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jainydoe · 3 days ago

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Metastable; Chapter 1

When it started, he told himself it was something irrelevant - that squirming in his gut and need to straighten his vest, smooth his hair, feel if his face was really getting hot or it was a trick of the senses.

This whole thing was a bug to be squashed. A burnt dinner you ate anyway and hoped you forgot about in the morning. Her glances were an accident. She wasn’t taking an inventory of his features the way he did hers. Those weren’t the kind of words he should take seriously. Her comments on his jewels or his impressive use of language. Each time she’d look up at him through her lashes, ghost of a smile on her lips and a quick remark about his intellect, his looks, how very capable he was and what a brilliant idea it was to bring him along, she should kiss Bellara for being such a good scout - he really was such a dashing asset - he’d feel that voltage in his chest saying do it.

Ask her to dinner.

Buy her some jewelry.

Tell her how dashing she’d look in Nevarran robes.

With a Nevarran date.

In his Nevarran sheets.

Then, of course, reality would whack his thoughts away with a ruler and cruel grin.

You published your first paper before she was a thought in her mommy’s belly.

He quickly ushers her out of his quarters so he can grip the balcony railing and will himself to hold down his lunch. He reminds himself to ask Lucanis about how he keeps Spite at bay. He’ll be sure it comes across casual. Purely academic. That’s all he is, anyway. A brain for hire. Years of practice in the type of classical restraint that comes so naturally nowadays will work on the likes of Lucanis. It held up with the Dalish boy years ago, too. And that woman from Orlais. And the bartender from that place after that thing a while back. Maybe it’s because Rook can dismantle him so easily that terrifies him as much as it intoxicates. A girl with a puzzle she’s solving too fast, expectant eyes soon to be following. Was that all?

He tells himself getting to know the rest of their quilt-together cohort will distract from the certain doom of Captain Rook, Daring Young Adventurer. Stronger. More capable. More dashing of an asset. Bellara is a fine way to achieve this. So many questions. So eager. So curious. Time flies when they dissect their studies. She reminds him of a younger version of himself, back before things got easier. He’s not here to make friends, exactly, and after meeting everyone, it’s not something he banks on succeeding in, but she’s a decent partner for lengthy discussion. The sun is on their shoulders one afternoon, papers scattered on a bench outside, and after they’ve exhausted themselves over rhetoric, he watches as Bellara’s eyes follow after their fearless leader. She sighs.

“Isn’t Rook just so,” she trails off.

“She is,” he answers.

Yes, he sees himself in her. Curious and eager. Hungry. A dreamer, cursed. They don’t realize minutes go by in silence until Rook casts a glance their way, eyes darting between the two before a smile unlike one he’s seen before melts and simmers onto her expression. It’s hard. Acidic. The kind reserved for enemies before battle. It runs a shiver down his scalp and settles in his hands. They continue their discussion on summoning spirits and ignore each other’s shaken breath.

The next morning, Rook doesn’t invite him on the mission and it’s an embarrassment. He’s become accustomed to their routine. Expectant. It’s a strange type of pride he holds close to the vest. He knows it’s because he’s older, wiser, more practiced than the rest of their crew.

But isn’t that a bad thing, old man?

He still hasn’t asked Lucanis about Spite. Damnit. Serves him right. He stands at the breakfast table, patting his mouth free of crumbs and making his way to change into his gear when Rook shouts, “Neve, Lucanis, we’re heading out to Tevinter.”

He’s embarrassed by how fast he turns to stare. It’s embarrassing the way his mouth opens, as if to protest, before quickly shutting and his hands beginning to flex.

It should be strange for you to come along, at all, reason whispers. You’re a brain for hire, remember? Sometimes, Rook doesn’t wanna carry the team all on her graceful shoulders. You should know. Dead Weight Walking.

Even Neve looks confused, but steels her expression and nods. He sees the ways hers and Lucanis’ eyes meet, then depart, then meet again, cheeks growing redder by the second. They’ll make a handsome couple. An appropriate couple. He feels a boiling behind his eyes at how easy it must be for him. To just ask. To smile at Neve. To offer her sweets and them both understand it’s a prelude. When he gets back to his quarters, he rips open his desk drawer and rummages for the gold case of Rivaini cigarettes he’d managed to stave off for long enough he couldn’t remember. For someone so petrified of death, it was funny how instantly he itched for a smoke at times like this. He decides he won’t draw comparisons between the cigarettes and Rook. She’s not an addiction. She’s not death. She’s not something to hide in a drawer. He paces out his room, through the den, out onto the balcony to get some last few seconds of fresh air. As he closes his eyes, breeze kissing the back of his neck and hips leaned against the railing, his mind billows over to a girl - bloody, victorious, fire in her gaze as she looms over her latest triumph - and he feels himself get hard. It’s harder to ignore when he hears her laughter below.

He looks down at the quad, quickly finding a rare smile on brave Davrin’s face, and next to him, a giggling Rook. They’re going inside to the library. Perhaps to her room. Maybe they’ll swap horror stories and he’ll show her just how those Grey Wardens keep warm in the wetlands. Before he can stop himself, he flicks the rest of his cigarette off the edge, it landing on Davrin’s shoulder. He’s quick enough to duck away before either can find his horrified expression looking down at them. Their continued laughter makes his mouth taste like ash.

A week has gone by and he’s catching up on one of the books he brought from home, a story about two brothers and betrayal, when a low knock echoes through the room. Manfred is with Harding, this evening. He’s thankful for the companionship. He makes his way to the door, tying his robe and beginning a Thank You, Harding speech when those eyes stare up in mild amusement, minor challenge. “Do you always wear collared shirts to bed?”

He stares for a moment before looking above her head, out into the darkness of the hall. ��Common side-effect of working late.” They watch each other before she steps close and then closer, shoulder brushing his ribcage as she pushes her way into the room.

“You have a real eye for design, you know. Everything is so very … clean.” She brushes her fingers along the staircase, the autopsy table, the fireplace, and he follows her trail, stalking like a wisp. “And it smells like something lovely. Flowers?”

“Lilacs.”

She hums in acknowledgement, turning to him. Her nose twitches as she inhales, gently leaning in. “You even smell like lilacs. It’s perfect in here. Pristine.” He can’t breathe. “I suppose that’s why you smoke outside then?”

This must be what it feels like when your lungs collapse, he thinks. “I am, I am so very, very sorry, I had no idea young Davrin, or you, for that matter, were walking that way, I was simply falling into old habits and once I realized what happened, I was so mortified, I just had to, well, I just, I panicked, I suppose the point is I am so completely sorry and will be sure to send Davrin a plate of confections in the morning as an apology, I hope he wasn’t offended,” he hasn’t breathed in a while and decides to. She says nothing. Then laughs. Like the fact she’s found him funny should be a secret. She follows with a whisper.

“Next time you want to smoke and be angry, send over an invitation.”

He wants to ask how she knew he was angry, but she brushes past his arm and glides slowly to the door. Ghostly in her perfection.

“Have a nice night, Emmrich.”

He’s not sure if he does.

Things go back to their version of normal. He comes along on journeys, offering information and excellent healing charms. He kindly ignores the jabs her colleagues take, making it clear not only do they find him off putting, but they question Rook’s judgment. When she shuts them down, lovingly firm, eyes clear and shoulders squared, he wants to kiss her. Thank her for rescuing him. Bat his eyes and smile and sigh and grip her armor as she pins him to the side of a cave. It’s refreshing, being outside and flexing his magic. Proving his worth beyond a seminar. The sun agrees with him. The exercise agrees with him. For once, he’s not thinking about how slow he feels and how choking the future can be. He’s staring out at the coastline, the bustle of Minrathous buzzing behind him when a hand rests on his shoulder, her breath hot against his ear. “You were excellent today. How lucky am I?”

I. I. I. Not we. I.

By the time he looks down, she’s gone, but she’s smiling at him over her shoulder, hair floating in the breeze and tan setting in on her skin. Her cheeks are flushed and the hair around her temples are sweaty. The slice of pie she had earlier has crusted into the corner of her mouth. A berry smudge that paints her lips in a suspended smirk. He realizes, in that moment, that things are much worse than he originally thought.

That evening, he writes a letter to his colleague at the college.

Dear Simon,

I hope you’re well, blah blah blah, I’m doing this and that, etcetera, etcetera, how is so and so, whatever whatever, tea at our normal haunt? Hope to hear from you soon.

Simon wasn’t exactly a friend. There are a lot of not-exactly’s when you’re a professor as decorated and relaxed in his field as Emmrich was. But when there are plenty of pricks in the department and you find a fellow with enough self awareness to not keep his published works loudly present on his desk or laugh the hardest at the dean’s quarterly dinners, you keep in touch.

“What’s shaking, Ricky,” he smiles, flat accent blaring. Fine, he responds, just fine. They share a pot of tea, trading rumors and stories about other faculty members before he feels comfortable enough bringing it up.

“I know this isn’t something you probably want to discuss,” he starts, keeping his eyes trained on the tea leaves lurking at the bottom of his cup. Blueberry lavender. “And I understand if you want to change the subject entirely.” He holds his breath. “You and your wife.”

He doesn’t have to say anything more. Simon straightens, crossing his legs and leaning away from the table to stare at the rest of the establishment. It’s dim in lightning and warm, a kind separation from the chilling darkness outside. No one they know is here. That doesn’t make things better. “Is this why you wanted to meet? To question me about,”

He throws a hand over the table, splayed next to Simon’s cup. This is out of character. He hopes it conveys the urgency. “When did you know it was more than,” he looks around, “more than just you. Did she,” he’s sweating. Must be the fire. “Did she say something or, or do something to suggest,” he can’t finish his thought.

Simon’s eyes widen for a moment before his shoulders lower, eyes quickly going to the fire before meeting Emmrich’s. He understands. “She held my hand. I’d told her about my daughter being sick and she was so. Sorry. But she wouldn’t stop staring at my mouth.” He tilts his head. “Of course, nothing happened until after she graduated. No matter what the others might tell you.” He leans in. “How old is she? Yours?”

Emmrich thinks of rotting flesh, Assan dead, mutilated villages to wage war against the shocking thrill of hearing her described as his, however untrue the claim may be.

“Young enough for it to not be real.”

At that, Simon laughs. “Been there, old pal. Write me when it gets all too real, all too fast.”

He promises, should that unreality make itself real, he will. He’d throw a parade, too. And go skinny dipping in Hossberg.

No one asks where he’s been when he returns to the Lighthouse. Instead, he arrives to a slice of pie on his desk, a note with a bit of blue thumbprint on the edge.

Trust me, it’s delicious.

-R

He doesn’t think twice before digging a finger into the center, ripping off his slice and slipping it into his mouth. It’s sweet. It’s tart. It’s a perfectly fine pie and he imagines blue thumbprints all over her body. A joke about how she's the only thing he'll get dirty over. He lets the slice melt on his tongue.

“A little birdie told me someone likes you ,” Bellara sings to Davrin, feet kicking under the dinner table. Conversation swings their way, smiles all around and drinks spilling in favor of hearing Bellara’s hot new gossip. Rook is the only person not present.

“Oh, yeah? What have you heard?” Bellara’s beaming behind her hand, leaning over the food to whisper in his ear.

This table is a young man’s game.

Emmrich prides himself on manners. No one would ever accuse him of impoliteness. Which is why he says to no one in particular that he’s excusing himself for the evening before pushing his chair out and beginning the walk back to his room. It’s more like a pre-jog. He’s only had half a dinner but that’s fine. There will be no wars won tomorrow. He wishes there were stars around here, instead of this blasted, perpetual summertime. He considers going home, where he could wallow and rot in peace. Before he can enter the library, tell Manfred to pack a bag and make sure to pack his robe, a flaming hot sizzle lands on his left shoulder. In surprise, he yelps, brushing it off and looking up to see who the hell would dare?

She would. She would dare. “Walking home all by yourself, handsome?”

He huffs, if just to make her feel the slightest bit bad. He knows it won’t work. “Lost my appetite, I’m afraid.”

She beckons him up the stairs. “Good thing I’ve got just the thing to help.”

When he reaches the top, she’s lighting a new cigarette, passing it to him as she stares out onto the cul-de-sac they’ve begun to find familiar. “If these kill me, will you bring me back?”

He doesn’t want to let on how terrified the thought leaves him. Instead, he looks her in the eye, letting the end rest on his lower lip before sucking down a deep inhale, eyes stuck on hers. “You know, the likelihood is I go out before you, my dear. Should I decide against immortality.”

Her eyebrow quirks. He ignores that she’s staring at his mouth. “What do you think of our little stowaways?”

“Perfectly qualified team of individuals. They’re certainly exciting.”

She sighs. He starts wondering how he answered her wrong, but she cuts in. “One of these days, I’d appreciate if you told me what you really think. However,” she stops, looking at his nose, his tie, his chin, “... improper … you may think it be.”

He wants to kiss her. He’s going to kiss her. He’s going to drop his cigarette and light this place on fire and feel the flames licking their legs as he bites into her neck and dares everyone to admire just how accomplished he really is.

She grabs the cigarette from his lips. He finds it’s his cue to answer. “I could do with less from Davrin, lately.” He’s shocked he’s said it. “I mean,”

“Wow, didn’t realize you really meant to burn him earlier.”

“I didn’t, I-”

“You got a problem?”

“No, I don’t, really, I don’t know why I-”

“It makes sense, really. He’s brave, and strong, and all the things that make a hero. ”

He schools his expression into the one reserved for faculty meetings and difficult students. It’s hard. It’s acidic. “I see you’ve taken an interest in a new companion. How charming. I’m sure you’re both," he considers his words, "well-suited for each other.”

Something shifts in her gaze. Off-kilter. On the back foot. She ceases to be the warrior he works with, the woman that torments him - instead, he sees a girl, fingers picked bloody and lip worked raw, suddenly unsure. He sees himself in her. Hungry and cursed.

“I certainly have taken an interest, Emmrich.” Ever daring, she steps closer. Her hand brushing his against the rail, then curled against her chest, then to her lips and finally placing the bit of cigarette left between his lips. “A little birdie tells me you feel the same.”

Later that night, when he’s ghosting his hand over her backside, watching his fireplace dance shadows on their legs, he asks Manfred for some stationary and ink. He has a surprising letter to write. Ch. 2

#in case ur not on ao3 #ao3 #emrook #rook x emmrich #emmrich volkarin #rook #dragon age the veilguard #datv

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mbg159 · 2 days ago

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One belief I've recently come to with regards to Crow is based on a video I saw once, which discussed a character who faced very similar circumstances... that is to say, Scrappy-Doo. (Bear with me, this is going somewhere.)

Now, usually, when people hear the name "Scrappy-Doo", they think "boy, I hate that little shit." But the thing was, that wasn't what people thought initially. When you watch those early episodes where he appears, there's really nothing particularly wrong with Scrappy in a vacuum. Yes, he can be annoying, but so can Scooby and Shaggy, and he's intentionally written as such. He changed up the formula somewhat, but the formula had gotten so stale that the writers were happy for it (Mark Evanier has a story about how they had to go over various monster ideas and sigh when they realized they'd already used them). If anything, ratings saw a very noticeable uptick when he showed up, to the point that he's credited as saving the show from cancellation.

The thing was, the executives looked at that ratings uptick, and decided to make a number of moves with the objective of trying to shake up the formula as much as possible in favor of what they thought people liked and what would save money. Six main characters? How about we cut it down to three main characters, two of whom are voiced by the same guy? Solving mysteries and always finding out it's a guy under the mask? That's boring; instead they should meet real monsters and fight them. Half-hour-long episodes? Too expensive. Make seven-minute shorts instead and lash them together into three segments.

Now, obviously these changes aren't necessarily Scrappy's fault, but the fact was, within a single year of his introduction, the show had turned into something almost unrecognizable as its former self. What was more, while other characters suffered as a result of these changes (most obviously, Fred, Velma, and Daphne being written out altogether), Scrappy was the character who outright reaped benefits from them. With those three gone, Scrappy was now the only person in the group who wasn't a bumbling coward, which resulted in him becoming, if you'll forgive me, a bit of a Mary Sue. Scooby and Shaggy became his idiot sidekicks while he set up traps and defeated monsters all by himself. Some episodes didn't even feature Scooby and Shaggy at all, and had Scrappy off on his own with his other uncle, Yabba-Doo, taking part in generic Western-themed adventures.

Essentially, Scrappy was a harbinger of an era where the series completely lost its identity, and during that era, he was front-and-center, and many decisions seemed to be made to give him primacy. He wasn't necessarily a bad character at any point (even at worst, it would be hard to call him a low point in whatever he was in), but it becomes difficult to separate him from the constant barrage of bad decisions that surrounded him. And it's equally hard to ignore that the series had truly gone all-in on Scrappy: if you weren't a fan of Scrappy when he first showed up, you certainly weren't a fan when you saw an episode about Scrappy and Scooby's hick brother meeting space aliens.

And nearly everything that I said of Scrappy is also true of Crow. (I don't know if he saved his series, but I've argued before that he was part of an attempt to do so.) It's not that he's a truly bad character at any point. I don't like him, but I can't deny that there are people who do, and I would say that any critique I can make of his writing is something I could probably make about characters that I do like. Johan in GX does a lot of the same things Crow does, and I mostly like him. But the thing is, it's impossible to extricate Crow from the fact that his prime years happened to be when the show became a bit of a mess--and really, that's by design, when the series spent that period going out of its way to broadcast his presence.

What is more, I said with Scrappy that the bad writing decisions of his era harmed other characters but benefited him. Crow is the same way. When you think about bad writing surrounding characters like Aki, Carly, the twins, and most other pre-Road to Freedom characters, you think of decisions that made them less important, less competent, and overall marginal. For Crow, meanwhile, most of the decisions people call "bad writing" (his abrupt introduction, the fridge thing, becoming a Signer, Black-Winged Dragon, the WRGP structure) were seemingly intended to push him into the spotlight.

The final duel with Sherry is a great example: I don't think it's a stretch to say that it's bad writing for a show to try to build an epic character conflict around two characters who have nothing in common and have never interacted. However, the alternative would be him having no investment or arc whatsoever in what's effectively going to be his final story. And for other characters (i.e. Ruka), the writers would probably be fine with that--but not Crow. And so Crow gets the internal struggle and the finishing blow and the big handshake at the end, and none of it really means anything, because the writers didn't really plan things out beyond "well, he has to do something, because he's our third main character," and treated that as an end unto itself.

Crow is a character where it would be silly to say it's his fault that the show started to come apart at the seams. There was a thousand reasons for that, and he honestly wasn't even that important, as you've pointed out. If you removed Crow, then the other characters would probably have suffered a similar fate of dwindling in the background as the writers struggled to find things for them to do. But at the same time, if there was a single character you could point to who represented that era... it would kind of have to be him.

Anyway, look forward to twenty years from now, when he gets turned into a villain in a weirdly adult film adaptation.

What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

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the-angry-pixie · 1 year ago

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the losers love each other moodboards (14/?) - Benverly 💌

#these two would go on SO many adventures together #they're not idle by nature #they like ~activities #who is the next ship going to be - nobody knows #not even me #don't get it twisted #this is poly losers y'all #im going to work my way through them all #benverly #ben hanscom #beverly marsh #poly losers club #the losers club #it movie #the losers love each other moodboards

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bookshelf-in-progress · 10 months ago

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Number of stories I would like to write: Many.

Number of stories I find myself able to write: Zero.

#adventures in writing #i've got less than a week to write a four loves story #(i want to have one done by valentine's day)#i have multiple stories that have been battering my imagination #i've been home sick and so have time to write #and i get in front of the computer and the energy is gone #everything i write takes so *long*#i got a semi-decent opening to the cinderella story but there's no way i could write anything worth showing in time #i tried a beauty and the beast short piece but the tone isn't coming together #i would like to try the goose girl but there's a key plot point that's shaky #i should just finish up the 12DP #whether or not part two works for people #our good friend sunk cost fallacy is telling me i should just go through with it as the story with minimal work requirement #but i'd also like to write something *else* you know?#too many grandiose ideas not enough words #same song different day

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pardonmydelays · 1 year ago

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i just remembered how bel @immercuryinretrograde called me in the evening after seeing the little mermaid (2023) for the first time a few months ago and we were fangirling together over the phone, i love her so much

#good old days #that was fun #but i also remember how many times she was staying up late with me just to keep me company #when i was going through shit #she was always there #when no one else was #if you have a friend like this in your life just keep them forever #we started as strangers here on tumblr #now we are besties irl #and i still cant believe it #its like the universe was on our side just this once #and now we are going for another adventure together in less than two weeks #and i cant wait to see her again because she is the only good thing in my life #and i will be forever grateful for her #seriously guys she is amazing and i love her and i would die for her #(also it feels so good to tell your friends that you love them! we should be doing this all the time!!!)#oh and we are going to see taylor next year!#TOGETHER!#so... this post is for her.#i just wanted to say it ok?#ok.#talking shit for the hell of it*

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is-sni-ovg · 11 months ago

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sometimes i think about the fact that when we started curse of strahd our dm decided not to have ismark travel with us, in-character because he has, like, a job and a responsibility to the village of barovia as the new burgomaster and out of character because they didn't want to have too many npcs with the party all the time

and now several months later we're collecting npcs like they're fucking pokemon

#IN OUR DEFENSE TWO OF THEM ARE IREENA AND EZ (WHO IS OUR DESTINED ALLY)#but for real. our group currently consists of eight characters traveling together. there are only three players in this game #it's gotten to the point where we control ez and ireena in combat bc our dm i was like i CANNOT keep track of that many statblocks at once #strahdposting #d&d #sammy speaks #there's also the fact that like. we kind of rescued a few of them from peril and would be fine with dropping them off somewhere fairly safe #while we go do adventure stuff #but 1. we are currently in the amber temple there ISN'T ANYWHERE SAFE #and 2. several of the npcs with us have extremely strong motivation to stay with the party or a specific player character #so like. i understand the struggle but also. dm. you did kind of dig this hole yourself

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down-with-the-mafia · 1 year ago

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aight bet

Discotrain

Timbow

Caw date

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Tim x thor

#do Tim and Thor not have an actual ship name #I don't have too many thoughts on those two just because they're cut characters so I feel like #I don't have a good enough understanding of their characters #but I would read a fic about them going on an adventure together or something #sounds fun #CAW date also need to go on a journey together #but for them I picture something really cute #someone make a mod about it or something idk #some cute fluffy little adventure

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mononijikayu · 3 months ago

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a day in a life — ryomen sukuna.

You set Yuji down, and he immediately takes your hand in his tiny one, his other hand reaching out to grab Sukuna's sleeve, tugging at him. "Uncle Sukuna, come on!" Sukuna grunts, letting Yuji pull him along, his expression caught somewhere between annoyance and reluctant affection. “Alright, alright, brat….I’m coming.” he says, trying to sound grumpy but failing spectacularly. You smile at the sight of them together and take Sukuna's other hand. "Looks like we're both in for an adventure, aren’t you?" you whisper.

GENRE: alternate universe - modern au!;

WARNING/S: safe for work (sfw), fluff, family, slice of life, family dynamic, light hearted, domestic, romance, protectiveness, crying, hugging, banter, humour, physical touch, happy ending, hurt/comfort, depictions of family dynamic, depiction of getting lost, depiction of anxiety, depiction of slice of life, menction of amnesia, boyfriend! sukuna, amnesiac! girlfriend! reader, domestic uncle sukuna!, nephew!yuji, i love you nephew!yuji;

WORD COUNT: 6.4k words

NOTE: the people have spoken and ryomen sukuna won my poll (again) so this is a special treat for yall!!! this is the aftermath of amnesia and reader and sukuna got back together. this is maybe a year or so to them getting back together. yuji loves his auntie!!! anyway, i hope you enjoy it. i had a lovely time writing it because this is what we deserved from gege!!! i love you all!!! thank you for your continued love <3

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if you want to, tip!

── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ──

IT WAS YOUR DAY OFF. And that was something you and Sukuna had agreed about in the early dawn of your relationship together. You wanted to get to know this man you fell in love with, and many years had passed since you both even got together after your amnesia. One of those days was today. With no work obligations today and Sukuna taking a break from managing his gym, the two of you had indulged in a much-needed cozy day.

A lot of things would change. So, Ryomen Sukuna stepped up to the plate and took some time off to just have days to cherish your time together.

Everything had been blissfully quiet, a rarity for both you and Sukuna. Like always on these days, you’d spent the morning wrapped in a warm blanket together, watching a movie you both had half-paid attention to, more engrossed in each other’s company than the plot unfolding on screen.

Ryomen Sukuna had his arm draped around your shoulders, his fingers lazily drawing patterns against your skin. Your boyfriend doesn’t sleep that much, but when he’s in his lazy days with you — he makes an effort to rest. You worry a lot for him, after all. And he doesn’t want to add more to those worries. Begrudgingly he does it, but it makes you happy.

He expected to spend the day with you like this all day. And Sukuna was happy with that. He likes having time with you like this, just embracing each other’s warmth and talking over the bad television shows and ordering in if you don’t feel like getting up and making a meal together.

Life was great. This was his day in a life. Sukuna had dreamed of it for years since you parted. And now that you’re together again, it just all fell into place. Nothing could be better than this. And he adores it.

But then Sukuna's phone rang, and you watched as his expression shifted from contentment to annoyance. He sighed, glancing at the caller ID — his twin brother, Itadori Jin. You looked at him curiously as he sighed.

Reluctantly, Sukuna answered, his voice gruff. "What’s up?"

You could only hear Jin’s voice faintly on the other end, speaking quickly. Sukuna’s face darkened as Jin explained the situation — some emergency at work that demanded his immediate attention.

Because of this, Kaori, Jin's wife, would have to go and pick up their eldest son Choso alone for vacation. They didn’t wanna agitate with a long drive, since Yuji is still a little boy. And with no one else to watch over their young son, Itadori Jin was left with only one option.

Ryomen Sukuna pinched the bridge of his nose, clearly frustrated. You could almost hear his internal mantra: ‘Don’t say it, don’t say it…’

But Jin, with his usual charm and desperation, finally got to the point. “Look, can you just babysit Yuji for a couple of days until we’re back? We don’t have anyone else.”

Sukuna opened his mouth, ready to protest, but before he could even get a word out, you grinned and cut in. "Oh, we'd love to! Right, Sukuna?"

Sukuna shot you a glare that was more pout than anything else. He looked betrayed, as if you had just handed him the world’s most inconvenient challenge. You couldn't help but bit your lip, trying to stop your laughter. He's always like this when it comes to his nephew. He likes to pretend that he doesn't like him and yet, he does. A lot.

For a moment, you think he was almost like a kitten who found his owner’s antics unpleasant. You felt the tension in his arm, the muscles flexing in silent rebellion. He’d been so ready to complain, to give a flat ‘no’ but your enthusiasm left him no room to argue.

Jin laughed on the other end. “Great! Thank you, sister in law! We’ll drop him off in an hour.”

As the call ended, Sukuna tossed his phone onto the couch with a dramatic sigh, leaning his head back and closing his eyes as if he’d just endured a great ordeal. “Really?” he muttered, a sulky undertone in his voice. "You had to say yes?"

You laughed softly and nudged him with your elbow. "Oh, come on, baby. It'll be fun! Besides, Yuji is adorable. Don't you think so?"

Sukuna opened one eye, giving you a side-eyed glance. "He’s a menace, that brat." he grumbled, but there was a hint of a smile tugging at the corners of his lips. "A little gremlin in disguise."

You leaned closer, wrapping your arms around his waist and resting your head against his chest. "And I think you secretly like him." you teased.

He snorted, though his arm tightened around you instinctively. "Yeah, well, I like my peace and quiet more. ‘specially since I get my fill of you."

You blushed at his words. For a moment, you could feel his heartbeat beneath your cheek, steady and strong, and you knew he would complain, sulk, and groan about this for the next hour.

But you also knew, without a doubt, that he’d be the one sneaking Yuji cookies before dinner, making silly faces just to hear him giggle, and pretending to be indifferent even as he kept a protective eye on the kid. After all, he loved his little nephew. Even if he doesn’t say it out loud.

“Fine." Sukuna grumbled finally, his voice resigned but affectionate. "But don’t blame me if he decides to climb the walls or something.”

You smiled, planting a soft kiss on his jaw. "Deal."

Sukuna’s sigh was heavy, dramatic, but there was no mistaking the way he leaned into your touch, accepting his fate with a grumpy fondness that only made you love him more.

── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ──

day one

IN NO TIME, YOU WERE ALREADY PARKING. You watched as your boyfriend carefully looked at the space as he parks with precision. You liked being in the Itadori household. Somehow, you just felt the warmth of bing alive here. They treated you like family even when you and Sukuna haven't even married. And today was no different.

When you and Sukuna arrive at Jin and Kaori’s house, you could just feel how the sun shines brightly as you pull up to the driveway. Itadori Yuji is already waiting outside, a tiny bundle of energy with his little red backpack on, his face lighting up the moment he sees you. You barely have time to get out of the car before Yuji bolts over, throwing himself at you with an enthusiastic hug that nearly knocks you back.

“Auntie!” he squeals, wrapping his small arms around your legs.

Your heart melts instantly. "Hey, Yuji!" you greet him, scooping him up effortlessly and spinning him around in a playful circle. "I’ve missed you, little guy!"

Yuji giggles, clutching onto you tighter, his face buried in your shoulder. Over your shoulder, you see Sukuna standing by the car, arms crossed, his mouth set in a grumpy line. He doesn’t say anything, but you can feel the simmering annoyance rolling off him in waves.

You shoot him a playful smile. "Look, baby!" you tease. "He's already so attached!"

Sukuna rolls his eyes, but there’s no real malice in his expression. “Yeah, yeah.” he grumbles, though his lips twitch like he’s trying to hold back a smile. “Don't spoil him too much.”

You grin and bounce Yuji in your arms, pressing a quick kiss to his cheek. "How could I not? He's too cute. So precious too!”

Yuji beams up at you, clearly enjoying the attention. "Auntie, can we go to the playground?" he asks excitedly, his eyes wide and hopeful.

You look at him, amused. "Of course, we can, buddy! What do you want to do at the playground?"

Yuji's face lights up even more, if that was possible. "I wanna see my best friends! Nobara and Megumi! They’ll be there like usual!" he declares with all the seriousness a toddler can muster.

Sukuna lets out a low groan from behind you. “Great.” he mutters sarcastically. “Not only do we have to babysit the brat, but now we’re running a daycare service.”

You glance over at him with a laugh. "Come on, it'll be fun! Besides, it'll be nice to meet his little friends."

Sukuna sighs dramatically, but you catch the way his gaze softens just a fraction when he looks at Yuji. You know he would never admit it, but he has a soft spot for his nephew, even if he won’t say it out loud.

You set Yuji down, and he immediately takes your hand in his tiny one, his other hand reaching out to grab Sukuna's sleeve, tugging at him. "Uncle Sukuna, come on!"

Sukuna grunts, letting Yuji pull him along, his expression caught somewhere between annoyance and reluctant affection. “Alright, alright, brat….I’m coming.” he says, trying to sound grumpy but failing spectacularly.

You smile at the sight of them together and take Sukuna's other hand. "Looks like we're both in for an adventure, aren’t you?" you whisper.

Sukuna shoots you a look, but the corner of his mouth quirks up just slightly. "Yeah, sure. An adventure." he mutters, but you see the way his grip tightens around your hand.

Yuji swings between you two, his laughter bright and infectious as you make your way to the playground, where a day full of play, giggles, and unexpected joy awaits. You can’t help but think that he’s the purest thing in life.

The neighborhood playground is a colorful blur of swings, slides, and a few scattered benches where parents and caregivers chat while keeping an eye on their kids. You could pick up the sound of laughter filling the air from afar, and Yuji’s excitement is palpable as he practically vibrates with energy between you and Sukuna. He seems to love this place.

“Where are they?” Yuji asks, his head swiveling in every direction with tenderness, searching for his friends. “Where’s Nobara? Where’s Megumi?”

You crouch down to his level, tucking a strand of hair behind his ear. “I’m sure they’ll be here soon, Yuji. Do you want to try the swings while we wait?”

Yuji nods eagerly. “Yes! Push me, Auntie!” He drags you over to the swings, his little legs moving as fast as they can. Sukuna trails behind, hands shoved into his pockets, doing his best to appear indifferent. But you catch him watching Yuji with a faint smile on his face when he thinks you aren’t looking.

You carefully lift Yuji into the swing, securing him before giving him a gentle push. Soon enough, his little fits of laughter fills the air, bright and pure, as he kicks his legs back and forth, asking for “Higher, higher!”

Sukuna leans against the swing set's metal frame, observing the scene with a mix of amusement and begrudging fondness. "Careful, babe." he warns, though his tone lacks any real bite. "Don't launch him into orbit."

You laugh softly. "Come on, he's having fun!" You give Yuji another push, his giggles ringing out as he soars through the air. "See, Sukuna? This is what a good day looks like."

Sukuna grunts, but there’s no hiding the faint smile tugging at his lips. “Sure, sure. I’ll take your word for it.”

Just then, a small voice calls out from behind you, full of excitement. “Yuji!”

You turn to see a little girl with a red bow in her hair running over, a boy with dark, serious eyes following at a more measured pace. Yuji’s face lights up even brighter. “Nobara! Megumi!” he shouts, waving his arms enthusiastically.

Nobara reaches you first, hands on her hips and a bright grin on her face. “Hey, Yuji! Hi!” She waves up at you, her bright grin was confident and charming. "Are you Yuji's auntie?"

You nod, charmed by her boldness. "I am! It's nice to meet you, Nobara. And you must be Megumi?" you say, looking over at the quiet boy who stands just a bit behind Nobara.

Megumi nods, his expression serious. “Hi.” he says quietly, his gaze shifting between you and Sukuna, assessing. He seemed like a weary kid, but you don’t blame him.

Sukuna raises an eyebrow, clearly amused. “You two Yuji’s bodyguards or something?” he teases.

Nobara puffs out her chest, clearly taking it as an offense. “Huh?! No we’re not! We’re his best friends!” she declares proudly. Megumi gives a small nod as he hides that almost imperceptible smile at her confidence.

“Tch, brat—”

“That’s great!” You grinned at her. “Thank you for taking care of Yuji!”

Yuji hops off the swing, rushing over to grab his friends’ hands. “Let’s play!” he shouts, already pulling them toward the jungle gym.

You stand beside Sukuna, watching them run off with a fond smile. “See? Isn’t this nice?”

Sukuna grunts, though there’s no mistaking the soft expression on his face as he watches Yuji. “Yeah, yeah… maybe.” he mutters. “As long as nobody starts crying. Or falling and then crying.”

You laugh and nudge him playfully with your elbow. “Just admit it, you’re having a good time.”

He finally relents, sighing dramatically. “Fine, maybe it’s not that bad.” He turns his head slightly to look at you, a glint of affection in his eyes. “But only because you’re here.”

You feel a warm flutter in your chest at his words and lean closer, brushing a kiss against his cheek. “That’s the spirit, baby.” you tease softly.

As you both stand there, watching Yuji play with his friends, you feel a sense of contentment settle over you. It’s simple, this moment, but somehow perfect in its simplicity — surrounded by laughter, sun, and Sukuna’s reluctant but undeniable fondness for his nephew. And you were enjoying it all. Taking it all as it is. It was the perfect day.

Suddenly, Yuji runs back over, out of breath but beaming. “Auntie, Uncle! Can you come play too?” he asks, tugging at both of your hands with his small ones.

You glance at Sukuna, who looks momentarily caught off guard. But then, with a sigh and a half-smile, he bends down, ruffling Yuji's hair. “Alright, brat.” he says, his voice mock-gruff. “What do you want us to do?”

Yuji's eyes shine with excitement. "You can be the monsters, and we'll be the heroes!"

Sukuna raises an eyebrow. "Oh, I'm a monster now?" he grumbles, but you can tell he's already warming up to the idea.

You laugh, taking Yuji’s hand. “Okay, monsters it is. But you better run fast, heroes!”

With that, Yuji squeals in delight, dragging his friends back to the jungle gym as you and Sukuna pretend to chase after them. Sukuna might act like he’s reluctant, but you catch the way he’s smiling, truly smiling, and your heart feels impossibly full.

For now, there’s no place else you’d rather be. And you meant it.

── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ──

day two

THE EXHAUSTION FROM YESTERDAY DIDN’T PREVENT YUJI FROM WANTING TO ENJOY TODAY. When the next day dawns with bright and clear skies, you could only think that it was the perfect weather for a trip to the zoo. Itadori Yuji was up early, bouncing with excitement, and his enthusiasm quickly became infectious.

Even your boyfriend, who had initially grumbled about being dragged to a “smelly zoo” eventually caved in to his nephew Yuji’s pleas — especially after you flashed him a knowing smile and those eyes, reminding him how much this meant to his nephew. He couldn't deny you, no matter how much he tried. He grumbled loudly about it before finally saying yes. But you knew just as much that he was enjoying himself.

You haven’t been in a zoo in a very long time, that much you could be honest about. Sukuna doesn’t seem to care for it either growing up. But you think that this was going to be great for Yuji. He adored animals. Even just seeing them on the television makes him happy and curious. It was his first time going and seeing animals like this, up close. And you just know that it would be such a great time for him.

As soon as you arrive, Yuji is practically vibrating with energy. He tugs at your hand and points at the map, his little face glowing with excitement. “Auntie, Uncle, can we see the lions first? And then the penguins! Oh, and the monkeys too!” he babbles, his words tumbling over each other in his eagerness.

You nod with a smile. “Of course, Yuji. We have all day to see everything!”

Sukuna shakes his head, hiding a grin. “Just try not to run off, brat.” he warns, ruffling Yuji’s hair. “We don’t want to be chasing after you like yesterday at the playground.”

Yuji beams up at him. “Okay, Uncle Sukuna! I’ll stay with you!”

You spend the morning moving from one exhibit to another, enjoying the wonder in Yuji’s eyes as he watches the animals with wide-eyed fascination. He claps excitedly at the lions, laughs at the playful monkeys, and insists on mimicking the penguins’ waddles, much to your amusement and Sukuna’s reluctant chuckles.

You take plenty of photos, capturing the joy on Yuji’s face and even getting a rare shot of Sukuna smiling genuinely, one arm slung casually around your shoulders as he watches Yuji with a fond, if exasperated, expression. You think that you’ll have fun looking through it and printing it out for the photo albums. You were sure Kaori and Jin would love to have some copies too.

By lunchtime, you settle down at a picnic table near the petting zoo area. You hand Yuji a juice box, and he takes it eagerly, swinging his legs and chattering non-stop about the animals he’s seen and what he wants to see next. You all carefully eat your lunches and just let the food settle down for a little while. Sukuna sat beside you, drinking a big glass of cola to try and cool off the heat.

“Auntie, Uncle, can we see the elephants next?” Yuji asks between sips, his face flushed with excitement.

You nod. “Absolutely. After we finish lunch, we’ll head over there.”

“That's on the other side of the zoo.” Sukuna points out to you.

You looked at your boyfriend with a small smile. “And guess what? We’re still going!”

Yuji grins and quickly finishes his juice, already standing up and tugging at your arm. “Okay, let’s go now!”

You laugh softly, but Sukuna gently pulls him back to the table. “Hey, slow down, kid. Let us finish our food first.”

Yuji pouts for a moment but eventually nods, bouncing on his toes while he waits. A few moments pass, and you’re almost done with your meal when a family nearby starts laughing loudly, drawing Yuji’s attention. Curious, he takes a few steps toward them, his bright almond eyes wide with interest.

“Yuji, stay close to us.” you remind him, keeping an eye on him as he moves closer to see what’s happening.

But as you turn to answer a question from Sukuna, just for a second, when you look back, Yuji is gone. Your heart drops to your stomach as your eyes open widely, your mouth shaking as you try to speak. You suddenly couldn’t speak and fright started to get to you.

“Yuji?” you call out, your voice a bit louder now, scanning the area. Panic begins to creep into your chest.

Your boyfriend Sukuna immediately stands up, his expression shifting from relaxed to alert in an instant. You can tell by the look in his eyes. He was just as panicked.

“Where’d he go?” he asks, his voice tight with concern.

You feel a knot forming in your stomach as you look around frantically. “He was just here, babe…i just….”

Sukuna curses under his breath, his eyes scanning the crowded area with growing urgency. “Yuji!” he calls out, louder this time, his voice cutting through the chatter of the crowd.

You quickly weave through the nearby groups of people, calling Yuji's name, your heart racing. You could feel the knot of guilt in you. Your mind started to race with many thoughts. You could have looked after him better, you could have been more vigilant. You were the adult. How could you let this happen? Sukuna is right behind you, his hand protectively on your back as you search, his expression darkening with worry.

“He couldn't have gone far, babe.” you say, trying to keep the panic from your voice. “He’s probably just wandered off… right?”

Sukuna clenches his jaw, a determined look crossing his face. “Yeah, but we need to find him now.” he says firmly.

You both decided to split up, checking around the petting zoo and nearby exhibits. Your heart is pounding in your chest, and a dozen scenarios flash through your mind. But you push them aside, focusing on finding Yuji.

Minutes feel like hours as you weave through the crowds, your desperate voice growing hoarse from calling his name. Just as your heart is about to leap into full-blown panic, you hear a familiar, small voice.

“Auntie?”

You turn sharply and spot Itadori Yuji standing a few feet away, holding the hand of a zookeeper. Relief floods over you as you rush over, immediately dropping to your knees and wrapping your arms around him. You could feel like you were going to burst into tears just holding him like this. You were relieved. He was here. He was safe. He’s okay. You thank the gods above.

“Yuji! Thank goodness, you’re okay!” you say, your voice trembling with relief.

Yuji looks up at you with wide eyes, his lower lip trembling. “I’m sorry, Auntie. I just wanted to see the elephants…”

You hug him tighter, feeling your boyfriend’s presence beside you as he drops down to Yuji’s level, his expression stern but his eyes soft. He must have seen you both and ran over here as quickly as he could. He purses his lips int a tight line as he observed his nephew for injuries or bruises and even cuts.

“Brat, you scared us.” Sukuna says, ruffling Yuji’s hair more gently this time. “You have to stay close, got it? Don’t do that again.”

Yuji nods, tears brimming in his bright big eyes. “I’m sorry, Uncle Sukuna… I didn’t mean to…”

Sukuna’s expression softens completely, and he sighs, pulling Yuji into a hug. “Yeah, yeah, it’s okay, brat.” he mutters, his voice a little rough. “‘s not your fault, okay? Just….hold my hand next time.”

Yuji nods against his shoulder, and you reach over, brushing a tear from his cheek. “Come on, let’s go see those elephants, hmm? Together this time,” you say softly.

Yuji sniffles but nods, and you stand up, taking his hand. Sukuna rises too, keeping a protective arm around you both. “Yeah, together.” he agrees, his tone firm but warm.

You thank the zookeeper and solemnly leave, with Sukuna carrying Yuji in his arms still trying to comfort him. Your boyfriend pat his nephew’s back, stroking it over and over to comfort him. It broke your heart that Yuji was upset. But he was here. And he’ll be okay. That’s all that mattered to you. You knew just as much that Sukuna was the same.

The three of you head toward the elephant exhibit, Yuji keeps close between the two of you, his little hand gripping yours tightly, and Sukuna’s hand resting on his shoulder. Despite the scare, you feel a sense of calm wash over you, knowing that as long as you’re all together, everything will be alright.

── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ──

day three

THE SLEEP WAS ROUGH LAST NIGHT. You didn’t want to let go of Yuji in your sleep. He had ended up not wanting to leave your bed last night and slept with you and Sukuna in your bedroom. He still was anxious from being lost, you can’t help but think. And you don’t really blame him for it. Sukuna didn’t utter a word and just let it be, wrapping the covers on your bodies and went to close the night light.

Come morning, you wake up to the sound of muffled clinking and clattering coming from the kitchen. You couldn’t help but blink your eyes open, the early light filtering through the curtains. Beside you, Sukuna stirs, frowning slightly at the noise.

“What’s that racket?” he grumbles, rubbing his eyes.

You sit up, listening closely. The noise continues — the unmistakable sound of plates and silverware being moved around, a chair being dragged across the floor. You glance at Sukuna, a smile tugging at your lips. “Sounds like our little guest is up to something.”

Sukuna narrows his eyes suspiciously. “That brat better not be doing anything dangerous in there.” he mutters, though there’s no real heat in his voice.

You both get out of bed and quietly make your way to the kitchen, peeking around the corner. There, in the middle of the kitchen, stands Yuji, a determined expression on his face as he tries to balance on a chair he's pushed against the counter.

His small hands are busy spreading a thick, uneven layer of butter on a piece of bread, followed by an enthusiastic dollop of jam. Nearby, a bowl of cereal overflows with milk, and a few spilled Cheerios are scattered across the counter.

Yuji mutters to himself under his breath, clearly focused on his task. “Okay, okay… just a little more…” He tips the milk carton a bit too far, and more milk splashes onto the counter. He gasps softly but quickly goes back to his sandwich-making, a look of concentration on his face.

You can’t help but smile, and Sukuna, despite his earlier grumbling, looks a bit amused too. “What’s he doing?” Sukuna whispers, leaning closer to you.

“I think… he’s making us breakfast, babe.” you whisper back, feeling your heart melt a little.

Before you can say anything, Yuji notices you both standing there. His eyes widen in surprise, but then he beams, his face lighting up with pride.

“Auntie! Uncle Sukuna!” he exclaims. “Good morning! I… I made you breakfast!” He gestures to the chaotic spread on the counter, looking so proud of himself that you can’t help but feel a swell of affection.

You step forward, giving him a warm smile. “Wow, Yuji! This looks… delicious!” you say, trying to sound as genuine as possible while suppressing a laugh at the mess.

Sukuna crosses his arms, one eyebrow raised, but there’s a soft look in his eyes. “Yeah, brat, you really outdid yourself.” he says with a small grin. “What’s the occasion?”

Yuji’s smile falters a little, and he looks down at his feet, shuffling nervously. “I… I wanted to say sorry for yesterday.” he mumbles. “I didn’t mean to make you worry… So I wanted to make you a special breakfast to make up for it.”

Your heart melts at his sincerity. You crouch down to his level and pull him into a gentle hug. “Oh, Yuji, you don’t have to do that for us.” you say softly. “We know you didn’t mean to worry us. We’re just happy you’re safe.”

Yuji hugs you back tightly, burying his face in your shoulder for a moment. “But I wanted to, Auntie!” he insists. “Because I love you and Uncle Sukuna… and I wanted to make you smile.”

Sukuna’s expression softens further, and he crouches down next to you, ruffling Yuji’s hair. “Hey, brat, you already made us feel relieved.” he says gruffly, though his voice is unusually gentle. “But I guess we should at least taste this fine meal you’ve prepared, huh?”

Yuji’s face lights up again, and he nods eagerly. “Yes! I made a sandwich and cereal! It’s my favorite!”

You and Sukuna exchange a glance, amused but touched by Yuji’s earnestness. You take a bite of the butter-and-jam sandwich, doing your best to keep a straight face as the unevenly spread butter melts on your tongue alongside a very generous layer of sweet jam.

“It’s… unique.” you say, giving Yuji a big smile. “Thank you, Yuji.”

Sukuna follows suit, picking up the cereal bowl and taking a careful sip of the overly milky concoction. “Mmm.” he says with a nod, holding back a chuckle. “Not bad, brat. Not bad at all.”

Yuji beams, clearly delighted by your reactions. “Yay! I’m glad you like it!” He claps his hands, his earlier nerves completely gone now.

You reach over and give Yuji another hug. “Thank you for being so thoughtful, Yuji.” you say warmly. “You’ve definitely made our morning.”

Sukuna nods, wrapping an arm around Yuji’s shoulders. “Yeah, brat….you’re alright.” he says, a rare softness in his tone. “But next time, let’s make breakfast together, okay? Might save a little bit of the kitchen from total destruction.”

Yuji giggles, nodding eagerly. “Okay, Uncle Sukuna! Next time, we’ll make pancakes!”

You smile, feeling a wave of warmth wash over you as you look at the two of them. Despite the mess, despite the unexpectedness of it all, you can’t think of a better way to start the day.

Later that morning, as you and Sukuna help Yuji clean up the kitchen — which now looks like it’s survived a mini tornado — your phone rings. You glance at the screen and see it’s Jin calling. You exchange a quick look with Sukuna, who’s wiping a smear of jam off the counter, and answer the call.

“Hey, Jin!” you greet him warmly, keeping an eye on Yuji, who is carefully stacking dishes in the sink. “How’s everything going?”

Jin’s voice comes through, sounding a bit tired but cheerful. “Hey! We’re wrapping up at work sooner than we thought. Kaori’s gonna arrive in a day or two. I just wanted to let you know I’m on my way back home. I should be there in a few hours.”

You feel a pang of mixed emotions — relief that Jin and Kaori are safe and on their way back, but also a little sadness knowing this means Yuji’s stay with you is coming to an end. “That’s great news, Jin.” you say, glancing at Yuji. “We’ve had such a fun time with Yuji, he’s been wonderful.”

Jin laughs. “I’m glad to hear that! I hope he wasn't too much trouble for you guys.”

Sukuna snorts softly, overhearing the conversation. “Trouble? That’s an understatement.” he mutters, though there’s a fondness in his voice that he doesn’t bother hiding.

You grin at Sukuna’s comment before turning your attention back to Jin. “No trouble at all.” you assure him. “Yuji’s been an absolute sweetheart.”

Jin sighs, a smile evident in his tone. “Thanks for looking after him. We’ll come to pick him up as soon as we get back.”

You hang up the phone and turn to Yuji, who’s watching you with wide, curious eyes. He tilts his head slightly. “Was that Daddy?” he asks, his little voice hopeful.

You nod, smiling gently. “Yes, Yuji. Your dad said he and your mom are on their way back. They’ll be here to pick you up soon.”

Yuji’s face falls, and his shoulders slump. “But… but I don’t wanna go home yet.” he murmurs, his lower lip jutting out in a pout. “I’m having so much fun with you and Uncle Sukuna…”

Sukuna raises an eyebrow, crossing his arms as he looks down at his nephew. “Oh, come on, brat.” he says, trying to sound stern but failing miserably. “You miss your parents, don’t you?”

Yuji frowns and shakes his head, his small hands clenching the hem of his shirt. “But I wanna stay here longer! We didn’t even make cookies yet!” he protests, looking between you and Sukuna with pleading eyes.

You kneel down to his level, brushing a strand of hair away from his face. “Yuji, we’ve had so much fun with you, and we’re going to miss you too.” you say softly. “But your mom and dad miss you too, and they can’t wait to see you.”

Yuji’s eyes welled up with tears, and he looked down, his voice barely a whisper. “I know… but I like being here… with you two.”

Sukuna sighs, his expression softening. He crouches down beside you, his hand resting on Yuji’s shoulder. “Hey, brat.” he says, his tone gentler now, “Just because you’re going home doesn’t mean we won’t see you again. We’ll have more fun days together, I promise.”

Yuji sniffles, wiping at his eyes with the back of his hand. “Really?”

“Really.” Sukuna confirms, ruffling his hair. “And next time, we’ll definitely make those cookies, huh? Maybe even chocolate chip ones. What do you say?”

Yuji’s face brightens a little, and he nods, his tears already forgotten at the mention of chocolate chip cookies. “Okay… but can we still go to the park one last time before I go home?”

You exchange a glance with Sukuna, and he rolls his eyes playfully. “Alright, one last trip to the park.” he concedes with a smirk. “But only because you already made us breakfast.”

Yuji grins, and you can’t help but smile too, your heart feeling full. “Let’s get ready, then.” you say, standing up and taking Yuji’s hand. “One more adventure before your parents come to get you.”

Yuji cheers, jumping up and down excitedly. “Yay! Let’s go!” he exclaims, all traces of sadness gone.

As you head out the door, you feel Sukuna’s hand slip into yours, giving it a light squeeze. “You’re good with him, you know? Thank you for that, babe.” he murmurs, a rare softness in his voice.

You smile up at him. “Oh, you don’t have to thank me. You’re just as good with taking care of him, you know? Love that about you, babe.” you reply.

Sukuna couldn’t help but snorts but doesn’t disagree, a faint blush coloring his cheeks as he leads the way, Yuji’s laughter filling the air. And for now, that’s all that matters.

── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ──

epilogue

Itadori Choso finally arrives home from college after a long drive. He was eager to spend some time with his little brother, Yuji. Being far gone in college, all he thinks about is when he’d get to play with his little brother. And he can’t wait. He steps into the house, dropping his bags by the door with a loud thud, and immediately calls out in front of his mother.

“Yuji! I’m back!”

Yuji, who has been doodling in the living room, perks up and runs over to greet him. “Big brother!” he shouts, throwing his arms around his older brother in a big hug. But no sooner has he hugged Choso than he starts babbling excitedly. “Guess what! I had the best time ever with Uncle Sukuna and Auntie!”

Choso’s smile wavers slightly, and he looks down at Yuji with a puzzled expression. “Oh, did you?” he asks, his tone laced with a bit of unease. “What did you do with them?”

Yuji’s eyes light up as he launches into a detailed recount of every moment spent with you and Sukuna, from the trip to the zoo to making breakfast and playing at the park. “And then Uncle Sukuna said we’ll make chocolate chip cookies next time! And Auntie said we could go to the beach too!”

Choso’s smile turns into a slightly forced grin as he listens, nodding along but feeling a twinge of jealousy in his chest. “Wow, sounds like you had… a lot of fun.” he says, trying to keep his voice light. “But hey, I’m back now, so we can have fun too, right? We can do all the things we used to do!”

Yuji’s face scrunches up in thought for a moment before he shrugs. “I guess…” he says, a bit too nonchalantly for Choso’s liking. “But Uncle Sukuna is really funny, and Auntie gives the best hugs. And we were going to make pancakes!”

Choso’s eye twitches slightly. “I can make cookies too, you know,” he says, sounding just a tad defensive. “I’ve been making them for you since forever, Yuji.”

Yuji nods, but he looks unconvinced. “Yeah, but… Uncle Sukuna flips them really high in the air. And Auntie says we can put as many chocolate chips as we want!”

Choso crosses his arms, his brow furrowing. “Oh, really?” he mutters. “Well, I bet Uncle Sukuna can’t make cookies shaped like dinosaurs like I can.” He puffs out his chest a little, feeling smug.

Yuji’s eyes widen for a second, but then he shrugs again. “Maybe!” he admits. “But Uncle Sukuna and Auntie took me to the zoo and the park, and we saw a real dinosaur—uh, I mean, a lizard that looked like one!”

Choso’s eyebrow twitches again, and he huffs. “Yeah, well, that’s cool and all, but I’m way cooler than Uncle Sukuna, right?” he says, trying to sound casual, but his voice pitches a little higher than usual.

Yuji tilts his head, considering this for a long, exaggerated moment. “Umm… I dunno…” he finally says, looking genuinely torn. “You’re both cool. But Uncle Sukuna can lift me with one arm! Can you do that?”

Choso frowns. “Of course, I can! I’m your big brother!” He scoops Yuji up in a single swift motion, lifting him high into the air. “See? I’m strong too!”

Yuji giggles, kicking his legs. “Okay, okay! You’re strong too, Choso!”

Choso sets him down with a triumphant grin, feeling like he’s finally won this little contest. “See? You don’t need Uncle Sukuna. You’ve got me.”

But then, just as Choso thinks he’s secured his place as Yuji’s favorite, you and Sukuna walk through the front door, having stopped by to return a forgotten toy. Yuji’s face lights up like a thousand-watt bulb. “Auntie! Uncle Sukuna!” he squeals, running over to you both.

Choso watches, deflated, as Yuji clings to your leg, babbling excitedly about your return. He turns to Sukuna, glaring a little. “So, you think you’re the cool uncle, huh?” he grumbles.

Sukuna smirks, crossing his arms with a cocky grin. “I don’t think, kid. I know.”

Choso rolls his eyes, muttering under his breath, “I knew I should’ve stayed home this semester…”

You laugh, noticing Choso’s pout, and lean in conspiratorially. “Don’t worry, Choso.” you say with a wink. “There’s always room for many cool people in Yuji’s life.”

Choso sighs but manages a smile. “Yeah, yeah, I guess so.” he mutters, giving in with a playful eye roll. “But I’m still making those dinosaur cookies with him today.”

Yuji bounces up and down excitedly. “Dinosaur cookies with chocolate chips!” he exclaims, clearly enjoying this newfound competition for his affection.

Sukuna scoffs, grinning. “Game on, Choso. Game on.”

And with that, Choso knows his days of being Yuji’s favorite are numbered… but at least it’ll be fun trying to win back the title.

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