#they can be equally important why does it matter

[rotisseries]

posts where people say they don't like zelink bc it's just another knight/princess ship kill me dead like wdym. are you shipping things based off the characters job descriptions

[dragonanon]

Also if you work at said place, you should NOT have to pay to park there!

[leviathanxprincess]

Introducing Homicipher Characters to Your Plushies - Pt. 1

The Homicipher Characters come to you in hopes for whatever insanity they plan to drag you into, you instead have a different plan! Showing them your plushies!

Based off my series for the whb devils ! Consider this is scenario where you brought them back to your world with you and they understand your language fully now and vice versa !

Notes: Some very light suggestive content. Gender neutral reader ! This round of characters includes: Mr. Crawling, Mr. Scarletella, Mr. Chopped. Mr. Silvair, Mr. Gap, Mr. Hood, & Mr. Machete !

Mr. Crawling

Honestly you could do anything and it would just make him love you more.

But especially in this case!

He will sit and listen intently to every last thing you have to say about your plushies!

And he's memorized all of their names for you!! He knows which ones are your favorites and which ones you find the most comforting when you're upset.

He thinks you're so cute when you talk about them too!

He gives you and your plushies pets as you talk about them!!

Squishes your cheeks, you're the most adorable person to him and he's glad you shared with him such an important part of your life.

Will go out and find even more plushies for you. He would do anything for you after all!

Mr. Scarletella

If I'm being honest you could honestly talk about anything and he would just listen.

It wouldn't matter the topic. You wanna talk about your plushies? Then yeah of course he's gonna listen and eat up every detail.

He loves seeing your smile, and admittedly he does get a bit of cuteness aggression from it so prepare yourself for that lol.

However.... He does get kind of jealous of them too.

What do you mean he's not the only being you've given names to? Not to mention the amount of attention and affection you give to them.

Yes, these aren't living creatures and he knows this but he can't help himself!

He gets irritated about it, if you notice his jealousy right away and stop and give him attention then he'll get over it quick.

If it takes you longer to notice however. Things might end up requiring a much more bigger solution than just a few kisses and cuddles.

Mr. Chopped

They're very cute!! He likes your plushies and how excited and cute you get when you talk about them!!

But... They're not as cute as him, right?

Expect to be showing him an equal amount of attention as you are your plushies as your introducing him to them.

He just gets so grumpy and jealous way too easily.

He very much requires you to gush about him just as much as you gush about these inanimate objects.

And as long as you do so he is pleased and content and can live in harmony with your plushies.

He takes note of the names and while he might not remember every last detail, he does like talking to you about them!!

He knows it's an easy way to make you happy and he very much likes making you happy!!

However you'll never know that sometimes when you're not looking, he's glaring at them.

Mr. Silvair

While I don't think he really cares that much about the plushies, he is interested in humans. And you.

So he'll listen. It gives him a bit of insight to how not human minds work, but specifically yours.

This odd cute stuffed creatures bring you immense joy, he's not sure why, but he knows it does and he would like to know why.

Honestly it doesn't really matter what you do, everything to him provides him with more research.

That being said, it's not like it ends up being solely about his research.

He does end up finding himself being oddly endeared by your behavior and how happy you when talking about your plushies.

He's taking to placing them on your whenever you're upset or need comfort. Especially since he knows it works.

He can soft and sweet sometimes. At least when it comes to his favorite human, of course.

Mr. Gap

The idea came to you when you saw him peeking out of a dark gap that was in your plushie pile!

He came to ask one of his typical questions, but you didn't let him get a word in!

You immediately just picked up one of your plushies and started talking about them!

He doesn't really quite find anything interesting about the plushies, but he is interested in you so!

He will listen to what you have to say. And he does know some of your plushies by name after you tell him about them.

Will occasionally show up with plushies he's found that he thinks you will like.

Of course you need to give him your heart to have them though!

You won't?

Well... he guesses he can settle for a kiss or something instead....

Mr. Hood

He doesn't quite fully understand your deep attachment to these objects, but he'll support your love for them fully.

We already know he's a good teacher, but he's also one of the best listeners as well.

He will sit for however long it takes for you to share with him all of your plushies and their names and even lore if you have that for them as well.

He does find it rather endearing, even if he's not quite sure why he enjoys you talking about something for so long.

Will pat your head occasionally, if only he had a head that you could see because if he did he would have the softest smile on it as he watches you talk.

Truly experiencing you share this with him just puts an even deeper desire in him to protect you from any and all harm.

He will make sure and be guaranteed to protect that bright, beaming smile on your face that you have in this moment. At any cost.

Mr. Machete

He does not give a shit.

Or at least that's what he says.

And well, to be fair, he is annoyed by your focus on these cute nonthreatening soft things instead of just sparing with him or something.

Don't ask him if he's jealous of your plushies, he'll deny it to ends of the earth.

Ignore that he's been acting grumpy since.

Just give him a little extra attention and he'll be fine.

Also seems like the kind to get cuteness aggression. But his cuteness aggression just leads to him wanting to fight you. And bite you. Maybe some scratching too. Basically he's not gonna be nice about it and just give you squeezing hugs or something lol

[saucingitup]

Kraken broadcaster JT Brown shares why Pride is so important to him and why he’ll be celebrating the LGBTQ+ community all month long

June is an exciting month. There’s Stanley Cup final hockey on the TV, the sun is shining down on Seattle, I hit the links on Father’s Day, and it's Pride month—a month dedicated to celebrating the LGBTQ+ community and commemorating the 1969 Stonewall Uprising in Manhattan. In our house, June is a busy month, but nothing gets celebrated harder than Pride.

Earlier this month, I had the honor of playing in the Seattle Pride Classic at the Kraken Community Iceplex. The invitation to share the ice with LGBTQ+ players from all over is an honor I don’t take lightly. Striking up a conversation on the bench between shifts, I turned to the player next to me. “Nice tape job. Canucks fan?” I said, noting the different colors of tape spiraling down the blade. “No, these colors represent one of the queer flags,” they said.

The bad news is I felt like an idiot. The good news is, I’ll always recognize that flag. Trying means stumbling, losing the puck, shooting wide (pick your analogy), but I’ve never been too proud to admit I caused the turnover and apologize. And we both laughed because sometimes falling on your ass is funny.

From ice to asphalt, the Pride celebration continues as my family and I will be at the 50th annual Seattle Pride Parade on June 30. As someone who is known for their flair for flashy game-day suits, it should not come as a surprise that I love an excuse to get dressed up. Throw in good music and free swag and you’ll understand why I don’t miss a pride parade.

And no one does pride quite like Seattle. It’s no wonder the Kraken pull up to the parade every year with a crew so deep I momentarily worry we’re going to hold up the parade. We’re out there flinging Kraken giveaways like someone is keeping score of how many each employee can hand out—I always aim for the high score.

Of course, being an ally isn't just flinging Kraken patches into a crowd or embarrassingly mistaking flag colors for rival team branding. A lot of it is just showing up.

I show up for my queer wife so she knows I support her even if I still don’t understand what “Brat summer” means. I show up for my kids so they know I love their authentic selves no matter what. I show up for my friends so they know they’re safe with me. I show up because there are LGBTQ+ people out there who are being stood up by the ones they love, by policies, by corporations, by strangers.

People always praise me for being an ally, but having been on the receiving end of bigotry, I know how much easier it is to stand on this side. When I fight for BIPOC equality, I am always lifted by the voices and support of the LGBTQ+ community. Every single time, they have supported me in my fight to help end racism in hockey.

They have been incredible teammates to me and so being one to them was never a choice I made, it was just something I did—and will continue to do with whatever platform I’m given. Everyone deserves the safety and support to live their authentic lives. When we lift up those who need us most, we all reap the benefits of a safer and more inclusive space.

This Pride month, I’d like to encourage others to show up—unabashedly loud and proud—for yourself and for others. Have a happy, safe, and fun Pride!

[bamsara]

If given the motivation I would ramble more about Trod, specifically Tyren and how he's my little dude but also a character who's behavior I've based on being a victim of obsession and idolization myself and how it's very cathartic to write a character exhibiting all the traits, both good and bad I've experienced in the Lamb's position and then knowing exactly how his story ends

That and some Narinder rambles and how Lamb is more comfortable with him than a sweet dog that surely shows more respect for them (idolization that does not see them as a person)

edit: nevermind I did end up rambling. Some TROD spoilers

its great I love this stupid dog and his scheming ways and writing just *why* he's doing what he's doing with genuine belief it's to better protect what and who he loves without actaully taking into account the subject of his affection's feelings on the whole matter. He would never hurt the lamb physically but clearly that three eyed cat is nothing but stress for them (and is he wrong? is Narinder not a source of stress? We are not light in the 'enemies' part of the friends to enemies to friends to lovers part of the trope)

Though the difference between Narinder and Tyren, the rehabilitation and the corruption, although all entitlement, is agency.

Narinder often touts himself as uncaring and hostile to the Lamb and is still angry from the betrayal, as they are, but their agency is still considered even in anger.

In the Fox chapter where Narinder wishes to sacrifice Grekimar and Tyren, Lamb refuses. They argue about it and Lamb stands their ground, Narinder is unhappy about it but does not go behind their back and sacrifice cultists anyway when he very well could.

After reuniting after the fight when Leshy is revived, Narinder and Lamb argues heavily over the subject of whether or not Narinder is allowed to kill Leshy, someone who harmed both him AND the Lamb severely, and even though he's bitter about it, Narinder acknowledges the Lamb was not given a choice prior and will sacrifice his own revenge and comfort so the Lamb can have their agency returned, at least a little bit.

^^^ This one is a complicated one because between both characters, neither killing the bishops nor keeping them alive would result in both characters getting what they want, with reasonable desires for it (wanting to have choice again, wanting revenge on their tormentors, ect)

so Narinder essentially sacrifices his comfort for the Lamb, someone who is constantly sacrificing pieces of themselves and sanity to keep everything in peace

It works the otherway around as well: Narinder demanding talismans and God Tears and Relics from the Lamb and they agree, not because they're required to do what he says but because that's their friend, and they trust him enough to help him with whatever he's doing

(and back to the argument where the refusal to sacrifice two followers was in exchange for some of their heart, Narinder refuses and breaks the deal off immediatly even though the Lamb was willing. The Lamb is obviously more important than whatever goal he had in mind, essentially scrapping his partnership with the Fox and method to gain power because he didn't want his usurper to be weakened. and other things.)

I won't talk about EVERY instance of this because this is already a long post, but overtime the two are forming communication, compromise, and even in anger, there is a respect there that puts them on the same level as equals.

Tyren does not really fall into that.

Tyren would never, and I mean NEVER hurt the Lamb physically. He would never yell at them, never be angry with them, never be upset with them, because he does not see them enough as a person to feel those things around them. And if the Lamb does disagree with him or make him upset, he will simply....disregard their current feelings on the situation and do what he thinks is best for him and them, even if it goes directly against their wishes.

And unlike Narinder, he would do it behind their back to stay in their good graces.

Tyren does care for the Lamb. Genuinely. He did long before that necklace was around his neck. He was already a little obsessed before the loyalty necklace was on him, it just gave him a slight edge.

He respects them but also doesn't. He takes their rejection at the party in stride and is completely unphased by it, completely understanding, but also plots to kill someone the Lamb called a 'friend' because the three-eyed hermit is clearly stressing them out and it makes no sense as to why they're crusading with him, or spending time with him when he's been nothing but a murderer and a blight.

I think a good summary of all this ramble is that when the Lamb tells Narinder to leave Tyren alone, Narinder goes 'whatever i fucking hate you and this stupid cult anyways. die forever' but does what they ask, while Lamb tells Tyren to please leave Narinder alone, and Tyren goes 'sure! :) anything for you my lamb' and digs up a corpse and drops it's mashed remains outside of the cat's hut with a fake letter from the Lamb saying it's 'breakfast'.

Narinder and Tyren are both very selfish, but in different ways

None of this probably makes sense

It is also 6AM

[fillinforlater]

On her jeans (Part 3 of 3)

Male Reader x Kim Minji, Hanni Pham, Danielle Marsh

Length: 4606 words

Tags: Daddy kink, anal galore, blowjob, face fuck, blindfolded, 4some, pearly gates, spitting, spanking, cursing, humiliation, missionary anal, analpie, ass eating, rimming

TW: kinda rough, pure, stupid smut, ass eating, eating cum out of ass

-Part 1- -Part 2- -Part 3-

(A/N: the most likely final part of the On her series. This fic is very mindless lmao. Important announcement at the end.)

“Yes, Daddy, that feels so good!”

Hanni’s enthusiasm is almost limitless. No matter how often you’ve ordered her to your office or your apartment or some secluded bed and breakfast, she never let you down. No, the only thing ‘down’ is the momentum of her hips whenever she rides you on the couch, her beautiful ass turned towards you. She loves to make it wiggle when your cock fills her cunt.

You take delight in such a sight and give her the good-girl-spanks she deserves. Hanni craves them as much as she craves your eyes, seeing nothing but love in hers. There is nothing stopping her from leaving, you never demanded the same things from her then you did from Minji. But where Minji lacks endless love and desire for you, Hanni fills these gaps and then some. 

“Oh my God, Daddy, you-you’re gonna make me cum again!” Hanni’s throat is sore from her moans and screams (and the rough face fuck you gave her earlier). “I-I can’t hold it!”

“Why would you hold it?” you ask her and pull her back against your bare chest. “Ruin yourself all over me, you slut.”

You give her thrusts, quick, not too strong and that is all she needs. Her effort was remarkable but in the end she wants you to fuck her over the edge. Hanni’s pussy convulses around your cock, tries to milk it and you are about to give in when your cell phone rings. 

“Fuck,” you curse and pick it up while dropping a powerless Hanni to the carpet floor. “Who is this?”

“Yo, have you turned on the TV?” the person on the other end, some former manager of a group you were interested in, asks. “Today are the MAMA awards.”

“And? They’ve been the same for basically forever. And you know I don’t have any control over—”

“Oh no, another group has won.” You can hear the smirk on his lips. “I bet you’ve heard the song and the group—some of them are under your wings, I assume?”

For a moment you are confused, then it dawns on you brightly. “You could say that,” you respond calmly and look at one of those who are under your wings—though under your cock fits better. “Let me be honest, I did not think that they would make it this far.”

“Their success is unheard of, they must have paid you really well,” he continues knowingly. The kind of business you do is in a paradoxical state of infamously known and also a dark secret in the industry. It’s a tightly knit conspiracy where every wrong step, every wrong turn can cost you basically everything. 

“Maybe they have to offer me something new, a MAMA win does not come around very often.”

#

“Congratulations on your win. I bet this is part of every trainee's dream” Sent by you

“Thank you, Daddy~ It definitely is, but I’m certain we couldn’t have done it without you “ Sent by Hanni

You smirk and scroll through your gallery. There is a picture you’ve saved, a picture of something you want. Some people screenshot what they want from social media apps or shopping sites—you will do the same right now, though your picture does not include a product one can buy. 

“I found this picture of you and one of your friends. She is very attractive.” Sent by you

“I know, Danielle ist so damn pretty <3” Sent by Hanni

“Her prettiness equals probably two MAMA awards…” Sent by you

That should do it. Hanni is probably stunned right now. If Danielle is next to her, she probably looks at her—your terrible influence deeply rooted in Hanni’s mind—and she will see what you see: another object for your desire, another girl you can train to make your personal fuck doll, another idol sold by her bandmate. Unlike Minji, Hanni might actually like the idea. 

You wait patiently as she ponders, typing, then deleting message after message until she settles for a simple text that makes this unhinged, lustful being inside you lose any and all control.

“Daddy deserves his reward as soon as possible. We need just 20 to 30 minutes~” Sent by Hanni

With a victorious sigh, you throw away your smartphone. It audibly cracks on the floor, but you don’t give a fuck. Phones can be bought again, but what you will get, no one can buy. These next twenty minutes will feel like hours and every second beyond that will make you lose your mind. Atleast, that is what you would have to assume if it weren’t for someone suddenly sneaking into your apartment. 

Timid, quiet steps. The person is not wearing shoes. You hear the door fall shut, gently and suddenly, she stands in your doorframe. As if your life was a script, written by a higher being which, for some reason, likes your story to be filled with as much sexual fulfillment as possible, Minji has decided to come visit you. 

“Hello, Daddy,” she coos, catching your gaze with the way she presses her frame against the door frame. Her two piece outfit with all its white frays perfectly merges with said door frame, the warm light making it look like she could disappear in your walls. “I’m sorry for not announcing myself, but may I come in?”

“That depends,” you say, trying to act not-too-happy about her convenient timing. “It’s nice to see you barefooted and in this pretty outfit—but you need to approach the right way.”

“Of course, Daddy.”

Minji gets on her knees. She begins to crawl over your wooden floor and seeing her eager eyes has you riled up. Instead of waiting for her to unbuckle your belt, you open it on your own and let your pants drop when her face reaches your crotch. Minji moans gently and presses her face against the massive bulge in your boxers. She’s not really teasing you. It’s more of a ceremony, because Minji quickly proceeds to pull down your boxers with nothing but her teeth.

“Daddy, it’s so big and beautiful,” Minji says in all honesty, her idol persona washed away by her own horniness. “May I service you with my mouth?”

“Stick out your tongue,” you order and Minji follows. You slap your tip on the exposed wet muscle and watch her faintly smile at how excited you seem. “Looks really good, how could I say no?”

No warning and just a moment later, you are buried to the hilt in Minji’s throat. She gags violently, her head tilted backwards and her wide eyes quickly release a torrent of tears. You don’t comment on it, watch on with a cold, resting bitch face and begin to fuck her face roughly. It’s hard thrust after hard thrust; not too fast though, because you want to see the submission steadily grow in her eyes.

“Fucking good, so much better since you started taking my cock like a premium whore,” you hiss and reach for the sides of her head. She locks eyes with you and through a sea of tears, you can see that she is happy. Still happy. “But it won’t be enough. I need more, another hole, and I’m not talking about your pussy. I know that you are dripping from there, but I’m going to split you open somewhere else.”

You pull out and watch Minji try to catch her breath, shocked, weak; she gets no time to recover however. You grab her hair and slide back into her not-awaiting, but slave-like throat. She takes your pounding even as it forcefully removes her faint mascara and leaves her a drooling mess. It’s Minji’s masterclass in deepthroats—a fitting end, because you will fuck something else today.

After many harsh thrusts, too many to count, but enough to have Minji at your complete mercy, you pull out. She bends over, tries to keep her composure and breathe, but you won’t allow this. She has to look at you and understand what you desire. You slap her face and spit at it. “Don’t avoid me, look at me!” you shout and Minji is tiny. A kneeling tiny bitch who follows your commands. “I will fuck your ass, do you understand?”

“Yes, Master,” Minji cries and puts her forehead to the floor. “Tha-Thank you for the award, Ma-Master. Please, a-abuse my ass.”

Not that it tugs at your heartstrings or anything—but instead of just fucking her in this state of complete devastation, you help her up, to her feet and cup her cheek firmly… almost gently. Minji still sobs, barely able to look up at you.

“You are here to thank me with your ass? That is actually adorable and very thoughtful of you.”

“I-I thought, because Master hasn’t fucked me th-there yet, and because he probably did with Hanni already, I—”

“Oh, I understand, but Minji—” You lean down to her ear and whisper, while your hand travels down her bare midriff into the dress and finds her folds, soaked in arousal. “—we are already past the Master stage. And you underestimate my greed, my desire for more, infinitely more. Don’t worry about that though. Get on the couch and show me your cute little asshole.”

“O-okay. Thank you, Daddy.”

As Minji lays down and wiggles off the bottom part of her dress, you get a bottle of water-like lube from a drawer in the living room table. These bottles are always nearby because situations like this have occurred quite a few times in your life. More than you can count, enough to make you the biggest villain for every girl group fan.

When you pour the lube on your cock, you inspect Minji and her cute posture. She is on her back, legs spread and in the air, while her fingers keep her butt cheeks apart. Her ring twitches and it twitches more when you rub lube all over it. Minji mewls, and mewls some more when you push a finger past the first tightness to lube the inside as well.

“You are a bit stiff, you need to loosen up or else it will hurt.”

“Isn’t it supposed to hurt?” Minji asks in all honesty. “I’m okay with Daddy hurting me, as long as he feels good.”

You have to hold back or else you would’ve laughed at her innocent expression and the confused fear in her orbs. You align your cock with her ass, not to immediately force yourself inside that hot, tight hole, but to teach Minji how to take you well.

“If you relax, Minji, I promise it will feel good. Weird at first, probably too big, but the more you loosen up and let your asshole become a source for pleasure, it will feel great.”

“Hanni probably already knows this,” Minji mumbles in shame. You quickly reach for her jaw and put a chaste kiss on her lips.

“To be honest, I haven’t even fucked her ass before, so stop worrying. Take deep breaths and stay re-laxed.” With those final words, you wait for Minji to follow your instructions—breathe in; breathe out—before you push your cock into her brown hole.

“Oh Daddy, fuck,” Minji groans, right into your face and you love how her hands start to hold onto your back, your arms as you push more cock into her. “You are so, so big!”

“There is still more, but you are doing a great job, Minji,” you respond calmly, lifting up her ass a bit to penetrate her deeper. “Soon, you’ll love this more than anything.”

“Daddy!” Your cock is fully inside her and Minji seems to go crazy, her head thrown back into the couch, her mouth releasing loud moans rapidly. Her anal cavity squeezes you tightly, tries to wring you and it’s insanely impressive. She takes you fully on the first go and slowly catches herself. “I-it feels weird but soooo—”

“Good, right? I can feel you relax, so I will start to fuck you for real now. Congratulations, you’re not a butt virgin anymore!”

Minji weakly laughs and then gasps when you drag your cock mostly out of her ass just to push it back in, deep, to the fucking hilt. You watch as her eyes open wide, then narrow, then close, all in the rhythm of your pumps. Her cunt drips more juice too, she cannot deny the pleasure.

“Daddy, why, why do you feel so good?” Minji screams. “Why, your cock—you made me your butt slut!”

“You’re a natural at this, most of your kind quickly become addicted.”

“Make me addicted, Daddy! Please, use this hole and make me—”

You reach underneath her frayed top and pinch a hard nipple, while your teeth go for her lower lip. You can feel her insides combust, her ass clenching around your cock, her pussy convulsing around nothing, yet it is enough to make her cum. Minji is orgasming from just her ass, but she tries to hide it. 

“There is nothing to be embarrassed about,” you laugh and begin to fuck Minji harder, her ankles in your firm hands. “Cum with your ass and be mine forever. You cannot escape anyways, so why would you want to? Don’t run from the pleasure, because I won’t stop fucking you until—”

Suddenly, you hear a key in the lock of your front door and someone whispering. Then quiet steps. Minji grows tense but you just smile at her, reassure her that there is nothing to be scared off. “Oh, you know these two, don’t worry~” 

“Huh?”

You look up and spot the first girl, Hanni, who smirks when she sees you. She puts a finger to her luscious lips and winks. You get her idea and press your palm on Minji’s mouth to keep her quiet while you slowly thrust into her tight ass. The young girl is visibly shocked that you just continue, but her shock grows even more when she spots the second girl.

“Unnie, this is weird. How long do I have to wear this blindfold?”

“Just a little bit longer~ We are almost there, just a few more steps.”

Hanni guides the blind Danielle, a beautiful, skinny girl dressed in what you assume is a stage or award show outfit. Either way you love how exposed her midriff and collarbone are. Danielle’s skin is flawless and her face looks even better than in pictures or videos.

The two get closer. Hanni is now behind the taller girl and guides her by holding her hips. The two seem familiar with this kind of intimacy. You quietly pull out of Minji’s butt and luckily, she stays quiet in this tense situation. 

“Dani, we have arrived,” Hanni giggles and wraps her hands around her friends’ tiny waist. “I have a present for you, but you have to get on your knees and guess what it is~”

“Unnie, if it’s your pussy again—we already did that! And if you want to fuck, you can just ask!”

You raise an eyebrow at Hanni who is clearly nervous and sweating. She got caught fucking with a second member of her group without your permission. You can’t really blame her. You can’t wait to stick your cock into that tight body and fuck Danielle’s mouth with your fingers. But for now, you let Hanni finish her game.

“This time,” she continues and kisses Danielle’s shoulder. “It’s something different. I have found the biggest, most beautiful cock because I know you would want to suck one of those someday.”

Danielle’s pale skin starts to burn with a deep red. All of her blood seems to go to her face. She starts to lose focus and whimpers a bit, especially because Hanni becomes more touchy, hands on her chest, her tummy, her ass.

“H-how did you know, Unnie?”

“You are really, really bad at hiding your dildo’s, Dani. I found like four of them. One still had your saliva around it~”

Danielle puts both hands to her face and lowers it in shame. Everyone in the room can still feel the glow of her blush through her fingers. You stroke your cock once, amused at the situation, but also tired of waiting. Hanni notices and continues her plan quickly.

“Look, Dani, I’ll show you how to do it.” Hanni lowers herself in between your legs. For the first time, you check out her outfit. Odd, you remember it from some performances a few months ago—does it really matter when she immediately goes to suck you, throat you even? “Oh my, it tastes so good! I wonder why that is?”

You point to Minji’s still exposed asshole and Hanni smirks knowingly. Poor Minji did not dare to move a single inch this entire time but now with Hanni’s loud gagging filling the room, she can stop being quiet and move her hands to cover up.

“U-unnie, are you really sucking it?” Danielle asks the obvious, still in disbelief. “Is it a real one, like, are you sucking a boy?”

Hanni pops you free from her perfect lips and makes sure to taste all of the lube and Minji’s ass from your manhood with her tongue. She cleans you passionately, from sac to tip until you finally give her a bit of precum. 

“Dani, he is a man, a Daddy. Trust me, he is very good looking and his cock is even better~” Hanni’s voice is so lewd, it feels cursed with her adorable visuals. You relish in her compliments and brush her black strands back behind her ear. “Kneel next to me and I show you.”

Danielle kneels down, her small frame taking the spot in between your legs next to Hanni. She is still confused though. “But Unnie, how can you show me if I’m not allowed to remove the blindfold?”

Hanni rolls her eyes and without warning, grabs Danielle’s face and pulls her into a kiss. The younger girl flails in surprise, finds hold on your thigh, but somehow she can’t hold onto it for long. Maybe the thought of a stranger really seeing her like this makes her lose grip on the situation—a good thing in your book.

“Ha-Hanni-unnie!” Danielle shrieks when their lips disconnect. “Why, why did that taste so good?” 

“If you want more, you need to suck and clean his cock like I did. Here, open your pretty mouth and be a good girl for Daddy~”

“You say weird stuff—ugh, hng!”

You groan softly when Hanni not-so-softly pushes Danielle’s face down your cock. A new, sensational throat engulfs you. Of course you expected violent gags and tears coming from behind the blindfold, how could you not. Hanni is literally forcing Danielle to deepthroat you for the first time. Her dildo training seems to have paid off however: Danielle is a lot more composed, measured even and makes sure to keep her teeth off of you. 

Soon, she finds her own pace and bops up and down your shaft, using her tongue from time to time without yet knowing where it actually feels good for you. It’s hard for her to learn when she can’t read your facial expression, so she just guesses and sucks and bops her head. It makes it all the more impressive how she can keep up with you and do a better job than Minji did on her first try.

“Hanni-unnie,” Danielle immediately shouts after getting her mouth off of your dick. “That was very mean of you, like, what the—”

You interrupt the young, angry girl by giving her blindfold a tug and watching it fall off of her dazzling, still flushed features. You smirk down at her as she watches up in awe, her eyes inspecting you like you did to her earlier.

“Oh, he-hello, sir,” Danielle says and tries to be formal while your cock is still on her lips. “I’m sorry we just walked into here and… about this.” She points at your hard shaft which you take in your hand and poke against her soft cheek.

“Don’t worry about it, you beautiful thing. In fact, I should be sorry about this right here.” You point next to you, where Minji tries to cover up her pussy. “Hope you don’t mind.”

“You, you had sex with Minji-unnie? Like, i-in her vagina?”

“Oh Dani,” Hanni coos and puts a hand into Danielle’s red top. “You don’t know how good a real cock feels in your pussy. Way better than a dildo.”

“Stop being so lewd, Unnie!”

“But you two are wrong,” you interrupt them and look at Minji, who valiantly fights through her embarrassment. There is nothing to be embarrassed about though; she did great taking your cock in her ass. “We had anal sex just now, and I think I speak for us both when I say that it was awesome.”

Hanni pouts at the thought of not yet having you in her ass while Danielle is both struck by horror and thrill when she cross-eyes your cock and then switches to look at Minji’s butt, which you uncover for her.

“Minji-unnie, was it really that good?” Danielle asks with wide open eyes.

“Yeah, how was it?” Hanni adds and involuntarily adds pressure for the leader to answer.

“I-it was… the best.”

A moment of silence and awkwardness for Minji until Danielle jumps up and pulls down her black skirt. Another unexpected turn, she seems to be ready to go asap. “Sir, can you—would you have sex with my butt too?”

“I thought you’d never ask,” you try to play it cool and reach for the bottle of lube. “Turn around, we need to get you ready.”

“Here, let me help you, Daddy.” Hanni gets a hold of Dani’s ass as soon as she spins around and spreads the cheeks apart. Dani gasps at first, but then giggles when she finds her Unnie to be already naked. She starts to kiss Hanni’s skin while you put the nozzle to her beautiful, clean ring and push lube inside. Danielle shudders while Hanni looks on with jealousy. It will be her turn soon enough though. 

“You have a gorgeous body, Dani,” you compliment her before grabbing her waist and pulling her onto you. “You are so light, I think I need to try a new position with you. Are you down for that?”

“Sir, I—if it’s not too crazy, I think I can do it. But remember, this is my first time.”

“You have to be relaxed, Dani,” Minji suddenly adds and stands next to her, not covering her private parts anymore. “If you are tense, it’s going to hurt—when you are loose however, Daddy can fuck you so good, it will feel like heaven.”

“O-okay then, I think I’m ready.”

You nod and lay down on the couch, Danielle on top of you. She rests her back on your strong chest and your hard cock searches for her tight asshole. Luckily, Hanni is there to help align your tip with it (not before sucking it of course). Dani takes deep breaths instinctively and with your primal instinct to fuck, your cockhead disappears in her ass.

“Oh fuck, that looks so hot!” Hanni coos.

“Stop staring, please,” Danielle whimpers and you feel her incredible texture convulse around your aroused phallus. No, she definitely gets turned on by this, so you’ll make it even better.

“Hanni, keep staring,” you order. “Oh, and make your mouth useful on my ass. See it as punishment for having sex with Dani without my permission.”

“Yes, Daddy, I’m sorry Daddy.”

“Sir, isn’t this too lewd?” Dani asks while you begin to rock her thin body up and down your cock like it’s a fleshlight. 

“Minji, how about you lick Danielle’s pussy. Make yourself familiar with it.”

“Yes, Daddy, she tastes really sweet and is quite… wet.” Minji smiles and you get what she means. Her mouth is promptly on Dani’s clit and now the two are moaning in unison. Your thrusts into Dani’s ass become harder.

“Oh dang, so much in my a-a—, I mean butt,” she whispers and you look at her face. “Sir, you are one lewd bast— person. Making young girls do this stuff. Aren’t you a bit too old for us?”

“Maybe that is why they call me Daddy,” you respond, the humor lost because your expression remains stern even through the pleasure. “Don’t hold back, curse as much as you want. This is no tv show or live stage. Get used to this cock, because I won’t stop after this one time.”

“I won’t either, you fucking bastard.”

Your lips meet in a haze, then you decide to give it your all. You fuck Dani hard, force more and more curse words out of her good-girl-mouth. Her cunt is forced against Minji’s eager lips, while you make sure Hanni is covered in your musk—though she kinda seems to enjoy serving your ass. Even after all this, she might still be the best baby girl out of this trio.

“Yes, fuck, yes, you fill my tiny ass so good! Fuck me with your big fat cock, give me that cock, open me so wide until I—”

“You horny bitch.” You yank down her top to reveal tiny tits, jiggling a little at your every thrust. Her skin is glowing, she is in complete heat. Danielle is a nymph with a tight ass and a pussy so wet, she can save someone from dehydration. You want to test your theory, if her orgasm is as explosive as you want it to be.

“My Lord, I’m so going to fucking cum, I will cum! Make me squirt, make me fucking, ahh!”

Like a fountain, Danielle’s juices paint Minji’s face, cover her hair and even Hanni below. She also doesn’t stop, not with your endless thrust into her ass. She is like an infinite source, eventually filling Minji’s mouth and marking Hanni as a dirty, rimming whore covered in girl cum.

“That was so good, Sir—”

“We are not yet done!” You squeeze Dani to your chest so she cannot escape and start to violate her ass some more, to the point your entire cock stretches her in all directions. For some reason, you feel like you could breed this hole for two eternities, but for now, one massive load has to be enough. 

With your final, deepest of thrusts, you force all of your seed into Danielle’s tight ass-pussy, fill it up and make sure she is tight enough to keep it inside for now. Pulling out is hard but rewarding, and hearing, feeling her pant on top of you is heavenly. 

“It’s so deep in me, fuck,” she moans and you bite her cheek. 

“Push it out of your slutty hole, you naughty bitch. 

“Hanni, Minji! Get ready for your daily load!”

The two girls are under our spell, not questioning anything you say and stick out their tongue underneath Danielle’s butthole. You pull back her heels to give them more space and with an blissful, erotic expression, Dani lets her ass be gaped. Your creamy white cum oozes out of her and Minji and Hanni greedily eat it all up, even getting their tongues into the completely overstimulated girl and cleaning her butthole.

“Shit, this is so lewd,” Dani whimpers and you put a hand around her throat.

“After I fuck Hanni’s ass in a rough Doggy, my heel on her face because I know she loves that, you will eat my cum out of her ass too. And don’t lie; I know you will like it.”

Danielle grins, licking her lips in excitement. “You are such a nasty bastard, Daddy.”

(A/N2: here is the very short version, I'll release a longer announcement later this week probably. I have decided to quit for a while, maybe forever but that is still in the stars. I can still write and I kinda like it, but this endless cycle of horniness and unhinged smut is killing me. I also need to focus on life/studies. More on that later this week. Love you all, peace out.)

[beta-therapy]

How to Deal with Sadness/Frustration from Rejection

We’ve all been there. We’ve all had a crush on a beautiful woman and wanted to give her the world, only to find out she has no sexual interest in us. Maybe she puts you in the friendzone; or maybe she makes it clear she wants nothing to do with you at all. It’s normal to feel frustrated in these situations, knowing that she probably has a vibrant sex life with other men, yet doesn’t have any sexual interest toward you.

When this happens over and over again, it can make us question our own self-worth: how come so many women have decided that sex is an activity which is off-limits to me? Do my sexual needs not matter? How come a woman can be salivating with excitement as she begs certain men to engage her in the most personal of ways—whereas with me, so much as asking if she’s single gets me permanently labelled as a creep?

As society becomes more and more accepting of personal freedoms, (especially regarding women) like allowing people to dress how they want, freely express themselves, do what they want in their own bedroom, etc., there indeed looms an increasing mental health crisis among those men who don’t get included in all the sexual fun. They can feel inferior and isolated. In this blog, I’ll discuss how to handle these emotions.

Although it might bring you feelings of shame, insecurity, and jealousy to find out that women consider you unsuitable for sex, it is important to understand that these feelings are rooted in misogyny. It is an outdated, oppressive idea that the goal of a man’s life is to acquire dominance, status, power, and wealth; and use this prestige to seduce beautiful women. This idea is so evil because it views women as beauty objects rather than equal human beings. Women are not trophies.

Women are full human beings with no less intelligence, leadership abilities, creativity, and dignity than the men who forced them to be quiet and submissive for all human history. A lot of men still refuse to acknowledge this today. They want to keep seeing women as less intelligent, less capable, submissive homemakers whose value comes from their sexual beauty.

That sexy woman you know probably does have a passionate sex life, but you should strive to admire her as a person: smart, strong, kind, witty, dignified. She can still have all these great qualities to her even if she has zero sexual interest in you. Considering her a “sexy woman” is—in and of itself—toxic masculinity at work. Why is “sexy” the first trait that comes to your mind when it’s clear that her sex life is off-limits to you? Maybe she is sexually submissive in her bedroom, but why should that concern you? She’s allowed to explore the “feminine” part of her existence in her private life without it subtracting from her value as an interesting, fascinating person in her public life.

You can still be a happy, nice, and fulfilled person even if all the women around you would prefer not to have sex with you. Just because the female community around you doesn’t want you as a sexual/romantic person, doesn’t mean you have been rejected as a person entirely. Sexuality is just one component of the human experience, and it’s very common throughout history for people to be deprived of it.

We have evolved for survival and reproduction, not necessarily to have good morals and be happy. For example, racism is part of our DNA. In prehistoric times, racism helped us stay away from warring tribes, so it was positively selected-for with respect to evolution. But in modern times, we can recognize that racism is a huge problem if we want an inclusive, happy society, and so we must actively denounce this artifact of our DNA.

Our sexuality is much the same way. Throughout history, the evil, abusive, tyrant was always better able to protect his children due to his status and wealth, in comparison to the poor, harmless, gentle, and caring man. That doesn’t mean the evil tyrant was a better person, but it does unfortunately mean that women would evolve a sexual attraction toward higher status, dominant men even if it meant overlooking their moral evil.

As a result, the things women are sexually attracted to are not necessarily the things that are good. You can take solace in this fact. Being sexually undesired by women does not mean there’s something wrong with you, it just means they see you as more harmless and submissive rather than powerful and dangerous.

[schoenpepper]

Despite Everything (It's Still You)

Intro: When he looks at you, he sees everything he could have been.

Warnings: bad grammar, awful writing, not proofread, kinda angsty, more platonic im pretty sure cus its not specified if ur lovers, might be ooc idk and idc, everytime i write idia i feel 10 years older because i cringe at my own internet slang

A/N: Done! Last request is finished, hope you like it worm anon. On my end, this is super rushed and it's not like, my fave ever so ehhhh.

Masterlist

Riddle thought he’d found a comrade in you. Out of everyone in Twisted Wonderland, he’d thought you would be the one to understand him.

He sees it in your posture, always straight and never slouching. You’re good with academics, a diligent student. Like Riddle, you’d gone through life with the iron fist of a well-meaning parent, so surely, you understand him, right? You agree with him. You believe that rules are important to be upheld lest society fall into chaos. It’s such a refreshing feeling to find a person who, like him, thinks that structure and stability are core values of a proper community.

But you don’t. You don’t understand. No one does. His consciousness is flickering between ink and reality. He’s slipping into the grasp of the phantom and he feels himself slowly being consumed. He’s being devoured. Right before the overblot, even you had stood against him. Why? Riddle wasn’t wrong, he was never wrong—the rules aren’t wrong. Because if they are, then what did he lose his entire childhood for? So you must be the one at fault. This is your mistake. You just don’t understand. You tell him that the rules and the competence and the structure matter less than people. You try to convince him that there’s a better way of living. Is there?

Riddle doesn’t know why. He’d thought you were a comrade because he saw his own experiences in yours, but he’d never been so wrong. While he was still caught up in the chains of his mother’s words, you’d already broken free from the cage. You help him to reclaim the shards of childish wonder he’d never been allowed to have. You help him learn how to breathe, how to relax. Little by little, you bring him onto your path.

He doesn’t understand you anymore.

Leona doesn’t have any opinions about you. You never really talked to him at first, and he can respect that; you don’t go out of your way for bothersome, meaningless things.

Every time he sees you, you’re sleeping or slacking off. Whatever, it’s not like he can judge you for it. You also have a real competitive streak for spelldrive, and your wit’s not half bad, especially when compared to the muscle heads in his dorm. Clever and snarky, talented and strong. He can respect you. Maybe just barely, and he’ll never admit it, but he sees a part of himself in you. So, a sort-of equal. He’s still better than you though.

The taste of sand lingers on his tongue as it swirls in the air through the storm. There’s a part of himself he can no longer control. It makes him wrap his fingers around Ruggie’s throat and Leona… He doesn’t want this. But he can’t stop. He can still recognize you on the edge of his vision. Weren’t you just like him? At birth, everything good was handed right over to your older sibling, leaving nothing but scraps for you. You found it unfair too, didn’t you? So why are you standing against him? This is his chance to be someone worth more than his birthright. Why…are you not agreeing with him?

Leona tried to stay away from you. But call it his instinct or whatever; he can’t seem to avoid you at all. The second prince of Sunset Savanna is awestruck by your words. You tell him that birth doesn’t determine everything. You tell him that you’d learned from your own past. That you can still make something of yourself without that which was given. You sure are chatty now, but who is he to stop you?

You’re not his equal. You’d long since left him in the dust.

Azul sees you as an opportunity. He likes you, really, because you know how to do business and you find a way to compromise that doesn’t step on either person’s lines.

It’s not difficult for him to find out about your past, and to be honest, he’s greatly delighted to find out about all that you have in common. Did you feel the way he did when he was isolated and bullied? Did you feel his pain? You were an outcast too, weren’t you? But wow, look at you (and him) now! It’s rare he sees someone as diligent as himself, as cunning and as smart. Resourceful and oh so benevolent, you’d fit right into Octavinelle!

He’d steered himself long ago; he would never be weak again. He had long, long since forgotten humiliation and defeat. But he’s here again. This time, defeat was brought by your hands. Azul had thought you were allies. Business partners, at least. Why betray him like this? Don’t you get it? He’s powerful now! Why try to stop him? Why did you succeed? He’s left in the aftermath of heartache and debris. He doesn’t know why he did the things he did, but he’s sure that he was so close to being all-powerful. Perfect. A being so beautiful and flawless and strong… You took that chance away from him.

Azul wants you out of his life—your presence now is only a reminder of everything he could have been, and everything he failed to be. Unlike him, you’ve already moved on. You’ve learned to forgive your tormentors, and most importantly, you’ve learned to forgive yourself. You tell him that it was never his fault, but that revenge was never meant to be the answer.

He finds that he had nothing in common with you, after all.

Jamil is perceptive. Next to the one who’s attracting the attention of the whole room with a bright smile and sunny disposition, he finds a kindred spirit in you.

You seem responsible enough, and like a mirror, he sees you taking care of that person the way he does with Kalim. It’s easy to pierce through your act because he knows how to do it too. Seemingly not too smart, not too dumb, not too strong, not too weak. You’re good at pretending to be average. Like Jamil, you’ve lived a life of servitude. Are you tired of forced humility? Of feeling like your life isn’t worth anything when compared to the one you serve?

He’s tired too. He’s so, so tired. Why was freedom unreachable to Jamil right from the moment he was conceived? Was he unworthy of a life unbound by shackles? You’re looking at him like he’s a stranger. Jamil looks at you like you’re a mirror. A mirror that’s shattered, and damaged, and every piece is covered with ink and regret. You know what he’s been through, so why are you in his way? You should be an accomplice. Do you not yearn to be your own person? The phantom is whispering promises he knows it won’t keep. But nothing is more tempting than just…one day of happiness. Of his own happiness.

Jamil is inevitably drawn to you. You live so brightly; you see your master as a friend. You tell him he doesn’t need to do the same. That the only thing he needs to do is find a way that works for him. And you’re asking about things he hadn’t thought of before. An employment contract? The legal status of slavery in the Scalding Sands? Wait, you’re serving that person out of your own volition in exchange for salary and other related benefits?

In you, he sees a light at the end of the tunnel.

Vil approves of you. Like looking in a mirror almost, he sees beauty and a passionate drive to remain beautiful in every single way.

You’re a person with a consistent goal and a persistent drive to do better and be better; a hard worker with tenacity like that of the Queen herself. You are no potato. You are a diamond that has found a way to shine uniquely, and like him, you are already a master at your chosen profession. And yet, he sees the trophies and the medals are all silver and never gold. It is frustrating, but Vil knows that you as well know what it’s like to always be second best.

He’d worked so hard. He’d tried his very best. Professional music and choreography, styling and costumes. He’d set up a multi-week boot camp for his team members in order to whip them into shape. It’s all swept away by that person. Again. And again. And again and again and again and— No. No more. He will take matters into his own hands. But you stand in front of him with a familiar determination, only this time, you’re determined to stop him. Rook had betrayed him and now, you do too. Is he not worthy of a victory? Not even once? The blot is so, so ugly. But if it means he’ll get to wipe out everything that’s opposed to him, he’ll take that blot and use it to his own advantage. Like the queen who’d disguised herself as an ugly witch in order to take down the princess; everything can be sacrificed for the sake of ultimate beauty. If you’re not with him, you must be against him.

Vil apologizes sincerely for his faults. He knows he was wrong, even if it hurts his pride to admit it. But you accept him so easily, so readily, he can’t believe you’re acting like he’d never even hurt you. You forgive him. You help him accept his losses and continue to strive. Because you’d been in his position before, but you’d grown to be happy and appreciate the wins in life instead.

You are no mirror image of him. You are better.

Idia’s never been this happy before; through his screen is someone who just gets him. You’re good at games, and an introvert too? Score!

It’s not like, ever, that someone who vibes with his genius just comes strolling through his life, so Magicord bears witness to long, late night chats about anything and everything. You’ve got some real fucked up childhood trauma too, big mood tbh. It’s easy to spill his guts out over the internet, because even then, you still don’t really know him. You like the games and animes that he likes, and he’s so glad that for once, there’s a person out there who’s lived through the same villain-arc that he has.

He can’t rebuild the world if so many noobs are trying to stop him. Why? What’s so wrong with wishing for a world that can fit him and Ortho right in? Why is that too much for him to ask for? Why are you, the person he thought was his cool moots, acting up too? Don’t you like Ortho? Bro…no…you’re not actually doing a protagonist monologue rn, are you? Seriously? You think you can defeat him and his phantom through the power of friendship? Lolz, you’re so lame. If the world was a fairytale, he wouldn’t have been born with this dumb curse. If the world was a fairytale, he would never have been trapped in STYX with no way out. If the world was a fairytale, Ortho would still be alive. But it’s not. So he’ll remake it to be the story he’d always dreamt it to be.

Idia thinks you’re 110% cringe, like actually barf-inducing. But you did kinda save him or whatevs, so he can put up with you. Like, begrudgingly yk. You’re just such a weirdo. He really thought you were just like him, but no. You’ve had therapy. That’s like, actually wild. You try to counsel him too, talking about feelings and whatnot, and how to move past grief so that it no longer consumes you from the inside out.

So it turns out you didn’t have a villain arc like Idia did. You’re the main hero.

Malleus finds you absolutely delightful. To see another who can speak to him without fear or nervousness is a marvelous thing that he cherishes.

You are no fae or long-lived species, but he finds you fascinating. You are intelligent and wise beyond your years. You are powerful in your own right. You are familiar, in every sense of the word. Even your experiences seem to be shared. You’d been orphaned too, and experienced loss and grieved. You’d mourned for far too many loved ones who have left before you. Do you see the present as he does? Do you embrace the past as he does?

The world is a sad, sad place. He would like to change it. Into one with happy ever afters, into one where there is no hunger and no poverty. There will be no suffering. In his hands, he will mold the world into one that is kinder to its people. There will be no death and separation. He’s had far too many of those, enough to last his long lifetime. He’s not wrong. So why…why do you stand against him, weapon pointed towards him? The only thing he wishes for is permanence. Do you not see the vision? There is so much sadness in the world, why do you choose to wake from your beautiful slumber and face it head on? No matter. He will help you, even if you deny him.

Malleus is more than happy to take your hand when it is outstretched towards himself. You teach him so many things he hadn’t realized before, like how to cherish the present and treasure each memory more than attempting to find a solution to make them everlasting. He had believed wholly that he was right; that the answer to death was a long period of dreams in which everyone lives in a happy ending. He had believed you to be similar to himself—he is wrong about many, many things.

You’ve always looked to a brighter future than he could even imagine.

[llamagoddessofficial]

Le gasp..

Mafia Bad Sanses’ HCs

Mafia Bad Sanses’ HCs?

Horror likes bashing in heads. He likes that his job means he gets paid to bash in a lot of heads. He doesn't really care that he's considered one of Nightmare's top enforcers, that even the hardest criminals tremble in fear at the mention of his name, that he's called things like the beast and the monster... he just likes that he gets to take out all his worst frustrations on whichever face Nightmare points him to. As a nice bonus, the money he makes means his brother and surviving friends live in safety and comfort.

... But he also likes pretty things. Pretty, soft things, that make him feel fuzzy and warm. You're all three. You find out pretty quick that his frightening face hides a softspoken, sensitive creature, who keeps appearing at your door with flowers (when did you give him your address?) and homemade food. It's bizarre, how such a violent man can equally be so gentle, getting flustered just from you looking at him too long. He wants to do to you what he does with everyone he cares about - use his money to make it so that you never have to worry about anything in life again.

Probably for the best that you let him. He famously doesn't have great control over his temper.

Dust doesn't appear too happy about working for Nightmare. It's clear to anyone watching that Nightmare has something over him; whatever it is, it must be pretty bad, because Dust never questions Nightmare's orders - no matter how terrible or violent. He does exactly what's asked of him, no more, no less. And it's obvious why Nightmare might want to force someone like Dust to work for him... there's no job this silent demon can't do.

Dust, with you, is a different man. He almost becomes his old self again. When you're alone together, he actually smiles. He desperately wants to keep you away from the world he's become trapped in, and he'll probably spend the first few weeks of knowing you trying as hard as he can to separate you from him and the other skeletons. But... he's in love. He can't help it. He's always drawn back to you again, no matter how many times he tells himself he has to let go.

You're his escape. You make him forget the things he's done, and the things he has to keep doing. He's addicted to that feeling.

Killer is Nightmare's right hand. The moniker 'Nightmare's dog' is often used, mostly in an attempt to offend him, but it just makes him laugh. Much like Horror, he very much enjoys his job... he enjoys the power, indulging in his violent desires and getting paid for it. Killer is just about the closest thing Nightmare has to someone he trusts; Killer is privy to many of their 'family's deepest secrets, partly because of his position, but also partly because Nightmare knows Killer genuinely has absolutely zero interest in these massively important secrets. Killer just wants to stab things.

For some reason he seems intent that you trust him. It's really hard to tell what he wants, behind that smile... you're cautious with him, given his clear loyalty to Nightmare. But maybe that loyalty isn't as unshakeable as it seems. It starts with little things... casually lying through his teeth and fully taking the blame for something you did. Conveniently 'forgetting' to mention you around Nightmare. Failing a mission you expressed horror at. Lying about the nature of your personal information, pretending (in front of the guys) that he doesn't know stuff he very much knows.

It's impossible to tell what he wants. But it seems like, whatever it is, he wants it more than all the power he's got now.

Nightmare will obviously want to learn the identity of the person who's somehow managed to completely disarm his three most valuable and violent soldiers. Despite all of them doing their damnedest to keep you out of Nightmare's crosshairs, you can't be hidden forever.

Nightmare is supposed to have everything - there's no luxury he can't afford. But he's always had this... void inside him. It's the very void that pushes him to keep expanding his territory, to keep killing and taking, maybe if he has just that little bit more he'll feel complete. Maybe if he just has that one last shiny thing, he'll be happy. But it's never been enough.

Then he finally meets you. And something clicks.

Dust, Killer and Horror tried so hard to keep you away from Nightmare, because they were terrified of what would happen to you if Nightmare decided he didn't like you. Instead, something much, much worse happened.

Nightmare likes you.

[capslocked]

PART & PARCEL

male reader x sana && tzuyu

18k words

“Is it too late?” Sana asks, and here’s how it always starts with her.

Nevermind that it’s not a question in search of an answer. A normal person could, should, text you. Hey, what’s up? or something equally inconspicuous before turning up the dial, are you busy? can I, like, come over? 

Instead, she’s at your doorstep again, twirling a bundle of honey-blonde between her fingertips as if she doesn't know what all that does to people. Some people say, incorrectly, that these are the hours of the night shared with ghosts. And to that you say: No, these hours belong to Sana, clearly, and apparently nobody fucking else. 

Now in a way, you do get it. It’d be easier to turn back over in your bed and ignore the elegant simplicity of a text message, or one step beyond that, do the unthinkable and finally tell her no, but when she’s standing there - there with that face, like a thousand different excuses or a million little reasons why she needs something from you, right now - and all she has to do is push her lips together, eyebrows going high - 

It is a bit like magic, after all, this feeling when she comes around. 

Everything that happened before - her visits, the first one and then the next - no matter how impossible, gets washed away, and suddenly all you have is her. Her voice, her hair, and a sneaking suspicion that the time apart really isn’t such a bad thing, because you don't always have a guess as to what comes next.

Of course, you were always going to let her in.

“I saw the lights were on,” she adds, starting to shrug off her coat like she knows you will.

“I mean, I’m here,” you say, non-committal.

“Yeah. I can see that.”

The door's half open and the only substantial hesitation you have is when you peer over her shoulder. There’s another girl, propping herself up against the doorframe, with a pretty head of glossy, sable hair falling gracefully down her shoulders, and she looks at least a few years younger than Sana. You smile cautiously at her before giving Sana another, much longer glance. In response, you receive a wink that's as subtle as a brick through a glass window (which only raises more questions). You ask the one that seems most important.

What else would Sana, of all people, possibly want to bring you if not some plaything or another. You've seen it all: girls who liked her money, girls who liked her body, girls who just flat-out liked girls, whatever. The dynamic always seemed to be, as long as everyone is having a good time, nothing to get hung up about - because at the end of the night, everyone comes around to Sana again.

And she comes around to you. 

Why question it.

“This is a little… irregular,” you say with a nod of your chin, as you step back from the door. "Who's the plus one?"

Sana motions the girl in with a sweep of her hand and throws you another disarmingly flirtatious smile - the same one that'd first left you utterly hooked by this strange person, who had, when you first met, walked into your life for five minutes, then fucked your lights out the way she wanted. She goes further with this, of course, teasing a warm smile and slanting an eyebrow.

"I figured I'd bring you a gift," she coos, in this sultry, dusky sing-song of a voice that really needs no followup whatsoever, other than maybe take my clothes off right now, as she makes a show of how she's pushing her shoulders back, like there's an audience to be impressed with the curve of her bust. "Since we were celebrating."

"Uh-huh. What's the occasion?"

"Whatever the hell you'd like," Sana chirps.

With that, she takes you by the collar. And even though the girl she brought is in the middle of, like, peering around curiously in your foyer, Sana leans up on the balls of her feet and kisses you hard. It's a real kiss - no preamble - which is sort of funny, given you would have been more than okay with some. So, naturally, you're caught entirely off-guard. It takes a full ten, fifteen seconds of feeling her hot little mouth pressed insistently up against yours, your mind gone blank with the suddenness of the moment. Your body taking it for granted.

Meanwhile, the other girl blinks - long, dark lashes batting the curve of her cheekbones slowly until Sana has moved to stand in front of her with the full, earnest intention to cup her jaw, tilt her head down a smidge, and kiss her too (very thoroughly, also, in her own way).

Sana lets the girl go with a sharp draw of air and a peck. Then she looks at you, just this side of playful. The way her teeth flash over her bottom lip suggests how she's enjoying, to her bones, this state of affairs: a dalliance with control, with desire, where she can flaunt it.

She tells you to relax, unwind, which you suppose is code for taking another of Sana's friends and bending her over every horizontal surface in your flat and fucking someone the way you've wanted for the last however-long it's been since Sana dropped back into your life. You've done as much. Some rotating cast of characters: Mina, Chaeyoung, Nayeon, the raven haired girl with the perfect tits; some names and faces starting to run together the more Sana pops up at your place with a girl under one arm, usually looking half bored and half shy - or at least putting up some pretense that might justify Sana telling them to strip down while she's already eyeing you with this look like she's wondering which article of clothing you'll be ripping off her first.

"Does she have a name?" you ask, with a nod vaguely in her direction. Of course it's a loaded question. What's her name doesn't matter. You don't know most of their names.

But when you do a double-take, remembering to steal a good look, you're not sure you've ever seen anyone pull off that perfect little white dress quite the way she does - the kind that goes right up the back, tucked under the neck, sleeves coming to a neat point across her fingers. Sana may or may not have a thing for pretty girls in cute dresses, but this is, without question, the most obvious bribe you've ever witnessed in your life.

Sana's still smirking - so much for being considerate, you think for a second, until you’ve got a dainty hand stretched into yours like you’re brushing up with royalty. And well, maybe you’re getting a better look now that she isn’t bathed in the calm, assured wickedness that two A.M. might only ever know - the dark curling like wind around her fingers and down the lines of her spine, cajoling.

She is gorgeous.

And she says - 

“Chou Tzuyu,” in this charming little voice that’s even more mesmerizing than you anticipated, this taut thread winding itself up between the two of you. She says her name with a gentle sigh, a light in her eyes that you know, intimately, not to trust, but you get the sense that she'd rather you make an exception for her - or at least for the night. “Everyone calls me Tzuyu.”

You feel a squeeze at your fingers, an anxious reminder from Sana's thumb, as if she feels the reverie in which you've lapsed. It draws you back, just slightly so.

"Tzuyu," you say, taking mental note of the faint smile that shadows in at the corner of her mouth when you do. "How much do you know?"

She twists in Sana's direction, and oh, look how eager and innocent and coquettish Tzuyu's making herself in front of her, smiling. What do I say, the gesture is asking. You can see her effort to hold back a giggle or two as she bites her lip, trying, as all the pretty girls who come through these doors often try, to come up with something cute and modest and small that'll allow you and Sana to picture exactly the right thing. You can tell when a person is not used to having an audience.

"I know Sana..." Tzuyu's voice trails as she gives Sana a furtive glance. "She talks about you a lot. And I figured, you know."

"What? That we were good friends?"

"Sure," Tzuyu laughs to herself lightly again. "Whatever makes it easier."

Sana has her fingers threaded beneath Tzuyu’s chin, studying her like she’s an artifact that belongs behind glass. Expensive. One of a kind. And oh-so-excessively fragile.

The way Sana touches her, she may be trying to prove the point, guiding her body's angles and edges towards whatever form she sees fit, with just fingertips and the slightest tug, showing you exactly how malleable the girl can be. The look on Tzuyu's face is hardly discomfited when her dress slides past the dips of her shoulders or the slope of her waist, when the fabric gets crumpled in Sana's hand like the most expensive balled-up tissues in the universe. You can't decide what animal comes to mind: perhaps a deer, some cute, unknowingly doomed elk.

"No underwear," you note, watching.

Sana draws herself a little closer to Tzuyu with an appreciative gaze, lips gently landing at her shoulders, neck.

"Why bother?" Tzuyu muses. "What were we going to use them for?"

A pull here, a tug there, and the dress puddles around Tzuyu's feet, silk shimmering like the inky dark of a starless sky. And just shy of a pedestal and perhaps a fucking moonbeam, she's the spitting image of perfection: porcelain skin stretching out over a masterwork of curves and bone and muscle. A sculpture, a study in the form that so frequently leaves people just absolutely dumbstruck and thirsty in their wake.

Sana trails her hand around the width of her hip - drawing your eye along the skin of her leg, up and around the perfectly curved thigh - stopping to splay her fingers just so at the base of her spine, as if in demonstration of ownership. Like this: mine.

"Don't get it confused," Sana tells you. "The whole naive innocence thing is a total fucking misdirection."

"Tzuyu," you say again, this time noticing the way it feels in your mouth, syllables sweet and sticking to its roof like honey - maybe something more of an excuse to move forward and touch her yourself, palm her face, brush your thumb over her bottom lip. A taste, something subtle but intense, spreads to the back of your throat, the moment her teeth graze gently over its pad. "Is that true?"

"Are you asking me what kind of girl I am?"

"I didn't put it exactly like that."

"Just answer, sweetheart," Sana says, brow quirked in a faux-display of nonchalance, fingers still pressed, spreading gently at her neck. She's enjoying this a little too much. Though, you're enjoying this too. It doesn't have to be an either-or kind of scenario.

"It's better if you say it," she adds after a second of consideration, and even though it's obvious by now she's only prodding and that this is a foregone conclusion, Tzuyu puts an emphatic twitch in her lips - red, wet, a vision in crimson - like the thought is deeply troubling and will likely require lots and lots of thorough explanation later.

"Fine, okay, in that case," Tzuyu starts with a weary sigh, and then with a blink-and-you've-missed-it flash of a smirk, there's no way anyone's buying any of this, "I’ll say: I'm whatever kind of girl you want me to be."

Sana was right, and she didn’t even need to go so far as to say it. It’s clear - you want her.

But it's half as easy to pinpoint where it all starts: there's the way Tzuyu melts, sinking just that much further when you guide your hands around the curve of her ribs, fingers following the flow of her soft edges, the slopes and valleys of her breasts, and she parts her lips even before yours touch the seam of her mouth, her breath warm, heavy, the kind of anticipation that sends jolts down her neck, her spine, the body electric - a real live wire.

Or, it's because of the way she likes it - like, really likes it. There's something exceptional in a girl who will wrap her legs around your waist and suck your tongue and whimper just by a feather's touch around her hips or between her thighs, where it's damp and hot and holy shit, this is unreal in a very tactile, visceral way. There's no mistaking the noise for anything but genuine pleasure when Tzuyu's trying, unsuccessfully, to bite down the whine sneaking up her throat and into your mouth - where you're kissing her, still - the kind that presses heavy at the bottom of your stomach.

Or, there's Sana yet, pulling her clothes off, and instead of leaving a trail in her wake, folds each piece neatly until she's bared down to this fine little number of lace and cream-colored silk that'd make your head spin if you weren't, y'know, pretty busy, mouth occupied by Tzuyu's pliant moans, both of your tongues colliding.

"God," Tzuyu groans out quietly as you pin her to the wall, and again after another string of kisses, sucking your lip. 

There are fleeting moments that slip through like sunlight that have you thinking: Right, this was a good idea, nothing other than a sweet girl like this all messed up and squirming with the shallow dig of your nails. But only close to perfect.

Sana will explain it.

"Mm. Not god." Sana is grinning when she leans up for the same kiss, but she takes her time with it: mouth slotted tight against Tzuyu's as her long fingers tangle in the hair at the nape of Tzuyu's neck, working her grip up slowly so that the strain gets more noticeable until the girl is a gasp on a choke of breath. The curve of her back is drawn out by that same hand and her ribs pressed, pert and rosy, into the cool air.

"Sir, and please," Sana then instructs, voice just harsh enough for Tzuyu to understand. 

You might imagine she's also drawing in with her nails, teeth, a full-body drag up her exposed front, like some kind of prize, marking and tasting and fucking every inch. There's a whimper, desperate sound of, yes, right, fuck, please, and sir slipping like a sigh off the edge of Tzuyu's tongue. 

"Or better yet," Sana adds, with another searing press into the junction of her collarbone, "say daddy, please," then follows through on the plea with another slow-pull.

You try not to roll your eyes. It's Sana's kink, not yours. It's a whole thing. And with Sana, like most things, you find it best when you simply play along.

More than that, you indulge her. You both do.

"Okay, daddy." Tzuyu's teeth catch the corner of her mouth in a self-amused bite. Twisting and twisting the swell of her lip further until it snaps forward. "I want you to tell me something," she says, which, for the way this typically goes, is a little more self-assured and pressing than the usual fare. Even Mina, who was perhaps less than enthusiastic about the - uh - title in question, came around eventually when she had Sana's fingers, your cock, all sunk so deep inside her she forgot what any fucking words were anyway.

So maybe Sana does know what she's doing with this one. Maybe you oughta thank her.

Tzuyu just lifts her chin, says, "this isn't what I expected when I showed up here."

"Obviously, it's not," Sana says.

"What I mean is, this is all good fun, of course," Tzuyu explains. A charming indignance that slips past, like the fingers down her belly. She swallows hard, muscles clenching as your palm runs slow over a hip, squeezing. "Though I guessed when we left Sana's, I would've been bouncing on his cock five minutes ago."

Sana's lithe little frame ends up closer - nearly naked in lace and wholly difficult to miss. She's a half head shorter than the girl in front of you, but with a tilt of her chin and a beckon of her hand, it's a powerful look about the lines of her face: eyes slightly hooded, mouth curved and devastating. It's as if, at every hour of the night, the simplest glance will have the fabric of someone's clothing coming undone, regardless.

Tzuyu is just slowly trading looks between the two of you. So curious. "So what then, do I have to do," her words curl like smoke up her throat, "to get fucked by both of you, hm? In, like, the next five or ten more minutes, preferably."

"He's not going to fuck your brains out simply because you ask." Which by the way, is the first real lie Sana tells tonight.

Tzuyu is unimpressed, or maybe she's a stoic. "Clearly," she deadpans.

Whatever the expression is that is fluttering those gorgeous lashes, eyebrows pulled down, adds a faint mark of distrust across her brow. The prettiest scoffs you've ever heard. "Isn't the point to get me spread out on your sheets so you can use me like a little fucktoy?"

A sigh from Sana: heavy, calculated. She does not reply in any obvious way to that, no flimsy assurances that it would be whatever the hell Tzuyu likes (though you think maybe Sana might want to take this whole fucking opportunity, all this thinly veiled begging for it, for the first taste of what will probably be the main thing that'll hold her over the edge of an orgasm or two). 

So, instinctually, Tzuyu pushes it, just enough - she tilts her head, and the motion is followed by a wide sashay of her hips as she gently presses a fingertip to your chest, encouraging a step back to better your balance, like the pull between you has a little more gravity.

"Don't go quiet on me." Another sultry note pulls from her mouth when she guides you another foot - or however many, until the foyer opens up into your living room. The chair, the sofa, a table, you watch her eyes wander like she's mapping the territory. And then finally she drops her hands from your shoulders, reaching instead for Sana, taking her waist in her palms.

Holding her. Kissing her.

There's a delicateness about both of them, clearly, and not only how Tzuyu angles their lips, as if she doesn't fully intend for the two to merge but instead taste the line, test the edges, or something; but Sana doesn't fight this. In fact, when Sana's being drawn gently, but confidently into a deeper, harder press, a very eager give, her eyes slip closed. There's a war, and Sana - though she'd be the last to admit it - is losing.

Tzuyu, at the end of a particularly sharp draw of air, simply turns to you, eyes peeking over the tousle of copper hair atop Sana’s head, and asks: "How does daddy want to play with his toys?"

It clicks in your head immediately: she's a natural, could be an actress, maybe a pro - you have no idea where Sana found her - even if that doesn't exactly match with the diction; daddy, and sir, and the baby-girl pout. There are the things she does to Sana, this slipstream of control passed back and forth and back and forth again - a fevered tugging, the give of one or the other. An entirely different dance. Beautiful, fluid, intense.

Eventually, it lands in your lap. Literally and metaphorically. Tzuyu looks up from where she's kneeling between your legs and with a little pinch of your hips, tells you with that intoxicately sweet, melodic voice of hers, that you seem like the sort who wants someone who just takes initiative.

And she's right.

"May I?" she asks, breathlessly, fingers at the zip.

"Of course,” Sana answers for you, settling into her side like you both belong to her. Like she’s about to enjoy this just as much as you are.

What does the room sound like, the darkness giving away? Everything. The hum of the appliances, the purr of the heat, something in the walls is settling into its final position for the night as the floorboards sigh. Breathing. Listening.

What you don't hear:

Chou Tzuyu moving - whether she shifts onto her knees, or adjusts how her slender fingers fall from the waist of your pants, doesn't matter - no crunch, no shuffle. She doesn't swipe away the hair from her eyes or drag the pad of a thumb over her swollen, bottom lip. All she does is pull, just a bit, and the zipper breaks the silence, comes apart down the way.

Sana clears her throat gently, hoping, possibly, that Tzuyu might be the kind of girl who just loses herself to the moment, caught in the headlights. The way every delicate, doe-eyed girl is supposed to do. Sana likes them a little helpless like that - makes her feel big.

It's too bad really, because Tzuyu doesn’t appear like she's awash with anything in particular. Or at the very least, she's done a fairly convincing imitation of not being the slightest bit off-put, completely disarmed or whatever Sana had been looking to see.

She does look up though. Long, pretty face still managing a bit of devastation from this angle. Those full lips slightly pouted and slick in red: such an inviting color against her pale skin.

"Sana," she coos, eyes wide and brilliant - innocent, yet taunting all at once - and she's deliberate in what she says next, flitting her tongue across her canines to punctuate every sound: "Isn’t daddy going to use me now?"

"Oh." Sana leans in, eyes flicking up at you, Tzuyu's hands, her body, and starts slowly, like she's exacting a punishment, "Tzuyu, baby," her own anticipation beaming off the surface of her thousand-kilowatt grin, "you're going to take that perfect cock," the words dripping off Sana's tongue, heavy, sweet, "you're going to take it, get your pretty little lips all over it sweetie, you're going to show him just how good you can use that filthy fucking hole of a mouth for him. You're going to take him until he cums in your throat, and then you're going to beg him for more. And if you can do that, well. Then we’ll fuck you exactly how you wanted."

Tzuyu blinks - doting and innocent like the angel everyone probably thinks she is.

But then what you've learned about the angels that Sana brings you: they're devils in disguise, well familiar with the sin and lust that resides in these places; sunk into the cushions of the couch, pressed against the cold pane glass of a window, wound tight in the springs of a mattress. You had long thought - and think, you do, particularly when doing the unthinkable - it's easier that way, to leave aside thoughts of right and wrong and ask: Just how far can an angel fall?

"Ah. Perfect," Tzuyu says, sounding like an answer, and her eyes widen as she peels past that band of elastic.

Your cock springs forward and bumps into the pad of her finger, which traces the length of it like it's hers to own, to pleasure.

"God," she hums with satisfaction, and even without looking up, or even before you say a damn word, she draws her tongue up along the underside in one swift, wet lick. "Sana you weren’t exaggerating: daddy's cock is fucking gorgeous."

There is that tiny whine, or more precisely a tiny, oh fuck when Tzuyu curls her hand around your shaft. Sana gives her a push. "Say it, Tzuyu," she all but growls at her.

"Daddy," she says, always pausing on the word. Testing it further. "Please."

"Please," Sana mimics in faux-sweetness, repeating it again once you start to nod.

Not that it changes much - the stare that Tzuyu fixes you is charmingly determined, like a challenge. Then, she inhales.

Deep.

That slide into her mouth is smoother than anything, hot and slippery and oh, right - you remember faintly with a shudder: those pretty teeth hidden away behind a perfectly lascivious mouth, so much that a couple sharp, expert brushes are enough to send lightning dancing along your spine. Sana moves her hands across your hips, to the buttons on your night shirt, working her way up until the fabric has fallen to the side and she can open your chest up to the air, let Tzuyu swallow the rest.

This, Tzuyu likes. "Ah," she gasps around you, or she tries to, your cock propped up on her soft little tongue.

She likes the way that feels. The way you fit in her hands, her mouth. And it shows. Her posture curls deliciously, under the satisfaction of her lips wrapping finally having something to wrap around tight, tight, tighter - under Sana's roaming touches, the skirting of her nails down Tzuyu's chest, reaching with slow deliberation across her stomach until there's a whisper of skin across sensitive flesh.

“She’s so fucking wet,” Sana tells you, smiling at Tzuyu from above and fitting a fingernail between her teeth. "Good fucking girl, aren't you Tzuyu?"

The moan that leaks out around the weight of your cock is pure. Pure lust, pure pleasure. Pure perfection. Her tongue flattens beneath you and finds you surging even deeper, a firmer slide of Tzuyu's wet lips that brings you right into the roof of her mouth - as she twists her face around you, a soft scrape against the inside of her cheek.

You sigh.

And Sana sighs back.

"Of course. Always such a hidden talent," she notes, as Tzuyu's perfect mouth moves and plucks and teases your nerves, twirling her tongue around your tip. Again as she swallows you down, slow, savoring.

“Tell me,” you say, because the heat of Tzuyu’s mouth is starting to remind you of a daydream, “how exactly do you know each other?”

"Work," Sana answers, flatly.

"Like-"

"Yup."

"She sings?"

"She does - rather, she will." Sana glances sidelong with a bit of a grin. "You have no idea what that tongue can do to people when it's got some good backing tracks, when it knows a goddamn fucking thing about rhythm. Speaking of," Sana looks down at where Tzuyu has her silky brown head of hair bobbing between your legs.

And then it's clear what she means, Tzuyu humming and rolling your shaft through the flat of her tongue. It's all slick, soaking heat and the tension building and building in your balls, aching, just absolutely desperate for more friction, to be taken and used and stuffed in her throat - or just more of this.

"Here," Sana's fingers are hooked in your pants, helping them off your legs, your ankles, pulling you further to the edge of the sofa. Let me, she's telling Tzuyu, this slight murmur of want she just can't wait on.

"Wait, I'm -" Tzuyu attempts, pulling her lips off the curve of your cock, to where pre-cum is weeping out of its tip, and she kisses it so very tenderly, going back for round two. Round three. She floats her fingers up over her eyebrows, into her fringe, all to tuck some dark, wispy hair gently behind her ear when she starts to hollow her cheeks and again suck your cock in earnest.

Until -

"Tzuyu," Sana reprimands her, "don't play, daddy's got his work cut out for him tonight. So be a good girl, and let me show you what he likes."

It takes a second, maybe three. It might take longer if Sana didn't have her fingernails digging into her thighs, sliding further to grab hold of Tzuyu by the hair and pull her lips off your shaft. There's a thin trail of spit coming off her mouth and stringing across you. Sana closes her fist in the back of Tzuyu’s hair and doesn't so much as blink while studying the look on her face: lips glistening, just absolutely needy, like she can't help the whimper in her throat.

"Hm?" Sana cocks her head to the side.

"But... sir."

"You are his toy," Sana explains, flashing her eyebrows because apparently it needs to be said, "not the other way around."

And it may be the first time you've seen it happen since Sana walked in with Tzuyu and declared her intentions: the fluster, the pink spread across Tzuyu's features like some scarlet-lettered stain. Defenses dropped like a draw-bridge. She's not quite every bit as cool and composed as she wants the two of you to think she is. (They never are.)

But the fact that Tzuyu's coy little smile returns into her lips - how she's wiping the spit off her mouth with the sharp edge of her hand and pointing your cock in Sana's direction with a delicate, arched brow, how she then moves on, untangling herself from Sana's grasp, eyes heavy, but on her - is a marvel in and of itself.

It’s an amusing surprise, a welcome one, for the simple reason that Tzuyu keeps showing both of you that she can have anything she wants exactly like this: wrapped around a slender fingertip, flushed and helpless, and without breaking a sweat. 

"Have you considered daddy wants both our mouths on his cock and maybe a few less words?" Tzuyu scoffs. And even though Sana does scoff right back in retort, that's exactly how it plays out.

(And you may, upon occasion, reflect: you're a real lucky bastard.)

Sana always puts on this act. One that you’ve learned to see right through. 

Like she isn't too eager to follow the momentum, that she hadn't just been just as impatient to touch you - to be on her knees with Tzuyu, all aside this beautiful girl who gives you a pretty smile when her tongue finds the base of your cock. Who likes being bossed around but can just as easily turn her face towards yours - in what seems almost like a taunt - as if saying: You know what else I like? to be challenged, and sometimes when the mood’s right, pushed and punished. 

But Sana doesn't let you see what kind of resolve she has until she's gone another minute, licking, lapping her tongue around your cock - this is her idea, after all. The little white dress in a heap, the adoration and worship that comes with fucking girls she knows are the prettiest things to see ruined.

Listen - even if Sana’s veneer is as blatantly obvious as it is shatterably thin, she’s no less dangerous. 

When she first pushes the very head of your cock inside her mouth, and just that - because why rush it, she's so fucking perfect with those pretty lips - the rest of your brain is shouting something to the tune of fuck me sideways because she knows you better than anyone, knows what really gets your blood burning. 

A few slow brushes, one kiss, this lick that goes bottom to top and over and around. It’s like she's testing the surface, dragging her lips across your aching cock as she settles on a rhythm, a tempo that starts to mirror the movements of Tzuyu's hand.

Tzuyu lets you see: this slow twist, this slide of skin up and down the length of your shaft, her soft fingers rubbing tight circles up and down the path of her palm until it meets Sana’s mouth. And like it’s the most simple thing in the world, she dips down, finds a place at the base of your cock, where Sana’s lips can’t quite reach, and drops a hot, messy kiss right across the spot.

Fuck.

She kisses you everywhere.

"Sana," you start to say, and she looks up through the strands of blonde fallen slightly in front of her face. Her lips sink further down the length of your cock - until she hears your breath catch in the bottom of your throat. Until she’s pulling you up and out, again, just barely past her teeth.

Fuck.

"Mm." She hums it right into your skin, and her eyes are hooded, dipping right down with another pull of spit, and then another, before her lips are at the tip once more, flicking across the slit with her tongue - wet and rough.

"Sana," you try again, biting into your lip as you reach a hand into the gold locks of hair framing her deceptive, pretty little face, and tug, a warning, a reminder. You need. It's too early for you to be repeating yourself, and Sana knows that.

A pop, the release of her mouth slipping off the top of your cock, and Tzuyu moves - wrapping her lips tight and silken around the sides, the rest. It all happens in an instant. You're being taken with the sudden, harsh suction of one mouth, the other, fluid and slipping back and forth again and again.

Sana's nodding along, impressed, as she watches Tzuyu take you - completely, nose to your hip - and has a glint of pure hunger shining through her eyes when you hiss, when she kisses along the lines of Tzuyu's stretched lips. There's another flick of a tongue, and you can feel Tzuyu moan something muffled and choked, a frantic pulse at the base of your spine - pressure gathering like a fucking flood.

"Just how you like it, hmm?" Sana says, her breath warm on your balls as she seals her own mouth right over the base of your shaft. And you swear there's something about this: the drag and suck of both their lips as your hips stutter forward, the feeling of them pressed together in a perfect line, heads tilted and mouths fucking dripping with saliva and sin - your hands, resting on the backs of their heads as they're returning you these greedy little moans that vibrate off the top of your cock and nearly kill you in the process.

“Tell me,” Sana adds, dragging a hot, hazy kiss over the sensitive skin up your shaft. "How's daddy feeling? Hmm? Feels nice and perfect, doesn't it. Feels like you could just let go and release, a hot, sticky load of cum, right down her fucking throat. I know she’ll swallow every drop."

"Fucking hell, Sana-"

Sana doesn't exactly answer to your begging, only hikes Tzuyu a fraction higher over your body to gain better control of the rhythm, and a better view: the hollowed out cheeks, her watery, half-shut eyes, tears welling in her lashes - because the prettiest girls always come apart in the most perfect ways.

You grip into all that silky brown hair, thumb running gently up and over the soft skin behind her ear as she finds an exacting little movement with her lips that will have your spine twitching uncontrollably as you fuck deeper down the perfect arch of her throat, Sana keeping rhythm, guiding you all the way in - a searing heat, and then a new rush of saliva dripping off Tzuyu's chin and back down into the tangle of tongues, fingers, throats, mouths.

Fuck, fuck, fuck.

The pair of them. The things they're doing.

"Or maybe," Sana muses, tilting her head on an angle that suggests she's weighing her options, and then, massaging a quick, firm twist into the very base of your cock she finally lets spill: "You could make a mess of that perfect face," Tzuyu's faint whimper hardly slips out unnoticed, "I'd hold her hair for you while you cum all over her - how about that baby, should we make a big mess of your pretty face?"

The whimper grows louder - Tzuyu moans long and low, right up against the tightening tension gathering between your hips, right as your balls pull, that familiar coil about to break - and, god, if there's some part of you committed to holding the moment, waiting and wanting to stay in the vision of these two perfect mouths pressed together, it's a fleeting and useless notion - but, as usual, Sana already knows.

The way they're blowing you in perfect tandem, their mouths locked together, kissing around your shaft as they continue to pleasure you, filthy and open - a little more, the thought percolates, a little longer, to let the pressure swell.

"Sir," Tzuyu says, swallowing her next breath, and that's the first you've heard her sound like that: whining, pleading.

She slaps your cock against her lips, her tongue - it's all so wet with spit and precum and slick that her chin is coated, her fingers. A demonstration of what you should have already known: Sana's girls aren't just straight down the line. They want the messy, roughness that comes with the sin; the split in the seam, the wail, the raw, uncut want.

You watch Tzuyu’s lips curl, this quiet smile pressed against your cock, and after a slow draw of air, they fall open again. Asking, "aren't you going to fuck your toy's slutty little mouth?"

The silence of the night swallows up the sounds of Sana's low chuckle and the responding squelch of her fingers tearing free, her hand trailing after. Here’s three bodies in the otherwise ordinary emptiness of your living room, on the edges of the leather sofa, so completely drenched in anticipation and hunger.

There’s a flash across Sana's rounded cheeks, hot, like she's just this small space shy of smirking, or giving into something, you don't know. Tzuyu, however, you've got a fairly clear view of - how her eyes glaze, pupils going wide and dark, staring up at you as she places the shape of your cock so acutely up the length of her perfect features: chin supporting its base, the cute, button-like tip of her nose teasing the soft underbelly of skin pulled taut - a fucked up preamble to whatever the hell it is going to feel like, once she's ready for more.

"Say please, sweetie," Sana says, fluttering her fingers over Tzuyu's neck. And then to you, as an aside: "If there isn't a better way to break in a toy."

When Tzuyu doesn't immediately reply, Sana leans over her, with a fingertip under her chin, guiding her hot, wet lips to the edge of your cock.

"Ask daddy to fuck his filthy little whore."

"Ah," Tzuyu lets out an awkward exhale. "Daddy?" she pauses to swallow, licking her lips, then, with just the slightest inflection, this tight line, right at the border, somehow managing to hit both notes of I'm going to make you beg for it and is it okay for me to be begging you for more: "Please, daddy. Fuck my face."

But then the way she fucking looks - petulant, needy, like if you don't shove your cock down her throat in seconds it could kill her - that's the realest thing you've seen from her since she shuffled through your front door wearing a dress that belongs in someone's heaving, pent up fantasy and left it in a careless pile in the middle of your foyer, tits bouncing on her way into the living room. And somehow, that's a lot to take in: to think this whole debacle has led up to her, this girl you're probably never gonna see again, pressing the pucker of her perfect, pretty lips to the underside of your cock, and -

"Open," Sana cuts in, "your fucking mouth."

Tzuyu gulps thickly and stretches her jaw, blinking expectantly as her pink, slender tongue sticks out the faintest, most insinuating inch.

You lift your hips with one good thrust, the plushness of her mouth becoming soft and velvet as she opens wider, and wider still, and you're balls deep, hilt hitting her lips as she opens her eyes, taking you down her throat, slick and slow.

"Good girl," Sana grins, watching Tzuyu swallow around you. 

You may be buried into her throat but the sound of Sana's encouragement has Tzuyu keening, this wrench in her brow like she wants to focus so fucking badly. Only made worse when Sana bundles a handful of Tzuyu's long, glossy hair into a fist and gets her voice into the shell of her ear. 

"I know you love it, Tzuyu, how he's fucking taking you, huh? That's it. Show daddy how good of a toy you can be."

And oh, the reaction - the very clear one, no less. Tzuyu grips onto the cushion of the couch, a full set of fingers curling around Sana's forearm, any part of you - the one closest and she's digging her sharp nails into your skin and whimpering for Sana to keep talking like her life depends on it.

"Let me see if you can be as good as you think you are," Sana murmurs, and you shift forward again, bucking your hips just barely but getting there, and then there's more, fuck - getting closer to a good steady pace. Slow, forceful. Hitting the very back of her throat, the bottom of her lips.

Tzuyu can only respond by taking you impossibly deep.

"Remember what you told me?" Sana's biting her lip, finding as much satisfaction out of the mere display.

"Mnnph," Tzuyu chokes out before slipping off your cock, only long enough to gasp for another breath, "I said, I said - all the things I would let him do to me." Her voice sounds so wrecked. Broken. Desperate. Filthy, the kind that needs to be fucked. "Please, please," she says again.

"Tzuyu." Sana's fist tightens in Tzuyu's hair, and down Tzuyu goes. "You sounded so sure, baby - when you said you'd making him fucking cum so easy, how you'd make him bust over and over with this mouth, so -"

You're getting too close. It's really not your fault, it's the two of them. Every wince on your face a result of Tzuyu's swollen, shiny lips wrapped tightly around your cock, cheeks flush and hollow with every move of her mouth. She keeps doing this little flick of her tongue as her lips slide around you - even while Sana lifts her jaw up, down, up down, fucking her mouth onto your aching cock with a sort of callous disregard for how it's fucking her up - how it's fucking you up.

"-the prettiest girls make the best fucking cumrags, you know. Really - makes your toes curl," Sana finishes, giving one particularly pointed tilt of her head at the sight of how bad your knees are shaking.

And then, out the corner of her mouth, teeth locked over her lip, because you're so caught up in how good it feels fucking your length through the vice of Tzuyu's mouth, sliding across her wet tongue - "she's not lying baby, is she? Fuck, I bet she feels so fucking good on you doesn't she" - her voice hoarse and desperate, a hint of something caught at the back of her throat like she can almost taste what it's like. What it must feel like.

Sana pushes, and even she can probably feel you pulsing at the way Tzuyu chokes when the tip meets the drain of her throat.

It gets... it ends up too much, too fast. Borderline abusive - and not just the speed, or the sheer roughness - Nayeon was here on her knees, like this, in the middle of the night not too long ago, and deepthroating you is far from the unusual or accomplished, at this point. But, fuck if that isn't something you build up to.

The slight curve of Tzuyu's arms, rising as they tremble with the effort, the little tears that slip down her cheeks, and those lovely sounds she makes. It's not at all intentional - and you're so stupidly certain Sana didn't think you'd be this riled so quickly, like there's not an ounce of willpower in the world that could save you at this point.

And while that's not too surprising on its own - Sana knows you well, this is what she agreed to - Tzuyu must have understood (it was part of the plan, in fact) what she was walking into, what she was signing up for. But fuck it: she was still pretty new, an amateur. And an amateur just wouldn't be capable of doing the things she does, and looking the way she looks, not to the same extent as this.

"Can you cum from nothing but the feeling of daddy's dick hitting your throat? I'll have him sit back and relax while we work," Sana tells her.

It'd make two of you.

"Would you like that?" she's asking you, tilting her head when you've gathered yourself long enough. "No touching, just take my orders while we pleasure you. How does that sound, daddy?"

"Sana, easy," you practically growl, biting down on the inside of your cheek because the twitch in Tzuyu's pulse has you coming far too undone, her chest hitching and lungs heaving and face wet with spit and tears and cum as it's spilling down her chin. You're seconds from telling Sana to dial it back when a low, guttural sound, sputtering, leaves Tzuyu's throat.

The grip in Tzuyu's hair goes loose enough that she pulls herself up, swallowing up as much air as she can. 

And fuck, look at the damage: that swollen mess of her red, glistening mouth; the dark runs of mascara and drying tracks that make a ruin of her face, her neck; a heart-stopping shine of white drool. She blinks the tears off her lashes in a moment.

Sana’s eyeing her over the same way a surgeon might approach a task with a scalpel and a careful hand, or perhaps a fisherman surveying the quality of a catch - before tossing it to the back of a truck to be hauled back home. Like the kind of sight she gets just a little too much satisfaction at. And it's the eyebrow she shoots up into her mess of toffee-blonde hair that asks, quietly, too much?

Fuck. Maybe.

But Tzuyu's eyes shift toward Sana's, and without even an ounce of hesitation - without anything more than a heavy exhale - she opens her mouth again so you can see her tongue run across her top teeth, incensed in her lust. More, fuck me, have me, use me she's saying, telling with you the slight indignance in her eyes that Sana finds perfectly irresistible.

Then, as if unbothered by how far your cock had been slotted in her throat, she swallows. Says, "is that all, sir?"

And the sound that follows it, that shuddering sigh - breaking, cracking, shattering into the calm quiet of your apartment - Tzuyu takes you like it's more than enough. She's swallowing it all back down again.

“Fuck, Tzuyu, you’re-” you try, only to have her moan loud, so loud, when she drags her tongue down your cock and swallows around the whole thing in a way that has you gasping. Your hands end up wound tightly in her hair, weaving through the smooth waves, knuckles straining when it really sinks in. Just how deep down her throat you go, so perfectly deep, the stretch of her lips holding on the side of a grimace because she needs it that way. She can't have it any other.

"Go on," Sana murmurs into the side of your face, drawing closer so she's got her nails curled down into your thighs, leaning in to place a wet, hot kiss into your cheek. "C'mon baby, she'd told me she'd let you do anything - said she'd swallow everything, like the fucking cockslut she is."

Sana's chin digs against the bone in your shoulder, eyes unwavering on where you disappear over and over inside Tzuyu's throat. And it's not just that - Tzuyu's hair clenched tight in Sana’s one hand, the other curled hard into a fist around the base of your cock, her harsh breaths washing over the bare skin of your neck. It's fucking indecent, how needy she's gotten. How needy she always gets. You can feel her greedy little lips finding your ear and biting just shy of savage enough to break skin, and licking - flicking across the vein beating down in your throat, and then -

"That's right," Sana says with a low growl when you look at her. "Cum."

An impoverished sound rips right through your chest. Spreads through you like wildfire.

And just like that, you're spilling inside her, thrusts growing unsteady and lost in the wet, searing heat of Tzuyu's perfect, wet lips, slapping and sliding into her throat, spilling on her tongue with every surge of pleasure drumming in your blood.

Tzuyu sinks down further. So deep that the brush of the back of her throat feels like a hand on the hilt of a knife, tearing into the ends of your nerves, where they’ve come alight and been set ablaze.

Sana picks up again whispering into the cuff of your ear. It makes your head feel like it might explode. And you're almost entirely certain that's what will actually happen, when the combined pressure between your ears and that of your cock becoming so desperately spent builds and builds and doesn't stop, as though waiting. 

Biding time for some perfect snap.

Only, a tickle at the back of Tzuyu's throat has her choking out. The same uncontrolled way your hips start to falter - shaky, jerky motions instead of any precision or rhythm - and you're tilting and winding your head in circles, jaw tensed, squeezing her scalp and oh, oh fuck. Tzuyu's mouth slides itself all the way off you in one hurried gasp, then two and three, just barely giving her a chance to steady herself, all while you're still leaking thick, white cum all over the slick swell of her bottom lip, up over the ridges of her elegant features, the curves of her cheeks, the high arches of her brows.

Look - you're cumming all over Tzuyu's face. You’re cumming all over her pretty face and she just takes it.

She's, fuck - she's so, so good. And not just because her mouth is fucking perfection, or her eyes are all at once bleary but wide open, watching you twitch, her own cheeks flushing as she stares up at you - trying desperately to breathe, taking a quick lick off the end of your cock, flitting her tongue between her knuckles, because apparently another taste can't hurt.

"Ugh," Sana hushes, right into your neck, "would you just fucking look, see that - god, Tzuyu, how does it feel, does he taste as good as you hoped he would?"

There's a subtle, unmistakable bob in Tzuyu's throat as she's swallowing everything down, the evidence, and a small flash of her tongue. "Good, mmn-" and you can see how she struggles in her restraint to simply say so, to let her hand drift to the 'V' between her thighs and sate that ache.

But even if her body seems ready for more, Sana's finger finds its way underneath Tzuyu's chin to prompt, with one, simple command, "let's get you cleaned up before we give you what you came for. Go on, get our little girl up to the shower, won't you daddy?"

-

It's a minor miracle the three of you make it upstairs and down the hall without so much as a trip or stumble, the girls with their fingers woven together and hips swaying as you all stagger up. It's a minor miracle you don't pin either of them against drywall or up against a doorway or do any of the number of filthy things on the mind of a man just fucked, still coming down, with two gorgeous, perfect faces - two perfectly sculpted asses - all in arms' reach.

The bath mat is still bunched at the back of your bathroom door. Still damp from the last shower - Sana's last morning here - which you have to pry apart just a little so the two of them can file in.

And well - it does happen. Eventually.

At the sink.

Just inside the en suite of your bedroom.

With Sana, being the way she is.

While the faucet in the shower starts up a shallow stream of water - tap running warm, steaming the length of the mirror and condensing the glass that Sana will soon have Tzuyu's face up against if she has any say in the matter.

"Tzu," Sana says, carding a hand through her hair and bringing a damp washcloth up to the bend of her jaw. There's a slow trace of fingertips across the lines of her neck. "Keep your eyes right on his while I clean you up, ok?"

And then there's the mirror in the center. The three of you arranged - a sort of hierarchy - with Sana stepping forward and adjusting her stance in order to survey, and clean the mess she's made. (What you've made.)

In profile, you can't exactly make out a distinct detail about Tzuyu's face in the reflective surface, only the silvery blur that is the curve of her neck, and the silhouette of the small frame that her long, slim legs form against the cabinet. But the idea's always the same - she's being used like a perfect canvas. Like an empty, ready-to-use doll that you can twist and turn in the ways you want until all your control breaks and you're just fucking into her, or having her lick and suck all over Sana's gorgeous fucking tits while she's bouncing in your lap.

Whichever happens to come first.

"You missed a spot," Tzuyu tells Sana, as though she hadn't missed several - her head tilts in your direction, eyes wide still, endless in depth. Her mouth gives away what's already burning its way through her blood. "Maybe another pair of hands will help?"

"Mine are a little rough around the edges," you explain, coming in close. The bathroom is this tight, congested space, but at the right angle there's plenty of room, even if your hips knock slightly into Sana's body. Tzuyu's delicate body already has her back flush against the sink basin. "You want to feel them?"

She shakes her head, and even though the hunger on her tongue hasn't been satisfied, even after having a good fill, there's something else she'd rather have now.

"I think," she starts, her words cut off by a hitch of breath when Sana's lips travel to the very tips of her hair and work their way up to the soft skin behind her ear. "Rough is good, when... when I'm being," Tzuyu's closing her eyes - partly so that she doesn't fall off the edge so easily, partly to lean into the sensations of two warm bodies, all attention placed solely on her.

"When you're being worked over?" Sana offers.

"Ngh," she responds - with an attempt, as best as she can, at a smile. And then there's one, light, teasing stroke across her jaw, her mouth. Sana's thumb pressed gently into the crease. "When the fucking gets..." and you'll have to fill the gap - finishing her thought with your hands slotting themselves onto the gentle arch of her hips, pressing a kiss that doesn't even come close to satisfaction on the supple dip of collarbone.

She lets out this pretty sound at the feel of your lips, Sana's, all ghosting down her throat.

"Hard and deep?" you say. Sana smirks at this - continues the effort, "A little fucking nasty, huh, sweetheart?"

"Mhm." Tzuyu is, above all else, a little helpless. “Because - you know me so well.”

But make no mistake: Tzuyu is exactly where she wants to be. With the heat radiating off her bare body, she leans into it all, only flinching when your teeth catch her nipple - when Sana's tongue laps a rough circle over the other. The scene, the feelings, all of it orchestrated precisely - these are the things she likes, maybe loves even.

And after the soft sounds slip through her lips, a moan and another hum, she finds her words and voice, "hard and deep and, rough and, ff-"

"And?"

The quick brush of your tongue flickers across the hard tip. The sensation draws from Tzuyu this very faint cry and the exhale of a word: "Fast."

"Naughty little thing," Sana presses into her jaw, pulling back to regard you both. To lift a finger, wet the pad with her tongue - and reach down, down, down until her fingertips brush the very line of her thigh, into the slick between her legs. "I love it when girls get all messy."

"Please," is all Tzuyu has to say, barely anything but, as Sana's finger drags slowly inside her folds.

"Patience baby," she murmurs into Tzuyu's open mouth. The exchange is swift but thorough; you watch, all tongue and spit, and your fingers twitch with a sense of loss. "Why don't you remind me how this went last time?"

"Mm, listen here," Tzuyu says in an astute breath, the sound of it like tables turning. There's a firm pull on your wrist - the grip on it guiding you, encouraging you, just where she wants them, into the band of lace around Sana's impossibly narrow waist. You feel Sana sigh in relief, shiver at the touch of a warm palm up against her thighs, and into a pulse-wet cunt, as though the slightest touch will kill her. "I think you might be remembering wrong, Sana."

"And why might that be?"

"Weren't you the one begging me? When I had two fingers up your cunt in your apartment," Tzuyu presses forward, voice lilt and darkening like ink, and Sana whines and crumbles in her palms, knees buckling when there's one sudden and rough slide of fingers right on the base of her spine.

"Yeah?" Sana asks with a rising blush, already knowing the answer - it's her fatal flaw: she's all sharp edges and pointed teeth, right up to the point there's a finger at her own throat, a cock in her hands and a girl working at her clit until she's drooling. "Are you suggesting I'm easy? Is that where you're heading with this?"

Tzuyu's leaned up against the counter, turning Sana's slender frame around in her hands, until she has her fingers up on the over the wire of Sana's bra, palms hot beneath the thin cups, feeling for her nipples, and the change in dynamic is as palpable as the steam rising in the room.

"Let’s not put words in my mouth," she responds simply, dropping another kiss into the back of Sana’s hair. There's another one laid along the sweep of her neck, like a careful bite, and with a lift of a brow, a look that tells you what you've always known, "but if you’re asking, then sure, the sluttiest of all sluts. Easy," she pulls the cups down Sana’s chest, "as fuck."

It gets to her, clearly, as if that moan falling out of Sana's parted lips could mean anything else.

"Daddy?" Tzuyu asks, because apparently she's enjoying the bit, easing into all parts of the character. She can't seem to contain her grin.

"What is it, sweetheart?" you ask, dipping your finger down into Sana's cunt, and fuck - the girl is so, so slick for it. She needs to be taken and torn, that much is clear. Her whimpers don't get softer as your hips drive into her stomach, pinning her between the two of you.

"Is she always this much of a bratty tease? Or is that just how she gets when she gets all worked up over your perfect cock. I know she's aching to feel it stretch out that tight little cunt of hers-

"It's never been all that clear," you answer, before Tzuyu can start to say anything further. A moment of composure, in case Sana wants you to step in.

Except that, she doesn't exactly interrupt the play you and Tzuyu are setting up: "So," Tzuyu remarks instead. "Just for me then."

"It's possible."

The room suddenly feels very full, very small.

"Right. Okay. Well then," you say - watching carefully, when Tzuyu gives you an appraising glance. Sana squirms again beneath the pressure of all these fingers printing over her sensitive skin - she'd love to fuck this. Or be fucked.

"That means you'll have to take good care of your needy little princess, won't you daddy?"

It's surprisingly fitting.

-

Though it hasn’t been that long, all things considered.

Not since Sana effortlessly waltzed her way into your life. And slightly less-than-that, the time it took her thereafter to find herself bouncing in your lap and tugging at your hair while you struggled for breath between her tits. This perfect storm, caught somewhere between laughing and choking and definitely, definitely falling.

It's been a year, maybe. If that. But that's plenty to know.

Know every tilt of her mouth, every sly grin. The different moans that shake loose from the curve of her lips.

Know what it means when Sana's palms hit the tiles of the shower wall, fingers splaying as she goes quiet and submissive, letting out the barest noise of frustration as Tzuyu spreads her tongue over the pucker of her ass - know that the knuckle you curl up in her cunt has her that much closer to unraveling in a stream of whimpers, needy fucking pants and a hoarse sound of gratitude.

Ostensibly for getting her so perfectly, perfectly raw.

"Fuck, yes, that," Sana barely manages, between the messy swipe Tzuyu's tongue makes over her hole. Just this thorough lick, drawing tight, swirling circles around her, lapping at the wetness before making a hot and steady pass over the sensitive stretch of skin, drenching it in spit until Sana's scrambling against the hard surface.

She's not close to going quiet: her cheeks look rounder, like she can hardly keep her noises under control as Tzuyu eases a single fingertip inside the tense muscle of her rim and uses the stretch and warmth of the water raining down her spine, to slip in deeper. Sana's sighing as Tzuyu eats her like an act, an invitation.

You push your fingers deep, deeper, slick, pulling, rubbing, coaxing Sana's mouth apart even as your lips press wet into her cheek. She groans louder, needier, with your hand flexing up a three-finger graze over that bundle of nerves. The kind that makes her back fucking arch.

"You," Sana sputters open like a struck match, burning bright in the steam-cloaked shower, "you, you, you," and it’s not really clear who she’s cursing, "going to - you're going to - you're going to make me-"

"Oh no," Tzuyu sings, starting to straighten herself out - until she’s reminding Sana that she’s the smallest of the three of you and in a possible sort of danger.

She reaches an open palm into the stream of water and splashes off the slick running down her mouth, her chin, her neck - gaze anchored to Sana's trembling figure. It's just one, heavy exhale into the hot, hazy air: "You've got it all wrong.”

Sana twists her head around, face still so wildly attractive amidst the look of worry and that flush of pink taking over from the bottom half. The tiny, imperceptible dip in her brows.

But before she can give voice to a complaint, Tzuyu has her spun by a rough grip around her waist, pinning her back to the tile - water beating down the rise of her breasts and the tops of her shoulders.

"If you're going to cum baby, it'll be all over his thick cock, getting your whole cunt so stretched and stuffed full it'll feel like he's cumming up inside your guts."

You and Sana share this wistful groan of a sigh after Tzuyu wraps her long fingers around your cock, aims you true, and brings you close. Closer. Until you can feel Sana's pulse at her cunt, lips wet and slippery and dripping, just a few inches from where the tip of your cockhead nudges the insides of her thighs. Sana's stomach is seizing in a fluttering of heat and -

"Do you like hearing her beg? That's good. Because this girl's gonna do everything she can to make sure you fuck her raw before you even let her come," Tzuyu's voice lowers, a deep register. "How long can you last, Sana?"

Sana gives you this look, all anticipation and pleasure, holding it for longer than is strictly necessary - and then, her pert little mouth falls open, keening, hissing out a shallow, almost painful, "fuck" the moment you bend at the knees and slip inside.

The feeling that washes over you is a beautiful elixir of relief, an indomitable kind of want, tinged with something heavier, and with just the tiniest hint of longing in the sense that this is not enough, nowhere near enough. It never is.

"God, Sana," is all you manage. All you want to.

Sana doesn't wait around any longer before giving you an impatient shimmy of her hips, fucking herself further down the length of your cock, like she wants to choke on it. And the feeling of it, well, she does it well - the tight warmth swallowing you to the base, her cunt squeezing you all at once, slick and smothering. Fuck, it's all in her eyes. How badly she wants to be held down, split apart. How tightly your fist finds itself locked around Sana's long, wet strands of golden hair as Tzuyu closes any semblance of distance - brushing her lips over where she can tease Sana's open and slack mouth, licking down inside, panting.

"Baby, you are so close, I can feel you trembling," Tzuyu teases, running her fingers up Sana's stomach, cupping steady the breast she can fit in her palm. She drops another messy kiss on Sana’s throat and hums: "Go ahead, cum. I'm sure he doesn't mind.” 

"You're such a prissy fucking- nnh-" Sana's words skirt right over Tzuyu's fingertips before they're shoved roughly across the swell of her lower lip and into the back of her mouth. If Tzuyu's intent was to prove a point, she's about as successful as can be - Sana can only gag quietly around her digits, working her jaw over them.

"Sana, shh-shh-shh, baby, don’t fight it; just cum around around his cock, don't put yourself in a corner and try to play games - he'll fuck you right, until you scream, I promise, and-"

It hardly ever takes much. That's something you've come to appreciate: Sana can't ever help it. With the way it actually feels, you pressing right up against where the rest of her cinches so impossibly tight. She was practically teetering on the edge, on the very cliff and within reach of falling right off of it the instant you fit the very hilt of your cock up the molten-hot stretch of her perfect cunt, sliding, fucking into her while water sprays all over her quivering body, so soft beneath the wash of rain.

One of Sana’s long legs gets wrapped around your waist and you can feel her nails start to dig through the muscles in your shoulders.

Tzuyu smirks right into Sana's temple, biting at the slickness of her skin, running the curve of her thumb around the length of Sana's jugular, and sucking with her teeth when Sana cries out. "How does our girl feel wrapped around you? Wet, huh? Needy?"

"Unbelievable," you answer honestly - and maybe that's the point; Sana's pussy is incredible. Hot and silky and absolutely unreal. There’s no question, whether she's a work of art, or if she'll fuck you up, but you love that part.

“Ruin her for me, won’t you?” Tzuyu prompts, with that twinkle of mischief you're rapidly becoming accustomed to. "She looks even prettier when she's fucked out. I know you know that."

She does, she does, she does.

Your hips snap, up, fuck in - Sana mewling around the shape of Tzuyu's first two fingers - then back, drawing the motion slow, long, full - until you’re crashing forward and sinking up into that warmth you know is spreading across every inch of Sana’s body, swallowing her up inside-out as her legs start to shake and give and her tongue laps recklessly along the outline of Tzuyu's knuckles. 

Sana knows she likes to play at coy and control, but this is never part of the act - your cock fucking her submissive pussy apart - it’s hard to argue she doesn’t love how you can come to own her: hot and fast and filthy, leaving her breathless and desperate, every thrust into her tight cunt punctuated with some pretty whimper. And here, she just… there isn't the luxury, there's nowhere to hide.

Nowhere to run or shy or look away.

Tzuyu curses when finally Sana bites down, part of a long sequence of reflexes that bloom from the depth you fuck up into her cunt. And with her voice back in her throat (Tzuyu's fingers shaking out the sharp pain) she fucking whines into it, unable to stop the steady line of nonsense tumbling past her lips, incoherent except for the single-minded purpose of her own release.

"Fuck, daddy, fuck," Sana repeats in the same way she always does, getting fucked, the letters collapsing into each other. "I'm cumming, fuck, fuck, so fucking wet. God, you're, fuck, right there, oh - I'm cumming, daddy, I’m fucking cumming," is the all further she gets, muddied with the sound of your slicked-up thighs moving in quick rhythm with the beat of your heart, slapping loudly against her skin - loud enough so that the neighbors can probably listen in through paper thin walls.

Then she goes silent, face painted with it all. She isn't crying, the tears won't come, but she's gone this quiet sort of wide-eyed that matches the way she's mouthing, cumming, over and over, you’re pulling me a-fucking-part.

And you believe her. You have to.

Just look at the way her legs are doing all the wrong things. Thighs tensing taut, muscles giving out - she’s slipping down the tiles, back bending and flexing and going limp all at once. Tzuyu's already moving, scooping her up like it's something rehearsed, before you even have to ask, "Tzu, help me hold her up, won't you?"

“Tzu, huh?”

It's not much, but it is worth noting: how Tzuyu, her fingers curling and interlacing between Sana's, holds the girl like she's breakable. Tenderly, cradling Sana's small body against her chest.

"Do you slip into pet names and all that with every girl Sana brings around? Or am I," and when Tzuyu tilts her head, her smile has this very palpable bite, "the exception?"

"Every pretty girl thinks they're special, sweetheart."

Tzuyu just glimpses one downward look into Sana, shivering, riding her orgasm down into nothing, and drops a kiss into her hair. A gentle chuckle: "And when have I ever given you a reason to doubt it?"

"Shameless," is all Sana offers up, beyond exhausted, trying and failing to take more than a passing, somewhat disgruntled interest in the scene unfolding around her, while she clings to the strength Tzuyu and the tile and your hands are putting into her body.

Meanwhile Tzuyu, this devil of a daydream - this tall, skinny thing of long hair and smirking lips and cheekbones as sharp as her wit, has her gaze locked. Still curious, and all but relentless - there's more she's dying to say. It seems almost impracticable that such a lovely woman would really be this way, weapons concealed under all that good-girl charm. And in its most uncomplicated form, that's what it is: an open invitation.

You've only managed the vaguest outlines, after all. "Do you mind?" you ask again.

The next movements feel more elegant than they probably are. Cradling Sana's limp body between you, finding a steady hold.

There’s a slight shuffle to discover a proper balance, a hand slapping the glass of the shower door, and yeah, Sana's fucked out. Slurring out sounds that might resemble the shape of words if she had the presence of mind. The rest are whines and whimpers, obscene in all ways.

“Baby,” Tzuyu tells Sana in a growling kiss to the back of her ear. "Keep your fucking legs up."

(That’s a cue if you were looking for one, to get your arms fastened around Sana's small waist as she leans heavy into your chest.)

"More," The girl in your arms starts to complain, when you truly start fucking her.

"Hurt - hnn, please, more - fuck - harder," and all those sharp edges, that arrogance and conceit, it's all gone. Her pupils are blown out, an animal-like-desire set in its place - these are your invitations to wreck her, you realize, pushing so deep into her well-fucked cunt that she arches, and that her head knocks against Tzuyu's, that the small room is entirely empty save for these movements under the metal cloud of shower water, falling like rain.

This is all there is. 

Tzuyu, smirking like she herself might get off on this. 

Sana, begging.

And when Tzuyu buries a hot smile at her throat, nibbling at the skin - urging her, urging you, this sharp, "now give her the fucking dicking of a lifetime, will you?"

When Sana’s reduced down to her pleas of, please, harder daddy, and deeper, god, I can feel you so deep -

Well,

You’re all instinct. You sink your fingers into the firm skin of her ass, grab at the soft, slippery flesh around her hips. You sink your cock into her hole again and again.

The stretch is obvious and absolutely devastating, making Sana cry out and muffle her face in your shoulder. She makes a weak sort of sound around your neck - it could be anything, maybe please don't stop, or maybe please do - it doesn't matter.

"You look incredible like this baby, does he fuck you well?" Tzuyu croons, curling around her so her head rests on her shoulder - eyes watching Sana, meeting yours. "Oh, come on, aren't you always telling me about how it makes you feel - all this, full and hot and better than anyone? Now's your chance, no hiding from him. Or me."

"It's so, god it's - I -"

"Come on," Tzuyu squeezes out one long, eager moan with her hand dropped onto Sana's breasts, pulling and kneading like she owns it. "Tell him to cum in you baby, like the good fucktoy you are, let him cum up into that creaming pussy until you’re all sticky and leaking cum all over, just the biggest fucking mess."

There is measurable irony, you suppose, in how Sana brings these friends of hers back with the clear expectation to be fucked and torn apart, how they each want the same, all wanting to get her unraveling and her knees buckling. Only Tzuyu manages, more efficiently than anyone you've ever seen, to leave her all wanton and squirming against your hard, relentless thrusts into her needy cunt.

It's easy: this isn't difficult, there is nothing hard about falling for each and every promise her face has to offer - knowing her body's secrets and drawing the story out, line by line, so you can fall in love with it over and over, all while Sana starts to go helpless at the shape of your cock filling up that tiny, wanting cunt.

So you cum. Inside her. In one final push, filling her completely.

Sana opens her mouth like she's trying to say something - say yes - say daddy, say fuck yes daddy.

"That's it," Tzuyu strokes down Sana's belly. "I knew it - now keep your pretty thighs shut. Can't let even a drop out, understand?"

"Yes, fuck. It's - fuck - good, he feels," Sana finally sobs, chest heaving as you grind the last little bits of cum deep, so far and hot as it can get. All the way in. Where it's hot and wet and throbbing and slick.

Where it should stay, because you never pull out. You savor the last bit of your pulse, sporadic and lethargic. Because in truth - your mind is made and your mouth won't say it because you don’t need to.

Tzuyu's wringing the water out of Sana's hair, picking the strands into careful folds. "Alright then," and her grin is positively lecherous.

There's a bench in the corner of the shower where you eventually arrive, panting now that you realize it, and Sana makes herself at home right in your lap, face buried in your shoulder. Grinding her hips down in this almost imperceptible circle, circling back and feeling. Holding you inside and murmuring into your collarbone.

(Fucked, Sana is simply and unfairly beautiful.)

It’s all in that exhale of a moment, when Tzuyu catches water in cupped palms from the shower-head, wiping away what stray tracks of soapiness left on Sana's shoulder-blades and breasts and thighs. Her hands all up and down her body, sudsing the crease between leg and torso, down lower still, around her sensitive pussy and her folds.

You wonder if she can hear you swallow.

"Maybe we should actually wash up before we go again?"

-

The first thing Sana's free hand goes for when she stumbles through the threshold of your bedroom is a hair band you didn’t know she was storing in the top drawer of your dresser. She fidgets around keeping her towel wrapped tightly around her chest as though modesty were an option at this point.

"What?" she asks, fixing you with a slightly-irritated, slightly-teasing smirk. "You look like you have something you want to say."

"Nothing." You laugh out loud. "It's nothing. I'm just waiting."

She makes this face at you, guilty - so sorry about the contraband - as she twists her wrists and pulls the hair band round her middle-finger, wrapping her palms around her knot of wet blonde and bundling it into a half-assembled ponytail. It leaves the length of her nape exposed and vulnerable, neck flushed pink-from-showering in all the most wonderful of places.

"Waiting," is what she hones in on.

Tzuyu is pulling out of the bathroom. Her hands, washed clean and dried off with a fluffy, off-white towel. When she sets it down, she steps back, leaning on the frame. "He's waiting, for what I wonder?"

She's made of all things smooth-and-sharply-cut. Even from here, even through the sleep-haze fog, the silhouette of her nude figure gives itself to a small sense of anticipation. The long and smooth sweep of her chest, from breast, up and out, and then tapering along down to where her hips flare. She takes a step and then another and lets her fingers ride her side, from the very top of the shallow indentation in the dip of her waist, up. Then the tautness of her abdomen and further still, running slow and over the breast, coming to cup its full weight, pushing the bottom of the curve outwards.

"Waiting to," and she wets her lips in something akin to expectation. "Pound me into the fucking bed?"

You’re smiling when you explain, "I was going to say a request…"

Tzuyu’s dimples deepen. "You mean, like, we can tell you what to do?”

You sit on the bed, which is actually more of a proposition than you realize. "I suppose."

"Sana, sweetie, is there something I should be doing for him," Tzuyu looks up, wearing that trademark kind of playful expression that is definitely deliberate and not at all a tell. "Or maybe I've got this all wrong and you know exactly what you want."

"Well," you manage in reply, sounding surprisingly sane. "Don't both start coming forward with any ideas you have no intention of following through."

"And what if I have no ideas at all? What would you tell me then," is the challenge you find hanging around the slender outline of Tzuyu's wrists, and then at the back of her fingers, as she cards her hands through her hair and pulls it prettily over rise-and-falls of her collarbones, until it's barely curtaining her breasts. 

(Barely.)

She crosses over to the bed - to you and Sana - and without much other movement than that, finds a knee on either side of you to let a lone fingertip skirt the tops of your hips. Flirting with the towel around your waist.

"For the record," Tzuyu says, flicking a glance at Sana and leaning down into your jawline. The palm she slides over your thigh is so warm, so promising of its heat and pressure you'd swear you can almost taste the touch of her. "I never, ever go back on my word."

"Try me," you tell her.

"I do have some, ideas." Every time her fingernail ends up between her teeth, it’s another drop in a well that runs god knows how deep. "Though very few of them involve this towel."

“And about the ones that do?”

"Well," Tzuyu starts to purr - reaching a hand down and spreading the flat of her palm on your chest, "I figured if I ever wanted something to bite down on, well, you know."

It's just a subtle little rock - and the perfect view: she starts like this, her hair all tucked behind one shoulder, the arch of her back lifting. Slow at first, Tzuyu only pausing after every other short breath to lick and kiss your lips with hers, and the edges of her teeth, all soft and insistent. You are sure - that with a subtle twitch, a minor jerk of the knee or hip - she is almost right over the perfect place, and when her hips grind in these micro-friction little motions that have her sighing and pushing herself flush, it's clear that all she's looking to do is rub her cunt down all over the erection you've been holding in since the last time your towel was hanging somewhere above your waist.

"Hold, please," Sana interrupts, when she leans over and plucks something out of the messy contents of the nightstand - a few hair clips, and, more importantly, a condom. She swears aloud when the package tears the wrong way, but she's quick to apply a lip balm-slick finger-tip on the inside of the ring, and hands the thing to Tzuyu by way of a passing roll, "so, I assume you've got this under control."

"Give me that."

"Mm. Have at it."

There is an intrusive thought that finds its place, wedged somewhere at the base of your skull when Tzuyu starts the careful act of lowering herself down your shaft - like this, it has an inevitability - a forward momentum, the familiar sense of excitement building a force in your heartstrings. Sana must have a similar sensation, as she scoots her ass and slides one hand over the same place you feel that force thrumming, her palm reaching right for Tzuyu's ass, while Tzuyu hisses out a tiny sound at the added stretch.

"Careful," Sana says, fingers drawn back from the cleft of Tzuyu's beautiful ass with a string of slick that's unmistakably arousal. "You try going back after having his cock. And trust me, there's nothing to go back to. Like, ever."

"That must be why you're always like this," is Tzuyu's cock-sure comeback, finding herself flush with your hips.

You're biting down. You're holding back. You're probably digging nails into your palms hard enough to break skin, because you could be double, triple wrapped, latex running up your length like a goddamn balloon and you'd still feel the hot, melting perfection of Tzuyu's pussy swallowing your cock in one, slick, seamless motion. There isn't any sound either more pleasing than that hitch-groan-slip you hear as Sana helps guide Tzuyu's hips back, forth, back again and to a steady beginning of this proper pace: smooth and full.

You both need a second, because, fuck - and she's biting into a grin. Eyes already half lidded as the speed builds. As Tzuyu starts really enjoying the drag of it, the feeling. The god-damn-fucking-stretch.

"Oh? Like what?" Sana asks, smirk filling out her lips to bridge the silence you're both groaning into. "Like what?"

"Greedy," Tzuyu says. The only part that really needs to get filled in. "Because he fucks the self-control right out of you."

Now Sana lets that settle, and it's not like she doesn't know. Or doesn't understand. And still, "Mm. That does sound like me, doesn't it, daddy?"

(Yeah, well- you- )

Tzuyu watches you watch what happens next: Sana peeling out the cotton slip of her bath towel - sizing up just how good Sana looks. Fuck-me-raw.

And then she laughs, deep and gorgeous. "Didn't he just do a number on you - hn, god. Can you hear him all up inside me? Fucking, splitting me apart."

It's true.

All of it.

The way Tzuyu rides your cock. Faster, faster, rolling her body and drawing her hands together behind the length of her hair and neck until the point of her chin is upturned, showing off the hollow of her throat. A tension that glitters with sweat.

The tightening in the space between the bottom of her ass and your cock - all of it is heaven. This slow-and-rough, rough-and-fast. Tzuyu picks the tempo of it to fuck out a particular pleasure that has you catching her and pulling her closer to your body, holding her through the upward grind, where your cock meets the heat of her cunt - pressing her closer.

That's it.

Possessive. That's what both girls have the good grace to read.

Sana's hands come up Tzuyu's ribs, fingertips skirting the muscle-taut-surface of her stomach, the bumps and grooves of her ribs, and up further still, riding the path of her breasts as they're bobbing-jostled and going full-on heavy - her thumbs go at her nipples. Rolling around the hardened tips - the faintest tug at them, enough to start to pull - then just teasing them between thumb and forefinger and loving the sight of you wincing. Loving that you love that.

"She's pretty, isn't she?" Sana laughs.

"It's a real show," you bite the compliment out. The very least you can get to.

(You'll be fucked if you can hide how much you want to stay buried in this girl and cum a fucking waterfall between those perfect, creamy thighs. Oh, she knows. The dirty little smile, the filthy laugh, you're holding tight - even if the act is useless.)

"Like how she clamps down," she hums. "That's the part I've always loved, you know. She just does everything so slow, so fucking good, so... deliberate."

There's a fist in Tzuyu's hair and no trace of sympathy or self restraint in her friend when Sana tells her, "Baby, ride him slow for me, can you do that?"

When Tzuyu sucks a hiss through her teeth, mouth caught around the sharp intake, Sana just licks a slow line along the curve of her lower lip - as though saying, baby, like the slut you are, remember who asked nicely? 

And it turns out: slow is worse. You can feel every tiny tremor of friction, every little shift of Tzuyu's cunt squeezing you. Clinging tightly. Your fingers wrap around her rib cage and hold her right as her ass hits your lap, while her head rolls back into her own hair. It is enough, finally, to draw an out-of-breath little pant out of her, making a beautiful blush crawl and spread across her cheeks - there.

(Oh, fuck, your brain echoes. So, you want slow, that's what the noise from your throat says as she eases back, rising up. So slow, you-can-feel-all-of-me. She makes the effort so flawlessly, it's fucking you both over, because she's looking at Sana with this flutter-beat look, eyes wide, wet and round and pleading.)

It gets that much worse the minute Sana pushes her down by the shoulders. Giving her some resistance. Showing you both she can take you inch by slow goddamned inch.

"Harder. Deeper, sweetie."

Tzuyu does everything Sana says she'll do, loving her fingers in her hair, pulling tight. Control given as easily as that. Because she looks just how she feels: utterly surrendered. A helpless kind of want, like there's something broken in her chest when the head of your cock pushes her deep, deep. To the point she feels something more than an ache.

"Want it," Tzuyu whispers out against Sana's smile. "From the back, like you promised," she says, and takes the shudder out of your breathing.

Sana cups her jaw, laughing. She puts one arm around Tzuyu's throat and bites at her chin, at her ear. "I bet he'd do just about anything to give you what you want, baby."

Tzuyu’s hips snap down onto yours again. Melting your cock in this thick, molten heat.

And again, faster. Needier.

The kind of movements across your lap that make everything louder - a beautiful chorus of small-sounds. Slaps and squelching. Wet and gasping and begging and skin-on-skin. You'd never, ever considered the act a competition before, not with Sana. But when Tzuyu seems to be seeing who can pull the most erotic of noises out from underneath your ribcage - or the highest pitched sigh - the wetter and louder it all gets -

"Sana."

"Tzu."

Tzuyu rides the pressure and finds her voice, head thrown back, jaw slack. "Sana - tell him to, I'm gonna, soon. Tell him what to do."

"Beg for him," and Sana gives her the fakest-of-all-pouts when she slips her hand along Tzuyu's inner thigh, nearing her where the two of you meet, then slowing her pace, bringing you both to an immediate stand-still, while her fingertips continue, ghosting across the shape of your stomach. "He doesn't need anything less than the truth."

Tzuyu's face. It's the most gorgeous thing you've seen. Her hips are winding slow against you when you hit a spot you're not entirely sure either of you can recreate at your own whim: deep inside. Her eyes as wide as they can be. All of her sharp edges now just these subtle things - the very shape of the shadow beneath her clavicle, the tensing of her thighs at your sides, the gentle lines that curl up from the wide bottoms of her hips when your fingers thread up her belly, palm open flat.

"I want," is where Tzuyu starts, not hiding it any part. "I want you to bend me over the bed." 

And in a breathless voice: 

"Please, please let me have what I want. Just bend me over the bed, shove my legs apart and take me. Hold me down. Fuck me and fill me and don't let me move or say a thing. Until we're both fucking finished."

You swallow. Hard.

Because here's what Sana's brought you: this tall brunette with an impossibly beautiful ass and thighs to die for, a sin-full mouth. The curves in her waist and back and tits a distraction, that you might try to map out until you're so lost you forget how to leave, how to ever take your cock out of this tight cunt.

"Is that a thing you can do?" Tzuyu practically purrs in one long tone, pushing herself up your waist, until your cock falls out and hangs there. Until you can only see all of this clear, gorgeous skin in front of you and hear her pretty little moan. "God, please, daddy, I’m begging you."

(She says this last part in a way that lets you know this isn't something either of you will get over easily, the kind of pleasure, the feeling and the flash. She's unreadable - almost, not quite- just too honest, there's nothing else for you to believe. Maybe that's where the shiver comes from, or your palms itching, or the sounds of your bedding ruffling as you spin her onto her back, her tummy - pull up on her hips until they're sky high and you can palm her breasts, let her press her knees up and apart on the duvet. Until you get that first look down the column of her spine and the sudden, stunning shape of her ass in a view you never want to say goodbye to.)

Tzuyu slides her hands across your sheets, all this stretch. A flex of muscle. When she opens her hips and you push two fingers deep, inside, easy - then back out -

"How much of that," Tzuyu interrupts, blushing furiously, "do I have left to beg with? Please."

- because she's been soaked and aching all day just thinking about it. Just begging for a good fucking - or so she told Sana, who now giggles and leaves small kisses up the ridge of her spine, crawls alongside the dip-line of the mattress, and after curling her fingers around the column of Tzuyu's throat - smooths a single fingernail up and down and presses, tracing, the groove of her jaw as you nudge your cock against her.

It’s not on purpose, this needlessly drawn-out moment - simple brush of latex against her slick, dripping folds, the tightening in her core and how it matches the tension in Sana's wrist and the coarseness of the bed-linens and the hardness of you - but everything eventually folds, into her.

And you're not helping, the way you're fastened to the narrow point of her waist like it's a handle. Your thumbs riding the arch of her hips, taking every opportunity to sink your fingers hard into the flesh, grip tighter and push, pulling Tzuyu, if only to really work that friction between your hips.

"Fuck, it's all in. Finally." Sana gasps like she's the one being bent, arched, fucked from behind, then lays herself down against the length of Tzuyu's shoulder, chin bumping her cheek. Watching Tzuyu. Taking it all in.

You have a hard time making it out, but Tzuyu starts this half-whimpered litany about how she needs to be fucked (that is, roughly - deep and long, or maybe rough and short and deep, or whatever, as long as it makes her lose composure), followed with some shoddy mix of cursing and your name and Sana's - the things all three of you might consider for another chance meeting.

And as you're following up the suggestion with a low groan, that's exactly how you notice that grind in her hips - a jerk back, a twist, bucking against you. She feels so, so incredibly tight when she writhes onto you, squeezes. Like she wants to tear her heart out her chest, she's so overwhelmed. So thoroughly and totally taken by this fuck. By you. "Harder," is all she says.

This one line does it, then two more. All in-and-out thrusts from behind, fuller the second time, then the third.

Only when you find Tzuyu peering back over her shoulder with a pair of eyes that say, please, pretty-please, all liquid and warm and wanting. "Fucking ruin that cunt, I want - god. Do you have the slightest idea how much," and that is where the words disappear into a slow and sticky whine.

"Yeah baby," Sana whispers.

She knows what it is. Tzuyu wants so much more, so you give it. Give her the just-this-side-of-ruthless fucking and the slow-pace grind you know can push her right over the edge. Give her more, all of you, and get her hands twisting in the pillow and grabbing fistfuls of sheets, burying her face into the space above her wrists and nearly choking on her hair with how she moans and yelps - loud.

Her whole body jolts forward the next time. The arch to her back deepening. Body drawing in on a flawless line.

Tzuyu does cum. Eventually.

She keens and rolls and begs you not to pull out or slow, just stay put and fill her with your cum - keep fucking going, please. The only thing keeping her from landing flat on your mattress as she practically unravels around your cock are fingers you have under her hips, tightening. Bruising.

“Fuck, fuck, fuck me, you’re,” you’re railing out of her lungs, where the words hang on sex-stale air.

First with Sana whispering promises into her ears and letting Tzuyu swallow, and suck around the length of her index, then two, fingers. Then licking a kiss into her mouth, tongue tangling up hers and finishing up the act with, "cum for us, Tzu, like the sweet girl you are - you take him so well."

Then, with your hand held over her ass-

(She could cry from it. From how everything pulls you in, like a riptide, and, really, with no regard for things like safety or drowning.)

-the utterance off her lips has your stomach twisting into knots:

"Keep," you hear her ask Sana. Barely getting the words out as you ride, fast. "Please, keep, telling him that I - god."

It gets worse before it gets better.

"I can't - I need; fuck, I can’t, with the rubber, I want him," and Sana smirks like she knew all along. "Sana, please-"

"You want the real thing, sweetie. Isn't that right, baby? Hm. Of course it's okay," and Sana soothes a hand through her friend's fringe, pushes it away from her eyes and over her ears, making something that sounds like an adoring laugh slip out. "You want him to fuck his cum so deep in that pussy, I know you do, don't worry."

When you slow down the grinding, wipe the sweat from your face, Sana gets your attention and nods to the very place your cock is disappearing between the cheeks of Tzuyu's ass, "go ahead. If you want the mess-up, sweetie - let's make sure that's exactly what he'll give you."

Who exactly wants what most is hard to say. Sana's the one pulling off the condom, the rubber stretching to an obscene limit that has you fearing for your life should it snap back before it breaks. Tzuyu is already a sort of gaping mess with it all, her own fingers snuck under to rub harsh circles in the absence of cock and something firm and heavy to fill her. To feel full.

And there's you, asking, or maybe, double-checking: "Tzuyu, you're saying you want me to-"

"She doesn't care," is what you're interrupted with, courtesy of Sana. "Fuck a baby into her cunt, that's what she wants."

(Like you wouldn't fucking love it too. Or have the frame of mind to even begin to unpack all of that.)

It’s a lot, admittedly.

And not just because Tzuyu has never looked better: on all fours, pressed, and presented. Legs all the way apart and ass and thighs in your grip, with that smile all pointedly certain and wild-eyed, like, she knows, that you know exactly what to give her - what she really wants - filling her so full and marking your claim by fucking your cum right to her very core.

Tzuyu drags her head back, so she can peek over her shoulder and meet your eyes.

She does things. Like sighing this small sound and laughing and - she has this thing for noises, for things breaking under the strain, where she won't say a word, except to murmur some part of your name into your jawline, a raggedness in her breathing. Sheer hunger.

"I want - want you to, fuck me."

You will. Or you are. Or you're going to, only - Sana's lips are fast around your cock, fingers fluttering delicately between your thighs and drawing these stuttering sounds in your breath, "I will. I will. I'm - I will."

Sana just hums, copper hair bobbing in place. Her hot mouth and wet fingers pulling and sliding and pulling and sliding. Tongue moving in all the ways she knows you like.

Which, here’s a fact: Sana can be mean. No one would believe it.

But sometimes this is the price of admission. You have to be honest about what it takes, how, exactly, you intend to break this beautiful brunette whose ass is swaying back and forth in this mesmerizing little waggle of the hips. It's hard not to marvel, not to ask questions and not wonder at what a pair of friends so similar and so opposite do to each other and other people and to themselves in those small, private hours and space no one else shares, that has you panting and burning and her clasping the hollow of your neck and asking with her body if this is okay, because sometimes, in moments of absolute need, just a glance can mean your end.

So, there's no tease; Sana is well aware of what it feels like when you're throbbing and ready to burst - she's working you up and over and right to that point of no return-

"Can I? Fucking-"

"Fine," she replies, maybe having now considered every other way you might spill a hot load out and make a mess of the sheets. "Have at her," and a flick of tongue catches around the tip of your cock - the final tease, the best punishment.

And the promise of how Tzuyu makes that perfect whimpering cry. Something entirely wounded. Because as soon as it begins - your cock in the shallow depth of her creaming cunt - you're both made aware how she's wetter than she was an hour ago and clenching at nothing, hands balling themselves in frustration, palms bunched white-knuckled up in fists. She needs something, anything. Something for her to squeeze against. For her to bear down on and bounce her cunt off-

The sound all three of you make when you grit your teeth and bury yourself deep into her pussy is a guttural, aching thing, with you biting a lip and gasping. Tzuyu half-growling-half-sobbing into the sheets.

It doesn't matter that she lets Sana cover her open and slack mouth in an attempt to quiet it.

It doesn't matter because in a blink, the exact point in which you sink completely inside - where it's the first, the best, feeling of Tzuyu’s hot pussy taking your cock.

(Mind-numbing, is the word that doesn't come to you.)

Under you, Tzuyu is writhing and hot and tight into the mattress - and so desperate.

"Please," is about all that gets away from her. Which is just too cute to ignore: she's been dying to be fucked, ever since stepped into your foyer and was introduced by the softest, most deliberate of gestures that wound up being all-too intimate. "Please- I need - harder, fucking-"

Sana takes to touching you, her own little form of enjoyment that ends with her fingertips mapping the shape of your jaw. Pupils blown, "Isn't she amazing?" Sana laughs into your neck.

"Fucking," is what your first real stroke back into Tzuyu pulls out,  “unreal."

The friction has you both grinding your bodies together at the base, and she arches, this throaty moan, before looking back up at you and letting her mouth fall open - this wordless sentence of plea, over and over again. She's shaking. Body-full. It's almost something painful to see, that she's so undone - and what if you were the only person who'd ever fucked her like this: into ruin.

Tzuyu clenches around the next thrust - begging, so-sore-and-begging to cum.

The demand is practically written in her muscles, and all you want is for her to let go for the second, third, last time - until she loses track of the count. To get there before you have the time to register that she is actually doing it. She's already half-way gone and at your mercy - her only choices now, being: cum, or let you chase the orgasm you're currently rubbing all around the curve of her cunt.

Sana swallows her scream when the first little cry comes, that you've edged out of her. And it gets worse and better the second time her ass meets your thighs, where she's making a real mess on your hips and all but yelling out her orgasm in her state of such incoherent stutter and disarray. The arch to her back is this thing out of your best imagination, which has you - pounding out all her noises - gripping and curving over the plane of her stomach. Until Tzuyu's beginning to make these different cries, somewhere new, somewhere you're finding a whole lot deeper.

"Hold her ass up and fuck her 'til she's full of cum," is the advice you get from Sana in the end, as you fuck her and fuck her through the tumultuous rise and fall of orgasm after orgasm, "oh baby, does it hurt so good? Do you feel that heat spreading down your thighs and getting you all slick? You always knew the best toys are the ones that get bred, sweetheart."

And from her, barely, "fuck, yes."

That's what does it: the desperation just that tangible in all your voices.

Sana manages to get her lips on yours. A kiss that could knock the wind out of your sails under normal circumstances, one that curls a fist and tugs around a familiar part of you. But Tzuyu's eyes roll and drop low, fluttering shut, while your hips crash in quickening succession:

"Fuck-you're so-perfect, cum in me again, daddy - make me," and, "please, so fucking full, just give me more. Want more of you, until it's-"

Tzuyu gets you. Just there. Just the way you needed it. Just like that.

There's something addictive in how her muscles clench and grab around the head of your cock - drawing everything you'd been holding back to a painful front, and - Sana's taste in your mouth still so sweet, mixed with salt and sweat, while you fuck and pound, with absolutely zero respite. Cum buried deeper and deeper until it's spilling and Tzuyu whines for the filthy feeling. Until you're fucked through, emptying every single drop into her open cunt. Until your legs feel sore, a slight shake all through the muscle and the tension in your neck and shoulders, and you're growling this thing that might be her name, and "Tzu, my god, baby, you feel, so amazing," in between thrusts.

It earns you an appreciative whimper.

Something breathy and not-at-all restrained. She doubles down on it when your cock slides out of her swollen, well-fucked cunt.

At first, she only hums a sleepy smile and turns her face in toward the touch, eyes closed and unresponsive. A long exhale. Even like this - especially, perhaps - Tzuyu is lovely.

Either out of exhaustion or overbearing satisfaction, you collapse into her - bodies folding up like that old-cliche about a stack of cards or dominoes - with your cheek to her back and your arms wrapping around her chest, tight, trying to squeeze. Like you're hugging someone from behind. Which isn't too far off. Because for the next five or ten or fifteen minutes or a half-hour, you lie there, pressing your face in against the side of her neck, smelling her hair - how sweet the strands are - then down along her shoulders, and under, listening to the soft way Tzuyu falls into her breaths. 

In, out. In, out.

Sana follows all the while with, "should we not have let her ride, first?"

To which, Tzuyu says, "fuck off."

Sana brushes it off, crawls around your shoulders and slips two, three, five kisses into your forehead. That's when you know to shuffle over, dragging and tugging limbs and muscles and bone in the same direction - careful not to let the sticky sensation linger anywhere it shouldn't. Not even for an instant.

The three of you are laying in a total fucking mess. But it's your mess, and that's beautiful in a sort of thought-provoking poetic way.

You turn your head. Tzuyu's there, still, blinking slowly.

"Hello again, hi," you say and the smile comes up all sorts of natural. "Okay?"

Her gaze shifts into something vague, so much quieter, but she nods. So it must be. Okay.

-

“Is it too early?” Tzuyu asks two weeks later, and nothing has ever, ever started like that.

She’s at your doorstep, a little too dressed up for the middle of the afternoon, hair pulled away from her face in two loose braids, bright eyes, lip-gloss that shimmers just enough. Something innocent in the whole way she looks and stands and smiles. Nothing, on the surface, that gives the truth away.

You lift an eyebrow, skeptical. Always. "I wasn't expecting company."

"Yes you were," and she dangles a set of keys.

"I'm sorry, did you steal those?"

The laughter from her chest is as surprising as it is gorgeous, rich and thick like molasses, rolling over the shape of her tongue. It hits you hard that two weeks - really, any amount of time - it’s not nearly long enough.

And before Tzuyu can admit as much out loud, Sana chirps from her spot aside the door, knee bent and grinning, "maybe I did."

"Well," you say, hands on your hips, "this is all a little..."

"Irregular, I know." Sana's giving her best impression of you: so exasperated.

"Which is, honestly," she continues to explain, pushing away from her perch and approaching in these small, gentle steps. "We need, that thing you promised you'd do," she trails a finger up the buttons of your shirt, under your jaw. You're already drowning. "Whenever" - is her very worst torture - "we called."

(Might just be a little bit of trouble, is the one honest answer, to whatever you were trying to start when you saw their faces and recognized their bodies and said: yes, come inside and meet me and fuck my brains out, all that.

What a way to begin. What a story it'll be.)

a/n: these two are fucking adorable.

[gallusrostromegalus]

Hi Gallus, I'm doing some worldbuilding and you seem like you could be connected enough for me to find an answer to the problem of dwarven agriculture. Many problems are created by the requirement of no sunlight, as even the common response of mushrooms still need light to break down decomposing matter as a primary energy source. Currently, we're thinking that they use a special type of mushroom that breaks down rocks in an energy-producing reaction, giving them enough energy to absorb nutrients and grow - this would serve a second purpose in explaining why building a massive hollowed-out mountain fortress doesn't produce an equally large amount of gravel.

Any thoughts? We're grasping at straws kinda lol

Well, some thoughts:

There's plenty of cave systems (especially Karst Systems) that are at least partially open to Sunlight- especially the kind that have rivers running through them, which is something else that's really helpful for agriculture.

For Example: This Cool AF Sinkhole cave in china that has an entire Forest in it

Now There's a view to put outside the city Gates!

Karst specifically is a landscape where underground rivers hollow out the limestone underground and then the cave roofs fall in. This kind of landscape answers your gravel question nicely: the hollowed out mountain does produce an equal amount of gravel, but the gravel turns up as the sandy banks of the river system hundreds of miles away.

So, there's your sunlight that can be used directly, or reflected or magically transferred deeper into the cave system.

Or they just put more holes in the roof! Unless your dwarves are also vampires, there's no reason for them to not hollow out a few Skylights into the mountain too.

But let's talk some other cave ecology and agriculture!

For starters, your dwarves could be sitting on top of a literal gold mine that would allow them to trade for a lot of needed materials and crops.

And by gold mine, I mean Salt Mine.

Historically, salt comes out of hollowed-out mountains and is worth more than gold.

Also something the humans have historically fought a bunch of wars over, so there's some free political tensions if you needed that!

I can also mean the possible fucking enormous piles of bat guano that accumulates in Karst caves, which is the world's most insanely good fertilizer, and ALSO something that has been worth more than it's weight in gold.

Speaking of Gold, another thing that often lives in sinkhole caves in abundance is BEES. turns out, limestone stalactites are a terrific place to build a hive that is difficult for predators to reach, stays dry and the stone substrate means the hives can reach many tons in weight before they start having structural issues. That sweet, sweet insect-derived liquid gold is already important to Dwarves in a lot of folklore- it's really hard to have a Traditional Dwarven Mead Hall without the honey to make the mead, you know?

So you got your mushrooms, you got your sunlight-grown sinkhole crops, you got your traded goods and you got your source of alcohol- the only thing really missing from an ancient food pyramid here is a staple carbohydrate. To that end, may I propose our good Peruvian Friend: The Potato.

Grain crops aren't actually all that nutritious and were kept around in ancient societies more as legal tender that kept the peasants busy, because wheat or rice takes months to grow, an enormous amount of labor to harvest, and wheat also needs to be milled before it can be turned into food- all enormously time-consuming processes that keep peasants busy and easy to rule tyranically over.

Potatoes though? Pop one in the ground in spring and you can dig up fingerlings all summer, and if you make potato towers, you can harvest up to 40lbs of delicious, easy-to-prepare-and-store carb out of a single plant- a real space-saver for the limited sinkhole skyspace.

If your dwarves have cheese, the potato makes even more sense, because Potato+dairy is the easiest, most nutritionally complete survival food there is.

Finally, consider: Dwarven Vodka.

This post is open for anyone to comment suggestions on, but that's my take: put your dwarves in a Karst-sinkhole cave system, give them a highly in demand resource like salt or guano, bees, and taters. Boom. Whole agriculture, economy and political scheme starters.

[eamour]

creation is finished.

the phrase "creation is finished" is a principle that most of us are already familiar with. it‘s the unchangeable fact that creation, in other words, what you can imagine — and what you desire — already exists. but how can this piece of information be so significant?

infinite realities exist.

"infinite realities exist" means that infinite versions of you exist. now, with creation being finished you have a large variety, an infinite amount of realities to choose from. anything that you can think of exists already. you don’t need to "create" it, it’s just there. whatever reality you are currently experiencing, there is a version of you right now that‘s doing something completely different. but there is also a version of you right now that’s experiencing things nearly identical to you, but they are wearing a different coat. or they have blinked a couple of times more. or they didn’t pronounce the same word you did in this reality the same way. whatever it is, any reality you can imagine — no matter how identical it is to another — it exists.

all versions are yours.

it’s important to note that these infinite realities all belong to you. you don’t need to ask anyone to give them to you, you don’t need to ask for allowance or permission and you don’t need to seek for something outside of you. they are all equally available and equally accessible to you. whatever you want, whatever you desire and whatever you wish to experience — you can give it to yourself. you can have it. you can own it. because you are the only person who is allowed to grant yourself your desires, for you are the only operant power and it’s your reality.

if you can desire it, you can have it.

did you ever think about why creation is finished? why does imagination create reality? why is your 3D mirroring your 4D? it’s because something exists once you desire it. see, if you desire something, you imagine it. imagining as in becoming aware of it. and if you can be aware of it, you can manifest it. you can shift to the reality where you have what you are wishing for — because there has to be a reality where your wish has been fulfilled.

imagination is your confirmation.

knowing that you can have anything, that you can become conscious of having, implies that imagination (you can also say consciousness or awareness) is the only evidence you need in order to manifest something. if you ever wonder about whether a desire of yours seems too impossible to manifest, keep in mind that you are the only validation you need. you are your own confirmation. you wouldn’t be able to manifest it if you couldn’t desire it. that’s proof enough. so, never ever question your desires!

everything lies within you.

if creation is finished, if everything you could ever possibly desire and imagine and feel already exists within your imagination. that means that all the answers you are searching for, all the responses are also already within you. any conception of self, any state of mind, any reality is already inside you. you don’t need to seek anything in the outside world. you don’t need to look for answers outside of you — because YOU are your own answer.

select your desired reality.

what are you waiting for!? your desired reality exists RIGHT NOW as you are reading this and is waiting for you to experience it! think of your imagination as a library. whatever you want, whatever book (here: reality) you want to read, you can get it. it’s ALL in there, don’t worry. your only job is to DECIDE and TAKE (here: assume) your desired story and make it yours!

with love, ella.

[actual-changeling]

This post is going to show you the EXACT moment that tear forms with indisputable evidence that consists of several screencaps, detail shots, and slowed down video proof, which will be at the very end.

The tear and I are getting married, her name is Trina and I love her.

Let's get right into it. Be prepared for uh. Very painful facial expressions! And tears (at the end).

We're going to look through the final fifteen chronologically with pit stops at important emotional points that I think would make sense to cause a tear.

As you can see, we go into this argument with mostly dry eyes, a little glistening here and there but those are NOT tears. Probably just the contacts plus the lack of blinking making his eyes a bit more moist than your usual pair. The tear will be obvious.

Obvious disbelief when Aziraphale tells him about the Metatron's bullshit, yes, but Crowley soldiers on through.

Now a scene that I personally thought would be most likely to cause tears - "tell me you said no". However - his eyes stay dry! Both before and after Aziraphale's non-answer. No tears.

The best spot to look at is his waterline, and as you can see it's free of any sad tears.

We have reached the "go off together" stage, Crowley is yelling, they're both emotionally perturbed, a very good foundation for tears. Yet when you look at his eyes during and right after, they're still dry!

We are now right before Crowley says "you can't leave this bookshop" and when he does BOOM the tear is suddenly there!

This is what our tear looks like, and we have a very narrow time frame during which it can appear. So it is time for the grand reveal because by now you're probably yelling at me "okay but WHEN does it show up??"

I will tell you. Or rather, I will show you first and then tell you what Aziraphale said right before that triggered it. Ready?

There it is. Left - no tear. Right - tear. (no i will not make the trivago joke again i want to but i wont.)

Come with me! To heaven! I'll run it, -> no tear yet. It appears after the next part.

you can be my second in command THAT is what causes the tear to finally show up. Right as Aziraphale finishes his sentence you can watch as it appears.

As promised, here is the video evidence, slowed down by half and zoomed in on Crowley's face at the end.

Alright, have you seen enough tears? Good! Let's look at the emotional reason. Because your question is probably what is so special about that sentence that it tips Crowley over the edge?

That one sentence, that one "promise" Aziraphale makes him, destroys everything. All of it in one go.

It is not just about Aziraphale choosing heaven over him, it's not about him saying no to running away (Crowley probably saw that coming anyway). What Aziraphale does is he takes them, their us and eliminates it.

Not just is he telling Crowley that he's an evil demon tm who needs to be an angel to be worthy of staying in Aziraphale's life, but "second in command" takes that even further.

Not "ruling together" or "ruling side by side" or any variation of those. No, Aziraphale is telling him that they are not equal and never have been. That Crowley has always been inferior to him and always WILL BE even if he stops being a demon and does what Aziraphale wants.

This is why Crowley no longer things of them as an us after all of that. Aziraphale took every single meaning it had and inverted it, crushed it up, and then threw it away.

Yeah.

Crowley is telling him he is gay and in gay love with him. Aziraphale takes that and says "you can be my employee at gay conversion therapy which i will run #straight besties".

Crowley hears "second in command" and it is the last puzzle piece falling into place. It's the final straw and that is when we get the tear. Before that he was saying we can be together, be an us, just the two of us, you and me. He was referring to them as free equals who don't need heaven or hell, who are happy with everything the way it is. An Aziraphale who loves Crowley no matter what his former occupation might have been.

We could have been us. (I wanted us to be an us)

And Aziraphale's answer to that is there has never been an us and we never will be. i don't love you the way you love me.

Anyway, see y'all on my next angst post or in the tags. Have another devastating screencap to wrap this all up nicely 💚

[cripplecharacters]

Media Representation and Writing Characters with Facial Differences

[Large Text: Media Representation and Writing Characters with Facial Differences]

A writing (?) guide (?) consisting of an explanation of what facial differences are, some basics about the community of people with facial differences, a terminology guide that is extremely subjective, a very long explanation of the real-life effects of misrepresentation of facial differences, a subjective guide on why most tropes surrounding facial differences are awful and unoriginal, and the part that people actually want to see (I hope at least) AKA "types of characters I do actually want to see". As always, this post is meant for people who have no experience with the subject, and not in any way an attempt to tell writers with facial differences on what to do in their own writing.

What Does "Facial Difference" Mean?

[Large Text: What Does "Facial Difference" Mean?]

"Facial Difference" (FD for short) is an umbrella term for any kind of scar, mark, or condition that makes your face visibly different. This encompasses anything from not having parts of the face or having less of them (e.g. anophthalmia, anotia, hemifacial microsomia), having "more" to the face (e.g. tumors, neurofibromatosis), conditions affecting how the face moves (e.g. facial paralysis, ptosis, cranial nerve diseases), ocular differences (e.g. hypertelorism, nystagmus, strabismus), conditions affecting the colors of the face (e.g. rosacea, vitiligo, pigmentation conditions in general), a "look" that signals a specific disability (e.g. Down Syndrome) and approximately a million more things - scars, burn marks, craniofacial conditions, ichthyosis, cancers, and a lot more.

Despite popular opinion (popular ignorance would be more accurate because no one knows about it in the first place but opinion sounds better-) people with Facial Differences have both a movement (Face Equality) and a specific word for the oppression we experience (Disfiguremisia). There is even the Face Equality Week that happens every year in May! This is a real thing that has been happening, and we are generally going unnoticed, even in the "representation matters" circles, the body positivity movement, disability spaces, and so on. There is an alliance of organizations dedicated to this called Face Equality International, who can help you learn about the real-world community and movement! They even have sections specifically about media representation, which is foreshadowing for how important this topic is to the community and for how long the "explaining the issues of representation" part of this post is.

And of course, if you have a facial difference/disfigurement, you can do whatever the hell you want when writing! Call your characters how you call yourself, subvert the tropes you want. I don't want to preach to people who already know all of this firsthand. This post is meant to explain some things to people who don't have experience with having FD.

Terminology

[Large Text: Terminology]

There is a lot of words to describe people with FD. Some of them are alright, most of them are awful.

Please keep in mind that all of these terms (maybe except for the... last one...) are used by real life people. This isn't me saying "you can't say that about yourself" (more power to you!) but rather to educate able-bodied people that some words they refer to use with aren't as neutral as they think (at least not to everyone).

"[person] with a facial difference" - generally the most polite and widely accepted way to refer to us. That's what is generally used in the Face Equality movement, sometimes alongside the next term which is...

"[person] who has a disfigurement" - an alright term that is sometimes used interchangeably with the one above. However, most things that involves the term "disfigurement" to me sound kinda medicalized and/or like lawyer speech. It's not offensive, but just generally used in more official ways etc. Has the potential to make you sound like a medical report or a legislature sometimes. lol.

"A disfigured [person]" - starting to steer into the "uhh" territory. Describing a whole person as disfigured is, to me, just plain weird. I get that some communities push for the identity first language, but this just isn't it most of the time. Could be way worse, could be slightly better.

"[person] who has a deformity" - "deformity" is such a negatively charged word that I don't understand how people (without FD) still use it thinking it's neutral. This sounds awkwardly medicalized in a "case study from the 80s" way which is definitely not a good thing.

"A deformed [person]" - pretty much the jackpot of bad terminology, the term deformed, the calling of an entire person by it, it has everything I hate about writers describing people like me. The only one that I think is even more awful is...

"Horribly/gnarly/nasty/monstrous deformity/scar/[name of the specific condition]" - again, I'm impressed by what some people think is neutral wording. If you're searching a thesaurus for synonyms of "scary" to describe your character, I think it's time to just stop writing them. This is about using ableist terminology, sure, but I just can't imagine that someone calling their character that actually will represent FD well. It shows the negative bias and attitude of the writer.

However, there is also one pretty awesome and simple way to describe them!

Say what they have specifically. Really. Assuming you know what condition your character has (which... you should) it should be very easy. "She has Treacher-Collins Syndrome." "Xyr forehead has a port wine stain on it." "They can't fully open one of their eyes." It's clear and lets your readers know what you mean. You don't always have to throw around euphemisms to describe someone not having a nose.

Tropes and Current State of Representation

[Large Text: Tropes and Current State of Representation]

If you have read basically any of my previous posts about FD then you probably know what I'm about to say in this section. Still worth a read though? I hope. Warning that this is long, but you probably expected that already.

One thing I will note at the start is that I'm aware that a lot of writers were already turned off from this post just because of the terminology section. I know that artists love describing people like me as ugly deformed monsters! It's literally a tale as old as antiquity, and that's how overdone and stale it is. Visibly disabled = ugly. I get it, I heard it a thousand times before, I hear it majority of the time someone is excited to tell me about how horrible and gross their OC's scar is. But now some guy (me) from that group is telling you to like, maybe stop calling your disgustingly deformed character that!

I want to make it very clear that FD representation in media is not treated like a real thing that's worth anyone's time, even by the most "representation is so important!" writers. I guess it's too inconvenient to unpack the amount of baggage and uncomfortable implications this would cause. It's too good of a device in writing; everyone knows that if a guy with a scar shows up that it means he's evil, the easiest way to make a villain visually interesting is to make them a burn survivor, and if you need a tragic backstory for a serial killer just give them a congenital disability that caused literally everyone in the world to treat them horribly, so of course they started killing people. It's such a good moral signifier that literally every book and tale has done - pretty is good, ugly is bad. Dichotomy is so helpful. What is less helpful in the real world is that what is considered "ugly" is generally very tightly bound to what visibly disabled people look like. Ugly Laws weren't just like, coincidentally including disabled people and disability activists aren't still forced to speak out against being put in those "Ugliest People" lists by accident. This is all to say that facial differences are considered to be "ugly" completely uncontested, and you probably have this bias too, as the vast majority of people do. The whole "the character is ugly, then they become evil, if they're evil, they become ugly"... you need to be conscious to not do that. Don't make them evil if they're visibly disabled because it will always end up being the same old trope, no matter how many weird excuses and in-universe explanations you give. I want to put it in people's heads that you are writing about a community of people who are technically visible in real life, but have no large voices that the general public would listen to when it comes to how we are seen. The general public relies on media to tell them that.

Putting people with FD in your books or your art seems to suddenly be intimidating for a lot of artists when they realize that not only is facial difference a real thing, but people who have it can see what you write or draw (and your other readers will take some things out of what you write, subconsciously). When an author is faced with the fact that maybe they are doing harm with their writing, they either: suddenly don't want to do that anymore at all, or say: "I don't care! I'm going to be very innovative and make my very evil OC be deformed!" which is kinda funny to me that people actually seem to think it's edgy and cool to repeat the most tired Hollywood tropes but that's the best we can get I guess lol...

The attitudes that people have around the topic of facial difference and the whole "media impacts reality" are very interesting to me in general. On one hand, when I tell someone that I was bullied or ostracized because of my disabilities, no one is ever surprised. On the other hand, everyone is for some reason uncomfortable when I say that this doesn't just... appear out of thin air. People are taught from childhood that facial differences and the people who have them are scary, untrustworthy, or literal monsters. Media is a major factor in that. Like, looking back at it, it makes sense that my parents told me not to stare at other kids because they would get scared. After all, I looked like a kindergarten version of the bad guy from some kid's book. Other kids were able-bodied and looked like the good guy, I was visibly disabled and looked like the bad guy. That's the lesson kids get from media on how people with visible disabilities are: evil, scary, not to be interacted with. So they avoided me because of that while I had adults telling me to not even look in their direction. Dichotomy is so helpful, right?

And this doesn't magically stop at children. When I post a self-portrait or a selfie, I usually deal with multiple grown people comparing me to sometimes an animal, usually a specific character from a movie, sometimes even making my face into a meme right away. But if people don't generally see people with facial differences on the daily, then how are there so many specific reactions and so many similar problems that we go through? If it's so rare, then how are people so quick to tell me the character I remind them the most of- Yeah, media. It's always media. It's almost funny how everything circles back to one thing.

I want you, the author, to understand the impact of misrepresentation of facial difference. If you feel uncomfortable because you have done these tropes before, good! That's a sign of growth. If you want to help instead of harm, you need to get over your (subconscious) biases for a minute and think about how a person with the same condition as your character would feel like reading about them. Maybe you are even currently realizing that that one OC with scars is just five harmful tropes glued together. Maybe you are going to reblog this and tell me in the tags that somehow your character decided to be like that, as if they have free will instead of being written by a biased human being. Or, as I said earlier, a lot of people will be annoyed by this post and keep doing their thing. Which is like... whatever, I guess ?? There are a dozen huge movies and TV shows every year that do this. It's so basic and normalized that whatever reach this post will have will change very little. I have been signaled "we don't care what you think about how we portray people like you" my entire life, I'm frankly more surprised when people do actually claim to care. You can, practically speaking, do whatever because the FD community is fully ignored by uh, everyone, and even if I'm disappointed or annoyed I'm just one man and I know (from experience) that most people won't have my back on this topic. It's too ingrained in our culture at this point to challenge it, I suppose. I mean, there have been multiple media campaigns telling writers to treat us as people, and they had practically zero impact on the writing community. But even with my absurdly pessimistic view on this subject, I still decided to write all this. Sure, there are no signs of the industry changing and the writing community doesn't seem to care much, but I still naively hope that maybe the right person will read this and at some point in the future I will be watching or reading about a character that looks like me and actually have a good time, and even more naively that maybe people will gain some amount of awareness of the damage that has been and still is happening to people with FD through media, so that the next time they see that the villain has facial scars for no reason they will think "damn, this sucks" the same way I do. And very, very naively, I hope that people who read this will start seeing us as people. Not villains, not plot devices, not monsters.

Sad part over(?), now the fun(?) part. AKA the tropes! Yay.

"Dramatic Reveal of The Deformity".

Use of the word "deformity" very much on purpose here. This is arguably the most common trope when it comes to FD, and it's always awful. At the very best it links FD with trauma and talks in a Very Sad Voice about how having a FD is the worst thing imaginable, I guess (think a "X did this to me... now I'm Deformed For Life..." type of scene) and at worst it does the classic revealing that the main villain actually was a burn survivor under his mask, because of course he was. In media, people with FD are evil. If they're not, then it's because someone very evil did it to them (the most evil thing of all - causing someone to have a facial difference. the horror!). It can't be a thing unrelated to someone's morality, there's gotta be evil somewhere around it. There is literally nothing good about this trope. Showing FD as something to hide? Check. Dramatizing FD? Check. Placing the way someone's face looks as the worst thing possible? Check. General treating FD as some kind of circus attraction to stare at with your mouth open? Check!

"Wearing a Mask*."

I made a whole post about this one actually, that's how much it annoys me. Putting your character with FD in a mask is so overdone, lazy, and boring I'm not even offended as much as I thought I would. It's like... really? Again? For the millionth time, the character with FD is forced to hide their disability? Is the author scared..? What is the point of giving your character a visible difference if all you're doing is hiding it? And yes, I know that your character chose to do that for reasons that you as a writer somehow can't control. It's always so strange how it's the character that's in control and the writer is in the passenger seat when it comes to annoying tropes.

Found yourself already waist-deep into this trope? Take a look at this post I made.

*"mask" here refers to anything that covers the character's facial difference (e.g. eye covering, surgical mask, whatever. It's about hiding it and not a technical definition of "what is a mask").

"Good Guy has the Tiniest Scar You Can Imagine, but Don't Worry! The Villain is Deformed As Hell."

A genre on its own. In the rare instance that a positive character has a facial difference, they have a curiously limited choice - you can have:

the thinnest, definitely-very-realistic straight line going through the eye (the eye is always either perfectly okay or milky for reasons the author couldn't tell you),

the same exact line but going horizontally across the nose,

and if you're feeling spicy you can put it around the mouth,

regardless of location, just make sure it doesn't look like an actual scar (certainly not a keloid or hypertrophic one) and is instead a straight line done with a red or white crayon. Interestingly, villains have unlocked more options which stem from scars, craniofacial conditions, burn marks, cleft lips, ptosis, colobomas, anisocoria, tumors, facial paralysis, to pretty much everything that's not infantilized, like Down Syndrome. These are always either realistic or extremely bloody. I sound like a broken record by now, but no, your morality has nothing to do with your physical appearance and being evil doesn't make a visible disability get more visible. Shocker. And don't get me started on...

"The Villain turned Evil Because They Have Scars."

Ah, how nice. Disabled people are evil because they're disabled, truly a timeless classic for able-bodied writers whose worst fear in life is being disabled. In case that needs to be said, having a facial difference doesn't turn you evil, doesn't make you become a serial killer, doesn't make you violent, doesn't turn you into an assassin with a tragic backstory seeking revenge for ruining their life. If anything, having a FD makes it more likely for other people to be violent towards you. Speaking from experience.

"The Villain Just Has Scars."

An impressive attempt at cutting out the middleman of "clumsily and definitely not ableist-icly explaining why getting a scar made them evil" and not even bothering with a tragic backstory or anything. They are evil, so of course they have a facial difference. What were you thinking?

"Facial Difference is a Plot Point."

As anyone who's read like A Book will tell you, the only way to get a facial difference is to be in a very dramatic fight or an extremely tragic accident who will become a plot point and thus the facial difference is now Heavily Emotionally Charged and a symbol of The Event/The Tragedy. If you look at media, congenital FD isn't a thing, illness-related FD doesn't exist and boring domestic accident or a fall causing FD has never been seen. It has to be dramatic and tragic or else there's no point in them having it. A true "why are they [minority]" moment, if you will.

"Character gets a FD but then Gets Magically Cured Because They're Good."

Truly one of the tropes that make me want to rip my hair out. Curing your character with FD sucks just as much as curing a disabled or neurodivergent character. Who is this even for? That's not how real life works. This is some actual Bible shit, that's how old this trope is. The only thing you're doing here is making people think that those who do have FD just aren't "good enough". Every time I see it, I wonder what the author would think of the congenital disorder I have. According to this kind of in-universe rules, was I born evil and just never got good? or ??

"Character with FD has Self-Esteem Issues and Hates Their Face."

I admittedly mocked all the previous tropes because they're absurd, ridiculous, offensive, boring, all of the above, and have zero basis in reality. This one however... ouch, right in my own tragic backstory. This is unfortunately a very real experience that a lot of people with FD go through. I even have a hunch there wouldn't be as many if the general public didn't think of us as monsters, but I digress. Yes, a lot of us have or had self-esteem problems, and a lot of us wished that we wouldn't have to go through all the BS we were put through because of it. Thankfully for you, you don't have to write about it! Seriously. You don't need to. As one million people have said before me, "maybe don't write about things you haven't experienced" and I agree here. I have yet to see an able-bodied author get anything about this right. Instead of the deeply personal, complex experience that involves both you, everything around you and the very perception of what others think of you that this is, somehow writers keep giving the tired "character crying and sobbing because they're "ugly" now", because the author thinks we're ugly. Or maybe they're sad because all the other characters with facial differences are evil, and they didn't have the time to prepare their evil monologue for when they inevitably become evil in the sequel? Who knows.

"The Author Doesn't Know."

I'm not sure if a trope can be the lack of something like this, but the author not knowing what their character actually has going on medically is common to a ridiculous extent - this applies to all kinds of disabled characters as well. You don't need to name-drop the Latin term for whatever your character has, but you need know what it is behind the scenes. You need to know the symptoms. You need to know the onset and the treatment or lack of it. Please do your medical research.

Things I Want to See More of in Characters with Facial Differences

[Large Text: Things I Want to See More of in Characters with Facial Differences]

The thing you might have noticed is that I want Facial Differences and People with Facial Differences to be presented as normal. Not killers, not SCP anomaly whatever, not monsters. I'm aware that the term is tired, but I absolutely want Facial Differences normalized as much as possible.

I want to see more characters with facial differences...

who have friends that don't bully or make fun of them because of their appearance.

who have support from their family.

who know other people with facial differences - even if they're just background characters, or mentioned in passing. Marginalized people tend to gravitate towards each other, people with FD aren't an exception to this.

who are queer.

who aren't only skinny white cis dudes in general.

who are disabled in other ways! A lot of us are Blind, Deaf, both, unable to speak, intellectually disabled, having issues with mobility, and a million other comorbidities.

who are fantastical in some way - preferably not the "secretly a monster" way. But a mermaid with CdLS or an elf with neurofibromatosis? That's cool as hell.

who are allowed to be cute or fashionable.

who have jobs that aren't "stereotypical bad evil guy jobs". Give me a retail worker with a cleft lip or a chef with Down Syndrome!

who are reoccurring characters that just happen to have a FD.

who are those stock/generic characters that aren't typically associated with FD. Hero's mom has septicemia scars? Cool! The popular cheerleader at school has alopecia? Awesome! The bartender of the place the heroes secretly meet up at has Möbius Syndrome? Goes hard! The kid that the MC used to hang out with before they moved somewhere else has Crouzon Syndrome? Great!

who have their FD be visible.

who aren't ashamed of their FD.

who are feeling very neutral about their face.

who are proud of how they look.

who got their FD in a very boring way or were just born with it (and maybe make up very silly, obviously not real ways of how it happened when annoying people ask them. Think "oh, I was fighting a shark").

who have facial differences other than small scars.

who's angst is fully unrelated to their FD. I love me an angsty teen character! Even more if they are angsty about their crush, or basically anything that's not their disability.

who have a significant other who doesn't do the whole "I love you despite your looks" thing. It just kinda sucks. Sorry. I would hate if someone said this to me.

who are children and aren't implied to be "cursed" or "demonic".

in genres that aren't just horror or thriller. RomCom or slice of life, anyone?

who aren't evil.

I want to see stories with multiple characters with facial differences. I have nerve damage and facial asymmetry, and I am friends or mutuals with people with Williams Syndrome, Bell's palsy, Down Syndrome, neurofibromatosis, facial atrophy, ptosis... and a lot of other things. Your character would have (or, would probably want) some connection to their community. We aren't rare!

And, I want stories with the whole spectrum of facial differences shown. Of course you can't represent the whole spectrum, but you can still aim for at least a few. Don't give every single character with FD the same scar-through-eye + eyepatch combo. It's not unrealistic to have a range in your writing. Here is a list of facial differences you might want to check out for inspiration. Don't be scared to give them something rare - no matter how uncommon, people still have it. My specific condition is allegedly extremely rare - I still want representation!

Closing Remarks

[Large Text: Closing Remarks]

Facial difference and the media is a topic that plagued me for the past almost two decades and won't stop ever, I think. It's a very unique relationship of a group of people who just aren't allowed to get into the industry and an industry that clearly hates them, loves to use their image, and defines how people see them all at once. There's this almost overrepresentation that is consistently awful and damaging to an absurd degree. Most people know more villains with FD than actual people. Certainly doesn't feel great to be one of the aforementioned actual peoples. But I hope that this will change - the negative portrayals that are plaguing the FD community will slowly fade out and a newer wave of portrayals will come in, hopefully this time realizing that we are real people and care about us a bit more.

The thing with facial difference is that it's pretty much impossible to make a specific guide of what it's like and what to do in context of writing because it's an incredible vast category that includes conditions that are very different from each other. That's why this post was more focused on "why you should care in the first place" (sorry for the clickbait) rather than being a straightforward guide that would still be very lacking even if 20 different people were collaborating on it. I really, really encourage everyone who got through this rather long post to do their research on what they plan to write about, be conscious of their own biases, don't pull inspiration from movies because they're all hellholes full of tropes and just sit down for a minute, think of the real-world people with facial differences, and read what we have to say. I know that drawing a guy with a line across his eye is more fun than realizing you're low-key scared of or uncomfortable around the real-world equivalent, but sometimes you have to get over yourself and try to be a better person. Caring about the people you write about is, dare I say, essential. That will certainly make your writing of us better :-) (smiley face with a nose)

If you have any specific questions, feel free to send an ask

Mod Sasza

[twilightkitkat]

Thinking about the role of the "love interest" in superhero media and how poolverine subverts this.

The "love interest" in most movies is just a placeholder. Boring. Tame, Predictable.

This is especially true in action media, wherein romance takes a backseat and is often seen as an add-on rather than a main plot point. Romance is either a source of conflict or motivation that serves to drive a character arc forward, but no more or less.

Take, for example, Vanessa. I love her character. Her personality and character are fascinating. However, especially in Deadpool 2 and 3, she serves more as a device to move the plot forward rather than a genuine character. The first movie established her character and importance, so it's understandable why Wade chose to hide his identity and how he slowly came to terms with his new identity. She helped move his character arc of self-acceptance forward, yes, but she also existed as her own entity.

In the movies after this, she isn't treated with the same care. She's used as a central motivation in Deadpool 2, a force that drives Wade to save Russel and confront Cable when his character motivations aren't easily tied to morals. However, that's it. She isn't fighting alongside him or given the same treatment as the other important "family" characters. In Deadpool 3, she's treated with even less care, only having short scenes at the beginning and end of the movie to give Wade a representation of "home."

This isn't to say Vanessa isn't an important character and shouldn't be treated as such. However, the purpose of having a "love interest" in an action movie's plot isn't just to have someone to love. It's almost always to have someone who can be kidnapped or killed to spring the main character into action. It's someone who fades to the sidelines so the main character can show off while showcasing their relationship success.

Consider this: in all of the Marvel comic universes, Deadpool and Wolverine have had many different partners. Different names, different faces. It's common for the "love interest" of a superhero to be seen as an accessory that changes shape depending on the comic artist or franchise. After all, they don't need a cohesive identity to serve their purpose as a "general, digestible reason for the main character to act."

Everyone understands how love can cause people to do crazy things. There is no further elaboration needed, even for morally grey or black characters. It's an easy way to make an understandable motive for the audience. Suspension of disbelief.

And yet, the superheroes remain the same. They get to keep their identity throughout different media. It's always Wolverine and Deadpool. Logan and Wade. Even if they have slightly different plotlines, their core characteristics and intrinsic identity are constant.

Logan could have Jean Gray. Or Mariko. Or Silver Fox. He can have anyone play the role of "love interest," a role that can be shapen by a ball of clay and changed entirely to fit the narrative.

But his "rival" and "best friend" in the multiverse will always be Deadpool. They're notorious for being referenced in each other's media. For fighting. For working together. They are A Set.

This is why I'm so much more drawn to Poolverine than other ships. Wade has different love interests depending on the media type. So does Logan. I can't tie in knowledge from different interpretations into the romance because the love interests are fluid. But with each other, they interact in almost every universe. Have a consistent bond. A "standard." They're soulmates, in a way, forever destined to meet and be important to each other.

This is setting aside how female love interests are treated in male-oriented media in general. They're normally seen as someone to be protected, to stay at home, and welcome back the hero when they return. Some are allowed to be strong, to have abilities, but rarely ever do they stand on equal footing with the male main character. Not where it matters.

This is exhibited in both Wolverine and Deadpool's movies. Vanessa is introduced as a "badass," someone who's part of the underworld and knows how to fight, yet she's often placed in the damsel in distress position. She could match Wade before his mutation, maybe, but after he dons the mask and becomes Deadpool, his work is over her pay grade. The same happens with Mariko in the Wolverine movie: she's initially introduced as someone who can fight, but Logan ends up protecting her almost entirely and is responsible for rescuing her from her kidnapping at the end.

It creates an emotional rift between the side of the "hero" and the side of the "love interest," because it feels like they aren't fighting together for the same cause. It feels like the love interest is treated more as a "reward" for the hero to come back to after saving the world rather than a person.

When the entire movie follows the perspective of the main character as they fight, and action scenes are primarily used to invoke emotion, it feels lackluster to have the love interest stay at home. The most intense moments of emotional connection are typically portrayed between the hero and someone else who understands their suffering who they're trying to reach, such as a villain or rival or friend.

Love interests are never on the same "playing field" as the main character and thus can't relate to their struggle. The director tells the audience that they should be happy or sad when a love interest is on screen, but they don't show the same level of emotional depth when the main point of an action movie is action. The entire premise of the main character is action, and yet the love interest is absent from it. Or a victim rather than a player.

This is why Poolverine subverts this trope. You have two people, each with their own franchise and life. Each with their own skills. Each with similarly powerful abilities.

They are equals and are treated as such by the narrative. They take each other seriously and have an emotional connection because they understand each other's suffering. They both are out on the battlefield, fighting the same war and overcoming their differences. They both are allowed to have "cool" scenes and "sad" scenes and "funny" scenes. They both are given the spotlight to experience character growth and have their own unique internal conflict because they both are strong characters who are narratively important.

They both have chemistry. Which is nearly impossible to attain when the love interest isn't even in the lab.

[trippinsorrows]

ltye: my little girl

authors note: roman being soft with his youngest (as of this oneshot). we love to see it. this is dreamland based.

*gif belongs to @romanreigns*

words: 3k

warnings: fluff galore, some angst

It happens every so often. Not a ton, but definitely on more than one occasion.

Where the house is empty sans the pets and one or two children.

Typically, it occurs over a weekend where there’s some type of overlap between the older kids' extracurriculars. This time, it’s Lina having a volleyball conference out of town, Leya tagging along to go support her sister, Tama attending a football camp, and Koa and Kai at some type of weekend tech training for kids. Roman doesn’t really understand what that last bit entails, but they, along with the rest of the family all have their security details with them, Jacob with the girls, and Zilla and Lance with the boys. They’re safe, and that’s all that matters to him.

However, with everyone else gone. That just leaves him and his youngest. 

Little Ms. Aroha Reigns.

The same little girl who’s currently using her equally little hands to try to shake him awake. “Daddy.” The dichotomy of her trying to keep her voice down while also wanting to wake him up makes him smile a little. “Daddy, you gotta get up.”

He knows he does, but a part of him wishes she would have slept a little longer. Her tiny body curled against him, as she’s always scared to sleep in her room by herself when her siblings are away. It’s too quiet in that wing of the house for her, hence her sleeping with him and bringing Coco with her. 

But, Roro is up now. There’s no going back.

Roman groans quietly and rolls onto his back, opening his eyes to see her staring down at him, just as alert and awake as all the outdoors. 

She's clearly pleased at her wake-him-up victory. “Daddy, you’re up!”

He chuckles. “I’m up, but why are you up?”

She pouts, and his smile reappears. “Cause we gotta make breakfast.”

“We do?”

She nods happily, informing him like he doesn’t live there. “Mommy always makes breakfast.”

She’s not wrong about that. Roman can only recall a few times where his wife hasn’t gotten up early just to ensure their family starts off their day the right way with full stomachs. He’s tried to tell her countless times that she doesn’t have to, but he sees it’s something that brings her joy. The cooking, but specifically, the cooking for them.

So, he leaves her be, and obviously, the importance of this now tradition is something that’s been burned into his youngest child’s head. 

Roman clears his throat and rubs his eyes, asking, “whatchu’ want us to fix, baby girl?” 

With raised fists of excitement, she shouts, “sparkle pancakes!”

Roman laughs a little. “Daddy knows how to make regular pancakes.” One of the few meals he’s learned how to prepare over the years. The Tribal Chief knows his place when it comes to the culinary arts. That’s all Solana. Definitely not him.

Again, there’s that pout. “Regular pancakes are boring.” Her eyes light up. “I’ll show you how to make sparkle pancakes! Mommy taught me.”

Another not surprising thing. Similar to Leya, Aroha has shown an interest in cooking and baking, often wanting to help her big sister and mom when it comes time to prepare food. 

Aroha has clearly set her mind to this being the plan, thus her trying to shove on him to get him moving. “Come on, daddy!”

Roman gives one more heavy sigh before sitting up, scooping Aroha up with him as he climbs out the bed, seeing Coco still sleeping away.

“Hygiene first, kiddo.” Roman carries her into his master bathroom, setting her on the counter as she grabs her toothbrush from her little section of stuff he already set up for her. Together, they get teeth brushed, faces washed, and Roman does a lazy bun with his hair but focuses on getting her ponytail just right as she talks away about all of the “fun” things she wants to do with him this weekend.

He doesn’t mind. Roman can’t recall the last time it was just the two of them, so he’ll do whatever she wants—within reason—to make this weekend special for her.

After letting the dogs outside and putting out their breakfast, Roman and his youngest get started on their own. He lets Aroha lead, allowing her to walk him step-by-step through her unsurprisingly detailed tutorial. Even the parts that are no-brainers, because she clearly enjoys feeling like she’s the one teaching him. 

She does get a little heavy handed with the sprinkles, probably more than Solana would approve of, but Roman also knows his daughter. Knows that while she may be on a bit of a sugar rush for a part of the day, when she crashes, she crashes hard. 

She’ll be knocked out for the night when all is said and done, so he’ll just give her the now.

And they sit in the living room, using trays to share their breakfast together, Roman having to ‘force’ her to drink orange juice instead of the chocolate milk she could finish all on her own if left alone.

Kid has a sweet tooth like him.

Grabbing the remote, he asks right as she sticks her fork into her stack of two pancakes, “whatcha’ wanna watch?”

Her eyes squint as she deliberates over this very important question, finally settling on, “Inside Out!”

Roman smiles a little. That was one of his guesses. “Which one?” Of the four films, he knows she doesn’t really have a favorite, but it’s still worth asking.

She lifts her index finger, answering with excitement, “the first!”

Roman nods. “The first it is.” 

Navigating to Disney Plus, selecting Roro’s profile, he hits play on the film that’s already in her watchlist. Settling back on the sofa beside her, the two eat together, Aroha taking time in between bites of food to explain certain things. If she doesn’t end up doing something with animals, he can see her being a teacher. At seven, she’s pretty damn good with explaining stuff. 

Aroha’s adorable giggling is music to his ears as she points at the TV. “That’s you, daddy.” 

Roman looks up at the TV from the phone that he was using to send a quick check-in text to the rest of his family when he’s met with one of the scenes of Anger, well, being angry.

He scowls, disagreeing. “That is not me.”

“Yes, it is,” she laughs, climbing off the sofa and moving in front of him to provide a demonstration. “You get all angry like this,” Roman laughs as Aroha attempts to provide an example of how Roman turns up his face when irritated, disgusted, or….angry. “Kids! Get down here now!” The laughter continues as she clearly tries to mimic him. “Roro! Time for bed! Koa, Kai, time to get off the games! Tama, Lina, Leya, come help bring in these groceries!”

Roman shakes his head as she climbs back on the sofa, on her knees, looking up at him. “That really me?”

Aroha shakes her hand. “Mommy says you can be a grump, but I don’t know what that means.” She finishes with a confused look, shrugging indifferently as she refocuses back on the film. 

Thinking, probably overthinking, about what she said, Roman finds himself hitting the pause button a few minutes later.

She turns to him with a frown. “Daddy?”

“Aroha…..” Roman angles his body toward her. “I know….I get angry sometimes, but you know it’s never at you, right?” Because that’s something Roman has always done his best to be mindful about, not losing his temper with and on his kids. They might frustrate him from time to time, because they’re kids, but he would never want them to be scared of him.

That would kill him.

“I would…..I would never yell at you or your siblings or your mom like that.” It’s a bit difficult for him to explain given her young age, but he has to try. Has to make sure she understands that she’s always safe with him. 

“Daddy, you’re never mean to us.” She says it so sweetly, like she almost can’t believe he would even ask such a thing. “You’re the best daddy ever.”

Feelings. So many feelings. Things he used to shield and shove away like they were something to be embarrassed of. But, falling in love, becoming a parent, it’s all made him realize that there’s nothing wrong with them. They’re normal and okay to have.

And he has a bunch of them festering with such kind, genuine words from his daughter. Roman pulls her into his side, kissing the top of her head. “thanks, kiddo.” It’s all he wants in life. To do right by her. By all of his kids.

By his family.

“You’re welcome, daddy.” She peers up at him, in all of her randomness, asking, “can I do you hair?”

Roman smiles and laughs, not sure where it’s coming from but obliging her, nonetheless. “Sure.”

She cheers and climbs off the sofa, running off, probably to get the ‘supplies.’ He takes the opportunity to check his phone, seeing missed texts from his wife. 

Solana: We’re good, my love. 

Solana: I’d ask how you guys are doing, but it’s not needed.

Solana: She’s with her favorite person. And vice versa. ❤️

Roman chuckles as he types out a reply. 

Roman: I’ll probably take her out in a lil bit.

Roman: Dogs need more food.

Solana: You wanna take her to the pet store with you?

Solana: Well, send me pictures of the latest pets. 😉

Roman shakes his head. 

Roman: I’m not getting her anymore pets, babe.

Solana: Lol. Okay. 🙂

Roman readies to reply and defend himself when Roro comes back in the living room with one of her sparkly backpacks as she directs him to sit on the floor. He climbs down, as Aroha hops on the sofa behind him and gets to work.

He hits play on the movie as she takes his hair down and does a lot of probably unnecessary brushing and combing, all the while explaining her actions. As always, he just lets her do her thing, playing into and supporting her along the way.

They stay like this for the duration of the movie, after which Roman asks the unnecessary question as to if Roro wants to go with him to pick up more food for Coco and Max. It’s a no-brainer, because the way that little girl rushes to get dressed and is ready to go in less than fifteen minutes should be studied.

So, after cleaning the kitchen and Roman throwing something on, he’s out the door with his mini-me who talks almost the entire car drive, not that he minds. He remembers times like this with Leya and Lina.

It goes by so fast. He just wants to enjoy the here and now.

Wants to revel in her being cute and little for as long as he can. 

But, it’s that cuteness that’s about to get him in trouble and eat his words as soon as they’re about to checkout at the pet store when Aroha passes the animals.

The bunnies. 

She gasps, letting go of his hand, rushing over to the small selection. It doesn’t bother him that much, mostly and largely because he had the entire store cleared and has security stationed around the place. Inside and out.

He never takes any chances when it comes to his kids. Especially little Roro.

 “Look, daddy!” Roman walks over, leaving the cart unattended to see the two small bunnies that have caught his daughter’s attention. “They’re so little….”

“They are.” He knows where this is going. Knows exactly where this is going, a part of him wishing he had listened to Solana. Taking her here with him maybe wasn’t the best idea. 

With sadness in her cute little voice, she realizes, “they’re here, because….because they don’t have a home.” 

“Not yet,” he answers, taking her other hand, giving a gentle squeeze. “But, they’ll get one.”

With hopeful eyes, she looks up, asking that question he was dreading. “Can they come home with us?”

Roman shuts his eyes.

Damn.

“Baby…..” He sighs, trying to explain in as calm and gentle voice as possible. “We already have the dogs and Nala.” Nala being the kitten his animal loving child found and rescued, hiding in her room for almost a week before being discovered.

The memory makes him chuckle a bit. That was….something else. 

Aroha’s frown deepens as places her hand up on the glass, looking at them before gazing back at him with those big, sad eyes. Solana’s. She has her mothers eyes. “But, everyone needs a family.”

And it’s that single sentence that seals the deal.

An hour later, Lola and Thumper are the latest additions to the Reigns household, Roman spending more than what was necessary to get all of the supplies Aroha wanted for her latest “little babies.” 

The smile on her face is more than worth it for Roman, however, as he sets everything up in her room for the bunnies. 

And it’s even on her face as she finds him a little later in the day, plopping her body on top of him as she takes a nap, needing a respite before tackling the rest of the day. 

But, it’s as she sleeps peacefully on top of his chest, her little lips partially open, breath escaping and chest moving up and down as she holds onto him that Roman reflects.

47 seconds. 

That’s exactly how long Aroha went without breathing when she was born. 

Roman has really only ever experienced fear a couple times in his life, most of which have revolved around his family. His wife. His children.

But, the day that Aroha was born, the minute Solana welcomed her into the world and instead of being met with the sound of their daughter's wails, thus officially making her grand entrance into the world......they were met with silence.

Aroha didn’t cry. She didn’t cry, because she wasn’t breathing.

And it’s those 47 seconds that stretched and felt like fucking hours as the labor team went to work on their not even a full five minutes old daughter.

Roman will never forget the sheer terror that set in the minute Solana realized what was happening. “She’s not breathing.” With her medical background, it was both an easy and horrifying thing to realize. “Why—why isn’t she breathing? Something’s wrong.”

The reason, that they would find out later, being something called Birth Asphyxia. The cause having something to do with Solana not having enough oxygen in her blood during childbirth. To this day, he doesn’t truly understand fully. But, at that time, he wasn’t concerned with why his daughter wasn’t breathing.

He just wanted her to be okay.

Aroha was rushed to the NICU where she received the best care money could buy, including some type of whole body “cooling” treatment that was apparently significant in her care. But, at seven days old, they conducted an MRI that revealed slight brain damage. As a result, Aroha received early intervention PT and OT, which was something Roman didn’t even know existed until then for such a young child. 

However, it was effective, because while Roman and Solana were advised Aroha may need to continue therapy up until her first few years of her life, their fighter of a daughter ended up beating the odds, cleared and meeting all milestones on time by five months of age.

It was the biggest relief and blessing they could have ever asked for, but Roman can and will never forget the devastation he felt trying to comfort Solana as they had to return home without their baby girl. It was rough, trying to spend as much time in the NICU with her while still being available and present for their other children.

The day they finally got to bring her home remains one of the happiest days of his life.

And now, at age seven, she’s a happy, healthy child who continues to not only meet all milestones but presents with intelligence that bypasses what’s expected for her age.

But, most importantly, she’s alive.

And that’s why Roman knows and is well aware of the fact that he might let Aroha get away with some things she shouldn’t, agrees to things that he doesn’t have to, says yes when he maybe should no.

The thing, however, is that none of that could be an option. It could not be an option because she couldn’t be here right now.

She could have died, but she didn’t. His little girl is a fighter, and he’ll always love her just a little bit harder just because of it. 

Grabbing his phone, careful not to disturb her, Roman sends Solana the picture Roro used his phone to take of her "babies."

He then adds the caption.

Roman: She named them Thumper and Lola.

Solana texts back not even five minutes later.

Solana: 😂😂😂😂

Solana: Told you.

Solana: They are cute......

Roman: I guess.

He can practically see his wife rolling her pretty eyes through the phone.

Solana: But, you know we're gonna have to get the boys those lizards now, right?

He does, and while he's not exactly thrilled about it, he knows it's the right thing to do. Knows that it's unfair to grant Aroha's wish, but not Koa and Kai.

Roman knows all too well what it's like to feel like the less favored of his siblings, and he'll be damned if any of his kids will feel that way.

Ever.

Roman: I know. I'll take them next weekend.

Solana: Good.

Solana: Girls said to tell they love you. I love you too. ❤️ Give my baby a kiss for me.

Roman: Love ya'll too. I will. ❤️

Roman sets his phone back down on his nightstand and chuckles as Aroha adjust herself on top of him, smacking her little lips a little as she sighs in her sleep.

Roman kisses the top of her head, one arm around her, holding her closer for as long as he can.