#they can have a little domesticity
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- Peeta and I grow back together -
#the hunger games#everlark#katniss everdeen#peeta mellark#buttercup#they can have a little domesticity#as a treat#peeta paints flowers all over the walls and fixtures#katniss carves graffiti into the furniture#effie has a meltdown every time she visits#that. is. MAHOGANY!!#fanart#mcbaart
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Sublime Equine.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#little apple#Did I *need* to dedicate a whole comic to little apple when I'm trying to economize my scenes?#Well! I did start this whole blog with the dreams of one day being able to draw better equines. So Yes. I did need this.#The true benchmark of my art progress is actually the quality of how I draw Little Apple.#(no seriously go look back at my little apple tag. Then come back here).#Hey welcome back! I know right! What was I even doing at the start? That was *not* a donkey!!!#That aside - I really am thrilled that I can draw her more. Even if she's only *really* in two more comics for season 2.#I wish I had more thoughts here. I'm so distracted by the donkey rotating in my brain. I missed her so monch.#Oh! Yeah I really like the parallels here between WWX and Little apple.#Specifically the sense of how we get a nod to how he's changed.#Little apple and WWX have both grown a little less lean and hungry (one literally the other metaphorically)#This whole episode is basically about WWX's desire for something peaceful and domestic in his life.#and here is little apple - his first companion from the start of his new life - changed to something softer.#Very much a 'look how far we have come moment' that is rather subtle but enjoyable.
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lovey dovey (alt ver of the first one under the cut!)
#HEEHEEEEE GINHIJI BIG LOVE#so refreshing that i can mess around and draw them to my hearts content…..#so domestic here……..im sick cough cough splat#i love them so goddamn much you have no idea#all the little moments that are possible are so fun to draw even if i mostly just draw them yelling and arguing most of the time#i’ve read too much fluff fic and now this is what i have fhdnnfjdjfn suffer with me#silly men are silly and in love#sakata gintoki#hijikata toushirou#ginhiji#gintoki x hijikata#hijigin#hijikata x gintoki#gintama#ok bye
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cheers to the future of humanity (and the future of us)
[ID: Digital illustration in color of Vash and Wolfwood from Trigun. The illustration takes place during the ship/home arc, specifically chapter 21. At the center, Vash is grabbing Wolfwood by the collar and pulls him into a kiss in the middle of a celebration. The pair is colored in vibrant warm hues while their surroundings are colored in cooler colors like green and teals. Luida, Brad, Meryl, and Milly are shown amongst the crowd, occupied in the celebrations as Vash and Wolfwood share a moment by themselves at the center. END ID]
#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#hospital yuri (explodeds) like any average vw enjoyer i will never get over that arc#specifically the scene where they heard the news of earth ships coming and did that little handshake they somehow conjured or#Had already. and then the entire ship had a party... meryl and milly started drinking immediately from joy and dragged vash and ww to get#wasted too and overall celebrate together. the chapter moves quickly just like how the hope was quickly withered out and died just hours#later when knives destroyed it. BUT IM JUST THINKING ABOUT IN THE MOMENT OF IT ALL bc in the same chapter#ww asks for a chance for tomorrow and then gets news of earth ships coming. in this same arc vash is thinking of all the things he needs to#resolve so his home doesn't get attacked so the people he love doesn't have to die and the humans he wants to protect gets to live.#i feel like deep down they both semi-recognize that it can't be this easy and regardless of earth ships coming- there's still a wait for#them to arrive and they have to hold out. and regardless ww still has a mission to follow through and vash knows knives would find out#but in that mood of celebration the entire ship brought in - they can at least let themselves relax for a moment and indulge#how they basically engaged with no violence for the few days they were on that ship coaxing them into domesticity... i feel like their#thoughts would wander to somewhere soft and all#allowing them to push aside the tiptoeing and tenseness and be sweet for a night#ruporas art
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a little family
#buddy daddies#my art#doodles#sometimes a family is an two misfit assassins and the daughter of the guy you offed and thats a okay#but lets not talk about that#we love healing in this house and how do you heal if not after suffering#reis journey through depression and kazukis journey through grief#what 1 little girl does to a man#its 5 am all i can offer are doodles but i love them very much#i know we do reasonably get to call them cowards for not making it gay (esp at the end bc come on)#but i do love whatever relationship they have going becuase theyre just. Thats marriage babe....#theyre not going to be doing any dating with that committment that is the most domestic ass setting ive ever seen#everyone and their mother assumes theyre married/dating and doesnt even question it because theres NO QUESTION T O ASK#only the people involved apparently dont know theyre married#ok nvm they were cowards for not making it gay. but again. theyre clearly married your honor. theyre just a little stupid
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six word dialogue prompts ⋆.ೃ࿔*:・
@celestialwrites for more!
♡ “you chose her, i knew it.”
♡ “stop making me love you, idiot!”
♡ “i wish our fate could change.”
♡ “remember how much he loved her?”
♡ “i refute to let this change.”
♡ “why must all good things leave?”
♡ “you loved him, just not enough.”
♡ “i wish i died back then.”
♡ “her face haunts my dreams forever.”
♡ “to the stars and back, love.”
♡ “never forget what i said, okay?”
♡ “you’re a dumbass, please know that.”
♡ “i’ll be waiting, keep your promise.”
♡ “finding love like that, it’s impossible.”
♡ “thanks, for giving me the will.”
♡ “you’re too good for this world.”
♡ “i’m too dashingly gorgeous to die.”
♡ “enough! stop pretending like you care.”
♡ “please don’t ever lose your heart.”
♡ “as long as i have you.”
♡ “don’t make me regret not dying.”
♡ “people are simple, gone too soon.”
♡ “i never ever regretted knowing you.”
REBLOG TO SUPPORT YOUR LOCAL WRITERS<3
#this is so fun bc when you have too little or too many words it really causes you to think of how you can switch up a sentence#definitely recommend writing lists like these to get your mind thinking#writers on tumblr#writers of tumblr#writing prompts#dialogue prompt#prompts#romance prompts#fluffy prompts#fluffy romance#domestic fluff#angst prompt#creative prompts#creative writing#creative inspiration#angst prompts#angsty prompt#writing list#writing on tumblr#writing ideas#writing community#writing inspiration#fluff romance#romance prompt#angsty prompts#angst writing#fluffy prompt#writing fluff
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Bruce is just hanging out at Clark's place, and watches Clark as the alien busily fixes his sink. Bruce has definitely slept rough, travelled all over the place with minimal resources and trained in some of the worst conditions, but he's never had to do any of this.
Simple things like maintaining a flat, paying rent, arguing with a landlord, buying groceries, decorating a house, these aren't really a part of his life at all. When he catches Bruce staring, Clark defensively declares he likes making the repairs himself, and Bruce replies that he's just fascinated by all the components that make up Clark's life.
#I don't know if anyone has any remote interest in this quasi-domestic imagining#But I like the idea that Bruce has things he can relate to and things that have never been a part of his life at all#Bruce's time is such a precious and scarce resource that even for the fun of it he never bothers washing dishes or chiming in on decor#he just leaves that up to someone else entirely or lets it slide#and Clark is one of the only people around whom he's a little freed and who he has enough in common with to analyze their lives side by sid#superbat#clark kent#superman#batman#bruce wayne#random thoughts#i need sleep#dc comics
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Carry On Countdown
Day 19: Fluff
Tali! Finally! I'm so happy to have finally drawn every member of the Salisbury-Pitch family from my fic with @thewholelemon, Infinity in a Teacup.
Fun facts: Tali's full name is Natalius Anchor Salisbury-Pitch (Natalius for a boy version of the name Natasha and Anchor for the butter brand)
Simon and Baz thought his nickname would be Nat. Then Lucy called him Tali and it stuck
Also on AO3!
#Tali is definitely wiping his hands on Simon's hair#see if you can spot Spadey#i like to think he's a little chaos gremlin#like littlest purple#couldn't resist putting him in one of Lucy's hand me downs#Simon can be a jungle gym and have these idyllic baking moments at the same time#Jenny says I'm drawing the photos that hang on the staircase wall#🥹🥹🥹#i think i've got one more illustration for this world in me for COC#carry on countdown 2024#carry on countdown#coc 2024#snowbaz fanart#Simon snow#domestic fluff#carry on
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nicktoonsunite's tigerghost haunting my brain
#IF I PUT IT INTO THE WORLD IT WILL STOP HAUNTING ME#thats a straightup lie bro i have a half finished fic in my gdocs#anyways thank you so much tumblr user NTU i missed my fave childhood shows n completely forgot about el tigre.. we are all tigreheads here#tigerghost#im not gonna put it in the fr tags. NOT my afternoon lecture sketches#AND THE GRUMPY ONE FELL IN LOVE WITH THE SUNSHINE ONE... AUGHH#i think theyve got such interesting parallels. especially re: living inbetween two extremes#ghost and human. hero and villain. a bit of a bisexual slay on both counts#plus Secret hero identity vs Public antihero alterego. interesting dynamics#also the Riveras >>>>> the Fentons.. let this nice mostly supportive loving family get a traumatized half ghost son in law#(and Jazz shes aight she can come too)#timmy you truly cannot raise an eyebrow you little punk you are happy domestic partners with a boygenius
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childhood friends au danny is submissive the same way a dog wearing a muzzle is submissive, send tweet.
#he's not domesticated he's tamed#danny fenton is not the ghost king#cfau#childhood friends au#cfau danny#dpxdc#dpxdc crossover#i have another post thats literally just this but it talks about a few other things that i associate with danny's character in CFAU.#including a number of crane wives songs. but i am out of creative juice to be all poetic#fun fact had a concept for him that will never see the light of day where he was going to wear a simple black choker everywhere that#his friends could tug on to get his attention. if anyone else tried though they'd lose their hand. i ultimately scrapped the idea#tugging on a collar like you're telling a dog to heel#if you ask me what songs i associate with CFAU Danny i'll tell you#you can leave gotham but gotham never leaves you. she loves her children like oil loves animals#its not fun if it isn't a little toxic
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am i the only one who doesn’t like normal/regular wincest au
because all the supernatural storylines are the main factor that makes their dynamic so special. wincest without horror elements just. isn’t wincest
#to each their own ofc!#but i feel like most ppl want to turn these two unhinged hunters who are also brotherlovers into some regular boyfriends#who only care about dating and nothing else (also i can never get into unrelated samdean aus)#there’s dozens of ships like that….#but it’s supernatural/horror element that makes sam & dean’s relationship so delicious & special#dean selling his soul to a demon to bring his brotherwife back from the dead#sam begging dean for them to turn each other into frankenstein’s monsters so that they could be together forever#the siren who turns into the person you desire most and for dean it’s his little brother#demon!dean chasing sam with a hammer while saying he wants to “nail” him ♡#like name at least one ship where you can have something as beautifully dark as whatever sam & dean have going on#maybe it’s just me but i love spn (esp kripke’s) as a horror show#and i am obsessed with horror & gothic elements in sam & dean’s dynamic#which is probably also why i’m not the biggest fan of domestic sam & dean/weecest/stanford era#wincest#samdean#spn
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at the stage of consuming holmes/watson content where i can't even write anything for them, i just think about them So Much and lay on my side a great deal
#i have so many thoughts and little domestic moments i envision for them#but its kinda just like a little cinema in my head where i can tuck myself away#and cry lmao cry a whole lot#but no writing :))) ffs :))))#sherlock holmes#john watson
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Happy birthday, @a-very-fond-farewell! I figured you would enjoy seeing Mr. Abyss in a silly apron ;)
And Ga On be like: "DON'T MIND IF I DO"
... possibly connected to Who Holds the Devil, I guess, since Yo Han is cooking? The future we're all longing for, or something. Especially Ga On since he finally gets to bury his nose against Yo Han's neck like he's always wanted. That boy.
#Kang Yo Han#Kim Ga On#Gahan#The Devil Judge#Art#Fan Art#KDrama#LOOK#Maybe I feel a little bit guilty about chapter 38#So here#Have some domestic fluff#Also#I'm still trying to figure out how to shade in a simpler way#Not sure if I can call this simple tho x'D#But it IS pretty! :D#I am also on a quest to put Yo Han in the fluffiest sweaters ever#And yes#The Mole is present#I'm pretty sure people would murder me if I forgot about it xD
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he's so stupid
#i love him#thank you for this lovely side story uruchan#my crops have been watered and my skin is clear. i can die in peace now with little first year arlo in my hands#hes so fucking cute i cant#if theres a domestic moment in s3 can we have kuyo teaching blyke the fork technique#first year arlo you are my everything#unordinary#unordinary arlo#arlo unordinary
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And another thing that gets me about the human condition is how we weren't even meant to survive this world alone - humans with humans. We chose to trust certain animals, to nourish them, to be symbiotic with them, to love them like we love ourselves. I think a lot of people talk about how selfish it is for humans to take advantage of animals, but I think that's too simplistic. It's closer to friendship - if you do not foster the relationship, then it simply won't go anywhere, and I think the implication that animals can't ever know anything for themselves, for their survival, is also human-centric and selfish (selfishness not inherently being a bad thing).
It's just nice to know that we want to be around people - we want to be around comfort and security and safety so much that we now have animals by our side. Every time I cuddle with my cat, I think that we weren't meant to survive this world alone; she is shaped to fit in my chest, and my arms were made to wrap around her.
#positivity#and i know many people are like 'but we domesticated animals for what they could do for us 😞' and that's not the full picture...#...YES we fostered certain relationships with animals because they are skilled and they are qualified so to speak...#...but we also must prove ourselves in order to keep our end of the deal. would an animal really WANT to do their work if they...#...weren't taken care of? ESPECIALLY if they're stubborn in nature?#it just seems human-centric to think that all animals are at the mercy of us and could NEVER think or feel#and even then!!! we won't ever KNOW because they have different thoughts and feelings and perspectives we won't KNOW ABOUT#maybe we should just bask in the company and love that animals give us without worrying about committing Awful Heinous Sins#YOU ARE A PART OF NATURE. YOU ARE ALSO AN AMIMAL. YOU CAN SURVIVE WITH OTHER ANIMALS#when you take the time and care to learn about animals you can even relate and feel for them and understand a little better#i just love that humans tend to pack bond so intensely that it doesn't just apply to other people#our instinct to love and care is a good thing. our pack bonding will help us survive.#to live is to be 'selfish'. it is you IMPERATIVE to be selfish
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Can you tell us more about the Usoma-Hibitte
The Usoma-Hittibe is a sister (typically the eldest) of the Usoma, the Wardi monarch.
((IMMEDIATE LINGUISTIC TANGENT: The phrase Usoma-Hittibe could be functionally translated "king-sister"- Usoma has been the word used for Wardi monarchs for much of their history, which does not actually Translate as 'king'. The word Usoma stems from a now obsolete concept-word referring to death as a 'catalyst of the cycle' (referring to death and birth as dualistic forces that sustain life via their perpetual cycling). This gradually became closer in meaning to 'benefactor of life' or just 'benefactor', which began to be applied to kings as an epithet, and eventually became their titles as sovereign with most other uses falling into obsolescence (though it also appears in the name of the Face Kusomache). Hittibe straightforwardly translates to 'sister', though dead literally is a feminine form of a word meaning 'of the (same) womb'.))
The modern day role is largely a remnant of traditions of the oldest Wardi monarchies and their lineage structures (most significantly the Ephenni, who developed the first monarchies and TREMENDOUSLY shaped all following models of Wardi kingship). All Wardi tribes had patriarchal systems of power (though with greatly varying intensities) throughout their recorded history, but not all have been patrilineal.
The Ephenni (and a lot of the other west-southwest proto-Wardi tribes) had matrilineal kinship structures for the vast majority of their history, with kinship passing from mother to son. This translated to a system of royal inheritance where kingship was passed from a king to his sister's eldest son, rather than to his own sons. The king and king-sister would each be wed to their own consorts, but only the king-sister's children would be potential heirs under normal circumstances.
In a societal context where power is patriarchal and inheritance is matrilineal, this system is Very effective for both ensuring inheritance remains in one family AND to prevent succession crises (which the incest approach to keeping rule within a family doesn't accomplish). A child's father generally cannot Technically be completely certain in a world without genetic testing, which in patrilineal kinship opens the door to claiming illegitimacy of heirs. A matrilineal structure where kingship passes from a man to his nephew via his sister negates this- the mother the a child is unambiguous (you can see her being pregnant and giving birth), and even if the child WAS born out of adultery, the illegitimate father does not ultimately matter to the child's status as legitimate heir. The child will bear the mother (and thus the king's) family name regardless, thus keeping power securely in one family with no avenues to dispute legitimacy.
The Usoma-Hittibe thus had profound importance as the mother of kings, outranking the Usoma's actual wife in significance. A Usoma's own sons would instead live out their lives as noblemen with no claim to the throne (though technically would be 'reserve' heirs in catastrophic failures where a Usoma-Hittibe and any other king-sisters fail to birth sons).
This matrilineal kinship structure was lost over the course of history through a combination of internal societal changes, centuries of occupation, and the assimilation of the various pre-Wardi peoples into collective Wardi identity. Imperial Wardi culture now exclusively uses a patrilineal kinship structure. However, before this change could fully occur, the Usoma-Hittibe's role had extended into numerous ceremonial and political roles and was deeply entrenched into the identity of Wardi royalty, and the position was thus retained even through her reproductive obsolescence.
The most obvious shift to the role of modern Usoma-Hittibe is that they are Not Only no longer the mothers of kings, but have absorbed the cultural 'celibate woman occupying positions of power' archetype and now remain unwed and ostensibly virgins for life, as well as having slightly 'masculinized' elements of their performance (their etiquette and some of their regalia is considered masculine, though not to the same extent as Odonii). This parallels the importance of celibacy and 'de-feminization' in Odonii, partly conceptualized as allowing a woman to retain strength in bodily and spiritual integrity that is otherwise deemed only natural to men. Like Odonii, the bodies of Usoma-Hittibe are politicized into symbols, imagined here as physical representations of the health, strength, and integrity of the royal family. She will be used as a proxy for the entire royal family in rites intending to bless and protect them. She is the public female face of the royal family, and serves ceremonial functions in most rites that would normally be taken by a family's wife.
In addition, a Usoma-Hittibe has a significant degree of hard political power. She is the default regent in case of an Usoma's early demise, has the ability to take action in his stead during absences, and can freely make appointments to the lower court (but not the council), giving her potentially tremendous influence over the court. Her power is still ultimately limited- a Usoma has absolute veto over any of her actions, she is prohibited from issuing military commands (even when acting as regent, this must be in coordination with the council), and the inner council has veto power by majority vote on actions she makes in a living Usoma's stead (though the council does not have generalized veto power over regent Usoma-Hittibe).
There has also been a significant shift in recent history to the Usoma-Hittibe gaining significant control over the state priesthood of the Face Kusomache (which is Partly assigned a role as the protector and legitimatizer of royalty). The Usoma-Hittibe is currently THE person who appoints a high priest to Kusomache as an aspect of her ceremonial roles, and the past few Usoma-Hittibe have negotiated privileges to perform rites otherwise exclusive to the priests (which is unprecedented, as this priesthood (and all other core cults to the Faces save for Odonii and Galenii) is closed and all-male). This has contributed to internal fracturing among this priesthood- cult traditions surrounding Kusomache focused on this Face representing death and safe transitions to the afterlife (as well as sacred mysteries and the movements of the cosmos), and the additional 'protector of royalty' trait was rather inorganically assigned by the merging of an entirely separate tradition. Many members of Kusomache's priesthood feel the Face is being warped and defiled, resent the Usoma-Hittibe's appointments of puppet high-priests, see tremendous insult in these royal lay-women integrating themselves into the cult's structure, and fear that these king-sisters will attempt to take over as high priests. Some have even broken off to form a separate sect to Kusomache in response, which by official decree are illegitimate, but is gaining public favor as one of many symptoms of growing distrust and dissatisfaction in the royal family.
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SIDE NOTES ON THE QUEEN-CONSORT
The queen-consort's modern role is somewhat expanded in that she is now the mother of Usoma's heirs, but in few other capacities. Her powers are limited to those natural to her social status, and she has no hard political power whatsoever, even within the scope of the court (though some queens gain indirect power via personally influencing their husbands, sisters in law, and council). Imperial Wardi royal families have generally sought to display themselves as the ideal perfection of the familial sphere with the Usoma as the epitomical protective household patriarch, and thus a queen-consort typically lives in the utmost of feminine cloistering within the palace and is rarely (if ever) seen by the public (in the limited cases in which she travels outside of palace grounds, care will be taken to keep her out of sight within her carriage or litter). This functions to emphasize her privilege as the highest status wife within the domain, and by extension to show the invulnerability of the royal family as a whole by the unseeable and therefore untouchable nature of its Vulnerable wife/mother.
(The concept of a wife being able to exist in protection exclusively within the family home is considered an ideal, which isn't really attainable for nobility and is out of the goddamn question for the lower classes. You'll notice 'women's bodies being heavily politicized and abstracted' being a recurrent cultural theme here- the wife of a household is the vessel for a family's continued existence and conceptually the vulnerable representation of the family's survival, which must be controlled and protected. The social privilege of royalty allows for this to be utterly realized in the case of the queen).
The queen-consort is (apart from being known by name) functionally the abstract concept of the idealized wife and mother and the womb of kings rather than an individual person to most of the public. Attention is actively Drawn to her physical absence via a queen being represented in effigy in the vast majority of public appearances by the royal family (represented in statuary, and in abstraction in the form of the lotus sceptre held by the Usoma-Hittibe). Statues representing each current queen-consort are placed in major temples to Kusomache, Ganmache and Anaemache to gain the protection of these Faces and to be honored by the visiting public.
#Should note that there are varying levels of social conservatism wrt 'Should Wives Leave The House' and it's actually kind of#a minority among the nobility who believe that ideal should be universally and firmly enforced#(and this is Only attainable for nobility. Lower class women have to leave the house to like. work and run errands and fetch water and etc)#This should not be confused for the less conservative crowd having a Significantly more progressive viewpoint (a lot of them are#operating on a 'you're wife is still under domestic protection when you bring her somewhere with you under your watchful gaze' basis)#The most relaxed common viewpoints are like 'yeah it's an IDEAL but chill out a little'#I would like to emphasize again that married couples in this sphere sometimes do like each other and enjoy one another's presence#and that can translate to some men being okay with flexing idealized social norms if it makes their wives happy#Still a TREMENDOUS power differential between men and women in this society ESPECIALLY wrt the structure of marriage and being a#kind and loving person does not automatically translate to unlearning deeply ingrained misogyny or other learned cultural norms#(Which Women Learn And Absorb As Well)#But just like. remember that people are human everywhere
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