#these bodies move

[s-c-kh]

With these words, we move (detail) 2024

Wezile Harmans

Locating Spaces of Urgency. Chapter I: Endlovini.

[bacchuschucklefuck]

no more fan-ta-sizing about it! everything's already changed~

[min-play]

bury me with my sketchbook

Animation by Vic Additional voice by Tani

[drgnflyteabox]

mdni - implied fat!reader x bluecollar!simon riley drabble - simon is a bit of a creep also lol

Bluecollar!Simon Riley whose house floods so he has to spend the next few days in a cheap, seedy motel

First morning there he's leaving for work just as the sun is rising. Its hot, humid, and he's a shitty mood because he'll be working all day and it's only gonna get hotter

Simon Riley who smokes a couple cigs before he goes, sitting on a plastic lawn chair on his concrete faux patio when he sees you

You're flustered, damp with sweat and skin sun-kissed. You've got a laundry basket on your hip and immediately he's imagining a baby there instead. His baby.

Simon Riley who's shameless about staring at you struggling with the laundry door, dropping your clothes and giving him a view of your wide hips and plush ass in very short pajama shorts

You're so flustered:(( nearly in tears while you pick everything up. The shorts are a little tight, a little worn, and the thin material gives him just enough of a view of your pussy that it sustains him the whole day :')

All he can imagine is coming back and sinking into you :') not even necessarily fucking right away, but keeping his cock warm and relieving the tension in his body. He deserves that, no?

He's not creeping, necessarily, when he takes note of the lotion you use. Vanilla. He just happened to be having a smoke and walking right by your window, where you've got one foot propped on a chair rubbing it into your skin.

Your room is tidy. Despite the stained walls, cracks in the ceiling and overall dingy-ness, you've managed to make it look cozy.

New sheets, a fluffy blanket, string lights strung across the wall. Beside you, lotions and creams and washes - he snorts a little to himself. The bathrooms here don't have any counter space or mirrors to set them down on.

But his house does. In fact, most of his shelves are empty everywhere. His pantry, his closets. The only thing he's got are work clothes and beers in the fridge. Maybe a stray heel of bread.

Simon Riley who decides he'll have you move in before he even talks to you, before he starts memorizing your schedule on the weekends and evenings he gets home. You're struggling, on the edge of homelessness, but he knows you'd be the perfect wife and mother. That you'd bring light and warmth to his house, fill those empty shelves and empty rooms...

[catmask]

with that said there are characters that a fat maybe not canonically but they are spiritually. to me. they may not be drawn that way but i know whats true. ive seen it like a sort of prophet

[shebsart]

^redraw of a behind the scenes pic from a bout de souffle

This doesn't happen on page because it's a childrens book but I know in my heart it happened.

and probably some former english major student somewhere recalling howell jenkins, circa 1980:

[stuckinapril]

One thing I’ve noticed about people in or entering their 30s is they don’t make as many compromises anymore. If someone doesn’t meet them halfway, is not up to standard, is just not where they’re needed to be, they’re just like “ok cool” and they move on from the person. Which is not to say they’re less empathetic or understanding, but more that they have learned that time is their most prized possession and they’re not willing to make massive compromises on it. They are not obsessed w the idea of fixing someone (bc the concept of fixing a person doesn’t really exist). They simply move on to someone who is up to par. I want that. I want to always move w the awareness that time is my most priceless belonging and I can never buy it back. Ever. So I have to use it wisely

[veritasrose]

I am begging, begging y’all to understand the difference between gore and body horror please.

Body horror is transformation/monstrous sort of things like a mouth where you shouldn’t have one or like, the shifting bones and whatnot in werewolf transformations. It is where something horrific is happening within the body itself.

It is not a bloody nose, cuts, wounds, injuries ect. That is gore. It is not scars, limb differences, or visual disabilities either.

For fuck’s sake please learn this stuff because the next time I see someone tagging a scarred or disabled character as “body horror” I am gonna lose it.

(Image ID courtesy of @consistantly-changing )

[Image ID: a section from doesthedogdie, a site that allows users to put common triggers on movies. The question is "Is there body horror?". There are 4 votes for Yes, and 0 votes for No. The text below, which elaborates where and what the trigger is, says "bloody head/nose and some cuts on a childs arm from her mum. also an infected rabbit bite on the protagonist".]

[seiwas]

cw: pro-hero bakugo, reader has boobs, kind of explicit/nsfw? idk i describe boobs, reader is smaller and shorter than bakugo, unedited sawry

bakugo's muscle tee looks as ill-fitting as it'll ever be draped over you.

there are reasons for this, perfectly founded and logical reasons for why that is—the main one being that, it's, well, his; two, maybe even three sizes larger than what it should be to fit you properly.

but, he can't stop staring, and there are reasons for that too—the main one being that, it's his, and yet, the only way he can ever imagine it now is when it's being worn by you.

your hips sway to the song you've been humming for the past five minutes. it's the same one, the chorus on a perpetual loop. he's sure it's the only part you know; you do this often enough that it's the only part he knows now, too.

the hem of his tee hits right at the top of your thighs, concealing just enough to tease, but he’s confident that if you reach up even the slightest bit for the cupboard overhead, there'll be nothing to hide.

he feels a little bit like a creep like this, watching as he stands in the middle of your shared living room, but it's impossible too look away—you've got to be doing this on purpose, right?

heat flares inside of him when you turn your body ever so slightly, the armhole of his muscle tee large enough to give him the clearest view of skin—

he gulps.

it's smooth, sloping just right; the side view of your under boob curves into its perfect shape and he can imagine it, feel—

(is this considered perving if he's been with you for years?)

the pan in front of you sizzles as you plop in god knows what. you pour in something from the side and wait, one hand propped on the hip you pop out. then, you pick up the pan, attempting to flip what's inside (probably a pancake, now that he thinks about it).

it’s hard to focus on what you’re cooking though, especially when all he sees is plump flesh jiggling, bouncing as you further agitate the pan.

he just got the pants of this suit readjusted, and now they're fucking tight.

bakugo normally runs hot; it’s kind of part of his dna. but this warmth is different, flushing him from head to toe. it creeps up the side of his neck, painting the tips of his ears a blooming red.

you turn around then, plopping the pancake on the plate atop the counter behind you.

"oh! you're done," you greet him with a smile. so. fucking. casually.

as if your tits aren't fucking peaking against the gray fabric of his tee.

as if you think he buys the fake innocence poorly concealing that sly, conniving look in your pretty eyes.

as if you aren't standing in front of him in his muscle tee, wearing nothing underneath it like you didn’t do this on purpose. like you don’t know what it fucking does to him.

his eyes squint suspiciously, deep vermillion staring straight into yours.

you tilt your head, the tips of your lashes kissing the top of your cheekbones as you blink. you reach for a bottle of honey.

“everything okay?” you ask, voice syrupy, sickeningly sweet.

your movements play in front of him languidly, the corner of your lips curling up slightly as you smirk. honey catches on your finger as you pop open the bottle cap.

he’s supposed to be out the door in five minutes if he wants to make it in time for a meeting at the agency. technically, he should already be there if he wants to keep up his track record of consistently being fifteen minutes too early.

but you start to approach him, rounding the kitchen island. there’s a narrow space between him and the slab of marble, but you slide into it like it was made for you.

he’s certain it was, from the way the tip of your nose brushes against his as you tiptoe. your tits are right fucking there, brushing against the skintight material of his suit.

there’s too much fucking fabric if you ask him, between cotton and spandex.

your grin widens, and he feels hot, the heat from his cheeks radiating.

then you whisper, still saccharine, “breakfast is ready,” before kissing him on the lips lightly. a short peck, soft in the way that promises more before you slip away, giggling in your retreat.

he huffs, watching you leave. his feet shift as he thinks.

five minutes, huh?

like hell he’s going to eat these damn pancakes for breakfast today.

[s-c-kh]

Wezile Harmans

Locating Spaces of Urgency. Chapter I: Endlovini.

[crumb-crumblet-s-crumbington]

resident evil body types... :3

[min-play]

cooldown drawback

[sciderman]

How did your meeting go with the surgeons?

it was memorable

[raining-at-ease]

[rrat-king]

two clerics are dead. another one is murdered in front of you. despite being one of the greatest clerics of your age there is nothing you can do.

clerics are dying around her and there is nothing kristen can do

[kittykatninja321]

My less popular opinion (and what I believe to be implied by the art in Lost Days) is that rather than waking up in a fully grown body Jason didn’t actually complete his puberty until after his Lazarus pit dip while he was on his murder tour. Imagine you’re tied up in a basement in Berlin getting interrogated by a teenager and his voice is cracking the entire time and if you laugh he’s going to shoot you