#these memories are so important to me

[petr1kov]

gotta be honest and say it's insane to me that a bunch of people 'misremembered' nelson mandela dying in prison in the 80s even though he lived to become the president of south africa in the 90s and instead of thinking 'wow, i really should learn a bit more about international politics outside of north america and europe because not knowing such a basic fact like this about one of the most influential political figures of all time is kind of embarrassing', they became convinced that this was proof that parallel realities exist and they were having memories of an universe where mandela died in prison somehow. that's presumptuous on a level i can barely conceive of

[tomfrogisblue]

i forgot to post this during june but i think one of the reasons qsmp was so important was how unapologetically Gay it was

for starters, the number of creators and admins involved who are irl queer of some variation, just chilling in a place where any kind of phobia would get Philza's legendary ban hammer faster than you could say "rainbow jelly"

and then the characters.

i remember showing up that first day and being shocked that somehow foolish had an ex-boyfriend already (I had missed the squidcraft lore apparently)

that server. gay. all the gay. all kinds of gay.

govermentally assigned platonic husbands that stayed together the whole time (despite one of them being gone for months at a time), not a chance in hell of infidelity. Proud fathers of two wonderful children.

governmentally assigned partners who yelled full volume at each other about cheating any time they were in the room together and between the two of them killed two children.

a grieving father and ex-convict becoming one of the most solid couples in the server, with a beautiful wedding and consistent public displays of affection via the in-game chat.

a demon ashamed of who she was and a lonely detective struggling with family trauma, now with a lil girl of their own, to love together and take care of, with more moms than could ever allow the little girl to ever be lonely herself.

a 2b2t warrior coming to terms with his sexuality with the support of his beautiful baby boy at his side, slowly but surely opening up to his eventual Brazilian Boyfriend. Where they went from the most cautious couple (baby steps) to the most sickeningly sweet couple on the server.

- and this list doesn't even scratch the surface.

gay characters, trans characters, ace characters, aroace characters, gender fluid characters, all kinds of relationships and families.

all presented without negativity or shame.

the point of the server was to exchange languages and cultures, without the biases and barriers seen so much in both the content creator scene and the wider world.

it also had a beautiful little side effect, practically by accident.

our lgbtqsmp.

[carnivalcarriondiscarded]

im a simple guy! i think about puppy Barnaby. i promptly explode into bloody heart-shaped confetti

[doydoune]

something something about mentors and cycles and mentors and cycles

[poorly-drawn-mdzs]

Alas, this beautiful dream could not last.

[magicicephoenix]

I'm not sure if you're still accepting palette request but if you do: #6 "shy" for toon bendy (BATDR) or maybe #52 "plastic heart" for Twisted Alice?

an anxious demon and a murderous angel. what could go wrong?

batdr bendy with #6 - shy and twisted alice with #52 - plastic heart

[egophiliac]

(it probably wasn't actually Idia's fault)

(or was it)

some quick initial reactions to celebrate Diasomnia Day One! it felt like a bit of a short intro, but oh, what a tasting menu of things to come.

[yashley]

"Yeah, but we talked about it and I didn’t want it." "Why not?" "Because it scared me."

[cubbyyyy]

just a reminder that one of neils favorite memories is when he found andrew cuddled up with their cats.

[linkedin-offficial]

is this anything . sky:cotl au

details (aka my rambling) under the cut

mostly set upon the whole idea that caine came from eden and tries to help everyone gain their wings (albeit doing a terrible job the entire time)

bubble keeps the name bubble!

they r a mantatee :3 suprisingly chaotic for a light creature and sort of has the "eat light and puff out candles" personality that caine should have but doesn't

i contemplated caine being called "the creature" just for shits and giggles (and eventually went with it) since im absolutely certain everyone who ever meets him ever would be terrified for a little bit until they realize hes sentient; he doesn't understand that the name is supposed to be sort of derogatory

caine is the only one with wings because hes the only one who can canonically fly/float!

(and yes his head is supposed to be a dark plant . i like to think im big brain for this)

the reason why his dark plant head is tinted red btw . my thought process was basically "ah yes. red = good bcus eden :]" even though thats convoluted since everyone hates eden but that makes it better in a way. i think

zooble > mismatched worksmith

"bows" given to them by ragatha as an identifier; not like theyd need one though ..

constantly making their own prosthetics due to growing boredom with their previous ones (autism™) and also carved the designs into their mask themself

kinger > reluctant royalty

same old kinger as usual .. when asked what he rules he doesnt particularly remember nor have an answer so hes usually treated with respect out of pity for being old and senile

second tallest behind jax , also the oldest (if you dont count caine i guess? whos sort of. ageless)

ragatha > plush friendfinder

matching bow with jax :3 sibling moment! (yes i like the ragatha + jax sibling dynamic . its amazing to me)

right eye does not glow and actually looks like a hollow hole if you get close enough to her face! also clothing making buddies with zooble :] she taught them how to sew without pricking themself

gangle > wrapped up theatre-goer (i had such a hard time thinking of a name .. and to be honest?? im not solid on this but WHAGEVER.)

shortest. obviously

likes to write plays in her spare time and reads them to zooble while they work

clothes are sectioned and Very flowy, and has a few (cracked and broken) masks she likes to use for play improv (and also uses for herself sometimes if she has a hard time expressing a certain emotion)

jax > towering tease (it sounds stupid but THIS is so fucking funny.i cannot resist this)

tallest OBVIOUSLY. like stupidly tall . has its advantages and disadvantages (like being able to steal things from gangle with no consequences . on the other hand. doorframes)

him being tall and having that be the only thing hes got going for him is absolutely hilarious to me and im leaning into that hard

he has a tail also, but its small and not visible from the chart

pomni > jittery jester (i had to look up "other words for anxious" for this.my intelligence is showing)

pretty much the only one i referenced real in game clothing for, which sort of fits! protag moment

this was all i really had, since other established things like their personalities and relationships arent really changed much. but this was fun to think about :3 input is appreciated !

[khaopybara]

#FK1stFMinBrazil

[medi-bee]

isat pokemon au, my liege?

my rambling in tags

[neapenning]

Gotta include the whole family

[daily-teki]

Day 122: HAPPY OUT OF TOUCH THURSDAY EVERYONE

Got the whole memory dance squad together ^^ (yes, these four are what I’ve been working on all week, sorry abt the shit background)

Plus, exciting bonus: the shop is now open! You can now get these four (and partriodge ranger) as stickers if you’d like! I’m gonna make sure to have at least one new out of touch character every out of touch Thursday bc;

1. there’s not enough yttd merch out there so I gotta contribute to society somehow and

2. I wanna make sure that everyone can have a lineup of all their favs ^^

Keep in mind that I’m not doing this for any real profit, I just wanna see people happy with the stuff I make; so please let me know if there’s anything you’d like me to make! Doesn’t have to be sticker, teki or out of touch Thursday related, any art request is fine! If you’d like me to make a proper shoplift shoplaugh shoplove Midori poster I can totally do stuff like that too :>

I’ll make sure to keep doing my dailies tho lmao, I just had a bunch of stuff on last week

+ a Teki-less dance squad if you’d like that for background reasons or anything :>

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[crustycrackhead]

I need to draw Kremy god damn Lecroux but I’m better with humans and I’m so mad I’m not a scaly/furry. They always serve but SIGHH… I think Kremy would be so cute as a kid, like cute lil squeaks hatchlings make.

Kremy is so runt of the litter core to me, his mother could’ve held him in her palm when he first hatched. So small, so fragile, so different from the man that’s larger than life.