#they contrast each other too...

[digitalcarcrash]

i love the subtle implications abt randy and benson's tastes in music... randy flipping through radio stations and stopping when steal away by robbie dupree plays vs benson blaring by moistboyz in his car + the motorhead tshirt

[egophiliac]

I don’t think we’ve ever seen you draw knight of dawn before 🤔 what are your thoughts about him? Or take?

I've drawn him a couple of times, just really little/in the background. but I should draw him more, I love this guy a lot! I have many, many thoughts about him and the way he parallels Silver...and also I think it is extremely funny that his ghost is stuck in a ring. especially considering where that ring has been for the last 16-ish years.

[panakoui]

post canon laishuro prelude :>

[withthewindinherfootsteps]

I sometimes see the opinion that MXTX took the clichéd tropes she'd critiqued in Scum Villain, and played them straight in MDZS. But though a lot of them appear in MDZS, I'd argue that none are actually played straight at all!

The main point of MDZS's tropes is subversion. Yes, WWX has a 'tragic backstory', even an arguably overused one (orphaned by his parents at a young age, forced to live on the streets with nobody to rely on, etc) – but how things differ in how it's used. Tragic backstories are normally used to build sympathy for a character, to make us care and get invested in them. But... we're never actually shown any of those street days, we're never shown and never dwell upon how much he suffered during them. They're only really mentioned in passing and whenever dogs come up! If the goal was to make us feel bad for WWX, this would be very ineffective writing. But what's actually important here isn't that WWX went through tragedies – it's how he doesn't let the tragedies he went through define him. He doesn't dwell on them, the narrative doesn't dwell on them, it's never used to earn sympathy points... because what defines WWX is his choices and how he chooses to act, not a backstory completely out of his control. What gets us invested in him is his personality and the character writing of MXTX, not tragic events used as a substitute for identity.

And this trope treatment fits extremely well with WWX's personality itself – he's someone who 'forgets the pain as soon as the wound has healed'*, but also who actively chooses to focus on the present because you can't change the past; someone who holds the belief that 'gains and losses [should] remain uncommented on' when choosing what to do.

The use of the tragic backstory isn't the only thing that's subverted, either – the other main thing is the 'blackening' of the protagonist, and its impact on the protagonist's fall. After being thrown into the Burial Mounds, on a surface level it does seem like this blackening has occurred: the first thing we see when he returns is his gruesome torture of the Wen cultivators; he's 'forsaken' traditional cultivation in favour of an 'evil but more powerful' path; and frankly, Sunshot-era WWX is terrifying. But MDZS is not a blackening story, and so the events of the Burial Mounds aren't used as a catalyst for that purpose. Though it's true that WWX's not entirely the same person he was before (because how could be be?), underneath it all, his morals, worldview and core** stay the same. Though gruesome, his revenge is directed towards the ones who wronged him, not those past that and certainly not the entire world. His experience in the Burial Mounds doesn't lead to him being some evil, blackened overlord... like everyone says he is at the start! That's subverted, because again, WWX's values and choices are more important to the story than genre conventions.

But the most crucial thing? What leads to WWX's downfall isn't any blackening! It isn't any vengeance or morally dubious actions***– he was praised for those things during the Sunshot Campaign! No, what leads to his downfall is something completely unrelated to that, something which would've disappeared had the trope been played straight. It's him doing what's right by defending the Wens, it's him following his moral code when it opposes the world's, it's him standing up to the injustice of others – not others standing up to the injustice of him. That's the subversion here.

(Also, once again, the fall of Lotus Pier, the Burial Mound, etc, aren't used for sympathy points – and if it was relevant, they wouldn't have been used to excuse any actions, either. Using tragic events as an excuse for doing bad things is critiqued many times in MDZS, through characters like Xue Yang and Jin Guangyao. And that's not exactly a trope subversion, but it is a critique of badly handled 'excuses'.)

These are by no means all the tropes MDZS subverts – the nature of guidao vs the usual nature of modao being another very major one – but they're the main ones that feature in Scum Villain.

So, though at first glance MDZS seems to play the tropes MXTX critiqued there straighter, it's not a simple case of using them as cliches, and we see that by how they're used to impact the narrative, and how that differs from what they're traditionally used for. MDZS doesn't fall back into clichés Scum Villain satirised – it's the subversion to Scum Villain's exploration and critique.

--

*Which I know is generally used negatively, to describe someone not learning a lesson from a punishment, but it really describes WWX in general, too. He doesn't dwell on that pain, he does his best to move on from it.

**...heh

***And, because it's often debated – whatever the morality/culpability of Nightless City is doesn't even matter! The events happened at a pledge conference against him that was already taking place. WWX's actions there didn't make people want to kill him because that was explicitly happening beforehand.

[ohitslen]

Promises

He should know better. 

Wolfwood has seen Vash make promises, or hear about the ones he has made in the past. He has also seen the end of each one and how every single time the outcome is less than what was promised. 

Vash likes to say embellished words, with a soft and determined voice that lures you into his hopes and dreams, it almost feels like a spell, as if he was calling for you to come closer and believe him. But Wolfwood knows better.

He believes in him, but Vash is much closer to being an idealistic dreamer than a realistic person like he is. He might not be aware of it, but his beautiful promises of a better future give people hope, a hope that is usually embraced with things like disappointment and abandonment. 

He doesn’t think that Vash does it with the intent of looking for any of those things. Far from it, he might even do the impossible in order to accomplish said promises, but life is too short and humans are too mortal for his wishes, so in the end, most of Vash’s promises end up being empty or they come to haunt him as a reminder of his failed vows. He admires the man, for his perseverance and idealism, but he also hates the man, for his stubbornness and lies. 

Wolfwood knows all of this perfectly to a tee. And yet, he has also found himself being drawn to his world. Because he also dreams of it.

A world in where his always present calls for love and peace exist, a world that is far more kind than what he might deserve, a world in where the kids can be happy and roam around without any worry in their heads, a world in where he can peacefully turn grey with age and his hands can shed the harsh callouses of his life. Who knows, maybe a world in where he and Vash can finally know the peace that was taken away from them, in where they can share the calmness that comes with the passage of time, indulging in every tick of the clock welcoming with open arms whatever comes their way without any fear.

It is a beautiful promise. But Wolfwood is a person that has to keep his feet on the ground, indulging in “what ifs” would only make things harder than what they had to be. He can’t have any ifs if he can’t make it through the now. And by the way he is carrying his present, he is doubtful he will even get to see a shed of that promised world that Vash tries to drag him into. So why mourn something he doesn’t even have, or will ever have for that matter.

He hates the way Vash seems to promise things so easily. His tongue silky and pliant, slipping divine words one after the other, promises way too big for what that barren world can actually fit. 

But when Vash talks to him in that holy voice of his, when he hears him say “It’s okay, everything will be alright, I promise” so gently right on his ear, while he holds his face so tenderly making him focus on him and nothing else, he wants to believe him.

He has seen the end of his promises. He knows how impossible they are. But for once, he wants to believe it too. Believe in that loving world that will cradle them both until they fall asleep, listening to the soft sound of the wind laughing while the moons smile upon them. 

So he allows himself to indulge in the warmth of his palms, leaning into the comfort of his existence, feeling the soft air of Vash’s breaths against his skin while their foreheads meet in a touch that feels like a hot brand that will melt him.

For an instant, he allows himself to be selfish and believe that maybe, that is how living in that world Vash so desperately fights for would be. Soft and warm, making him feel safe in the hollow of Vash’s hands where the world seems to fit so well. A world where the blue sky is a blanket that covers the love and care that is nestled in it like the one in Vash’s eyes. He wants to see that world.

For now, he will selfishly think that the world that fits in Vash’s hands is right there in where he is holding him, where his blue eyes are drowning in the light of the sunset dripping with love and care while looking at him, that the gentle touch of Vash’s thumb wiping his tears is the same as the kiss of that laughing wind in that distant future, where the smile of his eyes overcomes the smile of the moons.

He should know better. But he loves the thought of that world. And he hopes that Vash will get to see that world, because that gentle sight is more fitting for someone like him than the one of his violent world.

He promises to himself that he will do what it takes for that day to be possible. Even if the end of that promise will be empty for Nicholas, he knows it will be a full one for Vash. So it really isn’t that empty for him after all.

He hates his lies, and he hates how true they sound, but Vash’s embellished words are far sweeter than his bitter thoughts so they feel better on his insides, almost like a balm that cares for the wounds of his throbbing, painful reality.

He should know better.

But aren’t humans weak at the promise of love?

[meteortrails]

forever thinking about nami and luffy…. they just. their relationship is so perfectly, consistently, and beautifully written?? (read more bc I care WAY too much about them).

like it would be so easy to slot them into the typical dynamic of her being a buzzkill and him being a reckless dick but that’s not them at all. she’s the first person he meets out on the sea who really, deeply understands what freedom means to him, how vital and important it is - it’s why she’s the one he lets hold and fix his hat, it’s why he waits until she asks him to help with arlong, it’s why he never begrudges her any of her actions in arlong park. he knows her autonomy is just as important to her as his is to him, that she fucking Gets It. she has the same joy and whimsy and protective instinct in her heart, and like recognizes like!!! so luffy lets nami run the day to day of the ship, order him around, hold his greatest treasure in her hands, bc he trusts that when the chips come down she will never abuse that power. she’ll have his back and follow through on whatever insane orders he has his heart set on bc she knows the weight of what she’s been entrusted with.

and like, in return, nami gets exactly as much responsibility as she wants for the first time in her life! she doesn’t have to be alone, doesn’t have to protect everything that matters all on her own - she has luffy and the crew for that now. she gets to be part of a crew, a family, while still remaining in charge of her own life. and in response to all that trust and love, nami is just as protective of luffy and this new home as she ever was of cocoyashi. he gave her back her freedom and put his dream in her hands without a second thought, and she will keep it safe come hell or high fucking water. like I don’t know how to express how emphatically I feel about this but she won’t betray him even to save her own life, even when he would never fucking know!!! nami often ends up being luffy’s primary pillar of emotional support bc she’s just such a consistently steady, faithful presence at his back; even when they disagree on important shit her trust in his judgement and ability to get them through the storm is unshakeable, and vice versa.

idk man I just really do not know how to express how much it matters to me that nami is canonically a ruthless, conniving, deathly stubborn, control freak bitch and that’s like. lowkey WHY luffy+the crew love her so much. idk how to explain how batshit insane the symbolism of her being his navigator and him being her captain makes me.

[maeriquitecontrary]

Science in pursuit of magic.

Magic in pursuit of science.

[epickiya722]

Getting Gojo's voice actor, Yuichi Nakamura, to voice Umemiya gives me the same energy as getting Bakugou's voice actor, Nobuhiko Okamoto, to voice Inuzuka.

[pitconfirm]

hmm I hadn't considered glance before but now I want to know more - do you have and fic recommendations for them?

absolutely! going to shamelessly name my own fics first hehe:

Kamikaze — my first fic ever… one-sided enemies with benefits, where george maybe sort of gains feelings

Achilles’ Heel — a george/lance/fernando threesome after george’s win in austria....

as for my favourites by others, here are some that i think perfectly nail the glance dynamic:

the sweet disposition series by @userkritaaay — lance and george getting together after their respective shitty races in singapore last year, and the turmoil that comes with that... i think it's the perfect mix of sweet and angsty for this ship, and kriti absolutely nails george's inner voice throughout

The Worst Way to Love Someone is Quietly by @lil-shiro — angsty soulmate au where lance knows that they're soulmates but george doesn't... i love the through the years nature of it because i think the history of glance is something so pivotal to the ship

All Pain No Gain by @lil-shiro — some good old one-sided hate fucking. in Ann's own words, 'One of those nights where George lets out his frustration in the crevices of Lance’s body' :)))

Lesson Learned by @penaltyboxboxbox — college au where lance and george hook up, and george is mean about it 😁 i love george's resentment and judgy inner dialogue, and how lance is so teasing and lax and unbothered..

life on mars by @wewentcarracing — written by one of the pioneers of this ship... george runs into lance in the bathroom at a houseparty and they have a wonderfully awkward moment ❤

finger trap by @rivalism — as a lover of georgeture, this fic is everything to me... a short but vivid and humorous slice of glance porn, which really inspired the way i perceive this ship

[unfortunatelyilikebnha]

The best tdmd moments/things (to me; vaguely but not entirely chronological) (also I haven’t read the manga in ages and I’ve only - recently at least - rewatched bits and pieces so some of this is paraphrased while some of it I went back through to get exact quotes and NO I’m not going to do that for all of them it would take too long) (readmore bc it’s a lot):

- “As the crowd shouted, trying to make Sero feel better, Todoroki took a moment to melt his opponent from the ice prison he’d created. For some reason, in that moment, he looked very sad to me.” Ok so this is not the sports festival moment everyone talks about but it LIVES in my head ABSOLUTELY RENT FREE. It’s like, we know Todoroki’s been watching Midoriya for a while, mostly due to his obvious connection with All Might, but in this moment, while everyone is focusing on Sero, Midoriya is Watching Todoroki Back. He Sees Him.

- MIDORIYA TELLING ENDEAVOR THAT HE IS NOT ALL MIGHT AND SHOUTO IS NOT HIM. Midoriya is freeeeeaked tf out bc endvr is intimidating + he’s worried he’ll discover the secret of OFA but the SECOND endvr starts talking like an asshole, Midoriya SHUTS THAT SHIT DOWN. Again, Midoriya has had like ONE conversation with Todoroki and actively Really Wants To Get Away From Endeavor, but he just gets so mad about the way that Endeavor’s talking that he pauses his retreat to correct him and I think that’s beautiful.

- One of Todoroki’s episodes/chapters being titled “The boy born with everything” and how you could easily contrast Midoriya as “The boy born with nothing” (I could not find a definitive answer on whether canon actually calls him that but like). The juxtaposition of their opposite struggles and the underlying understanding that underneath it all they are really not that different. That they have both suffered, and are both trying to make the most of a power with a difficult legacy. (This brings me to the next point because -)

- “It’s your power, isn’t it?”/“It’s yours! Your quirk, not his!” Yeah. I don’t even have to explain this one I think, everyone knows it’s THE tddk moment. I’ll forever die on the hill that Todoroki should’ve found out about OFA sooner and we should’ve had a direct reversal while Midoriya was still struggling with thinking of OFA as his quirk instead of All Might’s and Todoroki repeats Midoriya’s words right back at him. I mean, Horikoshi LOVES to do that (see: repetition of “body moved without thinking”, “meddling when you aren’t asked to is the essence of being a hero”, “that’s what friends are for, right?” etc) the setup was RIGHT THERE, like taking my shipping goggles or whatever off for a second I think it would’ve been a great addition to the story regardless bc it’s an example of how Midoriya has helped other people AND a reminder that he has not quite conceptualized the advice he gives others for himself! Even without that though, we see how important this moment was to Todoroki literally throughout the rest of his arc, to the point that

- “Midoriya, this is my power. Thank you.” IF WE DIDNT GET TDRK TELLING MDYA THAT OFA WAS HIS QUIRK, AT LEAST WE GOT THIS. MY GOD. I was trying to go mostly chronologically, but since we’re talking about a follow-up to “It’s your power, isn’t it?” I HAD to mention this scene next. It’s a really lovely moment because 1) it’s an acknowledgement of how much Todoroki’s grown (which he did on his own! Midoriya reminded him of why he wanted to become a hero in the first place, and he had a lot of support from friends (& teachers/family) but TODOROKI decided to put in the work to become the kind of hero he wanted to be!) and 2) it’s a reminder to Midoriya that he has made a positive impact and helped the people around him, which I think he’s probably struggling with since this is like. Soon after his dropout arc iirc. (Also: it’s a cool new super move that Todoroki developed himself to try to create a better future for his family!! Which, setting aside how beautiful it is that Todoroki has crafted his fire into something that won’t hurt, is also fun bc Midoriya loves quirks and gets to nerd out over Todoroki’s cool new move lol)

- TODOROKI SHOWING UP TO THE STAIN FIGHT. Todoroki has been friends with Midoriya for like a week and gets a location pin with no other context and IMMEDIATELY deduces that 1) Midoriya’s not the kind of guy to randomly drop his location so 2) he must be in danger, and 3) IMMEDIATELY TELLS ENDEAVOR HE’S GOING TO CHECK OUT THE LOCATION AND TO BRING BACKUP TO THERE AFTER HE’S DONE FIGHTING BC HE THINKS HIS FRIEND’S IN TROUBLE. When he actually shows up the first thing he says is something like “Midoriya you should include more details at a time like this. It took me a while to figure out what you meant and I could’ve been too late” but we literally see in the flashback that he figured this all out in like 2 seconds and IMMEDIATELY came to support Midoriya AND SECURED BACKUP. Every person in Midoriya’s phone received the location pin and expressed various levels of curiosity/concern about it in hindsight but Todoroki figured it out right away and immediately came to help (this isn’t a knock on the rest of 1a btw iirc the rest of them weren’t even in Hosu so there’s not anything they really could’ve done about it besides report it - which iirc Kirishima did -, it’s just that Todoroki WAS in Hosu and DID figure it out so he immediately went to help and it was that simple for him). Todoroki also just like. Instantly accepts that ok, Midoriya and Iida were fighting a serial killer, Guess He’s Also Fighting A Serial Killer Now. ALL THIS FOR HIS FRIEND OF A WEEK. This is one of the core tenets of tddkism to me: they are as ride-or-die as they come. Also notable: Midoriya is not generally in the habit of asking for help. The fact that he did, knowing nothing might come of it, AND TODOROKI SHOWED UP EXACTLY WHEN HE NEEDED HIM??? Can we acknowledge how much that probably meant to Midoriya. Also the start of tdiimd as a trio, which this post isn’t really about, but I can’t completely leave Iida out when talking abt the stain fight that’d be fucked up :(

- “We’ll protect them together”. Yes ik, another Stain fight moment, but I believe this line deserves its own point because, again, Todoroki has been Midoriya’s friend for like a week. Immediately prior to Todoroki saying this, he tells Midoriya that his plan is risky. It’s one thing to recognize Midoriya’s text as a call for help and run to be his backup, it’s another thing to let Midoriya take the strategic lead when he’s already injured and the plan itself could be dangerous. But Todoroki puts his trust in Midoriya and says they’ll protect them together, showing his confidence in Midoriya’s strategic prowess AND battle planning ability.

- “You’re a kind person, Todoroki”. Ok I’ll get this out of the way: I have issues with how the writing of this chapter could be read as implying that being a kind person automatically means you have to forgive the person who hurt you. Ik Midoriya tells Todoroki that it’s ok not to forgive Endvr if he doesn’t want to, but the way he follows it up with the fact that he’s a kind person and the assumption that he wants to forgive Endvr...aren’t my favorite. I think it kind of makes sense for Midoriya to think like this given his own experiences (and also. Midoriya is 15, some of his wording is gonna be a little bit awkward sometimes, so I don’t think that’s the only possible interpretation of what he said), but I wish that if that was the intention, there’d be a moment later on where this view was challenged and Midoriya really internalized that you can be kind and still not forgive someone who’s hurt you. THAT BEING SAID, of all the things that Todoroki is called on a regular basis, and of all the qualities Todoroki associates with himself, I don’t think “kind” is necessarily one of them. “Kindness” was not exactly a virtue that Endeavor seemed to prioritize instilling in him (and though Rei probably would’ve, she WAS absent for much of Shouto’s childhood), and he spent so much time building his walls and striving to defy his dad that it’s not something people tend to immediately pinpoint about him. Todoroki really IS kind though, and Midoriya recognizes that AND makes it a point to tell him. For Todoroki, who has worked on himself quite a lot, and just invited friends to his house probably for the first time ever + gone through a tense family dinner in front of them, I think that probably meant a lot (and his expression in that panel is so cute. Ough).

- “Thank you for being Shouto’s friend”. I think the fact that Fuyumi recognized how meaningful their friendship was and thanked Izuku for it was so significant for both of them, like neither of them, as far as we know, HAD a lot of friends prior to attending UA so the acknowledgement that it is a big deal that they befriended each other is special <3

- Tdrk catching Mdya (and bkg and endvr but this ain’t about them) during the first war arc. He doesn’t know shit about OFA at this point but he followed Midoriya to the front lines anyways.

- Todoroki tucking Midoriya in in 327 and putting a hand on his shoulder in 32…8? 9? Fuck if I know I haven’t read the manga in ages. Anyways. These are both tiny moments but I’m grouping them together bc they really show how Todoroki is there for Midoriya, in the way that he’s always noticing things about him, that he’s RELIABLE, he WANTS to be there for Midoriya like Midoriya was there for Todoroki and that manifests both in following him into terrifying fights and in the small gestures of support. Todoroki NOTICES when something’s wrong, and when he has the necessary context he steps up to help.

Bonus mentions:

- the “are you all might’s secret love child or something?” convo in its entirety. Between the Todoroki Family Trauma Dump, Midoriya sympathizing with Todoroki and realizing that despite how different their lives have been, they’re very similar, the beginning of Midoriya’s desire to help Todoroki, and the beginning of Midoriya really Seeing Todoroki, it sets the groundwork for the start of something beautiful

- AFO: “pay close attention to them, tomura shigaraki. These two could prove to be formidable obstacles to you one day”. / AM: “they may have more in common than they realize. They both have such an intense vibe about them.” The fact that both AFO and AM comment on the tdmd sports festival match leads me to believe that originally their relationship (in the original story I’m talking about the platonic sense but read this any way you will since. This IS a post abt why I ship them) was supposed to be more central to the plot, in this essay I will - (<- ramblings of a crazy person but like!!! Both AM and AFO!! And you’re telling me it didn’t mean anything??? Come on!!)

- Also “you’re helping your opponent. You’re a fool.” Their matching maniacal grins after Midoriya prompts Todoroki to use his fire. Todoroki’s softer smile and little tear. Mdya’s “Amazing…”. Them immediately deciding to go full force regardless if it kills them (IMPORTANT FACT ABOUT THEM IS THAT THEY’RE INSANE <3). “Midoriya…thank you.” (OUGHHHHHHHHH 😭😭😭)

- MDYA YELLING “DONT GIVE UP” DURING THE TDRK/BKG MATCH AND FOR A BRIEF MOMENT TODOROKI STARTS USING HIS FIRE AGAIN. Ik he ultimately doesn’t end up using his fire, but that makes SENSE, you can’t process all that trauma immediately, it takes time!! The fact that for a moment, Midoriya’s voice was enough to allow him to use his fire so soon after his life-altering revelation in the tdmd match is so important to me though :( (and the fact that Midoriya’s willing to 1) root for Todoroki and 2) root for him loud enough that both Todoroki and Bkg can hear,,, ohh tdmd are so special to me)

- their little convo at the training camp. “You have a habit of sticking your nose where it doesn’t belong” lol (paraphrased). Underrated tdmd thing is that they’re willing to tell it to each other straight. But also, the genuinely good advice of “words themselves aren’t enough, actions are also needed to get through to someone” (again, paraphrased) (reminder of how Mdya helped Tdrk!! W/ words AND actions!! And now he’s helping Mdya help Kota!)

- “I don’t know, I think heroes cry when they need to probably” - acknowledges Mdya’s crying as a positive trait bc when he’s not crying it means he’s repressing things, also serves as a reminder that heroes are people too (a similar sentiment to Uraraka’s “who will save the heroes when they need saving?”). Serves to remind Mdya that his crying doesn’t make him less of a hero + it’s ok to feel things. Also Tdiimd.

- “You can’t even cry”/“Let us share that burden together” (this is like. Veeeery paraphrased I’m sorry I don’t have access to the chapter and I’m too lazy to rewatch). The whole class said very meaningful things to try to get Midoriya to come back, but even though he wasn’t ultimately the one to fully get through to him (SHOUTOUT TO IIDA ILY IIDA THIS POST ISNT ABOUT HIM EITHER BUT JUST KNOW I CANT WATCH THAT SCENE WITHOUT TEARING UP THEY R SO DEAR TO ME) Todoroki’s is one of my favorites bc sure maybe he doesn’t understand what it’s like to have no quirk and then suddenly have a quirk that’s actually seven quirks and have a pretty much all-powerful supervillain hunting him down but he DOES understand the burden of trying to shoulder the crushing legacy of a top hero, and here he reaches out to Midoriya once more reminding him that his tears are a good thing and offering to share the burden and help Midoriya like Midoriya’s helped him.

- Light novel moments: Mdya teaching Tdrk how to make AM origami and Tdrk sending it to Rei, Tdrk going to return Mdyas pencil and admiring Mdyas AM figure and Mdya trying to give it to him bc he has another one but Tdrk refuses bc he doesn’t want to damage it so he suggests he just come visit it instead (I haven’t read the light novels but I’ve seen these excerpts and I love them dearly) (these are just all really cute it’s nice to see what they’re like outside of doing hero stuff)

- Todoroki’s “Midoriya Sense” (yes this is a fandom joke based on like the stain incident + noticing smth was up during the “heroes cry too” incident + Todoroki asking abt him before the cultural festival etc but it IS genuinely very sweet that Todoroki is always looking out for Midoriya and trying his best to help when he can)

- TODOROKI TELLING MIDORIYA TO REMOVE THE BATTERIES FROM HIS PHONE SO THE GOVERNMENT COULDNT TRACK HIM WHILE HE WAS ON THE RUN BC HE WAS A MURDER SUSPECT. Now I haven’t watched the third movie so I may be wrong about the details but it was VERY funny of Tdrk to be like “did you kill people??? Never mind that actually here’s how to avoid the government” (paraphrased for comedic effect)

-“Midoriya and the others” (cute, something Shouto says…several times lmao) (Izuku has also said “Todoroki and the others” at least once (in the first movie) but I’m not aware of it being a recurring phrase like “Midoriya and the others”)

[gilliganpilled]

i can’t explain why but one of the funniest things about jimmy and kim is the fact they have a queen size bed and not a king size bed. jimmy used to sleep on a fold out twin size bed so his standards are pathetically low, and Kim i think doesn’t feel the need to upgrade since she’s practical and jimmy doesn’t care. and it’s just so funny to me because they could easily afford a king size bed but they’re so codependent and focused on everything else they just never bother to upgrade. always sleeping right next to each other on that too-small queen size bed even when they’re fighting

[wavesoutbeingtossed]

All I’m going to say I think now that my brain remembered part of what it was thinking is that Taylor and Joe went through a lot together (good and bad) and regardless of how it ended or what led to it they both seem to be determined to keep that private and not throw each other under the bus and in the end they’re just two very, very different people whose outlooks in the long term were just never going to align and never has that been clearer.

[corvus-cucullatus]

I’m not sure if I’m the only one who sees this but these two have been spending an awful lot of time together… 👀

They both seemingly have similar moral values and respect each other enough to work together to a great extent. There is a theory that Spinel might betray the Explorers at some point (which I agree with) but, I don’t know, he does seem happy for now to have a scheming partner in Chalce. I wonder if Coral and Sidian are next on the agenda to be kicked out after Amethio…

[pageofheartdj]

A lil' reminder, the bros are active jerks to each other too!xD

[aroaessidhe]

2025 reads / storygraph

Love Points To You

YA contemporary coming of age

an artist struggling to get used to the idea of moving in with her new stepmother & stepsister can't wait to go away to art school

when her ipad is destroyed, her rich classmate offers to buy her a replacement in exchange for concept art for an otome game she’s developing, and as they work on the game, they start to fall for each other

while she tries to get used to her new family situation, and the fact that her parents seem to be more invested in her stepsister’s future while ignoring hers

bi ace MC, bi demi LI

[sapphorror]

There's something quintessentially very sibling-ish in Dib's ability to simultaneously maintain his perception of Gaz as a walking personification of nightmare capable of turning his life into a living hell AND as the helpless little sister he needs to protect