#they definitely both in hell

[nightbeamed]

CURE

[ruporas]

in a mood (ID in alt)

[molinaesque]

Astarion: I think he likes us. Tav: I like him, too. But I'd never say it to his smarmy face. Raphael has a crush on Tav and tries real hard to act cool about it.

[evilherehotel]

hey inanimate improv. hey. wtf was that

[turtleblogatlast]

Fun little silly thought I had about the Lair Games and specifically Leo deliberately losing is all the reasons he could have for doing so.

My favorite headcanon for his main motivation is that Splinter wasn’t proud of him anymore.

I imagine that, in the beginning, winning the Lair Games was Leo’s opportunity to shine. He wasn’t artistic or the baby of the family like Mikey, wasn’t a tech genius who created amazing inventions like Donnie, wasn’t the eldest who was insanely strong and dependable like Raph. So he had to shine somewhere else- anywhere else- and what better way to get attention than to be a winner? A champion?

And then he won too much. And it wasn’t special anymore. He got too big headed, too cocky, he knew this was his element and he ran with it.

Splinter’s words of congratulations slowly petered out. Suddenly, there was no real reason to win.

Winning feels empty when the only one cheering you on is yourself.

So- Leo schemed. And he’s a great schemer, fooling his whole family (and Donnie did deserve a win- people were way happier when he won.)

He even gave up his prized possession! His room!

Though he knows his brothers probably think it’s a bad prize. A terrible one, even.

Leo doesn’t sleep much as is, though. So Dad’s snores were more comforting than anything. It was reassuring to hear him so clearly alive and close by.

Even if the distance between them was larger than Leo’d like.

He’d just have to find something else, something more to show his dad that Leo was someone to trust, to be proud of, to love.

He gets his chance soon after, when he needs to pull off a plan against Big Mama at his dad’s side. Leo can only hope this victory is one that has a lasting effect when his father looks at him with pride once more.

Victory, for Leo, is a pretty loaded term.

[winged-bat]

I ping pong between the idea of Bernard being completely and utterly done when a villain enacts their evil scheme near/at his college thinking they’re a general nuisance and him purposely drawing them there so he can see Tim more often

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[vaguely-concerned]

how I like to imagine lucanis is feeling about being dragged along to the grand necropolis every other day in this playthrough... it's about the duality of

all the walking dressed up skeletons and other assorted body parts strewn around: undeniably kind of bad and creepy. how the fuck is it so cold and windy down here all the time rook is just a slip of a thing how are they not shivering constantly. should I get him a nice warm scarf or would that be against his sense of swag as a watcher I am currently being made to think way too much about spirit possession (these weirdos seem to think it can be benign???? it does NOT feel benign). someone might have worked very hard to get those bones to lie still and dead on the ground it seems disrespectful to that hard work to make the bones get back up again and dance a jig like this. is all I'm saying

vs.

hearing rook speak to spirits and wayward wisps with kind calm authorativeness and care and generally show a whole new side of competence and knowledge they've kept close to the chest so far: ...this better not awaken anything in me (challenge failed)

(rook who's anxiously trying to gauge if the skeletons are going to be a dealbreaker fondly reminiscing 'oh I had my first kiss over there by the van markham mausoleum from the latter part of the steel age actually' and lucanis having to admit 'this does explain some things about you'. there must be some kind of comfort in feeling like you're too removed from the normal human experience anymore to connect with someone only to find that the person you're growing a terrible crush on had barely ever seen the sun until the age of like 34 and thinks this place is the height of normalcy. lucanis' broody line where he's like 'I only know death' and ingellvar both meaningfully and amusedly raising their eyebrows like 'yeah? uh-huh? please, say more' fhdskjaf. i'm sorry you've had your freak matched lucanis I'm sure it's a bit disorienting but we'll figure this out together yet. two little death dudes sitting in a tree k i s s i n g and also trying to figure out the 'life' part of things together)

[lynxfrost13]

LSTR-S2301 and the maintenance tunnel ARAR are best friends to me even though that Elster was only on sierpinski for a seemingly brief time, they’re bros who fuck around on the clock during work. I think Elster was probably more willing to put extra time in however she’s also very “okay you’ve given me a list of tasks I did them. They’re done and done well. That’s it, my time now.” Whereas I see Ara being more of a slacker (very valid of her) or at the very least just a bare minimum type of gal when it comes to work.

Idk I tend to imagine them fucking off in the middle of shifts to go find weird lonely corners of sierpinski to hang out in. They don’t even talk half the time but they love it.

[jackass-jones]

Akihiko becoming a cop is something that simply doesn’t happen in the coma route cuz Shinji would see that shit and be like Aki what the actual hell is wrong with you

[spacegirlsgang]

DBD x Met Gala (1/4): Edwin Payne and Heavenly Bodies: Fashion and the Catholic Imagination (2018)

[otaku553]

A certain first encounter

[aro-in-danyl]

RadioRulers Prompt

Lilith x Alastor x Lucifer

Most humans buy a Ferrari or go on a vacation when they enter a mid-life crisis.

Lilith is no longer human and very immortal but she doesn't know how else to label her impulsive decision to befriend the recently deceased feral deer tearing though Pride like tissue paper.

----

Lilith was tired.

Eternity takes a toll. And after countless years singing like a caged bird and keeping spirits high, she had begun to loose her passion. There was only so long she could look past the hopelessness of her surroundings.

And then the Radio Demon arrived.

He wasn't particularly special all things considered. If she wasn't in such a dire mood, if Lucifer wouldn't stop closing himself off from her, if Charlie wasn't going through puberty and making it everyone's problem-

Well, she probably wouldn't have even noticed him.

--

Lilith becomes not quite friends with Alastor and his passion and love for hell reignites her own. Over the decades she finds that she cares for this idiotic sinner more than she ever would have expected.

Her love for Lucifer had been quick and all-consuming. Her love for her daughter had been just as instantaneous. She didn't know how to deal with love that crept up on her like a weed and took decades to bloom.

...Maybe she should take that vacation after all.

--

Prequel to Canon with Lilith and Canon to Season 1 for Lucifer.

Somehow these two jaded biblical lovers come to love this crazy sinner at very different points in time. And he somehow manages to help them become closer to each other and re-learn to love the humanity that had initially doomed them. Here's to hoping the consequences of bringing him into the relationship isn't as damning as theirs was.

[merueeet]

another piece to my hc about Dominic's religious parents🤙

In TSM Jacobans (a religion from TSM that views the watcher as vengeful and merciless) have their own way of depicting the watcher in their subjects, and they also have the "eye of the watcher" as an object of religious veneration.

I liked the fact that the gem in the eye of the watcher is red (and this cannot be changed), as well as the sims plumbob when they feel bad.

So from a certain age Dominic also had to wear the Eye of the watcher. It's not like he had a choice, before the intrusion of the watcher into his life, his parents made every choice for him. But one day, someone will force him to make his own choice for the first time.

[stiffyck]

Can we talk about how Karen definitely has some sort of PTSD because you can't just wake up one day with a knife and bloody hands and a dead coworker on your carpet one and then be fine. You don't get arrested and then almost strangled to death while in custody and be fine. You don't get kidnapped and threatened and then kill someone in self defense and be fine.

Oh my god can we PLEASE talk about Karen and her trauma oh my GOD.

[metiredlr]

WE SO WELL FED. WE EATING SO GOOD. SO FUCKING GOOD 🙏🏽🙏🏽🙏🏽 BREAK TRIO SO IN LOVE 😭🙏🏽🙏🏽 LET'S FUCKING GOOOOOOOOOOOOOOOOOOOOOOOOOOO TEAM ☝🏽☝🏽☝🏽🏳️‍🌈☝🏽🏳️‍🌈🏳️‍🌈☝🏽☝🏽🗣️🏳️‍🌈🏳️‍🌈☝🏽‼️🗣️‼️‼️🗣️☝🏽☝🏽🗣️🏳️‍🌈☝🏽🗣️☝🏽‼️