#they can have a little domesticity
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whenthewallfell · 2 years ago
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- Peeta and I grow back together -
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poorly-drawn-mdzs · 7 months ago
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Sublime Equine.
[First] Prev <–-> Next
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kitamars · 9 months ago
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lovey dovey (alt ver of the first one under the cut!)
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ruporas · 2 years ago
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cheers to the future of humanity (and the future of us)
[ID: Digital illustration in color of Vash and Wolfwood from Trigun. The illustration takes place during the ship/home arc, specifically chapter 21. At the center, Vash is grabbing Wolfwood by the collar and pulls him into a kiss in the middle of a celebration. The pair is colored in vibrant warm hues while their surroundings are colored in cooler colors like green and teals. Luida, Brad, Meryl, and Milly are shown amongst the crowd, occupied in the celebrations as Vash and Wolfwood share a moment by themselves at the center. END ID]
#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#hospital yuri (explodeds) like any average vw enjoyer i will never get over that arc#specifically the scene where they heard the news of earth ships coming and did that little handshake they somehow conjured or#Had already. and then the entire ship had a party... meryl and milly started drinking immediately from joy and dragged vash and ww to get#wasted too and overall celebrate together. the chapter moves quickly just like how the hope was quickly withered out and died just hours#later when knives destroyed it. BUT IM JUST THINKING ABOUT IN THE MOMENT OF IT ALL bc in the same chapter#ww asks for a chance for tomorrow and then gets news of earth ships coming. in this same arc vash is thinking of all the things he needs to#resolve so his home doesn't get attacked so the people he love doesn't have to die and the humans he wants to protect gets to live.#i feel like deep down they both semi-recognize that it can't be this easy and regardless of earth ships coming- there's still a wait for#them to arrive and they have to hold out. and regardless ww still has a mission to follow through and vash knows knives would find out#but in that mood of celebration the entire ship brought in - they can at least let themselves relax for a moment and indulge#how they basically engaged with no violence for the few days they were on that ship coaxing them into domesticity... i feel like their#thoughts would wander to somewhere soft and all#allowing them to push aside the tiptoeing and tenseness and be sweet for a night#ruporas art
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gunstellations · 1 year ago
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a little family
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celestialwrites · 11 months ago
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six word dialogue prompts ⋆.ೃ࿔*:・
@celestialwrites for more!
♡ “you chose her, i knew it.”
♡ “stop making me love you, idiot!”
♡ “i wish our fate could change.”
♡ “remember how much he loved her?”
♡ “i refute to let this change.”
♡ “why must all good things leave?”
♡ “you loved him, just not enough.”
♡ “i wish i died back then.”
♡ “her face haunts my dreams forever.”
♡ “to the stars and back, love.”
♡ “never forget what i said, okay?”
♡ “you’re a dumbass, please know that.”
♡ “i’ll be waiting, keep your promise.”
♡ “finding love like that, it’s impossible.”
♡ “thanks, for giving me the will.”
♡ “you’re too good for this world.”
♡ “i’m too dashingly gorgeous to die.”
♡ “enough! stop pretending like you care.”
♡ “please don’t ever lose your heart.”
♡ “as long as i have you.”
♡ “don’t make me regret not dying.”
♡ “people are simple, gone too soon.”
♡ “i never ever regretted knowing you.”
REBLOG TO SUPPORT YOUR LOCAL WRITERS<3
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violent138 · 9 months ago
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Bruce is just hanging out at Clark's place, and watches Clark as the alien busily fixes his sink. Bruce has definitely slept rough, travelled all over the place with minimal resources and trained in some of the worst conditions, but he's never had to do any of this.
Simple things like maintaining a flat, paying rent, arguing with a landlord, buying groceries, decorating a house, these aren't really a part of his life at all. When he catches Bruce staring, Clark defensively declares he likes making the repairs himself, and Bruce replies that he's just fascinated by all the components that make up Clark's life.
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rimeswithpurple · 25 days ago
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Carry On Countdown
Day 19: Fluff
Tali! Finally! I'm so happy to have finally drawn every member of the Salisbury-Pitch family from my fic with @thewholelemon, Infinity in a Teacup.
Fun facts: Tali's full name is Natalius Anchor Salisbury-Pitch (Natalius for a boy version of the name Natasha and Anchor for the butter brand)
Simon and Baz thought his nickname would be Nat. Then Lucy called him Tali and it stuck
Also on AO3!
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fauvester · 5 months ago
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nicktoonsunite's tigerghost haunting my brain
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starry-bi-sky · 4 months ago
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childhood friends au danny is submissive the same way a dog wearing a muzzle is submissive, send tweet.
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lambmotifz · 4 months ago
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am i the only one who doesn’t like normal/regular wincest au
because all the supernatural storylines are the main factor that makes their dynamic so special. wincest without horror elements just. isn’t wincest
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blistering-typhoons · 6 months ago
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at the stage of consuming holmes/watson content where i can't even write anything for them, i just think about them So Much and lay on my side a great deal
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lienwyn · 1 year ago
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Happy birthday, @a-very-fond-farewell! I figured you would enjoy seeing Mr. Abyss in a silly apron ;)
And Ga On be like: "DON'T MIND IF I DO"
... possibly connected to Who Holds the Devil, I guess, since Yo Han is cooking? The future we're all longing for, or something. Especially Ga On since he finally gets to bury his nose against Yo Han's neck like he's always wanted. That boy.
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cameronqx · 7 months ago
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he's so stupid
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uncanny-tranny · 1 year ago
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And another thing that gets me about the human condition is how we weren't even meant to survive this world alone - humans with humans. We chose to trust certain animals, to nourish them, to be symbiotic with them, to love them like we love ourselves. I think a lot of people talk about how selfish it is for humans to take advantage of animals, but I think that's too simplistic. It's closer to friendship - if you do not foster the relationship, then it simply won't go anywhere, and I think the implication that animals can't ever know anything for themselves, for their survival, is also human-centric and selfish (selfishness not inherently being a bad thing).
It's just nice to know that we want to be around people - we want to be around comfort and security and safety so much that we now have animals by our side. Every time I cuddle with my cat, I think that we weren't meant to survive this world alone; she is shaped to fit in my chest, and my arms were made to wrap around her.
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serpentface · 2 months ago
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Can you tell us more about the Usoma-Hibitte
The Usoma-Hittibe is a sister (typically the eldest) of the Usoma, the Wardi monarch.
((IMMEDIATE LINGUISTIC TANGENT: The phrase Usoma-Hittibe could be functionally translated "king-sister"- Usoma has been the word used for Wardi monarchs for much of their history, which does not actually Translate as 'king'. The word Usoma stems from a now obsolete concept-word referring to death as a 'catalyst of the cycle' (referring to death and birth as dualistic forces that sustain life via their perpetual cycling). This gradually became closer in meaning to 'benefactor of life' or just 'benefactor', which began to be applied to kings as an epithet, and eventually became their titles as sovereign with most other uses falling into obsolescence (though it also appears in the name of the Face Kusomache). Hittibe straightforwardly translates to 'sister', though dead literally is a feminine form of a word meaning 'of the (same) womb'.))
The modern day role is largely a remnant of traditions of the oldest Wardi monarchies and their lineage structures (most significantly the Ephenni, who developed the first monarchies and TREMENDOUSLY shaped all following models of Wardi kingship). All Wardi tribes had patriarchal systems of power (though with greatly varying intensities) throughout their recorded history, but not all have been patrilineal.
The Ephenni (and a lot of the other west-southwest proto-Wardi tribes) had matrilineal kinship structures for the vast majority of their history, with kinship passing from mother to son. This translated to a system of royal inheritance where kingship was passed from a king to his sister's eldest son, rather than to his own sons. The king and king-sister would each be wed to their own consorts, but only the king-sister's children would be potential heirs under normal circumstances.
In a societal context where power is patriarchal and inheritance is matrilineal, this system is Very effective for both ensuring inheritance remains in one family AND to prevent succession crises (which the incest approach to keeping rule within a family doesn't accomplish). A child's father generally cannot Technically be completely certain in a world without genetic testing, which in patrilineal kinship opens the door to claiming illegitimacy of heirs. A matrilineal structure where kingship passes from a man to his nephew via his sister negates this- the mother the a child is unambiguous (you can see her being pregnant and giving birth), and even if the child WAS born out of adultery, the illegitimate father does not ultimately matter to the child's status as legitimate heir. The child will bear the mother (and thus the king's) family name regardless, thus keeping power securely in one family with no avenues to dispute legitimacy.
The Usoma-Hittibe thus had profound importance as the mother of kings, outranking the Usoma's actual wife in significance. A Usoma's own sons would instead live out their lives as noblemen with no claim to the throne (though technically would be 'reserve' heirs in catastrophic failures where a Usoma-Hittibe and any other king-sisters fail to birth sons).
This matrilineal kinship structure was lost over the course of history through a combination of internal societal changes, centuries of occupation, and the assimilation of the various pre-Wardi peoples into collective Wardi identity. Imperial Wardi culture now exclusively uses a patrilineal kinship structure. However, before this change could fully occur, the Usoma-Hittibe's role had extended into numerous ceremonial and political roles and was deeply entrenched into the identity of Wardi royalty, and the position was thus retained even through her reproductive obsolescence.
The most obvious shift to the role of modern Usoma-Hittibe is that they are Not Only no longer the mothers of kings, but have absorbed the cultural 'celibate woman occupying positions of power' archetype and now remain unwed and ostensibly virgins for life, as well as having slightly 'masculinized' elements of their performance (their etiquette and some of their regalia is considered masculine, though not to the same extent as Odonii). This parallels the importance of celibacy and 'de-feminization' in Odonii, partly conceptualized as allowing a woman to retain strength in bodily and spiritual integrity that is otherwise deemed only natural to men. Like Odonii, the bodies of Usoma-Hittibe are politicized into symbols, imagined here as physical representations of the health, strength, and integrity of the royal family. She will be used as a proxy for the entire royal family in rites intending to bless and protect them. She is the public female face of the royal family, and serves ceremonial functions in most rites that would normally be taken by a family's wife.
In addition, a Usoma-Hittibe has a significant degree of hard political power. She is the default regent in case of an Usoma's early demise, has the ability to take action in his stead during absences, and can freely make appointments to the lower court (but not the council), giving her potentially tremendous influence over the court. Her power is still ultimately limited- a Usoma has absolute veto over any of her actions, she is prohibited from issuing military commands (even when acting as regent, this must be in coordination with the council), and the inner council has veto power by majority vote on actions she makes in a living Usoma's stead (though the council does not have generalized veto power over regent Usoma-Hittibe).
There has also been a significant shift in recent history to the Usoma-Hittibe gaining significant control over the state priesthood of the Face Kusomache (which is Partly assigned a role as the protector and legitimatizer of royalty). The Usoma-Hittibe is currently THE person who appoints a high priest to Kusomache as an aspect of her ceremonial roles, and the past few Usoma-Hittibe have negotiated privileges to perform rites otherwise exclusive to the priests (which is unprecedented, as this priesthood (and all other core cults to the Faces save for Odonii and Galenii) is closed and all-male). This has contributed to internal fracturing among this priesthood- cult traditions surrounding Kusomache focused on this Face representing death and safe transitions to the afterlife (as well as sacred mysteries and the movements of the cosmos), and the additional 'protector of royalty' trait was rather inorganically assigned by the merging of an entirely separate tradition. Many members of Kusomache's priesthood feel the Face is being warped and defiled, resent the Usoma-Hittibe's appointments of puppet high-priests, see tremendous insult in these royal lay-women integrating themselves into the cult's structure, and fear that these king-sisters will attempt to take over as high priests. Some have even broken off to form a separate sect to Kusomache in response, which by official decree are illegitimate, but is gaining public favor as one of many symptoms of growing distrust and dissatisfaction in the royal family.
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SIDE NOTES ON THE QUEEN-CONSORT
The queen-consort's modern role is somewhat expanded in that she is now the mother of Usoma's heirs, but in few other capacities. Her powers are limited to those natural to her social status, and she has no hard political power whatsoever, even within the scope of the court (though some queens gain indirect power via personally influencing their husbands, sisters in law, and council). Imperial Wardi royal families have generally sought to display themselves as the ideal perfection of the familial sphere with the Usoma as the epitomical protective household patriarch, and thus a queen-consort typically lives in the utmost of feminine cloistering within the palace and is rarely (if ever) seen by the public (in the limited cases in which she travels outside of palace grounds, care will be taken to keep her out of sight within her carriage or litter). This functions to emphasize her privilege as the highest status wife within the domain, and by extension to show the invulnerability of the royal family as a whole by the unseeable and therefore untouchable nature of its Vulnerable wife/mother.
(The concept of a wife being able to exist in protection exclusively within the family home is considered an ideal, which isn't really attainable for nobility and is out of the goddamn question for the lower classes. You'll notice 'women's bodies being heavily politicized and abstracted' being a recurrent cultural theme here- the wife of a household is the vessel for a family's continued existence and conceptually the vulnerable representation of the family's survival, which must be controlled and protected. The social privilege of royalty allows for this to be utterly realized in the case of the queen).
The queen-consort is (apart from being known by name) functionally the abstract concept of the idealized wife and mother and the womb of kings rather than an individual person to most of the public. Attention is actively Drawn to her physical absence via a queen being represented in effigy in the vast majority of public appearances by the royal family (represented in statuary, and in abstraction in the form of the lotus sceptre held by the Usoma-Hittibe). Statues representing each current queen-consort are placed in major temples to Kusomache, Ganmache and Anaemache to gain the protection of these Faces and to be honored by the visiting public.
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