#these characters are the same age.

[im-still-a-robot]

How is anyone in this house functional.

[who-the-fuck-are-you-bruh]

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[kittykatninja321]

The reason why I always emphasize that utrh era Jason is 18/19 and refuse to let people forget that Jason and Tim are canonically 2 years apart is because the concept of Jason as a fairly young adult with little to no support system is a fascinating concept to me and it goes under explored in both canon and fanon. I think it adds such an interesting wrinkle to the everything and is a great contrast to all the Red Hood shit. I’m thinking about New Earth Jason specifically here, he’s both younger than post-nu52 Jason and more isolated. Most people at 19, even if they can afford to be out on their own in this economy, still have contact with their family of origin for support. Jason is not only estranged from his family with little to no support system (depending on how much you interpret Talia being involved after Lost Days), he’s also doing mob boss shit while he’s still technically young enough to be somebody’s prom date. He didn’t go to his prom because he was probably in Russia learning how to make bombs or something (and because, yknow, the whole dying thing).

Jason is someone who both had to grow up too fast and by all means should be somewhat emotionally stunted. Not only does trauma stunt you he was catatonic for long enough that he’s missing literal years from his adolescence. He’s young enough that he’s still reeling from trauma from childhood and adolescence (late teens/ early twenties are peak ‘desperately trying to recover from childhood’ era).

I think underneath the rough Red Hood exterior that Jason should be naive in ways that people wouldn’t really expect. He doesn’t have much experience with relationships (both romantic and friendships), and it’s been years since he’s socialized much with people his age (he doesn’t socialize much at all he’s pretty isolated). I think even if he doesn’t look young that at times he would slip up and show that he is

Also I just love the contrast. I like the idea that sometimes you’ll hear Red Hood cackle without the helmet on and you’ll recognize traces of that 15 year old kid and then he’ll shoot someone immediately after. Like imagine if utrh was a Boy King of the underworld sorta deal

[mollysunder]

This is the worst lie Jinx has ever told herself.

Felicia's literally just Vi with a braid.

Now young Silco, that's just male Jinx with less baby fat, but we all know Jinx's face is only getting sharper.

Forget the Felicia, it's like the artists decided Silco was literally Jinx's only parent. The resemblance is still there even when Silco gets older.

You think anyone who knew Silco when he was young looked at Jinx and went, "yh that's Silco in blue".

[djkinski]

revisiting some old concepts of mine

[lala-blahblah]

The thing is I don't believe Miles Edgeworth would ever say "I love you" to Nick, and I don't think he would reach out to hold him. But I do think the moment he hears about what's going on with Trucy he would show up at Nick's door with a stack of documentation on adoption and sit down with him for hours as they wade through the legal process to gain custody. One step at a time, you are not alone in this, we'll figure this out together. Acts of service my beloved... Let me ease your burden by taking it on. I love you and want you to be well.

[elvhenmage]

this may not go over well but i want to say something before dav comes out because this GI article quote is really bothering me:

"As pansexual companions, they are attracted to people of any gender (or regardless of gender)."

bisexuality and pansexuality are functionally the same thing. both sexualities are defined by being attracted to people of any gender and/or regardless of gender. i don't care if you personally identify as pan, i’m not attacking the label itself here because that’s not the point. i’m just saying they mean the same thing and i'm asking all of you in advance (especially people who are not bisexual) to please be careful with the way you talk about bisexuality wrt pansexuality because it is unfortunately very common for pansexuality to be lauded as "more progressive" than bisexuality by people who don't know bi history.

bisexuality has been documented since at least the 70s to be trans/nb inclusive and to not be limited by gender or sexuality. pansexuality is not more progressive than bisexuality. they're the same. please do not bring back the "hearts not parts" mentality. okay? cool.

here's some links to check out: one, two, three, four, five

[sewerpigeonart]

we never got quite close enough to death for my liking

[cradleghost]

Been a week since I finished my first playthrough and I’m still riding that emmrook high

[driftsart]

Starscream and Skyfire's young years

[aroaceleovaldez]

my hot pjo take is that Jason isn't a second Percy, Jason is a second Annabeth. Jason is just if Annabeth was a guy and also a Big 3 kid.

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[bishicat]

the secret to veil jumping is in the hair

[vaguely-concerned]

obsessed with the fact that if you choose the last purple option in lucanis' romance chat before going off to tearstone island ("they MOVED the MOON!!!" still in the running for the best delivery in the whole game btw it's so ineffably hilarious to me), it's rook who flinches away just a little bit (if still warmly <3) and tries to change the topic and lucanis who's steady even though he's clearly still so afraid. 'don't tempt fate'/'*the softest fucking voice you've ever heard in your entire life* I don't intend to'. pain and suffering

lucanis looking at rook and helplessly, with a wonder that verges on despair, saying 'what would I do without you?' is soooo. especially at that point in the relationship and with what's about to happen. and for whatever reason rook can't quite stay with the fact that they do mean that much to someone, that they are so reverently and so groundingly 'I want to know what your favourite food is so I can make it for you any time you want it' everyday loved, it's too much and they have to deflect from it or the fear of losing it. can say some very interesting things about them, too.

(there is also a Pattern in that in my estimation lucanis frequently responds better to inviting humour than to earnest shows of concern -- it seems to help him be more engaged/online to be offered that more neutral space to meet you in and uh 'build' the conversation around something funny together than to be confronted with compassion head-on because that clearly mostly deer-in-the-headlights him, as we also see with some of the early flirt options haha. contrast this especially with bellara, who repeatedly gets genuinely upset if you try to make light of some pressing and painful situation she's dealing with (girl I'm so sorry I'm so jestercore and I canot change this but I'll try :'( for you). I think the times lucanis reacts negatively to the purple options are much more about you siding with other (frequently more charismatic lol) people against him or throwing him under the bus interpersonally -- like seeming to go along with illario's charm offensives, or telling teia lucanis didn't want to come help out with caterina's funeral and he'd just sit alone and brood about it if you didn't force him (???!!! hello??? unprovoked and deeply unkind out of left field???? this option is so fucking MEAN and for what fhdaskjfa you're telling me there's no way for rook to be a bit of a dick in this game?)

when it's one on one conversation he consistently seems to find it quite comforting, though... which makes a lot of sense because in many ways it's how he interacts with illario, just shorn of the resentments and hidden daggers and things they Do Not Talk About but really should beneath the levity that makes it sharp. it's gone ugly between them, but I think the affectionate instinct beneath is real and goes back a long way before all of that festered -- it's a form of play he does with people he loves. and uh. not really caterina huh. notably.)

[nerozane]

I know it's such a small detail, but one tiny thing i appreciated from Veilguard is that Asian characters (Bellara and Taash, yes Taash is asian to me, fight me) are voiced by Asian actors. Bellara is voiced by an Asian actress (Jee Young Han). And for her brother, Cyrian, who plays such a minor role in the series, the studio could have easily casted any actor. Or recast an already contracted actor and put a different voice for Cyrian. But Cyrian was given to a small asian actor (Tim Chiou).

Also Taash's VA is of Asian too (Jin Maley is mixed, with their name being Jin which I think they are half-japanese with their appearance) and Taash's mother, Shathann, is voiced by an Sumalee Montano, who is filipino and one of the very few prolifiic voice actors of the last decade or two who is of asian descent.

Like, it's such small thing. But for me, it's deeply meaningful. I knew a few older asian actors who want to work in western productions just can't because of typecasts and lack of roles created for them. Not to mention the cruel history of using white actors to slant their eyes and play caricatures of asian people in early western visual media. The only roles those asian actors i knew got, was our own community making them. For us. Or going back to east asia to get roles (which is its own host of problems there).

So for Veilguard to put that bit of extra effort to hire asian actors to do big leads down to minor roles, especially with our faces, is so important. Western entertainment industries across the US, Australia and Europe are still very slow in hiring us asians consistently. But for just for one game, the devs decided to hire asians from all acting experiences to bring life to these characters.

And I just. Appreciate that a lot.