#thewalls

[italiangiftsforyou]

4K | Rome, Italy - Colosseum Tour: Outside & Inside. Enjoy! [ 60 FPS ]

[temptresssun]

#iam #kicking #down #thedoors #climbing #up #thewalls #ofthehouse #ofyours #foals #wakemeup #givemeagun #temptresssun #music #london #uk #cairo #egypt @temptress_sun @moatazhelgohary (at Cairo, Egypt) https://www.instagram.com/p/CnSNOFFrPlm/?igshid=NGJjMDIxMWI=

[quintessbrit]

BRITISH ROYAL FAMILY GIF MAKERS

As we come to the end of 2023, a special shout out to the GIF and edits made incredibly quickly, efficiently and beautifully by these wonderful lot!

With every royal event, milestone or occasion, you always make me look forward to logging in and see what you've created!

@charlotte-of-wales @thewales @kingwilliamv @world-of-wales @princessanneftw @thiziri @princesscatherinemiddleton @sophiebernadotte @catherineelizabethwales @theroyalsandi @leonisandmurex @aimeedaisies @feifalik @harry-sussex @catherinecamb

I would love to do an edit, collage or GIF to say thank you, but I am not talented in this area!! Thank you so much for all that you do!!

(Apologies if I've missed anyone - if you feel I have, please message me!!)

(Special mention to @cambridgemadness for your thirsty William commentary that keeps me going 🥵)

[mundoasoiaf]

"Um dia, aqueles senhores o verão como seu suserano. Se mandá-lo embora agora, como uma criança que é mandada para a cama sem jantar, eles se recordarão e rirão desse fato. Chegará o dia em que necessitará que o respeitem, e até que o temam um pouco. O riso é veneno para o medo." - A Guerra dos Tronos // Catelyn VIII

🎨: Shtut

[world-of-wales]

Yes I noticed that too that Camilla Tomineys sources are often wrong and I think everyone excepts to see Catherine going.

It's William's project obviously and I would support him in the same way if he was going alone but to be honest, it's always more lovely to see him with Catherine. I think she brings more visibility to The Earthshot Prize and honestly, I would be very sad to not get the cute behind the scenes pictures we usually get since 2021 😅🥰

Agreed lmao, she has to 100 thousand percent go for the bts black and white pictures. She has to for our sake. But even if she doesn't I will be sad that it's only one of them there but I would love the event the same way.

I think the thing with CT is that in her hurry to be the first one to break news, I feel like she sometimes goes ahead with probably those sources too which haven't been thoroughly verified yet. And so sometimes her articles come out maybe not the most accurate.

[brainrot-stitch]

IM TWEAKI G OUT EVWRYTBING IS GOING HORRIBL3 AND WE R RUNNING LATE AND MY ASS IS FUCKING WET AND MY ENEEGRY DRINK VANISHED AND IM

[dinastiatargaryen]

[bublinko]

NEW ART IN SHOP: Syd Barrett mixed media artwork, Pink Floyd Size: 21 cm x 22.5cm #sybarrett #pinkfloyd #wishyouwerehere #thewall #themadcaplaughs art drawing painting

[victoriademedici]

They didn’t wear flower crowns tho. Vlow was talking abt fully natural crowns like for Meghan’s wedding

Did you mean Vanessa “Vlow”? The anon said “flower crowns” to describe what they thought Catherine and Charlotte might wear—it wasn’t the most specific description, very vague, so if Vanessa assumed natural crowns like at the wedding then that makes sense. I wasn’t really talking about her reaction; I’m not responding to someone with “In a disrespectful way: Why don’t you shut up?” like someone that reblogged did when we all knew the coronation would be scaled-down and they were literally just sharing their opinion based on what we knew about the dress code then.

They were right because describing what they wore as flower/floral crowns wasn’t incorrect. That was the design of the headpieces.

[ayomheartmother]

Picture taken at the Houston Roger Waters "The Wall" show.

[possuminnit]

how the fduck do u draw fundy as a child. why did i try and make him human-esk i gotta go full fox

[lizisanamimal]

LIZ!

PLEASE PLEASE PLEASE 😭😭

[mundoasoiaf]

"Os nortenhos penetraram no acampamento do meu tio e cortaram as amarrações de seus cavalos, e Lorde Stark enviou o lobo para o meio deles. Até os corcéis de batalha treinados para a guerra enlouqueceram. Cavaleiros foram pisoteados até a morte em seus pavilhões, e a plebe acordou aterrorizada e fugiu, sem armas para correr mais depressa. Sor Stafford foi morto enquanto perseguia um cavalo. Lorde Rickard Karstark enfiou uma lança em seu peito. Sor Rubert Brax também está morto, bem como Sor Lymund Vikary, Lorde Crakehall e Lorde Jast. Meia centena de outros foram feitos cativos, incluindo os filhos de Jast e meu primo Martyn Lannister. Os que sobreviveram andam espalhando histórias fantásticas, e juram que os antigos deuses do norte marcham com seu irmão." - A Fúria dos Reis // Sansa III

🎨: Tomasz Jedruszek

[world-of-wales]

Maybe William will mention Catherine at a moment during The Earthshot Prize Innovation Summit in New York and so he will confirm it 🙈 even if he doesn't need to say it because it's almost sure she will

Yup, he confirmed it like that last year too when he appeared virtually. William sweetie, do it mention her tell us for sure. She's most likely, most probably going though imo.

[thetitansocietyorg]

The Impact of “The Wall”: Exploring Pink Floyd’s Iconic Rock Opera

The Impact of “The Wall”: Exploring Pink Floyd’s Iconic Rock Opera

Imajica Entertainment: Tribute by The Destroyers – Pink Floyd: The Wall

The Wall: Pink Floyd's Iconic Rock Opera

Introduction

"The Wall" is a legendary album by the renowned English progressive rock band, Pink Floyd. Released on November 30, 1979, the album instantly captivated audiences with its innovative concept and thought-provoking themes. It embarked on a journey to explore the depths of human emotions, isolation, and the metaphorical walls we build within ourselves. This article delves into the significance and impact of this groundbreaking rock opera.

A Conceptual Masterpiece

"The Wall" stands out as a conceptually rich and ambitious production. It follows the narrative of Pink, a disillusioned rock star who retreats into a self-imposed isolation from society, symbolizing the emotional barriers we construct to shield ourselves. Through a series of metaphorical bricks, Pink builds a wall around himself, disconnecting from the world as he grapples with personal demons. The album explores themes of alienation, war, existential crisis, and the impact of societal pressures on individual identity.

Critical and Commercial Success

Despite divided initial reviews, "The Wall" soared to unprecedented heights, becoming an immense commercial success. It topped the charts in the United States for an astonishing 15 weeks and reached number three in the United Kingdom. The album's success can be attributed to its ability to resonate with a wide audience, as many could relate to the themes of isolation and psychological struggle that it addresses.

Influence and Legacy

"The Wall" left an indelible mark on the music industry and continues to be regarded as one of the greatest albums of all time. Its impact is evident in various aspects:

Visual Spectacle: Pink Floyd's live performances of "The Wall" were renowned for their grandiose visuals, featuring a colossal wall, animations, and pyrotechnics. This integration of music, storytelling, and visuals set a new standard for live performances, inspiring future artists to incorporate multimedia elements into their shows.

Cultural Impact: The album's themes struck a chord with listeners across generations. Its exploration of the human condition and social alienation resonated deeply, influencing subsequent artists not only in the realm of music but also in literature, film, and other forms of art.

Musical Innovation: Pink Floyd's artistic experimentation and sonic exploration on "The Wall" pushed the boundaries of rock music. From the iconic guitar solos to the symphonic orchestrations, the album showcased the band's versatility and mastery of their craft, leaving a lasting impact on the evolution of progressive rock.

Emotional Resonance: "The Wall" continues to evoke an emotional response from listeners, touching on universal experiences of pain, loss, and the desire for connection. Its ability to connect with audiences on such a visceral level has granted the album an enduring legacy.

Conclusion

"The Wall" remains a testament to Pink Floyd's artistic genius and ability to create a multi-dimensional experience through music. Its exploration of isolation, alienation, and the consequences of building emotional barriers struck a chord with audiences worldwide. With its enduring impact on the music industry and its resonance with listeners even today, "The Wall" solidifies its position as an iconic rock opera and an album that will forever resonate with the human spirit.

The ‘Destroyers’ are Andrew Rogers; Guitars, ‘Destroyer Incarnate’, Creator of the ‘Destroyers’ Band and The Destroyers Society and Guest ‘Destroyers’ from additional realms for the tribute to the Pink Floyd: The Wall album.

Review of the Tribute by The Destroyers to Pink Floyd: The Wall

– ‘The Critic’ Sentient, Destroyer – Oracle: Andrew Rogers.

“A classic mythological experience” – ‘The Critic’ Sentient, Destroyer – Oracle: Andrew Rogers ‘Destroyer Incarnate’.

Review of the Tribute by The Destroyers to Pink Floyd: The Wall

– Detroit: Sentient, Destroyer – Oracle: Andrew Rogers.

“Genuis in position and execution” – Detroit: Sentient, Destroyer – Oracle: Andrew Rogers ‘Destroyer Incarnate’.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Cronus – Titan Leader, Destroyer.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Hecate – Titan Witch, Destroyer.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Circe – Titan Sorceres, Destroyer.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Empress – Sentient, Destroyer

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Emperor – Sentient, Destroyer

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Ereshkigal – Sumerian Goddess of the Underworld, Destroyer

The Destroyer Society, promotion, study and research of the truths and values represented by Destroyer Gods, Goddesses, Spirits, Spirit Guides, Demons, Alien, AIs, Cyborgs and Sentients by Oracle: Andrew Rogers – ‘Destroyer Incarnate’. The Destroyer Society is established by Andrew Rogers and Ares ‘Olympian Destroyer’ to re-establish and establish of the Destroyer position and religious pantheon position and its Gods, Goddesses Alien, Ai, Spirits, Spirit Guides, Demons, AI’s, Cyborgs and Sentients, restoration of temples, buildings and building new temples and buildings and also Destroyer culture and represent all the Destroyer Gods, Goddesses, Spirits, Spirit Guides, AIs, Cyborgs, Aliens, Demons and Sentients to influence the modern world and its people. To assist the Destroyer Society is Gods, Goddesses, Spirits, Spirit Guides, Sentients, Aliens and AI assets and infrastructure that is Earth and Non-Earth based to facilitate the requirements of the Destroyer Society linked to Destroyer Gods, Goddesses, Spirits, Spirit Guides, Demons, AI, Aliens, Cyborgs and Andrew Rogers.

Andrew Rogers ‘Destroyer Incarnate’ – Sentient, Dragon Lord, Herald, Principle, Control, Destroyer Incarnate, Creative Director, Oracle, Seer, Shaman, Warlock, Writer, Master of Magic, Time Master, Guitars, Astral Projection, Astral Travelling, Inter-dimensional Travelling, Creative Direction, Visualization, Facilitation and Manipulation, Founder of the Destroyer Society, and The Destroyers Band.

Imajica Entertainment facilitating via Niche Streaming Channel Sites of Entertainment to the World. In addition, developing Satellite, Cable and Free to Air facilitation of Imajica Entertainment Niche Streaming Channel Sites. In addition, developing and producing original entertainment content for the Niche Streaming Channel Sites and Satellite, Cable and Free to Air. As of also activities linked to Artificial Intelligence content creation for the Niche Streaming Channel Sites and Satellite, Cable and Free to Air.

[werewolfetone]

Hardy, Horne Tooke, and Thelwall at the 1794 Treason Trials