#they did this for the gays (it's me i'm the gay)
Explore tagged Tumblr posts
Text
OKAY SERIOUSLY JAYCE AND VIKTORS'S RELATIONSHIP IS MESSING ME TF UP
also spoilers for all the newest arcane episodes. you have been warned.
AT FIRST I THOUGHT THEY WERE GONNA BE GAYS AND WAS DISAPPOINTED BUT NOOOO.
now I understand. but like. why tf did jayce just fucking kill viktor??? like I'm crying. I cannot wait for Saturday. expect more arcane rants.
Okay but guys, the scene where Jayce and Vik hug and Viktor looks like THIS
This is NOT longing, not afffection --- this is resignation. This is a realization and immediate acceptance of "oh, this isnt important to me anymore. He cares so much and I did, too, in some far away past, but I dont reciprocate this anymore."
His return of the hug is indulgence, because its the appropriate thing to do, but it is not with any warmth. His priorities are forever altered. He cant even feel Jayce's warmth when he hugs him.
This is removed PITY.
10K notes
·
View notes
Text
I could make a serious Wicked review and talk about the vocals and the choreography and the costumes and the sets, which are all great, but this is tumblr, and I know that all of these aspects will not matter nearly as much as me reviewing the movie by how much gay subtext they put into it, so that's exactly what I'm gonna do.
Elphaba and Glinda are either holding hands or have their arms linked for about 70% of this movie. Literally, after they officially become friends these girls are attached at the hip.
'What Is This Feeling?' remains about as gay as it usually is, but I will highlight that they lie awake at night thinking about each other which. I know what you are etc etc
The scene where they dance together is. I have no words. That was beautiful. Both actresses put so much emotion into the sequence. And there's a moment where Glinda puts her hand on Elphaba's face, almost like she's brushing away the tears there, and that shit made me cry as well.
'Popular' is insanely homosexual. There's a scene where they're laying down on the bed looking into each other's eyes, and Glinda shifts to basically be on top of Elphaba. My jaw was on the floor. Just lots of touching and Looks all throughout.
When they go to see the Wizard all that casual touching I mentioned previously is multiplied by tenfold, and there are several moments where Elphaba looks at Glinda for reassurance, which was very sweet.
'Defying Gravity' made me just as emotional as I knew it would. I do wish they had hugged but honestly with all the handholding and the staring into each other's eyes, and Glinda wrapping the cloak around Elphaba, they gave us plenty. Once again the acting caught me by surprise (specially from Ariana), both of them communicate so much with just looks.
Anyway my overall thoughts are, these bitches gay, good for them. They did not tone down the subtext at all (like I know some people were worried would happen), and while they didn't make anything explicit either (which I never expected them to*), I'm confident that both Cynthia and Ariana understood the assignment in regards to the kind of relationship Glinda and Elphaba have in canon, and that was enough for me.
*I will admit that a secret corner of my little lesbian heart hoped beyond hope that they would include the scene from the book where Elphaba canonically kisses Glinda (iirc it's supposed to be during Defying Gravity), but like, I always knew they wouldn't.
#wicked#wicked 2024#wicked movie#gelphie#elphaba x glinda#elphaba thropp#glinda upland#galinda upland#ariana grande#cynthia erivo#lesbian#queer#wlw#lgbt#wicked spoilers#wicked movie spoilers
318 notes
·
View notes
Text
regarding the post reading "if zun did it you can too: make all of your characters women" and the tag "i'm doing this but in the opposite direction bc im transmasc and gay"
i love transmascs. shoutout all transmascs. they all deserve so much love n safety. heres an opinion i posted once, for context.
"why are you doing all this disclaiming io?" because before i turned off rbs on that post, people were saying stupid shit like "making your characters transmasc and gay is boring" which i cant abide. literally if ur trans and gay and ur making characters to explore & celebrate that, im supporting u so much. so if youre gonna say some shit disparaging that on here i dont respect your opinion; that said, this post is to address the other half of the arguing that went on on that zun post: "actually commenter was fine i dont get the big deal"
(i recognize that im preaching to the choir here, the target audience REALLY is the CHOIR'S followers not mine but hey)
my post was one that i made advocating for something which was IN THE MINORITY. which is a story with only women. there are many MORE stories with characters that are only men. so the question one must ask before leaving a tag or replying: what REASON do you think i, op, had to post a post like that?
what factors were influencing the post? what media environment led to the posts creation? what do u think the reason is that the post had such a clearly defined call to action? im doing some critical reading question shit to you right now. do you think me being transfem and lesbian have anything to do with it? im gonna show you these numbers
so if you have come to a conclusion about why i probably made the post, and what my post was meant to say, and you extrapolate, what does leaving a comment that says "im doing this but with men" IMPLY wrt those factors? what effect does it have? theyre UNINTENTIONAL effects, this commenter had no ill intent and was just trying to relate their own experiences. but nothing exists in a vacuum and one MUST consider the purpose of a post before leaving ANY kind of comment.
i guess thats all. i just want people to understand why myself and others were peeved by an innocent comment like that yknow. just consider what your comment implies in relation to what it was posted on
#this is a cohost post ass post#this also is probably useless to post and ive probably stumbled over my words but we ball#hi chat i love u#a511ff
138 notes
·
View notes
Note
Mr. Potato I've been obsessed with your style for the last year, and when I saw you did TMA fanart I was over the moon, I love it so much and I kept coming back to your blog to look at it
AND THEN you kept drawing these sad looking guys, soo I was convinced to listen to malevolent and HOLY FUCK it's great thank you for that, but I've been ITCHING for Oscar to come up bc, WHERE'S THE HOT PRIEST
Anyway, I finally got to that episode and when I tell you I JUMPED OFF MY SEAT "OSCAR??!!" I'm soooo soo excited to see how he and Arthur/John interact, but you've given me so much expectations, if it's not gay enough I'm gonna be sad 😤
I hope nothing tragic happens to him :)
Oh my brother in Christ I will be preparing your funeral
74 notes
·
View notes
Text
yes, thank you! i love pjo! it informed much of who i am today! i named myself after a greek god! and if you, like me, are a Rick Riordan Fan™, then i am holding your hand and telling you this very gently: rick riordan has a racism problem, and no, it did not stop in the early 2000s.
i think he's well-meaning, don't get me wrong! but pick up any one of his books and you will find at least one painful ethnic stereotype character.
just off the top of my head, in no particular order: medusa, annabeth's stepmom, beckendorf, piper, leo, hazel and her mom (jesus fucking christ), that brazilian kid in trials of apollo (which ran from 2016-2020), naming two children of hermes "feingold" and "markowitz" (and btw these are the first jewish people, and 2/3 of the total jewish characters in the whole series. this was also in ToA), thomas jefferson jr (seriously what WAS that???), and sooooooo much of the kane chronicles.
and yes, the "western civilization" thing is straight-up fascist. that is a fascist idea. it's an idea that's frankly endemic to the US, and people are understandably deeply uncomfortable with the notion that fascist ideas could possibly be endemic to the culture in which they grew up. but we cannot allow this discomfort to obscure the truth.
honestly it kind of makes sense for the greek and roman gods to follow empires around like the minions, in a way. in a different series, it would be interesting to explore the gods' relationship to imperialism, wealth, and unjust hierarchy. hashtag luke was right etc etc. but we've got to acknowledge that that's not the series we got.
he's course corrected some of this stuff over time, mercifully. I'm glad he chose to co-author nico & will's book with a gay author. i love that he uses his clout to platform mythological fantasy works by authors of color. the tv series has shown just how much his work can be improved by the introduction of new perspectives. i just wish he had made the effort to get it right the first time.
endnote 1: also, like, are we really cool with him throwing around the word "half-blood" so casually? are we actually ok with that?
endnote 2: don't even get me started on the fatphobia
Didn't want to leave a whole rant in the tags of that post but... the level of "the curtains are just blue"-ism among people who like Percy Jackson is really astounding (even compared to other fandom people).
Like, the books straight up tell you to your face "The Greek gods now live in the USA because the USA is currently the epicenter of Western Civilization, which in this universe is a real metaphysical force of literally divine origin which sets western european cultures (especially whichever *imperialist* western european culture happens to have the most powerful empire at the moment) apart from the rest of the world as the specialest, most cultured, most divinely favored people in the world" like they literally just SAY that
What you call ‘Western civilization.’ Do you think it’s just an abstract concept? No, it’s a living force. A collective consciousness that has burned bright for thousands of years. The gods are part of it. You might even say they are the source of it, or at least, they are tied so tightly to it that they couldn’t possibly fade, not unless all of Western civilization were obliterated. The fire started in Greece. Then, as you well know—or as I hope you know, since you passed my course—the heart of the fire moved to Rome, and so did the gods. Oh, different names, perhaps—Jupiter for Zeus, Venus for Aphrodite, and so on—but the same forces, the same gods.” “And then they died.” “Died? No. Did the West die? The gods simply moved, to Germany, to France, to Spain, for a while. Wherever the flame was brightest, the gods were there. They spent several centuries in England. [...] And yes, Percy, of course they are now in your United States. [...] Like it or not—and believe me, plenty of people weren’t very fond of Rome, either—America is now the heart of the flame. It is the great power of the West. And so Olympus is here.
And if you dare mention anywhere that this whole worldbuilding element *might* have some fashy undertones they all look at you like you have three heads and act like you're looking way too deep into a silly children's book bending over backwards to find anything to feel offended about when like. It's literally right there in the book it isn't even subtext it's literally just text.
#op I'm so sorry for the wall of info you probably already know#but I've been meaning to talk about this for a while actually lol
2K notes
·
View notes
Text
Constant Companions Closeup #9: OBJECT OF AFFECTION
(also on spotify!)
O, wayward soul, I beg of thee an ear; Companionship, a Constant of desire, is all too fleeting. Would thee quell this fire? My love, do you know what you want to hear?
Welcome back to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was some gay shit (Liaison) and today is some more gay shit (Object of Affection)
---
I'm usually pretty good about letting go of the things I make and letting them live imperfectly, but there is exactly one released song of mine that I've ever been actively unhappy with the final product of, that I haven't been able to let go of my displeasure with.
Honor Majesty, off of Autumn Every Day.
It's not that it's a bad song, or that it didn't have good ideas! In fact, I genuinely think it shares more with the music I make now than a lot of my older work does. Rather, it was incredibly rushed and full of uninspired choices I made for the sake of completing the song rather than making it the best version of itself, and it ultimately ended up falling incredibly flat relative to what I wanted it to be!
I really like the intersection of synthpop/electropop and fantasy. One of my favorite musicians ever is Baths, whose album Romaplasm is chock full of this exact thematic and sonic intersection, and it's so deeply inspiring to me that it still gets put on whenever I want to dream things up. I've always wanted to make things like that! Bubbly and fantastical, brimming with a sense of magic so pervasive it makes even the mundane seem mystic.
...Also I'm just a fantasy dork okay. I like wizards and shit. Sue me
I've been wanting to make a grandiose and fantastical story song for years, and my single attempt to do so felt like it missed the mark entirely. I did touch on fantasy a couple times on Bittersweet, but ultimately, when I started working on this album, I knew exactly what I wanted to take a second crack at.
---
The intended story in question here is fairly vague, but to sum it up as literally as possible:
A rebellious, disobedient, gender-questioning prince has mildly inconvenienced "his" royal lineage one too many times. Their solution is to invoke magicks widely regarded as heretical - what's a fantasy monarchy without some hypocrisy - to seal their "son's" soul within an automaton body, rendering "him" a perfect, subservient doll.
This doll is promptly spirited away under cover of darkness by a mage, and is granted free will once again. She experiences the crushing weight of newfound self-awareness and nearly spirals out of control, before realizing the mage who saved her is the same - a doll. It turns out being a magical-mechanical construct has its perks if you are TRANSGENDER. then they overthrow the monarchy and fuck nasty or whatever idk this is where the story gives way to things like "metaphor"
this is a song about artifice and being transgender
Seriously, though, I know that being an electronic-music-producing transgender lesbian with a thing about dolls or robots or whatever is a major endless-store-shelves-of-identical-buzz-lightyear-action-figures moment on my part, but dammit, I own a copy of Logic Pro and a genuine leather wizard hat, I inject estrogen into my stomach fat every Wednesday, and I think ball joints are cute. I'm posting this on Tumblr, for gods sake, I am unconcerned as an active choice
---
With the exception of Liaison, the entirety of Constant Companions utilizes only three unique vocal synth characters - ANRI, Gumi, and Teto. This trifecta was born organically from simply being the vocal synths I enjoy using the most, and in this song, I wanted to use all three of them almost like one single singer, freely shifting intonation based on the context. I messed with this idea before on Ballroom, my voice meshing and melting into Gumi V3's voice, but it felt especially appropriate for this context; Plus, I feel like there aren't a lot of examples of vocal synths being used/recontextualized in this way, and that's a shame in my opinion!!
I really want to do more story-driven songwriting like this in the future as well. Now that I'm a bonafide VocaloP I've been floating the idea of doing a song series with this trio... I'm mostly just worried I'll want to get too ambitious with it.
Off the top of my head, Object of Affection references at least eight other songs of mine - Honor Majesty is an obvious one, but it also directly samples parts of Autumn Every Day, and lyrically references genuinely just a bunch of things. I'm probably forgetting some, even!
I know I'm the Leitmotif Lover, but it's a lot even by my standards. However, this song's entire existence already served to satisfy a fairly self-indulgent desire, and these days, I don't deal in half measures. I think the final product serves as a lovely little look back at where I've come from, though, and perhaps even a little glimpse into the future!
That all being said, Object of Affection in some sense is also a love letter to a beloved part of my creative process - the voice memo. A lot of the audio I've provided with these posts have been recordings off my phone for good reason! Not only are the chops at the beginning of the song entirely comprised of edited recordings I got on my phone, but the sample at the very end happens to be from a particularly legendary recording, never before heard by the public...
Until now. I present to you an excerpt from "the worst beat on planet earth", featuring none other than unit.0.
That's about it for today!! If you have any questions, I'll gladly answer them below, but otherwise, I'll be back here tomorrow to talk about this album's title track laid askew - My Darling, My Companion!
#music#jamie paige#Bandcamp#constant companions#behind da scenes#im not good at writing iambic pentameter
72 notes
·
View notes
Text
To be honest I am torn because I never quite got the purpose of gender segregated change rooms if people can be gay, instead of just like, teaching people context appropriate behaviour, like it always reeked of "genitals inherently make someone dangerous" and I didn't have language to express why that seemed off to me until this whole trans panic bullshit... And I really don't care very much if people see me naked...
What I do care about is their behaviour about it. Like I'm comfortable stripping in front of anyone who wouldn't make it weird, or in any context where it isn't weird, like stripping down to underwear at a beach [sun allergy aside] or being in a hospital gown, or what have you. But unfortunately I have the kind of body people are going to be fucking weird about in public and especially semi-private contexts. So if it wasn't inappropriate to other people, I'd almost be more comfortable changing in public than in any change room, or in any private space around people I don't know all that well.
I grew up with siblings who would comment on my body enough that I learned to change clothes without actually being naked at any point, and change rooms at school did not actually help that any. People have always been too interested in what my body is doing and that discomfort stays with you. Maybe partners or friends never helped it by consistently treating my nudity as inherently sexual.
But like, general discomfort with people asides, you could more easily pay me to walk around half naked in a mall than convince me to use any gender of change room or strip in front of friends. I don't care what people see so much as I care about being left alone about it. No one will take nudity or semi nudity as an excuse to touch you without permission in front of tens or hundreds of strangers, they might in private. Gender/sex means nothing to me.
For the purposes of this question, assume the other people are fine with it.
–
We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
2K notes
·
View notes
Text
Unpopular Opinion 911 - et all
I'm a bisexual woman and I've known that I'm bisexual since I was 11 years old. I legitimately am attracted to both men and women.
I've been watching 911 since 2 months after season 1 ended in 2018. I got into the show for Bathena and have loved them ever since.
I keep seeing people complaining on the official show pages about how Athena abuses her authority as a cop, and while they're not wrong, they're also blowing things way out of proportion. I'm pretty sure the people saying that have never watched the NBC show Chicago PD, because if you compare what Athena's done, to what Voight on Chicago PD has done, you'd know that the stuff she's done has been pretty tame. On Chicago PD: 1. Voight has locked people up in a cage and literally tortured them for information.
2. He has killed people for revenge. He killed the guy who killed his son, Justin. He killed the guy or people who killed Al. There are probably even more occurrences than that, but these are the one's that mainly come to mind for me.
3. He literally threatened Matt Casey, Hallie Thomas, and Gabby Dawson, when his dumbass son, Justin, was on drugs and caused an accident which paralyzed someone, because they could report Justin to other police who would've actually locked Justin's stupid ass up. I get that Voight was trying to protect his kid, but that doesn't make this shit okay. Also, it's weird as hell that Antonio worked with Voight for 6 years. How the hell did Antonio not kill Voight for threatening his sister's life? That's garbage.
4. He literally stole money and drugs from criminals.
5. He has threatened his detective's lives on more than one occasion, and not in some way to make sure they are more careful and protect themselves, but as a legit threat.
Returning to my 911 thoughts.
Oliver Stark has claimed that he's been playing Buck as bisexual the entire time. No, he has not. He just wants the clicks and attention from pretending that this has been happening all along. Buck has had no interest in men until season 7 and the BuckTommy storyline happened.
The episode of Lone Star that's the crossover, doesn't prove Buck is bi. He wasn't flirting with TK, it was a misunderstanding on TK's part. Buck is literally confused when TK says that he's with someone, as he wasn't flirting with TK, he was only inviting TK to come to LA as a friend to hang out. Buck says on the show that he's checked out hot guy's asses before. He hasn't done that in canon. It's one of many things that they claim is canon, but isn't because it happened off screen. He has literally been obsessed with women from the first time we see him, until Tommy returns in season 7.
Buck can't even say that he's bisexual on the show. He hasn't done any research, when he used to research everything. He hasn't spoken to people like Hen, Karen, or even Josh in depth about his feelings for men. There was one scene, right before the relationship ended, where he talked to Josh, which didn't even amount to anything and was just a waste of time since they made Tommy OOC and broke up with Buck. Hell, he (Buck) didn't even know after 6 months that Tommy was gay and not any other identity.
All this to say, 911, TM, OS, they don't genuinely give a shit about Buck, his supposed bisexuality, Tommy, or even the other main characters on the show. From one episode to the next, they have them say one thing and then retcon it right after. The whole Buck is bi thing was a hoax. They just wanted to attract the gay and bisexual crowd back to the show since Henren and Josh haven't been getting that much screentime, and Buck and OS are like the golden child of the show. People think he's an idiot, but that he's a sweet idiot, who can do no wrong. As I stated above, I started watching 911 before season 2 even aired. I don't like the way the show is handling their characters and storylines and I'm finally getting tired of the shitty writing. I love Bathena, I love Henren, I love Madney, I loved BuckTommy. However, if Tommy is thrown aside like yesterday's trash and Buck moves on, only to fuck a bunch of women and/or men with the excuse of exploring his sexuality, I will be checking out and dropping the show.
I like Buck's character, but he's not the reason I watch the show. He's also not enough to keep me watching. Henren are constantly being threatened to have their kids taken away. Bathena is constantly put in crazy life or death situations that end in some super unrealistic way: Kid landing a plane, remember? Madney don't have anything interesting going on. Literally, all they have going on, is that they're having another kid. Eddie has spent years obsessed with his dead wife, Josh hasn't had much of a plot in years, since the only boyfriend he's had on the show was some homophobic jackass who lied and said he was gay, so that he could beat Josh up.
May is gone, Harry is gone, Sue is gone, Carla is gone, Chris is gone. All the side characters that helped make the show a little interesting, is gone. The found family dynamic is lacking or entirely absent this season. Also, making the point to show Tommy sad and longing for a family, only for him to end up sad and alone, doesn't make me want to keep watching this show.
I think I'm finished bitching for now. I know that my thoughts are all over the place, but I've kept my mouth shut on how I feel about OS and Buck's bisexuality, this whole time, but now I'm finally going to fully speak up.
As always, I know many or even most people aren't going to agree with me and that's fine. This is just my feelings and opinion on the show.
56 notes
·
View notes
Note
Now that you mentioned it in the tags; I really enjoyed how you did the queerness of characters in-text and I saw you mentioned more than once before how they consider/call themselves gay or anything and I was wondering if you'd be willing to elaborate on that (in Ironwall, MVF etc), but more from a writing standpoint than a worldbuilding one. Hope Im making sense lol
i looked up the invention of the word 'homosexuality' and found that it was invented 6 years after stbh is set
ghksjdg i mean there's more to it than that but it meant that my language was constrained, which also means that the characters' language is constrained as well. i have to think about ways i want this to come across to the reader. at the time i was thinking about how the basic concept of "btw this character is not straight/cis" is communicated in some of the stories i'd read, and one that stood out to me was a comic i read in a fully fantasy setting where the writer brought the narrative to a juddering halt to explain exactly how gender & sexuality are handled by the people here. as in the characters essentially turn to the camera and give the main character a lecture. i really didn't like it, the author's hand was too visible behind the panels.
but i took it as a learning exercise as well on what i didn't want to do. i didn't like the neon signs pointing at any instance of non-heteronormativity and i also don't like stories that market themselves based on the characters' gender identities, particularly stories which do not involve a coming-of-age/character learns to discover themselves narrative. it's a book about two trans men but it's not a book about being trans. that's none of the reader's business, that's hidden from you (particularly in islin's case, intentionally). i never wanted to foster a sense of voyeurism towards trans people particularly knowing that most readers, statistically, will not be trans. crucially the characters are stealth to literally everybody but like 3 people. their transition is done.
i never wanted a coming out moment, or an "i'm here i'm queer" moment either - not even because Society in the setting just because i don't like those things. to completely normalise it in the narrative between these characters is the goal - almost to the point of never even pointing it out at all except when it has to be. the vibe i wanted was like... hanging out in not necessarily a gay space, but with gay people, talking about random other stuff. i didn't even like the One coming out scene i had to put in (senca being like "i only fuck women" to bowman so that he would stop hitting on her)
so when writing i had a pretty good idea of what i didn't want. for the setting i had some strict rules to follow as well. characters would not identify as gay or bisexual or even some fantasy equivalent because those were not identities, they were acts. and heterosexuality wasn't an identity either, it wasn't even "the natural way of things", it was the means by which wealth could transfer between generations. if you do not marry, then you are not conforming to your gender. the four unmarriagable men in mvf are all denied entry to normative manhood for many de-gendering factors (disability, unmanly hobbies, vow of chastity, etc) but the culmination of those factors is that they can't marry, which is the whole POINT of being a man. three of them are entirely denied generational wealth - forcing them into poverty (it's not a coincidence that gay people are overrepresented in the criminal organisation)
from a writing standpoint this leaves them in a grey zone. when writing i tried out different language to see if it read nice to me (19th century equivalents to 'boyfriend' etc) and they all rang quite false, because outside of the whole 'can we put a label on something that doesn't officially exist in society' thing, the characters themselves are not the types of people to think that way. Bowman was dating Léa but he was never dating Félix. you can't date another man. the only people who date men are women, and Bowman is not a woman. therefore he is not dating Félix. to give just one example. ultimately for the language used i found that just leaving it as-is worked the best for me.
so after working all that out i wrote tha thing and then wanted to kind of explore - at what point does it become romantic? is there an actual border between romantic and platonic when you've kind of already fallen between the cracks in society into the grey zone where nothing is defined because it doesn't affirm the power of the ruling class. and in these particular friendships, where they've already been all things to one another, they've already done everything together, good or bad, does adding 'romantic love' to that list of things wildly recontextualise it retroactively or does anything change at all? just like the ending reveal of stbh says: who actually is the guy we've been thinking of as 'félix ortega' ? does it recontextualise everything we've just read? no, right? (or does it?)
the usual 'will-they-won't-they' romance plot isn't a factor in the book, we already know they will, they have, they won't, and they refuse to, all at once.
(jean-baptiste thinks of himself as an invert because he is Learned and has read some fascinating journal articles about cutting-edge sexology, and his relation to his sexuality is very very different. it's not something he shares with his closest friends in spaces without scrutiny; his entire life is scrutinised and his social system is predicated on marriage. like i think i said in the book, probably, i don't remember: he and renard are two guys clinging to the same life raft. they hate each other! but if you push the other guy off the life raft, then you're just one guy alone at sea, forever.)
#straining at the leash to avoid The Author Is On Twitter syndrome and i'm sorry. today i wasn't strong enough to resist#sorry this is so annoying and incoherent
53 notes
·
View notes
Text
Agatha All Along deep dive: episode 4 part 1
(Wandavision entries: [1][2][3])
(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2])
It's episode 4 If I Can't Reach You / Let My Song Teach You, time for two of my favorite things: glam rock and homosexuals. which are basically the same thing if you think about it.
she's like damn, billy, that was ruthless. honestly this is going to make her care about billy even more, not only he's powerful, not only he reminds her of nicky. now he's a murderer too?? perfect son is perfect. I love how she's studying sharon's body with her detective Agnes face, her mind is going a million miles a minute
her third-wall-break winks destroy me. and that poor hairdo. all gone expect for the giant turd on top.
alice being truly and genuinely sorry about sharon. lilia and jen being gossiping hags
agatha honey you're so dainty and feminine, look at you. and that's an interesting and not at all painful tree shape you picked. (I would have never noticed any of this without brightening the scene, it's outrageous. everyone involved in this show is amazing except the lighting department. shame on you lighting department)
whatever alice does openly and sincerely, agatha does secretly or as a joke. parallels, parallels
jen is like, can you believe this bitch
without being asked, alice goes to help digging the grave
that is the idiot I fell in love with and I'm way past regretting my choices at this point!! I know how rio feels now
"coven two" is one of those lines that make you laugh on first view and shred your heart in a million tiny pieces at every following rewatch. this show HAS to be watched at least twice, don't ever trust reviews or complaints by ppl who didn't, because they missed at least half of what makes it great.
a clown running from the tragic truth that her son wrote the Ballad, making sad clown noises all over the Road
when alice is called to referee as the Resident Ballad Expert and agatha looks at her expectantly hands in pockets, somehow extremely obnoxious, extremely gay and extremely sad at the same time
alice is SO above bickering. jen is being a baby because she's mad at agatha, lilia is being a baby cause she's grumpy and a contrarian, billy is sixteen, agatha is, well, agatha. alice is the only adult in the building
just one, huh? that's fine. that's fine. who needs a heart anyway.
the common gypsophila or baby's breath symbolizes sincerity, purity, innocence. does it symbolizes sharon? or is billy leaving it on her grave a metaphor for his naivety and good intentions gone wrong?
billy's romantic ideals of what it means to be in a coven have just been shattered. he set out, consciously or not, to teach something to these witches and of course it didn't work. he is the one who needs guidance, he is the one who's making a mess of things. he's just a kid.
agatha going !! when billy says he wishes he could go home. agatha covertly pointing out that he has a replacement body and she would really like to know how. she's observing him so closely, trying to puzzle out the mystery. exactly like she did with wanda inside the Hex. not revealing her cards just yet, testing and manipulating him. when that strategy blew up in her face so spectacularly the first time! she's so smart and so reckless it makes her practically an idiot
case in point: she's making up stupid rules trying to manipulate billy into shaping the Road the way she wants. that's right, agatha. let's summon another poor victim you can siphon, wonder who's gonna show up! (and she KNEW sharon was laying dead ten feet away and SOMEONE was bound to be in the neighborhood. dumbass.)
aww he's so proud of himself for having brought the spellbook. he's being helpful! he's made his four moms happy!
check, debatable, check
debatable and debatable
I'm gonna give that one a BIG check
yes I know advil spells "vidal", thank you tumblr for letting me know that one. also same, alice.
'esse viridis non es facile' IT'S NOT EASY BEING GREEN?!?!!?!?!?!?!?!?!?!?! oh I knew my high school latin was bound to come in handy at least once in my life
(by the way the set + costumes combo is giving me such hocus pocus vibes, but you could never tell because the SCENE IS SO FUCKING DARK) (NO I WON'T SHUT UP ABOUT IT)
BWAHAHAHAHAHAHAAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHAHAHHAHAH
I mean girls, you chose to follow the head clown, you have to travel in the clown car. that's on you.
WHY IS THE PRINT SO SMALL???? I LOVE YOU PATTI LUPONE
admit it we all wished it was sharon for a moment
oh?? is that mayhaps someone you know, agatha???
and that's a wrap, see you guys tomorrow!
no, I'm kidding, I'm kidding. I'm doing another one tonight. I need to shove all the rio scenes in my eyeballs NOW
go to episode 4 part 2
#agatha all along#agatha deep dive#agatha harkness#alice wu gulliver#billy maximoff#lilia calderu#jennifer kale#character study
50 notes
·
View notes
Text
It's really funny you mention that line because the 'don' character(who is literally me and has one of my past names, I am a very gay man 🧍♂️) was going to make a comment about getting back to his own husband and how he couldn't resist his husband and logan made a quick comment "Yeah, my man has a nice ass too" and don would like shout in excitement "OH?! WE NEED TO GO ON A DOUBLE DATE I WAN A MEET THE GUY" but I took it out because I thought it didn't really add anything to the story (I was very tired and I definitely should have left it in) but I did the like closeted logan thing bec I also wanted to so some minor allusions to fighting with internal conflicts surrounding masculinity from my own experiences but for the sake of keeping it short and sweet I didn't really go fully into it and I'm tempted to make another work that goes deeper into that. :]
Poolverine comic I posted over on bluesky :]
"Girls night"
358 notes
·
View notes
Text
I'm summoning hellers with encyclopedic knowledge of the insane show to ask y'all please please tell me all the times (or at least the first and main ones) that Dean apologized to Cas, for any reason, at any moment.
I'm writing a fic and want to make Dean's apology on character but for the life of mine I can't remember a time he ever apologized to the gay angel. Did it ever happen? Did he ever say the words "I'm sorry" to Cas?
#destiel#Hellers#deancas#casdean#dean#Dean Winchester#Castiel#supernatural#Supernatural question#Destiel fic#Supernatural transcripts#Supernatural script#spn scripts
40 notes
·
View notes
Text
yapping about fics and commenting
sorry to yap but work is boring today and tumblr isn't blocked on my work computer LOL
ok it's abt that post where the writer friend stopped writing because they weren't getting the comments/kudos they wanted.
i'm like. an overeager fandom person. like i cannot get into a fandom without wanting to meet new people and make friends. i love yapping about whatever silly gay idiots i'm hyperfixating over. i'm all about community, and sharing the joy of fandom, and all that fun positive stuff.
i don't post my art for stats but like. that means nothing coming from me tbh. i get stats. i can't accurately predict what would happen if i stopped getting notes on my art, but i would probably keep drawing and keep posting, just maybe less confidently, and less often. i recognize that stats make it much easier and while it’s not my primary motivation, it definitely motivates me to keep posting.
and yet. for years, i never commented on fic. i think i left kudos? and i saw posts like this all the time about how writers were so sad they didn't get comments. and i would feel super guilty about it all the time. but i still wouldn't do it! it sounds stupid, but i would feel pressured. if i liked a fic a lot, it felt even more difficult to comment, because i thought i would have to somehow give back to the author everything that fic gave to me. i wanted to craft the perfect comment that could perfectly encapsulate everything a fic made me feel. and that was way too much pressure so i would just not say anything.
when i got into drarry, i started reading a shit ton of fic. and i still wouldn't comment. i left maybe... 2 or 3 comments, maybe, i think. i can't remember. but i had a lot to say and i WANTED the writers to hear that i had read it and liked it. i just... didn't comment! u know what i did instead? i just fucking straight up DM'd writers on discord and started gushing to them that i liked their fic. somehow i was confident enough to do that, but writing a comment still felt like too much pressure. ?? i don't understand it either, but in my head it felt like a writing assignment, but when I was in DMs it felt more like a conversation and so there wasn't any pressure to make it "good"? idk!! it's very weird.
then i wrote and posted my first complete fic. just a oneshot, nothing special, and i was like. UNREASONABLY nervous about posting it. like. i am a confident person, okay? i was going to make a burner AO3 account and post it under a different name so nobody would know it was me, and then never mention it to anyone except MAYBE super close friends. i got talked out of doing that (thanks i feel a bit silly about considering that now). and then i received my first comment on it, which was basically a two-liner where someone said they liked it and thanked me for writing it.
and i was like. ??...?????? ???????? ...??!!! because i felt like... uncontainable glee? i was freakishly happy. the amount of serotonin those two sentences gave me was definitely unnatural.
is that healthy? idk. will it continue? idk. LOL. i hope so? but idk, some people said it wears off if you write/post for a while. but whatever, the fact that one little comment like that could make my entire day blew my mind. tbh i thought writers were just exaggerating when they said stuff like that.
ever since then i started leaving comments! that shit's easy! like what was i overthinking for? i'm such a fucking tryhard! all i gotta say is that i liked it, and even the bare minimum can bring lots of joy to someone.
so basically what im trying to say is that negative reinforcement doesn't do shit!! it just makes people feel bad about themselves. that post is nasty for guilt-tripping readers like that, and i bet you it's going to have the opposite effect (or no effect tbh).
YAPPING FINISHED. for now.
37 notes
·
View notes
Text
Part 2 of 2019 incorrect quotes but I edited out the unfunny ones
Dream: True love is born from understanding
Swap: Simplicity, patience, compassion; These are your greatest treasures
Ink: Kill anyone you don't like
Swap and Dream simultaneously: INK NO
Ink: INK YES
-
Nightmare: I love the Bad Sanses. They're all too good for this world, I'm so proud of them.
Error: *destroys the microwave*
Horror and Dust: *scream at each other
Killer: *starts beating the shit out of the toaster*
Cross: *eats chocolate instead of helping*
Nightmare, tearing up: My beautiful family
-
Fresh: Everything in this universe is either a duck or not a duck
Nightmare: How did you get into my home??
-
Ink: Gay
Nightmare, an intellectual: Homosexual
Sci, intellectualer: Gallium Yttrium
-
Geno: Hey do you still like me? Idk you're just being quiet
Reaper in bed, next to him: Babe I'm sleeping
-
(At Dust's funeral)
Killer: Can I have a moment alone with him?
Horror: Of course
Killer:... Listen, I know you're not dead
Dust: No shit
-
Reaper, to Geno: It's really sexy how you overcooked that egg
-
Horror, spying on the Star Sanses: What is that, Dust?
Dust, sarcastically: It's Ink's sweet 16 birthday party!!
Dust: HOW AM I SUPPOSED TO KNOW?
-
Reaper: Did it hurt when you fell from heaven?
Geno: Did you just call me Satan?
-
Dream: Error would destroy an AU for you, Ink
Swap: Error would destroy an AU for fun
-
Epic: If I die, please bury me in one of these poses
1. T-pose
2. you know I had to do it to em
-
Dream: How do you sleep at night knowing that some people in the world might not like you?
Swap: Without my underwear in case they want to kiss my ass
#utmv#undertale au#my posts#incorrect quotes#Dream sans#Swap sans#Ink sans#Nightmare sans#Error sans#Horror sans#Dust sans#Killer sans#Cross sans#Fresh sans#Sci sans#Geno sans#Reaper sans#Epic sans
30 notes
·
View notes
Text
There's also the lesbian sheep thing. Men are a lot more direct when it comes to flirting in my experience. I haven't been to gay bars, clubs or parties often (mostly because I don't party much period), but do you know how many women approached me the few times I actually did go? One and she wasn't actually interested, it was just one very chaste "welcome to the community" kiss.
I did however get propositioned by several men. At a gay club! Which is fine, bi people exist (as well as pan, straight trans or otherwise queer men who are also attracted to women), that's the whole point of this post.
I'm just saying, even in a "safe"/queer setting men still seem more comfortable approaching a woman than queer women are. Lesbian sheep. ¯\_(ツ)_/¯
People who get really bothered by the fact that bisexual women like men are so funny to me . “Bisexual women be like I am into a man 😂” yes that is something that often happens when a person is bisexual
220 notes
·
View notes
Note
1 + 16 + 17 for the ask game!
16) You can't understand why everyone likes this thing...
IF MESSMER HAS 0 HATERS THEN THAT MEANS I'M DEAD!!!!
Jk (kinda). I do genuinely like his character's place in the Shadow Lands canon. But I don't really understand his explosive popularity. Like Tarnished/Messmer is going to overtake the top ship on AO3 (Tarnished/Morgott my beloved) any day now. He wins just about every Demigod based poll I've seen of late. I'm genuinely not being edgy or contrary here, but I don't see it.
The fandom is very based and sexy for drawing this hideous man weepily draped on beautiful women's laps as if he were a woman beholding Christ in a Renaissance painting. Meanwhile I feel like the only one that can see all the grannies and babies and sisters and husbands skewered through their assholes and set on fire every 10 feet by the world's most racist shrike.
Maybe I'm just bitter because the love Messmer gets comes at the expense of the hornsent. I'm so attached to them and their conflict and their culture. Their lore is some of the coolest in the game and the fandom has just swept it entirely aside because heaven forbid the genocide Messmer helmed gets addressed at any point while he gets fixed/saved/healed/pegged.
1) The Character Everyone Gets Wrong
Mohg and Miquella are holding hands.
I dunno man. The asinine Mohg and Miquella drama has made me pull away from this fandom a lot in the past few months.
Obviously there's a lot of wiggle room in characterizing both of them! A villainous Mohg is canon compatible as is a Mohg that suffered more under Miquella's charm. Miquella can be a naive figure doing his best or a more manipulative power player. There are wide margins here! But not wide enough for this fandom! I'm still so... baffled and bummed out FromSoft handed us Mohg fans a canonical sympathetic angle to his story on a silver platter and so many Mohggers slapped it to the ground in a tantrum because it wasn't good enough. Because I guess Mohg victimizing Miquella was hot and cool but Mohg being victimized in turn is despicable and traumatic? Whatever.
To fandom, Mohg is either a silly, campy, gay uncle goofball drinking bloody marys and getting manicures from Varre or an irredeemable rapist that deserved every bad thing that ever happened to him. Or- third option- he was the secret hero of the Lands Between, as virtuous and honorable as they come before that wretched Miquella ruined his life!
He's the Bad Guy of Elden Ring. He's Miquella's victim that did no wrong. He's the obnoxious comic relief because people don't want to touch on any of his unsavory aspects.
Like fuck me, he's none of these things. He is a powerful, charismatic cult leader with a devastatingly tragic past. He is worthy of sympathy and dignity, but he was also the literal vassal of an Outer God of blood and pain. I wish his character was treated with more depth. I wish his pain was given weight and his rough edges weren't violently sanded away.
Then there's Miquella. Who, fandom has decided, is either a horrible manipulative monster or a literal infant with no agency. It's tragic how illiterate this fandom is regarding Miquella. Claiming everything that doesn't corroborate the Messiah figure they invented in their head is a retcon or bad writing. Claiming that Miquella gave up on Malenia when that is straight up not true at all. Claiming that Miquella trying to lay Godwyn to rest meant he wanted to marry him all along. Claiming that Miquella is literally charming half the cast into doing his bidding just to make him more evil. Claiming Miquella would have been better off as Mohg's hapless victim rather than the richly nuanced and tragic character with his own faults and goals that FromSoft wrote him to be.
The hard pill for ER fandom to swallow is that Mohg and Miquella are just like all the other Demigods: flawed but compelling in their tragedy
33 notes
·
View notes