dark with piercing yellow eyes with a big head. This tells me there is wrong and evil about them. Hell even the main villains all wear long black robes with a zipper but it tells me they are a mysterious organization.

Same thing with Final Fantasy 7. Tifa has has the most recognizable design in the game yet her design is not overly detailed. She just wearing a black and white crop top with suspenders and skirt that can one can recreate. Yet her most notable thing she wears is her red and black gauntlets. This tells me she is a fighter who perfers up close and personal. Sephiroth can always be seen wearing his iconic black leather boob window outfit with his pauldron. We see him wielding a sword and that tell me he knows how to wield it. As well as seeing him smiling or having a serious face telling me that he scheming and is someone to be taken seriously.

These designs can tell me their story and doesn't overly rely on every small thing or scream out "hey this is very super important character that sticks out like a sore thumb in this scene so you know they are very super important"

Agreed, again, I think I mentioned something like this before? It's all about the art style they are going for, and acting like one is better just because it has more visible detail is kind of, hm, missing the point.

There's nothing wrong with enjoying more detailed clothing and designs, at all. But to say other designs are bad because of it's lack of complexity just isn't right.

Also, since you didn't mention anything about NieR, I might as well talk about it. I really like the clothing in NieR Automata, it's usually only two to three colors that make the outfit, with the main character's being only black and white, with some small golden accents on 9S.

NieR, and well, Drakengard too, have designs that are pretty simple, and then give them more accessories if it fits with the character, and even then, I'm kind of in the fence for that, since the changes aren't that big.

I guess the most complex characters would be some of the Intoners from Drakengard 3? And probably most of the cast from NieR Replicant/Gestalt. I could honestly see the Intoners and their Disciples being gacha characters, specially Dito (Drakengard 3) who looks likes a stereotypical young gacha character, or Cent, every other disciple doesn't really fit with the beauty standards of gacha, unless it's one of those DnD like AFK games.

Actually, they were, weren't they? In the SINoALICE collab with NieR, and Drakengard 3. And a bunch of other games have collaborated with them too, including Punishing Gray Raven. Drakengard never got anything but SINoALICE, which is sad...

[langernameohnebedeutung]

ngl, I'm beginning to take issue with how in conversations about anti-intellectualism almost automatically, the face of girls and women will be slapped on the problem.

[obsob]

love is stored in the parallel play

[theoldkyokodied]

Aaaaand more very quick stream doodles. This one shot was so fun to watch, it’s so sad that it had to end already. But oh well, let’s not dwell on that and let’s enjoy the good time we had, like disguised tiefling gale being both Karlachs and astarions type, wyll and gale having a spa day, bing bong in general (rip king, you will be missed), and of course the 8 strength fight for magic items <3 thanks to the cast for the chaos, I enjoyed it thoroughly

[hinamie]

yeah sorry theyre tragic in this au too

jjk atla!au with @philosophiums

[gammija]

tiefling jon's first day at the Archives

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[wandixx]

Danny, the Young Justice member snippet nr 3 GIW made a lot of mistakes and the biggest one was going against Young Justice part 1

As you can see by the title (I need better ideas, you're all welcome to share yours), this is kinda part of "Danny, the Youg Justice member" but as something I have more of actual idea about. So while I encourage people adding their stuff to other snippets, please let this one be. I will be adding to it. It's even partially written :D

unrelated snippet nr 1, unrelated snippet nr 2

"Hey guys" Danny greeted clearly winded, phasing through the wall. Whole Team turned towards him, some giving him a side eye “Sorry I’m late” 

“You’re good, my dude” Wally answered, patting him on the back as soon as halfa landed, turning into his human form. They gave him a moment to catch his breath(just how fast he tried to fly there?) before grabbing their bags. Dick jumped and threw himself over the speedster's and halfa’s shoulders.

“Happy Harbour, we’re coming!” he yelled.

He fixed his grip when he caught Danny’s quick wince under the pressure as they left the headquarters. Judging by look on his face, Kaldur caught it too.

“So what’s on the agenda?”

“There is an amusement park in city, so we’re going to enjoy our free time there” M’gann explained with excited smile “I can’t wait to see it, I heard it’s fun”

Artemis nodded with a grin.

“I bet I can win more plushies than all of you. No powers,” she demanded after a moment, slamming her hand n a random tree for better dramatic effect.

“Stakes?” he asked, competitive like always. While blonde shared her idea of ‘no locker room duties for a month’, Danny explained all the questions M’gann asked about what even bet was and what stakes meant. Dick was sure she knew the answers to all of them but he didn’t say anything. He was trained well enough to catch Conner listening intently, despite his clear effort to hide it.

It turned into a whole Team competition.

It was going to be an aster.

***

M’gann was having a blast. Everyone already had two to four plushies, stomach full of unhealthy food and manageable nausea from the roller coaster. Wally and Danny were throwing popcorn to each other's mouths, Robin challenged Conner and Artemis to the next game. It really was fun just like she was told!

It was much less fun when literal blast shot a few feets away from them. Ground where it hit was burned. Halfa squealed, projecting a strong wave of distress. Without second thought he threw his hood on and changed his posture, frantically looking for a hiding spot.

Few children started crying, their families scrambling to get away before attackers started shooting again and hurt them. Workers, already used to working in less than ideal circumstances, quickly, but without panic warranted by recognised villains or outright invasion, shut down reinforced blinds and probably walked out to inform someone. At least they didn’t have to worry about potential civilian casualties. 

“Do you know who they are?” M’gann asked, quickly establishing the Mindlink.

“Don’t worry about it” he answered, putting on crazy big sunglasses that Wally won some time before.

“My dude, we just got shot at. We have every right to worry”

“Calm down, Wally. I got shot at, you’re just close by. I’ll handle it” With a ruffle of his hair and a piece of popcorn thrown in his mouth,he turned around, just moment after the next blast almost caught his arm. He plastered a smile on his face.

“Hey, I’ve seen guns like these in laser tag! But I’ve never found them cheap enough to get without selling my kidney!” he yelled enthusiastically.

When the rest of them turned around, M’gann saw ten people in sunglasses and pristine white, holding guns straight from the mad scientist’s lab. THey stood still, projecting surprise bordering on shock. She could also feel hunter's happiness underneath it, intense enough that she considered breaking the ‘don’t mess with people’s brains’ rule. As a treat.

“Don’t worry guys, they won’t harm you. Act like you  don’t believe you’re in danger. Like they're a bunch of LARPers or something” It was easier said than done, especially when Danny, who nearly always underestimated the danger, was so terrified. 

“Who are they?!”

“Wally throw me a bit of popcorn, please” Halfa asked, ignoring Artemis almost yelling in their minds. In turn, he was ignored by the speedster. Three of the men turned to check something on weird sort of scanner. Danny's false smile went from cheerful to embarrassed. 

“Dang me and my poor communication skills” he said, loud enough for men to hear but not enough to sound like he was talking to them, before asking louder “I meant to ask, where have you brought it and how much does it cost?”

This seemed to actually shake men out of their shock. They got furious.

“You won't trick us this time, ghost scum” one of the guys with a scanner snarled. Danny pursed his lips in childish gesture of displeasure.

“Rude much” he muttered as if he wasn’t shining with terror like a lighthouse. Robin perked up as if something got him curious.

“Wait, ghost? What do–”

“What are you cosplaying?” Artemis blurted out. Men got visibly angry but Danny smirked.

“Don't antagonize them,” Kaldur commended. 

“If shit goes south I'll get you out of there, half a second flat” Wally offered.

“Thanks dude. Good job Artemis, they hate to be treated like a joke they are” halfa praised but out loud asking:

“Ghostbusters? No, they had different uniforms. But who else got a thing for ghosts?”

“Quit joking around, we caught you Phantom! You ran far from Amity Park but-”

“Who is Phantom?” Robin interrupted rudely (they deserved to be rude to them).

“Where is Amity Park, Utah? Cali?”  Conner asked, adding fuel to the fire of chaos with barely contained glee. He liked messing with anyone even slightly resembling Kadmus staff and these guys marked almost all of the boxes.

“Illinois” provided chubby man who looked and felt like he didn't want to be there almost as much as they teens did. Danny relaxed slightly.

“Agent W you have no clearance to share this information“

“You were in Illinois and didn't tell me, Tommy?” M’gann finally spoke, jokingly punching his arm.

“I wasn't, I swear! I've never set a foot outside of this state in my life!”

“Quit messing around, you freak!!!” the guy, with the biggest ego and probably the leader, screamed.

“Can I please mess their heads up?”  M’gann asked, pushing hope through Mindlink as hard as she could.

“Again, rude. What did I even do to deserve that?”

“Like you–”

“Operative K, I think they really don't know anything “ Agent W, the nicest out of the batch, interrupted “Maybe it left some ectoplasm on this boy to throw us off?”

“They called you it, Danny” Conner seethed, looking like only Kaldur’s hand on his shoulder was stopping him from punching all of them straight to the sun. M’gann was already reaching for their minds.

“We need to run a scan to be sure. Come here boy”

“Now, who are you?!” Robin got defensive, sliding to shield Danny from asiliants. Conner and Artemis joined him, so clearly furious that M’gann almost retreated from Mindlink. She wasn’t any calmer, it just felt overwhelming to be backed up by five other people.

“It’s classified”

Kaldur took a photo with an obnoxiously loud sound effect. Wally appeared right behind Danny, ready to evacuate him. Artemis barely kept herself from tackling the nearest ‘agent’ to the ground.

“What are you doing, boy?” Operative K splurted, absolutely flabbergasted.

“Calling the police”

“Why?”

“Robin, throw some laws, please”

“Oh, that’s easy,” the boy jumped in gleefully “You assaulted our friend and refused to state why you would have credentials to do so or even who are you. You carry modified weaponry openly in public and I doubt you have a permit, carelessly use it  against minors, endangering innocent bystanders while we’re at it. You disturb public peace. I think that’s enough to get you arrested. Wait you know what, call ‘Supervillain emergency hotline’ instead, this is serious attack”

“Right ahead of you, already calling them”

It wasn’t that big of a problem even if someone tried to qualify this as spam. Young Justice Team was first to respond to all threats in Happy Harbour anyway.

Danny let out a low ‘uuuu’ with a smirk. Someone powered up a gun. Wally slightly raised halfa of the ground, ready to bolt.

“It’s okay young man,” the nice agent started, raising his hands in a placating gesture “We’re searching for a dangerous supernatural entity and may have overreacted. In our defense, Phantom is known to be tricky and we wouldn’t be surprised if it used human disguise to hide from us. Your friend gives off the same type of energy like what we use to track it so we assumed they’re the same. We’re sorry”

“Agent W you don’t have clearance to disclose that to-”

“Operative K, after the last few incidents we have to be more throughout before jumping to assumptions. Agent Gamma wouldn’t be pleased if your temper caused the next scandal,” Agent W look at them again, with a forced ‘warm’ smile “We’re really sorry for bothering you. We have reasons to believe Phantom is somewhere around but don’t worry about it, we will be on the lookout. If you see it, please contact us and we will take care of it” M’gann grabbed the ‘WANTED’ poster from man’s outstretched hand. She barely restrained herself from doing something irresponsible, like turning every man in white into a brainless vegetable.

“Later M'gann”

“But Robin…” she whined before sending a small laugh so they knew she wasn’t serious. She knew that Conner and Danny were anxious about this use of her powers.

Agent’s left and everyone relaxed. Wally put Danny back down and leaned back, jokingly rolling back his arms as if he got tired. Halfa stopped with a loud thump to sit on the ground. He was paler than usual.

Artemis shouted, alarmed.

“That was way too close” he started, aiming for a cheerful tone but missing by a mile “I’m fine, just need a moment to cool down. Sorry for that, guys. I thought I lost them over Ohio”

“That’s fine, personally I don’t care, we knew better than to expect a whole day without something going wrong, but who were they?” Wally asked, already back to eating popcorn.

Danny sighed, so deeply M’gann felt it in her bones even though she didn’t try to read him.

“I think this is the talk we should have in the Mountain”

[tevintersnakes]

Lab tech brain compels me to ramble through my OC

[thottybrucewayne]

I think what I want to get into with the "Anyone can do harm." thing that I keep beating yall over the head with is that literally anyone, anyone at all can do harm it's not "in your DNA" to be an abuser or written in the stars that you'll be a predator. Whatever image you have of an abuser in your head, drop it and replace it with your favorite person in the world and you'll probably be closer to the truth than you realize. It's easy to address harm when it's coming from someone you already hate. I see it happen all the time. Someone you couldn't stand for no real reason does something heinous then all of a sudden here comes the avalanche of "I always knew they were a fucked up individual." No, you didn't. There is no possible way you could have known, you just already didn't fuck with them before they started doing something you could use to justify your hatred of them. I'm guilty of it too! I'm petty, mean, vindictive, and yes! I'm way quicker to believe something bad about someone I hate versus someone I love because I'm human. Still, y all gotta learn to move past that initial "Well, they were always nice to me!" gut feeling and understand that nobody truly knows anyone and anyone can be capable of anything. Even victims. Even you.

[ruporas]

thinking about wolfwood (ID in alt text)

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[ladystoneboobs]

imo one of the biggest proofs of sansa's character growth post-agot (which seems to be overlooked) is this, where grrm makes sure we know how her perspective of the trident incident has indeed shifted. why else even say this? it's not what the tyrells wanted to know, they asked about joff's treatment of her in particular, and "he lied about the butcher's boy" means nothing without context (and even if she said the lannisters used that lie to justify killing mycah, i doubt olenna, at least, would care). but for sansa atp, joffrey's sins against mycah are worth remembering and reporting as his first crime (known to her), that incident is now recognized as evidence of joff's montrosity, the wrongs committed against mycah by joffrey personally (as in not even his death) are on par with sansa losing her wolf and being beaten by the kg. sure, she still has some classism remaining, but to say she cares nothing for the smallfolk, and is still the same girl disgusted by mycah's smellyness, who later repeated joffrey's lie about him weeks after the fact and blamed arya for lady's death more than joffrey, that's just demonstrably untrue.

[lazylittledragon]

isn't it weird how if you get up at 7 or 8, do your work all day, then have free time and go to bed at 11 that's absolutely fine

but if i said i get up at 10, do fun stuff in the morning then work in the evening and go to bed late, i could be called lazy, nevermind that i'm getting just as much or MORE work done as i would in a traditional work day

[dredgesnails]

stardew valley au where joel and skizz are new residents to pelican town (hermit town?). joel just inherited a large farm from his late grandfather and skizz is moving in with his old friend after reconnecting with him and wanting a fresh start. and the townspeople are like, kinda weird.

bdubs is fine enough - he’s a sweet man with a fun personality and he’s the local builder, but it’s almost frightening how fast he constructs new buildings when joel needs them. pearl, their resident postmaster, is also pretty normal other than the fact that skizz never seems to be awake early enough to catch her delivering mail. scar is lovely but he’s never available when joel wants another chicken. the mayor, xisuma, is pleasant too, if a little eccentric at times, but he doesn’t really seem to do much in town.

for the most part, skizz is settling in well. he’s moved in with impulse, who runs the local blacksmith in town, and he gets along well with most of the local townspeople. he’s started spending his evenings at the local saloon listening to ren regale the patrons with fantastical tales while he and stress serve up food and drinks, and he finds himself growing close with cleo, the local sculptor. he even gets a new wardrobe from hypno free of charge, and sometimes helps cub out with his totally scientific studies and creations.

skizz also joins forces with beef (who helps to supply the local general store that xb and keralis run) in terrorising the local manager of the corporate chain grocery store that no one likes. doc is a terrible manager but would make a fun supervillain (according to joe hills, the bookseller who appears once in a blue moon but seems to know doc more than anyone in town).

joel, on the other hand, seems to only be interacting with the strangest residents in town. he discovers the adventurer’s guild after only a couple weeks, and is only somewhat irritated by iskall’s refusal to pronounce his name correctly. false promises to give him prizes if he can kill enough monsters, which is not something joel had expected to be doing when he pictured farm life, but here he is. he stumbles upon a travelling cart one day, and the man inside insists he’s a knight from a faraway land, that he risked his life to make it all the way here to sell his wares. it’s all stuff joel can get cheaper elsewhere.

he’s pretty sure the local doctor has no real medical training, but then he passes out while fighting monsters and he wakes up completely fine, so zedaph probably knows what he’s doing. maybe. when joel isn’t passing out he sometimes makes trips to the library-slash-museum, which is probably almost completely empty because mumbo, who begs joel for anything to display, looks like he’s never fought a duggie in his life. eventually mumbo gives joel a key to the sewers, which are way cooler than they have any right to be, and that’s where he finds jevin’s secret sewer shop. jevin lives in town. he just also has a shop hidden underground. joel has stopped asking questions by now.

and then there are the three who live by the beach. etho spends most of his time tinkering around the fishing hut or hovering around bdubs, but sometimes he drives the bus to the desert. only sometimes. there might be something under his mask. no one knows for sure. gem runs the fish shop most days and she claims she’s a sailor, but joel has never seen a single working boat around despite all the ocean. she can also hold her breath underwater for an uncannily long amount of time, like, scarily so, and will sometimes disappear for a few days and return with an abundance of treasures. joel has never seen her leave by boat. grian fishes a lot and runs the shop when gem can’t, and he sometimes talks as though the sea can speak to him. skizz has caught him staring into space for extended periods of time. one time he waded into the water and just stood there, head down, muttering to himself.

apparently there used to be a lighthouse but “it’s gone now”. gem says if they ask bdubs nicely enough maybe they can build another one, but she and grian are banned from build requests after the last incident with their pet snails (joel has never seen the snails, but scar complains about them enough to convince him they’re real).

there also might be some kind of wizard who lives in the creepy tower in the woods. skizz has heard he’s the one who helps maintain the power in the valley, and joel’s convinced he hallucinated seeing him once until he recieves a letter from the wizard himself, and visits him only to find that the strange fire-creature he saw that one time was, in fact, tango, who is human for the most part, he just sets himself on fire sometimes.

[edwinisms]

you know. I think the reasons it feels so literally narratively wrong when people refer to charles as being straight (such as in interviews where his love life comes up and so on) are that A) he’s never deemed outright straight in the show, so it’s just an assumption that he must be straight by default (which is silly in a show like this), and B) what he says following edwin’s confession. I know I’m biased, but even when I try to look at it as neutrally as possible, the way he reacts in general and the specific words he uses just don’t sound right when you imagine them being said by a Totally Definitely Straight guy.

first of all if you actually listen to it instead of absorbing the scene superficially it’s not particularly a rejection at all, and the actors have stated that themselves– it’s not him saying no, it’s him saying “I can’t give you an answer right now, but I will eventually”. that’s not an interpretation, that’s literally just the truth of what he said (and again, the actors agree). can you imagine a straight guy saying that, or possibly even more damning, “we have literally forever to figure out the rest [“the rest” meaning anything that goes beyond the kind of love charles already solidly has for him]”.

imagine you’re a straight man who’s unwaveringly confident in his orientation and your gay best friend confesses his feelings for you. you would not respond with the implication there is a “the rest” to figure out. since the main, obvious obstacle would be your solid lack of attraction to men, that’d probably be essential to your response– it wouldn’t be a “I can’t say–“ it’d be a “I can’t be–“. and on top of all that, I feel like the whole thing would have to sound far more apologetic– “I’m sorry, I love you and that’ll never change, but I just can’t love you the way that you love me.” something like that, right?

tldr: this is a rare instance in television where assuming a character is straight by default makes Less sense than the alternative. and charles’ choice of words in the confession overtly suggest that he is, at the very least, unsure of his orientation.