#these expressions are incredible

[inkskinned]

the tradwife movement is the same as it has always been - back in the kitchen, back to breeding - it just has better branding.

when i was younger, i hated pink. i was not like other girls. this is now something i'm embarrassed of - this was not me being a "girl's girl."

but it was expressing something many of us felt at the time: i literally wasn't what girlhood was supposed to be. this is a hard thing to explain, but you know when you're not performing girlhood correctly. it isn't as easy as "i liked x when girls liked y" - because there were other girls that liked x, too - but i never figured out exactly the correct way to like x, or to be interested in y.

now there is the divine feminine. this is the same rhetoric it has always been: women are biologically driven to like pink and ribbons and submitting to our husbands.

the problem is that the patriarchy found a better PR team. because yes, actually, i want every woman to have the choice to be a homemaker. i also want her taken seriously for her legitimate home-making labor. i want her to be recognized as also having a job, just unpaid. i want men to have this opportunity, too.

but it is no longer "i made this choice and I love it." instead it is a sixteen-paragraph rant about how selfish it is that my generation isn't having kids. instead it's long videos about how if you feed your children processed foods, you're going to kill them. instead it is "this is what womanhood is supposed to be. i feel bad for any other choices you're making."

the shame spiral is just prettier. it is large houses devoid of personality. it is the implication: if you don't have this, you aren't happy. the solid, everlasting assurance: women are actually supposed to be submitting. this is the default. this is the natural state of things. all other attempts inflict suffering.

but you can no longer say i'm not like other girls. you can no longer reject this image completely. you cannot find it revolting, even if you know that the underbelly is toxic and festering. sure, it is the same repackaged patriarchy. but the internet does not have shades of grey. you should support and reward other women! your disgust is actually internalized misogyny. not because you are seeing a vision of yourself the way they're trying to train you to be. not because you feel her ghost pass within an inch of your earlobe. not because your father will eventually ask you - why can't you be like her?

because they figured out how to make it beautiful: women will sell other women on this idea, and we will find the singular loophole in feminism. sure, she's shaming you in most of her videos. sure, she implies that a different life is obscene. but she just wants you to be happy! you'd be happier if you were listening!

and the whole time you're sitting there thinking: i'd actually just be happier if i had that kind of money.

[daydreamerwonderkid]

Bruce used Awkward Flirtation. It's a Critical Hit!

Reference under cut

[hinamie]

morning glory

[exilley]

I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits

[tawnysoup]

Learning to accept support

[marinettenoirfan]

I commissioned the incredible @roseletterchan to create Adrien using the peacock miraculous from @buggachat's Bakery AU and I am SO happy with the result! Look at how wonderfully the piece turned out!

She was incredible to work with and her commissions are open so check out her stuff!

(ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

[poisonousquinzel]

thinking about how Isha was willing to die with Jinx at the chance she might have been able to stop or stall the Enforcers. like, even if she is aware who Vi is, she saw her pull back up to hit Jinx the last time (kill shot) so there's no reason to think that the moment Isha was between them the Enforcer wouldn't just smack her to the side with those big ass gauntlets and finish the job.

the eyes closed and heavy breathing, anticipating the strike that Vi didn't throw.

and I love this moment between Vi and Jinx, this small bit of eye contact, Vi's surprise when she looks back after the gun was shot away to find that Isha had thrown herself on top of Jinx.

her realizing what was unfolding, more traumatic violence at the hands of Enforcers in front of a child who would never forget them. that unspoken moment of communication.

after everything, they're still sisters. she's still a big sister.

[pieofdeath]

President Hancock: "We are not going to have any more nukes blowing up. My fellow Americans, we are going to tighten up around here-"

Jacob:

"DAVE."

[demigods-posts]

luke fumbling in recruiting percy has to be one of his greatest failures. a beautiful thing the show does regarding luke and percy's relationship is building rapport between them through shared moments like settling into camp, eating meals together, but especially through swordfighting lessons. the swordfighting scene at the beginning of episode 8 not only reveals that percy and luke already share similar beliefs about the fear-based system the gods have cultivated, but it's clear the conversation stays with percy when he fights ares and later calls out zeus on his waning skills as a father and a king. however, luke's plan fell through the moment percy learned that the winged-shoes were meant to drag him to tartarus. not only that, but the shoes nearly killed grover, a friend percy cared for deeply. if nourishing loyalty and trust was the key to ensuring a partnership with percy, then it was luke's faulty planning, arrogance, and impatience that cost him the greatest ally he could ask for.

[viciousbagel83]

I have nothing but the utmost respect for the women who came forward with the allegations against Neil Gaiman. Their stories (particularly those of Scarlett Pavlovich, Kendra Stout and Caroline) are utterly horrific, and their bravery and resilience in discussing the heinous things they suffered at the hands of Gaiman (and Amanda Palmer) cannot be overstated. I hope that all of these women live happy and successful lives going forward, and that no one suffers at the hands of this depraved predator ever again.

(And to any victims of his that have not come forward yet or who will never feel ready to come forward, your experiences are just as valid and your courage/perseverance is just as strong.)

[lucrecia84]

RETICLES published their rough animation for the ending scene from the Lull Ending and aaaah... finally we can properly see their little blushes.

Also the fact that Cheng Xiaoshi is only blushing as soon as he notices Lu Guang...

My heart is full.

[time-slink]

faces faces faces… much fun

[soulbeastdragon]

Oh my gotdamn

It be Hass!

👁👄👁

so @soulbeastdragon's Hass Seen Things broke me out of art block... can you tell i havent drawn in forever lmao

caps of some of my favourites under the cut

[hootyhoowoo]

A little 15 min doodle but first post of the year has to be Bingqiu!

[fandommothfreak]

Something that really got me this episode is how Ochako responded when Himiko finally opened up to her.

Himiko says she falls in love easily, because everyone has beautiful blood running inside of them, and Ochako hums, because she's listening. Himiko says she was told not to smile, that she was jealous, and Ochako hums, shakier this time, because she's listening. Himiko tells her about the boy she liked, about her fear of being seen as something inhuman, about how she joined the League of Villains so she could live unapologetically as herself, and Ochako reaches out to her. Brushes the darkness away. Tells her she has a wonderful smile.

And then we get the quintessential Togachako scene and it hits so hard. And a lot of that is because of the buildup - because of Ochako's desperate need to reach out, to touch, to listen (and, god, the way her voice breaks when she begs Himiko to talk to her), because of the catharsis when Himiko finally opens up, how soft her voice gets, how softly Ochako responds to her. I don't even know where I'm going with this. I'm just in awe. This episode ripped me apart.

And the stark contrast between Ochako and the monsters in Himiko's past. The lack of judgement. The way she embraces her, comforts her, understands her, despite everything. She really does touch the sadness inside of her, feels for her like no one else has. Honestly calls her beautiful, calls her cute, because, to Ochako, Himiko really is the cutest girl in the whole world.

I don't know how to end this post. I'm just. Feelings.

[songthursh]

Our first collab comic with @stupidlynx!!! Some steppe romantic x)