#they all look so comfy <3< /div> Explore tagged Tumblr posts

[yearningsaphic]

We need to find out as a collective where Hozier gets his sweaters from because why does he always have the best sweaters. Like look at him

[flimsy-spine]

my favorite madney scenes: [43/?] ⇢ Survivors, 4.14

[meownotgood]

no even if it was the doggy position he'd lean against your figure and nuzzle his face to the crook of your neck, one arm embracing u tightly that man CANNOT even fuck you without making sure you know you're loved - bnuuy bunny bun

oh you're so right... I've always thought that too...

aki is just the sweetest to you, even when he's fucking you from behind he's still treating you so softly — he presses his body close to yours, practically leaning against you, and he grabs your chin and tilts your head up so he can kiss your forehead. he's so slow and gentle with every deep rock of his hips to make sure he won't hurt you.

and since he can't see your face from this position, can't look into your eyes, can't kiss you as easily as he wants to, he ends up talking a whole lot more; aki leans in close to your ear and mutters constant breathy words of reassurance, telling you how good you're making him feel, how perfect you are, how much he loves you.

god, you're beautiful, so beautiful, he's mumbling in his smooth tone, he holds your waist steady with one hand and drags his palm over your back, your side, down to your thighs, his touch so gentle it could only be his. you can hear him breathing hard in your ear, can feel his heart pounding in his chest when he wraps an arm around you and pulls you closer. he kisses your nape, rests his hand over yours when he sees you grabbing a tight fistful of the pillow, his fingers caress your knuckles ever-so delicately as he fucks into you nice and slow until his pelvis is flush with your ass. you feel so good, want you to moan for me louder- can you say my name baby? that's it... I've got you... I love you, love you more than anything...

[journeyman-tier-fibercraft]

What if you wanted to knit but your body said "arthritis induced depressive episode ONLY" t-t

In my state of Not Knitting I've mostly been playing bideo wames but also decided to indulge in my favourite past time of reading multi million word Korean webnovels. One of said webnovels features a metric fuck ton of Hot Pink Yarn. And a man I'm very normal about knitting things for a man he's very normal about. Including a cardigan.

Do I in any way need a hot pink cardigan knit specifically to mimic the one from the novel? Absolutely not. But I Want It. (Also I've been wanting to knit a cardigan for like a year now and keep changing my mind)

In the novel, the yarn used is from a monster sheep that's later dyed hot pink. I'm not willing to use real wool for this, so instead I'm going with acrylic and got some of Hobbii's Fluffy Day in Deep Pink. Which is just an eye watering colour (canonically the hot pink yarn is painful to behold) and comes personally recommended from a friend of mine. I also got a roll of a glitter thread also sold through Hobbii in pink. Both to make the overall cardigan more obnoxious but also to give it more of a "this is wool from a monster sheep" and not just acrylic yarn.

As for the actual cardigan, it's described as a "Handmade Hot Pink Long Cardigan" "roomy and had big pockets" "(while a wip) an elaborate knitting pattern". There's enough wiggle room I can do basically anything I want with this. But my brain has latched on to the word "elaborate" and won't let go. So as soon as I get my hands on The Yarn, I'm going to swatch for this cardigan pattern published by Vogue Knitting.

It's quite possible this yarn does Not work for that pattern but I want to try it anyway just to suffer. And if it does work, I'll have to grade up the pattern, and potentially make changes to the length of the cardigan (I bought quite a bit more yarn than I thought I'd need just in case). But this pattern just Feels Right, the guy who knits is constantly wearing designer clothes so knitting an actual designer pattern is perfectly in theme. I've also been informed that the Fluffy Day yarn is incredibly warm so having a bit of open work would help with heat regulation.

If I complete this cardigan within the next ten years and have extra yarn left over I'll be sure to knit the matching hat (including a pom-pom), scarf long enough for several people to use, and fingerless gloves. All in hot pink so bright it's probably going to give me several headaches. Read S-Classes I Raised it's so good it'ssogood

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[tadpole-apocalypse]

some early concept outfits I did for Morgan. I posted an edited version of this a while ago, but tumblr crunched it into little pixels.

The outfit on the right is typical for her working hours in the shop (who's gonna buy fortunes from a basic bitch?) but the middle outfit is more practical and common everyday wear for her.

[shaboozey]

OLIVIA BAKER All American 6.07 "Passin' Me By"

[tamagotchikgs]

finfin the notorious Roller (to his own misfortune)

[pushing500]

How wonderful it is to be a curious person in a world full of interesting and 100% harmless things to study...

Ugh, I forgot there are also people in this world.

Unfathomably ugly blind taukai people with magic healing powers, apparently. Sometimes even the reclusive mechinator in the desert is too stunned by your face to do anything but agree to your requests.

Arwell is about to get a magic healer. Lucky them!

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[lieutenantselnia]

I was looking through my 2D Doof image folder and randomly came across this picture I didn't remember I had saved, please he looks so adorable😭💕

[hashileio]

figuring this out a little more

also here’s ya man @lady-of-disdain :3c

[tehzeldamaster]

Nothing better than pounding back an ice cold cola⭐️

[sysig]

What if baby VUX (Patreon)

[seaweedstarshine]

You know that time in the comics when the Doctor is so depressed, he shuts off the lights, turns on an interrogation spotlight, locks himself in the console room, and argues with a bunch of judgmental shadow-figures resembling his past incarnations?

And all the TARDIS' lights go out and her interior becomes a maze to keep his companions out of the console room, all from her psychic connection with the Doctor (“moodbleed”)?

And his companions are left wandering in circles for two days as the air goes “stale,” not knowing where he is but thinking the worst, while he hallucinates in a dark room?

...because I'm thinking again about the times this definitely happened when he was with the Ponds.

[froghwon]

hi 👋

[devilishdelights]

not gonna actualllyy give him a bunch of expressions....just bein silly making references. (look how organized my files look btw. dont look in them though) obv going with number 1... love when hes his true self- a grumpy old ass man

baby boy :)